Thanks, Ann.

Perhaps the story I wanted to tell was not the best one
photographically, but seeing him perched there motionless for about
half an hour made an impression on me I wanted to convey.  I guess it
doesn't work, however.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Thu, Feb 4, 2016 at 7:02 PM, ann sanfedele <ann...@nyc.rr.com> wrote:
> The thing is...when you see someone perched on that high and somewhat
> dangerous perch , with or without camera in hand,
> there is a certain evisceral reaction, I imagine ( Had I been there, I would
> have fretted, probably felt a bit of vertigo)  but
> visually the elements just are not as interesting ... the color, the light,
> etc.  the guy's beautifully lit back and the blurry waves
> tell a big story and everything is nicely balanced in the frame.
>
> ann
>
>
> On 2/4/2016 5:27 PM, Daniel J. Matyola wrote:
>>
>> On Thu, Feb 4, 2016 at 3:08 AM, Larry Colen <l...@red4est.com> wrote:
>>>
>>> I'd actually crop out the lower left cutting off about half the space
>>> between him and the left and between him in the bottom. This would put
>>> the
>>> front of his body rather than the back of it on the "one third" line.
>>
>> Thanks, Larry.  I see what you mean and why, but doing that takes away
>> the steepness of the rock on which he is balanced.  It then becomes
>> close to this:
>>
>> http://photo.net/photodb/photo?photo_id=18183533&size=lg
>>
>> which I think has better color and light, but lacks the drama by
>> hiding much of the rock on which he is perched.  The subject has not
>> moved at all in the two version;  the only differences are my
>> viewpoint and what is left our of the frame.
>>
>> Jack and Rick, thanks for looking and thanks for your comments as well.
>>
>> Dan Matyola
>> http://www.pentaxphotogallery.com/danieljmatyola
>>
>
>
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