Thanks for the response. I was looking at the picture and realizing that one
could sense the space by feel, heat, noise and the warmth from sunlight.
----- Original Message -----
From: "pete eckert" <[email protected]>
To: <pinhole-discussion@p at ???????>
Sent: Monday, February 25, 2002 1:54 PM
Subject: Re: [pinhole-discussion] New image "saloon" uploaded on behalf of
Pete Eckert


> You are correct. I have only been totally blind for a few years. I still
> dream in full vision. I've been learning how to take pictures for about a
> year.
>
> I was a sculptor. I lost my vision slowly. I adapted and got an MBA. Four
> years ago I left my job as a business consultant. I spent a while
> considering what to do next. First I was a martial arts instructor.
Martial
> arts have been one of my methods of adaptation. That job made me realize
> that the senses could be pushed much further than I assumed. Now I am
> returning to art to apply what I learned from the last job.
>
> Vision takes up an enormous amount of nerve bundles in the brain. It is
> possible to rewire all of that to be of use to the other senses, as long
as
> you have a understanding of the data coming in. Like a baby learning to
> see, sight is meaningless until the mind can grasp the information. I am
> working on learning how to translate the other senses to a minds eye view.
>
> enough background info, on to responding to your post.
>
> I would still have some interest in light if I was blind from birth: like
a
> astronomer viewing objects in space using radio waves. I use sighted folks
> descriptions of my finished photos to confirm or disprove what I
envisioned
> in my minds eye. The process of taking photos is an event for me not a
> product. Once the product has been manufactured I involve sighted people
in
> the art process. Their descriptions of my finished photos help me sharpen
> my senses to go out and apply what I have learned. I avoid asking for any
> help in taking the actual picture because that would alter the photos by
> making them from a sighted perspective.
>
> I have learned to question my own assumptions and those of others. I focus
> on exploring the range of my senses. this makes what I am up to more
> conceptual art rather than photography. While trying to teach sighted
> fighters to spar blind folded I learned that sight masks the other senses.
> It is as if there is only a set amount of attention available. When sight
> is removed the other senses don't become stronger. The brain just has that
> area once used by sight available. actively attempting to rewire that area
> results in a better ability to translate the other senses to minds eye
> sight. I suspect the areas in my brain once used by sight would still show
> up as active if studied with medical devices: (as if sight was stimulated
> in a dream.
> Conceiving this particular photo involved stepping in from the warm sun
> into a cool bar. Sound gave a clear impression of the dimensions of the
> room. I could hear the people at the bar. So they were easy to track. I
can
> track about 6-8peoples movements  at once before I become a little
> overwhelmed. I like a complete range of black to white in most of my
images
> so I went to the coolest area knowing that would be the darkest. There was
> no air conditioning running. Once in the back of the bar I listened for
all
> of the window openings and doors to the out side. Knowing where the
> openings are allows me to know about the lighting. getting a drink was a
> good excuse to investigate the bar area by touch. I returned to my seat by
> a different rout to explore the area further. I moved to a lower seat to
> listen for the reflected sound bouncing off lower objects. the people were
> coming and going a little to quickly for what I thought was a pin hole
> shot. I am still blushing the borrowed camera was zone plate. I waited for
> some heavy drinkers to settle in at the bar. I setup slowly taking in as
> much information as I could. as I was told by  a wise old Grandfather "
> anything worth doing is worth doing slow". using slow speed film gives me
a
> wider range of reciprocity failure. It is more forgiving to errors in
light
> estimation.
>
>
> Hopefully the above was of interest and answered your questions..
>
> Pete
>
> P.S.
>
> In response to Andy's post-- If I drink to much I tend to forget to
advance
> the film
>
>
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