Try a "Blank" frame with the camera in the sunlight to rule out light leaks.

Richard Heather

Katharine Thayer wrote:

> Chris Peregoy wrote:
>  I would try to get a
> > better fix on your pin hole size. I use a comparator as described in
> > Eric Renner's book, page 113 and 114 with the use of an enlarger to
> > enlarge a metric scale. Then figure for reciprocity failure. I always
> > try to make an accurate guess first with meter and calculations, then
> > after gaining experience I can usually guess without these aids.
> >
>
>  I've done all those things, except for precisely accurately measuring
> the pinhole, and even there I doubt that my estimate is all that far
> off. I've done pretty well with my five other pinhole cameras,
> estimating the pinhole size  and making my way to a good guessing range
> for exposures, with only one or two trial exposures in each case. The
> point was that for this particular camera, even allowing a large margin
> of error on my estimation of pinhole size, the range of exposure times
> that would be predicted seems to be many magnitudes too long (even
> without figuring in reciprocity failure) compared to the empirical data.
> The question was, does anyone have any idea why that would be, and more
> to the point, why there doesn't seem to be a logical function that I can
> identify connecting the exposure times to how the negatives turn out.
> After I could see that using the textbook rules wasn't going to get me
> anywhere very fast, I started running exposure trials, taking the same
> subject at 6 or 8 widely differing exposure times, taking careful notes,
> but since there didn't seem to be any rhyme or reason to the results at
> the end of a week or so, I decided I couldn't spend any more time on it
> until after I get this show up. I just wondered if someone had a bright
> idea I hadn't thought of. My first thought was that maybe there's
> something squirrely about this film, but later I read in one of the
> books that it's considered a good film for color pinhole, so I guess
> it's not that.
> Katharine Thayer
>
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