Ian Brockbank wrote:
| On the terminology side, SCDers do not make many distinctions at all.
| The average SCDer is hard put to distinguish between a "reel" (simple time)
| and a jig (6/8) - subtleties such as hornpipes are beyond them.  In slow
| time, it's just "strathspeys", even when they are slow airs or schottisches
| (though they are always simple time - they can tell a waltz, although it's
| not part of the standard repertoire).

How true.  I've seen numerous  cases  of  dance  teachers  trying  to
explain  the difference between a jig and a reel, and after listening
to their fuzzy, mystical attempts, it becomes clear that  they  don't
have a clue.

OTOH, some of them understand the differences  very  well,  including
the   march/reel/hornpipe   distinction  and  how  airs  differ  from
strathspeys.  I know a few dance leaders who are clear when they want
hornpipe tunes rather than reels, mostly because it's natural to play
hornpipes a bit slower (104-108 or so) so you can get the semi-dotted
rhythm right. This is is desirable for some dances that are otherwise
too hectic.

Similarly,  some  teachers  will  request  a  "real  strathspey"  for
teaching  a  dance  that usually uses an air, because the recommended
air doesn't have a strong enough rhythm and is  confusing  to  novice
dancers.   After  they've  learned the dance, the recommended air may
then be requested.

As for waltzes in the standard repertoire, you can't  get  much  more
standard than the RSCDS booklets, which include:

Book  4 # 8  Waltz Country Dance
Book 12 # 7  The Yellow Haired Laddie
Book 19 # 5  Tweedside

These are the only ones that I know about, and I'd have to agree that
they aren't common dances. (And the tune for The Yellow Haired Laddie
is actually labelled "minuet" rather than "waltz", though I'd predict
that  the  Renaissance Dance crowd would object that the tune isn't a
minuet at all.  ;-)

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