(313) new project
www.phoniq.net take a look more info to be put up there about what the project will evolve into... neil...
(313) naw on tour????
ok I know this is sort of short notice but I have a week off from work and would be interested in playing some nights: Im availalbe for live shows out side of montreal from may 15th untill may 24th. Ideally Im looking for some thing in the toronto area but Im open to other places in canada or the us. so if ay one is interested in having a livepa by naw at thier night please get in touch with me. thanks neil aka naw -- [neil adam wiernik aka naw] [EMAIL PROTECTED] [music available on] http://www.noisefactoryrecords.com http://www.pieheadrecords.com http://www.worthyrecords.com http://www.complot.ca [artist features] http://www.clevermusic.net http://www.newmusiccanada.com http://www.cognitionaudioworks.com --
(313) Ann Clarke
i have a great edit of it that was made by a veteran chi dj (not hardy), and also a great kinda "remix" that was made by mr. Keith Alexy, it's da bomb! Find what you are looking for with the Lycos Yellow Pages http://r.lycos.com/r/yp_emailfooter/http://yellowpages.lycos.com/default.asp?SRC=lycos10
Re: (313) Movement Thoughts
we're all wasting our time going over the same old festival crap year after year. it will come, it will kick azz, and you will want to dance. you know it, I know it. thats really as far as I've thought this out :) take care, -Joe - Original Message - From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, May 03, 2004 10:31 PM Subject: Re: (313) Movement Thoughts > -- Original Message -- > From: "Cyclone Wehner" <[EMAIL PROTECTED]> > > >I don't think so. I understand the frustration but... > >It's not like people are buying tickets in advance. > >And even people from os are going for a fest, not a particular > act. > >Putting on a festival in Detroit is super hard, I can se ethat. > >There is no money coming from the city of Detroit, even the > African American > >museum is in huge debt. > >I mean in places like here there are government resources > available for > >things like electronic festivals and even then people don't get > it together! > > yeah, ive found it difficult to criticise really. i mean, im going > up to detroit that weekend no matter who is playing, and i think > alot of people feel that way. as long as its going on ill be > there. and you can be pretty much guaranteed they wont be booking > crap like oakenfold or whatever. ive never seen anything else free > planned on such a large scale, so i dont even know who if anyone > can really understand exactly what goes into doing the festival. > > tom > > > andythepooh.com > > > >
Re: (313) afterparty or preparty
semantics :) - Original Message - From: "jason kenjar" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, May 03, 2004 11:51 AM Subject: (313) afterparty or preparty > how can this be an after party, it's before the festival so isn't it a > pre-party. > > just a little confused. > -j > > > > > > > > Fri May 28 - "Green Light Go" by CPM and Element Detroit @ 2500 Club > > w/Claude Young, Dan Bell, Shake, Cabanne, Jeff > > Samuel, > > Shawn Rudiman > > > >
Re: (313) Movement Afterparties
:( NO I just realized that this is the same night Im supposed to do a PA on WCBN : can anyone help us ensure we can get in at about 330am?? :) sucks, -Joe - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, May 03, 2004 11:01 AM Subject: Re: (313) Movement Afterparties > > > > > weeping > weeping > weeping > > that is the afterparty of all afterparties > > have fun at that one guys and gals > > (ok London 313'ers - you can expect me to make up for missing this!) > > MEK > > > > "/0" > <[EMAIL PROTECTED]To: "Drew Daugherty" <[EMAIL PROTECTED]>, "'313 List'" > mi.net> <313@hyperreal.org> >cc: > 04/30/04 05:45 PMSubject: Re: (313) Movement Afterparties > > > > > > > > > > Fri May 28 - "Green Light Go" by CPM and Element Detroit @ 2500 Club > w/Claude Young, Dan Bell, Shake, Cabanne, Jeff Samuel, > Shawn Rudiman > > > > - Original Message - > From: "Drew Daugherty" <[EMAIL PROTECTED]> > To: "'313 List'" <313@hyperreal.org> > Sent: Monday, April 26, 2004 6:23 PM > Subject: Re: (313) Movement Afterparties > > > > Someone posted to detroitluv about there being another green light go > > party, but gave no details. Really hoping this is not just bs since > > this was one of the high points for me last year. > > > > -drew > > > > Gerald wrote: > > > > > I thought you'd usually here about an afterparty or two by now. > > > > > > There's the Speedy J party @ St. Andrews - but has anyone heard about > > > any other possible events; anything that hasn't been officially > > > announced yet? > > > > > > Cheers! > > > > > > G > > > > > > -- > > > www.gerald-matrix.com > > > > > > > > > >
Re: (313) movement lineup?
yeah, we're still negotiating my fee :PPP - Original Message - From: <[EMAIL PROTECTED]> To: "jason kenjar" <[EMAIL PROTECTED]> Cc: "/0" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Friday, April 30, 2004 3:59 PM Subject: Re: (313) movement lineup? > my guess would be that one or more key acts/events are still being finalized, and they don't wanna announce without them. I noticed that the site has been updated, but only at the top/entry level. > > lisa > > - Original Message - > From: jason kenjar <[EMAIL PROTECTED]> > Date: Friday, April 30, 2004 3:43 pm > Subject: Re: (313) movement lineup? > > > im with him, what gives? :) > > > > > > On Monday, April 26, 2004, at 08:42 PM, /0 wrote: > > > > > whats up with this? > > > > > > is it a giant suprise party this year? :) > > > > > > _j > > > > > > > > > > >
Re: (313) new kenny larkin lp
-- Original Message -- From: "J. T." <[EMAIL PROTECTED]> >sure! there's definitely a conceptual argument there. but even beyond that, >i hear some of the same sort of notes, tonality, musical ideas, in some >stuff. i dont know enough about music to describe it more clearly. but for >instance theo's "heal yourself and move" has a piano riff that very much >reminds me of old blues...and tho it's not uniquely techno, portamento and >pitchbend can remind back to blues a lot...i dunno, i hear a lot of the same >feelings coming thru, but maybe it's just because i have heard so much >blues.. the blues is pretty much the grandfather of modern music anyway. nearly everything has been influenced by it in some way: rock, heavy metal, funk, soul, hiphop, jazz, reggae/ska, etc etc. it might not be immediately apparent, but everything sort of goes back to it in the continuum of music. it would only make sense for house and techno to draw from it as well. tom andythepooh.com
Re: (313) new kenny larkin lp
yes i know exactly what you mean... gut-wrenching feelings and raw production.. but at the same time very modern and deep. does that make any sense? sure! there's definitely a conceptual argument there. but even beyond that, i hear some of the same sort of notes, tonality, musical ideas, in some stuff. i dont know enough about music to describe it more clearly. but for instance theo's "heal yourself and move" has a piano riff that very much reminds me of old blues...and tho it's not uniquely techno, portamento and pitchbend can remind back to blues a lot...i dunno, i hear a lot of the same feelings coming thru, but maybe it's just because i have heard so much blues.. _ Mothers Day is May 9. Make it special with great ideas from the Mothers Day Guide! http://special.msn.com/network/04mothersday.armx
Re: (313) Ann Clarke
A just thinking now, I was totally unaware that there were any edits of it, maybe I heard an edit? There used to be a lot of mixes of her stuff afoot maybe 20 years ago. Razormaid loved her. jeff
Re: (313) new kenny larkin lp
there is definately a Dark Comedy album separate from the Narcessist. Not sure on the release schedule (or who is doing it) but Kenny dropped me a review copy, so i know its real On Tue, 4 May 2004, J. T. wrote: > the way i heard it was that he was shopping 2 albums (one being dark > comedy), but the peacefrog is those 2 albums combined and minus "filler"? > heard it from some dude who works at a label that was considering the albums > before peacefrog, but maybe he's mistaken. and since i now count 3 albums > being mentioned, maybe there is still at least 1 more out there. > > i really like the idea of a "techno blues" style even if its just a new name > for something thats been around...i've always heard a lot of the blues > feeling in lots of the deepest (and my favorite) detroit stuff, and finally > here is a nice marketing name for it...plus i just love the idea of some > super walter davis inspired techno or something..my favorite theo stuff has > a lot of blues in it i think.. > > > >I've heard that one of the other 2 lps is a Dark Comedy album. Don't know > >much more than that though. > > > >[EMAIL PROTECTED] wrote: > >>LOL! No qualms about that - I'm looking on it as an investment into my > >>personal happiness, who needs food anyway? > >> > >>Seriously though - anyone have anymore details on the other 2 lps? e.g. > >>when they're due, who's releasing them, style etc. > > _ > Express yourself with the new version of MSN Messenger! Download today - > it's FREE! http://messenger.msn.com/go/onm00200471ave/direct/01/ > >
Re: (313) Anne Clark
On May 4, 2004, at 12:29 PM, Martin Dust wrote: Not Checked Anne out but I will now as I was always a fan of the dark stuff and even David J stuff interested me... yeah i don't have a problem with the Anne Clarke themes/mood of the piece as much as the sounds and sound design itself,,, they're thin and shrill just sound so dated now... unlike a lot of dark/synth music from that era which still holds up fairly well. THe percussion is weak, etc. THis coming from someone who it could be argued plays 'dated' records a lot... hahh anyway, different strokes peace -- Matt MacQueen http://SonicSunset.com
Re: (313) Ann Clarke
>can someone explain to me the attraction people have to 'our darkness' I heard it in a club not long ago. and now I need one!! I don't need it for £45 though. £45, sheesh. I heard Environ were doing Gaz Nevada's Special Agent Man soon (dunno where I heard that), that's one I can't fathom out, so I know what you mean. I dunno, different things float different peoples boats though I guess. just thinking now, I was totally unaware that there were any edits of it, maybe I heard an edit? or maybe not. what came first, the chicken or the egg? all these things I'll never know the answer to. Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) Anne Clark
Yeah, admittedly the Space Odyssey series "veered off", but then again, 2001 is an absolute masterpiece, so at least it started well. His short stories, and other novels are pretty mindblowing. -Original Message- From: matt kane's brain [mailto:[EMAIL PROTECTED] Sent: 04 May 2004 5:30 To: 313 Subject: RE: (313) Anne Clark At 12:26 PM 5/4/2004, Blackman, Ryan (UKEKT) wrote: >Arthur C. Clarke, all the way. Actually it's better to stop 2/3 of the way through some of Clarke's books. 3001: The Final Odyssey was great until he started making a plot. :) -- unsigned short int to_yer_mama; http://www.mkb-dj.org Matthew Kane : Software Engineer : Zebra Atlantek, Inc. [EMAIL PROTECTED] || [EMAIL PROTECTED] *** Opinions expressed in this email are those of the individual and not Entergy-Koch Trading Limited or its affiliated companies. This email and any files transmitted with it, including replies and forwarded copies (which may contain alterations) subsequently transmitted from the Company, are confidential and solely for the use of the intended recipient. It may contain material protected by attorney-client privilege. If you are not listed on the "To" or "Cc" lines of the original email (or are not the person responsible for delivering to an intended recipient), then you are not an intended recipient and have received this email in error. Any use by an unintended recipient is strictly prohibited. If you have received this email in error please notify the IT manager by telephone on +44 (0)20 7337 8300 or via email to [EMAIL PROTECTED], attaching this message. Please then delete this email and all attachments, and destroy any copies thereof. Thank you. ***
RE: (313) Anne Clark
At 12:26 PM 5/4/2004, Blackman, Ryan (UKEKT) wrote: Arthur C. Clarke, all the way. Actually it's better to stop 2/3 of the way through some of Clarke's books. 3001: The Final Odyssey was great until he started making a plot. :) -- unsigned short int to_yer_mama; http://www.mkb-dj.org Matthew Kane : Software Engineer : Zebra Atlantek, Inc. [EMAIL PROTECTED] || [EMAIL PROTECTED]
RE: (313) Anne Clark
Arthur C. Clarke, all the way. -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: 04 May 2004 6:29 To: 313 Subject: Re: (313) Anne Clark Isn't the problem with early techno more due to the fact of how fast technology has moved on tho, it must be murder trying to write Sci-Fi these days, even if you re-read some of Gibson's early books it amazing how dated they've become. Not Checked Anne out but I will now as I was always a fan of the dark stuff and even David J stuff interested me... Martin 4/5/04 4:13 PM quest [EMAIL PROTECTED] > Don't know this track but i like 'sleeper in metropolis', i dig the whole > raw electronics and poetry type thing - i think cold/dark wave it might be > called. *** Opinions expressed in this email are those of the individual and not Entergy-Koch Trading Limited or its affiliated companies. This email and any files transmitted with it, including replies and forwarded copies (which may contain alterations) subsequently transmitted from the Company, are confidential and solely for the use of the intended recipient. It may contain material protected by attorney-client privilege. If you are not listed on the "To" or "Cc" lines of the original email (or are not the person responsible for delivering to an intended recipient), then you are not an intended recipient and have received this email in error. Any use by an unintended recipient is strictly prohibited. If you have received this email in error please notify the IT manager by telephone on +44 (0)20 7337 8300 or via email to [EMAIL PROTECTED], attaching this message. Please then delete this email and all attachments, and destroy any copies thereof. Thank you. ***
Re: (313) Anne Clark
Isn't the problem with early techno more due to the fact of how fast technology has moved on tho, it must be murder trying to write Sci-Fi these days, even if you re-read some of Gibson's early books it amazing how dated they've become. Not Checked Anne out but I will now as I was always a fan of the dark stuff and even David J stuff interested me... Martin 4/5/04 4:13 PM quest [EMAIL PROTECTED] > Don't know this track but i like 'sleeper in metropolis', i dig the whole > raw electronics and poetry type thing - i think cold/dark wave it might be > called.
RE: (313) Anne Clark
Don't know this track but i like 'sleeper in metropolis', i dig the whole raw electronics and poetry type thing - i think cold/dark wave it might be called. I suppose being a fan of vladimir m/terrace production this is some of the only stuff i can file under my interpretation of this category. It's interesting how this dark view of the future contrast is in contrast to the early techno 'future is great' vibe as discussed recently. Maybe these thoughts are more relevant for today. Quest Pond -Original Message- From: Matt MacQueen [mailto:[EMAIL PROTECTED] Sent: 04 May 2004 16:41 To: 313 Subject: Re: (313) Ann Clarke can someone explain to me the attraction people have to 'our darkness' ?I mean not EVERYTHING Hardy played was genuis... ;) err... I just don't feel it... too brittle or something for me? There is a re-edit of it on the Paul Raymond series (on the flip side of Chicago's Street Player, which i love.. by comparison) that you can probably still find http://www.discogs.com/release/153000 peace -- Matt MacQueen http://SonicSunset.com
Re: (313) Ann Clarke
Not me. I bought her stuff right when it came out and she seemed a bit thin to me then. Wears off fast and it's pretty much the same ticket on everything she's done. Just my .02. j At 11:41 AM 5/4/2004, Matt MacQueen wrote: can someone explain to me the attraction people have to 'our darkness' ?I mean not EVERYTHING Hardy played was genuis... ;) err...
Re: (313) Ann Clarke
can someone explain to me the attraction people have to 'our darkness' ?I mean not EVERYTHING Hardy played was genuis... ;) err... I just don't feel it... too brittle or something for me? There is a re-edit of it on the Paul Raymond series (on the flip side of Chicago's Street Player, which i love.. by comparison) that you can probably still find http://www.discogs.com/release/153000 peace -- Matt MacQueen http://SonicSunset.com
Re: (313) new kenny larkin lp
DJ Bone has got pretty close to this with his last 3 12" - they have a real bluesy/guts/soul edge to them - I'm struggling to find the words to review them and when you use all 3 on the decks they really do come into their own... > > On May 4, 2004, at 12:36 AM, J. T. wrote: >> i really like the idea of a "techno blues" style even if its just a >> new name for something thats been around...i've always heard a lot of >> the blues feeling in lots of the deepest (and my favorite) detroit >> stuff, and finally here is a nice marketing name for it...plus i just >> love the idea of some super walter davis inspired techno or >> something..my favorite theo stuff has a lot of blues in it i think.. > > yes i know exactly what you mean... gut-wrenching feelings and raw > production.. but at the same time very modern and deep. > > does that make any sense? > > in an unrelated note, I recommend this freak-o mix today: "Cut'n'Paste > collision of rare disco and OG hip hop." > http://www.soulstrut.com/soulradio > Scroll down the left side and click on "SOUL PURPOSE PACKED JAMS"
Re: (313) new kenny larkin lp
On May 4, 2004, at 12:36 AM, J. T. wrote: i really like the idea of a "techno blues" style even if its just a new name for something thats been around...i've always heard a lot of the blues feeling in lots of the deepest (and my favorite) detroit stuff, and finally here is a nice marketing name for it...plus i just love the idea of some super walter davis inspired techno or something..my favorite theo stuff has a lot of blues in it i think.. yes i know exactly what you mean... gut-wrenching feelings and raw production.. but at the same time very modern and deep. does that make any sense? in an unrelated note, I recommend this freak-o mix today: "Cut'n'Paste collision of rare disco and OG hip hop." http://www.soulstrut.com/soulradio Scroll down the left side and click on "SOUL PURPOSE PACKED JAMS" Fun as hell. -- Matt MacQueen http://SonicSunset.com
Re: (313) Peel Seamus interview online / Ann Clarke
Hey! >which version do you need? the 12"!!! >the "good" version they played in chicago can be found on that music box #4 oh, never knew that, thanks! I want to find a 12" if I can. I saw someone selling one for £45 at the weekend. OUCH gonna keep searching, thanks alot for the info! you know this one? "Michael Bundt" 'Just Landed Cosmic Kid' (LP)? That's on my hit-list too at the minute. uh, records. they'll be the death of me. >... finally found me Herr X by Ultravox on the fleamarket this weekend ah, nothing beats finding records for next to nothing huh!!!?? hmm, actually, don't tell my girlfriend that. Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) Peel Seamus interview online
> > p.s. anyone know where I can get Anne Clark "Our Darkness"? which version do you need? the "normal" version is on the Joined Up Writing LP. it's ok and widely available. the "good" version they played in chicago can be found on that music box #4 bootleg and on a 12" release i know nothing about. ... finally found me Herr X by Ultravox on the fleamarket this weekend, yippie!
Re: (313) Peel Seamus interview online
Thanks for the interview folks. I hope you dutch peeps enjoyed your queensday. I tried a couple of beers out to celebrate for you, I've never had a beer before. dunno who this Marsel Van Der Wheelie is (is he like Evil Kinevil but different?) his label sounds OK though, might have to check it out. I trust you all had a nice weekend. Alex *working 7am till 6pm this week, and it's raining, I love being a postman, it's top* n.p. Ultravox - Alles Klar (just to make me feel more depressed) p.s. anyone know where I can get Anne Clark "Our Darkness"? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) OT: Prince--->Seymour Bits---->Detroit Bass
this guy is from Amsterdam, aka Bastian aka Comtron no samples, all originals! this release is on Amsterdam's Klakson label also check his releases on BlackLabel as Comtron === Nomorewords.net IJplein 262, 1021 LR, Amsterdam The Netherlands http://nomorewords.net phn +31-20-494-5535 fax +31-20-494-5510 - Original Message - From: "sasha" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, May 04, 2004 10:26 AM Subject: (313) OT: Prince--->Seymour Bits>Detroit Bass Late to the prince 313 discussion, but I was listening to the new Seymour Bits record (sample at http://www.kipervarg.com/free.mp3) and it sounded like a detroit bass record humping Prince's leg. Anyone know if these are actual samples from Prince records? And how can a guy names Seymour be so damn funky? Where is this guy from? Recommended. And if you speed it up it sounds real nice mixed with your detroit bass standards. Come to think of it, the other tracks on this 12" lean decidedly to the detroit electro bass camp. -sasha
(313) Native Soft Detroit
For the tech-heads and people who don't like taxi drivers who never stop talking... MR.DE' of Electrofunk Records http://www.nativeinstruments.de/index.php?ade_us DEX of Los Hermanos productions http://www.nativeinstruments.de/index.php?dex_us RAY 7 of Tunnel 7 http://www.nativeinstruments.de/index.php?ray7_us
(313) OT: Prince--->Seymour Bits---->Detroit Bass
Late to the prince 313 discussion, but I was listening to the new Seymour Bits record (sample at http://www.kipervarg.com/free.mp3) and it sounded like a detroit bass record humping Prince's leg. Anyone know if these are actual samples from Prince records? And how can a guy names Seymour be so damn funky? Where is this guy from? Recommended. And if you speed it up it sounds real nice mixed with your detroit bass standards. Come to think of it, the other tracks on this 12" lean decidedly to the detroit electro bass camp. -sasha
Re: (313) Jeff Mills comp on Azuli
azuli's having a big sale on at the moment: http://www.azulishop.com/ the vega 4xlp comp is only 10 squid - prerelease too pity they dropped quite a few of the best tracks off the vinyl format rc on 4/5/04 1:37 PM, Ben Britz at [EMAIL PROTECTED] wrote: > I really like the DT one, though it took me a bit to warm up to it. > He must have spent an immense amount of time on it because he > re-edits nearly every track and writes a paragrah or two in the > liner notes on each of them. > Also have the Francois K and DLC discs and they are amazing as well. > Gonna pick up Vega's asap and then Mills. > > Quoting [EMAIL PROTECTED]: > >> >> >> >> >> >> there's also a danny tenaglia and tony humphries comp in the >> series. all >> these choice series of comps are really good, the derrick carter >> is >> brilliant. the frankie knuckles comp has the incomparable 'love >> bug' by >> bumblebee unlimited. the danny tenaglia one is the weakest - but >> it does >> contain two stone cold gems; Tony Cook - On The Floor and Hugh >> Masekela - >> Don't Go Lose It Baby. >> can't wait for the jeff mills. >> james >> www.jbucknell.com >> >> >> >> >> >> [EMAIL PROTECTED] >> >> et >> >> >> To >> 03/05/04 11:24 PM Robert Taylor >> >> <[EMAIL PROTECTED]> >> >> >> cc >> Sven Venema >> >> <[EMAIL PROTECTED]>, >> >> ThReE-oNe-ThReE >> <313@hyperreal.org> >> >> Subject >> RE: (313) Jeff Mills comp >> on Azuli >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> the derrick carter one was loosly 'mixed' >> >> supposed it depends on how mixable the tracks are from one to the >> next. >> >> On Fri, 30 Apr 2004, Robert Taylor wrote: >> >>> It's a compilation, not a mix, I think. >>> The previous Choice comps weren't mixed. >>> Frankie Knuckles, Derrick Carter and Francois Kevorkian did the >> other >> ones >>> >>> -Original Message- >>> From: Sven Venema [mailto:[EMAIL PROTECTED] >>> Sent: Friday, April 30, 2004 11:08 AM >>> To: ThReE-oNe-ThReE >>> Subject: Re: (313) Jeff Mills comp on Azuli >>> >>> >>> Just now, "Robert Taylor" wrote: >>> Ryan just stuck this tracklisting on LD - I think it is part >> of the >>> Choice series of comps. It's a good indication of the sets he >> has been >>> playing at the Xmas Lost parties over the past couple of >> years: CD2 >>> [deleted] Ramirez - El Ritmo Barbaro Florence - Analogue Expressions >>> >>> Eh? That's gotta be an interesting mix :) Thanks for the info! >>> >>> Sven >>> >>> -- >>> Wer't de eangst regearret, >>> kriget de leafde gjin kans. >>> >>> >> > ## > ### >> >>> Note: >>> >>> Any views or opinions are solely those of the author and do >> not >> necessarily represent >>> those of Channel Four Television Corporation unless >> specifically stated. >> This email >>> and any files transmitted are confidential and intended solely >> for the >> use of the >>> individual or entity to which they are addressed. If you have >> received >> this email in >>> error, please notify [EMAIL PROTECTED] >>> >>> Thank You. >>> >> > ## > ### >> >>> >>> >> >> ForwardSourceID:NTB8D2 >> > >
Re: (313) black devil disco club
On Tue, 4 May 2004, Ralf Gill (healthAlliance) wrote: > Is it true about this being found for 20p at a car boot sale? Or was > environ trying to get it licensed and warp muscled their way in? Anyone > know? That's what I've read. I don't know about muscling in, maybe they were just a bit quicker?-) -- Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net --
RE: (313) black devil disco club
It's a nice story isn't it?! ;-) >From what I understand though it is a complete coincidence that both labels started to show interest in it at the same time, although in my view Environ missed a trick by not trying to get the original re-released - the original is always going to be the definitive article isn't it? Great track, shame about the stoopid choice of project title. Beware, it's the kind of 'seemed-like-a-good-idea-at-the-time' idea which ensures no one hears your tracks for twenty years! k -Original Message- From: Ralf Gill (healthAlliance) [mailto:[EMAIL PROTECTED] Sent: Tuesday, May 04, 2004 3:56 AM To: 313@hyperreal.org Subject: (313) black devil disco club Is it true about this being found for 20p at a car boot sale? Or was environ trying to get it licensed and warp muscled their way in? Anyone know?
Re: (313) new kenny larkin lp
the way i heard it was that he was shopping 2 albums (one being dark comedy), but the peacefrog is those 2 albums combined and minus "filler"? heard it from some dude who works at a label that was considering the albums before peacefrog, but maybe he's mistaken. and since i now count 3 albums being mentioned, maybe there is still at least 1 more out there. i really like the idea of a "techno blues" style even if its just a new name for something thats been around...i've always heard a lot of the blues feeling in lots of the deepest (and my favorite) detroit stuff, and finally here is a nice marketing name for it...plus i just love the idea of some super walter davis inspired techno or something..my favorite theo stuff has a lot of blues in it i think.. I've heard that one of the other 2 lps is a Dark Comedy album. Don't know much more than that though. [EMAIL PROTECTED] wrote: LOL! No qualms about that - I'm looking on it as an investment into my personal happiness, who needs food anyway? Seriously though - anyone have anymore details on the other 2 lps? e.g. when they're due, who's releasing them, style etc. _ Express yourself with the new version of MSN Messenger! Download today - it's FREE! http://messenger.msn.com/go/onm00200471ave/direct/01/
(313) kw aerodynamic remixes
So, maybe I'm slow on the draw but... Kraftwerk Aerodynamik Remixes Kling Klang Dynamik mix -- almost the same as the original with a more atmospheric intro, and a few different pad overlays. Nice to have if you don't have the album on vinyl, but nothing earth-shaking. Alex Gopher/Etienne De Crecy mix -- can you say Acid? I guess acid is the new old thing these days. This works in a fairly cynical, dance floor manipulative way, but not sure I like it. I might play it, but I'd feel cheap afterwards ;-) Francois K Areo mix -- subtly different than the original, but builds nicely. Not equal to the FK 'Tour De France' remix but after all, what is? I've started buying anything I see that he mixed or edited, which will probably involve some disappointment and heartbreak, but the man is a scientist.
Re: (313) dr. jekyll and laurent garnier
doris wrote: i don't know what's more disappointing- the fact that he couldn't decide between playing to the cheesedicks and playing like the laurent we know and love (and ultimately opting for the cheesedicks, being that they were in overwhelming attendence), or the fact that you, 313, were right. his set friday night was uninspired, predictable (due to previous talk on here of his dropping out of space, nirvana, white stripes, funky breaks, etc.), and in some parts downright crappy. he's usually so good at walking he fine line between techno and trance-- fri. night he stumbled right into the cheesy side. maybe he was drunk. touch your nose, laurent, and then recite the alphabet backwards. in any case, out of the 4 or so hours that he played, an added total of only about an hour and a half wound up sounding like i was sure it would. and that's adding up all the times he went back and forth between sounding cheesy and sounding like laurent (which came in 30min snippets). being one of the people that was convinced he could do no wrong, i sure was let down. what happen??? guess i'll go back to listening to the detroit disc of his box set and trying to relive the magic that was that night. honestly it was my first garnier experience and i thought he was great. my only complaint was the sound system at sound-bar. It was poor and he was really pushing it. I thought he played some really nice deep and melodic techno. The first hour I dont think I heard a single record from this decade. It was great to finally hear Emotion Content. Windchime sounded amazing and I think its going to get a lot of play in the course of the next few months. I had decided on Friday to go and I was lucky enough to find a cheap flight from Miami and I had the time of my life. Here's some of the songs I was able to remember him playing add some more if you remember. nirvana - lithium white stripes - 7 nation army new order - confusion (koma and bones mix) mad mike and perception - windchime dj rolando - aguila funk d'void - emotional content prodigy - out of space anthony rother - body talk? nitzerebb - murderous (phil kieran mix) marshall jefferson - move your body laurent garnier - the man with the red face I also heard a few things off his excess luggage cd as well that was nice to be able to hear those records out as well. I just hope that next time he comes a little closer to home or that Miami wakes up and books him at a nice venue. I think he would be great here since he crosses genre's so well. I thought he was relentless techno for the most part and he was always really energetic behind the turntables. Looking forward to Movement 2004. Regards, Ramon
RE: (313) Jeff Mills comp on Azuli
I really like the DT one, though it took me a bit to warm up to it. He must have spent an immense amount of time on it because he re-edits nearly every track and writes a paragrah or two in the liner notes on each of them. Also have the Francois K and DLC discs and they are amazing as well. Gonna pick up Vega's asap and then Mills. Quoting [EMAIL PROTECTED]: > > > > > > there's also a danny tenaglia and tony humphries comp in the > series. all > these choice series of comps are really good, the derrick carter > is > brilliant. the frankie knuckles comp has the incomparable 'love > bug' by > bumblebee unlimited. the danny tenaglia one is the weakest - but > it does > contain two stone cold gems; Tony Cook - On The Floor and Hugh > Masekela - > Don't Go Lose It Baby. > can't wait for the jeff mills. > james > www.jbucknell.com > > > > > > [EMAIL PROTECTED] > > et > > > To > 03/05/04 11:24 PM Robert Taylor > ><[EMAIL PROTECTED]> > > > cc >Sven Venema > ><[EMAIL PROTECTED]>, > >ThReE-oNe-ThReE > <313@hyperreal.org> > > Subject >RE: (313) Jeff Mills comp > on Azuli > > > > > > > > > > > > > > > > > the derrick carter one was loosly 'mixed' > > supposed it depends on how mixable the tracks are from one to the > next. > > On Fri, 30 Apr 2004, Robert Taylor wrote: > > > It's a compilation, not a mix, I think. > > The previous Choice comps weren't mixed. > > Frankie Knuckles, Derrick Carter and Francois Kevorkian did the > other > ones > > > > -Original Message- > > From: Sven Venema [mailto:[EMAIL PROTECTED] > > Sent: Friday, April 30, 2004 11:08 AM > > To: ThReE-oNe-ThReE > > Subject: Re: (313) Jeff Mills comp on Azuli > > > > > > Just now, "Robert Taylor" wrote: > > > > > Ryan just stuck this tracklisting on LD - I think it is part > of the > > Choice series of comps. It's a good indication of the sets he > has been > > playing at the Xmas Lost parties over the past couple of > years: > > > CD2 > > [deleted] > > > Ramirez - El Ritmo Barbaro > > > Florence - Analogue Expressions > > > > Eh? That's gotta be an interesting mix :) Thanks for the info! > > > > Sven > > > > -- > > Wer't de eangst regearret, > > kriget de leafde gjin kans. > > > > > # > > > Note: > > > > Any views or opinions are solely those of the author and do > not > necessarily represent > > those of Channel Four Television Corporation unless > specifically stated. > This email > > and any files transmitted are confidential and intended solely > for the > use of the > > individual or entity to which they are addressed. If you have > received > this email in > > error, please notify [EMAIL PROTECTED] > > > > Thank You. > > > # > > > > > > > ForwardSourceID:NTB8D2 >
(313) black devil disco club
Is it true about this being found for 20p at a car boot sale? Or was environ trying to get it licensed and warp muscled their way in? Anyone know?
Re: (313) Movement Thoughts
-- Original Message -- From: "Cyclone Wehner" <[EMAIL PROTECTED]> >I don't think so. I understand the frustration but... >It's not like people are buying tickets in advance. >And even people from os are going for a fest, not a particular act. >Putting on a festival in Detroit is super hard, I can se ethat. >There is no money coming from the city of Detroit, even the African American >museum is in huge debt. >I mean in places like here there are government resources available for >things like electronic festivals and even then people don't get it together! yeah, ive found it difficult to criticise really. i mean, im going up to detroit that weekend no matter who is playing, and i think alot of people feel that way. as long as its going on ill be there. and you can be pretty much guaranteed they wont be booking crap like oakenfold or whatever. ive never seen anything else free planned on such a large scale, so i dont even know who if anyone can really understand exactly what goes into doing the festival. tom andythepooh.com
RE: (313) Jeff Mills comp on Azuli
there's also a danny tenaglia and tony humphries comp in the series. all these choice series of comps are really good, the derrick carter is brilliant. the frankie knuckles comp has the incomparable 'love bug' by bumblebee unlimited. the danny tenaglia one is the weakest - but it does contain two stone cold gems; Tony Cook - On The Floor and Hugh Masekela - Don't Go Lose It Baby. can't wait for the jeff mills. james www.jbucknell.com [EMAIL PROTECTED] et To 03/05/04 11:24 PM Robert Taylor <[EMAIL PROTECTED]> cc Sven Venema <[EMAIL PROTECTED]>, ThReE-oNe-ThReE <313@hyperreal.org> Subject RE: (313) Jeff Mills comp on Azuli the derrick carter one was loosly 'mixed' supposed it depends on how mixable the tracks are from one to the next. On Fri, 30 Apr 2004, Robert Taylor wrote: > It's a compilation, not a mix, I think. > The previous Choice comps weren't mixed. > Frankie Knuckles, Derrick Carter and Francois Kevorkian did the other ones > > -Original Message- > From: Sven Venema [mailto:[EMAIL PROTECTED] > Sent: Friday, April 30, 2004 11:08 AM > To: ThReE-oNe-ThReE > Subject: Re: (313) Jeff Mills comp on Azuli > > > Just now, "Robert Taylor" wrote: > > > Ryan just stuck this tracklisting on LD - I think it is part of the > Choice series of comps. It's a good indication of the sets he has been > playing at the Xmas Lost parties over the past couple of years: > > CD2 > [deleted] > > Ramirez - El Ritmo Barbaro > > Florence - Analogue Expressions > > Eh? That's gotta be an interesting mix :) Thanks for the info! > > Sven > > -- > Wer't de eangst regearret, > kriget de leafde gjin kans. > > # > Note: > > Any views or opinions are solely those of the author and do not necessarily represent > those of Channel Four Television Corporation unless specifically stated. This email > and any files transmitted are confidential and intended solely for the use of the > individual or entity to which they are addressed. If you have received this email in > error, please notify [EMAIL PROTECTED] > > Thank You. > # > > ForwardSourceID:NTB8D2
Re: (313) new kenny larkin lp
I've heard that one of the other 2 lps is a Dark Comedy album. Don't know much more than that though. [EMAIL PROTECTED] wrote: LOL! No qualms about that - I'm looking on it as an investment into my personal happiness, who needs food anyway? Seriously though - anyone have anymore details on the other 2 lps? e.g. when they're due, who's releasing them, style etc. At 8:01 pm +0200 30/4/04, kj at technotourist dot org wrote: And already start saving your money for 2 other upcoming Kenny Larkin albums.. woohoo!!! On 30-apr-04, at 19:29, [EMAIL PROTECTED] wrote: Listening right now to the new KL LP on Peacefrog 'The Narcissist'. Was apprehensive that it couldn't possibly live up to my high expectations of his work, but no worries on that count - it's a corker (if that's the right word for a delicately shaped downbeat gem). Beautiful tracks from start to finish. I recommend purchase on sight.
