Re: FLUXLIST: Art and Economies
Terrence writes; It's a game of time. Time is money and it takes time to make art. Independence is bought with obscurity. Face it many artist's are made popular by those who's interests are in trade. Some artits are good at making themselves popular and available to those interests. Others trade time and wait in little comfort. Time and art can be sucked by independence. At some point you have to buy in. The clock is ticking. T. George Free wrote: I contend that the most engaging art tends to be created when the artist is working as closely as possible to a subsistance level, that is, with a minimum of "imported" raw material as possible so that the need to "export" (and be controlled by the market) is minimalized. Wouldn't control by the market be minimized most often when the artist has an independent income? GF
Re: FLUXLIST: exclusive fluxlist izone defrost
Hi Brad, * Exclusive Fluxlist Screening * Watch my freezer defrost! http://bbrace.laughingsquid.net/defrost.mpeg Great stuff...if you want to make another movie (Defrost II) I've got the props you need ;-) cheers, Sol.
Re: FLUXLIST: Art and Economies
At 09:54 pm -0700 16/5/00, Patricia wrote: So, sometimes I DO need to buy materials. Best, PK sometimes i agree with buy materials too regards ...pez
FLUXLIST: FLUXSTAMP Project
Hi All, I (think) all the fluxstamps are up on the slightly pokey geocities website, in no particular order. By the end of the month I will have them placed, gridded, printed and perforated. http://www.geocities.com/pk_harris/ I've copied this email to some of the many artists and artfans that might be interested in viewing these artists' stamps that have come from all over the globe, and, hey, out there, print them up, paste them on your envelopes or whatever else you fancy, with other arty bits - voila, mail art! For you Fluxus folks that submitted work, let me know if I left anyone out, if anything needs to be changed, if those whom I designed for do not approve of the fonts, colours *sniff* or whatever - email me your thoughts or wishes. Your pard in philately, PK
Re: FLUXLIST: exclusive fluxlist izone defrost
Brad, Very cool!!! I loved this, especially watching it download (65% defrost completed). If you travel and this is a series, mine would be a real "blockbuster." *grin* May I suggest a movie using the Sol Nte knife technique? I plan on doing this myself...wellsoon. Best, PK Sol Nte wrote: Hi Brad, * Exclusive Fluxlist Screening * Watch my freezer defrost! http://bbrace.laughingsquid.net/defrost.mpeg Great stuff...if you want to make another movie (Defrost II) I've got the props you need ;-) cheers, Sol.
Re: FLUXLIST: Art and Economies
Terrence writes; Being resourceful is part of the fun. I did a series of large paintings using iron grindings from a nearby brake shop. I used some pickling vinegar to produce a precipitate of iron which imparted rich brown orange hues to the canvas. I used acrylic washes afterwards and later still additions of oil paint colors when i could afford it. I worked in an old double garage with salvaged building studs as stretcher frames. Since i worked in an over grown garden my work reflected its growing nature in moth process and form. The images were of roots and branches. I later added a few fish and a few slugs added trials to the surfaces which i traced. I did over 30 paintings this way. I still reflect my immediate environment and places i visit. I use bits and pieces of whatever things and ideas i come across. I still belive in utility such as utilities of work for pleasure. It is a matter of what you apply it to. If it comes to food rent or paint some artists choose paint, some food, a cheap apartment and rust or whatever. T. artnatural "narvis ...pez" wrote: At 09:54 pm -0700 16/5/00, Patricia wrote: So, sometimes I DO need to buy materials. Best, PK sometimes i agree with buy materials too regards ...pez
Re: FLUXLIST: Imagine
In a message dated 05/17/2000 12:43:47 AM Eastern Daylight Time, [EMAIL PROTECTED] writes: Perhaps they were precocious city kids, these particular kids, or maybe as I fear and as the look attested to, they were normal, basic kids with a high level of cynicism and an abnormally low level of idealism. The majority of young males who were my students in the South Bronx said they didn't expect to live beyond 21. Now that's sad. They sussed out that society had no slots for them and wasn't interested in their lives, except to keep them in check.
FLUXLIST: Fridge Day
According to my inbox, today is Fluxus Fridge Day. Eschew trepidation!!! Watch the video, open that door and do something significant And let everybody know. Exclamation point. Your pard in frost, Prrtisha Patricia wrote: Brad, Very cool!!! I loved this, especially watching it download (65% defrost completed). If you travel and this is a series, mine would be a real "blockbuster." *grin* May I suggest a movie using the Sol Nte knife technique? I plan on doing this myself...wellsoon. Best, PK Sol Nte wrote: Hi Brad, * Exclusive Fluxlist Screening * Watch my freezer defrost! http://bbrace.laughingsquid.net/defrost.mpeg Great stuff...if you want to make another movie (Defrost II) I've got the props you need ;-) cheers, Sol.
FLUXLIST: Promo/Used CD question
With all the strong opinions being bandied about artist profits and so forth, is there anyone here who doesn't buy used CD's, especially ones that are labeled as promo cd's not for sale. I had never really thought about it before until I picked up a used Vic Chesnutt CD yesterday, trading in some stuff, most of which was also bought used. I mean, neither Vic Chesnutt nor Capitol records are seeing any profits from this transaction. The CD was a radio station promo, stamped that it is not for sale and can be recalled by the record company at any time, they didn't even see a profit from it being sold the first time around. The practice of reselling promo CD's is blatantly illegal, but in the US anyway, the Used CD business is huge and expanding. I remember Garth Brooks tried unsuccessfully to block stores from selling used copies of his CD's, using similar arguments as presented in the MP3 debates. So is there anyone here who refuses to buy used CD's? Myke? Curious, Alex Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
FLUXLIST: Forbidden Imagination
^!^!^!^!^!^"You say, 'insufferable' and I say, 'incorrigible' - LeT'S cAlL tHe WhOlE tHiNg OfF."^!^!^!^!^ de da dee, da deee da de da dee... apishlYours... r~ __ Do You Yahoo!? Send instant messages get email alerts with Yahoo! Messenger. http://im.yahoo.com/
Re: FLUXLIST: Spite
Personally, I believe some of the best art gets done in spite of circumstances, not necessarily because of circumstances. And I think that it's often more interesting to see art that had to claw it's way into existence, instead of art that was coddled and nursed by nannies. It always sounds a little weird to me to hear artists say, "I'm trying to come up with a proposal for such and such a grant" or "I've got a show next March and I'm trying to come up with an idea for it." It's sort of like "art on demand" or maybe it should be called "demand on art" (doa). Of course, this is probably me being too idealistic about art and creation, and what "should" be the motivating impulses, which is ludicrous to even think about. Can't "should" on art. In the end, there's no real accounting for where "the best" and "the worst" come from. Everytime I draw a line in the sand, a wind storm comes up. Barg
Re: FLUXLIST: Promo/Used CD question
good point alex. columbia house and other record clubs are another addition. the reason they can sell cheaply to you is that the artist receives no royalty whatsoever. (that and selling your address to other companies). yours, dave ps. just saw vic c last night with kristin h. great show. does your radio promo have bonus tracks? With all the strong opinions being bandied about artist profits and so forth, is there anyone here who doesn't buy used CD's, especially ones that are labeled as promo cd's not for sale. I had never really thought about it before until I picked up a used Vic Chesnutt CD yesterday, trading in some stuff, most of which was also bought used. I mean, neither Vic Chesnutt nor Capitol records are seeing any profits from this transaction. The CD was a radio station promo, stamped that it is not for sale and can be recalled by the record company at any time, they didn't even see a profit from it being sold the first time around.
Re: FLUXLIST: FLUXSTAMP Project
Cool project, Patricia. Thanks for doing this. Correction: the FLUXUS WORKER image is from eryk salvaggio and not allen bukoff Hi All, I (think) all the fluxstamps are up on the slightly pokey geocities website, in no particular order. By the end of the month I will have them placed, gridded, printed and perforated. http://www.geocities.com/pk_harris/
FLUXLIST: [Fwd: autoparts launch]
See below. IDEA's "before" show in our new building - due to open as art-media-IT incubator workspace, Spring 2000. There is also a performance - Autoconversion : "A family car transformed into a series of audio CDs by power tools. A durational performance. Spencer HW Marsden with Municipal Constructions." That's 29 May 00, 12 noon to 7 pm. There is webstuff at http://www.idea.org.uk/autoparts Original Message Subject: autoparts launch Date: Tue, 16 May 2000 21:22:27 +0100 From: "Jen" [EMAIL PROTECTED] Reply-To: [EMAIL PROTECTED] To: [EMAIL PROTECTED] INVITATION TO PRIVATE VIEW OF * AUTOPARTS * TEN NEW WORKS FOR AN OLD BUILDING on Saturday 20th May - Beer and Jam from 6pm - 9pm May 20th - July 7th 2000 Thursday - Saturday 12 - 6pm 10 Irwell Street (At Chapel Street and Trinity Way), Salford Jenna Collins Chara Lewis Greg Lock David MacKintosh Jim Medway Spencer HW Marsden with Municipal Constructions Kristin Mojsiewicz Graham Parker Gary Peploe Anneke Pettican Marc Provins Andrew Robinson Ten temporary interfaces to a building and an area which has a history of build and re-build, use, disuse and re-use, of shifting populations and changing fortunes. Idea has recently bought the old Brown Bothers Building in Salford which will be renovated in the early months of the year 2000. IDEA is adapting the building for more flexible use in training and by new businesses and artists whose working practice and physical needs are changing radically due to the use of new creative technologies. The building was originally built in 1878 as a brewery by Watson Woodhead brewers. In 1927 the building became Mackie Sons Fruit Preservers until 1955. In 1957 Brown Brothers auto parts moved in and stayed until 1986. Idea has commissioned 12 artists to make 10 new works for the old Brown Brothers Building with a particular focus on site-specific work which reflects an interest in transitional spaces and technologies.
Re: FLUXLIST: Vic Chesnutt and the vast music industry shadow govt conspiracy
ps. just saw vic c last night with kristin h. great show. does your radio promo have bonus tracks? I bet that was a good show. The CD I picked up is "About to Choke" and it has the same track listing as what is shown on CDNow. Is "The Salesman and Bernadette" any good? Speaking of CDNow, and the subject that brung us here, from what I understand CDNow was selling CD's at a loss just to build up a customer database to sell off, a business model which apparently has failed in their case. I used to work for a major national ISP/portal service, and its scary how much info is gathered and sold off. The newer version of this service has an address window built into the shell it puts on your browser that tracks the URLS you type in and captures all that in a database somewhere, presumably to sell. It didn't capture hyperlinks you clicked on, but just URL's you typed in. But then this whole internet thing rests on a structure built by the defnse department, so its a safe bet that its being recorded anyway. Did you hear a clicking noise? Alex With all the strong opinions being bandied about artist profits and so forth, is there anyone here who doesn't buy used CD's, especially ones that are labeled as promo cd's not for sale. I had never really thought about it before until I picked up a used Vic Chesnutt CD yesterday, trading in some stuff, most of which was also bought used. I mean, neither Vic Chesnutt nor Capitol records are seeing any profits from this transaction. The CD was a radio station promo, stamped that it is not for sale and can be recalled by the record company at any time, they didn't even see a profit from it being sold the first time around. Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: FLUXLIST: FLUXSTAMP Project
Hi all, I've just asked Patricia to remove the images currently under my name in this project as when I now see them on the screen I feel that they look awful. So please disregard what's there now.Thanks. I have sent replacements. It occurs to me that many of you may in the future or already have felt that way about work you have sent me to display on the web. If you're ever unhappy with anything of yours that I display..like at the i-zone gallery etc. please do let me know..there is nothing worse than seeing a work of yours on public display which you're not 100 % happy with. Anyway I'd like to publicly thank Patricia for doing this project and putting up with my fuss. cheers, Sol
FLUXLIST: Nixon's Hund Damenspiel
Well, I gave as much of a description as possible without a detail that would scramble the brain mappings at the end of the "English Version". I'm trying to find the time to do a "Dutch Version" (it'll use the same process, numbers, etc.) Also (Heiko can correct me on this), "nächtigt" refers to "spending/passing the night" and the line of "ein" and "kein" may be read as "one?...no?...one?" or as "some?...none?...some?" Thank you for looking with saucer eyes R --- Patricia [EMAIL PROTECTED] wrote: Clock outlaws! Yes! Trembled - eight in Vienna (naechtigt) consider witch... ran in - ein?... kein?...? SHARK! (an ex -) [ line 5? ] hahahahaha, The Alta Vista translation. I rather like it. Might be interesting to run this back and forth through different translators in different languages and see what happens. Just what exactly were you doing here, Mr. Stasick, you wordpoetwhiz? I'm curious - probably not the only one. Clock outlaws!!! PK Rod Stasick wrote: Takt ächte! Ja! Bebte - achtein Wien (nächtigt) Beachte Hexe...einlief - ein?...kein?...ein? HAI! (ein ex-) [leine 5?] (Process used is the same as the "English Version" - using the same numbers etc.) Rod __ Do You Yahoo!? Send instant messages get email alerts with Yahoo! Messenger. http://im.yahoo.com/ = http://rostasi.8m.com http://members.aol.com/huntjerry/index.htm http://www.forcedexposure.com/labels/bremsstrahlung.html "I own only ten records. 2 Mozarts, 1 Chopin, 1 Schumann, 1 Ravi Shankar, 1 Beethoven and 2 Blotzman (sic) and Brotzmann's records stand up very well among those masterpieces." - Nam June Paik, 69 May. __ Do You Yahoo!? Send instant messages get email alerts with Yahoo! Messenger. http://im.yahoo.com/
Re: FLUXLIST: Art and Economies
it's the artist who has the satisfaction in the process and the completion. After that, the viewer can make of it anything the viewer wishes. Yeah, like illegal MP3s to be distributed behind the artists' backs via the web. Myke
FLUXLIST: ANNALEE NEWMAN, 1909-2000
ANNALEE NEWMAN, 1909-2000 Annalee Newman, 91, widow of Abstract Expressionist painter Barnett Newman who established the Barnett Newman Foundation after his death, died at home in New York on May 10 = http://rostasi.8m.com http://members.aol.com/huntjerry/index.htm http://www.forcedexposure.com/labels/bremsstrahlung.html "I own only ten records. 2 Mozarts, 1 Chopin, 1 Schumann, 1 Ravi Shankar, 1 Beethoven and 2 Blotzman (sic) and Brotzmann's records stand up very well among those masterpieces." - Nam June Paik, 69 May. __ Do You Yahoo!? Send instant messages get email alerts with Yahoo! Messenger. http://im.yahoo.com/
Re: FLUXLIST: Imagine
I believe John Lennon was less an hypocrite and more a dreamer and I don't think that's all so bad. It's not bad at all to be a dreamer, however, if you go through life formulating opinions about how you think the world should be and you write globally popular hit songs based upon your opinions then I believe you should also be the first in line to demonstrate your beliefs and to live your life practicing what you preach. John apparently did forego adherence to any one particular religion (not including secular humanism) but I can't recall anything about him giving up his possessions while being quick to suggest that others give up theirs for the betterment of humanity. Myke
FLUXLIST: Re: [Fwd: autoparts launch]
Sorry, should have been Spring 2001. Life's a blur. Chris Paul wrote: See below. IDEA's "before" show in our new building - due to open as art-media-IT incubator workspace, Spring 2000. -- Chris Paul - IDEA @ @ Innovation in Digital and Electronic Arts \ / Grosvenor Building, Manchester, M15 6BR @ - @ - @ mailto:[EMAIL PROTECTED] / \ 0161 273 4414 fax 0161 273 4432 @ @ http://www.idea.org.uk/go A Catalyst For Art and Ideas http://www.idea.org.uk/archive http://www.idea.org.uk/cinemaconcret
Re: FLUXLIST: Promo/Used CD question
I own two CD,s Mozart and Beethoven. -Don
Re: FLUXLIST: Promo/Used CD question
So is there anyone here who refuses to buy used CD's? Myke? I own nearly 1,700 CDs and a great many of them were purchased used. Used CDs do not rob artists. One CD is expected to sell one time. Whatever happens to it after that is irrelevant. As for promo CDs, I have maybe 1 or 2. I don't particularly like the gold stamp on the cover of the booklet that obscures the graphics. Promos by definition are not expected to garner a profit for the artist by direct acquisition. If a radio station chooses to sell a promo CD illegally then they are the ones ripping off the artist(s) in question by doing so. Once that CD ends up in a used CD shoppe it becomes a product just like any other as far as that record shoppe and its customers are concerned. If I buy a promo I have no guilt, however, I am troubled that radio stations and DJs could be so immoral. I am also troubled by the wanton disregard for artists exhibited by illegal, independent, internet MP3 "distributors" and at this time see that the only way I can protect my works from being abused by these same people behind my back is by not allowing the works to be made available at all to the general public. This is not what I would prefer but I believe there is a certain degree of integrity associated with my recordings and if locking them away is what is required to preserve that then so be it. Myke
FLUXLIST: STAMPS!
Thank you, thank you, thank you. It looks loverly. I'm glad you added an amount. If it's no trouble, could it be changed to "21" (for her age) - I swear, I'll stop bugging you about this and ACTUALLY LEARN how to do it. Thanks again, ME! = http://rostasi.8m.com http://members.aol.com/huntjerry/index.htm http://www.forcedexposure.com/labels/bremsstrahlung.html "I own only ten records. 2 Mozarts, 1 Chopin, 1 Schumann, 1 Ravi Shankar, 1 Beethoven and 2 Blotzman (sic) and Brotzmann's records stand up very well among those masterpieces." - Nam June Paik, 69 May. __ Do You Yahoo!? Send instant messages get email alerts with Yahoo! Messenger. http://im.yahoo.com/
Re: FLUXLIST: mp3s
The art and business of music is changing. May as well change with it... That is, eschew stasis. Check out: http://www.sfbg.com/AandE/34/32/boring.html
Re: FLUXLIST: Imagine
I can't recall anything about him giving up his possessions while being quick to suggest that others give up theirs for the betterment of humanity. Creating a message and an ideology are different things, which is why idealism exists -- to hoist a message high. However, years of uninspired idealism, repeated from others, may attach the label "(silk stocking, limousine, phony, bleeding heart) liberal" to a well meaning follower. John Lennon wasn't revolutionary or realist in this song; he never told anyone to do anything, never promulgated any theories of cooperative socialism. He imagined a world with a simple premise and asked others to share his vision. In that way can people and systems change, albeit slowly, sometimes more deeply, in more lasting ways. Many people have problems with idealism itself 3. (Philos.) The system or theory that denies the existence of material bodies, and teaches that we have no rational grounds to believe in the reality of anything but ideas and their relations. from Oscar Wilde to an apparently prevalent materialism, dialectical materialism, naturalism or empiricism. This is definitely not the age of Don Quixote. And forgotten kids have nowhere at all to look but to things. Kathy
Re: FLUXLIST: Art and Economies
Correction: I meant the subject, not the incorrigible author. : ) Me Patricia wrote: Another "in" word - intolerable: not to be endured. arghh!!! Let's give the MP3 inquest a rest!!! Lord Hasenpfeffer wrote: Yeah, like illegal MP3s to be distributed behind the artists' backs via the web. Myke
Re: FLUXLIST: stamps
stamps lookngreat congrats, pats isthe numberingquiterightat the bottomof pageone? mr radio
FLUXLIST: Derek's Big Website of Wal-mart Receipts
this seems to have a touch of fluxus to it...I love this kind of stuff -Alex Derek's Big Website of Wal-mart Receipts http://lightning.prohosting.com/~receipts/ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: FLUXLIST: Art and Economies
I meant the subject, not the incorrigible author. : ) : ) Myke
Re: FLUXLIST: Imagine
Adam, you've made excellent points. I do not agree with the anarchist statement that "property is theft." Wouldn't theft under anarchic conditions be OK anyway? Myke
Re: FLUXLIST: Imagine
Lord Hasenpfeffer wrote: All well and good, however, I've imagined a world with XYZ and it appeared to me to be quite void of purpose and motivation. But did you write a song which inspired millions?
FLUXLIST: the last of the bombastic, egocentric Imagine posts (hopefully)
yer majesty, if you're troubled about djs and radio stations being so immoral, then don't buy disks at used stores. sounds a little like the term you use to describe lennon; H.Y.P.O.C.R.I.T.E. yours, dd ps. lennon often changed the lyric of Imagine to "i wonder if WE can" when performing the song live. the conversation about mp3s always drifts to the subject of people stealing your music. as far as i know, no one is interested in stealing your music.
Re: FLUXLIST: exclusive fluxlist izone defrost
On Wed, 17 May 2000, Sol Nte wrote: * Exclusive Fluxlist Screening * Watch my freezer defrost! http://bbrace.laughingsquid.net/defrost.mpeg Great stuff...if you want to make another movie (Defrost II) I've got the props you need ;-) Sounds like I might need a long soundtrack for that one -- perhaps "Oh Yo-ko..." And a little travel grant... :) I liked how the shifting pixels seemed to "melt." /:b
FLUXLIST: the creative act
"the creative act. "let us consider two important factors, the two poles of the creation of art: the artist on the one hand, and on the other the spectator who later becomes the posterity. "to all appearances, the artists acts like a mediumnistic being who, from the labyrinth beyond time ans space, seeks his way out to a clearing. if we give the attributes of a medium to the artist, we must then deny him the state of conciousness on the aesthetic plane about what he is doing or why he is doing it. all his decisions in the artistic execution of the work rest with pure intuition and cannot be translated into a self-analysis, spoken of written, or even thought out. "t. s. eliot, in his essay on 'tradition and individual talent,' writes: 'the more perfect the artist, the more completely separate in him will be the man who suffers and the mind which creates; the more perfectly will the mind digest and transmute the passions wich are its material.' "millions of artists create; only a few thousands are discussed or accepted by the spectator and many less again are consacrated by posterity. in the last analysis, the artist may shout from all the rooftops that he is a genius; he will have to wait for the veredict of the spectator in order that his declarations take a social value and that, finally, posterity includes him in the primers of art history. "i know that this statement will not meet with the approval of many artists who refuse the mediumistic role and insist on the validity of their awareness in the creative act--yet, art history has consistently decided upon the virtues of a work of art through considerations completely divorced from the rationalized explanations of the artist. "if the artist, as a human being, full of the best intentions towards himself and the whole world, plays no role at all in the judgement of his own work, how one can describe the phenomenon which prompts the spectator to react critically to the work of art? in other words, how does this reactions come about? "this phenomenon is comparable to transference from the artist to the spectator in the form of aesthetic osmosis taking place through the inner matter, such as pigment, piano or marble. "but before we go further, i want to clarify our understanding of the word 'art,' to be sure, without any attempt at a definition. what i have in mind is that art may be bad, good, or indifferent, but, whatever adjetive is used, we must call it art, and bad art is still art in the same way as a bad emotion is still an emotion. "therefore, when i refer to 'art coefficient,' it will be understood that i refer not only to great art, but i am trying to describe the subjective mechanism which produces art in a raw state --a l'etat brut--bad, good or indifferent. "in the creative act, the artist goes from intention to realization, through a chain of totally subjective reactions. his strugle toward the realization is a series of efforts, pains, satisfactions, refusals, decisions, which also cannot and must not be fully self-conscious, at least on the aesthetic plane. the result of this struggle is a difference between the intention and its realization, a difference which the artist is not aware of. "consequently, in the chain of reactions, accompanying the creative act, a link is mising. this gap, representing the inability of the artist to express fully his intention , this difference between what he intended to realize and did realize, is the personal 'art coefficient' contained in the work. in other words, the personal 'art coefficient' is like an arithmetical relation between the unexpressed but intended and the unintentional expressed. "to avoid a misunderstanding, we must remember that this 'art coefficient' is a personal expression of art al'etat brut, that is, still in a row state, which must be 'refined,' as pure sugar from molasses, by the spectator; the digit is the coefficient has no bearing whatsoever on his veredict. the creative act takes another aspect when the spectator experiences the phenomenon of transmutation: through the change from inert matter into a work of art, and actual transubstantiation has taken place, and the role of the spectator, is to determine the weight of the work on the aesthetic scale. "all in all, the creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to he creative act.* this becomes even more obvious when posterity gives its final veredict and sometimes rehabilites forgotten artists." m.duchamp april 1957 * "duchamp has emphasisez several times the role of the viewer, which he epitomized in the formula 'the viewer are those who make the painting' (bibl. 245, p. 143.) as kris points out , 'psychoanalytic investigation of artistic creation has abundantly demonstrated the importance of the public for the process of creation: wherever
Re: FLUXLIST: exclusive fluxlist izone defrost
It could be a global-warming flux-exhibit! Perhaps all you good Flux-listers might contribute pictures of your own defrosting refrigerator (if only in the interests of ecology); to be compiled into one 'blockbuster' movie. Any format - I'll melt 'em all down! (I've got 40 Mb to burn on this new 'Eskimo' account ;)) small Jpeg attachments - 72 dpi please - are cool/preferred. /:b On Wed, 17 May 2000, Patricia wrote: Brad, Very cool!!! I loved this, especially watching it download (65% defrost completed). If you travel and this is a series, mine would be a real "blockbuster." *grin* May I suggest a movie using the Sol Nte knife technique? I plan on doing this myself...wellsoon.
Re: FLUXLIST: Promo/Used CD question
I used to get free promo CDs at work. Well, it still happens a little... It was delightful: the CDs that no one else reviewed, wanted, or even listened-to-once appeared in the company 'free-bin.' Inevitably they were "just what I wanted:" usually avant-jazz/experimental. I have a great collection (well over 1000) and now listen to stuff that I never would have considered if I had to 'blindly' pay-for-it And I actually buy CDs now, even though I think I'm paying too much to the wrong people. So it's back to the MP3 issue ;) /:b On Wed, 17 May 2000, Don Boyd wrote: I own two CD,s Mozart and Beethoven. -Don
Re: FLUXLIST: Imagine
I'd __**- * really like to hear Myke's Ymponies now! How 'bout it? :) A little taste? Imagine. /:b
Re: FLUXLIST: Imagine
But did you write a song which inspired millions? I wrote an imaginary song which inspired imaginary millions, so... Yes!! Myke
