Re: Tips on quick entry

[Manuela]

tyronicus wrote
> Hello list,
> 
> It takes me ages to enter the note data into LilyPond. Last night I spent
> almost an hour a page just getting notes and lyrics in

I think there is not a single simple trick. I guess you are entering
leadsheets with chords and lyrics? How fast can you read notes and how fast
can type on the keyboard?

I can tell only my MO. I created a template and enter the notes for the
first voice, second voice, chords,... as variables. To control line- and
pagebreaks I often use a hidden voice. Lyrics mostly I search at the net and
do copy

>From my experience I can say it is a matter of practice. For my first
Lilypond sheets it felt if I needed ages. Not this works really fast, but I
have to admit that I can read notes very well and type rather quick on the
keyboard.

Greetings,
Manuela



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Re: How to draw a slur above beamed notes with their stems up.

[Simon Albrecht]

On 29.01.2017 13:38, Robert Blackstone wrote:

My problem with your advice "You have to use \slurUp at the moment a slur 
is_started_, not when it already had ended." was : How does a beginner know what is 
the right moment?


You’ve got a point there, that was kind of ‘Lily-speak’. ‘moment’ means 
a musical moment, or timestep, and not a position in the source code. 
All of the events in { c4^(--_"foo" } happen at the same moment.


\slurUp is an override and thus a music expression of its own. It could 
be turned into a tweak using \single, which makes the following 
possible: { c4-\single\slurUp ( } However, that would be a quite lengthy 
version of { c4^( }.


HTH, Simon

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lilypond-invoke-editor script openes 2 Emacs windows

[Amir Teymuri]

Hi,

i have instructed the Evince PDF viewer to open the Emacs editor on clicking on 
objects using the lilypond-invoke-editor script, however this opens two same 
Emacs windows! Any idea why this happens?

Cheers,
Amir

...
Amir Teymuri 

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Re: can't move note columns in both voices at beginning of a bar

[Stefan Thomas]

Hello everyone,
thanks for Your help. Sorry, that I couldn't clearly explain what I wanted,
but Malte (fortunately) had the right idea: I wanted to have more place
after the barline.
The code

>   \once \override Staff.BarLine.extra-spacing-width = #'(0 . 11)
>
> did the right thing!


2017-01-29 10:35 GMT+01:00 Andrew Bernard :

> HI Stefan,
>
> Even with the help from the others on the list, I can't quite figure out
> what you want, or even what is wrong. Is it that you want more space after
> the bar, or something else? It's not clear to me musically what you need
> this for. If you can elaborate a bit I am sure I have a couple of solutions
> for you.
>
> This seems to work by the way at 2.19.54. I always recommend the
> development versions - they are made with such care by the team I have only
> ever encountered one bug in four or five years.
>
> Andrew
>
>
>
> On 29 January 2017 at 04:16, Stefan Thomas 
> wrote:
>
>> Dear community,
>> the following example shows, that I can't move NoteColumns in two voices
>> at the beginning of a measure. It's only possible in one of the voices.
>> Has someone an idea for a solution?
>> Thanks,
>> Stefan
>>
>> \version "2.18.2"
>> makespace = { \once \override NoteColumn.force-hshift = 11 }
>>
>> First = {  \makespace e4 r8 f8 g2 }
>>
>> Second = {  c4 r8   d8 e2   }
>>
>> \new Staff { \transpose c c' << {  \First \First  } \\ { \Second
>> \makespace \Second } >> }
>>
>
>
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Re: How to draw a slur above beamed notes with their stems up.

[David Kastrup]

Robert Blackstone  writes:

> Hi Richard,
>
> Thanks for your clarification. 
> My problem is: How does one know at which moment something, for
> example a slur, or the call for the grob "slur", is started? A case in
> point is \arpeggio. Naively one may think this command has to be
> placed before the notes, not after. Wrong! No idea why.
> I realise that my intuition is sometimes correct, or that up till now
> I've just got away with my mistakes.

When everything else fails, reading the manual might help.  And when
reading the manual doesn't help (the Learning Manual would likely be the
first thing to look at), complaining on the lists about where you would
have expected this information to be found might eventually help others
facing the same problem: namely when the manuals get corrected.

I have to admit that the manuals describe the constituents of a note
(pitch, duration, expressive marks) in isolation, and they describe how
more complex expressions are assembled using simultaneous and sequential
music expressions and contexts into an overall score.  But exactly what
combines into a single music expression that can then arranged in
simultaneous/sequential music: there is a noticeable dearth on that
information.

> Maybe rules, general and/or specific, concerning the placement of
> commands, like \override and \tweak, can be found somewhere in the
> documentation, but so far I have not seen any.

For \tweak, this is better than for \override.  \slurUp falls into the
class of \override.

-- 
David Kastrup

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Re: Footnotes for subtitle

[Jean Bréfort]

Hi,

Lilypond does provide a linebreaking mechanism:

\markup {\wordwrap {your text in there}}

Regards,
Jean

Le dimanche 29 janvier 2017 à 13:43 +0100, Orm Finnendahl a écrit :
> Hi Amir,
> 
>  to my knowledge, lilypond doesn't provide a linebreaking mechanism
> for text in a markup. You can either do the line breaking yourself
> using the \column feature of the markup command or you edit the
> markup
> in an external graphics program/publishing software which supports
> linebreaking and which can export to eps and use the eps file in the
> markup.
> 
> For markup commands see:
> 
> http://lilypond.org/doc/v2.19/Documentation/notation/formatting-text
> 
> --
> Orm
> --
> Prof. Orm Finnendahl
> Komposition
> Hochschule für Musik und Darstellende Kunst
> Eschersheimer Landstr. 29-39
> 60322 Frankfurt am Main
> 
> 
> Am Sonntag, den 29. Januar 2017 um 13:32:36 Uhr (+0100) schrieb Amir
> Teymuri:
> > Hello Pierre,
> > 
> > many thanks for your help. The line i am writing in there footnote
> > is longer than one line and hence the remaining goes beyond the
> > page. Do you know how to arrange the length of the footnotes to
> > match into the page?
> > 
> > Bests,
> > Amir
> > 
> > On Sun, 29 Jan 2017 09:13:26 +0100
> > Pierre Perol-Schneider wrote:
> > 
> > > Hi Amir,
> > > For some reason the LSR is not reachable for the moment
> > > but there is a snippet about footnotes in a header.
> > > Try:
> > > 
> > > \version "2.18.2"
> > > \header { subtitle = "subtitle*" tagline = #f }
> > > \markup { \null \footnote \null \italic \concat { "*"
> > > \hspace #.3 "subtitle"}}
> > > 
> > > 
> > > Cheers,
> > > 
> > > Cheers,
> > > Pierre
> > > 
> > > 2017-01-28 22:38 GMT+01:00 Amir Teymuri
> > > :
> > > 
> > > > Hello,
> > > > 
> > > > is it possible to right a footnote about a word in the
> > > > subtitle of the piece?
> > > > 
> > > > Regards,
> > > > Amir
> > > > 
> > > > ...
> > > > Amir Teymuri 
> > > > ...
> > > > .
> > > > X-Mailer: Sylpheed 3.5.0beta1 (GTK+ 2.24.25;
> > > > x86_64-pc-linux-gnu)
> > > > 
> > > > ___
> > > > lilypond-user mailing list
> > > > lilypond-user@gnu.org
> > > > https://lists.gnu.org/mailman/listinfo/lilypond-user
> > > > 
> > 
> > 
> > ...
> > Amir Teymuri 
> > 
> > X-Mailer: Sylpheed 3.5.0beta1 (GTK+ 2.24.25;
> > x86_64-pc-linux-gnu)
> > 
> > ___
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> > lilypond-user@gnu.org
> > https://lists.gnu.org/mailman/listinfo/lilypond-user
> 
> ___
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Re: Footnotes for subtitle

[Orm Finnendahl]

Hi Amir,

 to my knowledge, lilypond doesn't provide a linebreaking mechanism
for text in a markup. You can either do the line breaking yourself
using the \column feature of the markup command or you edit the markup
in an external graphics program/publishing software which supports
linebreaking and which can export to eps and use the eps file in the
markup.

For markup commands see:

http://lilypond.org/doc/v2.19/Documentation/notation/formatting-text

--
Orm
--
Prof. Orm Finnendahl
Komposition
Hochschule für Musik und Darstellende Kunst
Eschersheimer Landstr. 29-39
60322 Frankfurt am Main


Am Sonntag, den 29. Januar 2017 um 13:32:36 Uhr (+0100) schrieb Amir Teymuri:
> Hello Pierre,
> 
> many thanks for your help. The line i am writing in there footnote is longer 
> than one line and hence the remaining goes beyond the page. Do you know how 
> to arrange the length of the footnotes to match into the page?
> 
> Bests,
> Amir
> 
> On Sun, 29 Jan 2017 09:13:26 +0100
> Pierre Perol-Schneider wrote:
> 
> > Hi Amir,
> > For some reason the LSR is not reachable for the moment
> > but there is a snippet about footnotes in a header.
> > Try:
> > 
> > \version "2.18.2"
> > \header { subtitle = "subtitle*" tagline = #f }
> > \markup { \null \footnote \null \italic \concat { "*"
> > \hspace #.3 "subtitle"}}
> > 
> > 
> > Cheers,
> > 
> > Cheers,
> > Pierre
> > 
> > 2017-01-28 22:38 GMT+01:00 Amir Teymuri
> > :
> > 
> > > Hello,
> > >
> > > is it possible to right a footnote about a word in the
> > > subtitle of the piece?
> > >
> > > Regards,
> > > Amir
> > >
> > > ...
> > > Amir Teymuri 
> > > 
> > > X-Mailer: Sylpheed 3.5.0beta1 (GTK+ 2.24.25;
> > > x86_64-pc-linux-gnu)
> > >
> > > ___
> > > lilypond-user mailing list
> > > lilypond-user@gnu.org
> > > https://lists.gnu.org/mailman/listinfo/lilypond-user
> > >
> 
> 
> ...
> Amir Teymuri 
> 
> X-Mailer: Sylpheed 3.5.0beta1 (GTK+ 2.24.25;
> x86_64-pc-linux-gnu)
> 
> ___
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Re: How to draw a slur above beamed notes with their stems up.

[Robert Blackstone]

Hi Richard,

Thanks for your clarification. 
My problem is: How does one know at which moment something, for example a slur, 
or the call for the grob "slur",  is started? A case in point is \arpeggio. 
Naively one may think this command has to be placed before the notes, not 
after. Wrong! No idea why.
I realise that my intuition is sometimes correct, or that up till now I've just 
got away with my mistakes.

Maybe rules, general and/or specific, concerning the placement of commands, 
like \override and \tweak, can be found somewhere in the documentation, but so 
far I have not seen any.

Best regards,

Robert

 
On 29 Jan 2017, at 12:13 , Richard Shann  wrote:

> On Sun, 2017-01-29 at 11:57 +0100, Robert Blackstone wrote:
>> Hi David,
>> 
>> 
>> Ref.: "You have to use \slurUp at the moment a slur is _started_, not
>> when it already had ended." That sounds perfectly logical but
> 
> I think you may not be aware that the word "moment" here is being used
> as a LilyPond-specific technical term - meaning something like "the
> particular time in the course of the music". As David explains it does
> not specify a place in the syntax, but the place you choose must be at
> the correct "moment" (? and syntactically earlier?).
> 
> Richard
> corrections to my understanding welcome!
> 
> 


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Re: How to draw a slur above beamed notes with their stems up.

[Robert Blackstone]

Hi David,

Thanks for your reply (and your admonition to read more carefully next time(s)).

My problem with your advice "You have to use \slurUp at the moment a slur is 
_started_, not when it already had ended." was : How does a beginner know what 
is the right moment? 

Apparently for this event it is at the very beginning of a new bar, before any 
note, stem, beam or slur has been called. And it will be inherited in the 
following bars.
Good to know. I hadn't realized that.

Of course I fully agree with your concluding remark. Unfortunately there are 
sometimes way too many sentences to be read for a real understanding ...  
Thanks again,
Robert


On 29 Jan 2017, at 12:06 , David Kastrup  wrote:

> Robert Blackstone  writes:
> 
>> Hi David,
>> 
>> Ref.: "You have to use \slurUp at the moment a slur is _started_, not
>> when it already had ended." That sounds perfectly logical but when I
>> place \slurUp before the ( or \( I get the error message "error:
>> syntax error, unexpected EVENT_IDENTIFIER" No idea why.
> 
> "At the moment a slur is started" is not the same as "square in the
> middle of the musical expression when a moment is started".
> 
> And it's not like I have not explicitly explained it:
> 
>>> You have to use \slurUp at the moment a slur is _started_, not when it
>>> already had ended.
>>> 
>>> In this case this means either writing \slurUp/\phrasingSlurUp together
>>> with the respective \stemUp (usually all of those would rather be \once
>>> \whateverUp ).
> 
> Sometimes it pays to read more than one sentence.  But if people did
> that, our political landscape would likely be different.  Which does not
> need to be a bad thing.
> 
> -- 
> David Kastrup


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Re: Footnotes for subtitle

[Amir Teymuri]

Hello Pierre,

many thanks for your help. The line i am writing in there footnote is longer 
than one line and hence the remaining goes beyond the page. Do you know how to 
arrange the length of the footnotes to match into the page?

Bests,
Amir

On Sun, 29 Jan 2017 09:13:26 +0100
Pierre Perol-Schneider wrote:

> Hi Amir,
> For some reason the LSR is not reachable for the moment
> but there is a snippet about footnotes in a header.
> Try:
> 
> \version "2.18.2"
> \header { subtitle = "subtitle*" tagline = #f }
> \markup { \null \footnote \null \italic \concat { "*"
> \hspace #.3 "subtitle"}}
> 
> 
> Cheers,
> 
> Cheers,
> Pierre
> 
> 2017-01-28 22:38 GMT+01:00 Amir Teymuri
> :
> 
> > Hello,
> >
> > is it possible to right a footnote about a word in the
> > subtitle of the piece?
> >
> > Regards,
> > Amir
> >
> > ...
> > Amir Teymuri 
> > 
> > X-Mailer: Sylpheed 3.5.0beta1 (GTK+ 2.24.25;
> > x86_64-pc-linux-gnu)
> >
> > ___
> > lilypond-user mailing list
> > lilypond-user@gnu.org
> > https://lists.gnu.org/mailman/listinfo/lilypond-user
> >


...
Amir Teymuri 

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x86_64-pc-linux-gnu)

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Re: How to draw a slur above beamed notes with their stems up.

[Richard Shann]

On Sun, 2017-01-29 at 11:57 +0100, Robert Blackstone wrote:
> Hi David,
> 
> 
> Ref.: "You have to use \slurUp at the moment a slur is _started_, not
> when it already had ended." That sounds perfectly logical but

I think you may not be aware that the word "moment" here is being used
as a LilyPond-specific technical term - meaning something like "the
particular time in the course of the music". As David explains it does
not specify a place in the syntax, but the place you choose must be at
the correct "moment" (? and syntactically earlier?).

Richard
corrections to my understanding welcome!



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Re: How to draw a slur above beamed notes with their stems up.

[David Kastrup]

Robert Blackstone  writes:

> Hi David,
>
> Ref.: "You have to use \slurUp at the moment a slur is _started_, not
> when it already had ended." That sounds perfectly logical but when I
> place \slurUp before the ( or \( I get the error message "error:
> syntax error, unexpected EVENT_IDENTIFIER" No idea why.

"At the moment a slur is started" is not the same as "square in the
middle of the musical expression when a moment is started".

And it's not like I have not explicitly explained it:

>> You have to use \slurUp at the moment a slur is _started_, not when it
>> already had ended.
>> 
>> In this case this means either writing \slurUp/\phrasingSlurUp together
>> with the respective \stemUp (usually all of those would rather be \once
>> \whateverUp ).

Sometimes it pays to read more than one sentence.  But if people did
that, our political landscape would likely be different.  Which does not
need to be a bad thing.

-- 
David Kastrup

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Re: How to draw a slur above beamed notes with their stems up.

[Robert Blackstone]

Hi David,

Ref.: "You have to use \slurUp at the moment a slur is _started_, not when it 
already had ended." That sounds perfectly logical but when I place \slurUp 
before the ( or \( I get the error message "error: syntax error, unexpected 
EVENT_IDENTIFIER" No idea why.

But your advice is very helpful. Thanks in particular for \once \whateverUp. It 
will  save me a lot of typing. 

Best regards,

Robert Blackstone

On 29 Jan 2017, at 10:47 , David Kastrup  wrote:

> Robert Blackstone  writes:
> 
>> Dear all,
>> In some passages like the one shown in the ME the composer (long dead)
>> wants a slur positioned above the beam.
>> 
>> 
>> 
>> {\clef "treble" \key b \minor \time 3/8
>> \stemUp 8  ( [ g''8 ) \slurUp  8 ] | % 137
>> \stemUp 8  \( [ g''8 \) \phrasingSlurUp  8 ] | % 137
>> }
>> 
>> 
>> As one can see, the usual tools don't work here and I have not been
>> able to find something that does work.
>> 
>> Can anyone help me?
> 
> You have to use \slurUp at the moment a slur is _started_, not when it
> already had ended.
> 
> In this case this means either writing \slurUp/\phrasingSlurUp together
> with the respective \stemUp (usually all of those would rather be \once
> \whateverUp ).  Or you just put ^ before the slur in question to make it
> point upwards.
> 
> -- 
> David Kastrup

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Re: How to draw a slur above beamed notes with their stems up.

[David Kastrup]

Robert Blackstone  writes:

> Dear all,
> In some passages like the one shown in the ME the composer (long dead)
> wants a slur positioned above the beam.
>
> 
>
> {\clef "treble" \key b \minor \time 3/8
> \stemUp 8  ( [ g''8 ) \slurUp  8 ] | % 137
> \stemUp 8  \( [ g''8 \) \phrasingSlurUp  8 ] | % 137
> }
> 
>
> As one can see, the usual tools don't work here and I have not been
> able to find something that does work.
>
> Can anyone help me?

You have to use \slurUp at the moment a slur is _started_, not when it
already had ended.

In this case this means either writing \slurUp/\phrasingSlurUp together
with the respective \stemUp (usually all of those would rather be \once
\whateverUp ).  Or you just put ^ before the slur in question to make it
point upwards.

-- 
David Kastrup

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Re: How to draw a slur above beamed notes with their stems up.

[Andrew Bernard]

Hi Robert:

Would this help?

Andrew

== snip

{
  \clef "treble" \key b \minor \time 3/8
  \stemUp 8^( [ g''8 ) 8 ] | % 137
  \stemUp 8^( [ g''8 ) 8 ] | % 137
}

== snip



On 29 January 2017 at 20:40, Robert Blackstone 
wrote:

> Dear all,
> In some passages like the one shown in the ME the composer (long dead)
> wants a slur positioned above the beam.
>
>
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How to draw a slur above beamed notes with their stems up.

[Robert Blackstone]

Dear all,
In some passages like the one shown in the ME the composer (long dead) wants a 
slur positioned above the beam.



{\clef "treble" \key b \minor \time 3/8
\stemUp 8  ( [ g''8 ) \slurUp  8 ] | % 137
\stemUp 8  \( [ g''8 \) \phrasingSlurUp  8 ] | % 137
}


As one can see, the usual tools don't work here and I have not been able to 
find something that does work.

Can anyone help me?

Thanks in advance. 

Best regards, 
Robert Blackstone 
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Re: midi not rendering tied notes

[David Kastrup]

Johan Vromans  writes:

> On Sat, 28 Jan 2017 22:24:40 -0600, David Wright
>  wrote:
>
>> ( ) is a slur, not a tie. Try:
>> 
>> e'8 g~ g g~ g e~ e a |
>
> Shouldn't slurred notes of the same pitch sound as tied?

Definitely not.  See the example I just posted.

-- 
David Kastrup

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Re: midi not rendering tied notes

[David Kastrup]

Bruce Pike  writes:

> I'm having difficulty getting midi generation to recognize tied notes.  For
> the score below, when I play the midi output the notes sound as individual
> eighth notes rather than as tied notes.
>
> \version "2.18.2" \language "english"
>
> music = \relative c {
>   \time 4/4 \key c \major
>   e'8 g( g) g( g) e( e) a |
> }
>
> \score {
> \new Staff
> {
>   \music
> }
>   \layout { }
>   \midi { }
> }

Those aren't ties but slurs.  Big difference.  Take a look at the last
line of
:
there in the middle two bars you have a sequence of slurs in a passage
over two strings (D string and A string) where the first of two
sixteenth notes is fingered on the D string and the second on the
A string.  Obviously you would not want to play a~a (a tie, namely just
a single note) for those instances where two a appear in succession but
rather a( a) like with the other two-note two-string occurences.

So the difference between ties and slurs is important.  A slur indicates
execution without pause but two separate notes.  A tie indicates a
single note that has its value split for notational reasons.

-- 
David Kastrup

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Re: midi not rendering tied notes

[Johan Vromans]

On Sat, 28 Jan 2017 22:24:40 -0600, David Wright
 wrote:

> ( ) is a slur, not a tie. Try:
> 
> e'8 g~ g g~ g e~ e a |

Shouldn't slurred notes of the same pitch sound as tied?

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Re: can't move note columns in both voices at beginning of a bar

[Robert Blackstone]

Hi Stefan,
There is something weird indeed with your example. I tested your ME by just 
adding it to some other file that was open and there my proposed tweak worked.
But once I made a separate file of it, the tweak did no longer work: the note 
column was not shifted at all. Rather mysterious.
So forget "my" tweak please. And sorry for the noise.

Best regards,
Robert

On 29 Jan 2017, at 09:38 , Robert Blackstone  
wrote:

> Hi Stefan,
> Maybe I misunderstood what it is you want. Anyway, with
> 
> \new Staff { \transpose c c' << {  \First \First  } \\ { \makespace \Second  
> \makespace \Second } >> }
> the c in the first bar is also moved.
> 
> Best regards,
> Robert Blackstone
> 
> On 28 Jan 2017, at 18:16 , Stefan Thomas  wrote:
> 
>> Dear community,
>> the following example shows, that I can't move NoteColumns in two voices at 
>> the beginning of a measure. It's only possible in one of the voices.
>> Has someone an idea for a solution?
>> Thanks,
>> Stefan
>> 
>> \version "2.18.2"
>> makespace = { \once \override NoteColumn.force-hshift = 11 }
>> 
>> First = {  \makespace e4 r8 f8 g2 }
>> 
>> Second = {  c4 r8   d8 e2   }
>> 
>> \new Staff { \transpose c c' << {  \First \First  } \\ { \Second  \makespace 
>> \Second } >> }
>> ___
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>> lilypond-user@gnu.org
>> https://lists.gnu.org/mailman/listinfo/lilypond-user
> 


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Re: can't move note columns in both voices at beginning of a bar

[Malte Meyn]

Am 28.01.2017 um 18:16 schrieb Stefan Thomas:
> the following example shows, that I can't move NoteColumns in two voices
> at the beginning of a measure. It's only possible in one of the voices.
> Has someone an idea for a solution?

Do you want to have more space after the barline? Try the following:


\version "2.18.2"

First = { e4 r8 f8 g2 }

Second = { c4 r8 d8 e2 }

\new Staff {
  \transpose c c' <<
{
  \First
  \once \override Staff.BarLine.extra-spacing-width = #'(0 . 11)
  \First
} \\ {
  \Second
  \Second
}
  >>
}

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Re: can't move note columns in both voices at beginning of a bar

[Robert Blackstone]

Hi Stefan,
Maybe I misunderstood what it is you want. Anyway, with

\new Staff { \transpose c c' << {  \First \First  } \\ { \makespace \Second  
\makespace \Second } >> }
the c in the first bar is also moved.

Best regards,
Robert Blackstone

On 28 Jan 2017, at 18:16 , Stefan Thomas  wrote:

> Dear community,
> the following example shows, that I can't move NoteColumns in two voices at 
> the beginning of a measure. It's only possible in one of the voices.
> Has someone an idea for a solution?
> Thanks,
> Stefan
> 
> \version "2.18.2"
> makespace = { \once \override NoteColumn.force-hshift = 11 }
> 
> First = {  \makespace e4 r8 f8 g2 }
> 
> Second = {  c4 r8   d8 e2   }
> 
> \new Staff { \transpose c c' << {  \First \First  } \\ { \Second  \makespace 
> \Second } >> }
> ___
> lilypond-user mailing list
> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilypond-user


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Re: Footnotes for subtitle

[Pierre Perol-Schneider]

Hi Amir,
For some reason the LSR is not reachable for the moment but there is a
snippet about footnotes in a header.
Try:

\version "2.18.2"
\header { subtitle = "subtitle*" tagline = #f }
\markup { \null \footnote \null \italic \concat { "*" \hspace #.3
"subtitle"}}


Cheers,

Cheers,
Pierre

2017-01-28 22:38 GMT+01:00 Amir Teymuri :

> Hello,
>
> is it possible to right a footnote about a word in the subtitle of the
> piece?
>
> Regards,
> Amir
>
> ...
> Amir Teymuri 
> 
> X-Mailer: Sylpheed 3.5.0beta1 (GTK+ 2.24.25; x86_64-pc-linux-gnu)
>
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>
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