[LUTE] Tying on the last fret.

2008-08-24 Thread robustus
Hi all,
So I finally got to the point of tying frets on a lute that once had a fixed
metal frets and -- what I could have foreseen -- the body extends into where
the last one would go. Any solutions for this short of gluing one on? I am
thinking about cutting a notch near the end of the teardrop, but that seems
extreme. OTOH this whole thing is a bit of a hack job, trying to resurrect a
lute that was not much good to begin with, so what is one more hack?
Thanx,
-plh





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[LUTE] Re: Tying on the last fret.

2008-08-24 Thread robustus
Dan, thanks for that. Also thanks to LGS-Europe David, who fells that the
notch is not a big deal, that it's what people do.
As long as I am getting such good free and alas contradictory (but that is OK
-- don't take that the wrong way!) advice, here is something else for which I
need input: I have a terrible crack in the top of this thing, which makes a
very annoying buzz. I was thinking of removing the filigree from the sound
hole to get in  fix it, perhaps with the extensible clamp from LMI. I can
make a new filigree with the little MAXNC-10 CNC milling machine that I have,
but still I'd rather not. The crack is part of the way open so it needs to be
clamped shut,  I wondered if it is worth trying to set up a jig with suction
disks to do it all from the outside. What options does one have in such
matters?
Thanx,
plh

At Sun, 24 Aug 2008 12:29:49 -0700 (DST), you wrote
Serveral of my instruments have a VERY tiny notch at the bowl-neck 
join to enable  one more gut fret. I would definitely not advise 
notching the bowl, just use a gluon or a quark.
One of my favorit
dte memories from 1972 was taking a sandcat belt sander to my 
Papazian lute and removing the raised fingerboard. It was awesome.



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[LUTE] Re: The Lute Diary

2008-08-05 Thread robustus
Peg paste? I think that is just what I need. Where can I get some?
Another thing is that I often have problems tuning the strings who's pegs are
in the most awkward positions. For that problem I have mostly finished
constructing a helper from a disk of wood and a guitar string-winder.
-plh

At Tue,  5 Aug 2008 10:29:01 -0700 (DST), you wrote

August 4th=2C 2008
 
Dear Lutenists:
 
Thank you for your responses.  I have managed to loosen all the pegs save
three and will continue to work at it.  I don't think the peg heads are
oval=2C although it would be a very slight occurrence and it would be
difficult to tell with the peg paste.  I used the peg paste because I could
not get the peg to tighten at the right note=2C it was as if I did not have
enough strength to set the peg in properly.  Ideally how often should the Lute
be tuned?  Ron said he tuned his Lute every day=2C  perhaps this would
alleviate the consternation around pegs stuck in the wrong key (and it might
encourage Lute playing as well).  Many Thanks!
 
love=2C
 
Rebecca 
Tea at Tympani Lane Records
www.tympanilanerecords.com
_
Try Chicktionary=2C a game that tests how many words you can form from the
letters given. Find this and more puzzles at Live Search Games!
http://g.msn.ca/ca55/207
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[LUTE] Choosing Strings

2008-05-24 Thread robustus
Greetings Lute People,
I have written to this group a few times concerning my efforts to resurrect a
lute that had been in the closet for many years (no pun intended!). In any
case I am having string breakage problems trying to tune up to A440, with the
7 courses on D-G-C-F-A-D-G. In particular, in fact exclusively, the
fundamental (I guess that is what it is called) on the 4th course. Yes I am
being naughty and putting octaves on  1,2,3, 4, this instrument needing all
the resonance it can get. Sorry, John!
In any case where can I go for more information about Lute String choices? I
can figure out what the tensions will be from engineering references, and
compare the ratings on individual strings, but that would only get so far. I
remember reading in some message here about on-line calculators, but looking
over my saved messages I can't seem to find that one.
Thank You,
-plh



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[LUTE] Re: Frets

2008-05-11 Thread robustus
This thread has been extremely informative to me as a newbie in the process of
trying to fret his newly resurrected (I live in hope) lute.
I would like to know of some good sources from which to purchase fretting
materials, gut and/or nylon. I ordered two gut strings to try from one source
but they seem to be taking a very long time in coming. I mean it has been 2
weeks and it is not like they are far away. What are some good sources?
(Actually, if it's nylon I suppose I can just go to the bait  tackle shop 
get various weights of fishing line, but I have tried unused solid nylon
strings  found them very hard to tie. Would the Mace double fretting method
[I have diagrams] work with solid nylon?)
Thanks,
-plh
Rhode Island, USA

At Sun, 11 May 2008 09:27:15 -0700 (DST), you wrote
Thanks Anthony, very good advice!




2008/5/11 Anthony Hind [EMAIL PROTECTED]:

 Lundberg in his Historical Lute Construction says the following.

 The eight frets on a Renaissance lute are generally arranged so that they
 descend in diameter towards the body. I would typically use the following
 diameters:

 Fret 1  1.00mm
 Fret 2   0.90mm
 Fret 3- 0.85mm
 Fret 4  0,82mm
 Fret 5- 0.79mm
 Fret 6- 0.76mm
 Fret 7- 0.73mm
 Fret 8- 0.70mm

 However, gut varies, so don't worry about being really exact. The main
 points to consider are that the first fret shoudl be large, the second fret
 should drop considerably in diameter, and each of the rest should be about
 .03mm smaller than the preceding.
If the lute has a very high action, that is, if the height of the
 strings above the fingerboard at the neck/body join is, for example, in the
 vicinity of 5mm, then it would be better to tie on frets of a more constant
 size or even the same size. If on the other hand, the action is low, then a
 larger 1st fret together with a bigger drop between frets and ending with a
 .66mm might help.

 This book is well worth having for its very reasonable price.
 Regards
 Anthony




 Le 11 mai 08 =E0 05:17, Bruno Correia a ecrit :

   With so many gauges fretting the lute become quite expensive... What
 about
 using te same gauge from the 4th until the last? Would you have a photo
 from
 your lute with the fretting described below? I wish I could see it to try
 myself.

 Thanks.



 2008/5/10 The Other [EMAIL PROTECTED]:

 Using Thomas Mace's method of tying double frets; locking forceps to
 pull the frets tight enough; Dan Larson fret gut; in One Quarter Comma
 Meantone Temperament, with two 1st frets instead of using a tastini.

 Fret 1a (peg box side)- 1.00mm
 Fret 1b (bridge side)- 0.95mm
 Fret 2- 0.95mm  (yes, same size as Fret 1b)
 Fret 3- 0.90mm
 Fret 4- 0.85mm
 Fret 5- 0.80mm
 Fret 6- 0.75mm
 Fret 7- 0.70mm
 Fret 8- 0.65mm

 No buzzing.

 Regards,
 The Other Stephen Stubbs.




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[LUTE] Lute Case: Where to get?

2008-04-30 Thread robustus
Good Afternoon Luters,
I need a case for a lute. The lute in question has a case but you can't
believe what a piece of crap it is. I have the lute almost to playable
condition so it is time to think about a case. What sources are there for
cases?
Thanx,
-plh



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[LUTE] Tying on frets

2008-04-28 Thread robustus
Hello Lutenists,
I need some help. Not with the fret knot itself or the like, but please bear
with me:
I stripped the fixed metal fret fingerboard from my lute  replaced it with a
fretless fingerboard. I am not a luthier, just very careful. I did not bevel
or fillet the edges of the fingerboard, at least not yet. I notice that the
stress resulting from the nylon fret trying to make the sharp bend is lifting
it up near the edge. That is, near the edge of the fingerboard there is a
small gap or daylight under the fret. It is actually not all that small, big
enough so that I can see that it will be a problem.
I know this is not a lute building list but you can help me get playing again
by looking at your lutes (assuming you are using tie on frets) and telling me
if the edges are beveled or filleted, and if so, how much. And here is another
question: if you lay a straight edge on your fingerboard, is it straight or
crowned? I was careful to get mine really flat but now I wonder.
Another related question I have is, nylon or gut for frets? I only have nylon
right now. Is this stress effect peculiar to nylon? I would not think so since
I notice that wrapped strings lift near the edge as well.
Thank You All Very Much,
-plh



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[LUTE] Re: Tying on frets

2008-04-28 Thread robustus
Hi Everyone,
I gotta say I am really impressed with this group. I just signed up  posted a
message and in no time I have a wealth of information and different things to
consider. Thank you all so much!
-plh

At Mon, 28 Apr 2008 15:36:36 -0700 (DST), you wrote
Hello

I must differ on some points:
In my experience, nylon frets are more difficult to tie and tend not to lie
flat if not tied tight enough - but (and this is huge!IMHP) they never ever
ever loosen. I just rebought for use as a loaner a lute that I had sold over
ten years ago the nylon frets were old when I sold it. They're still on the
instrument and still tight. I had a Donald Warnock lute made in 1967 with
nylon frets. The original frets are still tight. NEVER EVER LOOSEN.

If you run the fret past a piece of sand paper a couple of times, nylon
becomes quite textured and holds quite well.

There are people who will tell you that gut frets sound better than nylon.
These people have better ears than I.

Most of my instruments have gut frets, but if I must retie one, the
replacement will be nylon for two reasons: 1) expense - it's far cheaper
than gut. And 2) I won't ever have to tie that fret again.

Best,

Joseph Mayes


On 4/28/08 2:46 PM, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:

 Dear All:
  One of my lutes had a flat fingerboard with edging that came to a rather
 sharp point, and I had trouble getting frets to lie flat, especially those
made with larger-diameter gut. They did indeed exhibit some daylight at the
 edges. I had a luthier bevel the edges slightly, and now the frets all lie
 flat.
I don't think nylon works nearly as well as gut for frets, for a veriety of
 reasons:
  1) It stretches less once in place, and so stays tight longer;
  2) It is a little tacky and stays in place better than the relatively
 slippery nylon;
  3) It bends more readily than nylon, allowing it to lie flat more easily.
  Depending on the action of your lute, it also may help to graduate the
 diameters slightly, starting perhaps with 1 mm gut at the first fret and
 working down to 0.80 or 0.75 mm at the seventh fret. But if the action is a
 little high, you can use the same diameter throughout.
 Cheers and good luck,
 Jim
 
 From: [EMAIL PROTECTED]
 Date: 2008/04/28 Mon AM 11:51:02 CDT
 To: lute@cs.dartmouth.edu
 Subject: [LUTE] Tying on frets
 
 Hello Lutenists,
I need some help. Not with the fret knot itself or the like, but please bear
 with me:
I stripped the fixed metal fret fingerboard from my lute  replaced it with a
fretless fingerboard. I am not a luthier, just very careful. I did not bevel
 or fillet the edges of the fingerboard, at least not yet. I notice that the
stress resulting from the nylon fret trying to make the sharp bend is lifting
 it up near the edge. That is, near the edge of the fingerboard there is a
 small gap or daylight under the fret. It is actually not all that small,
 big
 enough so that I can see that it will be a problem.
I know this is not a lute building list but you can help me get playing again
by looking at your lutes (assuming you are using tie on frets) and telling me
 if the edges are beveled or filleted, and if so, how much. And here is
 another
 question: if you lay a straight edge on your fingerboard, is it straight or
 crowned? I was careful to get mine really flat but now I wonder.
Another related question I have is, nylon or gut for frets? I only have nylon
 right now. Is this stress effect peculiar to nylon? I would not think so
 since
 I notice that wrapped strings lift near the edge as well.
 Thank You All Very Much,
 -plh
 
 
 
 To get on or off this list see list information at
 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 
 






[LUTE] Wax or raw? (was Re: Tying on frets)

2008-04-28 Thread robustus
All that was very useful, thanks everyone. I got the camber on that someone
discussed  broke the edges. Because I had to take more from the peg box end
this probably improved the action a tad. Anyway, this is an ebony fingerboard
and I was wondering if I should leave it raw wood or apply some butcher's wax,
or maybe beeswax or some such?. Any opinions or experience with that issue?
Seems any finish would wear off in spots anyway and perhaps look crappy.
Thank You,
-plh

At Mon, 28 Apr 2008 16:54:26 -0700 (DST), you wrote
Interesting, Joseph!  My lute is well overdue for refretting (sp?), and I've
always used gut.  Do you have any pointers for tying nylon tightly?  I tied
the traditional double frets when I started 30 years ago, then went over to
single strand with a flame-singed ball on the end to hold the knot.  Is this
basically what you do with nylon?  Any advantage to nylgut, etc. (though that
would eliminate at least part of the cost advantage!)?

Also, do you use gut for stringing, or nylon and overspun?  If the latter,
what's your experience with wear on the frets from the wound strings?

Thanks,

Chris.

 Joseph Mayes [EMAIL PROTECTED] 4/28/2008 6:36 pm 
Hello

I must differ on some points:
In my experience, nylon frets are more difficult to tie and tend not to lie
flat if not tied tight enough - but (and this is huge!IMHP) they never ever
ever loosen. I just rebought for use as a loaner a lute that I had sold over
ten years ago the nylon frets were old when I sold it. They're still on the
instrument and still tight. I had a Donald Warnock lute made in 1967 with
nylon frets. The original frets are still tight. NEVER EVER LOOSEN.

If you run the fret past a piece of sand paper a couple of times, nylon
becomes quite textured and holds quite well.

There are people who will tell you that gut frets sound better than nylon.
These people have better ears than I.

Most of my instruments have gut frets, but if I must retie one, the
replacement will be nylon for two reasons: 1) expense - it's far cheaper
than gut. And 2) I won't ever have to tie that fret again.

Best,

Joseph Mayes


On 4/28/08 2:46 PM, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:

 Dear All:
  One of my lutes had a flat fingerboard with edging that came to a rather
 sharp point, and I had trouble getting frets to lie flat, especially those
made with larger-diameter gut. They did indeed exhibit some daylight at the
 edges. I had a luthier bevel the edges slightly, and now the frets all lie
 flat.
I don't think nylon works nearly as well as gut for frets, for a veriety of
 reasons:
  1) It stretches less once in place, and so stays tight longer;
  2) It is a little tacky and stays in place better than the relatively
 slippery nylon;
  3) It bends more readily than nylon, allowing it to lie flat more easily.
  Depending on the action of your lute, it also may help to graduate the
 diameters slightly, starting perhaps with 1 mm gut at the first fret and
 working down to 0.80 or 0.75 mm at the seventh fret. But if the action is a
 little high, you can use the same diameter throughout.
 Cheers and good luck,
 Jim
 
 From: [EMAIL PROTECTED] 
 Date: 2008/04/28 Mon AM 11:51:02 CDT
 To: lute@cs.dartmouth.edu 
 Subject: [LUTE] Tying on frets
 
 Hello Lutenists,
I need some help. Not with the fret knot itself or the like, but please bear
 with me:
I stripped the fixed metal fret fingerboard from my lute  replaced it with a
fretless fingerboard. I am not a luthier, just very careful. I did not bevel
 or fillet the edges of the fingerboard, at least not yet. I notice that the
stress resulting from the nylon fret trying to make the sharp bend is lifting
 it up near the edge. That is, near the edge of the fingerboard there is a
 small gap or daylight under the fret. It is actually not all that small,
 big
 enough so that I can see that it will be a problem.
I know this is not a lute building list but you can help me get playing again
by looking at your lutes (assuming you are using tie on frets) and telling me
 if the edges are beveled or filleted, and if so, how much. And here is
 another
 question: if you lay a straight edge on your fingerboard, is it straight or
 crowned? I was careful to get mine really flat but now I wonder.
Another related question I have is, nylon or gut for frets? I only have nylon
 right now. Is this stress effect peculiar to nylon? I would not think so
 since
 I notice that wrapped strings lift near the edge as well.
 Thank You All Very Much,
 -plh
 
 
 
 To get on or off this list see list information at
 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html