My project of presenting Danish seasonal hymns now has 4 hymns for the
Whitsuntide uploaded. One of them is rather a praise to Christianity and has
a Norwegian composer. More on that in the programme note file in the
information folder shared by the whole project, which also has a preface on
the va
Make sure you read the "About this Recording" also.
Russ
-Original Message-
From: carson smith [SMTP:[EMAIL PROTECTED]
Sent: Monday, May 03, 2004 12:36 PM
To: [EMAIL PROTECTED]
Subject:RE: [Hornlist] Must have CD
You can listen to it at:
http://www.naxos.com/scripts/newr
Thank you, sir! That was yours truly and my longtime colleague Scott
Temple in St. Luke's Chamber Ensemble's
1st Brandenburg. We recorded it in January of 2002, and I see that I
played "Die Frau ohne Schatten" the
night before the 1st session, and "Hansel un Gretel" an hour after,
followed th
Leaving all the Slides in is certainly not good Advice. I can think of
one or two Exceptions of Professionals who play well who do this, but
not for a student who may not have developed strength or good Ears to
play all the Notes in tune in spite of it.
I like to push the main Slide all the way
Hello! Horn Call editor Bill Scharnberg has performed a great service
to all the learning young hornists by reprinting the Stephen Seiffert
article "On Tuning The Double Horn." It is an excellent article and I
have been advising its use by students for at least 30 years. Follow
it and you s
Dear Professor Cabbage,
I sure am not "mute" when it comes to expressing myself...anyone that truly
knows me, can attest to the fact that I am quite vocal when rendering an
opinion, thus I did answer sans sordino about John's sordino...
To answer your question, no I am not from the home of Jeb B
If you would read tzhe answers you receive here on the list, you would
know the right way to tune the horn.
I repeat it here, you have to use the best in tune pitches of both sides
to tune according to the "a" form the piano.
Play the (concert) f1, which is our c2 in the 2nd space from top or 3rd
Leonard & Peggy, what advise did you gave to Shannon ? "If you are happy
with the way it plays..." ??? Does it mean lose tubes, special at the
valve section , would not influence the horn badly. Even a minimal leak
is crucial for bad playing. If there are leak & lose tubes, big dents
flatten the tu
INSANE - INSANE - INSANE - are we living in the Stone Ages or Middle
Ages ??? Why not wrapping the whole horn with plastic tape, best of
blue or red or yellow colour, so the horn´s surface will not be damaged
by fingerprints & will never need any polishing. There will never occur
the bad effect of
Hello Benno, verzapf doch nicht diesen Unsinn, bitte. The main tuning
slides need to be pulled out, as the horn is designed to fit different
environment. Temperature has a certain influence to tuning. Orchestra
tradition is different in the world. USA orchestras have a lower "a"
than European orche
In a message dated 03/05/2004 19:17:21 GMT Daylight Time,
[EMAIL PROTECTED] writes:
My new teacher said that it is not neccesary to pull
> out valve slides for new horn at all(only the main
> tuning slide should be adjusted). He said that i
> should adapt myself to horn, not the horn for mys
Amen! The teacher can't be very experienced to have given that advice. A good place
to start when learning how to tune your horn is the Farkas book.
Fred
william bamberg <[EMAIL PROTECTED]> wrote:
That advice is so bad that you should seek another teacher. Having the
slides tuned by an expe
That advice is so bad that you should seek another teacher. Having the
slides tuned by an experienced player, if you're not ready to do it, is
the proper first step to learning how to do it for yourself. I play
several horns regularly and find that I need to tune each horn as close
as possibl
Two points here: First, there is no textbook measurement. Tuning differs not only
player to player, horn to horn, but often, what piece you are playing. Valve
combinations should not be completely set, as many intonation issues, especially when
playing in a section, can be rectified with matc
On Monday, May 3, 2004, at 12:36 PM, carson smith wrote:
NAXOS says this CD will "probably" be available in the U.S. very
late 1004 or 2005.
Wonderful! I'd like to have a copy of the venerable 1004 issue CD for
my collection. Send one to Cabbage, also.
Mansur's Answers
___
Scott Laskey modified my rim slightly to improve blood flow. I was
quite surprised to get greatly improved endurance from a narrower rim.
To your point, this was all done to a basic Schilke 31B, a pretty well
optimized bowl shape. Further to your point, the modification was only
made after I
Dear Richard,
Maybe:
http://www.arkivmusic.com/classical/album.jsp?album_id=80591&site_id=WGMS
Bryan Doughty
BVD Press
79 Meetinghouse Lane
Ledyard, CT 06339
[EMAIL PROTECTED]
860 536-2185
http://www.bvdpress.com/
Hi All,
Yesterday I heard a recorded performance of Brandenburg #1 from the
St. Luke
Hi All,
Yesterday I heard a recorded performance of Brandenburg #1 from the St. Luke's Chamber
Orchestra on the radio. I was able to catch only the last movement but the horn
playing was superb and the ornamentations used were unusual (to me at least) and very
interesting. Is anyone familiar wi
Long flat spots can do some funny things. Just pushing the dents out of
the way is usually pretty safe.
Leadpipes can present more complicated problems. Again, just pushing
out the dent and leaving a few wrinkles is the safest course. A common
leadpipe problem for school horns is to have the
--- [EMAIL PROTECTED] wrote:
> What typw horn do you have?
i have Yamaha 667VS
__
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My new teacher said that it is not neccesary to pull
out valve slides for new horn at all(only the main
tuning slide should be adjusted). He said that i
should adapt myself to horn, not the horn for myself..
I tuned my horn following the article in february's
Horn Call and for Bb horn there was ab
Major dents may have already distorted the horn a bit but should be
pushed up to the extent of not being an obstruction. Usually, pushing a
series of dent ball past the dent will reduce it to a few wrinkles,
which won't affect the playing. This also leaves a pretty clear picture
of the origin
I would like to alert the list that I am selling my Paxman 44XL (1979) descant. The
44 is a six-valve descant (the sixth valve engages the low-F loop) and is yellow
brass. The horn will accomodate both Paxman and Alex-convention flares. As was
recently said on this list (Bill Bamberg?), with
You can listen to it at:
http://www.naxos.com/scripts/newreleases/naxos_cat.asp?item_code=8.557471&memberID=
From: "Papierniak, Mike" <[EMAIL PROTECTED]>
Reply-To: The Horn List <[EMAIL PROTECTED]>
To: "'[EMAIL PROTECTED]'" <[EMAIL PROTECTED]>
Subject: [Hornlist] Must have CD
Date: Mon, 3 May 2004
I have just added another MUST HAVE CD to my collection, along with the
LEBENSZEICHEN CD from The Vienna Horn Ensemble. The new CD is on the NAXOS
label, number 8.557471. The Art of the Vienna Horn, featuring Wolfgang
Tomboeck. NAXOS says this CD will "probably" be available in the U.S. very
l
Benno Heinemann wrote:
I think this is right, but perhaps if this dutch Man thought he had a
"magic fix" for Hornplaying he may demand more than 30 Euros for it. I
know I would!!
My first Thought was also that this Service is unecesary, but haven't
we all bought a great mouthpiece sometime and
I think this is right, but perhaps if this dutch Man thought he had a
"magic fix" for Hornplaying he may demand more than 30 Euros for it. I
know I would!!
My first Thought was also that this Service is unecesary, but haven't
we all bought a great mouthpiece sometime and then given up with it?
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