just like records of the state of the
instrument, not what it should be like if restored.
www.rmguitar.info
-Original Message-
From: Anthony Hind [mailto:[EMAIL PROTECTED]
Sent: 09 January 2008 21:51
To: lute@cs.dartmouth.edu Net
Subject: [LUTE] Re: RH on the bridge [baroque Method]
Thanks
.
Museums, of course, tend to just like records of the state of the
instrument, not what it should be like if restored.
www.rmguitar.info
-Original Message-
From: Anthony Hind [mailto:[EMAIL PROTECTED]
Sent: 09 January 2008 21:51
To: lute@cs.dartmouth.edu Net
Subject: [LUTE] Re: RH on
Rob
-Original Message-
From: Anthony Hind [mailto:[EMAIL PROTECTED]
Sent: 09 January 2008 18:12
To: lute@cs.dartmouth.edu Net
Subject: [LUTE] Re: RH on the bridge [baroque Method]
Thanks for trying, Rob. It shows how careful you have to be even when
reading information on a museum site.
I t
al Message-
From: Anthony Hind [mailto:[EMAIL PROTECTED]
Sent: 09 January 2008 18:12
To: lute@cs.dartmouth.edu Net
Subject: [LUTE] Re: RH on the bridge [baroque Method]
Thanks for trying, Rob. It shows how careful you have to be even when
reading information on a museum site.
I thought that
Thanks for trying, Rob. It shows how careful you have to be even when
reading information on a museum site.
I thought that would be completely trustworthy.
Actually, it is surprising that there are often very strong little
finger marks on historic lutes. Modern players, do their best to
redu