>Am Donnerstag, 3. M§rz 2005 17:58 schrieb David Cameron:
>> I probably don't fully understand the problem, but it seems to me that
>> smaller note symbols to indicate the pitch of the octave strings would do
>> much of what is required.
>>
>.. which would help but the problem of voice leadings
Regarding my last posting: It's David Grimes' books I was praising, not David
Russell's. :)
James
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In a message dated 3/3/2005 8:03:00 AM Pacific Standard Time, [EMAIL PROTECTED]
writes:
How do we feel about the methods of
modern-notation transcription employed by, for example, Strizich, Pinnell,
Russell, Pennington (I realize these are all Americans - sorry!). And just
to clarify, I'm interest
om:David Cameron
>> Sent:Thursday, March 3, 2005 10:58 AM
>> To: vihuela@cs.dartmouth.edu
>> Subject: Re: Modern Notation of Five-Course Lit.
>>
>> StanleyYates wrote:
>>
>> "Surely there is a better solution than simply writing
(fax)
> --
> From: David Cameron
> Sent: Thursday, March 3, 2005 10:58 AM
> To: vihuela@cs.dartmouth.edu
> Subject: Re: Modern Notation of Five-Course Lit.
>
> StanleyYates wrote:
>
> "Surely there is a better solution than simply writing
ut in
practical terms...
Stanley Yates
www.StanleyYates.com
> --
> From: Thomas Schall
> Reply To: [EMAIL PROTECTED]
> Sent: Thursday, March 3, 2005 10:44 AM
> To: Yates, Stanley
> Subject: Re: Modern Notation of Five-Course Lit.
>
> Am Donnerstag, 3. Mä
Am Donnerstag, 3. März 2005 17:58 schrieb David Cameron:
> I probably don't fully understand the problem, but it seems to me that
> smaller note symbols to indicate the pitch of the octave strings would do
> much of what is required.
>
.. which would help but the problem of voice leadings which are
StanleyYates wrote:
"Surely there is a better solution than simply writing everything as if
played on bordons with the disclaimer about where anything below a written G
might actually sound..."
I probably don't fully understand the problem, but it seems to me that
smaller note symbols to indicate
: "VihuelaList"
Sent: Thursday, March 03, 2005 6:11 AM
Subject: Re: Modern Notation of Five-Course Lit.
Hi Stanley and all,
Although surely well meant, the earlier editions by Karl Scheidt and Hans
Teuchert now seem inacceptable. I do well remember the answer when I asked
why he omited
ey
>
> Stanley Yates
> www.StanleyYates.com
>
> > --
> > From: Rob MacKillop
> > Sent: Wednesday, March 2, 2005 1:55 AM
> > To: vihuela@cs.dartmouth.edu
> > Subject:RE: Modern Notation of Five-Course Lit.
> >
> > Stanle
put some examples up when I get a few minutes.
Stanley
Stanley Yates
www.StanleyYates.com
> --
> From: Rob MacKillop
> Sent: Wednesday, March 2, 2005 1:55 AM
> To: vihuela@cs.dartmouth.edu
> Subject: RE: Modern Notation of Five-Course Lit.
>
>
Stanley,
I can see the attraction of, say, a Mel Bay edition (Stanley Yates Series,
of course!) of important works such as the Bartolotti - setting aside my
reservations about playing this stuff on a modern classical guitar (better
on a 12-string guitar...). So I'll try to clarify my thoughts.
We
- Original Message -
From: Sal Salvaggio <[EMAIL PROTECTED]>
Date: Monday, February 28, 2005 8:31 pm
Subject: Re: Modern Notation of Five-Course Lit.
> Robert Strizitch (sp) did a book of transcribed
> DeVisee back in the 1970's. My recollection- been
> about 5 y
Robert Strizitch (sp) did a book of transcribed
DeVisee back in the 1970's. My recollection- been
about 5 years since I've seen the book- is that he
used a lot of circled numbers for the strings.
Difficult to look at and play on the baroque guitar
though.
Sal Salvaggio
_
James and Rob,
Thanks for responding.
For me, the main problem is that if one is going to take the considerable
trouble of transcribing a tablature collection the result should be as
multi-functional as possible. But how multi-functional can that be?
Obviously, as Ron pointed out, five-course gu
odern Notation of Five-Course Lit.
I can't remember if we can send attachments; but I'll try to attach a
piece that I've done on Finale.
James
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Well, any notation which doesn't represent exact pitch is in essence
tabulature.
Yes, as I mentioned in my e-mail; it would be "tablature disguised as
modern notation". The tablature manuscripts themselves don't always give you a
clear idea of the stringing intended, which determines actual p
> [EMAIL PROTECTED] writes:
> Which in itself is scordatura, i.e. another form of tabulature.
> Sorry, I don't get your point here.
> James
Well, any notation which doesn't represent exact pitch is in essence
tabulature.
RT
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In a message dated 2/28/2005 11:03:38 AM Pacific Standard Time,
[EMAIL PROTECTED] writes:
Which in itself is scordatura, i.e. another form of tabulature.
Sorry, I don't get your point here.
James
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> In my many years teaching and arranging experience, I have to say that the
> most difficult instrument to transform into a classical guitar, is the
> baroque guitar. Piano music, lute music, even orchestral music can sound
> fine on the classical guitar, but Baroque guitar music NEVER sounds good
Hi Stanley,
Thanks for your contributions to this site...
IMHO it all depends on who the transcription is aimed at. Players of baroque
guitars don't need a transcription - obvious. Players of classical guitars
would need a different transcription from those who maybe don't play a
guitar of any so
> In a message dated 2/28/2005 7:57:42 AM Pacific Standard Time,
> [EMAIL PROTECTED] writes:
> Following on from the tuning / stringing discussion, I'm curious to know
> what folks think about standard notation transcription of five-course
> tablatures - how to deal with unknown tunings, octave st
In a message dated 2/28/2005 7:57:42 AM Pacific Standard Time,
[EMAIL PROTECTED] writes:
Following on from the tuning / stringing discussion, I'm curious to know
what folks think about standard notation transcription of five-course
tablatures - how to deal with unknown tunings, octave stringing,
Following on from the tuning / stringing discussion, I'm curious to know
what folks think about standard notation transcription of five-course
tablatures - how to deal with unknown tunings, octave stringing,
imperfect/suggested counterpoint, etc.
Stanley
--
Stanley Yates
http://www.StanleyYates.
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