(313) Dopplereffekt Reissues???
Just wondering if these had actually been released yet??? have been hunting but to no avail?? Does anyone have a release date or a track listing?? Thanks ionizer
Sv: (313) ID help
Techno City by E.V.I.A.N. and the Atlantis Possee Techno-Kut Records TK-1206 (1988) produced and mixed by DJ Slip exec producer Lonzo This isn't Troy Geary is it??? No. 1988 - what's up with this record/label. help, anyone??? Technokut was DJ Unknown's label. One of the many Macola sub-labels. It doesn't exist any more. Peace RJ thanks and respect, always T.Head (good acid record- the track robo tech rocks) __ Get Your Private, Free Email at http://www.hotmail.com
Re: (313) Innerzone Orchestra live in NYC
Yeah I went and took pictures - despite Floyd (DigitalNoise broadcast the event and will undoubtabley add it to their archives eventually). Something tells me Carl wasn't too pleased w/ the low turn-out as the Innerzone set was way too short. One of Carl's keyboards fell over and took ages to set-up again plus the sound was shite all night! Having said that it was worth sitting through Herbaliser's boring set to hear DJ Krust and MC Dynamite(who had a sound system vs. the decks problem which forced Krust to be a little ginger w/ his mixes, but slammin' non the less!) Cheers - MSF* Mark S. Flintoft917.817.3989 Managing Editor http://www.in-sitemagazine.com --- - Original Message - From: Otto Koppius [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Friday, September 17, 1999 3:16 PM Subject: (313) Innerzone Orchestra live in NYC Any 313-ers that were there care to do a review? I was dying to go there, but all the roads in my area (Westchester county) were flooded due to our friend Floyd and there was no way I could get to the city :( Otto
Re: Sv: (313) paul johnson
Ah yes! 'Get Get Down' ... I'd still like to see tracks like 'You remind me' on the charts, though! ha, you mean Whose Pussy Is This? wasn't suitable for Top of the Pops airplay? ;) haa haaBTW, that is one of my fave records on Relief, also has computers talk on there peace -- Matt MacQueen [EMAIL PROTECTED] http://www.reverbmag.com archived radio shows -- http://macqueen.com/radio
Re: Sv: (313) paul johnson
yes, that whole EP (Stop Trippin', RR720, 1995) is pretty damn incredible. the funny thing about this whole get get down track is that it was on the album he did on moody earlier this year, and then that particular track got licensed here, licensed there, licensed, licensed everywhere. A bit of suess for your weekend. andrew duke :) Matthew S Macqueen wrote: Ah yes! 'Get Get Down' ... I'd still like to see tracks like 'You remind me' on the charts, though! ha, you mean Whose Pussy Is This? wasn't suitable for Top of the Pops airplay? ;) haa haaBTW, that is one of my fave records on Relief, also has computers talk on there peace -- Matt MacQueen [EMAIL PROTECTED] http://www.reverbmag.com archived radio shows -- http://macqueen.com/radio -- Cognition/Andrew Duke's In The Mix mailto:[EMAIL PROTECTED] http://techno.ca/cognition 1096 Queen St #123 Halifax NS Canada B3H 2R9
Re: Sv: (313) Toytronic/Slater
Aux 88 have had a couple of videos played on MTV if i remember correctly. andrew duke scratch wrote: Goes well with the electro breakdown in Puff Daddy's 'PE 2000' and the new single by Jordan Knight (ex- New Kids on the Block). Saw the Jordan Knight video on MTV and it just goes to show how big protitites they are at MTV. They have NEVER played a decent bass song (which is why Luke allways says 'No thanks to MTV' on his records) but this one gets airplay right away - even though it complete shit. Depressing! Peace RJ :) peace ~Askew BTW: respect to Cyclone for representing Detroit (specifically Stacey Pullen) in Melbourne's major tabloid newspaper... the Herald Sun. __ Get Your Private, Free Email at http://www.hotmail.com -- Cognition/Andrew Duke's In The Mix mailto:[EMAIL PROTECTED] http://techno.ca/cognition 1096 Queen St #123 Halifax NS Canada B3H 2R9
(313) Stacey Pullen In Melbourne
Just as I was about to post this report I had a call inviting me to catch a spur-of-the-moment secret gig in Melbourne for E-Smoove (Chicago) and Tony Wilson (NY/Miami). It was at this tiny club. I had never heard of it before. There would be room for no more than 200. It was really tucked away - in some grimy alley. The night itself was dope. I was able to hear the new Masters At Work record, Latin Lover, with Stephanie Mills. Yeah! But back to *my hero* Stacey Pullen. Well, I caught up with the Kosmic Messenger Saturday night in Melbourne and it was a spiritual encounter for me! I felt rather down and tired at the start of the night but went home feeling elevated. Stacey has the gift of healing, y'see. Anyway, Stacey's gig was the third in Gasp Entertainment's Innovator series. He played a techno/house set but worked in a lil' jazzy material, Latin, drum 'n' bass and retro-funk. At one stage he played Basement Jaxx's Red Alert. Stacey is a really extrovert, whimsical DJ who likes to get his groove on and even lip synch and do air trumpet (!) along to the odd track. Those who are familiar with him will know what I mean! And talk about the sex/music connection, the way Stacey plays is so charged. You gotta wonder what he's thinking at times! Stacey played for over 5.5 hours as the crowd just wouldn't let him go. After 5 hours they hollered out for him to do more. This happened a couple of times, even though the house lights had come on. It all finished around 9 am. The house was packed, too, which is incredible as this was Grand Final Weekend in Melbourne (Aussie Rules football is *the* national sport here) and there were any number of big gigs on, including Steve Bicknell @ Rotation IV and Tony Wilson/E-Smoove @ Freakazoid (Melbourne's cult house club). I know the latter did really well. I reserve judgment on Bicknell. Rotation was no doubt a good event overall but I personally just don't think Bicknell is all that. Innovator really kicked off with Phunk de Sonique's 1/2 hour live set. These are three Melbourne school friends (now at uni) who have an affinity with the many techno sounds of Detroit. Their stuff sounds like some of the new Transmat recordings. Very good. I'm proud of them. Stacey came on at 3 am and did his unwavering set. Afterwards he signed autographs. Folks were all over the cat. The promoter had set out to create a night in keeping with the Detroit ethos. I *think* he is growing conscious that some folks wonder why is it that in this country many promoters tend to use bang-bang types to open for those Detroit (or Chicago) guys whose music takes an altogether different trajectory. Hence (big-name Melbourne techno DJ) Jeff Tyler span a slightly more experimental set than usual and Phunk de Sonique played ahead of Stacey to establish the right harmonious vibe. The crowd was more mature than the usual ravers. I spotted two glowsticks and no dummies. These are my rather snobbish barometers of 313 appreciability. Keep that shit for Judge Jules. (He-he.) Stacey attended a little meet and greet for industry types around 11. I chatted to him. It was kinda funny. While were talking this bewildered girl comes up and says, Excuse me, are you Stacey Pullen? And he points to me and says, No, she is. Like, I wish I could do what he does. I asked Stacey about Kid Rock's claim to be The Wizard's rapper, as I remembered Stacey used to tape those shows growing up, and he expressed surprise. He doesn't remember no rappin'. So growing evidence would suggest that Kid has it coming to him for frontin'. I mentioned the Telex remix as one of many things of his I loved. Stacey said he thought that this was his best mix but added that he was also proud of his Jean Michel Jarre one from four years ago that never saw release. Stacey says we ain't heard nothing from him yet as his new material will take it to the next level. The promoter has heard some and assures me it's awesome. Afterwards I couldn't help but notice Stacey's carefully applied black nail polish. The nail polish looked flyer than fly on these small, elegant hands. I know it is a small, seemingly trivial detail but these things say a lot about the way folks express themselves (I mean what other guy would wear nail polish?). The fact is he's very into his individualism, is Stacey. The day before (er, that's Friday) Stacey did Club Lunch, a live mix show by DJs, on Melbourne's community station Kiss FM. He did it from the city's Sanity store (oh yes, Sanity! :) ). I missed Stacey's slot and want it real bad on tape. (If anyone in Melbourne can help, please e-mail me so I can offer bribes.) Peace C
Re: (313) Toytronic/Slater
Thanx but it was also down to my editor who realised that it was the event everyone would be talking about and who (God bless him!) puts up with me. BTW: respect to Cyclone for representing Detroit (specifically Stacey Pullen) in Melbourne's major tabloid newspaper... the Herald Sun. I still think that Slater's album is worth a listen, though I take all the other comments on board. It's not all like All Exhale. And, as an electronica album, it is nowhere near as commercial as Leftfield, Chemicals, etc. Above all, this album will still be hard to sell to those rock kids who are getting into electronica. And I defy anyone who says that the track Weave Your Web ain't the shit. Cheers :) C
(313) Punisher
Does anyone know where I can get booking info for Punisher? I'd really like to bring her to Kalamazoo to do a live PA. Peace out. __ Get Your Private, Free Email at http://www.hotmail.com
(313) Soul Center
Latest Thomas Brinkmann (Soul Center) is just peachy. Somebody said it's Brinkmann doing Theo Parrish. That's not too far off...sexy, funky, deep groove - plodding at times. Definitely NOT like what I've heard on Profan or M-nus, but still informed by a Koln-esque landscape. VERY soulful, though. Not unlike Theo, actually. Very, VERY cool. -- jeff 10,000 people all screaming the same thing at the same time are wrong, even if they're right. dancing/about/architecture ...with wandering steps and slow... ICQ904008
Re: (313) Slater sells out
If Luke is sick of the elitist-starving artist-purist techno community and all the political snobbery associated with the underground techno scene, I can understand him selling out. Why not experiment with electronica, maybe those trend hungry raver kids in the US will make you a millionaire. I hate it when they sell out, but I only wish for one thing: when they do sell out, THEY SHOULD CAHNGE THEIR NAME. That way, I could buy 'Artist X' without being confused with the artist's new sellout shit. Also, if you are an artist and you make (for example) gabber and trance, then you should have a trance name and a gabber name that are different.
