Re: [313] recloose
I'm nearly positive that there are no recloose mix CDs available. The old-schoolers may know whether there are any DJ Bubblicious mixtapes, however - DJ Bubbilicious is the name Recloose used to use when he was based in Ann Arbor. There *is* this, however: http://www.theplayground.com/static_music/ Check out Recloose's set on Detroit Technology (okay, it's partly self-serving, since my mix set is on there too). Cheers, Bill / dj marathon John D. wrote: anybody know if there are any dj recloose mix cd's out there? thanks John - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] recloose
he was just in SF and played at the Beta Lounge. check here for a live set: http://www.betalounge.com/stuff/lounge9-2-00.ram -ian. At 7:28 PM -0700 9/25/00, William VanLoo wrote: I'm nearly positive that there are no recloose mix CDs available. The old-schoolers may know whether there are any DJ Bubblicious mixtapes, however - DJ Bubbilicious is the name Recloose used to use when he was based in Ann Arbor. There *is* this, however: http://www.theplayground.com/static_music/ Check out Recloose's set on Detroit Technology (okay, it's partly self-serving, since my mix set is on there too). Cheers, Bill / dj marathon John D. wrote: anybody know if there are any dj recloose mix cd's out there? thanks John - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
w w w . 7 1 3 t e k n o . n e t
Hi, thought I'd post a link to my site dedicated to Houston's techno scene... the addy is http://www.713tekno.net I've got lots of mp3 sets including some recent stops by Claude Young and Dylan Drazen... and if anyone buys Jack Mackrel recs. on Template/P-Rythmn, a live set by Houston's own Andrei Morant... thanx for your time... j e f f 713tekno _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Hawtin, Acquaviva rip it up in SF
Richie Hawtin and John Acquaviva played rock solid sets in San Francisco Sunday night. Sure, the club probably wouldn't be my first choice (1015 folsom - with a sometimes shaky, cheesy crowd), but the sound system there IS excellent, which helps. John's set was funky AND fresh, while Richie's set was fierce, pummelling and incredibly technical. Nothing like starting off the week right by being sonically blown apart by Hawtin's Techno mayhem. In a somewhat related note, we spotted Detroit's DJ Bone at the same club Saturday night, waiting in the guest list line for the Deep Dish show. And the guy working the door at 1015 went to Cass Tech (he spotted my Michigan ID). Detroiters are everywhere out here. cheers. Tim Pratt ___ Say Bye to Slow Internet! http://www.home.com/xinbox/signup.html
RE: [313] plus8 in sf
Hey Eli, I really enjoyed reading that. You have analysed and coped with change very well. I totally agree, I only started listening to +8 stuff in '92, and have seen Richie a couple of times (with a few yrs in between) and have noted a real decline in eclecticism of the music he Dj's with and of course the music he produces. It is precisely the eclecticism in music selection and spinning styles that is 313 for me. As part of a recent outing (I think it was attached to Decks, efx blah) to Sydney, he played the standard minimal purist techno, working the efx nicely, smooth mixing, crescendoing then bldng down then up again etc kinda mixing by numbers. Certainly a skill, but a skill that a multitude of other eg European lightweight techno DJ/producers own. It seems to me that Richie has moved from somewhat of a pusher of new sounds in early 90's to an being a part of the pack. Maybe my small opinion is wrong Peace, R -Original Message- From: Eli Bingham [SMTP:[EMAIL PROTECTED] Sent: Tuesday, 26 September 2000 10:36 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject:[313] plus8 in sf three years ago, i saw richie hawtin for the first time in a sweltering loft space at 117 minna st. 700 ravers crammed into a low ceilinged room designed for about 450 people, with the only ventilation provided by a single window all the way at the back and a couple of fans at the front. at several points in the night it was literally raining condensed sweat from the ceiling. that night, richie played for five hours, and forever changed the way that i saw music. he played _everything_ - from warped aciiid to the manic electro of j saul kane to the raw aggression of speedy j to clattering tribal house to concept-style minimalism to soulful detroit, with all points in between. his mixing was smooth and adventurous, but like any good dj he seemed to know that it wasn't so much how you played but what, and when. no matter how hot it seemed, you were literally compelled to keep dancing. richie is a god, a friend muttered as we stumbled out at 7am. and no, i was sober thank you. the flier for the party, appropriately called a diet for the sick, identified richie only with the name plastikman and the ubiquitous alien logo. at the time i owned the two plastikman albums available at the time, and was fascinated by the possibilities they presented. what sort of person would produce such alien music, and what would they do in a live setting? the mystery implied the unexpected. i'm still not sure of everything that i heard that night. fast forward to the year 2000 and Decks, FX, and 909. the mystery of plastikman is gone, replaced with the bald visage of richie hawtin. despite its pretentions as serious art, the new de909 angle is mostly a triumph of slick marketing and 21st century multimedia capitalism - buy the cd, buy the vinyl, go to the show, etc. etc. etc. - most of all, buy into richie's image. in the web business where i earn my living, we call this branding. earlier this year i saw the de909 show live for the first time, and i was impressed - the shock of the new has its power. but i remember remarking afterwards that i couldn't recall a single track that richie had played, save nitzer ebb. last night at the plus8 classics show in sf, i was much less impressed. john acquaviva did an admirable job of warming up, though some of the music he played earlier in the night was pretty darn cheesy (its john a. though, and somehow he can get away with records other people can't). he ended up providing the highlight of the entire night for me - his last record was red planet's stardancer. hearing that at top volume on 1015's sound system was _almost_ worth the fifteen dollar admission price. richie stepped up to the decks at 2 am and proceeded to simply wallop the crowd for two hours straight (and presumably a third, though me and my numbed friends had left by then). technically, richie is a joy to watch. his dj technique is unparalleled - almost every record is manipulated beyond recognition through fx and elaborate mixing tricks. just watching his fingers move about the mixer and fx unit is entertaining. but the musical end result of all this fuss and bother leaves a lot to be desired. in many ways, i think that richie is a victim of his own sucess - having developed such a purebred sound to accompany his aggressive marketing and packaging techniques, he finds himself unable to experiment or push himself beyond the image of harder than hard that he has created. he has sold his soul to pure technique, but pure technique is ultimately numbing. without rough edges, without surprise, without hints of contradiction and feminine energies to leaven the unrelenting attack, there really isn't much to care about. all tension and no release makes jack a dull boy. and in a way, this is an inevitable result of catering to a very mainstream crowd - they want exactly
Re: [313] plus8 in sf
I wish I'd seen the set he did 3 years ago. His more varied sets are legendary. I think it's another case of the european body snatchers. When I saw Claude Young he played a simiilar set -- hard bangin all the way through. Jeff Mills in Paris did something similar but it was Jeff -- i.e. he pretty much invented the whole relentless banging set thing. When he does it, there's an object to it, something he's getting at. That night Richie came on after him, and from the VIP lounge I didn't even notice a change from Jeff's set -- it was bang bang, kick on the beat 909 open hat on the offbeat. By then the Metro was running again so I left. In europe they eat it up, but I'd say that the eclecticism that has always been a Detroit hallmark is gone. Don't get me wrong -- I respect Richie as a producer and all around nice guy. I think Minus has been brilliant, and really pushed things in a different direction. I just want to hear one of those legendary sets the old school ravers are still talking about. kent williams -- [EMAIL PROTECTED] http://www.mp3.com/chaircrusher -- tunes http://www.live365.com/cgi-bin/directory.cgi?autostart=chaircrusher -- mix
Re: [313] (Yet another) Track ID
Jernej Marusic wrote: Deliverator wrote: greetings, No, It's def. not spastik. It's not nearly as manic as that. Is has a section of rapidly repeating snares, then a pause, then a series of snare hits in the pattern of 1-2, 1-2-3-4. I really need to hardwire my brain for audio out :-) thanks for the suggestion, Might be a track from DJ Rush, Russian roulet (or somehing like that). Jernej - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] 20 hz Capricorn??
Legowelt Orgue Electronique LIVE set archive
bits and pieces (only 30 minutes?) of these 2 recorded live...well worth checkin out if you like good dutch electro, italo-esque-euro domination trax and anything low-tech. blanco...when you coming to amerika? http://live.rel.nl/live/archive.php3 minto
Re: [313] (Yet another) Track ID
Jernej Marusic wrote: Deliverator wrote: greetings, No, It's def. not spastik. It's not nearly as manic as that. Is has a section of rapidly repeating snares, then a pause, then a series of snare hits in the pattern of 1-2, 1-2-3-4. I really need to hardwire my brain for audio out :-) thanks for the suggestion, Might be a track from DJ Rush, Russian roulet (or somehing like that). Jernej 20 hz Capricorn?? After the post-DEMF discussion that would have been my guess too. Maybe if you could point us to a RA set we could ID it 100%. Tristan _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com
RE: [313] (Yet another) Track ID
No, It's def. not spastik. It's not nearly as manic as that. Is has a section of rapidly repeating snares, then a pause, then a series of snare hits in the pattern of 1-2, 1-2-3-4. but does it go booom-tssst-booom-tssstt-bm-tssst or wsh-wooosh-wooosh? maybe jiggy-jiggy-jiggy-jiggy? or perhaps [more relevant to the majority of discussion on this list] does it have a girl singing holiidaaayyy in it? j
recordtime alumni
hey! lets compile a list of the semi-famous techno/house artists/DJ's who've done time at RecordTime. I know there are a *lot* of them but cant clear up in my head who worked there and who just hung out there all the time. Mike Himes might be able to help with this one :^) So far we have: 1. Mike Huckaby 2. Dan Bell 3. BMG 4. Will Web 5. Brian Gillespie -- sean deason matrix records p.o. box 343 dearborn, mi 48121-0343 ph/fax: 313.582.3410 cell: 313.522.3550 email: [EMAIL PROTECTED] profile: seandeason.metrotimes.com From: Steven T Lammers [EMAIL PROTECTED] Organization: Hyde Seiq Reply-To: [EMAIL PROTECTED] Date: Tue, 26 Sep 2000 05:01:14 -0400 To: Kent williams [EMAIL PROTECTED] Cc: 313 list 313@hyperreal.org Subject: Re: [313] plus8 in sf I remember the first time I was in Record Time in Roseville. Mike Huckaby, BMG, and Will Web all working in the dance room and talking sh#t. ;) I think Gillespie was probably in there, now, too.
Re: [313] Classic D Techno RA Track ID's
Wow! Nexus 21 on KMS, I would have never geussed. I recored that mix from a radio program back in 89 at the young age of 14. Cant thank you enough for the track id, Peace, stephen. Sound bite 1) artist - nexus 21 title - still life Label - KMS #030 (licensed from network UK) Year - 1989 One of my favorites, for all the fans of Inner City and that sound. Also featuring mixes by Carl Craig and Mark Kinchen Trivia note - Nexus 21 was the alias for the gents behind Altern 8. For more old Detroit vibes, check this out http://www.technologix.org/ram/clear/clear15.ram Still diggin in the crates, David Cooper
More Classic D Techno ID's in RA
O.K. just few more RA sound bites and i promise that'll be it for now. My guess is under the link. thanks, stephen. http://www.htcomp.net/stephen/id2.ram has a Derrick May quality to it. very nice. http://www.htcomp.net/stephen/id3.ram remember hearing this one in 91 http://www.htcomp.net/stephen/id4.ram old Plus 8. http://www.htcomp.net/stephen/id5.ram sounds like Orlando Voom. http://www.htcomp.net/stephen/id6.ram has a Jochem Paap feal. http://www.htcomp.net/stephen/id7.ram early Cybersonik.
Re: [313] recordtime alumni
Famous: Brian Godfather Jeffries Hopefully someday famous: Derek Plaslaiko Keith Kemp Greg Campbell Bryan Bickel sean deason wrote: hey! lets compile a list of the semi-famous techno/house artists/DJ's who've done time at RecordTime. I know there are a *lot* of them but cant clear up in my head who worked there and who just hung out there all the time. Mike Himes might be able to help with this one :^) So far we have: 1. Mike Huckaby 2. Dan Bell 3. BMG 4. Will Web 5. Brian Gillespie -- sean deason matrix records p.o. box 343 dearborn, mi 48121-0343 ph/fax: 313.582.3410 cell: 313.522.3550 email: [EMAIL PROTECTED] profile: seandeason.metrotimes.com From: Steven T Lammers [EMAIL PROTECTED] Organization: Hyde Seiq Reply-To: [EMAIL PROTECTED] Date: Tue, 26 Sep 2000 05:01:14 -0400 To: Kent williams [EMAIL PROTECTED] Cc: 313 list 313@hyperreal.org Subject: Re: [313] plus8 in sf I remember the first time I was in Record Time in Roseville. Mike Huckaby, BMG, and Will Web all working in the dance room and talking sh#t. ;) I think Gillespie was probably in there, now, too. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] recordtime alumni
didn't Theo Parrish work there??? or still does?? -Original Message- From: sean deason [SMTP:[EMAIL PROTECTED] Sent: Tuesday, September 26, 2000 4:06 AM To: [EMAIL PROTECTED]; Kent williams Cc: 313 list Subject: [313] recordtime alumni hey! lets compile a list of the semi-famous techno/house artists/DJ's who've done time at RecordTime. I know there are a *lot* of them but cant clear up in my head who worked there and who just hung out there all the time. Mike Himes might be able to help with this one :^) So far we have: 1. Mike Huckaby 2. Dan Bell 3. BMG 4. Will Web 5. Brian Gillespie -- sean deason matrix records p.o. box 343 dearborn, mi 48121-0343 ph/fax: 313.582.3410 cell: 313.522.3550 email: [EMAIL PROTECTED] profile: seandeason.metrotimes.com From: Steven T Lammers [EMAIL PROTECTED] Organization: Hyde Seiq Reply-To: [EMAIL PROTECTED] Date: Tue, 26 Sep 2000 05:01:14 -0400 To: Kent williams [EMAIL PROTECTED] Cc: 313 list 313@hyperreal.org Subject: Re: [313] plus8 in sf I remember the first time I was in Record Time in Roseville. Mike Huckaby, BMG, and Will Web all working in the dance room and talking sh#t. ;) I think Gillespie was probably in there, now, too. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] recordtime alumni
So far we have: 1. Mike Huckaby 2. Dan Bell 3. BMG 4. Will Web 5. Brian Gillespie 6.DJ Godfather 7.Derek Plaslaiko (how ever you spell your blasted name derek) 8.Keith Kemp (I THINK) _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Laurent Garnier in Barcellona
Just say Laurent Garnier play in Barcellona on Sunday the 24th of September. The venue was the Estaciò de Francia train station, duly transformed for the occasion; the punter turnout was VERY large, considering the actual dancefloor was the in the tracks area of the station. Laurent started his set at around 2 am and ended at 4.30. He played a selection of his own tracks, such as Sound of the Big Babou and The Man with the Red Face, but that didn't seem like a bad thing for me. :-) I danced and danced to my heart's content, although I thought LG was gonna play longer, I had been told tales of historic 6 hour sets. A beautiful evening none the less fab
RE: [313] recordtime alumni
What about Claude Young? For some reason I remember him being named as an alumnus -Original Message- From: Steven T Lammers [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 26, 2000 7:33 AM To: sean deason Cc: Kent williams; 313 list Subject: Re: [313] recordtime alumni Famous: Brian Godfather Jeffries Hopefully someday famous: Derek Plaslaiko Keith Kemp Greg Campbell Bryan Bickel sean deason wrote: hey! lets compile a list of the semi-famous techno/house artists/DJ's who've done time at RecordTime. I know there are a *lot* of them but cant clear up in my head who worked there and who just hung out there all the time. Mike Himes might be able to help with this one :^) So far we have: 1. Mike Huckaby 2. Dan Bell 3. BMG 4. Will Web 5. Brian Gillespie -- sean deason matrix records p.o. box 343 dearborn, mi 48121-0343 ph/fax: 313.582.3410 cell: 313.522.3550 email: [EMAIL PROTECTED] profile: seandeason.metrotimes.com From: Steven T Lammers [EMAIL PROTECTED] Organization: Hyde Seiq Reply-To: [EMAIL PROTECTED] Date: Tue, 26 Sep 2000 05:01:14 -0400 To: Kent williams [EMAIL PROTECTED] Cc: 313 list 313@hyperreal.org Subject: Re: [313] plus8 in sf I remember the first time I was in Record Time in Roseville. Mike Huckaby, BMG, and Will Web all working in the dance room and talking sh#t. ;) I think Gillespie was probably in there, now, too. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] New member intro
long time no type...got thoses tracks yet? check out our newest 12 release on http://heftyrecords.com very abstract stuff Greg Malcolm Twine/Moniker/Twinesound Audio Productions -¤ http://www.personal.kent.edu/~mmercer/twine/# http://www.personal.kent.edu/~mmercer/moniker http://heftyrecords.com ¤ [EMAIL PROTECTED] -¤ From: Todd Gys [EMAIL PROTECTED] Reply-To: [EMAIL PROTECTED] To: 313 \(E-mail\) 313@hyperreal.org Subject: [313] New member intro Date: Mon, 25 Sep 2000 11:40:53 -0400 Hello everyone! I've seriously been trying to join this list for about 4 years but something always seemed to screw up with my mail server; problem finally solved! Anyway, my name is Todd Gys. I've been dj'ing deep detroit/berlin minimal techno for about 6 years now. I'm a big fan of the chain reaction, main street, maurizio, and basic channel sound, but am also into the more minimal stuff like the Studio 1 releases, profan, etc. I'm sure I'll meet some great people here into the same music. I recently moved to Boston, MA from Columbus, OH. Quite different out here; haven't been able to find many people into the same sound I am. If you're from the Boston area, I'd love to get in touch and talk music! Within the last 3 years, I've started to make some of my own tracks. These days I finally have a fully functional studio up and running and I've been doing my best to churn out tracks. I'm involved in a few ambient projects right now, but have a few crunchy minimal tunes on cue to be released. Anyway, thought I'd drop a line and introduce myself. Anyone out there I know already? Todd Gys set.go.studio - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] (Yet another) Track ID
on 9/26/00 8:30 AM, Deliverator at [EMAIL PROTECTED] wrote: but if by chance anyone has ever heard the notre dame HS marching band in harper woods do their repetitive spiel, then you are on the right track. I'll throw in a couple guesses. Carl's Good Girls is powered by a huge brazilian batacuda, which to some people sounds like a marching band drum corps. Another minute, obscure possibility is the flipside of Meco's disco Star Wars LP (yes, I bought this when it first came out), which also riffed heavily on the marching band sound. -- There4IM
Re: [313] recordtime alumni
Jay Langa, the Green Hornet. DJ Munk on 9/26/00 9:23 AM, Jason Birchmeier at [EMAIL PROTECTED] wrote: What about Claude Young? For some reason I remember him being named as an alumnus Famous: Brian Godfather Jeffries Hopefully someday famous: Derek Plaslaiko Keith Kemp Greg Campbell Bryan Bickel 1. Mike Huckaby 2. Dan Bell 3. BMG 4. Will Web 5. Brian Gillespie
Re: [313] (Yet another) Track ID
Ian wrote: I'll throw in a couple guesses. Carl's Good Girls is powered by a huge brazilian batacuda, which to some people sounds like a marching band drum corps. Another minute, obscure possibility is the flipside of Meco's disco Star Wars LP (yes, I bought this when it first came out), which also riffed heavily on the marching band sound. another track based around a marching drum loop is Stacey Pullen's Death March, released under his Kosmic Messenger alias on Plink Plonk back in 95/96. rob _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
R: [313] (Yet another) Track ID
Ther's also the b-side to Lil' Louis' French Kiss on ffrrits called War Games or something like that fab - Original Message - From: rob webb [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, September 26, 2000 4:07 PM Subject: Re: [313] (Yet another) Track ID Ian wrote: I'll throw in a couple guesses. Carl's Good Girls is powered by a huge brazilian batacuda, which to some people sounds like a marching band drum corps. Another minute, obscure possibility is the flipside of Meco's disco Star Wars LP (yes, I bought this when it first came out), which also riffed heavily on the marching band sound. another track based around a marching drum loop is Stacey Pullen's Death March, released under his Kosmic Messenger alias on Plink Plonk back in 95/96. rob _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Meco's march sound
[EMAIL PROTECTED] wrote: ...obscure possibility is the flipside of Meco's disco Star Wars LP (yes, I bought this when it first came out), which also riffed heavily on the marching band sound. Another Meco record, the Superman LP features some slammin snare madness as well. Superb tracks on that LP. -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
RE: [313] (Yet another) Track ID
greets, nope, but it does go wik-wik-wak! just kidding, jim 'but does it go booom-tssst-booom-tssstt-bm-tssst or wsh-wooosh-wooosh? maybe jiggy-jiggy-jiggy-jiggy?'
Drexciya
Just listening to Drexciya - The Quest. Any comments on their work. I'd be interested in verbal descriptions of the work. thanks mediadrome
re: recordtime alumni
2. Dan Bell Yes. I remember well Dan's making fun of my New Jersey pronunciation of Gratiot. How is Damon's doing? Is that shop still around? (I think I have the name right...) environ * 73 mandeville drive * wayne, NJ 07470-6566 * USA [EMAIL PROTECTED] * http://www.webspan.net/~environ
Re: [313] Drexciya
At 11:21 09/26/2000 -0400, you wrote: Just listening to Drexciya - The Quest. Any comments on their work. They're great! :D I'd be interested in verbal descriptions of the work. Maybe: http://www.saunalahti.fi/~phinnweb/links/artists/drexciya/ thanks mediadrome Ltrz, Roland *=- Wie heeft verdomme die knoop in m'n zakdoek gelegd? urL : http://www.casema.net/~rolando urL : http://www.mp3.com/scout303 icQ : 1D1243 (hexadecimal) -=*
hawtin brand...
i'm not sure that the change in ritchies music can be blamed on agressive branding... sheet one as a brand concept was pretty strong, stronger than consumed imo... imagine if ritchie had released sheet one under his own name with a picture of himself on the cover, it's pretty unlikely it would've done as well as it did... personally i prefer the fuse material though ;) [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] Drexciya
Just listening to Drexciya - The Quest. Any comments on their work. I'd be interested in verbal descriptions of the work. thanks mediadrome Kodwo Eshun does a good job: http://www.kode.demon.co.uk/drexciya.htm His book More Brilliant Than The Sun is tops, too, I reckon. Jonny.
Re: [313] Drexciya
drexciya's aural imaging has always been hot! this album, in my opinion, is not as 'wet' as previous material; maybe abdul did madd art before hearin' finished product, but this album has a real retro feel, quite warmer than their collins class/future push-button battlezones of yoreout.bond. - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, September 27, 2000 1:21 AM Subject: [313] Drexciya Just listening to Drexciya - The Quest. Any comments on their work. I'd be interested in verbal descriptions of the work. thanks mediadrome - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Derrick May track ID
43 min into Derrick May's set: http://www.supersphere.com/play/web2.supersphere.com/Content/TV/derrikmay.rm is a slammin tune, with a funky baseline and what sounds like a woman singing well. every now and then... any ideas anyone ?? ta Richard
Re: [313] Madonna (313 and Broadcast Media)
In a message dated 9/25/00 1:48:16 PM, [EMAIL PROTECTED] writes: I second Gwendal's sentiment. I just finished listening to Music and the hex hector remix of that track. Could someone tell me what the big deal is? Seems to me that any modern pop artist can throw some electronica in the mix to update their sound. What I don't understand is how people who listen to much of the more purist electronic music being released today can feign interest in such a superficial gesture. Is that too harsh? I've heard the version they used for the video and I kinda dig it. Its a good all-around, general, current, pop song, suited for the digital mainstream times of late. That's all. You must understand that people who listen to the much more purist electronic music being released today can also feign interest in such a superficial gesture for they are music lovers. They can distinguish good music of all varieties, mainstream and the underground. They can see whatever music for what it is and most importantly enjoy it. Peace out, G l y p h
Re: [313] recloose
recloose/bubblicious/matt is also djing in ann arbor tomorrow night at the heidelberg on n.main st. On Mon, 25 Sep 2000, William VanLoo wrote: I'm nearly positive that there are no recloose mix CDs available. The old-schoolers may know whether there are any DJ Bubblicious mixtapes, however - DJ Bubbilicious is the name Recloose used to use when he was based in Ann Arbor. There *is* this, however: http://www.theplayground.com/static_music/ Check out Recloose's set on Detroit Technology (okay, it's partly self-serving, since my mix set is on there too). Cheers, Bill / dj marathon John D. wrote: anybody know if there are any dj recloose mix cd's out there? thanks John - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
recloose2
hey, I heard that matt/recloose has released a new single/EP on Compost. does anyone know about it? mg
Re: [313] plus8 in sf
In general talking about Rich is a dead end, or at least I try not to do it on this list - but since HP asked. ;) Likewise, Rich is still very much an inspiration. It's funny to me how popular it has become to slag him for media sensation this and that... he has always cared deeply for presentation, for putting his own stamp on the things he does. This is not news; that he has accumulated the success that affords him the ability to do bigger productions, make a bigger name for himself has absolutely nothing to do with anything other than that success. He earned it. Behind the decks or in the studio, he is a master. You can't buy that, nor can you promote it into existence. The old days... ahh. Too much like the whole dancing about architecture cliche... Spastik, the Toronto live show.. just about religious experiences - euphoric. Toe-head Richie Rich in The Shelter. The Hard parties, the Jak parties, the free barn party, his little black hole of a room at the back of the warehouse in Toronto during the Autechre party, Jak 6 and the tribal speaker destruction, the amazing Jak o'lantern (I got there early and was in the main room when it was empty - The System was scary that night!) (he also had some rack-mounted stuff back in these days, to concur with Steve's observation.) Several events in SF, LA, Iowa, Pittsburgh, M1, others. All permanently stamped in my brain, part of who I am today. Earlier this month I spent a bunch of money so I could be back in Detroit for about 12 hours at the u1 party. Felt like a small homecoming and Rich laid down the law that night; no question whatsoever that he has become one of the world's best DJs. Worth every penny and every uncomfortable moment on the airplane. How glad I am that I got old(er) doing this and that spontaneous cross-country trips have become possible. Some people go fishing...
Richie in the D on Labor Day
Hey, I put some photos on a philly site they are on the bottom of the home page in the affiliate section. www.skoolhouse.com check it out. mg
RE: [313] Derrick May track ID
Dj Sneak - You can't hide from your bud on Defiant -Original Message- From: Richard Hart [mailto:[EMAIL PROTECTED] Sent: 26 September 2000 04:51 To: 313 Subject: [313] Derrick May track ID 43 min into Derrick May's set: http://www.supersphere.com/play/web2.supersphere.com/Content/TV/de rrikmay.rm is a slammin tune, with a funky baseline and what sounds like a woman singing well. every now and then... any ideas anyone ?? ta Richard - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
