Re: [313] (Yet another) Track ID
> Greetings, > > I've heard both May & Hawtin spin this track recently. The only way I can > describe it is as extremely minimal with this military/marching snare > pattern. A great 5am track. > > jim -to anyone who witnessed may's set last nite: this track was the third track he played, sending the dancefloor into a frenzy.
Re: Yet another Trck ID
John carter..do you know what label thats on? thx for ur info! mike
Re: [313] Yet another Track ID
I only know of Jon Carter's Women Beat Their Men? > Ok since every1 has been putting these ID's up, figured I would add one >which I would love to have. Derrick May's live at fuse. The phrase, "women >beat their menand men beat on the drums." with a continuosly beautiful >tribal drum session going on. Thanks. > >Mike > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] >
Yet another Track ID
Ok since every1 has been putting these ID's up, figured I would add one which I would love to have. Derrick May's live at fuse. The phrase, "women beat their menand men beat on the drums." with a continuosly beautiful tribal drum session going on. Thanks. Mike
track ID everything...
I'm not being sarcastic, someone should do a ID of all the sets at DEMF on a separate site for reference... darw_n "create, demonstrate, toneshift..." http://www.mp3.com/darw_n http://www.sphereproductions.com/topic/Darwin.html http://www.mannequinodd.com
Another ID!
Sorry, but same set (D May at DEMF) part 2 at @ the 3min. Thanks MM _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Another ID
Hey all, same set - D. May at DEMF part 1, track that comes in at @ 1:12/1:13 and the track which he mixes into it at @ 1:15. Thanks again. MM _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] Real Audio
Phonopsia wrote: > -Original Message- > From: Stewart Moroney <[EMAIL PROTECTED]> > To: 313 <313@hyperreal.org> > Date: Saturday, September 30, 2000 12:41 PM > Subject: [313] Real Audio > > >Does anyone know of any other sites similar to the Deep House music pages > >(http://www.biostat.wisc.edu/~rose/house/) that actually let you DOWNLOAD & > >SAVE their Real Audio sets. > > > >Stewart > > I don't see it very often. It's a preference you can chose when encoding the > files. I assume the thought for most people is that they want multiple > visits to their sites, so they don't want you to download it. ***actually: most labels are cool with giving their permission to *stream* material, but (understandably, in my opinion), not cool with giving their permission to letting surfers *download* and save their material. > I've tinkered > with my cache to try and recreate files but that doesn't seem to work > really. I just thought it was worth a try. I think most people also figure > if you're gonna download it, you might as well get the better quality that > mp3 offers. > > Tristan > == > PHONOPSIA<[EMAIL PROTECTED]> > http://www.geocities.com/SunsetStrip/Lounge/5102 > "FrogboyMCI" on AOL Instant Messenger > > New Album, "Québécois", online now. > > __ > > Do You Yahoo!? > > Talk to your friends online with Yahoo! Messenger. > > http://im.yahoo.com > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] -- Cognition/Andrew Duke's In The Mix mailto:[EMAIL PROTECTED] http://techno.ca/cognition 1096 Queen St #123 Halifax NS Canada B3H 2R9
TRACK ID
Hey all, I feel a little stupid for asking this, but what track does Derrick May bring in around 57:00min of part 1 of his DEMF performance. I love this song, cept I have no idea who, what or when it was produced. Beautiful track. Thanks in advance, Pieces. MM _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Derrick May & Eclipse in Lansing last night
Before I became known as a DJ, I was known for being a good dancer. Back in the days of Detroit's own Music Institute, I use to enjoy dancing to the sounds of Derrick May because he didn't just play records. Instead, he created music with music. He created rhythms with pre-recorded rhythms. When I arrived in Lansing, Michigan last night, I had no idea that Mr. May was going to take me back to those good old days. Simply put, DERRICK put on (what we as DJs use to call back in the day) a clinic, and schooled everyone on how to properly bang out some techno. He made me want to go out and buy at least 3 records that he played last night. Not just for the records themselves, but rather in the way Derrick presented them. It's the way a DJ presents the music to the audience that makes the difference. I use the Bill Cosby classic example to illustrate my point ... imagine that you are in a restaurant waiting to enjoy your favorite meal with all of the trimmings and side dishes that make your mouth water in anticipation of what delight your tongue will soon enjoy. As the wait staff approach the table with your dinner, you can smell the pleasant scents of this delicious meal. However, when the waiter or waitress places the meal on the table, you discover that your delicious meal has been served to you on a garbage can lid. The question now is, do you still feel like eating? How can you eat after that? My point is this . . . YOU CAN OFFER THE VERY BEST, BUT AT THE END OF THE DAY, IT'S THE PRESENTATION THAT MAKES THE DIFFERENCE! Too many times, DJs play some of the hottest tunes, but still don't move the crowd. Why? Because the music itself cannot stand alone. If this were the case, why pay DJs at all? Clubs could save enormous amounts of money on just playing CD compilations all night. When you go to a party or club event, you expect to hear great music. You don't expect to have it presented to you on a garbage can lid. Last night, Derrick showed how to properly SET THE TABLE and SERVE THE MUSIC to a HUNGRY audience! I watched & listened to Derrick's set at the DEMF, and on that summer night he certainly showed the world why he is a world class DJ. Last night, Derrick showed a 1000 people in Lansing why I use to dance all night to his sets at the Music Institute. The only other musical highlight for me was watching & listening to Eclipse bang the box! Again, it's all about the presentation. I've seen Eclipse do his thing several times before, but last night he was certainly at the top of his game. Great set last night fellas! Way to bang `em out Detroit style! Many thanx & much respect to my friends & fans of the LANSING CREW who made me and my friends (TONE & TRACKMASTER LOU of SCAN 7) feel so welcomed last night! peace & respect, TP p.s. No disrespect intended to other DJs, but just because you can scratch and / or possess other turntable skills doesn't necessarily mean that you can rock a crowd. It's all in the presentation! By the way, I hope someone recorded these sets last night!
who stole the soul?
Okay so Friday night, Motor Lounge, Richard Humpty Vision played and there was reportedly a capicity crowd. Saturday night D Wynn played and there's was like 300 people, tops. What's going on? Am I still in Detroit? _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] Q about Detroit, Richard Harvey...
Actually there are no specific "anti-rave" laws like Chicago's, there's a draconian police force though. Although enforcement is very inconsistent, depending on what precinct the party is in, who happens to be patrolling that night, and whether or not the Chief of Police has a hard on for parties that week. He's been pretty busy fending off calls for his resignation lately, though. I just got booked to play a "rave" in Detroit, but I hear that there are very tight "raving" laws there. Any input? Also, is Richard Harvey really Ritchie Hawtin? I ask this because when I was listening to de9 on that new Microsoft player, the whole first half was either Ritchie, Richard or Jeff according to the track titles on the player... thanks, darw_n "create, demonstrate, toneshift..." http://www.mp3.com/darw_n http://www.sphereproductions.com/topic/Darwin.html http://www.mannequinodd.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
November 5-8 events
A friend of mine is coming into the city during these dates, and she's interested in techno, drum n bass, and dancehall reggae. What's the haps? peace lks
Re: [313] Q about Detroit, Richard Harvey...
Also, is Richard Harvey really Ritchie Hawtin? Nope. And there's no 't', BTW.
Q about Detroit, Richard Harvey...
I just got booked to play a "rave" in Detroit, but I hear that there are very tight "raving" laws there. Any input? Also, is Richard Harvey really Ritchie Hawtin? I ask this because when I was listening to de9 on that new Microsoft player, the whole first half was either Ritchie, Richard or Jeff according to the track titles on the player... thanks, darw_n "create, demonstrate, toneshift..." http://www.mp3.com/darw_n http://www.sphereproductions.com/topic/Darwin.html http://www.mannequinodd.com
The Daily Struggle: Cocadisco II + Mixnet updates
Greetings Earthling... THE PARALLAX CORPORATION PRESENTS: -COCADISCO II- The South-West of Holland, just another day in the year 3000. Cocadisco, the new and improved formula. Our message is clear: Mass manipulation due to highly addictive sound waves forcing human beings into habits and lifestyles, all controlled of course by the Parallax Corporation. Cocadisco 1 proved we were not kidding. In November 1998 the naïve Interr-Ference and Intergalactic Gary, both working musicians and entertainers for the Murdercapital organisation were made an offer they couldnt refuse; Either to go down with the Murdercapital promotion team, or join The Parallax Corporation in their efforts to control life on this planet and keep operating in the frontlines. The choice was easy, the results more than satisfactory. Now time has come to present to you: COCADISCO II. With vocals from Nancy Fortune and Mr. M. Large, a genuine Italo remix from Milano by Fred Ventura, added Nicotine from Texas, grind Coca leaves from Cochabamba and Coffee flavour from Paramaribo; Only the best ingredients are used in this product. Cat# Viewlexx V12/11 --5 track EP A1: Crocodiles in the sky (Vox) A2: Crocodiles in the sky (Fred Ventura rx) A3: Crocodiles in the sky (Instr) B1: Robosexuality B2: Theme from Cocadisco Written, Composed and arranged by I-f & IG. Produced and mixed by I-f Limited edition black labels only, official release 2001. Distribution/mailorder: [EMAIL PROTECTED] www.hotmix.nl/mixnet presents: New mixes, mix- and radiolinks added. The fun has just begun... VV - Click on the link below to be removed from the Hotmix mailinglist. http://www.hotmix.nl/cgi-bin/[EMAIL PROTECTED] -
Comn Fac/Recloose tour dates (Aus/NZ)
Here's the dates for the Australian & New Zealand Common Factor/Recloose tour. Info comes straight from the promoter's mouth (so I assume all dates are confirmed). Check street press & flyers for venues, line ups and ticket details. october 21st adelaide 27th auckland NZ 28th wellington NZ november 5th melbourne 18th sydney 25th perth Re: Melbourne AFAIK Common Factor is playing live, with Recloose DJing. The venue is Honkytonks, tickets are limited to 250. Support DJ's are Boogs, Declan Kelly, Richard Cambell and John Idem. cheers ~Askew _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
313: Did anyone else see Derrick May tonight?
Hey all, I am finally home and starting to chill out, but, call me a sheep or something, but I am still in awe of seeing Derrick May tonight at the Electronic Music and Image Festival in Lansing. My year has probably been made, because I was able to see Derrick spin in such a small venue (the sound was good, and he was only MAYBE 6 feet from me). The weather was great, and he played a great set in my opinion. He started with some old school, into some jazzy detroit house, back to old school, and then some seriously beautiful tracks at the end. Every time that I can see the man play Strings of Life, I know that I will be having a smile on my face for a long time. I suppose that I am biased in rating this event, since Derrick is my all time fave-DJ, but I certainly hope that somebody else on this list saw his set, and thought that it made for a great night too. Tired as hell, Stephen Hart _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] some toneshifting tracks...
the automobile is the most hideous acoustical environment. the bass people hear is the bunching up of sound nodes which can't escape the small space- especially if you use the trunk as a speaker cabinet - thanx.H.A.L. Judging by your site http://users.bigpond.com/dadebonair/ Debonair, it looks like you quite enjoy your car, especially the back seat ;p out. dave. _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
May collaborations
Strings of Life by derrick was also co-produced by Carl Craig. Just for the record, Carl Craig co-produced "Strings of Life '89," not the original cut. -d
