Re: [313] do you remember?
how was the sound?? That was Steve from Cleveland, who we always use, including last night, but I am a little interested in how he did the richie show... darw_n "repetition : repeat : shift..." http://www.sphereproductions.com http://www.mannequinodd.com - Original Message - From: Kyle J Dupuy <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Saturday, March 24, 2001 7:49 PM Subject: [313] do you remember? > > i saw hawtin & acquaviva last nite at platinum in windsor. the venue > looked really good - decked out with black sheets & parachutes. john was > spinning upstairs for a couple hours, playing mostly funky house. > after acquaviva finished up, clark warner took over. rich > went on downstairs about an hour after doors. he continued to spin for > the next six hours. hardly played a single banging techno track - mostly > stuff on the tech house tip. even though i didn't get to hear any hard, > evil techno which i so love, i still thuroughly enjoyed his set. i > thought the crowd was really nice too. > > "where were you last nite?" > "i called but you weren't there" > "what were you doing?" > "who were you with?" > > -samples repeated throughout the set, in an eery female voice, > and distorted with effects. added a very nice touch. > > k > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] >
supermode 7 april 2001 pittsburgh
supermode is in two weeks. if you are coming from out of state, mail me. there are no presales. and again, try to come at 10. thanks. Andy http://cenotaph.org/supermode supermode 7 april 2001 pittsburgh vapourspace matt drown dan efex kelvin larkin terry kicks chris xanthus xb hubajube inspector 901 ikari bakudan http://cenotaph.org/supermode
a means to an end.
06 15 01 coming up on friday, june 15th 2001 gramaphone records proudly presents an event organized by interrupt media group antenna international, obS productions, and covalent in association with syntax chicago metro chicago and most wanted entertainment A MEANS TO AN END featuring rare state-side performances from direct from oporto, portugal kombination research and gigolo recording artist THE ADVENT [live!] direct from birmingham, england counterbalance and dynamic tension recording artist SURGEON direct from birmingham, england downwards and tresor berlin recording artist REGIS [live!] alongside local dj support from JOSH WERNER (antenna) KEN MEIER (interrupt media) KARL MEIER (syntax) DAVE SISKA (covalent) DJ MANI (obS productions) ISRAEL VINES (liminal concepts) GEORGE DAVID (gramaphone) this event will take place in chicago at the cabaret metro 3730 north clark only 18 years of age and older admitted doors open at 11 and will close at 4 AM presale tickets will be available in april for $20 @ gramaphone records 2663 n. clark also at the metro box office 3730 n. clark or by ordering through ticketmaster online for more information and guest list inquiries contact interrupt media: [EMAIL PROTECTED] or visit the following websites: gramaphone records www.gramaphonerecords.com kombination research www.k-research-recs.com counterbalance and dynamic tension www.dj-surgeon.com tresor records berlin www.tresorberlin.de cabaret metro chicago www.metrochicago.com most wanted entertainment www.mostwanteddjs.com ticketmaster online www.ticketmaster.com -- ken meier interrupt media group [EMAIL PROTECTED] [EMAIL PROTECTED]
Re: [313] Why Can't Synth Pop Adapt?
-Original Message- From: Christian Bloch <[EMAIL PROTECTED]> To: 313 Hyperreal.Org <313@hyperreal.org> Date: Sunday, March 25, 2001 3:01 PM Subject: Re: [313] Why Can't Synth Pop Adapt? >well, i've had the full album for 3 weeks now, and i must say it's the most >amazing and talented output i've ever heard from them... mark's influence is >much more apparent when you hear the songs and the album in it's entirety. i >don't really want to go into a lengthy discussion, just wanted to ask you to >give it a full listen and a second chance. melodically and productionwise >this album is outstanding! I've spent the whole afternoon listening to synth pop, and then I just went back to the site where I listened to the Dave Gahan interview from February. I then listened to the mp3 files again. I was wrong. It must have been the Isolee effect. I often don't like some of my favorite music the first time I hear it. It would seem I'm pulling a psycho ex-girlfriend on 313 today. Tristan <- who needs to think before he posts -- http://www.mp3.com/stations/313 <- Great music from around the globe http://www.mp3.com/Frogbot <- My music http://ampcast.com/phonopsia <- My newest music http://phonopsia.tripod.com <- Mixes, pics, travelogue & info [EMAIL PROTECTED] <- email <- AOL Instant Messenger _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com
Re: [313] introducing acquaviva???
I heard he was using FinalScratch (see link) to DJ with MP3's at some shows recentlywhich would explain the laptop. http://www-classic.be.com/aboutbe/pressreleases/98-11-16_scratch.html - Original Message - From: dj revolver <[EMAIL PROTECTED]> To: <313@hyperreal.org> Cc: <[EMAIL PROTECTED]> Sent: Sunday, March 25, 2001 1:45 PM Subject: Re: [313] introducing acquaviva??? > >does anyone know why it said introducing john acquaviva on the minus > >website for the party at the platinum?? > *** m-nus.com read "introduction john acquaviva" meaning he was starting off > the show which he did as he played an opening set upstairs. > - as for the laptop, not sure. > > >From: "Scotto" <[EMAIL PROTECTED]> > >Reply-To: "Scotto" <[EMAIL PROTECTED]> > >To: "313" <313@hyperreal.org> > >Subject: [313] introducing acquaviva??? > >Date: Sun, 25 Mar 2001 13:47:04 -0500 > > > >I forgot to ask this in my last post so forgive me for the extra mail. > > > >does anyone know why it said introducing john acquaviva on the minus > >website > >for the party at the platinum?? > >and does anyone know if he was mix of the laptop he had back there with > >him? > > > >Scott Laakso --- > >--- imajin/ imagine > >http://www.mp3.com/i_majin > >http://www.ampcast.com/imagine > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > _ > Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
Re: [313] DEMF Press Conference
there are several list members who will be there, yes. ahhh..only if i had a labtop with wireless motem:) it's spring.its snowing.its michigan.:/ d --- john sokolowski <[EMAIL PROTECTED]> wrote: > According to the DEMF website, the press conference > for the artist lineup > and festival activities is this Thursday (5.29) at > Detroit City Hall. > > Are there any list members who plan on attending? > > Cheers. > > > > - > To unsubscribe, e-mail: > [EMAIL PROTECTED] > For additional commands, e-mail: > [EMAIL PROTECTED] > __ Do You Yahoo!? Get email at your own domain with Yahoo! Mail. http://personal.mail.yahoo.com/
Re: [313] DEMF Press Conference
>According to the DEMF website, the press conference for the artist lineup and festival activities is this Thursday (5.29) at Detroit City Hall. < Whoops, make that 3.29. Cheers.
DEMF Press Conference
According to the DEMF website, the press conference for the artist lineup and festival activities is this Thursday (5.29) at Detroit City Hall. Are there any list members who plan on attending? Cheers.
Re: [313] Why Can't Synth Pop Adapt?
well, i've had the full album for 3 weeks now, and i must say it's the most amazing and talented output i've ever heard from them... mark's influence is much more apparent when you hear the songs and the album in it's entirety. i don't really want to go into a lengthy discussion, just wanted to ask you to give it a full listen and a second chance. melodically and productionwise this album is outstanding! np: freelove Christian Bloch www.mp3.com/bloch Tresor/LL/Deep Night Essentials/Simple Muzik/Funque Droppings/Set.Go/Restructured - Original Message - From: "Phonopsia" <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Sent: Sunday, March 25, 2001 7:48 PM Subject: [313] Why Can't Synth Pop Adapt? > I've finally gotten around to checking out the mp3 files of the new Depeche > Mode album at http://www.depechemode.com/news/releases.html and I'm not > really blown away despite Mark Bell's input.
dissing mute, haha
Great...& Vogel's on there too! You can stack your Moby cd right alongside ;) I notice that Slater hardly reserves his best material for Mute (i.e. Plantetary Assault Systems). Doesn't that tell you something? Perhaps I was a little harsh (just saw 'Almost Famous' & was inspired by the portrayal of Lester Bangs...now there was a man with integrity). But there's no way you're going to escape criticism in my book when you're a company with a bit of cred. doing deals with the devil, and laughing all the way to the bank. I wonder who the joke is really on? Anyway, let's take it off-list. This has only a tangential relation to Detroit techno. Wes Agent provocateur On Sat, 24 Mar 2001, meta elpH wrote: > Let's not also forget that PLASTIKMAN is on NovaMute > which is part of Mute > > hey, and Joey Beltram (JB^3) is also on there. > > > > > >Don't forget Luke Slater's on Mute too. > > > Most respected? By who? Moby's accountant? HMV > retailers? A coterie > of > > reviewers? > come on mute is an awesome label is has to numerous of > good bands to > list. > Can, wire, loop, plastikman, liabach, spk, cabert > voiltare jist to name > a > > __ > Do You Yahoo!? > Get email at your own domain with Yahoo! Mail. > http://personal.mail.yahoo.com/ > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
Re: [313] introducing acquaviva???
does anyone know why it said introducing john acquaviva on the minus website for the party at the platinum?? *** m-nus.com read "introduction john acquaviva" meaning he was starting off the show which he did as he played an opening set upstairs. - as for the laptop, not sure. From: "Scotto" <[EMAIL PROTECTED]> Reply-To: "Scotto" <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Subject: [313] introducing acquaviva??? Date: Sun, 25 Mar 2001 13:47:04 -0500 I forgot to ask this in my last post so forgive me for the extra mail. does anyone know why it said introducing john acquaviva on the minus website for the party at the platinum?? and does anyone know if he was mix of the laptop he had back there with him? Scott Laakso --- --- imajin/ imagine http://www.mp3.com/i_majin http://www.ampcast.com/imagine - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] Why Can't Synth Pop Adapt?
-Original Message- From: Sakari Karipuro <[EMAIL PROTECTED]> To: Phonopsia <[EMAIL PROTECTED]> Cc: 313 <313@hyperreal.org> Date: Sunday, March 25, 2001 1:09 PM Subject: Re: [313] Why Can't Synth Pop Adapt? >On Sun, 25 Mar 2001, Phonopsia wrote: > >> I've finally gotten around to checking out the mp3 files of the new Depeche >> Mode album at http://www.depechemode.com/news/releases.html and I'm not >> really blown away despite Mark Bell's input. > >i checked those tracks out couple of days ago - i want to hear full tracks >before saying it's crap or it's excellent or whatever. but those examples >weren't really what i expected - tracks were quite typical DM. not much of >things from which one could say that Bell has had his hands on the >stuff. Right. I'm absolutely witholding judgement for the album release. But I can safely say there are a few songs I really won't dig. I can definitely hear some Mark Bell influence, particularly some Nording to a few of the tracks (they're using the Nord Lead 3). But you're right that there's a notable absence of his influence throughout. It's not as obvious as Homogenic or Dancer in the Dark. Tristan -- http://www.mp3.com/stations/313 <- Great music from around the globe http://www.mp3.com/Frogbot <- My music http://ampcast.com/phonopsia <- My newest music http://phonopsia.tripod.com <- Mixes, pics, travelogue & info [EMAIL PROTECTED] <- email <- AOL Instant Messenger _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com
introducing acquaviva???
I forgot to ask this in my last post so forgive me for the extra mail. does anyone know why it said introducing john acquaviva on the minus website for the party at the platinum?? and does anyone know if he was mix of the laptop he had back there with him? Scott Laakso --- --- imajin/ imagine http://www.mp3.com/i_majin http://www.ampcast.com/imagine
Re: [313] Why Can't Synth Pop Adapt?
On Sun, 25 Mar 2001, Phonopsia wrote: > I've finally gotten around to checking out the mp3 files of the new Depeche > Mode album at http://www.depechemode.com/news/releases.html and I'm not > really blown away despite Mark Bell's input. i checked those tracks out couple of days ago - i want to hear full tracks before saying it's crap or it's excellent or whatever. but those examples weren't really what i expected - tracks were quite typical DM. not much of things from which one could say that Bell has had his hands on the stuff. sakke -- A dream will always triumph over reality, once it is given the chance. -- Stanislaw Lem
Re: [313] do you remember?
WOW is all I can say. richie played some awesome tracks. and I was suprised that he did not do the 909 breakdown he has done every other time I've saw him. I dont really think he used the 909 much at all. he was playing a really cool loop before he started it sounded like a plastikman track I've never heard before? I'm really happy with the event security they were really cool and a big help moving our friend around with his wheel chair. > "where were you last nite?" > "i called but you weren't there" > "what were you doing?" > "who were you with?" I thaught bringing this back was pretty cool to it also had a line in it that went "I thaugh you went to the party?" and right looped party for a minute or so. is this track the stalker by green velet? Scott Laakso --- --- imajin/ imagine http://www.mp3.com/i_majin http://www.ampcast.com/imagine
Why Can't Synth Pop Adapt?
I've finally gotten around to checking out the mp3 files of the new Depeche Mode album at http://www.depechemode.com/news/releases.html and I'm not really blown away despite Mark Bell's input. There are four or five tracks that sound good, but they are the ones that remind me most of their older material (think: Music For the Masses or Violator instrumental moments). Some of the stuff that sounds new makes David Gahn's voice sound out of place IMO. Even the remixes struggle to fit his voice in a newer cotext. For me this raises the question: where did synth pop go wrong? I haven't really been happy with any of the output of the one-time kings of the genre like New Order (I know they aren't exclusively synth pop), DM, Pet Shop Boys or Erasure since maybe '92-'93. Even the efforts from that era sound today like they were struggling to keep up with the times. There have been obvious exceptions to this, like some really good remixes of the Pet Shop Boys, particularly from Mark Kinchen, Deep Dish and DJ Pierre, or Thomas Fehlmann remixes of Erasure. But why is it these talented musicians can't seem to adapt on their own, or in the case of the Pet Shop Boys and Erasure, have moved towards trance? Perhaps trance is today's synth pop, but in the 80s they weren't as formulaic about it? The thing that makes this most confusing to me, is that there is a renaissance of sorts for 80s music, particularly in Germany. But you also get Ersatz Audio putting out some strongly 80s influenced music in Detroit. There is clearly still an interest in this music. Hell, look at Carlos Souffront's set @ DEMF. Did any track go over better than the New Order he played? I think Derrick Plasaiko about jumped through the ceiling when he mixed it in. :) I know it's good that the synth pop musicians of the 80s haven't continued to repeat their earlier efforts. I'm just wondering why they've adapted in the directions they've gone. I suppose the Pet Shop Boys and Erasure are still making music for their audience. What they're doing is pretty in line with gay club music. Was there not a time when gay club music was not all candy though??? I think Depeche Mode may be struggling to adapt more than them. I just wish I could really like this music, and it isn't clicking for me. A lot of the elements don't seem to work together. Notably, the instrumentals sounded quite good. Before the flames come: I think it's generally accepted on this list that this music was crucial to the development of techno. Maybe this is something that happens with all music? Some of the key players eventually "fall off". Maybe you could extend this question to industrial music too? Tristan -- http://www.mp3.com/stations/313 <- Great music from around the globe http://www.mp3.com/Frogbot <- My music http://ampcast.com/phonopsia <- My newest music http://phonopsia.tripod.com <- Mixes, pics, travelogue & info [EMAIL PROTECTED] <- email <- AOL Instant Messenger _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com
Re: [313] do you remember?
i'll have to agree with kyle - i expected some harder , darker techno but to hear rich play some funky tech house and even disco house (hatiras' space invader) was pretty inspiring to experience as a dj. rich's set had beautiful flow all night and he is the master of creating break downs and builds ups with the use of mixer eqs and effects. flawless mixing skills were demonstrated and the crowd ate up every track he threw down. i'll have to say that was probably the best show platinum has had to date and the best thing to happen to windsor (musically) for a long time not to mention it was nice not having to drive more than 5 minutes to get to the venue. the vibe: as i eagerly approached platinum i first noticed a large m-nus symbol hanging from platinum's outdoor rafters blowing in the wind. when i walked in to the ever so familiar platinum i noticed right away that it had been transformed into a plus 8 event with the parachutes hanging low on the upstairs floor. and it was great to see john acquaviva up high in the newly constructed, all silver, metal dj booth smiling, spinning and drinking. while i only stayed upstairs long enough to order a couple drinks, it was long to here john throw down some cool old school disco tracks. as my wife and i walked down the stairs to the lower level we noticed that the couches were replaced with bass bins and the room had never sounded so great. it was extremely dark, warm, and smokey and from the back of the already jam packed dance floor you could see rich's bald sillouette and black glasses glowing above the red, smokey dj booth. as we found our way to the vip lounge rich was spinning some really nice minimal, almost dubby techno. the vip lounge: my beer buzz was strong and to hear phat beats made me feel even better. the vibe was cool back there as rich would laugh with some of his friends during record changes. m-nus' technical wizard steve had the adat machine recording rich's entire set (i'd love to get a hold of those tapes). the vip room was dark and had a platform in the middle to sit on and there were some candles lit. there was a small room with access to the bar to the right and some couches elevated on a platform to the left hand side. as i hung out with some old friends and got caught up on past events i saw some familiar faces such as theorem, christian smith, magda and more. troy robinson (platinum's owner) looked very satisfied every time i saw him as well. we decided to leave about 0430 and were already satisifed with everything we've seen and heard as rich was starting to play some old acid tracks. great job m-nus/plus 8 crew. another event well planned out and windsor thanks you for coming home. steve roy From: "[EMAIL PROTECTED]" <[EMAIL PROTECTED]> To: Kyle J Dupuy <[EMAIL PROTECTED]>, <313@hyperreal.org> Subject: Re: [313] do you remember? Date: Sat, 24 Mar 2001 21:18:49 -0500 on 3/24/01 7:49 PM, [EMAIL PROTECTED] wrote: > i saw hawtin & acquaviva last nite at platinum in windsor. [edit] > "where were you last nite?" > "i called but you weren't there" > "what were you doing?" > "who were you with?" > > -samples repeated throughout the set, in an eery female voice, > and distorted with effects. added a very nice touch. Oh, no. Has the http://www.psychoexgirlfriend.com meme caught on this fast? Curious to know more. -- There4IM - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Fluid-Mix Techno music Party in Singapore and Taipei
Hi all, Yes it's me again trying to get people down for the techno party here in Singapore and Taipei. Fluid-Mix is proud to present Oscar Mulero ( Warm-Up Recordings, Kobayashi Records, from Madrid Spain), the techno matador, will be playing in Singapore on 30th March @ Nox and Taipei, Taiwan on 31st March @ Red City Film Studio. Please do check out our website www.fluid-mix.com for more details. Listers are free to write to us to get on the paying guest list for Singapore it is S$20 with 2 drinks and in Taipei we will sort you out with something as we appreciate the step you are taking to come down For those who were at Sonar 2000 must have seen the set by Mulero & Molina on 4 decks and Fluid-Mix showcased Angel Molina in december last year and we are proud to showcase the other half next weekend to share one of the highlight of Sonar 2000. It is also to promote Sonar 2001 which will be even better!! For those who could make it for this party but will be going for Sonar 2001, i will be there and we must meet up for a chat!!! Do come down and support our techno parties. We promote parties just for the love of techno music. No underground, overground or which ever wave of techno which are just pigeon holing but we just want to bring like minded people together to share their music with the small techno community here in Singapore and to meet more like minded people. Fluid-Mix will bring more such up & coming techno DJs here to play out and do look out for them. See you all at the party next week or in Barcelona or in UK if i get to stay for another weekend!!! Your techno friend in SIngapore, Collin
Re: [313] no ufos/ford ?
Categorically untrue. Coming from a fellow technocrat who works on our Australian Ford account. r./ -- n/ benn [royal] glazier e/ [EMAIL PROTECTED] p/ +61 (0) 413 316 618 w/ www.royaltech.net At 09:09 AM 19/03/2001 -0500, you wrote: I doubt it. J Walter Thompson wouldn't go out of their way to make a "Detroit Techno"-themed commercial and not pay for the rights to use that song. -d At 12:59 AM -0500 3/19/01, [EMAIL PROTECTED] wrote: Someone just told me that Juan was never paid for his track being used in the Focus commercial, he also said that it was being taken to court. Is this true? -Stacey - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: mixing problems
just do the beat-matching with that part of the track that has beasts, then go back to the intro and drop it at the right moment ... most intros start on the first beat of bar 1 ... then make adjustments by listening to the overall rhytmic feel...if there's no explicit rhytmic element you'll have to work with the strings, pads etc (they're all rhytmic too) to marry the two tracks ... knowing your tracks helps. ... that's if you really want to mix the intro. personally i'd skip it. armin shook my booty to big daddy rick (wade) last night ... hardcore / marble floor ... yeah!
RTRFM 92.1 Ambient Zone Webcast
Hi all, Just a reminder of Sunday's Ambient Zone program 23.00-01.00 (WST) on RTRFM 92.1 FM Perth, Western Australia, which you can check out via realaudio at - http://rtrfm.com.au The finest low-frequency electronic listening music showcased each week. Timezones: Detroit (EST) 10.00-12.00 Frankfurt (CET)/ London (GMT) 16.00-18.00 Other global timechecks can be accessed at www.globalmetric.com/time. Best Regards, A Zed _ Program Co-ordinator, Ambient Zone RTRFM 92.1 Sunday Electronic Listening http://www.rtrfm.com.au/";>Click here: RTR FM 92.1 Perth Western Australia
TRAX ID PLEASE
DEMF, THE MOODYMAN SET-- @ 33 MIN INTO IT THANKS MITCH
Re: [313] fair play to juan atkins
At 08:10 AM 3/24/2001, beautiful individual wrote: therefore, ordinary joe soap on the street, who like that kind of music, thinks that seaman is an amazing dj, since, technically, his mix would be flawless. this is a misrepresentation of his talents. many of these mix cds state on the cover that they are digitally mixed, but how many consumers know what this actually means? I would think that anyone who knew enough to think someone an "amazing dj" due to the "flawless"ness of a mix would understand what digitally mized means. Isn't it all about the resulting product and it's effect on the end-user, anyways? Whether you mix vinyl, cds, or tracks on a computer, realtime or previously recorded... isn't it about how it sounds in the end? Wasn't there a similar argument made by traditional musicians when synthesizers first started to pop up(same for drum machines, etc)? A general "they're cheating" attitude, or something to that effect... Eventually, I think it all distills down into how the final product sounds, not as much how much skill (talent and creativity yes, skill no) and good timing and luck it took to get to that point. It's the "misrepresentation of talent" part that bugs me... a djs job is to choose tracks, combine them into a set, to the end of creating a synergistic piece that entertains whoever listens. It's been shown that it doesn't require vinyl, or even cds. It's the human ideas and creativity at work behind that process that is the special, unique part, and that will exist as long as there's people out there willing to listen, computers or not. -j -- [EMAIL PROTECTED] - 0x514DB5CB he who lives these words shall not taste death becoming nothing yeah yeah forever liquid cool
Re: [313] do you remember?
on 3/24/01 7:49 PM, [EMAIL PROTECTED] wrote: > i saw hawtin & acquaviva last nite at platinum in windsor. [edit] > "where were you last nite?" > "i called but you weren't there" > "what were you doing?" > "who were you with?" > > -samples repeated throughout the set, in an eery female voice, > and distorted with effects. added a very nice touch. Oh, no. Has the http://www.psychoexgirlfriend.com meme caught on this fast? Curious to know more. -- There4IM
do you remember?
i saw hawtin & acquaviva last nite at platinum in windsor. the venue looked really good - decked out with black sheets & parachutes. john was spinning upstairs for a couple hours, playing mostly funky house. after acquaviva finished up, clark warner took over. rich went on downstairs about an hour after doors. he continued to spin for the next six hours. hardly played a single banging techno track - mostly stuff on the tech house tip. even though i didn't get to hear any hard, evil techno which i so love, i still thuroughly enjoyed his set. i thought the crowd was really nice too. "where were you last nite?" "i called but you weren't there" "what were you doing?" "who were you with?" -samples repeated throughout the set, in an eery female voice, and distorted with effects. added a very nice touch. k
