[313] Juan Atkins
TECHNO LEGEND TO TOUR Techno innovator Juan Atkins is set to hit the road for a DJ tour of North America throughout August, September and October. He'll be supporting his new mix album for San Francisco-based Om Records' new 'Legends' compilation series. The mix includes cuts from DJ Sneak, Hatiras, Isoleé and Atkins himself in his Model 500 guise. The tour looks like this: August 23 - New York, NY @ Centro Fly August 24 - Dallas, TX @ Red Jacket August 27 - Las Vegas, NV @ Magic September 15 - Los Angeles, CA @ Giant at Park Plaza Hotel September 28 - Houston, TX @ Hyperia September 29 - Washington DC @ Stellar October 19 - San Francisco, CA @ TBA October 20 - Seattle, WA @ I-Spy More info from www.omrecords.com Martijn de Blaauw Searchline IIC Van Breestraat 154 P.O. Box 9292 1006 AG Amsterdam The Netherlands Tel: +31 (0)20 578 86 86 Fax: +31 (0)20 662 92 81 http://www.searchline-iic.com Disclaimer: This e-mail and any files transmitted with it, including replies and forwarded copies(wich may contain alterations) subsequently transmitted from Searchline IIC, are confidential and solely for the use of the intended recipient.If you have received this e-mail in error please notify the system manager at [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] techno battle of the bands
After the gig there will be a contest for which DJ can do the longest keg stand, and which 313 producer can crush the most beer cans on their forehead. My money is on plaslaiko, that guy is an animal. mt From: Glyph1001 [EMAIL PROTECTED] Reply-To: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: Re: [313] techno battle of the bands Date: Sat, 18 Aug 2001 18:01:15 -0500 Uhno. Its like trying to get all these cheesy pop stars to be underground and actually put out serious works of art. The way techno is doesn't give much leeway for ideas of that sort. On the other hand, it'll be cool to see an all live act techno event and NO djs. just blabbing, G. T Mind wrote: Please can i HAVE A FEW MINUTES OF YOUR TIME , im shooting this IDEA to a number of detroit promoters . A BATTLE OF THE TECHNO BANDS what do you think , I think everyone would really be suprised at how many artist who would choose not to be a part of it for fear that they would get showed up by lesser known artist. If you can have rap battles and rock battles why not so that we could see the real talent in techno music. Peace _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Re: Detroit + Dance
There was that nasty Sven Vath album, the name escapes me but it was really pretentious and along the lines of - the robot the ballerina and the something or other Date: Sat, 18 Aug 2001 09:37:24 +1000 To: 313 Detroit 313@hyperreal.org From: Cyclone Wehner [EMAIL PROTECTED] Subject: Detroit + Dance Message-Id: [EMAIL PROTECTED] Hey Cyclone's obscure question for the day Does anyone know of any ballet (or dance) productions that may have been based on techno (or electronic music, per se). I know Laurent Garnier did something in Paris, I can't remember its name. I am interested in compiling a list. Apparently the Australian Ballet performed X, a ballet based on tribal drum patterns a while ago - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] pure unfounded rumour
but, i believe October 20th - Lost - Jeff Mills that is for Brian, who wanted to know about Lost in october cheers, howard - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] pure unfounded rumour
gibber I heard this at Sonar. So perhaps.. Best to keep it unfounded lest we get our hopes up. I did hear though that Mr Mills is booked to play Voodoo in Liverpool on the 19th so.. - Original Message - From: Williams, Howard [EMAIL PROTECTED] To: 313 (E-mail) 313@hyperreal.org Sent: Monday, August 20, 2001 10:00 AM Subject: [313] pure unfounded rumour but, i believe October 20th - Lost - Jeff Mills that is for Brian, who wanted to know about Lost in october cheers, howard - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Re: Detroit + Dance
There was that nasty Sven Vath album, the name escapes me but it was really pretentious and along the lines of - the robot the ballerina and the something or other it was harleqin, robot, and the ballet dancer, but i think it was not made with idea to be ballet or something classical. It was big mix, between trance, ambient, and it showed that piano can be used as instrument in electroinc music. at that time it was really good piece of music. Date: Sat, 18 Aug 2001 09:37:24 +1000 To: 313 Detroit 313@hyperreal.org From: Cyclone Wehner [EMAIL PROTECTED] Subject: Detroit + Dance Message-Id: [EMAIL PROTECTED] Hey Cyclone's obscure question for the day Does anyone know of any ballet (or dance) productions that may have been based on techno (or electronic music, per se). I know Laurent Garnier did something in Paris, I can't remember its name. I am interested in compiling a list. Apparently the Australian Ballet performed X, a ballet based on tribal drum patterns a while ago - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Bob Brown
Does anyone have any info on Bob Brown the Philly Techno King ? plays harder, bangin' stuff. i dig. the girl who lived in my apartment before i did threw parties and she had a cd sent to her from him that i had to listen to. :) good stuff. also have a mixtape somewhere. if you'd like a copy of either, let me know and i can upload it to an ftp or something. i can also put up a track listing from his mixtape (alas the cd doesn't have one) to give you an idea of what he plays once i actually get my ass home from work. i do know that he does play quite a bit of mills style stuff (like the other person who replied already said.) hope that helps some... lauryn. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] New Larry Heard Mix/FLUX UK with UR/Tequila Sounds Records
- Riverside Drive - Larry Heard looks like the man wrote a song about my favorite street in memphis. :) nice to see that someone is inspired by it as much as i am. heheh. to make this 313-related, i once drove from memphis to detroit. NYAH! :P been a long weekend, lauryn. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] tigger go home
big tiiger please hey dont care about techno all they care about on these radio station is hip hop. what ever happen to mixology with tony brown earl mc kinney al ester and that show it was real hell with tigger jlb and 105.9 they dont care about underground they are pop all the way. __ Do You Yahoo!? Make international calls for as low as $.04/minute with Yahoo! Messenger http://phonecard.yahoo.com/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] pure unfounded rumour
as far as I know it is still unconfirmed but check the website @ http://www.the-voodoo.net for more details. Smc - Original Message - From: Toby Frith [EMAIL PROTECTED] To: Williams, Howard [EMAIL PROTECTED]; 313 (E-mail) 313@hyperreal.org Sent: Monday, August 20, 2001 10:00 AM Subject: Re: [313] pure unfounded rumour gibber I heard this at Sonar. So perhaps.. Best to keep it unfounded lest we get our hopes up. I did hear though that Mr Mills is booked to play Voodoo in Liverpool on the 19th so.. - Original Message - From: Williams, Howard [EMAIL PROTECTED] To: 313 (E-mail) 313@hyperreal.org Sent: Monday, August 20, 2001 10:00 AM Subject: [313] pure unfounded rumour but, i believe October 20th - Lost - Jeff Mills that is for Brian, who wanted to know about Lost in october cheers, howard - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] pure unfounded rumour
Better get my dancing shoes on then! For any other 313'ers stateside who went, What was the Wizard's show like back in March? I've searched the archives but the method of viewing them is a little tiring. - Original Message - From: scott mcgill [EMAIL PROTECTED] To: 313@hyperreal.org; Toby Frith [EMAIL PROTECTED] Sent: Monday, August 20, 2001 2:31 PM Subject: Re: [313] pure unfounded rumour as far as I know it is still unconfirmed but check the website @ http://www.the-voodoo.net for more details. Smc - Original Message - From: Toby Frith [EMAIL PROTECTED] To: Williams, Howard [EMAIL PROTECTED]; 313 (E-mail) 313@hyperreal.org Sent: Monday, August 20, 2001 10:00 AM Subject: Re: [313] pure unfounded rumour gibber I heard this at Sonar. So perhaps.. Best to keep it unfounded lest we get our hopes up. I did hear though that Mr Mills is booked to play Voodoo in Liverpool on the 19th so.. - Original Message - From: Williams, Howard [EMAIL PROTECTED] To: 313 (E-mail) 313@hyperreal.org Sent: Monday, August 20, 2001 10:00 AM Subject: [313] pure unfounded rumour but, i believe October 20th - Lost - Jeff Mills that is for Brian, who wanted to know about Lost in october cheers, howard - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Detroit + Dance
I attended a tribute he did for Duke Ellington a few months ago at the City Center in NYC. The drummer was extraordinary, playing those high hats just like we all love them, all the time I kept leaning over to my girlfriend telling her i wish i had brought a mic to sample them ;) He also performed Gabrielle that night, it's one of his most celebrated pieces. Crowd gave it a standing ovation. The dancers were great (and so damn skinny!, starving, yes i think so). OT - if you enjoy modern ballet, my favorite has to be Pina Bausch from Germany. Experimental electronic music and the funkiest stage sets. -Pete -Original Message- From: laura gavoor [mailto:[EMAIL PROTECTED] Sent: Sunday, August 19, 2001 3:27 PM To: 313@hyperreal.org Subject: Re: [313] Detroit + Dance Dunno bout ballet, but the Alvin Ailey Dance Company, world renowned black modern dance company based out of New York and relatively UNKNOWN to most culturally ignorant Americans--which means MOST Americans--have been performing a simply badass piece of modern jazz to Roy Davis Jr's 'Gabrielle', another cut by Paul Johnson and wrapping up with a track by Fela Kuti. It was awe-inspiring, very strenuously danced and executed moving art to an amazing medley of housey jazz. Critically acclaimed as well. Still amazes me how dense most Americans are when it comes to the arts. Sorry to soap box, but few dancers live very OKAY lives for lack of support in this country. Most still live the life of the starving artist with a couple of other jobs to survive, even while maintianing a position in one of the world's most prestigious dance companies. After all...what is dance music without the dancer. starving artist From: Cyclone Wehner [EMAIL PROTECTED] To: 313 Detroit 313@hyperreal.org Subject: [313] Detroit + Dance Date: Sat, 18 Aug 2001 09:37:24 +1000 Hey Cyclone's obscure question for the day Does anyone know of any ballet (or dance) productions that may have been based on techno (or electronic music, per se). I know Laurent Garnier did something in Paris, I can't remember its name. I am interested in compiling a list. Apparently the Australian Ballet performed X, a ballet based on tribal drum patterns a while ago. I figure it would be an interesting concept. I can imagine May's music being used, Mills' more introspective material, some of Hawtin's more downtempo material, Carl's... It would be interesting to use the faster stuff too as it would force the dancers to move differently. Plus as much as we hate on ravers some of those kids can dance really well! I wonder how it would work to use some of those movements in a contemporary dance/ballet production. It would use introduce the music to new listeners, too. It must have been done somewhere!! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] RE: Cyclone's obscure question for the day
Namlook - Music for Ballet (1994 - Fax germany) Peter Namlook produced a cd of music created by ballet dancers. The dancers would dance through beams of light on stage, which then would trigger a tone or sound. Its a neat CD, not overly dramatic in nature. Dan To: 313 Detroit 313@hyperreal.org From: Cyclone Wehner [EMAIL PROTECTED] Subject: Detroit + Dance Hey Cyclone's obscure question for the day Does anyone know of any ballet (or dance) productions that may have been based on techno (or electronic music, per se). I know Laurent Garnier did something in Paris, I can't remember its name. I am interested in compiling a list. Apparently the Australian Ballet performed X, a ballet based ontribal drum patterns a while ago. I figure it would be an interesting concept. I can imagine May's music being used, Mills' more introspective material, some of Hawtin's more downtempo material, Carl's... It would be interesting to use the faster stuff too as it would force the dancers to move differently. Plus as much as we hate on ravers some of those kids can dance really well! I wonder how it would work to use some of those movements in a contemporary dance/ballet production. It would use introduce the music to new listeners, too. It must have been done somewhere!! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] New Larry Heard Mix/FLUX UK with UR/Tequila Sounds Records
- Riverside Drive - Larry Heard looks like the man wrote a song about my favorite street in memphis. :) nice to see that someone is inspired by it as much as i am. heheh. Speaking of Memphis here is a small place where you will most likely find Larry Heard Hanging out or spinning. Melange / Memphis: * Soulshower / Melange [Memphis]: http://www.soulshower.com/melange/ Dp House Interesting crowd never the less. _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Richie's DE9: Closer To The Edit...
Is the featured mix C.D. of the week at: http://www.1Groove.com I just went to the site - the mix isn't posted yet, but should be up and running before the end of the day (a few hours). Also, don't forget to check out my show (Equinox) at 1Groove, especially this Wednesday for an exclusive 1hr mix from Stanny Franssen a.k.a. DJ G-Force (Genetic Recordings). Cheers! G - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Richie's DE9: Closer To The Edit...
Stanny Franssen is a great dj and has a bangin set up on one of his distributors sites, elp. Highly recommended... http://www.elpmedien.com/beta/media.htm -Pete -Original Message- From: Gerald [mailto:[EMAIL PROTECTED] Sent: Monday, August 20, 2001 10:50 AM To: 313@hyperreal.org; [EMAIL PROTECTED] Subject: [313] Richie's DE9: Closer To The Edit... Is the featured mix C.D. of the week at: http://www.1Groove.com I just went to the site - the mix isn't posted yet, but should be up and running before the end of the day (a few hours). Also, don't forget to check out my show (Equinox) at 1Groove, especially this Wednesday for an exclusive 1hr mix from Stanny Franssen a.k.a. DJ G-Force (Genetic Recordings). Cheers! G - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] questions, questions and more questions.
while the diskonet mix is on topic
can anyone id the track at about the 17:30 mark?
thanks in advance.
agci
On Sat, 18 Aug 2001, jurren baars wrote:
have nothing better to do so here are a couple of things i've been wondering
about:
1. anyone know what terrence dixon's been doing lately, last thing i
remember was his album for tresor, and what is his obsession with steve
austin? if you listen to his 'bionic man ep' on background it has this
excerpt from a movie/tv-show, starring steve austin. when you listen to it
you can hear a couple of titles of releases comming by ('earth 2976', 'from
the far future') maybe a nice game, guessing the title for his next release.
('perfect unison' is my pick.)
2. just recently found a copy of 'los ninos del parque', and i know jeff
mills has sampled music from this record, but the similarities between the
artwork on this release (mine's on roadrunner, don't know if it was released
through other labels with the same artwork) and a lot of purpose maker
material is striking. is this just me looking to much into it, or was this
track extremely influential to him?
3. track id's, just when you think you've heard it all, you tune into
Wdisko.net, and you find out there's heaps of lovely tunes just waiting to
be rediscovered in the old-disco section of your local recordstore.
songs i'm looking for are all from a mix by i-f for Wdisko.net:
http://www.wdisko.net/audio/wdiskomix1.ram
- first one i should probably know... 09:30 (right after 'the lover')
- old trax/jack trax stormer... 25:08 ('phocque me, jacque me')
- beautiful strings on this italo tune... 1:01:00
this is a really nice mix, in case you haven't checked it out yet, with
tracks by: egyptian lover, machine, kraftwerk, fingers inc (distant
planet!!)and loads more.
jurren
_
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Re: [313] Detroit + Dance--ON topic!!
Races of people are DEFINED and otherwise anthropologically analyzed and studied by the culture of their society(ies). That being said, our culture will be defined by the 'dance' exhibited in music videos and titty bars. For decades, Americans have only supported ballet and classical music-- both white, European and considered 'upper crusty'. While classical music has been all but eliminated from some folks diets, like in Detroit where we now support NO classical music radio station. Most underclass art forms-- like the black dance-- have had to market fiercely and find support from private foundations and institutions to have a presence and continue enriching the lives of the TRULY unimaginative capitalist. Dancers are like any other artist. They simply know they must dance, or their lives are over, lackluster and pain-filled. We've survived and will continue to survive whether we are popular by your definitions or not. Much like the music and artists that this list is built around, some years may bring popularity and more revenue, most will not. It detracts NOT from the art and certainly not from this artist. I imagine you've never, BY YOUR OWN DESIRE, ever gone to see ANY dance company. Why should you when there are professional atheletes ? Americans have become a people very much like lemmings--ignorant of not only the present, but with eyes wide shut running after the head 'lem' straight off a cliff. Like any act from one's higher self, dance is a joy experienced only in The Expression or The Giving. While it is meant to take something obscure, illuminate it and clarify it, it matters not a whit whether you get it or not. It will continue in spite of you. To see movement of the caliber that I experienced watching the Ailey dancers was the highest form of appreciation that Roy Davis Jr., et. al could possibly envision. Beat for beat, musically technical elocution matched impeccably with physically technical elocution...those dancers EMBODIED Roy's music. It looked surreal, but was actually happening, on a stage in downtown Detroit. He and I had a long conversation about just that in Miami at the WMC. He was so excited to see the piece performed after he licensed the track to the company for their use, he is already working on something else with the same choreographer. The Alvin Ailey company is a dance company by which ALL other dance companies are graded, whether one is aware of them or not, or whether one supports them or not. Just as they will take it as far as they can, most dancers or artists of any genre will do the same--because it is who they are--not because it is popular or supported. Buy your season tickets to whatever you feel compelled to follow or whatever YOU feel enriches your one dimensional existence. Oddly, the darkest moments of human existence are always rapidly followed by 'the renaissances' of the arts/existence. The American government is one of the only that does not even support a national ballet company, much less a company like Ailey's. It matters not. The human imagination exists not to garner a profit...it simply exists. Dreaming of Utopia is FREE and cannot be governed. That was one thing Hitler failed to realize when he marched into each major city and immediately seized museums, art, libraries and eliminated any expression of human existence that were subversive to his goal. Deluded?? Who?? Art, of any type, will always stimulate changebut perhaps you LIKE the way things are now. Just a guess From: Joshua Hill [EMAIL PROTECTED] To: laura gavoor [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: [313] Detroit + Dance (off topic) Date: Sun, 19 Aug 2001 18:57:50 -0400 - Original Message - From: laura gavoor [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Sunday, August 19, 2001 7:26 PM Subject: Re: [313] Detroit + Dance Still amazes me how dense most Americans are when it comes to the arts. Sorry to soap box, but few dancers live very OKAY lives for lack of support in this country. Most still live the life of the starving artist with a couple of other jobs to survive, even while maintianing a position in one of the world's most prestigious dance companies. After all...what is dance music without the dancer. Speaking of dance music, isn't the dancer (in America) usually the dense American? If a professional dancer is with one of the world's most prestigious dance companies and still needs to hold multiple jobs, then isn't this a global issue and not some problem of priorities with most Americans? Or perhaps the problem is specifically American: How many poor people, who envy and hate the rich, nevertheless tolerate monstrous inequalities of wealth merely because they hope eventually to be among the few who rise to the top? Some even consider this vicious delusion admirable: 'the American Dream.' (Allen Wood). Or maybe we average Americans don't
[313] Common Factor does Glasgow
hello all Common Factor will be playing at Alaska in Glasgow on Fri 7th Sept. (All fully confirmed etc..) New nite run by local boy Lawrence Hughes. If its anything like his Detroit Technology mix, should be a topper! jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Detroit + Dance--ON topic!!
I've heard it said elsewhere that whenever someone references Hitler on a mailing list, the thread in question is *over*. I agree with your views of creativity as an almost compulsive act for an artist, and that as such it requires no validation from the audience.. But these stereotypes of the ignorant American.. The generalizations of a priviledged, all-white, culturally shallow overclass locked in some perpetual struggle of good vs. evil with a poor, all-black underclass who, through their disenfranchisement, are somehow the keepers of creative innovation and the rightful owners of a certain type of music or expression.. I can't agree with that. You refer to art and expression as a gift - which to me, at least, means it should be free of such conditions. These kinds of associations belittle the art, the artist, and the audience. Yes, racism is still with us in the 21st Century - I happen to live in Cincinnati and have therefore lived under martial law during race riots, something I would have hoped never to experience in my lifetime. I'm not suggesting we sweep these problems under the rug in what author/poet Paul Beatty refers to as Eracism. I just think that music and culture is made up of a wide range of *individual* experiences, belonging to all of us equally, and therefore should be exposing and shattering this racist/classist sort of thinking, not perpetuating it. Just an opinion.. My apologies for taking this so far off topic, it's just that I've noticed this attitude as a sort of undercurrent on the list for quite a while now. It's irritating to me and this seemed like a good opportunity to point it out. That being said, I can return my attention to the music that brought me here in the first place, though I'd be happy to continue this discussion privately should anyone feel so inspired. Your white devil, -tjw __ Do You Yahoo!? Make international calls for as low as $.04/minute with Yahoo! Messenger http://phonecard.yahoo.com/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Common Factor does Glasgow
what Detroit Technology mix? is this a cd? something online? details, please brian -Original Message- From: Jason Donnelly [mailto:[EMAIL PROTECTED] Sent: Monday, August 20, 2001 8:14 AM To: 313@hyperreal.org Subject: [313] Common Factor does Glasgow hello all Common Factor will be playing at Alaska in Glasgow on Fri 7th Sept. (All fully confirmed etc..) New nite run by local boy Lawrence Hughes. If its anything like his Detroit Technology mix, should be a topper! jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] techno battle of the bands
I'm not trying to define what is underground. I'm merely saying that having battles goes against techno's ideology (being that techno is all about the artist and their imagination, creativity, and emotion,and not in competition of someone else's) in the same way as having cheesey popstars go underground and/or putting out serious works of art as opposed to cheese. g. Jayson B. wrote: Uhno. Its like trying to get all these cheesy pop stars to be underground and actually put out serious works of art. being underground does not define something as a serious work of art. _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Common Factor does Glasgow
Detroit Technology was a radio show on 89X in detroit a few years ago. Mixes were an hour long and aired on saturday nights. Among the DJs: Kevin Saunderson Carl Craig (who also presided as host) Kenny Larkin Derrick May Bill Van Loo Recloose Common Factor Mike Clark Theo Parrish Ian Pooley DJ Hell Terrence Parker DJ Deep and a few others. there were a few shows that were to be aired that never got there because the infinite wisdom and insight of commercial radio pulled the plug on the show. yet another brilliant move by commercial radio in detroit. -Original Message- From: Brian Dillard [mailto:[EMAIL PROTECTED] Sent: Monday, August 20, 2001 1:50 PM To: 'Jason Donnelly'; 313@hyperreal.org Subject: RE: [313] Common Factor does Glasgow what Detroit Technology mix? is this a cd? something online? details, please brian -Original Message- From: Jason Donnelly [mailto:[EMAIL PROTECTED] Sent: Monday, August 20, 2001 8:14 AM To: 313@hyperreal.org Subject: [313] Common Factor does Glasgow hello all Common Factor will be playing at Alaska in Glasgow on Fri 7th Sept. (All fully confirmed etc..) New nite run by local boy Lawrence Hughes. If its anything like his Detroit Technology mix, should be a topper! jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] bob brown
bob brown will be on selekta.com on thursday around 9pm EST http://www.selekta.com/multimedia/radar.asp bob is also going to be at open air in nyc on friday nite with dj spinoza and chris miller. -m. --- selekta.com Michelle Matuza East Coast Events Contact Sent via the KillerWebMail system at selekta.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Common Factor does Glasgow
I believe Mr. Donnelly is referring to the now cancelled 'Detroit Technology' radio show on 89x in Detroit. The show ran for a few months during the summer of '99 I believe. The show was put on by Carl Craig and included mixes by CC, Derrick May, Kevin Saunderson, Kenny Larkin, Agent X, and list member Bill Van Loo among others. Some of the mixes were archived on a website, but I cannot remember which one. Cheers, John From: Brian Dillard [EMAIL PROTECTED] To: 'Jason Donnelly' [EMAIL PROTECTED], 313@hyperreal.org Subject: RE: [313] Common Factor does Glasgow Date: Mon, 20 Aug 2001 10:49:59 -0700 what Detroit Technology mix? is this a cd? something online? details, please brian -Original Message- From: Jason Donnelly [mailto:[EMAIL PROTECTED] Sent: Monday, August 20, 2001 8:14 AM To: 313@hyperreal.org Subject: [313] Common Factor does Glasgow hello all Common Factor will be playing at Alaska in Glasgow on Fri 7th Sept. (All fully confirmed etc..) New nite run by local boy Lawrence Hughes. If its anything like his Detroit Technology mix, should be a topper! jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] stacey pullen info request
i'm looking for contact info for whomever handle's stacey pullen's PR email me privately - thank you. michelle --- selekta.com Michelle Matuza East Coast Events Contact Sent via the KillerWebMail system at selekta.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Re: sterling void
Yes, there's a full accapella on the orig. 12. I don't know about anywhere else (compilations etc.) Peace, Scott :http://www.skwiggly.com :mother Earth sound system :keep techno sexy! Date: Fri, 17 Aug 2001 10:03:32 +1000 To: 313@hyperreal.org From: graham [tan] wilson [EMAIL PROTECTED] Subject: stirling void Message-ID: [EMAIL PROTECTED] Was It's All Right ever released as an acapella? tan... _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
