Re: [313] disco nouveau. detroit. december 7 2001

2001-11-22 Thread diana potts
For those who who just can't seem to get enough of the
eighties synth sound, I strongly suggest the album. It
is cleanly produced and put together (the track
selection flows quite well and tight) and I know alot
of work went into it by Sam, Brendan G. and many other
Ghostly crew members to keep it in the barries of
their audio vision. The tracks by Adult., Perspects
and DMX Krew are the ones that stand out strongest on
the album IMHO.

An entire weeks worth of events were recently
dedicated to this sound deemed electroclash by the
event's promoters in NYC. (I'm hoping that term
doesn't stick btw). This li'l sub genre seems pretty
strong in Germany and other parts of Europe as well.
I've had the album for some time, and every time I
listen to it I look forward to and ponder what kind of
impact, if any, it will have on bringing the sound
stronger/closer to the states-though from the number
of mullets in nyc, it's already caught on quite well
here;)

Another artistic and fine job by Ghostly.

my medicated dog is licking the carpet for no good
reason,
diana









--- Rob [EMAIL PROTECTED] wrote:
 Friday December 7th, 2001
 
 Ghostly International presents...
 chapter II:  Disco Nouveau
 
 A Ghostly evening of electro, disco-punk and neo-new
 wave.
 
 Disco Nouveau is a pre-release event for Ghostly
 International's Tangent
 2002: Disco Nouveau compilation featuring new music
 from Adult., DMX KREW,
 Ectomorph, I-F, Perspects, Solvent, Daniel Wang,
 Susumu Yokota and more.
 Avaliable February 19th, 2002. (CD/3x12)
 
 
 Featuring:
 ADULT. (live) 
 (Detroit/Ersatz Audio)
 
 DMX Krew
 (UK/Rephlex, International Deejay Gigolos)
 
 Charles Manier 
 (USA/Ghostly International)
 
 Plus special guest DJ:
 Ectomorph 
 (Ann Arbor/IT/*67) 
 
 The Labyrinth
 1703 Cass Ave.
 Detroit, Michigan
 
 $15
 10-4am
 18+
 
 www.ghostly.com/dn for flyer, directions, etc.
 
 
 

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[313] plusquam.

2001-11-22 Thread Analog Headz
Regards, i was just wodering if anyone here knows this label?
 i was very surprised from their realses. its mainly a goa trance label, but
they got some very fine detroit style.
 A
- Original Message -
From: diana potts [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Thursday, November 22, 2001 2:51 AM
Subject: Re: [313] disco nouveau. detroit. december 7 2001


 For those who who just can't seem to get enough of the
 eighties synth sound, I strongly suggest the album. It
 is cleanly produced and put together (the track
 selection flows quite well and tight) and I know alot
 of work went into it by Sam, Brendan G. and many other
 Ghostly crew members to keep it in the barries of
 their audio vision. The tracks by Adult., Perspects
 and DMX Krew are the ones that stand out strongest on
 the album IMHO.

 An entire weeks worth of events were recently
 dedicated to this sound deemed electroclash by the
 event's promoters in NYC. (I'm hoping that term
 doesn't stick btw). This li'l sub genre seems pretty
 strong in Germany and other parts of Europe as well.
 I've had the album for some time, and every time I
 listen to it I look forward to and ponder what kind of
 impact, if any, it will have on bringing the sound
 stronger/closer to the states-though from the number
 of mullets in nyc, it's already caught on quite well
 here;)

 Another artistic and fine job by Ghostly.

 my medicated dog is licking the carpet for no good
 reason,
 diana









 --- Rob [EMAIL PROTECTED] wrote:
  Friday December 7th, 2001
 
  Ghostly International presents...
  chapter II:  Disco Nouveau
 
  A Ghostly evening of electro, disco-punk and neo-new
  wave.
 
  Disco Nouveau is a pre-release event for Ghostly
  International's Tangent
  2002: Disco Nouveau compilation featuring new music
  from Adult., DMX KREW,
  Ectomorph, I-F, Perspects, Solvent, Daniel Wang,
  Susumu Yokota and more.
  Avaliable February 19th, 2002. (CD/3x12)
 
 
  Featuring:
  ADULT. (live)
  (Detroit/Ersatz Audio)
 
  DMX Krew
  (UK/Rephlex, International Deejay Gigolos)
 
  Charles Manier
  (USA/Ghostly International)
 
  Plus special guest DJ:
  Ectomorph
  (Ann Arbor/IT/*67)
 
  The Labyrinth
  1703 Cass Ave.
  Detroit, Michigan
 
  $15
  10-4am
  18+
 
  www.ghostly.com/dn for flyer, directions, etc.
 
 
 
 
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  To unsubscribe, e-mail:
  [EMAIL PROTECTED]
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[313] Jeff Mills Every Dog Has His Day CD

2001-11-22 Thread Kent williams
I'm sure this has been discussed before, but I've really been digging
the CD compilation of the Every Dog Has It's Day 12  It's a curious thing
that worldwide he is way better known as a hard techno DJ than as a producer.
For the thousands of people who have seen him spin but never actually
bought his records Every Dog Has Its Day would come as a surprise.  Rather
than the banging minimal DJ you'll see in Tokyo or Paris, this work is
resolutely lush and soulful.

My mom is a composer and a fortune teller who told her that she was
able to heal with her music.  'Every Dog' has that feel for me -- the
message of optimism and positivity in the text on the cover is echoed by
music that is an expression of Mills version of future soul.

Mills has always been a genre of one -- the Purposemaker records are
a like Bach's Well Tempered Clavier -- an expression of minimalism that
is widely imitated, but renders all such imitations redundant.  The
'Every Dog' tracks turn away from that work back towards more directly
emotional communication.

For percursors you have to go back to the seminal Detroit techno tracks
which were really a new sort of soul music.  To be a futurist is to
be an optimist, and Every Dog Has Its Day embodies that optimism and hope.
It's also the subtlest, most varied and harmonically lush work Mills
has done to date.  It's a CD to which people who don't 'get' techno can
relate.


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Re: [313] Jeff Mills Every Dog Has His Day CD

2001-11-22 Thread werner
Not to take the wind out of your sails, but I found Every Dog... vol. 2 (the 
12) to be quite a lazy production - both in intent and execution. As someone 
who loved the Other Day and Metropolis I can't help feeling that perhaps the 
title reveals some of the intention behind the compilation(s) - giving each 
dog of a track a day to be spun. hmmm...

-- 

'The business of the World is Trade and Death, and you must engage with that 
unpleasentness, as the price of your not-at-all-assur'd Moment of 
Purity.-Fool.' - Thomas Pynchon


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Re: [313] Jeff Mills Every Dog Has His Day CD

2001-11-22 Thread Analog Headz
i also feel the production isnot too good.
 a
- Original Message -
From: werner [EMAIL PROTECTED]
To: 313 list 313@hyperreal.org
Sent: Thursday, November 22, 2001 8:41 AM
Subject: Re: [313] Jeff Mills Every Dog Has His Day CD


 Not to take the wind out of your sails, but I found Every Dog... vol. 2
(the
 12) to be quite a lazy production - both in intent and execution. As
someone
 who loved the Other Day and Metropolis I can't help feeling that perhaps
the
 title reveals some of the intention behind the compilation(s) - giving
each
 dog of a track a day to be spun. hmmm...

 --

 'The business of the World is Trade and Death, and you must engage with
that
 unpleasentness, as the price of your not-at-all-assur'd Moment of
 Purity.-Fool.' - Thomas Pynchon


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Re: [313] Jeff Mills Every Dog Has His Day CD

2001-11-22 Thread Mxyzptlk

I thought similarly about Lifelike.
jeff



At 10:07 PM 11/21/2001, you wrote:

I'm sure this has been discussed before, but I've really been digging
the CD compilation of the Every Dog Has It's Day 12  It's a curious thing
that worldwide he is way better known as a hard techno DJ than as a producer.
For the thousands of people who have seen him spin but never actually
bought his records Every Dog Has Its Day would come as a surprise.  Rather
than the banging minimal DJ you'll see in Tokyo or Paris, this work is
resolutely lush and soulful.




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[313] Richie Hawtin Interview

2001-11-22 Thread Mann, Ravinder [CCS]
http://www.guardian.co.uk/online/story/0,3605,603141,00.html

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[313] RE: (313) Jeff Mills Every Dog Has His Day CD

2001-11-22 Thread Wibo.Lammerts
The other day (hehehehe) i was counting my Mills CDs; I now have 10 (!) albums
of Jeff Mills!

I still like From the 21st a lot, and Time Machine.

A few weeks back I played out at this downtempo event, and I played a lot of
stuff of every Dog and that latest album of Robert hood Nighttime world II.
People couldn't believe I was actually playing tracks of Mills and Hood...

W

-Original Message-
From: Mxyzptlk [EMAIL PROTECTED] at INET-1
Sent: Thursday, November 22, 2001 6:31 AM
To: Kent williams [EMAIL PROTECTED] at INET-1
Cc: 313@hyperreal.org at INET-1
Subject: RE: [313] Jeff Mills Every Dog Has His Day CD


I thought similarly about Lifelike.
 jeff



At 10:07 PM 11/21/2001, you wrote:
I'm sure this has been discussed before, but I've really been digging
the CD compilation of the Every Dog Has It's Day 12  It's a curious thing
that worldwide he is way better known as a hard techno DJ than as a producer.
For the thousands of people who have seen him spin but never actually
bought his records Every Dog Has Its Day would come as a surprise.  Rather
than the banging minimal DJ you'll see in Tokyo or Paris, this work is
resolutely lush and soulful.



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RE: [313] RE: (313) Jeff Mills Every Dog Has His Day CD

2001-11-22 Thread Jongsma, K.J.
Wibo wrote:
 A few weeks back I played out at this downtempo event, and I 
 played a lot of
 stuff of every Dog and that latest album of Robert hood 
 Nighttime world II.
 People couldn't believe I was actually playing tracks of 
 Mills and Hood...

I always liked his deeper stuff better then the slamming dancefloor tracks.
Who doesn't love gammaplayer, most of the dancfloor tracks are just not that
touching. For some reason it makes a much more impact then lets say Kat
Moda. 

[EMAIL PROTECTED]

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Re: [313] Jeff Mills Every Dog Has His Day CD

2001-11-22 Thread scott mcgill
I agree about the quality but in a funny slight on Mills it is fortunate
that he is a futurist as he seems to release tracks that are about five
years old anyone.

Nighttime World Part 1 takes the biscuit for me in terms of emotion dripping
techno albums, it has a bit of everything too. By the way is it me or does
one of the tracks on NW pt1 (I think it is Untitled) have a ghost of
PurposeMaker's 'Casa' on it faintly in the background?

SM


 I'm sure this has been discussed before, but I've really been digging
 the CD compilation of the Every Dog Has It's Day 12  It's a curious thing
 that worldwide he is way better known as a hard techno DJ than as a
producer.
 For the thousands of people who have seen him spin but never actually
 bought his records Every Dog Has Its Day would come as a surprise.
Rather
 than the banging minimal DJ you'll see in Tokyo or Paris, this work is
 resolutely lush and soulful.

 My mom is a composer and a fortune teller who told her that she was
 able to heal with her music.  'Every Dog' has that feel for me -- the
 message of optimism and positivity in the text on the cover is echoed by
 music that is an expression of Mills version of future soul.

 Mills has always been a genre of one -- the Purposemaker records are
 a like Bach's Well Tempered Clavier -- an expression of minimalism that
 is widely imitated, but renders all such imitations redundant.  The
 'Every Dog' tracks turn away from that work back towards more directly
 emotional communication.

 For percursors you have to go back to the seminal Detroit techno tracks
 which were really a new sort of soul music.  To be a futurist is to
 be an optimist, and Every Dog Has Its Day embodies that optimism and hope.
 It's also the subtlest, most varied and harmonically lush work Mills
 has done to date.  It's a CD to which people who don't 'get' techno can
 relate.


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[313] RE: (313) RE: (313) Jeff Mills Every Dog Has His Day CD

2001-11-22 Thread Wibo.Lammerts
Well, from his more dancefloor tracks I still like i9 a lot, La force
(PM03), The Alarms (PM05) and of course Black Is The Number (don't leave
home without it...)

W

-Original Message-
From: Jongsma; K.J. [EMAIL PROTECTED] at INET-1
Sent: Thursday, November 22, 2001 1:52 PM
To: 313@hyperreal.org at INET-1
Subject: RE: [313] RE: (313) Jeff Mills Every Dog Has His Day CD


Wibo wrote:
 A few weeks back I played out at this downtempo event, and I
 played a lot of
 stuff of every Dog and that latest album of Robert hood
 Nighttime world II.
 People couldn't believe I was actually playing tracks of
 Mills and Hood...

I always liked his deeper stuff better then the slamming dancefloor tracks.
Who doesn't love gammaplayer, most of the dancfloor tracks are just not that
touching. For some reason it makes a much more impact then lets say Kat
Moda.

[EMAIL PROTECTED]

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Dit e-mail bericht is door de gemeente Almelo gecontroleerd op
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garantie afgeven dat al onze e-mail berichten volledig virus
vrij zijn. Het is daarom verstandig uw binnenkomende e-mail
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Re: [313] plusquam.

2001-11-22 Thread Johannes Gronvall
 Regards, i was just wodering if anyone here knows this label?
  i was very surprised from their realses. its mainly a goa trance label, but
 they got some very fine detroit style.

just last night i found my way to their web site at:
http://www.plusquam-records.de/

they really seem to have released some quite an interesting stuff.
any recommendations for mail order shops distributing plusquams?

-- 
Johannes Gronvall - Damicon Kraa - [EMAIL PROTECTED]

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Re: [313] Jeff Mills Every Dog Has His Day CD

2001-11-22 Thread Wes
Well, that's a little harsh though you're entitled to your opinion. The
cover notes for Every Dog Has Its Day state that the music is designed to
ease impatience and restlessness, but I guess it doesn't work for
everyone in some programatic way. What about Now is the Time? How
anyone can describe that as an example of lazy production is beyond me.
Is it because the vocals sound improvised  the structure is rather
free-form? Not sure what vol. that track was on--have you listened to it?

Wes 

On Thu, 22 Nov 2001, werner wrote:

 Not to take the wind out of your sails, but I found Every Dog... vol. 2 (the 
 12) to be quite a lazy production - both in intent and execution. As someone 
 who loved the Other Day and Metropolis I can't help feeling that perhaps the 
 title reveals some of the intention behind the compilation(s) - giving each 
 dog of a track a day to be spun. hmmm...
 
 -- 
 
 'The business of the World is Trade and Death, and you must engage with that 
 unpleasentness, as the price of your not-at-all-assur'd Moment of 
 Purity.-Fool.' - Thomas Pynchon
 
 
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Re: [313] Jeff Mills Every Dog Has His Day CD

2001-11-22 Thread Phonopsia
- Original Message -
From: werner [EMAIL PROTECTED]
To: 313 list 313@hyperreal.org
Sent: Thursday, November 22, 2001 1:41 AM
Subject: Re: [313] Jeff Mills Every Dog Has His Day CD


 Not to take the wind out of your sails, but I found Every Dog... vol. 2
(the
 12) to be quite a lazy production - both in intent and execution. As
someone
 who loved the Other Day and Metropolis I can't help feeling that perhaps
the
 title reveals some of the intention behind the compilation(s) - giving
each
 dog of a track a day to be spun. hmmm...

Mills has had two faces as a producer since the early 90s. A lot of the
material on Atlantis, and the underrated ambient b-sides on Axis sound
like a prelude to the Every Dog Has Its Day records. The interviews when the
records came out indicated he spent 5 years working on them (if I recall). I
think the result was a move from tracks to songs (both of which have their
place). I love both sides of what he does. Sometimes I think one mark of a
good producer is being able to generate a wide array of reactions to their
music, creating divisive camps of fans, reflecting their distinct tastes. If
that standard has any value, then Every Dog Has Its Day marked a leap in
Mills' artistry.

Tristan
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http://phonopsia.tripod.com - Mixes, pics, thought, travelogue  info
http://www.metatrackstudios.com
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Re: [313] Jeff Mills Every Dog Has His Day CD

2001-11-22 Thread Kent williams
I don't know what Werner is on about. My review came from about a week
of heavy rotation at work and at home, and I found the tracks to be
lush and spiritually nourishing.  'Lazy'? Err, as a producer I can
tell you they're anything but.

I liked parts of Metropolis, but was underwhelmed by 'The Other Day.'
A friend of mine (another producer) said of 'The Other Day' that this
sounds like stuff I come up with that's kind of cool, but I don't even
bother recording. Which is probably a bit harsh, but when I compare
'The Other Day' to 'Every Dog' it sounds pretty sketchy and provisional.

Given that it's Mills, it's a sort of 'sex and pizza' thing -- even
when it's bad it's pretty good.  I'm not a collector or a sycophant --
I pass on Mills records all the time because they just don't jazz me.
'Every Dog' just seems like a deepening in every dimension to what
Mills has been doing all along.

Your mileage may vary.

On Thu, 22 Nov 2001, Wes wrote:
 Well, that's a little harsh though you're entitled to your opinion. The
 cover notes for Every Dog Has Its Day state that the music is designed to
 ease impatience and restlessness, but I guess it doesn't work for
 everyone in some programatic way.

 On Thu, 22 Nov 2001, werner wrote:

  Not to take the wind out of your sails, but I found Every Dog... vol. 2
  (the 12) to be quite a lazy production - both in intent and execution. As
  someone  who loved the Other Day and Metropolis I can't help feeling that
  perhaps the  title reveals some of the intention behind the
  compilation(s) - giving each  dog of a track a day to be spun. hmmm...


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Re: [313] plusquam.

2001-11-22 Thread Analog Headz
well u might try @
 www.kompakt-net.de , www.psyshop.com
the funny part is that its a GOA trance label (well the sublabe of spirit
zone). but i was very surprised to listen to some of the best DEtroit
stuff.- well i have a friend who spins GOA.
- Original Message -
From: Johannes Gronvall [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Thursday, November 22, 2001 5:50 PM
Subject: Re: [313] plusquam.


  Regards, i was just wodering if anyone here knows this label?
   i was very surprised from their realses. its mainly a goa trance label,
but
  they got some very fine detroit style.

 just last night i found my way to their web site at:
 http://www.plusquam-records.de/

 they really seem to have released some quite an interesting stuff.
 any recommendations for mail order shops distributing plusquams?

 --
 Johannes Gronvall - Damicon Kraa - [EMAIL PROTECTED]

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[313] jeff mills

2001-11-22 Thread chrise

have you guys heard his new track the bells? it's rockin!

chris


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Re: [313] jeff mills

2001-11-22 Thread Roland van Oorschot

At 15:25 22-11-2001 -0500, [EMAIL PROTECTED] wrote:


have you guys heard his new track the bells? it's rockin!


!!Troll Alert!!

R.
(  /dev/null )

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