Re: [313] Fcom -phone?

2002-01-03 Thread Analog Headz
check the hours or how u dial international, since i have used this phone to
talk with them yesturday.
A
- Original Message -
From: "laura gavoor" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Thursday, January 03, 2002 5:30 PM
Subject: Re: [313] Fcom -phone?


> Ditto that!  Been trying to reach them for SOME time now.  Anyone
>
> F Communications Records phone number would be much appreciated...
>
> Happy New Year all!
>
>
>
>
>
> >howdee any one here got a phone for the Fcom label?
> >A
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RE: [313] Larry Levan

2002-01-03 Thread sqrrt
The SalSoul CD contains tracks from the SalSoul catalogue only, and it's an
unmixed CD.

1. "I Got My Mind Made Up" Instant Funk
2. "Handsome Man" Sparkle
3. "First Time Around" Skyy
4. "Double Cross" First Choice
5. "The Greatest Performance of My Life" Loleatta Holloway
6. "How High" Salsoul Orchestra
7. "Make It Last Forever" Inner Life

There's an equivalent CD on WestEnd, but of course, the tracks stem from
WestEnd's catalogue only. Also unmixed, called "Larry Levan's Classic West
End Records Remixes"

1. "Heartbeat" Taana Gardner
2. "Serious, Sirius, Space Party" Ednah Holt
3. "No Frills" Taana Gardner
4. "Don’t Make Me Wait" New York Citi Peech Boys
5. "Let’s Go Dancin’" Sparque
6. "Is It All over My Face?" Loose Joints
7. "Work That Body" Taana Gardner
8. "Give Your Body Up to the Music" Billy Nichols
9. "When You Touch Me" Taana Gardner

Not to be confused with the "Live At The Paradise Garage" mixed double CD,
which features loads of tracks from various sources (see
http://www.allmusic.com/cg/amg.dll?p=amg&sql=A3z320r8au48n for a list). A
pretty good historical document if you ask me, but I prefer Levan's
production to his mixing skills (mind you, in those days the tools were much
more limited, and the tracks were much harder to mix. But still, guys like
Knuckles and Farley seem to be much better at it, judging from the deep
house mixes page archives.)

Hope this helps.

sqrrt

-Original Message-
From: Maarten Baute [mailto:[EMAIL PROTECTED]
Sent: Thursday, January 03, 2002 3:17 PM
To: 313@hyperreal.org
Subject: [313] Larry Levan


Dear 313ers,

I have the chance of buying "larry levan - paradise garage" on sal soul
records. I just wanted to know: are there any differences with the equally
named release on west end recordings ?

Artiste include:
First choice, Jocelyn Brown, Sparkle, Inner life, etc...

Thanks!
Maarten


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[313] Detroit music

2002-01-03 Thread Micael Forsberg


Just wanted to let you know that my music is available at
www.mp3.com/micaelforsberg

If anyone would like to give me some comments on my tracks I would be so
happy.





Micael Forsberg
Designer at www.monowaste.com



[313] test

2002-01-03 Thread Micael Forsberg



[313] New track

2002-01-03 Thread Dennis DeSantis
happy new year, folks.

I figured I'd drop in to mention that I have a new track online, entitled
"Clock Wise".

It's available at www.mp3.com/vanderrohe

Thanks again for all the support throughout the past year.

Take care,
Dennis DeSantis


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Re: [313] Larry Levan

2002-01-03 Thread armin holzgethan
if you mean "Larry Levan's Paradise Garage" on Salsoul, just take it. not one
track of it appears on the West End release.
"Handsome Man", "First Time Around" & "How High" are my favourites.

armin



Maarten Baute schrieb:

> Dear 313ers,
>
> I have the chance of buying "larry levan - paradise garage" on sal soul
> records. I just wanted to know: are there any differences with the equally
> named release on west end recordings ?
>
> Artiste include:
> First choice, Jocelyn Brown, Sparkle, Inner life, etc...
>
> Thanks!
> Maarten
>
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[313] Larry Levan

2002-01-03 Thread Maarten Baute
Dear 313ers,

I have the chance of buying "larry levan - paradise garage" on sal soul
records. I just wanted to know: are there any differences with the equally
named release on west end recordings ?

Artiste include:
First choice, Jocelyn Brown, Sparkle, Inner life, etc...

Thanks!
Maarten


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Re: [313] Fcom -phone?

2002-01-03 Thread jkessler
Check their website:

http://www.fcom.fr

> Ditto that!  Been trying to reach them for SOME time now.  Anyone
> 
> F Communications Records phone number would be much 
appreciated...
> 
> Happy New Year all!
> 
> 
> 
> 
> 
> >howdee any one here got a phone for the Fcom label?
> >A
> >
> >
> >-
> >To unsubscribe, e-mail: [EMAIL PROTECTED]
> >For additional commands, e-mail: [EMAIL PROTECTED]
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> 
> 
> 
> 
> 
> 
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Re: [313] Fcom -phone?

2002-01-03 Thread Thomas Van Steen
http://www.fcom.fr/contact.php3
Tél : +33 1 47 707 808


Tom Van Steen
http://www.pulsation.com




- Original Message -
From: "laura gavoor" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Thursday, January 03, 2002 5:30 PM
Subject: Re: [313] Fcom -phone?


> Ditto that!  Been trying to reach them for SOME time now.  Anyone
>
> F Communications Records phone number would be much appreciated...
>
> Happy New Year all!
>
>
>
>
>
> >howdee any one here got a phone for the Fcom label?
> >A
> >
> >
> >-
> >To unsubscribe, e-mail: [EMAIL PROTECTED]
> >For additional commands, e-mail: [EMAIL PROTECTED]
> >
>
>
>
>
>
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Re: [313] Fcom -phone?

2002-01-03 Thread laura gavoor

Ditto that!  Been trying to reach them for SOME time now.  Anyone

F Communications Records phone number would be much appreciated...

Happy New Year all!






howdee any one here got a phone for the Fcom label?
A


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[313] A track I forgot about

2002-01-03 Thread Brian 'balistic' Prince
http://www.bprince.com/bp_hold.mp3

(190 kbps, 6.7 MB)

I wrote this last summer and promptly forgot about it . . .
discovered it when I was cleaning up my hard disk the other day.
Six minutes of moody tech-house about putting one's life on
indefinite hold for something that may or may not happen.

Feedback is hugely appreciated.

-
Brian "balistic" Prince
http://www.bprince.com - art and techno



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Re: [313] yellow magic orchestra

2002-01-03 Thread Mxyzptlk
Just to reiterate, I strongly suggest checking Hosono's SFX and Philharmony 
as well as Technodelic and Technodon - the lattter is quite a brilliant 
record and largely overlooked except by the most rabid fans...perhaps 
because it's quite hard to find.

jeff



At 09:17 AM 1/3/2002, .: Caltrop :. wrote:

ah nah, the self titled one is my favourite.
yes, it's cheesy, but that's also why i like
hotbutter's 'popcorn', he he.
along the lines of the first album is also Ryuichi Sakamoto's first solo 
lp "thousand knives"

"solid state survivor" is also a great one.pretty much a follow up.
Ryuichi Sakamoto's "B2-Unit" is the best.




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Re: [313] yellow magic orchestra

2002-01-03 Thread Niko Tzoukmanis
well, of course, 'least favourite' still means
that i like it very much as i'm definitely a ymo
fan. and i also like their 'cheesy' stuff, 'rydeen'
on 'solid state survivor' is my favourite ymo track,
btw some of sss (e.g. rydeen) is on the us / euro
pressing of x infinity multiplies
it's just that all other lps work better as albums
anyway, to put it right, the debut is also a very
nice record i don't wanna miss in my collection,
and, anyone else out there who thinks that ymo
have only put out good albums. haven't heard
technodon however.


At 07:17 03.01.02 -0800, you wrote:
>ah nah, the self titled one is my favourite.
>yes, it's cheesy, but that's also why i like
>hotbutter's 'popcorn', he he.
>along the lines of the first album is also Ryuichi Sakamoto's first solo lp 
>"thousand knives"
>"solid state survivor" is also a great one.pretty much a follow up.
>Ryuichi Sakamoto's "B2-Unit" is the best.
>



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[313] 01.04.02

2002-01-03 Thread Jared Wilson

MOTOR

Jason Renaud
Jeremy Christian
Myself

LOUD AS FUCK!!!

Jared Wilson
FTM Records
Detroit, MI

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Re: [313] yellow magic orchestra

2002-01-03 Thread .: Caltrop :.

ah nah, the self titled one is my favourite.
yes, it's cheesy, but that's also why i like
hotbutter's 'popcorn', he he.
along the lines of the first album is also Ryuichi Sakamoto's first solo lp 
"thousand knives"

"solid state survivor" is also a great one.pretty much a follow up.
Ryuichi Sakamoto's "B2-Unit" is the best.


From: Niko Tzoukmanis <[EMAIL PROTECTED]>
To: 313@hyperreal.org
Subject: [313] yellow magic orchestra
Date: Wed, 02 Jan 2002 18:28:25 +0100

a few notes on the recent questions on this
really superb electronic group..

the best albums by ymo to my opinion are
'solid state survivor' and 'technodelic'.
actually, i like all of their albums very much
the self titled debut being my least favourite
one despite classix such as firecracker and
computer games. anyway there's not such a good
flow like on technodelic, latter one being a
very varied yet 'harmonic' lp ranging from
killer techpop songs ('key') to soundtrack-
like ambient tracks ('epilogue', a sakamoto
composition)

but i wanna mention that 'service' is, though
quite underrated, a very excellent album too,
more song oriented (like naughty boys, but
better), but get an american or european
pressing unless you can speak japanese ;O)

one of the funniest things is the title of their
first live album: 'public pressure'...




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[313] NYE @ Plastic People

2002-01-03 Thread Tom Churchill
I had one of the best NYEs I've had for a long time this year at the Plastic
People event. We arrived around 10.30 at the small venue, where we relaxed
with a beer, listening to the Maurizio boys playing old dub for an hour or
so, then headed to the big venue for the rest of the night.

Arrived at Planet 2000 around 11.45 and after checking out the (very
impressive) venue we saw the New Year in to the sound of Pharoah Sanders
playing an epic drawn-out performance of 'My Favourite Things' to an
incredible reaction. Then wandered around for a while, checked out
Weatherall playing dub and dubby techno with Adrian Sherwood which was good
fun, but the highlight of the night for me was Norma Jean Bell's live set.
Very very impressive - she had the crowd in the palm of her hand - singing,
playing soprano sax, working an MPC and playing keys. She was flanked by a
guy on percussion and a guy behind a bank of Rhodes/ synths/ MPC who i
assume was Ayro of Omoa/upcoming Jazzanova remix fame as they performed a
full live version of 'Let This' (from the Omoa sampler) in the middle of the
set - can anyone confirm this??? They finished with 'I'm the Baddest Bitch'
- quality stuff. 

We then checked out Dego and Charlie Dark playing broken beat anthems
(Afronaught's 'Transcend Me', P'Taah vs Opaque's 'Crossings' etc) then Theo
Parrish playing some classic Detroit techno ('Strings of Life', 'Good Life'
etc) then Gilles Peterson playing dusty old hip-hop and funk. Very good
night all in all - lovely venue, not too crowded, well organised, nice vibe,
amazing music, good fun...

Cheers,

Tom

:: tom churchill
:: emoticon recordings
:: http://www.emoticonrecordings.com


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[313] Plastic People at Planit 2000, London

2002-01-03 Thread Alastair_Jones
Went to Plastic People and my night revolved around 3 acts that I wanted to
see (see below). The club itself was very well run and spacious and the
staff were friendly.

1) Pharoah Sanders
After a long soundcheck, this started pretty badly. The sound was muddy and I 
think that they were not used to playing to a cheering (!) crowd and so
played louder to compensate.
The sound improved as did the band and Pharoah looked like he was more into it 
(he looked pretty gruff at the beginning).
The last song was truly memorable, because the band were playing to their 
abilities, and everyone was clapping along to a call and response carribean
style number.
Should have been on earlier (12 'o' clock was a bit muted) but overall a 
success.

2) Moritz and Mark (Rhythm and Sound)
These were annexed off at the Plastic People club down the road which meant a 
bit of effort getting to it. Quite a let down!
The place was empty and Mark was putting on (quality) dub in quite a 
disinterested fashion. It looked like they were having a nightmare.
They should have had a room in the main arena, but they weren't exactly exuding 
the happy new year vibe, nor playing any of their own productions.
Jolly nice people, though.

3) Theo Parrish
By this time I was looking for a dance! Theo Parrish came up with the goods 
with a 110 bpm (I estimate) set throughout which came off through his own
enthusiasm and innovation.
This was the first TP set I have witnessed and, sure enough, disco, funk, acid 
house all came into the mix, along with a brave 5 minute spoken word
poem
(I would guess at it being Saul Williams) about the serious things going on in 
the world at the moment. A cheeky, vivacious personality.

All in all, an interesting musical night.


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RE: RE: [313] NYE letdown

2002-01-03 Thread Odeluga, Ken
Jeff Mills, exclusive London NYE at Mass, Brixton ... with clips from his
film project. Unforgettable and not too expensive! Do check out the 'Lost'
parties if you're ever in London.

My biggest problem though, when I go and see techno, is getting anyone to go
with me! Can't always even convince my girlfriend that it will NOT be a
night of shrill atmospherics with
fearsomely deep and loud beats ... Techno has a poor name in the UK. Based
on the misconceptions associated with the word, Given the huge spectrum
conceivable in this music,  is the word now virtually meaningless?

>-Original Message-
>From: Jwan Allen [mailto:[EMAIL PROTECTED]
>Sent: Wednesday, January 02, 2002 6:22 PM
>To: 313@hyperreal.org
>Subject: Re: RE: [313] NYE letdown
>
>
>
>We went to Panacea to hear Carl play (along w/ Ibex, and Michael
>Geiger).
>
>It wasn't packed at all, and people in attendance seemd like your
>atypical bar crowd. But the music was the shit so I had a great time!
>
>
>
>
>Jwan Allen
>Technoir Records
>[EMAIL PROTECTED]
>www.technoiraudio.com
>(412) 681-1398
>
>
>Free Game Guides!
>
>Complete walkthrus, secrets, hints
>and tips exclusively from IGN.com
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>Play better today at http://guides.ign.com
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>**
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RE: [313] NYE letdown

2002-01-03 Thread Mike Taylor
It was like that all over. The nightlife industry(bars, clubs, 
restaurants...) got hit pretty hard this year. The last few years they have 
been getting great turn-outs because of the 99-00-01 hype and a good 
ecomomy. The 90's are finally over(vibe-wise, to me at least) and the people 
with money seem to be holding on to it pretty tight these days. I know of a 
lot of bars that have been selling out of NYE presale tickets well in 
advance for the last few years, and this year they did not sell even half 
capacity.


I would have gone to porter street because the line-up was off the hook, but 
it was so expensive. Why spend 35$ when you can have a few gin & tonics at 
home with your friends and listen to your own record collection? I have a 
feeling that I am not the only person in town who took the alternate route 
for NYE.


all the party people are old and boring... ;)
mt

WHAT HAPPENED TO ALL THE PEOPLE WANTING TO

PARTY?  was it like that at other clubs across the
city and country?
-sam



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