RE: (313) more track ID fun!
That's Paul Johnson on Dance Mania. Can't remember the title at the moment... for some reason, I Am So High comes to mind, but don't bet the farm on it. Matthew -Original Message- From: Ray Lane [mailto:[EMAIL PROTECTED] Sent: Sunday, January 12, 2003 7:00 PM To: '313@hyperreal.org' Subject: (313) more track ID fun! The track says somethin like 'ecstacty, ecstacy, i am high on ecstacty.' and that repeats for a while and then at some stage it goes 'where is my balloon'. For a bonus point, can you also tell me when it was released? Thanks, you guys should start charging for this. hehe
Re: (313) soul city discography
From: ryan burns anyone know the discography for soul city. SL4W 001 L'Homme Van Renn Luv + Affection *) SLSS 002 Kenny Dixon, Jr. Soul Sounds Vol 1 *) SLSS 005 Marc Pharaoh Soul Sounds 3 SLSS 006 The Joyful Sounds Of Soul Feat. Donnie Mark Hold On SLSS 008 The Choir Boys Say Amen *) SLSS 009 Davina Don't You Want It? SLSS 011 The Choir Boys Won't God Heal You/Shout And Dance *) SLSS 012 Aaron Carl Make Me Happy SLSS 014 Midnite Jams Volume 1 SLSS 015 Various Marc Pharoah vs Alton Miller vs Greg Cash *) SLSS 016 D'Lareg Better Way/Don't Wanna Come Down *) SLSS ??? Theresa Stringer Round and Round *) SLSS ??? Aaron Carl Crucified and i think there was a 12 by gerald mitchell. ['l'homme van renn' is mad mike and the burden brothers if i'm not mistaken.] besides kenny dixon, divina what are the best releases? recommended? well i've got the kdj, davina, 1st marc pharaoh and am still looking for choir boys 'say amen'. but you can judge for yourself, the releases marked with an *) asterix have real audio snippets on groovetech.com. jurren _ STOP MORE SPAM with the new MSN 8 and get 2 months FREE* http://join.msn.com/?page=features/junkmail
(313) Re: Baby Wants to Ride
If you ever come across the 3XCD Trax compilation there's the Frankie Knuckles alternate version which takes inspiration from Laid Back - White Horse. on 1/12/03 4:51 PM, Sakari Karipuro at [EMAIL PROTECTED] wrote: Benn Glazier wrote on Sun, 12 Jan 2003 about following: Nice to hear tunes like Maurizio's M4.5, Baby Wants to Ride by Frankie Knuckles, Jamie Principle actually ;-) Interesting you say this.. As I have a copy of it on FFRR which credits Jamie Principle, and the original (Trax 150 I think) which creds it to Frankie. I'm sure it should be by Frankie with vocals by Jamie. many of the old trax releases are credited to frankie when he had little or nothing to do with the music. i'm pretty sure the track was made by jamie and then he gave the tape to frankie who gave it to larry sherman. sakke -- - * time to jack * - http://www.arabuusimiehet.com/sakke/music.html
(313) Re: Exploring Drum and Bass
Last weekend, I was fortunate enough to hear a better-than-usual set of jungle from two local (rhode island) DJs in my radio studio. They threw a lot of dubplates in, but here is their setlist all the same: http://tinyurl.com/4de6 If you email the guy whose show it is, he might give you a copy of the tape: [EMAIL PROTECTED] Other stuff that consistently impresses me, although not QUITE on the jungle tip: LTJ Bukem - Progression Session 6 (live in Boston) Talvin Singh (just came out with a new one but I haven't heard it) - OK has some fabulous stuff State of Bengal - haven't heard any of their albums but their tracks on the Anokha compilation are nice) (yeah, I like Indian-type drum and bass) -- Cafard, [EMAIL PROTECTED] qu'est-ce que tu penses? AIM:pr0j2501 Matt Kane's Brain http://mkb.n3.net
(313) Denver Mcarthy Central Records Special Project
HI All, May i know if there are any other releases by Denver Mcarthy? I have been playing the Rise and Shine and am hoping to hear more goodies by him. I am also looking for Central Records Special Project Volume 3 with the Angel Molina remix. Anybody knows which mail order shop has it? I need 3 copies of that. I hope to get some nice help from the listees here. Your techno friend in SIngapore, Collin Chen
Fw: Re: (313) soul city discography
Soul City is one of a small group of labels, along with Simply Soul, Happy, KMS and Serious Grooves, that really drew me into Detroit music in the early 1990s more from the house side rather than the techno side, although there has always a distinctive techno flavor to Detroit house that really makes it stand out. I still play one of the Luv + Affection remixes and the Aaron Carl remix of Round and Round pretty frequently because they are slammin' -- especially notable these days when a vast amount of house production is oriented to taking away the rawness and solidity that house used to have and make it more lounge-friendly or whatever. That D'Lareg is a gorgeous bit of garage house in Detroit style that really sounds great on a big system. The rest are also good and I do play Say Amen once in a while. Detroit's not afraid to go to church when it's right; just think of the most famous gospel house track of all time, probably, which is TP's The Question. Of course, TP balanced the sacred with the profane by also putting out Sniff on This on Simply Soul :) Then of course there is the classic Soul City release, Don't You Want It, which is simply great music period. This early-1990s Detroit house sound is truly overlooked and I never get tired of it, so check it out. Fred
Re: (313) ron hardy track id
This has to be one of the most tedious and self-centered threads on this list in quite a while, and we've had our history of those. Concerning MEK, who can certainly defend himself well indeed, I would only note that Mr. techno who accuses everyone else of misreading what he has written clearly didn't bother to discern what Michael actually said. So isn't it time to move on, already? As a non-African American who grew up with soul music, and that was 40 years ago, I suggest we simply acknowledge that Ron Hardy was a genius, the rebirth of interest in 1980s music isn't all just about retro-glamor, and DHP is one of the true gems on the Internet because it can teach us all some history, including those of us who lived through those times but weren't lucky enough to be in Chicago or Detroit in 1985. As for soul music, I was reminded yet again of its true greatness when I was sitting in a Starbucks in downtown DC on Friday (not because I like Starbucks but because I was doing some work-related email while traveling and they all have wireless access points now). And the store music system was playing a string of just classic soul from Marvin Gaye, Dionne Warwick, Otis Redding, you name it. Maybe not some of the rawer stuff we used to buy at Waxie Maxie's (when there was just the one at 10th F), but still. phred (who bought Booker T the MGs' Time is Tight and Pink Floyd's Meddle album when they first came out and still has 'em both, which makes me older than some of your parents I guess) PS - hey stevepwats, referring to private email to support your point is one of the oldest and weakest rhetorical devices on the Internet. How's about we just let this all go now and MOVE ON. PPS - My friend Ramon Wells, who used to be the label boss at Eightball and now runs Dotdotdot Records and has been everywhere and done everything told me he went to a Billboard dance music convention one year. He goes into the panel on house music and stands up in the audience and says, house music is all disco!, and gets everyone all riled up, then he goes into the techno symposium and gets up and says, techno is all about house and causes pandemonium. His point, obviously, is that everything comes from somewhere, and if you know the history you know your own music and times that much better.
RE: (313) Japanese electronic artists
some artists: takagi masakatsu aoki takamasa (silicom) ogurusu norihide world's end girlfriend some labels: progressive form romz records jasonb -- From: [EMAIL PROTECTED]:[EMAIL PROTECTED] Sent: Saturday, 11 January 2003 8:59 AM To: 313@hyperreal.org Subject: (313) Japanese electronic artists Curious to see who has explored the work of Japanese techno artists - been getting into the Sublime label lately and there seems to be a lot of names (on that label and other) that should be better known as they create some really good techno/ambient techno/house music - however seeing that Japanese imports are so expensive I can understand why shops don't stock them but if anyone would like to discuss Japanese techno (especially ambient/melodic techno) please hit me back (maybe off-list) MEK
RE: (313) blaze
easily my fav blaze album is 'basic blaze'. it has 'my beat' (but wtf is wrong with this track??), 'wishin you were here', 'klubtrance', 'never can get away', 'another dae' etc - all straight up deepness, no fillers. jasonb -- From: Maarten Baute[SMTP:[EMAIL PROTECTED] Reply To: Maarten Baute Sent: Sunday, 12 January 2003 1:42 AM To: 313@hyperreal.org Subject: (313) blaze Hi, can someone point me out wich albums from Blaze are essential? And I don´t mean stuff like my beat or do you remember house. I mean the deeper stuff... thanks, Maarten --- Do you know these tracks? http://www.morthenkiang.com/samples (Sound fragments taken from various mix tapes.)
Re: (313) blaze
not an album, but a e.p. black rascals 'keeping my mind' on sumo. one of the great deep house tracks. i've always thought it weird that blaze has become popular in the last few years when their production in the last five years or so seems but a mere shadow of their early work. but i guess that's just my personal taste. james From: Maarten Baute [EMAIL PROTECTED] Reply-To: Maarten Baute [EMAIL PROTECTED] Date: Sat, 11 Jan 2003 18:42:49 +0100 To: 313@hyperreal.org Subject: (313) blaze Hi, can someone point me out wich albums from Blaze are essential? And I don´t mean stuff like my beat or do you remember house. I mean the deeper stuff... thanks, Maarten --- Do you know these tracks? http://www.morthenkiang.com/samples (Sound fragments taken from various mix tapes.)
Re: (313) final scratch on mac! - FK in Sydney
the sound system at gas (where fk played sat) is absolutely crap. that's why he sounded crap on the eqs and echo/delay. on the vinyl sound system at body and soul, fk's use of the eqs was beyond reproach (which can't be said for joe claussel, he gets a wee bit carried away). anyway, we were there from 2.30 till 5.30 and danced the whole three hours. james I was less than impressed with the night to be honest. Mixing quite ropey at times, however I found from about 3 to 4.30 was the best - left shortly afterwards. Nice to hear tunes like Maurizio's M4.5, Baby Wants to Ride by Frankie Knuckles, Miura by Metro Area and Signals by Microworld. He played very differently to what was heard in Melbourne. Blackwater (vocal mix) by Octave One seems to go down a treat, especially since it's been placed on several Ministry Of Sound compilations (not that it didn't before). Certainly not the best technical skills, and overworked the EQs and echo/delay effects. Further to that, I was dissapointed with his programming as this is what he is reknowned for, but instead of going in one direction, he flailed all over the place, probably in an effort to hold the floor which had many types of punter... and there was that song that was on a TV commercial for Intel... -- Benn Glazier [EMAIL PROTECTED] http://www.royaltech.net http://dj.royaltech.net -- http://fastmail.fm - Email service worth paying for. Try it for free
Re: (313) ron hardy track id
Why did you bring up the topic of DISCO? Now you have me going through my collection and listening to those great records. I am suppose to be putting together a best of Detroit Techno 2002 segment for my radio show. I appreciate these records more than I did in the 70's (I am 48). Here are some more to track down and enjoy: 1. Cerrone Supernature/ Love In C Minor (Malligator/ Cotillion) 2. Kano Kano LP esp. It's A War (Emergency) 3. Kebekelektrik Magic Fly/ Bolero/ War Dance (Les Disques Direction/ Salsoul) 4. Machine There But For The Grace Of God Go I (Hologram/ RCA) 5. Macho I'm A Man (Prelude) 6. Beautiful Bend That's The Meaning/ Boogie Motion (Marlin) 7. Giorgio Moroder From Here To Eternity (Casablanca) 8. Peter Jaeques Band Fire Night Dance (Prelude) 9. Quartz Beyond The Clouds (Marlin) 10. The Salsoul Orchestra Magic Bird Of Fire (Salsoul) 11. Space Magic Fly LP (United Artists) 12. Gino Soccio Outline LP esp. Dancer (RFC/ Warner Bros.) 13. T-Connection Do What You Wanna Do (Disco Version) (T.K. Productions) 14. Tantra The Double Album esp. The Hills of Katmandu (Importe/ 12) 15. Voyage East To West/ Souvenirs (Marlin) Remember that Dan Sicko's Techno Rebels mentioned several disco records as Detroit influences. Never forget the roots. You might be surprised how good some of these records still sound. O.L. - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: Maarten Baute [EMAIL PROTECTED]; techno [EMAIL PROTECTED]; [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Friday, January 10, 2003 6:33 AM Subject: RE: (313) ron hardy track id How about a disco top ten Maarten? I know the list has been here before, but I'm always interested in studious people's lists. Be much obliged. k
(313) DEMF 2003 is on...
http://www.freep.com/entertainment/music/demf11_20030111.htm -- [EMAIL PROTECTED]
Re: (313) DEMF 2003 is on...
yes that was posted by doris yesterday :) yay for detroit! -Joe - Original Message - From: Klaas-Jan Jongsma [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, January 13, 2003 2:09 AM Subject: (313) DEMF 2003 is on... http://www.freep.com/entertainment/music/demf11_20030111.htm -- [EMAIL PROTECTED]
RE: (313) blaze
Second those who said '25 Years Later' on Motown. Indeed it was their first LP, but you look for a discography and it's hard because they've simply done so much, including remixes (maybe excluding) we could be over a hundred. 'Basic Blaze' is ace. 'My Beat' *is* deep (to me). Can't say 'I Remember House' is their finest moment but the LP 'Spiritually Speaking' is overall v good (imo). If you can find them, two older (c.89) slices of quality are Phase II - 'Reachin'' Phase II 'It's A Mystery'. There's also an LP in '89 (yes, an LP but wait) called 'Paradise Regained'. In fact, it purports to be a compilation (it is, kind of) featuring different artists but it's really Blaze under about ten different psuedonym's feat. various vocalists. (Except the last track, which is 'Gonna Miss Me' by Turntable Orchestra.) It's got another vers. of 'Mystery'. Republic Records, exec producer Dave Lee. k -Original Message- From: Maarten Baute [mailto:[EMAIL PROTECTED] Sent: Saturday, January 11, 2003 5:43 PM To: 313@hyperreal.org Subject: (313) blaze Hi, can someone point me out wich albums from Blaze are essential? And I don´t mean stuff like my beat or do you remember house. I mean the deeper stuff... thanks, Maarten --- Do you know these tracks? http://www.morthenkiang.com/samples (Sound fragments taken from various mix tapes.)
(313) Remix of Burujha? track ID
Hi all I was listening to mix 499 Into The Future by Boo Williams on DeepHousePage http://www.deephousepage.com/boow.ram. The first track sounded like a remix of Octave One's Burujha. Now, I could be way off, but does anyone know if it is a remix, and by whom, or if not, what the track is? Secondly, the second track has the following male lyrics. Well it obviously has more, but these are the only ones I can really hear properly :) cause where i, i come from, there aint no foolin' around. so you're time has come, what you saying now? i can be a player if it's games that you want. i can be your lover if it's love that you want. taking time to decide, opportunity. , insanity, takes a hold of your hand(or head?), leaving you standing around. take to long like we said. what's going down? I'm a man of the real, I'm a man of the real deal. I'm in love with the real, I'm in love with the real deal. Oh, and finally, if anyone could ID the third track too, which sounds like it might be in spanish maybe, that would be wonderful. thanks a bunch!! nath
(313) vinylmania
hi all has anyone used vinylmania to purchase records? i'm really wondering how there mail order service is, ie speed, and importantly stock. there's a few tasty records they say they have that I've been after for ages. thanks nath
RE: (313) soul city discography
can someone tell me if this one is the same as HS 6024 on Happy Soul. Martin SLSS 006 The Joyful Sounds Of Soul Feat. Donnie Mark Hold On
RE: (313) blaze
If you want to learn how Blaze has progressed throughout these last decades, try to get a hold of Pure Blaze 1 and 2 on Easy Street Records. 2 slices / 8 tracks each. PB 1 is early house stuff, PB 2 is more recent and includes Delacy's Hideaway among other fine songs. Recommended! http://www.discogs.com/release/8945 http://www.discogs.com/release/57071 Also, Giant Step recordings uses Blaze a lot for remixes. Check it out! Back to mondaymorning coffee, Wibo -Original Message- From: James Bucknell [mailto:[EMAIL PROTECTED] Sent: dinsdag 14 januari 2003 10:31 To: 313@hyperreal.org Subject: Re: (313) blaze not an album, but a e.p. black rascals 'keeping my mind' on sumo. one of the great deep house tracks. i've always thought it weird that blaze has become popular in the last few years when their production in the last five years or so seems but a mere shadow of their early work. but i guess that's just my personal taste. james From: Maarten Baute [EMAIL PROTECTED] Reply-To: Maarten Baute [EMAIL PROTECTED] Date: Sat, 11 Jan 2003 18:42:49 +0100 To: 313@hyperreal.org Subject: (313) blaze Hi, can someone point me out wich albums from Blaze are essential? And I don´t mean stuff like my beat or do you remember house. I mean the deeper stuff... thanks, Maarten --- Do you know these tracks? http://www.morthenkiang.com/samples (Sound fragments taken from various mix tapes.)
RE: (313) blaze
Well brother, you got me flabbergasted now! Another Blaze album that I don't know of? That's the surprise of the day! W There's also an LP in '89 (yes, an LP but wait) called 'Paradise Regained'. In fact, it purports to be a compilation (it is, kind of) featuring different artists but it's really Blaze under about ten different psuedonym's feat. various vocalists. (Except the last track, which is 'Gonna Miss Me' by Turntable Orchestra.) It's got another vers. of 'Mystery'. Republic Records, exec producer Dave Lee. k -Original Message- From: Maarten Baute [mailto:[EMAIL PROTECTED] Sent: Saturday, January 11, 2003 5:43 PM To: 313@hyperreal.org Subject: (313) blaze Hi, can someone point me out wich albums from Blaze are essential? And I don´t mean stuff like my beat or do you remember house. I mean the deeper stuff... thanks, Maarten --- Do you know these tracks? http://www.morthenkiang.com/samples (Sound fragments taken from various mix tapes.)
Re: (313) Exploring Drum and Bass
of, dare I say it, soulful drum n bass. I've been thinking about this a lot myself lately. Back in 95 I read an interview with Alex Reece who said how much he was inspired by UR and their melodies. Last week I went back to some of my favourite d+b records from 94 -99. While mixing some of my favourite examples of what would later be given the kiss of death by the label 'inteligent'. If you listen to some of the early reece, pim, wax doctor, the d+b that was put out on RS (esp the model 500 remixes), hidden agenda, creative source stuff etc there are IMHO a lot of at least superficial similarities to the detroit sound - the momentum of the beats, the use of strings, new sounds, eq levels in the production, use of dissonance, the funk in the spaces between the beats. Mixing them to maximise the beat and bass switches and absolutely minimise breakdowns I find it quite close in feeling and emotion to the feeling and emotion of dancing to a long deep soulful techno mix - with a big smile on my face :) It was these tunes that started making me want to find out more about this detroit sound I was hearing about. The mix I refer to isn't 100% perfect, but if anyone is interested I can host it for others to hear what I'm talking about. Maybe it's just nostalgia (already!) :)) -- has anyone else experienced or thought about something similar along these themes? Matt - [EMAIL PROTECTED]
RE: (313) Susuma Yokota.
yup - Colin Newman's online shop has a narrow catalogue, but full of good stuff, plus excellent service and some nice prices - not everything on there is of 313 interest, but most of the labels carry great electronic artists, such as Lo Recordings, Text or Leaf Gwendal -Original Message- From: Anya Stang [mailto:[EMAIL PROTECTED] Sent: Saturday, January 11, 2003 10:36 AM To: 313 Cc: [EMAIL PROTECTED] Subject: (313) Susuma Yokota. I love his Grinning Cat album! Yokota on Leaf: http://www.posteverything.com/artists/artist.php?id=62 They also provide a discography. AND you can order from them directly. Brixton rocks! ; ) Anya On Saturday, Jan 11, 2003, at 09:25 Europe/London, Robert Taylor wrote: I have heard some great ambient stuff from Susuma Yokota. He has recently released The Boy And The Tree on Leaf. I have only heard a couple of tracks from it on the label's sampler but the album is on my current wish list.
(313) Nw stuff
Morning all, A little bird tells me that Theo Parrish plays Electric Chair, Manchester at the end of Feb... Happy Days.. Also, there's quite a few of us from Manchester heading over to Liverpool for Scott's do with Mike Grant / Mark Broom on Feb 14th. I might organise a little bus - everyone welcome, won't cost very much. Hit me back privately if you're interested, if there's enough interest I'll get on the case and sort it out. Apologies to those who live miles away. Alex. _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer.
RE: (313) Nw stuff
All this NW stuff makes us poor folk far away from the action in **THE CAPITAL** feel well left out ;o) Enjoy! Ken -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, January 13, 2003 9:57 AM To: 313@hyperreal.org Subject: (313) Nw stuff Morning all, A little bird tells me that Theo Parrish plays Electric Chair, Manchester at the end of Feb... Happy Days.. Also, there's quite a few of us from Manchester heading over to Liverpool for Scott's do with Mike Grant / Mark Broom on Feb 14th. I might organise a little bus - everyone welcome, won't cost very much. Hit me back privately if you're interested, if there's enough interest I'll get on the case and sort it out. Apologies to those who live miles away. Alex. _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer.
(313) Re: Disco
10. The Salsoul Orchestra Magic Bird Of Fire (Salsoul) This one reminds me of high school band marching music.
RE: (313) final scratch on mac!
About FS and Traktor...John Tejada told me today that now Tracktor has merged with final scratch and are combining the two in a new concept to be presented this week at Namm (L.A) I think It will be the next big thing ! ...I suppose it will work on Mac too... ...but don't wait for me to sold my vinyls ;-) ! Even better it will run on OSX :) John Tejada is doing a liveset for NI during the NAMM using Traktor.: http://www.nativeinstruments.de/index.php?id=namm03_us [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. --
Re: (313) Moody man
No it was cool I posted that on Saturday.. I went down, paid my £8 and had one of the best nights I've had for ages The 1st time I've heard kenny and he delivered an absolute storm... From disco thru armando - confusion to just plain old dirty funked up house Got to say robert from 'music is' played some nice deep house/disco to keep it rolling aswell... For people that went.. He played a track abot 3.4 of an hour inwith a kind of vocodered/messed up voice which had freaky mutha fu**er in it... Does this ring a bell with anyone I really need this track It WAS last night, Tom. Ah yes - I thought it was Friday last night for some reason! Sorry Placid, hope I didn't mess up any plans... T
RE: (313) Exploring Drum and Bass
i still pop on paralell universe, [4hero] from time to time. and that in order to dance 6 comp on rs has some great ,detroit-inspired db works... check out jazz juice - deroit. peace, lrh -Original Message- From: m a t t [d] [mailto:[EMAIL PROTECTED] Sent: Monday, January 13, 2003 3:48 AM To: 313@hyperreal.org Subject: Re: (313) Exploring Drum and Bass of, dare I say it, soulful drum n bass. I've been thinking about this a lot myself lately. Back in 95 I read an interview with Alex Reece who said how much he was inspired by UR and their melodies. Last week I went back to some of my favourite d+b records from 94 -99. While mixing some of my favourite examples of what would later be given the kiss of death by the label 'inteligent'. If you listen to some of the early reece, pim, wax doctor, the d+b that was put out on RS (esp the model 500 remixes), hidden agenda, creative source stuff etc there are IMHO a lot of at least superficial similarities to the detroit sound - the momentum of the beats, the use of strings, new sounds, eq levels in the production, use of dissonance, the funk in the spaces between the beats. Mixing them to maximise the beat and bass switches and absolutely minimise breakdowns I find it quite close in feeling and emotion to the feeling and emotion of dancing to a long deep soulful techno mix - with a big smile on my face :) It was these tunes that started making me want to find out more about this detroit sound I was hearing about. The mix I refer to isn't 100% perfect, but if anyone is interested I can host it for others to hear what I'm talking about. Maybe it's just nostalgia (already!) :)) -- has anyone else experienced or thought about something similar along these themes? Matt - [EMAIL PROTECTED]
(313) northern techno
here you go folks. Friday 31st Jan @ SUPERCONDUCTOR think tank, call lane, leeds. £6/7 CLAUDE YOUNG (beginning his tri-monthly residency) + DAN MOORE ALEX BOWEN expect the finest deep techno/house and electro from Dan and Alex and expect the unexpected from Claude!! future dates with Claude will feature additional guests. arrive early for cheap booze and to check the residents. www.superconductor.ws next up ANDREA PARKER www.innercity.co.uk
RE: (313) Exploring Drum and Bass
I lost track on Drum Bass years ago but there was an era that it produced some amazing records. I forgot most of the titles but i loved almost all the PFM stuff, Certificate 18, Source Direct did some really beautiful things as well! The first Logical Progression from LTJ Bukem is an essential DB compilation IMHO. Nowadays most of it is the same as loop techno for me... getting on my nerves :) [EMAIL PROTECTED] i still pop on paralell universe, [4hero] from time to time. and that in order to dance 6 comp on rs has some great ,detroit-inspired db works... check out jazz juice - deroit. peace, lrh -Original Message- From: m a t t [d] [mailto:[EMAIL PROTECTED] Sent: Monday, January 13, 2003 3:48 AM To: 313@hyperreal.org Subject: Re: (313) Exploring Drum and Bass of, dare I say it, soulful drum n bass. I've been thinking about this a lot myself lately. Back in 95 I read an interview with Alex Reece who said how much he was inspired by UR and their melodies. Last week I went back to some of my favourite d+b records from 94 -99. While mixing some of my favourite examples of what would later be given the kiss of death by the label 'inteligent'. If you listen to some of the early reece, pim, wax doctor, the d+b that was put out on RS (esp the model 500 remixes), hidden agenda, creative source stuff etc there are IMHO a lot of at least superficial similarities to the detroit sound - the momentum of the beats, the use of strings, new sounds, eq levels in the production, use of dissonance, the funk in the spaces between the beats. Mixing them to maximise the beat and bass switches and absolutely minimise breakdowns I find it quite close in feeling and emotion to the feeling and emotion of dancing to a long deep soulful techno mix - with a big smile on my face :) It was these tunes that started making me want to find out more about this detroit sound I was hearing about. The mix I refer to isn't 100% perfect, but if anyone is interested I can host it for others to hear what I'm talking about. Maybe it's just nostalgia (already!) :)) -- has anyone else experienced or thought about something similar along these themes? Matt - [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. --
(313) Test - Ignore
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Re: (313) blaze
Keeping My Mind is record number one on my wants list. I agree, it's strange Blaze have become popular now that they're not quite as on it as they were. Still, they come out with some quality cuts, and I think Natural Blaze was their best album. I don't have much to add to the recommendations, of early stuff my favourite's Sometimes Love by Jerry Edwards on Easy St. I don't know why this wasn't on either of those Pure Blaze compilations?! If You Should Need A Friend and Reaching stand out from then, too. They really got going in the period up to '94, I'd say, with the stuff on Sumo, Polar etc. Mid Nineties stuff like Debbie Pender, with those organ basslines, helped define that UK garage sound (for better or for worse), and Moonwalk is perhaps my favourite Blaze record ever. It'll be tracks like these they'll be remembered for, I imagine, rather than the likes of Star Suite. I think innovative house probably largely lies elsewhere these days. That's not to say I don't make a point of checking everything with their name on it though :) - Original Message - From: James Bucknell [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, January 14, 2003 9:30 AM Subject: Re: (313) blaze not an album, but a e.p. black rascals 'keeping my mind' on sumo. one of the great deep house tracks. i've always thought it weird that blaze has become popular in the last few years when their production in the last five years or so seems but a mere shadow of their early work. but i guess that's just my personal taste. james
Re: (313) My Culture..My Music...
Post all your unwanted records to me. I am superficial as f**k like that. Coming from the UK, my parents only ever owned Kenny Rogers records, so I need all the help I can get. Thanks. I guess its time to take those Leroy Burgess and Patrick Adams records I have down to Record Time, and trade them in for some Lynyrd Skynyrd and Whitesnake records. You know. For some stuff I can feel.
Re: (313) ron hardy track id
Whats wrong with lemon.. I got a couple of nice mixes of that... Never played that one tho.. Also what was that dub mix of stevie wondr he played... Never heard that version before p Yep Dan the man, I'll be down at 'Plastic People' tomorrow night for Moodyman with the rest of the 'superficial' gang dude! ;o) Ken, and Dan if that's Mr. Butler, I didn't see either of you? What a night, especially after it cleared out a bit and he wasn't playing that awful U2 remix. I didn't get my groove on till, what I have since learned was, All Over Your Face by Ronnie Dyson got dropped. Later, when he dropped Sparkle Disco Madness followed by Rare Essence Disco Fever... Woohoo! Then I was jumping and screaming to Jazz Is The Teacher. Dunno what the record Placid is asking about was, but it was evil. I intend to go out a lot more this year :)
Re: (313) blaze
Am I the only one that loves the Herbert remix of Fantasy on Playhouse?? Blaze is the sh*t, m* - Original Message - From: Jonny McIntosh [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, January 13, 2003 7:22 AM Subject: Re: (313) blaze Keeping My Mind is record number one on my wants list. I agree, it's strange Blaze have become popular now that they're not quite as on it as they were. Still, they come out with some quality cuts, and I think Natural Blaze was their best album. I don't have much to add to the recommendations, of early stuff my favourite's Sometimes Love by Jerry Edwards on Easy St. I don't know why this wasn't on either of those Pure Blaze compilations?! If You Should Need A Friend and Reaching stand out from then, too. They really got going in the period up to '94, I'd say, with the stuff on Sumo, Polar etc. Mid Nineties stuff like Debbie Pender, with those organ basslines, helped define that UK garage sound (for better or for worse), and Moonwalk is perhaps my favourite Blaze record ever. It'll be tracks like these they'll be remembered for, I imagine, rather than the likes of Star Suite. I think innovative house probably largely lies elsewhere these days. That's not to say I don't make a point of checking everything with their name on it though :) - Original Message - From: James Bucknell [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, January 14, 2003 9:30 AM Subject: Re: (313) blaze not an album, but a e.p. black rascals 'keeping my mind' on sumo. one of the great deep house tracks. i've always thought it weird that blaze has become popular in the last few years when their production in the last five years or so seems but a mere shadow of their early work. but i guess that's just my personal taste. james
RE: (313) blaze
That's s true! Wibo Blaze-Fan :) -Original Message- Mark S. Krüx wrote: Blaze is the sh*t, m*
Re: (313) blaze
Blaze mix of flightt let's get jazzy, lovely dae on simplex and moonwalk are my favorites Oooozing class... Placid -- http://www.acid-house.net Everything you wanted to know about acid house That's s true! Wibo Blaze-Fan :) -Original Message- Mark S. Krüx wrote: Blaze is the sh*t, m*
Re: (313) ron hardy track id
Wow - yeah. Techno really got me there I guess - I'm at a total loss for words. Attention 313 list members! Do not attempt to debate anything with techno - he's a wordsmith of the highest order and will out-debate anyone with his complete mastery of the art of confusion. Now *that* was probably uncalled for moving on MEK Fred Heutte [EMAIL PROTECTED]To: 313@hyperreal.org ta.com cc: Subject: Re: (313) ron hardy track id 01/12/03 09:31 PM This has to be one of the most tedious and self-centered threads on this list in quite a while, and we've had our history of those. Concerning MEK, who can certainly defend himself well indeed, I would only note that Mr. techno who accuses everyone else of misreading what he has written clearly didn't bother to discern what Michael actually said. So isn't it time to move on, already? As a non-African American who grew up with soul music, and that was 40 years ago, I suggest we simply acknowledge that Ron Hardy was a genius, the rebirth of interest in 1980s music isn't all just about retro-glamor, and DHP is one of the true gems on the Internet because it can teach us all some history, including those of us who lived through those times but weren't lucky enough to be in Chicago or Detroit in 1985. As for soul music, I was reminded yet again of its true greatness when I was sitting in a Starbucks in downtown DC on Friday (not because I like Starbucks but because I was doing some work-related email while traveling and they all have wireless access points now). And the store music system was playing a string of just classic soul from Marvin Gaye, Dionne Warwick, Otis Redding, you name it. Maybe not some of the rawer stuff we used to buy at Waxie Maxie's (when there was just the one at 10th F), but still. phred (who bought Booker T the MGs' Time is Tight and Pink Floyd's Meddle album when they first came out and still has 'em both, which makes me older than some of your parents I guess) PS - hey stevepwats, referring to private email to support your point is one of the oldest and weakest rhetorical devices on the Internet. How's about we just let this all go now and MOVE ON. PPS - My friend Ramon Wells, who used to be the label boss at Eightball and now runs Dotdotdot Records and has been everywhere and done everything told me he went to a Billboard dance music convention one year. He goes into the panel on house music and stands up in the audience and says, house music is all disco!, and gets everyone all riled up, then he goes into the techno symposium and gets up and says, techno is all about house and causes pandemonium. His point, obviously, is that everything comes from somewhere, and if you know the history you know your own music and times that much better.
(313) Crazy New Mixing Methodolody....
http://www.htfr.com/more-info/?catno=MR65546 One word : WHY ??!?!!?! For those without web abilities heres the lowdown on this surreal product : A great little mixing aid that works like this - using a bpm counter, stopwatch or mixer with in-built bpm display you calculate the bpm of the record you are currently playing. Then you calculate the bpm of the record you wish to mix in. Simply find both bpm's on the chart and it will tell you exactly how much plus or minus pitch correction you need on your deck to create the perfect mix. -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
Re: (313) Another Freep Article (was DEMF 2003 is on...)
http://www.freep.com/entertainment/music/detmus12_20030112.htm This one is on the Techno Exhibit.Cheers! From: "::\)" <[EMAIL PROTECTED]> To: 313@hyperreal.org,"Klaas-Jan Jongsma" <[EMAIL PROTECTED]> Subject: Re: (313) DEMF 2003 is on... Date: Mon, 13 Jan 2003 02:19:39 -0500 yes that was posted by doris yesterday :) yay for detroit! -Joe - Original Message - From: "Klaas-Jan Jongsma" <[EMAIL PROTECTED]> To: 313@hyperreal.org Sent: Monday, January 13, 2003 2:09 AM Subject: (313) DEMF 2003 is on... http://www.freep.com/entertainment/music/demf11_20030111.htm -- [EMAIL PROTECTED] Protect your PC - Click here for McAfee.com VirusScan Online
Re: (313) final scratch on mac!
On Sun, 12 Jan 2003, James Bucknell wrote: francois k played sydney last night using a titatium powerbook and two turntables. looks like final scratch has been ported for mac osx! so, anybody want to buy a few thousand classic chicago/detroit/new york house and techno records? you've burned that many? lks
RE: (313) final scratch recording?
Now if they would just add some recording functionality, it would be a perfect system. Sux you have to have an additional recording device just to record yourself. It'd be nice if something like soundforge was built into this app. Anyone know anything about possible upgrades??
Re: (313) final scratch recording?
with the coming traktor integration, that may happen at the same time since you can already record w/ traktor. - Original Message - From: Darren Longton (Marketing) [EMAIL PROTECTED] To: Lester Kenyatta Spence [EMAIL PROTECTED]; 313@hyperreal.org Sent: Monday, January 13, 2003 11:04 AM Subject: RE: (313) final scratch recording? Now if they would just add some recording functionality, it would be a perfect system. Sux you have to have an additional recording device just to record yourself. It'd be nice if something like soundforge was built into this app. Anyone know anything about possible upgrades??
