Re: (313) Old Derrick May interview
as a side note, it didn't half wind me up that interview. I mean, it was a great interview, but some of the stuff he comes out with.! How come?
(313) DJ Assualt
DJ ASSUALT ON RADIO 1 NOW Now being 12:55 am (GMT) www.bbc.co.uk/radio1 word! Max (((--AMP-ART--))) sooon
(313) Deutsche, helfen mir bitte!
Here's a good one for the german speakers -- what the fick does 'pluckernder' mean? I can't find it in any German dictionaries on line; it seems to be an adjective that only occurs in recently written record reviews. Now I know how you must feel decoding slangy English record reviews!
RE: (313) paxahau/kompakt
i had fun. very good music and sound. still recovering, didn't stop twitching until 8 am sunday. greg's party on friday started it all, then paxahau made my tired ass get up and party all nite long (again). unforgettable! a few pics on dluv soon... ani : : -Original Message- : : From: atomly [mailto:[EMAIL PROTECTED] : : Sent: Monday, September 29, 2003 1:53 PM : : To: 313@hyperreal.org : : Subject: (313) paxahau/kompakt : : : : : : I'm pretty damn surprised nobody's been talking about this. The : : Paxaahau Five Year Kompakt Party (Three Parties in One!) totally went : : off in Detroit last weekend. Haven't raved (yes, I raved) like that in : : years. : : : : -- : : :: atomly :: : : : : [ [EMAIL PROTECTED] : www.atomly.com ... : : [ atomiq records : po box 805319 chicago il 60680 : 312.804.5389 ... : : [ e-mail [EMAIL PROTECTED] for atomly info and : : updates ... : : : :
Re: (313) Theo Parrish Track ID
can't help with the track id, sorry I got my ugly edit 5 yesterday. He made the Dells sound trippy! but, is that not the Fatback Band on there? (A1). Unsure of what B1 is oh, and that Nubian Mindz on Irma is nice. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) Deutsche, helfen mir bitte!
- Original Message - From: Kent williams [EMAIL PROTECTED] To: 313 list 313@hyperreal.org Sent: Tuesday, September 30, 2003 4:12 AM Subject: (313) Deutsche, helfen mir bitte! Here's a good one for the german speakers -- what the fick does 'pluckernder' mean? It means guitarist. ;) Buh doomp boom. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) Dub
Just thought this could interest some people here : a text about the origins of dub posted by A.S. Van Dorston [EMAIL PROTECTED] on the The Wire mailing-list. Gwendal The roots of dub can be traced all the way back to the late forties, when sound systems first appeared in Jamaica. Young deejays would play rb imports from the U.S. on a setup of an amplifier, massive homemade speakers and a turntable. Sound systems became more prominent when Jamaica was emancipated from Britain in 1962. The best sound systems had deejays who could introduce the songs and coax the dancers using the latest jive. U. Roy became the biggest star, deejaying for Clement Sir Coxsone Dodd's Downbeat, and then King Tubby's Hometown Hi-Fi. As American rb was replaced by rock roll, deejays played more and more homegrown records. The two-track recordings reserved the B-side of the record to test sound levels. The instrumental B-side, or the version, became popular with deejays like U. Roy who had the freedom to toast throughout the record without competing with recorded vocals. Duke Reid, a sound system selector who branched into recording at his Treasure Isle Studios, began making specials in 1969, using U.Roy's voice-overs. In experimenting with the versions and specials, Reid's studio engineer, King Tubby, began making versions of songs in which the vocals dropped in and out amongst a cacophony of echo, reverb and heavy, heavy bass. The first dubs were You Don't Care by the Techniques, and songs by the Melodians and Phyllis Dillon. While Lee Scratch Perry insists that he invented dub first, there is no recorded evidence to prove it. However, his dubs of Bob Marley the Wailers from 1970 (Soul Revolution Vol. 1 2, Trojan) indicate that he developed the technique almost concurrently with King Tubby. Perry represented a more mystical aspect of dub. He produced a kaleidoscopic variety of eerie sound effects, explaning that they were the ghosts in me coming out. Indeed, dub is rooted in the word dup, which is Jamaican patois for ghost. Perry suggests that dub is not only a doubling of sounds, but of one's soul from the spirit-world into the tehnological world. For more information, see Dick Hebdige, Cut 'n' Mix (1987) and S.H. Fernando Jr., The New Beats (1994).
RE: (313) paxahau/kompakt
I was at that beach party and couldn't stop dancing even when I was sparked out lying on my back in the sand. Big Up Kompakt! -Original Message- From: Grammenos, Peter [mailto:[EMAIL PROTECTED] Sent: Monday, September 29, 2003 6:17 PM To: 'Dennis Donohue'; 313@hyperreal.org Subject: RE: (313) paxahau/kompakt They also had a 5 yr anniversary party in barcelona, on the beach though, with surprisingly good sound, from sunrise to sunset and back again to sunrise ... - # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) Mixes on line....
mxf8 midi crossfader eh? sounds interesting... wish the http://www.grexultra.com/ site said more robin... - -Original Message- - From: Martin [mailto:[EMAIL PROTECTED] - Sent: 30 September 2003 10:06 - To: 313 - Subject: (313) Mixes on line - - - Morning 3 and 1/3rders... - - Couple of mixes in line for you with more to follow this week... - - Paula Temple - Detroit, Chicago, Berlin, Sheffield, London these are cities - synonymous - with the new sounds of the past. Bradford? It doesn't quite - have the same - cache, yet it is Bradford that will forever be linked with the next - generation of sound. Paula Temple puts Bradford and herself - into in the - future... - - I've All-Ways Hated This City - Mixed by The Dust Boys, this was designed to be listened to - before you head - out to a club or for when you are on the way there in car... - en-joy. Just - before Peak Hour, get the picture! - http://www.littledetroit.net/Downloads/index.html Enjoy - radio station to follow next week Martin Dust
Re: (313) Dub
speaking about dub..rhythm sound burial mixes are now available on the cd. news from boomkat: ALBUM OF THE WEEK! RHYTHM SOUND The Versions Burial Mix CD // £ 11.99 This second breathtaking CD leaves out the vocal accompaniment and exposes the terryfingly deep Basic Channel production as it drifts off into instrumental effervescance. Look back at our archive of reviews for releases on the Burial Mix label and you'll probably realise that we've always had a reverential approach to what these people do. The credentials are all there : the godlike production talents of mark ernestus and moritz von oswald have already set the world ablaze once, twice, three, four times with the seminal work as Basic Channel and the splintering into microscopic, heavyweight offshoots by way of the M series (Maurizio on proud display), Main Street (Chicago rhythms floating into dub), Chain Reaction (reduced, spacious techno blueprints), Rhythm and Sound (largely instrumental dub coloured mountains of space) and, of course, Burial Mix (vocalists brought forth, reggae re-invented). It's hard to over-emphasise just how important this music has been to us personally over the last 10 years and, for that matter, just how substantial the impact of the Basic Channel model has been on everything that has taken place in electronic music since. Following the convention of vinyl precedence, each of these labels has offered a catalogue up on record (in this case 10 releases) before compiling the music onto one cd. This is, in fact, the second Burial Mix compilation, the first showcase concentrating on the label's collaborations with Paul St Hilaire, aka Tikiman, for its opening set of releases. This second installment divides itself into Vocal and Instrumental Versions (the Vocal tracks are collected seperately on a second cd), displaying the last seven releases in their entirety, plus the upcoming Mash Down Babylon (a new take on the awesome, rare as hell March Down Babylon), and features a quite simply breathtaking collection of tracks that in their time have all been singles of the week for us here. Just thinking of the majestic exuberance of King in My Empire, or the breathtaking midnight spaciousness of Making Histroy brings goosebumps to this already seasoned listener, and that's just an opening gambit. There's no room for mistake or argument - we have been waiting for these two releases for a long long time, it really doesn't get any better. Absolutely essential. - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, September 30, 2003 10:34 Subject: Re: (313) Dub If you're into this, there's a free 4 hr dvd with one of the studio one compilations on soul jazz that you just have to get! it's ace. and it's here.. http://www.souljazzrecords.co.uk/s1story.htm bargain. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) Dub
RHYTHM SOUND The Versions Burial Mix , I like 'the channel'. that vainqueur/tikiman 12 reminds me of them too _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
(313) sydney in october
hi all, i'll be in sydney (Australia) from october 10th to the end of october, can anyone point me in the direction of any decent club nights/interesting stuff that i should check out? any help greatly appreciated, robin...
Re: (313) Mixes on line....
There only one of them at the moment and Paula has it I believe - I'll see if I can get some more info... md 30/9/03 8:48 AM [EMAIL PROTECTED] mxf8 midi crossfader eh? sounds interesting... wish the http://www.grexultra.com/ site said more robin... - -Original Message- - From: Martin [mailto:[EMAIL PROTECTED] - Sent: 30 September 2003 10:06 - To: 313 - Subject: (313) Mixes on line - - - Morning 3 and 1/3rders... - - Couple of mixes in line for you with more to follow this week... - - Paula Temple - Detroit, Chicago, Berlin, Sheffield, London these are cities - synonymous - with the new sounds of the past. Bradford? It doesn't quite - have the same - cache, yet it is Bradford that will forever be linked with the next - generation of sound. Paula Temple puts Bradford and herself - into in the - future... - - I've All-Ways Hated This City - Mixed by The Dust Boys, this was designed to be listened to - before you head - out to a club or for when you are on the way there in car... - en-joy. Just - before Peak Hour, get the picture! - http://www.littledetroit.net/Downloads/index.html Enjoy - radio station to follow next week Martin Dust
(313) ?
my mate passed me this. what's it all about? is it aril brikha? http://www.threetracks.com/main.jsp ? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) sydney in october
robin wrote: hi all, i'll be in sydney (Australia) from october 10th to the end of october, can anyone point me in the direction of any decent club nights/interesting stuff that i should check out? any help greatly appreciated, robin... www.residentadvisor.com.au Regards, Ramon Crespo
RE: (313) Dub
Very vry interesting and intriguing. One bit jars though: Indeed, dub is rooted in the word dup, which is Jamaican patois for ghost. I'm not denying the meaning or existence of the patois word 'dup' (I've heard a word which seems to derive from it, 'duppy'). But I always thought the term 'Dub' as applied to reggae and eventually to any remixed 'version' of a popular music track/song, came from the term 'dub' which is simply another word for recording, especially making a copy of an existing recording. k
RE: (313) Dub
yeah, words like overdubs for example... I always though it was a derivation of duplication, because you were adding a second track ; this being said, it might be the Jamaican origin... or both words have a common and very ancient origin, with always that idea of having things in double, body ghost, track 1 track 2... any linguist on this list ? Gwendal -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 30, 2003 3:43 PM To: Cobert, Gwendal; 313@hyperreal.org Subject: RE: (313) Dub Very vry interesting and intriguing. One bit jars though: Indeed, dub is rooted in the word dup, which is Jamaican patois for ghost. I'm not denying the meaning or existence of the patois word 'dup' (I've heard a word which seems to derive from it, 'duppy'). But I always thought the term 'Dub' as applied to reggae and eventually to any remixed 'version' of a popular music track/song, came from the term 'dub' which is simply another word for recording, especially making a copy of an existing recording. k
Re: (313) Dub
The meaning in Reggae came from this: to furnish (a film or tape) with a new sound track, as one recorded in the language of the country of import. martin 30/9/03 1:48 PM Cobert, [EMAIL PROTECTED] yeah, words like overdubs for example... I always though it was a derivation of duplication, because you were adding a second track ; this being said, it might be the Jamaican origin... or both words have a common and very ancient origin, with always that idea of having things in double, body ghost, track 1 track 2... any linguist on this list ? Gwendal -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 30, 2003 3:43 PM To: Cobert, Gwendal; 313@hyperreal.org Subject: RE: (313) Dub Very vry interesting and intriguing. One bit jars though: Indeed, dub is rooted in the word dup, which is Jamaican patois for ghost. I'm not denying the meaning or existence of the patois word 'dup' (I've heard a word which seems to derive from it, 'duppy'). But I always thought the term 'Dub' as applied to reggae and eventually to any remixed 'version' of a popular music track/song, came from the term 'dub' which is simply another word for recording, especially making a copy of an existing recording. k
RE: (313) Dub
Dub is short for double, no? ie copy/transfer? I work in television and the word dub is used to describe any copy of a master tape. Dub also means to strike/hit with a sword - ie The Queens does it when she knights people. There will a plethora of varying etymologies of the word cos it is a very simple 3 letter word with many possible origins. -Original Message- From: Martin [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 30, 2003 2:48 PM To: Cobert, Gwendal; 313@hyperreal.org Subject: Re: (313) Dub The meaning in Reggae came from this: to furnish (a film or tape) with a new sound track, as one recorded in the language of the country of import. martin 30/9/03 1:48 PM Cobert, [EMAIL PROTECTED] yeah, words like overdubs for example... I always though it was a derivation of duplication, because you were adding a second track ; this being said, it might be the Jamaican origin... or both words have a common and very ancient origin, with always that idea of having things in double, body ghost, track 1 track 2... any linguist on this list ? Gwendal -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 30, 2003 3:43 PM To: Cobert, Gwendal; 313@hyperreal.org Subject: RE: (313) Dub Very vry interesting and intriguing. One bit jars though: Indeed, dub is rooted in the word dup, which is Jamaican patois for ghost. I'm not denying the meaning or existence of the patois word 'dup' (I've heard a word which seems to derive from it, 'duppy'). But I always thought the term 'Dub' as applied to reggae and eventually to any remixed 'version' of a popular music track/song, came from the term 'dub' which is simply another word for recording, especially making a copy of an existing recording. k # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) Dub
Duppy is ghosts or practice of voodoo. Listen to Bob Marley's Duppy Conquerer to get the picture. Dub is not related to Dup(ppy) afaik. Rav -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: 30 September 2003 14:43 To: Cobert, Gwendal; 313@hyperreal.org Subject: RE: (313) Dub Very vry interesting and intriguing. One bit jars though: Indeed, dub is rooted in the word dup, which is Jamaican patois for ghost. I'm not denying the meaning or existence of the patois word 'dup' (I've heard a word which seems to derive from it, 'duppy'). But I always thought the term 'Dub' as applied to reggae and eventually to any remixed 'version' of a popular music track/song, came from the term 'dub' which is simply another word for recording, especially making a copy of an existing recording. k
RE: (313) Dub
Duppy is ghosts or practice of voodoo. Listen to Bob Marley's Duppy Conquerer to get the picture. Dub is not related to Dup(ppy) afaik. Rav Why not? Have you been paying attention?!?!? ;-) From what the learned people have said in the last few minutes it would appear that the two words *are* related! k
Re: RE: (313) Dub
On the origin of the word dub - as with almost all accounts of the labyrinthine Jamaican music industry, there are many often conflicting explanations of a particular phenomenon. However, my guess is that the word 'dub/duppy' as used in patois has an origin that predates recording technology and is related to practice of the Obeah men - shamanistic individuals associated with witchcraft/evil spirits etc. The similarity to the recording technology use of the word may be purely coincidental. Martin - what is the source of your definition? As for the piece of writing we are discussing, it was OK, but as far as I'm aware the practice of making versions of tracks predates 1969 by quite a few years to the ska era, and there were certainly toasting deejays before U Roy, such as King Stitt and others, though obviusly U Roy was the Don in many respects. Also I wasn't aware of a particular Duke Reid - Tubbys association that gave birth to the thing we recognise as a dubwise version of a tune -complete with echos + dropping in and out of different instruments. For one thing I believe most studios in the late sixties were still recording using equipment with one or two tracks, which makes dropping different instruments out of the mix rather hard. For a more informed opinion than mine (which isn't saying much) check out Dave Katz's excellent biography of Lee Perry - 'People Funny Boy'. Alternatively, Lloyd Bradley's 'Bass Culture' is also a good read, covering the sweep of Jamaican music from the late fifties onwards with some enthralling accounts of legendary UK soundclashes between Shaka and others. Dan. You wrote: Duppy is ghosts or practice of voodoo. Listen to Bob Marley's Duppy Conquerer to get the picture. Dub is not related to Dup(ppy) afaik. Rav Why not? Have you been paying attention?!?!? ;-) From what the learned people have said in the last few minutes it would appear that the two words *are* related! k
Re: RE: (313) Dub
such as King Stitt that studio one dvd points to stitt being the first dj too (who, incidentally, has the maddest gob I've ever seen) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) Dub
such as King Stitt that studio one dvd points to stitt being the first dj too (who, incidentally, has the maddest gob I've ever seen) no kidding(see http://www.geocities.com/studiowon/KingStitt.htm) see this http://www.trinity.unimelb.edu.au/~mwilliam/bj/skareggae/kingstitt.php for an interesting little interview robin...
RE: (313) ?
Yeah it is... maybe a new label? I also noticed this item on eBay today and it's the same track: aha! thats probably where my mate got the link.. so, anyone know anymore? anything forthcoming? 100 copies! thats some ltd business eh? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
AW: (313) ?
at least the about brikha box says aril brikha :) my mate passed me this. what's it all about? is it aril brikha? http://www.threetracks.com/main.jsp ? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) ?
Well I guess from the site it will be released on the 3rd of October... I would assume that the one on eBay is a promo, unless 3 tracks are going to do a Peacefrog and knock out a limited press... I really like the Brikha track, great sound! -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 30 September 2003 16:26 To: 313@hyperreal.org Subject: RE: (313) ? Yeah it is... maybe a new label? I also noticed this item on eBay today and it's the same track: aha! thats probably where my mate got the link.. so, anyone know anymore? anything forthcoming? 100 copies! thats some ltd business eh? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
(313) road trip
Next summer I will have my first paid vacation time ever and I would like to make the cross-country road trip I never took in college. Maybe I'll be able to hit Detroit, but where else should I try and go as a techno fan? -- unsigned short int to_yer_mama; Matthew Kane : Driver Developer : Atlantek, Inc. [EMAIL PROTECTED] || [EMAIL PROTECTED]
Re: (313) road trip
Tokyo, Berlin, and Glasgow ;) MEK Matthew Kane [EMAIL PROTECTED]To: 313@hyperreal.org cc: 09/30/03 10:43 AMSubject: (313) road trip Next summer I will have my first paid vacation time ever and I would like to make the cross-country road trip I never took in college. Maybe I'll be able to hit Detroit, but where else should I try and go as a techno fan? -- unsigned short int to_yer_mama; Matthew Kane : Driver Developer : Atlantek, Inc. [EMAIL PROTECTED] || [EMAIL PROTECTED]
Re: (313) road trip
Detroit is probably the best for record shopping, and parties, and hanging with the local 313'ers. NYC would be my close second. San Francisco is a great music town, but good techno in clubs is thin on the ground. New York City is the one place you can go and stay for a week and be sure that there will be 4 or 5 musical events you'd wait years to see anywhere else. Detroit, for seeing DJs, you need to plan your trip around events you know will be happening. Of course you could plan your roadtrip around Memorial Day and be totally sorted. On Tue, 30 Sep 2003, Matthew Kane wrote: Next summer I will have my first paid vacation time ever and I would like to make the cross-country road trip I never took in college. Maybe I'll be able to hit Detroit, but where else should I try and go as a techno fan?
Re: (313) road trip
Be smart and do what the Detroit nerds do, spend memorial weekend in Detroit and thanhead to Montreal for Mutek. Those two combined typically can't be beat. Detroit is probably the best for record shopping, and parties, and hanging with the local 313'ers. NYC would be my close second. San Francisco is a great music town, but good techno in clubs is thin on the ground. New York City is the one place you can go and stay for a week and be sure that there will be 4 or 5 musical events you'd wait years to see anywhere else. Detroit, for seeing DJs, you need to plan your trip around events you know will be happening. Of course you could plan your roadtrip around Memorial Day and be totally sorted. On Tue, 30 Sep 2003, Matthew Kane wrote: Next summer I will have my first paid vacation time ever and I would like to make the cross-country road trip I never took in college. Maybe I'll be able to hit Detroit, but where else should I try and go as a techno fan? -- Allen Goodman [EMAIL PROTECTED] http://www.fksche.com
Re: (313) Deutsche, helfen mir bitte!
kent williams wrote: Here's a good one for the german speakers -- what the fick does 'pluckernder' mean? I can't find it in any German dictionaries on line; it seems to be an adjective that only occurs in recently written record reviews. hmm, tough one :-) this word exists only in colloquial language, it is (at least a little bit) onomatopoeic and describes a sound. i don't know if there is an equivalent in english language...? 'pluckernd' might sound like a slightly bubbling cooking liquid in a big receptacle but it doesn't sound muffled, it's a more clear sound... 'pluckernd' will more likely create a soundscape or something that bubbles steadily, rather than a distinctive rhythm. ... does that make sense? note: this is my personal imagination of 'pluckernd' music. other german native speakers *might* want to argue about the exact description of 'pluckernd' ;-) ines -- http://www.circonium.de
(313) OT stylus question
Hello I seem to remember someone recommending an international stylus mail order shop that stocked vintage styli but I foolishly forgot to store the relevant email - could someone please remind me? Thanks a lot Dan.
(313) DEAF2,03
may have been mentioned before, but surprisingly I didn't see it.. http://www.deafireland.com/events/events_detail.asp?event_date=26/10/200 3 rob hood live, scion live, mark broom live, tikiman live, dj bone, all in Dublin.. btw, first post, been lurking forever on the digest.. cheers :) take care /. kcAustin /. www.wddg.com /. www.bzor.com
Re: (313) road trip
MKB - if you're making it a cross-country excursion, from here you could go to Vancouver, perhaps then stopping in Seattle on your way down to San Fran where you'd need to go to Amoeba records. lisa Allen Goodman wrote: Be smart and do what the Detroit nerds do, spend memorial weekend in Detroit and thanhead to Montreal for Mutek. Those two combined typically can't be beat. Detroit is probably the best for record shopping, and parties, and hanging with the local 313'ers. NYC would be my close second. San Francisco is a great music town, but good techno in clubs is thin on the ground. New York City is the one place you can go and stay for a week and be sure that there will be 4 or 5 musical events you'd wait years to see anywhere else. Detroit, for seeing DJs, you need to plan your trip around events you know will be happening. Of course you could plan your roadtrip around Memorial Day and be totally sorted. On Tue, 30 Sep 2003, Matthew Kane wrote: Next summer I will have my first paid vacation time ever and I would like to make the cross-country road trip I never took in college. Maybe I'll be able to hit Detroit, but where else should I try and go as a techno fan?
Re: AW: (313) ?
oh man that track simplicity is HOT!! nice subtle site design too, props on both audio and visual. On Tuesday, September 30, 2003, at 10:31 AM, Ronny Pries wrote: at least the about brikha box says aril brikha :) my mate passed me this. what's it all about? is it aril brikha? http://www.threetracks.com/main.jsp
Re: (313) ?
- Original Message - From: Ronny Pries [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, September 30, 2003 4:31 PM Subject: AW: (313) ? at least the about brikha box says aril brikha :) The Brikha was really nice for sure! The other two didn't do so much for me. Rollercone's done some nice stuff with 5 Star Galaxy as well. A bit dissapointing that. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) ?
I swear i've heard that track before - the whole thing about what your name is and how the lady goes off dropping names trying to get past the rope burn - etc. This is supposed to be a new track right? has it been floating around as a white label for a while because I'm pretty sure I've heard it played out MEK Phonopsia [EMAIL PROTECTED]To: [EMAIL PROTECTED], 313@hyperreal.org sia.co.uk cc: Subject: Re: (313) ? 09/30/03 03:58 PM - Original Message - From: Ronny Pries [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, September 30, 2003 4:31 PM Subject: AW: (313) ? at least the about brikha box says aril brikha :) The Brikha was really nice for sure! The other two didn't do so much for me. Rollercone's done some nice stuff with 5 Star Galaxy as well. A bit dissapointing that. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
RE: (313) Dub
My understanding was that 'dub' came from 'double'. Check this out - a (somewhat incomplete) article I wrote about the history of the remix. It has some stuff about dub and stuff in there: http://www.inthemix.com.au/p/np/viewnews.php?id=11806 -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Wednesday, 1 October 2003 12:56 AM To: Martin; Cobert, Gwendal; 313@hyperreal.org Subject: RE: (313) Dub Dub is short for double, no? ie copy/transfer? I work in television and the word dub is used to describe any copy of a master tape. Dub also means to strike/hit with a sword - ie The Queens does it when she knights people. There will a plethora of varying etymologies of the word cos it is a very simple 3 letter word with many possible origins. -Original Message- From: Martin [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 30, 2003 2:48 PM To: Cobert, Gwendal; 313@hyperreal.org Subject: Re: (313) Dub The meaning in Reggae came from this: to furnish (a film or tape) with a new sound track, as one recorded in the language of the country of import. martin 30/9/03 1:48 PM Cobert, [EMAIL PROTECTED] yeah, words like overdubs for example... I always though it was a derivation of duplication, because you were adding a second track ; this being said, it might be the Jamaican origin... or both words have a common and very ancient origin, with always that idea of having things in double, body ghost, track 1 track 2... any linguist on this list ? Gwendal -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 30, 2003 3:43 PM To: Cobert, Gwendal; 313@hyperreal.org Subject: RE: (313) Dub Very vry interesting and intriguing. One bit jars though: Indeed, dub is rooted in the word dup, which is Jamaican patois for ghost. I'm not denying the meaning or existence of the patois word 'dup' (I've heard a word which seems to derive from it, 'duppy'). But I always thought the term 'Dub' as applied to reggae and eventually to any remixed 'version' of a popular music track/song, came from the term 'dub' which is simply another word for recording, especially making a copy of an existing recording. k # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. # -- NOTICE: If received in error, please destroy and notify sender. Sender does not waive confidentiality or privilege, and use is prohibited.
