Re: (313) Deep Space Radio 1994
On Sep 15, 2004, at 6:40 PM, Ian Malbon wrote: Cobotron - R9 - Enter (Fantasy) Ah yes. The cybernetic being large enough to house an entire autoshow. ha... a freudian typo. "Sync step to cars, R9." god do i need a beer -- Matt MacQueen http://SonicSunset.com
Re: (313) Deep Space Radio 1994
On Sep 15, 2004, at 7:34 PM, Matt MacQueen wrote: Cobotron - R9 - Enter (Fantasy) Ah yes. The cybernetic being large enough to house an entire autoshow. -- Ian
Re: (313) Deep Space Radio 1994
On Sep 15, 2004, at 10:16 AM, [EMAIL PROTECTED] wrote: OK kids, lets have it organised. Only post the entire thing or something yes sir! 11.06.1994 - segment A, a first pass Danny Wang - Like Some Dream I can't stop dreaming - look ma no drum machine - (Balihu) Dajae - U Got Me Up - sorry dunno which mix, there were many (Cajual) Fresh Tunes #1 - Do you know what i mean (Fresh Fruit first, then Strictly Rhythm) Cajmere feat. Dajae - Brighter Days - either on Cajual, or Natural ? Black Box - Strike it Up Sade - Pearls - bootleg remix... (has a silver label w/ no info) ? ? - some track that samples "get da hoe" & Chip E's "it's house" ? Cobotron - R9 - Enter (Fantasy) ? house track that samples Farley's 'Love Can't Turn Around'
Re: (313) Juan Atkins officially awarded for the 'International achievment'
ok- i was keepin quiet, but this is a f**king travesty. what has juan done besides make some special records 20 YEARS AGO!!! derrick and kevin deserve this award, because they've put their time, energy and $$$ into making the Detroit festival happen. but no matter what they do, they'll forever be tied to juan- the man who couldn't even make his DEMF gig (and hundreds of other gigs) The man who as recently as this summer blew off throwing the opening pitch at a tigers game and i believe skipped the Metro times Motor City Music Awards after they flew him to Detroit to recieve a lifetime achievement award. Sure, the guy made some influential records. So friggin what. If I were Derrick or Kevin, i'd be disgusted, that after all their recent efforts, they still have to share the spotlight with a person who has done nothing to benifit the city in the past decade. All because some European idiots with too much time on thier hands and a collection of ancient texhno wax felt that made them experts on Detroit civics. friggin shame On Wed, 15 Sep 2004 [EMAIL PROTECTED] wrote: > Yeah! Well done! > > MEK > >
(313) Mills/Garnier on BBC R1 now!
realaudio, listen live http://www.bbc.co.uk/radio1/realaudio/media/r1live.rpm this archive stream will be up sometime Thursday http://www.bbc.co.uk/radio/aod/rpms/peel_wed.rpm It started with the Detroit sounds of Jackson 5, now it's Mills playing some silky house and Good Life. (Inner City, not Penelope Keith) carl morris Plug Two http://www.plugtwo.com t +442920190151
(313) Subsystence: Volume 3 Online
Apologies for the spam...thought some of you may be interested: Released last week, another packed installment of Chicago-based web magazine Subsystence is now online @ http://www.subsystence.net Volume 3: Influence features a new design by Brian Boland of Newgun; 8 unreleased tracks in the (free!) Downloads section from artists such as Archetype, Common Factor, and Kate Simko; 2 photography galleries from Chicago-based artist Brian Ulrich and Polaroid-aficionado Lara Adler; a photo-essay from London resident and immunologist Alun Kirby; water poetry from Subsystence Co-Editor Jes Davis; a call-and-response piece from Israel Vines; reviews of new work by Michael Mann and David Mamet; a packed local events calendar; and more. As always, our previous issues will continue to be archived in the upper-right hand corner of the page, so feel free to flip back to Volume 1 and 2 if you haven't had the chance to check those out yet. Thanks for reading! Ken -- ken meier [EMAIL PROTECTED] interrupt-media.com subsystence.net
Re: (313) australian delsin comp
06. Dynarec - ?Concentrated Universe?: one of the better-produced tracks though little messy. The intro goes for about ten seconds and then fades out and in again for no apparent reason. LOL! what can you expect from someone who wrote this: "Nick Taylor is no stranger to the Melbourne dancefloor. A recurring favourite with Melbourne promoters and punters alike, Nicks? ass shaking disco-fuelled sets are renowned for their originality and pure funk..." MEK "Thomas D. Cox, Jr." To: <313@hyperreal.org> <[EMAIL PROTECTED]cc: h.com> Subject: Re: (313) australian delsin comp 09/15/2004 03:47 PM Please respond to death -- Original Message -- From: "Marsel // Nomorewords.net" <[EMAIL PROTECTED]> >for those interested > >there's a delsin compilation cd, for the australian market > >just found a wonderful review > >http://www.inthemix.com.au/reviews/music/17442/#comments HAHAHAHAHAHAHAHA. getting dissed by morons is even better than getting compliments from people in the know, IMO. tom andythepooh.com
Re: (313) DJ MIXER: what would be your choice (personal plug)
and the faders have the type of knobs that are better suited for recording studio set up (multitrack mixing) as opposed to live DJing. MEK "matt kane's brain" To: [EMAIL PROTECTED], 313@hyperreal.org <[EMAIL PROTECTED]> cc: Subject: Re: (313) DJ MIXER: what would be your choice (personal plug) 09/15/2004 02:48 PM At 03:40 PM 9/15/2004, [EMAIL PROTECTED] wrote: >In my eyes, the best mixer in the world is done by RODEC yes, unfortunately they do not have a US distributor -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || [EMAIL PROTECTED]
(313) Food for your final scratch !
Hi all, a track for free... http://wildtek.free.fr/DimitriPike-WaitingAMovement.mp3 It's an electro track I ve recorded during Movement weekend 2004. It's a 'Thank You' track for Scan 7 and Techno Brings People Together. They have put my name in their thanks/help list and I was proud of that but sad to can't be in Detroit for Movement and TBPT. I hope next year it will be possible for me. If not...? I will record a complete album ;-) always free for your final scratch !!! All constructive critics/feedbacks are welcome and why not? If you want to remix it, contact me.
Re: (313) Deep Space Radio 1994
robin wrote on Wed, 15 Sep 2004 about following: We got something super special for ya on EmotionElectric.com today. We have a full editon of Deep Space Radio recorded in the Summer of 1994 featuring the Super Mix 6: Juan, Derrick, Kevin, Eddie, D. Wynn, & Al Ester. Hosts were Dre and Minx. Man are we chuffed with this. Big thanks to Ian Malbon and Matt MacQueen for this. This is some hot stuff! lots of familiar sounding tunes, plenty of familiar tunes which i remember from back in the day, lots of tracks "oh man this is something" which hasn't really happened me for years when i've heard something i haven't heard before. sakke -- System error?:: Success props to mozilla.org
(313) TP/Romanthony
> From: Matt MacQueen <[EMAIL PROTECTED]> > > no kidding. there are such things as killer gospel house tracks... > it's just that nobody plays them. I wonder, Kent, is he dropping > anything by Romanthony, the stuff like the Testify releleases on Black > Male are so thumpin. It was like a KDJ sound before KDJ, in a > way... TP is definitely the master of the gospel house jams. Matt, to answer your question, yes, he's playing some of the Romanthony stuff. Check his 3 downloadable mix sets page (though it seems the 3rd mix, which contains a Romanthony track, isnt' available): http://www.tpmusic.net/Test2/Mixes.htm My church actually had TP out this summer for one of our worship in the park events (along with Double Helix - Ypsilanti represent!) and it was off the hook. The man is really an amazing DJ, and an awesome Christian out there doing his thing, representing his faith in word and deed. peace, bvl -- http://www.chromedecay.org
Re: (313) australian delsin comp
-- Original Message -- From: "Marsel // Nomorewords.net" <[EMAIL PROTECTED]> >for those interested > >there's a delsin compilation cd, for the australian market > >just found a wonderful review > >http://www.inthemix.com.au/reviews/music/17442/#comments HAHAHAHAHAHAHAHA. getting dissed by morons is even better than getting compliments from people in the know, IMO. tom andythepooh.com
(313) australian delsin comp
for those interested there's a delsin compilation cd, for the australian market just found a wonderful review http://www.inthemix.com.au/reviews/music/17442/#comments
Re: (313) DJ MIXER: what would be your choice (personal plug)
> yes, unfortunately they do not have a US distributor Too bad ! I've a meeting time with them soon (end of the month), if maybe you are really interesting by their products perhaps I can ask them if any nice solution exist to provides you one of their equipement. ++ Dimitri Pike http://wildtek.free.fr http://groups.msn.com/313TechnoMusic
Re: (313) Dullards digital music Q
that's the standard "CD-quality" sampling rate. I believe you can record at 48khz with Sound Forge -- which is slightly better technially speaking, but you'd need to convert to 44.1khz to record to CD anyway. 44.1khz should sound fine on a big system, but this is just the inherent properties of the file - how many times the waveform is being sliced up per second. If your original material sounds like it was played through an AM radio that's 20 feet away from the microphone, it will sound like that no matter what sampling rate you use. Intelligent use of EQ, compression and effects will make a much more pronounced difference in its sound when played back at full tilt. - jobot - Original Message - From: [EMAIL PROTECTED] Date: Wednesday, September 15, 2004 7:17 am Subject: (313) Dullards digital music Q > Hi. > > Could someone help the kid at the back of the class with the > Dunce's hat > on? > > Digital music: > > My soundforge is set to record at "44,100 Hz 16 Bit Stereo" > (for a wav file) > > Is this OK? > Will it sound bad on a loud system? > > Thanks in advance, and sorry for the boring topic. > > Alex > > > > > _ > > - End of message text > > This e-mail is sent by the above named in their > individual, non-business capacity and is not on > behalf of PricewaterhouseCoopers. > > PricewaterhouseCoopers may monitor outgoing and incoming > e-mails and other telecommunications on its e-mail and > telecommunications systems. By replying to this e-mail you > give your consent to such monitoring > >
Re: (313) DJ MIXER: what would be your choice (personal plug)
At 03:40 PM 9/15/2004, [EMAIL PROTECTED] wrote: In my eyes, the best mixer in the world is done by RODEC yes, unfortunately they do not have a US distributor -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || [EMAIL PROTECTED]
Re: (313) Real Right Bookings
-- Original Message -- From: robin <[EMAIL PROTECTED]> >so first time i see TP is at the feeling moody after party at Movement >this year. slightly cynical about the whole gospel thing (i'm no >christian but possess a spirituality) TP proceeded to tear the place >apart (there was us english kids and a bunch of japanese heads at the >front with the stupidest grins on our faces). the finest bit of djing >i've _ever_ seen. gospel, inspirational who cares what he calls it, the >guy deserves massive amounts of respect. > >TP if you're reading this, thanks for that night man. im salty i missed that party, but i was disappointed with his main stage set with that other cat the next night or whenever it was. very flavorless IMO. tom andythepooh.com
Re: (313) DJ MIXER: what would be your choice (personal plug)
I think I've wrong posted my reply to this post first time I do it again and all my excuses if it s a double. In my eyes, the best mixer in the world is done by RODEC No gadgets, impressive quality and longevity. A sound not comparable with other mixers due to elements used in conception. And if you really need efx/options...Why do not add a pioneer EFX 500? The best unit effect actually available. All spare elements available ...if a day you need one. It's a long term invest. http://www.rodec.be Dimitri Pike http://wildtek.free.fr http://groups.msn.com/313TechnoMusic
Re: (313) DJ MIXER: what would be your choice (personal plug)
I contributed my old half-working Numark to some friends, who have made a "noise wall" out of old/broken mixers. they basically connect everything improperly to generate feedback, which can be at least rudimentally controlled through EQ, fader, external effects etc. the 'crown jewel' is this old Roland unit with built-in DSP and a three-band EQ isolator. it's a great idea and endless fun to play with, but it would get me kicked out of my apartment in seconds. :) - jobot - Original Message - From: diana potts <[EMAIL PROTECTED]> Date: Tuesday, September 14, 2004 8:26 pm Subject: Re: (313) DJ MIXER: what would be your choice (personal plug) > > my choice? it's called "FreeN'Workin'"...best kind i > know of. > > I have an old Newmark. Don't think anyone will be > bulldozing my door to get a hold of this beauty. > > If anyone has an old mixer that still works, but don't > need anymore...my bedroom dj habits would be willing > to pay something mighty cheap for it. > > > d > > > --- Simon Hindle <[EMAIL PROTECTED]> wrote: > > > I've heard plenty of reports questioning the > > durability of the A&H > > mixers (well, the 62 and the 464) - apparently the > > Pioneers are the most > > indestructible, but don't have anything > > approximating the sound > > quality. > > > > Perhaps the 92 has got these issues ironed out - it > > certainly looks > > more rugged, and finally combines features from all > > the previous models > > into one unit, as well as having 'DJ-style' fader > > knobs rather than > > 'engineer-style' fader knobs... > > > > If you can manage without linear faders, the Rane > > 2016 is super hot. > > > > I do like vestax mixers as well (I REALLY like the > > PMC-250 with those > > dual EQ's), but don't know how they hold up in terms > > of durability. That > > new PMC-CX looks pretty nifty; the master isolator > > function seems > > interesting, though I don't quite understand what > > it's all about. > > > > Get an A&H 92 though. And let us all come over and > > have a play on it > > :) > > > > >>> Ronny Pries <[EMAIL PROTECTED]> 15/10/2004 7:57:43 > > am >>> > > xone 62 or 92. > > > > :) > > > > [EMAIL PROTECTED] wrote: > > > > > hi mates! > > > > > > which DJ mixer would u recommend for a club? it > > should have 3-4 > > > inputs and most of all: great survival potential=) > > > > > > > > > ../z99 > > > > > > > > > > > > > > > > __ > Do you Yahoo!? > Yahoo! Mail - 50x more storage than other providers! > http://promotions.yahoo.com/new_mail >
Re: (313) Juan Atkins officially awarded for the 'International achievment'
Yeah! Well done! MEK
(313) Juan Atkins officially awarded for the 'International achievment'
MEDIA ADVISORY: ARTSERVE MICHIGANS PRESIDENT ANNOUNCES ADDITIONAL GOVERNORS AWARDS INTERNATIONAL ACHIEVEMENT AWARD WINNER SOUTHFIELD, MI, September 14, 2004 ArtServe Michigans President Barbara Kratchman today announced that Juan Atkins will receive the 2004 ArtServe Michigan Governors Awards International Achievement Award along with Derrick May and Kevin Saunderson. Juan, Derrick and Kevin are receiving the award because of their achievements in techno music. The trio will receive the prestigious award along with 8 other award recipients on Thursday, November 18 at The Henry Ford in Dearborn. The other awards categories and recipients are: Cultural Organizations Blissfest Music Organization, City of Marquette Arts & Culture Department and the Grand Rapids Ballet Company Michigan Artist Michael Daugherty, composer Emerging Artist Liliana Rokita, singer/songwriter Arts in Education Dr. C. Robert Maxfield, Superintendent of Farmington Public Schools Civic Leader Maxine and Stuart Frankel Business Honor Roll LaFontsee Galleries and Underground Studio For more information about the Governors Awards or to purchase tickets contact ArtServe Michigan at (248) 557-8288 ext.17. # # # About ArtServe Michigan ArtServe Michigan, www.artservemichigan.org, is a statewide arts advocacy organization that supports and advocates for the arts, arts education and culture in the state of Michigan. ArtServe Michigan accomplishes its mission by working with artists, educators, cultural organizations, businesses, volunteers and others through statewide programs, services and a variety of collaborative efforts. About the ArtServe Michigan Governors Awards ArtServe Michigan Governor's Awards for Arts & Culture is a state-wide program that showcases and celebrates Michigan artists, arts organizations, arts patrons and business support of the arts. Winners are selected in 7 categories International Achievement, Arts in Education, Michigan Artist, Emerging Artist, Business Honor Roll, Cultural Organization, and Civic Leader. A selection committee made up of citizens from throughout the state chooses the winners. The primary mission of the ArtServe Michigan Governor's Awards for Arts & Culture is to increase public awareness of the economic, educational and cultural value of the arts in our state. Over 700 artists, legislators, business leaders, arts managers, board members and patrons from every corner of the state attend the event. --- Now it's truly official, I hope some members of 313 List will be at the event on 18 th November. It will be nice to have a feedback of this event. Thanks to all peoples who have signed the guestbook, now closed due to this official announcement. I will delete it later. If you have infos websites or newsletter, this announcement is truely official and you are free to use it for inform peoples of the Juan Atkins nomination. You can verify at their website : http://www.artservemichigan.org/ Dimitri Pike http://wildtek.free.fr http://groups.msn.com/313TechnoMusic
(313) dub/ska/reggae mix
dub/ska/reggae mix 091004 1 hour 69.5 mb black street fighter (intro) banana walk - dub specialist (coxsone) granny scratch - sound dimension woman of the ghetto - phyillis dillion cool out son - jr. marvin Jordan river - burning spear Dreader mafia - snuffy and wally Running dub - coxsone Chapter one - joe gibs Spawning - coxsone Doctor seaton in the echo chamber - ruple edwards' all stars Buck Rodgers in the black hole - roots relics Africa dub - lee perry Since I dub - aggroustors Cuss cuss - llyod robinson "baby" - heptones real hot - lennie Hilbert tunnel one - tommy mccook green mangos - tommy mccook I trim the barber - king tubby http://www.plaztikjezuz.com/scotto-dub.mp3 enjoy scotto ps. i know its not detroit techno, but i thought, people would enjoy it. -live on coxsone
(313) Claus Bachor's Top 30 - some nice stuff here
CLAUS BACHOR´s recommended PSYCHO THRILL TOP30 > 09.2004 01 HIEROGLYPHIC BEING: Du Commencement a l´Eternity (6277_Mission 002 / Axis US Promo-12") 02 MAX DURANTE: Acid Bubbles (Truckstop 76th 002 BEL 12) 03 MONOLOGIC: It´s Good To Be There (Monologic 005 / Formic US 12) 04 ANALOG FINGERPRINTS: AGE OF HYPOCRISY (Final Frontier 002 / Submerge US 12) 05 OMINA BLUR: TERRAE (Defrag Soundprocessings 003 / Kompakt ESP 12) 06 BASIC BASTARD: Volume Three (Ignitor Archives 1008 / Submerge US 12) 07 VOX SOLA: Silver & Gold / Channel 3 (VoxSola 001 / Neuton > Tracks D Promo-12) 08 MR. JACK DECLARE: Our House E.P. (Unleash 002 / ELP Promo-12") 09 MATT CHESTER: Into The Fall (11th Hour Recordings 002 UK Promo-12) 10 FALSE: Waiting For Aaron / Sink The Ship (Minus 021 US 12") 11 PATRICK TURNER & CHRIS J: Machine Life (Grayhound 044 US 12) 12 THE MEMORY FOUNDATION: Hot And Smokey E.P. (Central 020 / Neuton D Promo-12) 13 JUAN ATKINS: Dusk Til Dawn (New Religion 89 > Track UK 12) 14 JOSEPH MALIK: Silent Fools > F.E. Bonus Beats / Plastic Avengers Remix (Compost 168 Promo-12) 15 GENE FARRIS: Decompression (Vista 017 > Track US 12) 16 SYLVIE MARKS & HAL9000: Krazeee Remix (BPitch Control 096 / Neuton D Promo-12) 17 VALYOM vs. DREAMER: Theme For 80s Trauma (DropBassNetwork 065 > Track US 12) 18 JD´s: Acid Power (Blank 008 UK 12) 19 VECTOR LOVERS: Electrobotik Disco (Soma 153 UK 12) 20 MDA: Cubit Stream (Robaudio 001 > Track US 12) 21 MEAT KATIE & ELITE FORCE feat. ROLAND CLARK: The Answer > EF Remix (Kingsize 086 UK 12) 22 ALEXKID: Don´t Hide It Josh Wink Acid Remix (FCom 209 FRA 12) 23 DONNACHA COSTELLO: Infinite Now > Leeds Warehouse Mix (Minimise 016 UK 12) 24 M1: Interceptor / Your Only Friend > Re-Make (RZ 008 / Brique Rouge FRA 12) 25 GRAN LAB: Millman Mail Time (3b 015 / USM Neuton D Promo-12) 26 M1 feat. FLIPSIDE: Freak The Frequency / Acid Stomp! (ReInvent 100 US 12) 27 PERC: Ice Cream For Kenton (Perc Trax 001 / Unique Distr. UK 12) 28 INLAND KNIGHTS: Any Day Now (Drop 035 > Track UK 12) 29 SLAM: Lie To Me > Dave Clarke / Freestyle Man Remix (Soma 156 UK 12) 30 SIX FOE: Seasons E.P. (DataBass 057 / Twilight 76 US 12) --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.760 / Virus Database: 509 - Release Date: 10/09/04
Re: (313) Real Right Bookings
I agree with all terms of Martin Dust about Mr Claude Young. In my eyes, we lost a rare man from Techno community. Some peoples have to take him in example in regard of all these past year work. A real and deeper respect to Claude Young. Dimitri Pike http://wildtek.free.fr http://groups.msn.com/313TechnoMusic
Re: (313) Real Right Bookings
True, true - but if you read everything he wrote, you can see he is struggling with it all himself - it's clear that he doesn't know what to do for the best (himself), so he's said he going to take some time out and have a think after Xmas - even if he only takes a month out and then comes back - what does it matter? He's been open, honest and shared something that is troubling him, something that is clearly hurting like hell. For that, I will forever have a place in my heart for him, if only everyone could be as honest... I'm not knocking you or speaking for Claude - just trying to tell you how I see it Lets just show him what I believe he deserves - some respect... Cheers Martin On 15 Sep 2004, at 18:57, [EMAIL PROTECTED] wrote: come on now. i don' know claude, but something had to be said. On Wed, 15 Sep 2004, Martin Dust wrote: I spoke to Claude last week and he's taking time out after Xmas, come on Yussel cut the guy some slack - no one wants him to hang up his phones but some of the personal attacks on him have done some damage. I hope he changes his mind and doesn't give up, so instead of having a pop stand by him. Cheers Martin On 15 Sep 2004, at 01:53, [EMAIL PROTECTED] wrote: Claude Young Jr. Tokyo/JAPAN - DOW/7th City/K7 Records ~ Techno & House shortest retirement ever?
RE: (313) Funk vs. Mathew
Since my original comments helped spark this discussion, I thought I should chime in a month or so later. I'm a bit guilty of spouting off prematurely [quiet in the back]. At the time I claimed it was record of the year I didn't actually own it (hadn't seen it in any UK stores yet at the time). I had heard it out a number of times, and I'd heard it live twice. I think the version on the vinyl needs to be thought of as a DJ tool, because it certainly doesn't do as much as when it's performed live (he'll be bringing back bits of other tracks, the next one, tweaking more, etc), and every time I'd heard it in the mix it wasn't really left to play on its own for a long time (rightly). I'm of the mind that this is how it is supposed to be, not that it's some kind of laziness or unimaginativeness on his part (obviously that's subjective, but whatever). Since I picked it up I've been mixing it for a few minutes over other tracks, because I think it can work really well in that way, but I have to say there's a part of me that's slightly dissapointed that the recording didn't measure up to the live performance of it, especially since the recorded version is so long. I very rarely purchase DJ tools these days, although I have nothing against doing so. I still think it's an excellent track for what it is, and I think it really needs to be heard in the right context to be appreciated. But given that it doesn't move quite as much as I like on the pressing (and I can't just listen to it at home without wanting more), I'm less enthused about it than I was. I feel similarly about the Substatic record. Still can't wait to play it on a big system though! On this note, I've just heard a clip of "911, How Can I Help You?" last night, and think it's got more variance for those who absolutely require it in their purchases. Worth a gander. There's also a new one on IIWII, 'Love Letter to the Enemy', out in the last few days from what I can tell. I have them both on the way. The former is in stock at Juno and both are in stock at http://www.covert.uk.com (or were earlier today at any rate). Hoping I've helped put my hype to rest (or in a clearer context at least). Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED] -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 15 September 2004 09:20 To: 313@hyperreal.org Subject: (313) Funk vs. Mathew well, well, well, well.. workin thru the nite, i took off few hours spending time watching the city waking up and _listening_ to musik instead of letting it play=) .. i remember some peeps slagging off Soma-rec, well i came round to listen to Funk D'Void's older "dos" and the new one: "volume freak" once again and them good songs just broke my heart. so much of soul and so much of blues! yet i'm for roughly half of each album, not every song works for me. Funk's musik goes back to detroit roots but it doesnt sound old - maybe not exactly futuristic but why should it - its musik of today. although i dont dare to compare these two albums in detail, there is no major jump from what've Funk been into 2001. on the other hand i finally got an ear on Mathew. was i disappointed? almost. following discussion on a list for a while, i expected something more special - a great production at least, even if i wouldnt like it personally. and this is where i'm stuck, cause both "decompression" and "behind the mirror" EPs appear so average to me. yeah, Mathew got an unique style to a certain extent [i'd say: by combining known elements] and even own sound to it [although its more like bad mastering for my liking]. and rite, his tracks are all groovy and well constructed and they got a soul too. yet somehow they feel too raw.. somehow tracks are going so straight, so much nowhere, and transitions are mostly fades. it would explain if these releases are largely recorded live. and if i'd like harmonies, rhythmics and sound on those EPs, i'd enjoy them still. unfortunately it doesnt fit my taste and i cant rave about production as well. allrite lets roll on wednesday! ../z99
Re: (313) Real Right Bookings
come on now. i don' know claude, but something had to be said. On Wed, 15 Sep 2004, Martin Dust wrote: > I spoke to Claude last week and he's taking time out after Xmas, come > on Yussel cut the guy some slack - no one wants him to hang up his > phones but some of the personal attacks on him have done some damage. I > hope he changes his mind and doesn't give up, so instead of having a > pop stand by him. > > Cheers > Martin > > > > On 15 Sep 2004, at 01:53, [EMAIL PROTECTED] wrote: > > >> > >> Claude Young Jr. > >> Tokyo/JAPAN - DOW/7th City/K7 Records ~ Techno & House > > > > > > shortest retirement ever? > > > > > > > >
RE: (313) Claude Young Announcement
this was posted to the list a while ago...hence 'yuyussel'ssnicker about Claude having a quick retirement because he's on Terrence Parker's list of clients to be managed. I'm sure it's true. but I only listen to the horse's mouth. --- "Redmond, JaJa'Maul<[EMAIL PROTECTED]> wrote: > Holy snap,, this is the first I've heard of this. > > I completely understand his frustrations in music. I > have them in music and my career ,,,lolol > > When he;s referring to overpriced d.j.'s, I wonder > if he's talking about other tetechno.j.'s or the > trance and dance wannabee rorockstars> > > -Original Message- > From: dedelet.hr [mamailtoedelet.hr] > Sent: Wednesday, September 15, 2004 10:29 AM > To: [EMAIL PROTECTED]> Subject: (313) Claude Young Announcement > > Hi :) > > Last few days i found on web few anannouncment > written by clclaudeoung, on which he say that this > is his last active season as djdjnd producer... can > anyone ththelle is that ththruenannouncemetr > somebody joke.. > > txtx> > here you have announcement>>> > > Well friends, after some very long night's thinking > this over I have decided to take some time out of > the music world for a while. > This was not an easy decision and I want to say > thanks to all of you for your support over the past > years. > There is a strong possibility 2004 might be my last > year involved in electronic music so if you get the > chance to come to any of the shows in the remainder > of 2004 please come and enjoy yourselves. > When u dedicate your life to something for over a > decade and it goes completely off the rails you have > to make adjustments or go down with the ship. > People have their prpreonceptions and their likes > and dislikes, that's fine with me, we are all meant > to be free. > The scene used to be full of vibrant and creative > people but now it's just full of moaners who support > artist who don't give a about them. All they > are interested in is boosting their own name and > increasing their bank accounts. > Next time u go to a party and the ticket price is > amazingly high for you to see a DJ u cant event > speak to before, during or after his set think about > what is important to them. > Call me stupid but i thought it was only human to > engage other human being's was I wrong??? > Someone on a post said "if clclaudeoung wanted to > sell out he could have a long time ago but he never > did". > Before this though another person sent a post to > Detroit-LuLuvaying "well imimure he'll make a lot of > money charging for the farewell tour". > These comments are not the main reason but they are > a factor, how much more of my life am I to give only > to have my work constantly thrown back in my face in > favor of other artist who are only concerned with > the bank balance of their account > Next time this guys shells out a wad of cash to see > some guy mix 40 records together that all sound the > same he should ask himself what is really important. > I figure my energy is better served helping people. > So imimonsidering being a volunteer in a foreign > country. Possibly an aid worker or something > similar. Anything to help make other peoples lives a > little better. > Every man has his breaking point and I have been on > the road since i left Detroit over 11 years ago, > every week. So imimaking some time out for once and > if i decide to come back it will be under different > circumstances. > I've had bad management coupled with other setbacks > as well so if i do come back ill be handling > everything independently with a small group of > friends in Glasgow. > > hope this answers all your questions > > -- > SuSudjelujte IsIskononus nanagradnomrprogramu > ososvajajteanagrade > SaSaznajtei¹e nanaeb adadresi> hthttp/wsiskoniz/bonus/ > > > > __ Do you Yahoo!? Yahoo! Mail - 50x more storage than other providers! http://promotions.yahoo.com/new_mail
RE: (313) Claude Young Announcement
Holy snap,, this is the first I've heard of this. I completely understand his frustrations in music. I have them in music and my career ,,,lol. When he;s referring to overpriced d.j.'s, I wonder if he's talking about other techno d.j.'s or the trance and dance wannabee rockstars -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 15, 2004 10:29 AM To: 313@hyperreal.org Subject: (313) Claude Young Announcement Hi :) Last few days i found on web few announcment written by claude young, on which he say that this is his last active season as dj and producer... can anyone thell me is that thrue announcemet or somebody joke.. tx here you have announcement>>> Well friends, after some very long night's thinking this over I have decided to take some time out of the music world for a while. This was not an easy decision and I want to say thanks to all of you for your support over the past years. There is a strong possibility 2004 might be my last year involved in electronic music so if you get the chance to come to any of the shows in the remainder of 2004 please come and enjoy yourselves. When u dedicate your life to something for over a decade and it goes completely off the rails you have to make adjustments or go down with the ship. People have their pre-conceptions and their likes and dislikes, that's fine with me, we are all meant to be free. The scene used to be full of vibrant and creative people but now it's just full of moaners who support artist who don't give a about them. All they are interested in is boosting their own name and increasing their bank accounts. Next time u go to a party and the ticket price is amazingly high for you to see a DJ u cant event speak to before, during or after his set think about what is important to them. Call me stupid but i thought it was only human to engage other human being's was I wrong??? Someone on a post said "if claude young wanted to sell out he could have a long time ago but he never did". Before this though another person sent a post to Detroit-Luv saying "well im sure he'll make a lot of money charging for the farewell tour". These comments are not the main reason but they are a factor, how much more of my life am I to give only to have my work constantly thrown back in my face in favor of other artist who are only concerned with the bank balance of their account Next time this guys shells out a wad of cash to see some guy mix 40 records together that all sound the same he should ask himself what is really important. I figure my energy is better served helping people. So im considering being a volunteer in a foreign country. Possibly an aid worker or something similar. Anything to help make other peoples lives a little better. Every man has his breaking point and I have been on the road since i left Detroit over 11 years ago, every week. So im taking some time out for once and if i decide to come back it will be under different circumstances. I've had bad management coupled with other setbacks as well so if i do come back ill be handling everything independently with a small group of friends in Glasgow. hope this answers all your questions -- Sudjelujte u Iskon Bonus nagradnom programu i osvajajte nagrade. Saznajte više na web adresi http://www.iskon.biz/bonus/
Re: (313) Contest won! (was: Wanted: Minty Freshness. Metro Area needs your help)
On Sep 15, 2004, at 12:22 PM, lee herrington wrote: So... what's the skinny? Is this a licensing issue dispute? more like formal documentation, and some extra fact checking as per licensing. there's no drama or ill will... thanks :)
RE: (313) Contest won! (was: Wanted: Minty Freshness. Metro Area needs your help)
So... what's the skinny? Is this a licensing issue dispute? -Original Message- From: Matt MacQueen [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 15, 2004 1:12 PM To: 313 Cc: Robert Taylor Subject: Re: (313) Contest won! (was: Wanted: Minty Freshness. Metro Area needs your help) Wow, a global network of friends works fast! Call off the dogs, the winner is special agent Robert "the REAL mr. fingers" Taylor. No need to re-program your VCRs, etc. the prize from Environ, NYC has now been spoken for. thanks all for such fast work & tips, 313 rules as usual. -- Matt MacQueen http://SonicSunset.com
Re: (313) Contest won! (was: Wanted: Minty Freshness. Metro Area needs your help)
Wow, a global network of friends works fast! Call off the dogs, the winner is special agent Robert "the REAL mr. fingers" Taylor. No need to re-program your VCRs, etc. the prize from Environ, NYC has now been spoken for. thanks all for such fast work & tips, 313 rules as usual. -- Matt MacQueen http://SonicSunset.com
RE: (313) Deep Space Radio 1994
Damn, my colleagues just took it off to play U2. F***ers! -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 15, 2004 4:01 PM To: 313@hyperreal.org Subject: RE: (313) Deep Space Radio 1994 Oh yeah, this all arrived just in time for my long, mind numbing car drive to Indiana this weekend. good job Ian and Robin! "Robert Taylor" <[EMAIL PROTECTED]To: <[EMAIL PROTECTED]>, <313@hyperreal.org> 4.co.uk> cc: Subject: RE: (313) Deep Space Radio 1994 09/15/2004 11:36 AM This is so cool! -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 15, 2004 3:33 PM To: 313@hyperreal.org Subject: RE: (313) Deep Space Radio 1994 I got the styles 154. and the room is MOVING, there's letters flying about, stationery items, packs of records, it's all going off. Deep Space Radio : Where have you been all my life? D.Wynn heading deeper now. Woo. THE DARKNESS _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. # # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) Deep Space Radio 1994 / what is detroit
On 15 Sep 2004, at 16:55, placid wrote: Just listening to these brings me back round to alex's 'what is Detroit techno' question. These mixes sum it up nicely for me...soulful, funky and seriously unmistakeably Detroit... yeah it's the approach in as much as what is being played. robin...
Re[2]: (313) DJ MIXER: what would be your choice?
another one to look into, though i dont think they make it anymore, is the vestax pmc-50. (not the 55. the 55 has different eq's on it) this always has and probably always will be my fave mixer. its got plenty of inputs and the eq's they used on it are exactly what i like. they dont bend when it gets down to it. theres nothing more i hate than when eq's drop DRASTICALLY when you pull them back around the 8:30 mark on the dials. not to mention, theres no kind of enhancements going on with the sound. i really like this about it. when you run music thru a rane, or even an allen & heath and ESPECIALLY pioneers, you can usually tell which mixer is being used (aside from them using the gadgets built in, of course... that would be TOO MUCH of a dead give away), because they all seem to give things a particular "sound". with the pmc-50, the music comes out dry. and since theres a ton of ins and outs to it, you can add whatever type of fx units or anything else you want to use to make it sound how you want it to. the mixer is also incredibly easy to get fixed or replace the faders on it. they used to run about $1300 USD, but you can find them for around $500 or $600 on ebay and other outlets. worth every penny, in my opinion. if you dont take my advice on it, thats cool at least look into the allen & heaths x:one series. those would be my second reccomendation, but i dont like them first and foremost because of the way you have to push them to sound how i like mixers to sound. ie: the mixer is made to be redlined... im not into that aspect of it but other then that, they are great mixers. good luck, derek. On Wed, 15 Sep 2004 [EMAIL PROTECTED] wrote: > > > ..thanks for all the advices! > > we've previously been using xone:32 yet as strange as it is, a lot of > DJs complained on "strange controls". gotta check out the > models/prices.. and pick one. > > > ../z99 > > > >
RE: (313) Wanted: Minty Freshness. Metro Area needs your help
Just spoke to someone who can sort it out. Won't be at work for the next couple of days though - so it won't be til Monday I'm afraid. Can whoever it is who posted the request hit me back privately? -Original Message- From: carl plugtwo [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 15, 2004 4:17 PM To: 313@hyperreal.org Subject: Re: (313) Wanted: Minty Freshness. Metro Area needs your help Presumably they'll want it in NTSC format, rather than PAL. And let's not get into a discussion about the relative merits of both systems. Let's just say PAL is better :-) carl morris Plug Two http://www.plugtwo.com t +442920190151 - Original Message - From: "Matt MacQueen" <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Sent: Wednesday, September 15, 2004 5:10 PM Subject: (313) Wanted: Minty Freshness. Metro Area needs your help > passing this on from Environ, who don't have access to UK TV: > > Environ offers a bounty of an Environ T-shirt and the next 5 releases > shipped to your door if anyone can grab this (toothpaste commercial > using their music) on tape, and mail it to them. > > no kidding. > > -- > Matt MacQueen > http://SonicSunset.com # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
(313) Metro Area- with new minty protection
Rob, this is Jasons post, I saw it on the same night too. so must have been 13th. Think I saw it on 4 too, hmm, can't remember what time... Get your free T!! - Forwarded by Alex Bond/UK/INF/PwC on 15/09/2004 17:22 - Jason Brunton <[EMAIL PROTECTED]> To: 313 <313@hyperreal.org> cc: 13/09/2004 22:46 Subject: (313) Metro Area- with new minty protection Flippin heck- just heard a Metro Area track being used in an advert for Aquafresh toothpaste here in the UK!! Will wonders never cease? Jason _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) Wanted: Minty Freshness. Metro Area needs your help
nope - SECAM rules ;-)http://en.wikipedia.org/wiki/SECAM#Facetious_interpretations_of_the_SECAM_acronym Gwendal -Original Message- From: carl plugtwo [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 15, 2004 6:17 PM To: 313@hyperreal.org Subject: Re: (313) Wanted: Minty Freshness. Metro Area needs your help Presumably they'll want it in NTSC format, rather than PAL. And let's not get into a discussion about the relative merits of both systems. Let's just say PAL is better :-) carl morris Plug Two http://www.plugtwo.com t +442920190151 - Original Message - From: "Matt MacQueen" <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Sent: Wednesday, September 15, 2004 5:10 PM Subject: (313) Wanted: Minty Freshness. Metro Area needs your help > passing this on from Environ, who don't have access to UK TV: > > Environ offers a bounty of an Environ T-shirt and the next 5 releases > shipped to your door if anyone can grab this (toothpaste commercial > using their music) on tape, and mail it to them. > > no kidding. > > -- > Matt MacQueen > http://SonicSunset.com
Re: (313) Wanted: Minty Freshness. Metro Area needs your help
Presumably they'll want it in NTSC format, rather than PAL. And let's not get into a discussion about the relative merits of both systems. Let's just say PAL is better :-) carl morris Plug Two http://www.plugtwo.com t +442920190151 - Original Message - From: "Matt MacQueen" <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Sent: Wednesday, September 15, 2004 5:10 PM Subject: (313) Wanted: Minty Freshness. Metro Area needs your help > passing this on from Environ, who don't have access to UK TV: > > Environ offers a bounty of an Environ T-shirt and the next 5 releases > shipped to your door if anyone can grab this (toothpaste commercial > using their music) on tape, and mail it to them. > > no kidding. > > -- > Matt MacQueen > http://SonicSunset.com
Re: (313) Wanted: Minty Freshness. Metro Area needs your help
Hmmm, that almost sounds like they're offering a reward for helping them nab some people who didn't license the track. MEK Matt MacQueen <[EMAIL PROTECTED]To: 313 <313@hyperreal.org> .com>cc: Subject: (313) Wanted: Minty Freshness. Metro Area needs your help 09/15/2004 11:10 AM passing this on from Environ, who don't have access to UK TV: Environ offers a bounty of an Environ T-shirt and the next 5 releases shipped to your door if anyone can grab this (toothpaste commercial using their music) on tape, and mail it to them. no kidding. -- Matt MacQueen http://SonicSunset.com
RE: (313) Wanted: Minty Freshness. Metro Area needs your help
I can do that if someone can tell me when they saw it on the telly I have VHS recordings of all of C4's output for the last 3 months in my office Might even be able to stick it on NTSC for them -Original Message- From: Matt MacQueen [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 15, 2004 4:11 PM To: 313 Subject: (313) Wanted: Minty Freshness. Metro Area needs your help passing this on from Environ, who don't have access to UK TV: Environ offers a bounty of an Environ T-shirt and the next 5 releases shipped to your door if anyone can grab this (toothpaste commercial using their music) on tape, and mail it to them. no kidding. -- Matt MacQueen http://SonicSunset.com # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
(313) Wanted: Minty Freshness. Metro Area needs your help
passing this on from Environ, who don't have access to UK TV: Environ offers a bounty of an Environ T-shirt and the next 5 releases shipped to your door if anyone can grab this (toothpaste commercial using their music) on tape, and mail it to them. no kidding. -- Matt MacQueen http://SonicSunset.com
(313) PRESS RELEASE phoniq presents 09/24/2004
saturday september 25 2004 phoniq brings you an evening of deep listening featuring from toronto akumu - live - www.spiderrecords.com and the local stylings of naw - live - www.noisefactoryrecords.com scant intone vs. various - live - www.panospria.com / www.phoniq.net cyan - dj - www.traktion.com where: la salle d'attente (esperanza) 5490 st-laurent, montreal time: 9pm SHARP first live artist is on at 1030pm. how much: $5 for more info visit: www.phoniq.net PRESS RELEASE the PHONIQ collective brings you the third in our ongoing series of live electronic music events. each of these events are designed to act as an exploration into the different intersections between technology and music/art making. this time around phoniq will feature an assembly of artists all working to create an immersive deep listening experience. the evening will feature: the first ever appearance of toronto's very own AKUMU, whose recently released 'fluxes' cd on the akumu imprint spider records, shows us a deeper, lush, dark ambient side to this artist as opposed to his self titled debut from 2000, which exhibited his more dub ambient side. for this montreal performance akumu will play a cross section of his slow-beat dub found on his earlier release and the pure deep ambience of his most recent 'fluxes' release. akumu's performance will also feature some of the artists own video work projected during his performance. rounding out this evening of deep listening will be phoniq co-founder and noise factory recording artist NAW, who will be presenting a very rare live presentation of his microsound/idm experimental musings. panospria label head and phoniq collective members SCANT INTONE and VARIOUS will be performing a tag team live pa of glitchy/experimental shapeshifting music. opening and closing the evenings activities will be modular systems host and phoniq co-founder CYAN djing the less dance floor oriented idm/quirky electro and other found rareties that find their way into her vast music collection. BIOS/INFO PHONIQ www.phoniq.net phoniq is a collective of individuals dedicated to promoting bleeding edge electronic music/art in interesting variable environments, with an emphasis on exposing aural and visual talent that has not yet been exposed to the electronic arts communities of montreal and canada. we aim to showcase upstart music producers, djs, and emerging visual artists all working in electronic realms. our foremost goal is to showcase off the wall and raw genres of music and visual electronic arts- not just those that are currently "en vogue" or will be shortly. the concept for phoniq came together through the chance meeting of 2 active members of the montreal/canadian electronic music and digital arts community: ckut-fm dj/host cyan and dub glitch techno producer naw. phoniq has grown out of the combined histories of these 2 individuals. naw brings the clonk legacy that he created 6 years ago in toronto, which hosted such artists as: monolake, kit clayton and sutekh. cyan brings her ongoing involvement in community radio, event coordinating and dj talents. since then the collective has grown to include 5 core members responsible for keeping things running. after a short 6 months phoniq has grown from an idea of "how can we create a viable promotional vehicle for canadian electronic artists", into a music series, an active community mailing list/community forum, and in the coming months phoniq will relaunch its site designed to act as a portal resource for the canadian electronic music community which will include a net-label. AKUMU www.spiderrecords.com somewhere between the spacey soundscapes of dark ambient lounge music and the scratchy breakbeats of downtempo drum n' bass lies the wonderful world of akumu. the brainchild of deane hughes, founder of the independent spider records label, who has previously recorded under the names thrive and alchemy, akumu ranges from languid liquid synths that feel like a drowsy summer afternoon, to hypnotic ringing and cascading full-speed-ahead bass-plus-beats, to spooky synths and muffled electronic planet-blips. "akumu" means "bad dream" in Japanese, and a lot of his music has a dreamlike quality to it. dark ambiences, shadowy beats, haunting microscapes, from electronic artist and film composer deane hughes, akumu is an exploration of atmospheres, moods and rhythms. deane is celebrating the release of his latest akumu cd, entitled fluxes. this minimalist cd was written and created in guatemala, honduras & mexico over a 6-month time span using binaural field recordings to construct drone-based and loop-based instruments. deane will be performing and improvising on material from fluxes and other material with visuals projected from some of his abstract video-work at this first ever montreal performance for this artist. NAW www.noisefactoryrecords.com montreal native neil wiernik began his explorations in
RE: (313) Deep Space Radio 1994
Oh yeah, this all arrived just in time for my long, mind numbing car drive to Indiana this weekend. good job Ian and Robin! "Robert Taylor" <[EMAIL PROTECTED]To: <[EMAIL PROTECTED]>, <313@hyperreal.org> 4.co.uk> cc: Subject: RE: (313) Deep Space Radio 1994 09/15/2004 11:36 AM This is so cool! -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 15, 2004 3:33 PM To: 313@hyperreal.org Subject: RE: (313) Deep Space Radio 1994 I got the styles 154. and the room is MOVING, there's letters flying about, stationery items, packs of records, it's all going off. Deep Space Radio : Where have you been all my life? D.Wynn heading deeper now. Woo. THE DARKNESS _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) Real Right Bookings
On 15 Sep 2004, at 16:40, Matt MacQueen wrote: And on a more concrete note -- TP picks the absolute JAMZ from all the gospel house records being made, so you don't have to listen to all the wack tracks. no kidding. there are such things as killer gospel house tracks... it's just that nobody plays them. I wonder, Kent, is he dropping anything by Romanthony, the stuff like the Testify releleases on Black Male are so thumpin. It was like a KDJ sound before KDJ, in a way... so first time i see TP is at the feeling moody after party at Movement this year. slightly cynical about the whole gospel thing (i'm no christian but possess a spirituality) TP proceeded to tear the place apart (there was us english kids and a bunch of japanese heads at the front with the stupidest grins on our faces). the finest bit of djing i've _ever_ seen. gospel, inspirational who cares what he calls it, the guy deserves massive amounts of respect. TP if you're reading this, thanks for that night man. robin...
RE: (313) Deep Space Radio 1994 / what is detroit
Just listening to these brings me back round to alex's 'what is Detroit techno' question. These mixes sum it up nicely for me...soulful, funky and seriously unmistakeably Detroit... P -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 15 September 2004 16:33 To: 313@hyperreal.org Subject: RE: (313) Deep Space Radio 1994 I got the styles 154. and the room is MOVING, there's letters flying about, stationery items, packs of records, it's all going off. Deep Space Radio : Where have you been all my life? D.Wynn heading deeper now. Woo. THE DARKNESS _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) Deep Space Radio 1994
Man. I dig the radio spots for Record Time. :-) -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 15, 2004 12:37 PM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) Deep Space Radio 1994 This is so cool! -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 15, 2004 3:33 PM To: 313@hyperreal.org Subject: RE: (313) Deep Space Radio 1994 I got the styles 154. and the room is MOVING, there's letters flying about, stationery items, packs of records, it's all going off. Deep Space Radio : Where have you been all my life? D.Wynn heading deeper now. Woo. THE DARKNESS _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) Deep Space Radio 1994
according to the last track on the k larkin POD album on buzz, he's "the baddest house dj in detroit!!" big thanks to ian and ee! -Original Message- From: [EMAIL PROTECTED] Sent: Sep 15, 2004 11:07 AM To: 313@hyperreal.org Subject: Re: (313) Deep Space Radio 1994 >Al Ester. p.s. who's this? any more info? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) Real Right Bookings
And on a more concrete note -- TP picks the absolute JAMZ from all the gospel house records being made, so you don't have to listen to all the wack tracks. no kidding. there are such things as killer gospel house tracks... it's just that nobody plays them. I wonder, Kent, is he dropping anything by Romanthony, the stuff like the Testify releleases on Black Male are so thumpin. It was like a KDJ sound before KDJ, in a way... -- Matt MacQueen http://SonicSunset.com
RE: (313) Deep Space Radio 1994
This is so cool! -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 15, 2004 3:33 PM To: 313@hyperreal.org Subject: RE: (313) Deep Space Radio 1994 I got the styles 154. and the room is MOVING, there's letters flying about, stationery items, packs of records, it's all going off. Deep Space Radio : Where have you been all my life? D.Wynn heading deeper now. Woo. THE DARKNESS _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) Deep Space Radio 1994
I got the styles 154. and the room is MOVING, there's letters flying about, stationery items, packs of records, it's all going off. Deep Space Radio : Where have you been all my life? D.Wynn heading deeper now. Woo. THE DARKNESS _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) Deep Space Radio 1994
postman pete throwing the bags in a shower of envelopes with loud zany tunes on the background.. gotta bring the glowstick tomorrow, that´ll clarify things for yer coworkers what a sight ; ) -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: woensdag 15 september 2004 17:28 To: 313@hyperreal.org Subject: Re: (313) Deep Space Radio 1994 Can someone explain to me how you mix m-people into sundog and make it sound so f**king hot? Man, all those samples too. D.Wynn is rocking my postroom right now. Thanks Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
Re: (313) Deep Space Radio 1994
Can someone explain to me how you mix m-people into sundog and make it sound so f**king hot? Man, all those samples too. D.Wynn is rocking my postroom right now. Thanks Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) Deep Space Radio 1994
Arrgghh, I'm on part B and I can hear Sundog or whatever that hot juan thing is coming on. ARHHH SICK Eddie Fowlkes coming up later kids (the presenter informs me). I'm excited _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
(313) Deep Space Radio Memories
My thanks again to Robin for the space to share. Happy 10 years, 313 and Deep Space! Back in the day, Linda and I would hit the parties Saturday night, and Deep Space was sometimes the soundtrack while driving around Detroit. I got tired of missing parts of the show, so i rigged the VCR to start at midnight and grab 4 hours. These are the only two shows I managed to retain (8 hours total), but they are corkers. Juan's influence in particular is evident in the July show (Minx hosting). I hope you all enjoy them as much as I have. Good luck with the tracklisting, too. This should be fun. -- Ian
Re: (313) Deep Space Radio 1994
OK kids, lets have it organised. Only post the entire thing or something e.g 1) Danny Wang 2) Red 2 and add to it etc Thanks Policeman Plod. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) Deep Space Radio 1994
first one on part a is: Daniel Wang off the first balihu release http://www.discogs.com/release/16224 :) get the easy one out of the way. robin... On 15 Sep 2004, at 17:10, Robert Taylor wrote: Not the one I'm listening to!
Re: (313) Deep Space Radio 1994
itunes has just open the last file (d) I think Rob - red2 is actually the second track in...god bless itunes still, great stuff... On 15 Sep 2004, at 17:10, Robert Taylor wrote: Not the one I'm listening to! -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 15, 2004 3:11 PM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) Deep Space Radio 1994 1. Red 2 - Dave Clarke... On 15 Sep 2004, at 15:57, [EMAIL PROTECTED] wrote: Ok 313.. I foresee I is going to be needing shed loads of id's once I've taken it all in and digested it Shall we play "Lets do a tracklist"? I dunno, sounds like kinda fun. (if you're a geek like me) It ain't everyday you get heat like this! _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring ### ## Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. ### ##
RE: (313) Deep Space Radio 1994
Not the one I'm listening to! -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 15, 2004 3:11 PM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) Deep Space Radio 1994 1. Red 2 - Dave Clarke... On 15 Sep 2004, at 15:57, [EMAIL PROTECTED] wrote: >> Ok 313.. I foresee I is going to be needing shed loads of id's once >> I've taken it all in and digested it > > Shall we play "Lets do a tracklist"? > > I dunno, sounds like kinda fun. > > (if you're a geek like me) > > It ain't everyday you get heat like this! > _ > > - End of message text > > This e-mail is sent by the above named in their > individual, non-business capacity and is not on > behalf of PricewaterhouseCoopers. > > PricewaterhouseCoopers may monitor outgoing and incoming > e-mails and other telecommunications on its e-mail and > telecommunications systems. By replying to this e-mail you > give your consent to such monitoring > > # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
(313) house mix anyone?
-Original Message- From: lee herrington [mailto:[EMAIL PROTECTED] Sent: Monday, September 13, 2004 8:44 AM To: '313@hyperreal.org' Subject: house mix anyone? hi folks. i caught a couple of hours free this past saturday, so I put together a mix of some trax i've been feelin' lately. there's a lot of trackmode material in this compilation... the EP's just happened to be closest to my turntables at the time. the mix is in mp3 format... it's about 114mb in size. if anyone wants to host the file drop me a line... [mangold, you out there?] i can ftp the mix to anybody. i can also put the mix into my soulseek client... my username is "faceless_corporation". any feedback is welcome. here's a tracklisting; sonic experience mix 01. glenn undergrond-within[talk through talent mix] [track mode] 02. tumble & combo-the instrumental [track mode] 03. kai alce-cd's bonus shake[track mode] 04. dave lalla-ecstacy groove[track mode] 05. norma jean bell-i'm the baddest bitch[moodymann mix] [pandamonium] 06. funky chocolate-deep moods[funky chocolate mix] [funky chocolate] 07. dave lalla-eternity is mine[poetry by fire] [track mode] 08. tumble & combo-regression[track mode] 09. glenn underground-silent cry[euphoria moog mix] [track mode] 10. alton miller-sonic system[chord 44] 11. kai alce-surrounded [track mode] 12. boo williams-no man's land [residual] 13. boo williams-trance fusion [residual] 14. brian harden-palladium [moods & grooves] Cheers, lee r. herrington u store it technical support specialist 440-260-2245
Re: (313) Deep Space Radio 1994
1. Red 2 - Dave Clarke... On 15 Sep 2004, at 15:57, [EMAIL PROTECTED] wrote: Ok 313.. I foresee I is going to be needing shed loads of id's once I've taken it all in and digested it Shall we play "Lets do a tracklist"? I dunno, sounds like kinda fun. (if you're a geek like me) It ain't everyday you get heat like this! _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) Deep Space Radio 1994
>Al Ester. p.s. who's this? any more info? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) Deep Space Radio 1994
!This rocks! Will keep me happy for many an hour. Thanks to all involved. Rav. -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 15 September 2004 15:48 To: 313 Org Subject: (313) Deep Space Radio 1994 We got something super special for ya on EmotionElectric.com today. We have a full editon of Deep Space Radio recorded in the Summer of 1994 featuring the Super Mix 6: Juan, Derrick, Kevin, Eddie, D. Wynn, & Al Ester. Hosts were Dre and Minx. Man are we chuffed with this. Big thanks to Ian Malbon and Matt MacQueen for this. http://www.emotionelectric.com for the juice. yes!!
RE: (313) Deep Space Radio 1994
>Ok 313.. I foresee I is going to be needing shed loads of id's once >I've taken it all in and digested it Shall we play "Lets do a tracklist"? I dunno, sounds like kinda fun. (if you're a geek like me) It ain't everyday you get heat like this! _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) Deep Space Radio 1994
Digging this already! -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 15, 2004 2:48 PM To: 313 Org Subject: (313) Deep Space Radio 1994 We got something super special for ya on EmotionElectric.com today. We have a full editon of Deep Space Radio recorded in the Summer of 1994 featuring the Super Mix 6: Juan, Derrick, Kevin, Eddie, D. Wynn, & Al Ester. Hosts were Dre and Minx. Man are we chuffed with this. Big thanks to Ian Malbon and Matt MacQueen for this. http://www.emotionelectric.com for the juice. yes!! # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) Deep Space Radio 1994
Ok 313.. I foresee I is going to be needing shed loads of id's once I've taken it all in and digested it p -Original Message- From: Peteri, Jochem [mailto:[EMAIL PROTECTED] Sent: 15 September 2004 15:52 To: 313@hyperreal.org Subject: RE: (313) Deep Space Radio 1994 Bangin´the hoods. :) J downloading now... nice surprise -Original Message- From: placid [mailto:[EMAIL PROTECTED] Sent: woensdag 15 september 2004 16:50 To: 'robin'; '313 Org' Subject: RE: (313) Deep Space Radio 1994 Bingin' the goods.. :) p -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 15 September 2004 15:48 To: 313 Org Subject: (313) Deep Space Radio 1994 We got something super special for ya on EmotionElectric.com today. We have a full editon of Deep Space Radio recorded in the Summer of 1994 featuring the Super Mix 6: Juan, Derrick, Kevin, Eddie, D. Wynn, & Al Ester. Hosts were Dre and Minx. Man are we chuffed with this. Big thanks to Ian Malbon and Matt MacQueen for this. http://www.emotionelectric.com for the juice. yes!! The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
RE: (313) Claude Young Announcement
Quite possible, there was also an annoucement on littledetroit.net a few weeks ago. Could someone post this message on LD. Im sure they'd be interested. (I still haven't signed up, must do it) Rav -Original Message- From: del [mailto:[EMAIL PROTECTED] Sent: 15 September 2004 15:29 To: 313@hyperreal.org Subject: (313) Claude Young Announcement Hi :) Last few days i found on web few announcment written by claude young, on which he say that this is his last active season as dj and producer... can anyone thell me is that thrue announcemet or somebody joke.. tx here you have announcement>>> Well friends, after some very long night's thinking this over I have decided to take some time out of the music world for a while. This was not an easy decision and I want to say thanks to all of you for your support over the past years. There is a strong possibility 2004 might be my last year involved in electronic music so if you get the chance to come to any of the shows in the remainder of 2004 please come and enjoy yourselves. When u dedicate your life to something for over a decade and it goes completely off the rails you have to make adjustments or go down with the ship. People have their pre-conceptions and their likes and dislikes, that's fine with me, we are all meant to be free. The scene used to be full of vibrant and creative people but now it's just full of moaners who support artist who don't give a about them. All they are interested in is boosting their own name and increasing their bank accounts. Next time u go to a party and the ticket price is amazingly high for you to see a DJ u cant event speak to before, during or after his set think about what is important to them. Call me stupid but i thought it was only human to engage other human being's was I wrong??? Someone on a post said "if claude young wanted to sell out he could have a long time ago but he never did". Before this though another person sent a post to Detroit-Luv saying "well im sure he'll make a lot of money charging for the farewell tour". These comments are not the main reason but they are a factor, how much more of my life am I to give only to have my work constantly thrown back in my face in favor of other artist who are only concerned with the bank balance of their account Next time this guys shells out a wad of cash to see some guy mix 40 records together that all sound the same he should ask himself what is really important. I figure my energy is better served helping people. So im considering being a volunteer in a foreign country. Possibly an aid worker or something similar. Anything to help make other peoples lives a little better. Every man has his breaking point and I have been on the road since i left Detroit over 11 years ago, every week. So im taking some time out for once and if i decide to come back it will be under different circumstances. I've had bad management coupled with other setbacks as well so if i do come back ill be handling everything independently with a small group of friends in Glasgow. hope this answers all your questions -- Sudjelujte u Iskon Bonus nagradnom programu i osvajajte nagrade. Saznajte više na web adresi http://www.iskon.biz/bonus/
Re: (313) Deep Space Radio 1994
Great work Robin... On 15 Sep 2004, at 15:48, robin wrote: We got something super special for ya on EmotionElectric.com today. We have a full editon of Deep Space Radio recorded in the Summer of 1994 featuring the Super Mix 6: Juan, Derrick, Kevin, Eddie, D. Wynn, & Al Ester. Hosts were Dre and Minx. Man are we chuffed with this. Big thanks to Ian Malbon and Matt MacQueen for this. http://www.emotionelectric.com for the juice. yes!!
RE: (313) Deep Space Radio 1994
Bangin´the hoods. :) J downloading now... nice surprise -Original Message- From: placid [mailto:[EMAIL PROTECTED] Sent: woensdag 15 september 2004 16:50 To: 'robin'; '313 Org' Subject: RE: (313) Deep Space Radio 1994 Bingin' the goods.. :) p -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 15 September 2004 15:48 To: 313 Org Subject: (313) Deep Space Radio 1994 We got something super special for ya on EmotionElectric.com today. We have a full editon of Deep Space Radio recorded in the Summer of 1994 featuring the Super Mix 6: Juan, Derrick, Kevin, Eddie, D. Wynn, & Al Ester. Hosts were Dre and Minx. Man are we chuffed with this. Big thanks to Ian Malbon and Matt MacQueen for this. http://www.emotionelectric.com for the juice. yes!! The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
Re: (313) Deep Space Radio 1994
OH BOY! thank you very very much to all the heads who got these, and to Robin for putting them up. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) Deep Space Radio 1994
Bingin' the goods.. :) p -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 15 September 2004 15:48 To: 313 Org Subject: (313) Deep Space Radio 1994 We got something super special for ya on EmotionElectric.com today. We have a full editon of Deep Space Radio recorded in the Summer of 1994 featuring the Super Mix 6: Juan, Derrick, Kevin, Eddie, D. Wynn, & Al Ester. Hosts were Dre and Minx. Man are we chuffed with this. Big thanks to Ian Malbon and Matt MacQueen for this. http://www.emotionelectric.com for the juice. yes!!
(313) Deep Space Radio 1994
We got something super special for ya on EmotionElectric.com today. We have a full editon of Deep Space Radio recorded in the Summer of 1994 featuring the Super Mix 6: Juan, Derrick, Kevin, Eddie, D. Wynn, & Al Ester. Hosts were Dre and Minx. Man are we chuffed with this. Big thanks to Ian Malbon and Matt MacQueen for this. http://www.emotionelectric.com for the juice. yes!!
(313) Claude Young Announcement
Hi :) Last few days i found on web few announcment written by claude young, on which he say that this is his last active season as dj and producer... can anyone thell me is that thrue announcemet or somebody joke.. tx here you have announcement>>> Well friends, after some very long night's thinking this over I have decided to take some time out of the music world for a while. This was not an easy decision and I want to say thanks to all of you for your support over the past years. There is a strong possibility 2004 might be my last year involved in electronic music so if you get the chance to come to any of the shows in the remainder of 2004 please come and enjoy yourselves. When u dedicate your life to something for over a decade and it goes completely off the rails you have to make adjustments or go down with the ship. People have their pre-conceptions and their likes and dislikes, that's fine with me, we are all meant to be free. The scene used to be full of vibrant and creative people but now it's just full of moaners who support artist who don't give a about them. All they are interested in is boosting their own name and increasing their bank accounts. Next time u go to a party and the ticket price is amazingly high for you to see a DJ u cant event speak to before, during or after his set think about what is important to them. Call me stupid but i thought it was only human to engage other human being's was I wrong??? Someone on a post said "if claude young wanted to sell out he could have a long time ago but he never did". Before this though another person sent a post to Detroit-Luv saying "well im sure he'll make a lot of money charging for the farewell tour". These comments are not the main reason but they are a factor, how much more of my life am I to give only to have my work constantly thrown back in my face in favor of other artist who are only concerned with the bank balance of their account Next time this guys shells out a wad of cash to see some guy mix 40 records together that all sound the same he should ask himself what is really important. I figure my energy is better served helping people. So im considering being a volunteer in a foreign country. Possibly an aid worker or something similar. Anything to help make other peoples lives a little better. Every man has his breaking point and I have been on the road since i left Detroit over 11 years ago, every week. So im taking some time out for once and if i decide to come back it will be under different circumstances. I've had bad management coupled with other setbacks as well so if i do come back ill be handling everything independently with a small group of friends in Glasgow. hope this answers all your questions -- Sudjelujte u Iskon Bonus nagradnom programu i osvajajte nagrade. Saznajte više na web adresi http://www.iskon.biz/bonus/
Re: (313) Mathew Jonson remixes Nelly Furtado?
At 10:02 AM 9/15/2004, Antonio Alves wrote: Check the credits. Has anyone heard this? I tried to check Discogs but I've been getting errors when loading individual releases pages. well, mathew jonson's page shows two remixes on titles "on the radio/turn off the light" and "turn off the light". i think i heard richard dorfmeister play them a couple years ago. iirc, they were pretty lame. -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || [EMAIL PROTECTED]
(313) Mathew Jonson remixes Nelly Furtado?
Apologies if this has been discussed before. While wondering in the Mutek site I found this: "... Mathew Jonson, known for his minimal house compositions on the Itiswhatitis label, has worked with artists like Luciano (‘Alpine Rocket’ on Perlon) and remixed the likes of Nelly Furtado..." and then further investigation led me to this: http://www.kbig104.com/iplaylist/album/574127/ Check the credits. Has anyone heard this? I tried to check Discogs but I've been getting errors when loading individual releases pages. Antonio
Re: (313) Dullards digital music Q
-- Original Message -- From: [EMAIL PROTECTED] >Digital music: > >My soundforge is set to record at "44,100 Hz 16 Bit Stereo" >(for a wav file) > >Is this OK? >Will it sound bad on a loud system? > >Thanks in advance, and sorry for the boring topic. thats called CD quality audio. thats pretty much standard, only things like dvd audio or super CDs or whatever provide higher resolution tom andythepooh.com
RE: (313) Mathew Jonson/The Mole [ARBUTUS]
Not me yet, I look forward to it though. He's a busy man! k >-Original Message- >From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] >Sent: Wednesday, September 15, 2004 1:58 PM >To: 313@hyperreal.org >Cc: [EMAIL PROTECTED] >Subject: RE: (313) Mathew Jonson/The Mole [ARBUTUS] > > >Picked up the Mathew Jonson / The Mole on Arbutus this week. >Have you guys got the chance to hear it? > >eVa >=== >deepergroove > >Original Message: >- >From: Ken Odeluga [EMAIL PROTECTED] >Date: Wed, 15 Sep 2004 11:27:27 +0100 >To: 313@hyperreal.org >Subject: (313) Mathew Jonson/Decompression/Behind The Mirror > >>on the other hand i finally got an ear on Mathew. was i >disappointed? >>almost. following discussion on a list for a while, i expected >>something more special - a great production at least, even if i >>wouldnt like it personally. and this is where i'm stuck, cause >both >>"decompression" and "behind the mirror" EPs appear so average to >me. > >Whoever said this, I have to agree 98%. > >I picked-up "Decompression" and "Behind The Mirror" and I have given them >both as fair and open-minded and thorough a listen as I could muster. I've >had both for about a month and I've listened to them at least 2 >times a week >during that time. The reason being that there has been such a kerfuffle >about Mr Jonson on here recently surrounding his merits vs other people's >opinions that these had been overstated. But above that, I remember people >have been singing his praises forcefully (for his productions) for over a >year. All I can comment on is these two records though, as I'm not sure if >I've heard anything else by him. To me they are not poor, not bad, >but there >seems to be a mismatch between them the hype (in some quarters) which have >preceded them, and the records themselves (to my mind). I like both tracks >on the "Behind The Mirror" release more than the "Decompression" ones >although having said that, I like "Ultraviolet" (side b of "Decompression) >more than the actual main track. > >Like the person I quote (sorry, didn't see your name) I expected something >much more special, production wise, style wise; something new, adventurous, >something outstanding maybe. But these tracks are not that. (imo). > >What this says to me though is not that people are wrong to expect so much, >but that I need to check out those earlier releases! Also, it seems people >*want* to like the guy and his productions an awful lot. I can see the >reasons for that: he's young, 'new', seems to be promising (his dad was a >musician) and from what I hear, he seems an ok guy. Mostly though, >what this >situation seems to underline to me is a big need for new blood in this >favourite music of ours, to take things to the next level or simply to pick >up the torch of those who perhaps might need to consider handing it over. >Wether MJ is going to prove one of the more notable examples of >new blood in >years to come, is still open to question, of course. I don't see any reason >why he he oughtn't to be! But I don't think if he is notable in coming >years, it will be for these two releases. > >k > > > > > > > >mail2web - Check your email from the web at >http://mail2web.com/ . > > > >
RE: (313) Mathew Jonson/The Mole [ARBUTUS]
Picked up the Mathew Jonson / The Mole on Arbutus this week. Have you guys got the chance to hear it? eVa === deepergroove Original Message: - From: Ken Odeluga [EMAIL PROTECTED] Date: Wed, 15 Sep 2004 11:27:27 +0100 To: 313@hyperreal.org Subject: (313) Mathew Jonson/Decompression/Behind The Mirror >on the other hand i finally got an ear on Mathew. was i disappointed? >almost. following discussion on a list for a while, i expected >something more special - a great production at least, even if i >wouldnt like it personally. and this is where i'm stuck, cause both >"decompression" and "behind the mirror" EPs appear so average to me. Whoever said this, I have to agree 98%. I picked-up "Decompression" and "Behind The Mirror" and I have given them both as fair and open-minded and thorough a listen as I could muster. I've had both for about a month and I've listened to them at least 2 times a week during that time. The reason being that there has been such a kerfuffle about Mr Jonson on here recently surrounding his merits vs other people's opinions that these had been overstated. But above that, I remember people have been singing his praises forcefully (for his productions) for over a year. All I can comment on is these two records though, as I'm not sure if I've heard anything else by him. To me they are not poor, not bad, but there seems to be a mismatch between them the hype (in some quarters) which have preceded them, and the records themselves (to my mind). I like both tracks on the "Behind The Mirror" release more than the "Decompression" ones although having said that, I like "Ultraviolet" (side b of "Decompression) more than the actual main track. Like the person I quote (sorry, didn't see your name) I expected something much more special, production wise, style wise; something new, adventurous, something outstanding maybe. But these tracks are not that. (imo). What this says to me though is not that people are wrong to expect so much, but that I need to check out those earlier releases! Also, it seems people *want* to like the guy and his productions an awful lot. I can see the reasons for that: he's young, 'new', seems to be promising (his dad was a musician) and from what I hear, he seems an ok guy. Mostly though, what this situation seems to underline to me is a big need for new blood in this favourite music of ours, to take things to the next level or simply to pick up the torch of those who perhaps might need to consider handing it over. Wether MJ is going to prove one of the more notable examples of new blood in years to come, is still open to question, of course. I don't see any reason why he he oughtn't to be! But I don't think if he is notable in coming years, it will be for these two releases. k mail2web - Check your email from the web at http://mail2web.com/ .
Re: (313) Dullards digital music Q
>www.suddi.com/drunk.jpg Oh, how did you know I'd had a drunken grapple with a girl who looked JUST like this. Man, I could have sworn she had six eyes, though, but I was drunk. p.s. thanks for the tip. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) Dullards digital music Q
That should be fine Alex but a lot will depend on the track - You'll need to tweak away, like Bass on LFO tracks etc... Anyway, try looking at this while shaking your head: www.suddi.com/drunk.jpg Cheers Martin On 15 Sep 2004, at 13:17, [EMAIL PROTECTED] wrote: Hi. Could someone help the kid at the back of the class with the Dunce's hat on? Digital music: My soundforge is set to record at "44,100 Hz 16 Bit Stereo" (for a wav file) Is this OK? Will it sound bad on a loud system? Thanks in advance, and sorry for the boring topic. Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
(313) Dullards digital music Q
Hi. Could someone help the kid at the back of the class with the Dunce's hat on? Digital music: My soundforge is set to record at "44,100 Hz 16 Bit Stereo" (for a wav file) Is this OK? Will it sound bad on a loud system? Thanks in advance, and sorry for the boring topic. Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) Real Right Bookings
thanx Martin, but I have nothing to do with this agency. it's actually Terrance Parker's company. I am, however, on the roster. hope that clears up any confusion/misinformation :^) sean "I'm also a client" deason on 9/15/04 4:17 AM, Martin Dust at [EMAIL PROTECTED] uttered these words: > Sean/TP, > > Good luck with this project, looks pretty good and if you think the > people at LD and Dust towers can help, just shout... > > Martin >
(313) Mathew Jonson/Decompression/Behind The Mirror
>on the other hand i finally got an ear on Mathew. was i disappointed? >almost. following discussion on a list for a while, i expected >something more special - a great production at least, even if i >wouldnt like it personally. and this is where i'm stuck, cause both >"decompression" and "behind the mirror" EPs appear so average to me. Whoever said this, I have to agree 98%. I picked-up "Decompression" and "Behind The Mirror" and I have given them both as fair and open-minded and thorough a listen as I could muster. I've had both for about a month and I've listened to them at least 2 times a week during that time. The reason being that there has been such a kerfuffle about Mr Jonson on here recently surrounding his merits vs other people's opinions that these had been overstated. But above that, I remember people have been singing his praises forcefully (for his productions) for over a year. All I can comment on is these two records though, as I'm not sure if I've heard anything else by him. To me they are not poor, not bad, but there seems to be a mismatch between them the hype (in some quarters) which have preceded them, and the records themselves (to my mind). I like both tracks on the "Behind The Mirror" release more than the "Decompression" ones although having said that, I like "Ultraviolet" (side b of "Decompression) more than the actual main track. Like the person I quote (sorry, didn't see your name) I expected something much more special, production wise, style wise; something new, adventurous, something outstanding maybe. But these tracks are not that. (imo). What this says to me though is not that people are wrong to expect so much, but that I need to check out those earlier releases! Also, it seems people *want* to like the guy and his productions an awful lot. I can see the reasons for that: he's young, 'new', seems to be promising (his dad was a musician) and from what I hear, he seems an ok guy. Mostly though, what this situation seems to underline to me is a big need for new blood in this favourite music of ours, to take things to the next level or simply to pick up the torch of those who perhaps might need to consider handing it over. Wether MJ is going to prove one of the more notable examples of new blood in years to come, is still open to question, of course. I don't see any reason why he he oughtn't to be! But I don't think if he is notable in coming years, it will be for these two releases. k
Re: (313) Real Right Bookings
>I actually like it, makes me smile Alex... Ahh, just gets on my nerves all this really. I'm in the worst mood known to man this morning. I feel a row about something coming on. Dunno what yet though. Alex p.s. don't worry, staying off little detroit, kinda learnt my lesson about being a tit on there on monday. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) Real Right Bookings
I actually like it, makes me smile Alex... On 15 Sep 2004, at 09:50, [EMAIL PROTECTED] wrote: Right. I get the feeling some people thought I was taking the p**s. Yeah, I was taking the p*ss, but not out of the indviduals concerned, out of the fact that some joker made up yet another genre. "Inspirational House"? Do me a favour. It's flipping house music. Like when I hear someone say, "Click house" or something, I just think oh "F**k off". Rant over. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) Real Right Bookings
Fantastic Bjoern!!! Send my regards to Claude and Sandra...BTW I like the new look on the site :) -Original Message- From: bjoern @ bikini bpm [mailto:[EMAIL PROTECTED] Sent: Wed 9/15/2004 9:22 AM To: 313@hyperreal.org Cc: Subject: Re: (313) Real Right Bookings to keep everyone updated: find his schedule for 2004 below. cheers bjoern @ bikini bpm sept 3rd - Zoom Nurnberg sept 4th - Valladollid sept 11th - Burgos Orosco sept 18th - Dresden Bikini sept 25th - Pagoa ... oct 1st - Prison Landau oct 2nd - Jay Denhams Bday possibly ! TBC oct 9th - Germany TBC oct 22/23rd - Brazil oct 29th - Superconductor Leeds oct 30th - Fabric London ... nov 6th - Loft Club Laussanne nov 12th - Code madrid TBC nov 13th - La Coruna Factory Javy TBC nov 26th - prag orion hall nov 27th - graz Austria Dec dec 4th - the bomb Nottingham dec 10th - 18th Australia Tour TBC dec 31st - Fuse Brussels http://www.bikini-boooking.com - Original Message - From: "Martin Dust" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Cc: "SeanDeason©" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Wednesday, September 15, 2004 10:13 AM Subject: Re: (313) Real Right Bookings > I spoke to Claude last week and he's taking time out after Xmas, come > on Yussel cut the guy some slack - no one wants him to hang up his > phones but some of the personal attacks on him have done some damage. I > hope he changes his mind and doesn't give up, so instead of having a > pop stand by him. > > Cheers > Martin > > > > On 15 Sep 2004, at 01:53, [EMAIL PROTECTED] wrote: > > >> > >> Claude Young Jr. > >> Tokyo/JAPAN - DOW/7th City/K7 Records ~ Techno & House > > > > > > shortest retirement ever? > > > > > > >
Re: (313) Real Right Bookings
Right. I get the feeling some people thought I was taking the p**s. Yeah, I was taking the p*ss, but not out of the indviduals concerned, out of the fact that some joker made up yet another genre. "Inspirational House"? Do me a favour. It's flipping house music. Like when I hear someone say, "Click house" or something, I just think oh "F**k off". Rant over. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re[2]: (313) DJ MIXER: what would be your choice?
..thanks for all the advices! we've previously been using xone:32 yet as strange as it is, a lot of DJs complained on "strange controls". gotta check out the models/prices.. and pick one. ../z99
RE: (313) DJ MIXER: what would be your choice?
The Pioneer is a good mixer, but clips too easily when pushed into the red, and the x-fader isnt as good as the P&G, (not saying any of you guys throttle the hell out of a system, but I've seen it many a time) and as the original post was what was best a for a club system, sound quality must be a priority, so it has to be the Allen and Heath 62/92. Friends of mine who run free party sound sytems have all now has replaced the Pioneers with A&H. -Original Message- From: George Jones IV - Logic7 [mailto:[EMAIL PROTECTED] Sent: Wed 9/15/2004 6:41 AM To: 313@hyperreal.org Cc: Subject:RE: (313) DJ MIXER: what would be your choice? Y'all can say what you want, but I still swear by my Gemini 626MKII. In the 5 years that I've owned it, I haven't had a single issue with it. No fader crackle, no channels going in and out, no cold solder joints to fix on the i/o RCA's, no nothing. I use my decks and a laptop on it's 3 channels, but may switch to a cd/turntable config at some point. Works great, dirt cheap, what more can you ask for? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 14, 2004 1:36 PM To: 313@hyperreal.org Subject: (313) DJ MIXER: what would be your choice? hi mates! which DJ mixer would u recommend for a club? it should have 3-4 inputs and most of all: great survival potential=) ../z99
Re: (313) Funk vs. Mathew
- Original Message -- From: [EMAIL PROTECTED] >on the other hand i finally got an ear on Mathew. was i disappointed? >almost. following discussion on a list for a while, i expected >something more special - a great production at least, even if i >wouldnt like it personally. and this is where i'm stuck, cause both >"decompression" and "behind the mirror" EPs appear so average to me. his best stuff so far is typerope and the b side of she is he. he'll never have anything even close to his collaboration on Cobblestone Jazz's "5th Element", that track is absolutely classic. his other joints are very hit or miss, especially the minus record, which is all miss, and the a side of the sub static record. the guy makes minimal melodic techno, its nothing new or groundbreaking. when he does it well it sounds really good. tom andythepooh.com
Re: (313) Real Right Bookings
to keep everyone updated: find his schedule for 2004 below. cheers bjoern @ bikini bpm sept 3rd - Zoom Nurnberg sept 4th - Valladollid sept 11th - Burgos Orosco sept 18th - Dresden Bikini sept 25th - Pagoa ... oct 1st - Prison Landau oct 2nd - Jay Denhams Bday possibly ! TBC oct 9th - Germany TBC oct 22/23rd - Brazil oct 29th - Superconductor Leeds oct 30th - Fabric London ... nov 6th - Loft Club Laussanne nov 12th - Code madrid TBC nov 13th - La Coruna Factory Javy TBC nov 26th - prag orion hall nov 27th - graz Austria Dec dec 4th - the bomb Nottingham dec 10th - 18th Australia Tour TBC dec 31st - Fuse Brussels http://www.bikini-boooking.com - Original Message - From: "Martin Dust" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Cc: "SeanDeason©" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Wednesday, September 15, 2004 10:13 AM Subject: Re: (313) Real Right Bookings > I spoke to Claude last week and he's taking time out after Xmas, come > on Yussel cut the guy some slack - no one wants him to hang up his > phones but some of the personal attacks on him have done some damage. I > hope he changes his mind and doesn't give up, so instead of having a > pop stand by him. > > Cheers > Martin > > > > On 15 Sep 2004, at 01:53, [EMAIL PROTECTED] wrote: > > >> > >> Claude Young Jr. > >> Tokyo/JAPAN - DOW/7th City/K7 Records ~ Techno & House > > > > > > shortest retirement ever? > > > > > > >
(313) Funk vs. Mathew
well, well, well, well.. workin thru the nite, i took off few hours spending time watching the city waking up and _listening_ to musik instead of letting it play=) .. i remember some peeps slagging off Soma-rec, well i came round to listen to Funk D'Void's older "dos" and the new one: "volume freak" once again and them good songs just broke my heart. so much of soul and so much of blues! yet i'm for roughly half of each album, not every song works for me. Funk's musik goes back to detroit roots but it doesnt sound old - maybe not exactly futuristic but why should it - its musik of today. although i dont dare to compare these two albums in detail, there is no major jump from what've Funk been into 2001. on the other hand i finally got an ear on Mathew. was i disappointed? almost. following discussion on a list for a while, i expected something more special - a great production at least, even if i wouldnt like it personally. and this is where i'm stuck, cause both "decompression" and "behind the mirror" EPs appear so average to me. yeah, Mathew got an unique style to a certain extent [i'd say: by combining known elements] and even own sound to it [although its more like bad mastering for my liking]. and rite, his tracks are all groovy and well constructed and they got a soul too. yet somehow they feel too raw.. somehow tracks are going so straight, so much nowhere, and transitions are mostly fades. it would explain if these releases are largely recorded live. and if i'd like harmonies, rhythmics and sound on those EPs, i'd enjoy them still. unfortunately it doesnt fit my taste and i cant rave about production as well. allrite lets roll on wednesday! ../z99
Re: (313) Real Right Bookings
Sean/TP, Good luck with this project, looks pretty good and if you think the people at LD and Dust towers can help, just shout... Martin
Re: (313) Real Right Bookings
I spoke to Claude last week and he's taking time out after Xmas, come on Yussel cut the guy some slack - no one wants him to hang up his phones but some of the personal attacks on him have done some damage. I hope he changes his mind and doesn't give up, so instead of having a pop stand by him. Cheers Martin On 15 Sep 2004, at 01:53, [EMAIL PROTECTED] wrote: Claude Young Jr. Tokyo/JAPAN - DOW/7th City/K7 Records ~ Techno & House shortest retirement ever?
Re: (313) DJ MIXER: what would be your choice (personal plug)
A Vestax PCV-180 It's the one they use in Star Trek movies!
Re: (313) DJ MIXER: what would be your choice?
own a vestax pmc-46 with rotary faders. big one ;) > [EMAIL PROTECTED] wrote: > > > hi mates! > > > > which DJ mixer would u recommend for a club? it should have 3-4 > > inputs and most of all: great survival potential=) > > > > > > ../z99 > > > > > >
Re: (313) Octave One: The Theory of Everything
thx aida! that stuff is hot! commercial detroit, whodathunk!? i like it. the p gruv track is esp nice. now i want a p gruv album ohhh -Original Message- From: Rebelbass/bookings <[EMAIL PROTECTED]> Sent: Sep 14, 2004 1:12 PM To: 313 Mailinglist List <313@hyperreal.org> Subject: (313) Octave One: The Theory of Everything The new Octave One album is marvelous! But will not be released untill januari 2005... Next saturday The Burden Brothers will perform live @ Fluid /Effenaar/Eindhoven/ Netherlands. The full album tracklist + audio from 'Bout to Blow' and 'All2U' is now available on my weblog. with permission from the dear brothers. scroll down for the audio icon...(realplayer) enjoy. I do! aida rebelbass http://www.vpro.nl/weblog/news.jsp?news=19114127
RE: (313) DJ MIXER: what would be your choice?
Y'all can say what you want, but I still swear by my Gemini 626MKII. In the 5 years that I've owned it, I haven't had a single issue with it. No fader crackle, no channels going in and out, no cold solder joints to fix on the i/o RCA's, no nothing. I use my decks and a laptop on it's 3 channels, but may switch to a cd/turntable config at some point. Works great, dirt cheap, what more can you ask for? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 14, 2004 1:36 PM To: 313@hyperreal.org Subject: (313) DJ MIXER: what would be your choice? hi mates! which DJ mixer would u recommend for a club? it should have 3-4 inputs and most of all: great survival potential=) ../z99
Re: (313) DJ MIXER: what would be your choice?
I use a Red Sound Infader. I will admit the mixer has latent noise issues .. and can actually crash on you now and again . as it was one of the first mixer to use a digital cross fader section. It has three faders . one for the bass, one for mids, on for high's I love the concept, so found a second hand one. Its great to tweak on at home, and kick at house parties, but never rely on one at a gig. I think the digital part of the mixer is very voltage sensitive, so if you spike the sound or get a power flux . it dies . and need to on/off again // otherwise for drinking and mixing and staying alive, Pioneer :: their mixers sound like tinfoil but boy to they survive club life. Best Dj Mixers for range and quality .. would be Rane. Find one that suits your style . and expect to enjoy that mixer for a long time. .simon On Sep 14, 2004, at 22:19, jason kenjar wrote: I had their first model of direct drive turntables.. they felt like a pair of playschool "My first DJ" toys. Yeah, they could do some cool tricks like +10 / -10 and backwards, but that aint chit when precision and durability is what truly matters with in tables. i've had rather good luck with my ttx tables, but my numark mixer is terrible, and for all the crap i hear about numark layiing off support staff for akai and alesis i would get worried about their overall common sense as a company. -- matt kane's brain http://hydrogenproject.com [EMAIL PROTECTED] -- . . . . . . ... .. .. // \\ gain more interest http://www.obscure.co.nz // \\ . . . . ... . . . .
Re: (313) DJ MIXER: what would be your choice (personal plug)
teehee - free n' workin' - love it! :) when I picked up one years back it was a 4 channel Numark, 'cos that's what I was used to. I still have it, and it does a decent job. my only complaint is that there is slight bleed in two of the line channels, which I've been too proccupied to do anything about ... I guess if I had some money to spend I'd get a decent Pioneer - those look pretty wicked. tho' I do prefer models that are more simplistic, less to worry about, etc. lisa diana potts wrote: my choice? it's called "FreeN'Workin'"...best kind i know of. I have an old Newmark. Don't think anyone will be bulldozing my door to get a hold of this beauty. If anyone has an old mixer that still works, but don't need anymore...my bedroom dj habits would be willing to pay something mighty cheap for it. d --- Simon Hindle <[EMAIL PROTECTED]> wrote: I've heard plenty of reports questioning the durability of the A&H mixers (well, the 62 and the 464) - apparently the Pioneers are the most indestructible, but don't have anything approximating the sound quality. Perhaps the 92 has got these issues ironed out - it certainly looks more rugged, and finally combines features from all the previous models into one unit, as well as having 'DJ-style' fader knobs rather than 'engineer-style' fader knobs... If you can manage without linear faders, the Rane 2016 is super hot. I do like vestax mixers as well (I REALLY like the PMC-250 with those dual EQ's), but don't know how they hold up in terms of durability. That new PMC-CX looks pretty nifty; the master isolator function seems interesting, though I don't quite understand what it's all about. Get an A&H 92 though. And let us all come over and have a play on it :) Ronny Pries <[EMAIL PROTECTED]> 15/10/2004 7:57:43 am >>> xone 62 or 92. :) [EMAIL PROTECTED] wrote: hi mates! which DJ mixer would u recommend for a club? it should have 3-4 inputs and most of all: great survival potential=) ../z99 __ Do you Yahoo!? Yahoo! Mail - 50x more storage than other providers! http://promotions.yahoo.com/new_mail
