(313) Daz-I-Kue in Seattle tonight (instead of Steve Spacek)
Just got this in my mailbox any Seattle list members out there? MEK - WE ARE SAD TO ANNOUNCE THAT THE STEVE SPACEK SHOW SCHEDULED FOR TONIGHT AT THE BALTIC ROOM HAS BEEN CANCELLED IN HIS PLACE WE ARE EXCITED TO BRING YOU FELLOW SOUND IN COLOR ARTIST DAZ-I-KUE of BUGZ IN THE ATTIC, UK TONIGHT! The Baltic Room 1207 Pine St. 21+ / 9p-2a / ONLY $5 ||| DAZ-I-KUE, the Mad Genius behind the Bugz In The Attic sound saves the day ||| DAZ-I-KUE who happened to be in LA working on his 'Black Label Blendz' album for Sound In Color has stepped up to the plate and is on a plane bound for Seattle, to save the day with his patented mix of broken beats, electro boogie and future soul. ||| Local DJ/Production crews Fourthcity and SunTzu Sound Also Performing ||| FOURTHCITY, the masterminds behind the wildly successful Laptop Battles and the underground b-boy night STOP BITING at LO-FI, join forces with broken beat heros SUNTZU SOUND to present this showcase of future soul beats. Fourthcity DJs will provide the the abstract hiphop swing to keep your head knodding. SunTzu Sound takes the decks at the end of the night with electro-boogie beats to keep the waist lines shaking until the lights come up. Truly a party not to miss! Sound in Color, Fourth City and SunTzu Sound present DAZ-I-KUE (Bugz in the Attic, UK - Sound in Color, LA) Local support from Fourth City SunTzu Sound THURSDAY FEBRUARY 2nd The Baltic Room 1207 Pine St. 21+ / 9p-2a / ONLY $5!!!
Re: (313) NZ techno ' . kind of .. .
yeah wicked. I was there, ( Wellington, Queenstown, Dunedin ) in Jan. Primarily for Kaikoura Roots, which was a good intro into the cross culture of the NZ scene, ( lots of different styles on display ). Fat Freddy's doing that stretched out hypnotic acid groove :)) they are definately from outta space :P Am thinking about going back next year and wouldn't mind picking up some smaller gigs, maybe mid weekers. Any hints on making that happen would be sweet. Also the thing I liked the most about NZ was the evident collaboration the artists have with each other. People are really into the focus of the jam, making music for the music. laid back. :)) andrew. On Fri, 2006-02-03 at 12:46 +1300, Simon Kong wrote: my connections are varied and sporadic . with a terrible ability for memory so do not consider this definitive . but more a random thought flow about our scene .. -- Andrew Jackson Systems Administrator NetRegistry Pty Ltd ___ http://www.netregistry.com.au/ Tel: +61 2 96996099 | Fax: +61 2 96996088 PO Box 270 Broadway | NSW 2007, Australia Your Total Internet Business Services Provider Trusted by 10,000s of Oz Businesses Since 1997
Re: (313) Rhythm (or) Sound
On 2/2/06, Simon Kong [EMAIL PROTECTED] wrote: I suggest it goes further to the fact that Dj'ing is a skill being constantly underestimated. Especially in regards to presenting techno .. which in truth requires a true understanding of pitch, tone and rhythm .. For the fact that most Dj's i know never quite understood in a musical technical sense what someone like Jeff Mills is doing when he plays .. I think even outside selection .. much needs to be explained and expressed about the methods of playing the music .. in order for new generations to appreciate it. In NZ in particular .. a whole generation of dance heads have missed the particulars finesse of properly presented techno. Infact ' nearly all Dj's I hear today adhere to strict beat matching policies .. working the 32 16 to perfection .. instead of reaching deeper into sonic conditions to find the harmonics shifting point. Have we gotten over the sloppy attitude of I don't care about the mix .. I just play the music I can appreciate the approach of the collector ' valuing each tune for its content context .. but are we going to see a rebirth of the musical DJ ' someone in tune with the records ' the sound system and the technology. hmm, its interesting that i thought i agreed with you, but in the end, im just not sure. i know there's something to be said for the mad mixing style of people like mills, but that is definitely something that doesnt sound good in all occasions or with all styles of music. i do agree that people underestimate the skills necessary to really work a crowd. it can be done with 3 decks and crazy mixing, but even alot of those guys who do that IMO miss the real purpose of the deejay. the purpose is to make the crowd ride the wave of music that comes from the interaction between the room and the deejay. being able to harness the energy and take people up, down, around, etc seems pretty close to something like downhill skiing or surfing, where you must at every moment be prepared to make a new maneuver if it is called for. too many people are static when they deejay, they play only one genre or one BPM. even good techno can be monotonous when its not broken up with other stuff. and to be able to play those other things and take people with you when you do is not a skill that comes easily, and i dont believe many people even do the things necessary to hone it. tom
(313) Moodymann in Manchester UK
Just got this through for those that are interested: EYES DOWN presents: AN EVENING WITH MOODYMANN Fri 3rd March The Roadhouse Newton St, Manchester. 11pm-3am Tickets: £15 / more on the door We’re incredibly pleased to welcome back one of dance music’s true pioneers to Eyes Down. Ok, so we said no more guests at Eyes Down, but this a bit different. Kenny Dixon Jr. will be taking control for the entire evening, so be prepared for a trip through the past, present and future of dance music. Kenny Dixon has been responsible for some of the most groundbreaking records in house music’s history. Working with artists such as Amp Fiddler, Norma Jean Bell, Theo Parrish, and tapping into Detroit rich musical history of funk, soul and disco, Kenny produces forward thinking records that are still deeply in touch with the lineage of black music. Over the last 10 years he has created an entirely new style of deep, subtle and soulful dance records, and inspired a whole host of other producers to emulate his trademark sound. Notoriously outspoken and at the same time incredibly publicity shy, he avoids the world of interviews, photo shoots and sound-bites, and instead prefers to let his music do the talking. With music as good as his, who can blame him? His DJ sets are an extremely rare occurrence, this being only the second time he has ever DJ’d in Manchester, and looks like being his only UK date. The last time he DJ'd at Eyes Down was one of the most memorable nights we’ve ever had, taking in the entire spectrum of black music. Tickets will go on sale to our Eyes Down regulars first! This Friday (3rd February) at Eyes Down we will be selling tickets on the door for the Moodymann show... Just ask at the door for your tickets which are £15 and as an added bonus to our loyal customers you will get entry to the Roadhouse for only £3. So you get admission to Moodymann without a booking fee and half-price entry to the regular Eyes Down session... The remaining tickets will then go on sale next week – hold tight for info on how where to get hold of them...
(313) BBC potted history of Detroit
Preaching to the choir (and possibly a little off-topic) but interesting to see this on a mainstream site: http://news.bbc.co.uk/1/shared/spl/hi/picture_gallery/06/americas_detroit_pins_hopes_on_super_bowl/html/1.stm robin...
(313) [Brixton party] TO THE BONE // Saturday 4 Feb // Marcel Dettmann (Hardwax/Berghain)
tomorrow night sees Marcel Dettmann make his London debut. Marcel is a buyer at Berlin's legendary Hardwax record store and also resident at Berghain/Panorama Bar, Berlin's best club. joining Marcel will be Jonny McIntosh, making a rare appearance behind the decks, and residents Charlie Blue Tony Little. TO THE BONE George 4th 144, Brixton Hill 10pm-6am // £6 www.hardwax.com www.berghain.de
RE: (313) [Brixton party] TO THE BONE // Saturday 4 Feb // Marcel Dettmann (Hardwax/Berghain)
Nice one dave. Sorry I cant make this party, but again well done on the booking -Original Message- From: Dave Stenton [mailto:[EMAIL PROTECTED] Sent: 03 February 2006 11:38 To: 313@hyperreal.org Subject: (313) [Brixton party] TO THE BONE // Saturday 4 Feb // Marcel Dettmann (Hardwax/Berghain) tomorrow night sees Marcel Dettmann make his London debut. Marcel is a buyer at Berlin's legendary Hardwax record store and also resident at Berghain/Panorama Bar, Berlin's best club. joining Marcel will be Jonny McIntosh, making a rare appearance behind the decks, and residents Charlie Blue Tony Little. TO THE BONE George 4th 144, Brixton Hill 10pm-6am // £6 www.hardwax.com www.berghain.de
RE: (313) New Rhythm Sound forthcoming...
Nah, should be the real thing. Both Lowlands distro and Wordandsound have announced it as shipping this week. So most stores should have it next week. Francis. At 11:00 AM 2/2/2006, [EMAIL PROTECTED] wrote: Heheheh - might not be able to help you on the have we another impostor? front Ken but maybe my visit to Hardwax tomorrow is well timed :-) Wooff-nearly-over-and-out-and-off-to-pack-his-Berlin-bag
Re: (313) BBC potted history of Detroit
On 2/3/06, robin [EMAIL PROTECTED] wrote: Preaching to the choir (and possibly a little off-topic) but interesting to see this on a mainstream site: http://news.bbc.co.uk/1/shared/spl/hi/picture_gallery/06/americas_detroit_pins_hopes_on_super_bowl/html/1.stm here we go steelers, here we go *clap* *clap* tom
(313) The bells, The Bell.......
I wonder want the re working of Circus is like? Jeff Mills - The Bells - 10 Year Anniversary - Purpose Maker - Probably the most played Techno track in history, 'The Bells' has become the anthem for our sonic generation. Whenever heard, the response is typically euphoric and even today, it continues to serve as the climax of countless events, raves and parties starting a decade ago. 'The Bells' means 'let's go!' It's universal voice speaks many languages and with its infectious melody, it has become one of the vital components in the progression of Techno Music. The 10th Anniversary edition features a fully re-mastered version of 'The Bells' plus reworked versions of 'Gift Of The Hills' and 'Circus'. A1. The Bells (Re-Mastered) B1. Gift of The Hills (Reworked) B2. Circus (Reworked)
RE: (313) The bells, The Bell.......
im specially curious what gift the hills will bring us groet, Jochem, Servicedesk ICT -Original Message- From: Paul Kendrick [mailto:[EMAIL PROTECTED] Sent: vrijdag 3 februari 2006 14:55 To: 313@hyperreal.org Subject: (313) The bells, The Bell... I wonder want the re working of Circus is like? Jeff Mills - The Bells - 10 Year Anniversary - Purpose Maker - Probably the most played Techno track in history, 'The Bells' has become the anthem for our sonic generation. Whenever heard, the response is typically euphoric and even today, it continues to serve as the climax of countless events, raves and parties starting a decade ago. 'The Bells' means 'let's go!' It's universal voice speaks many languages and with its infectious melody, it has become one of the vital components in the progression of Techno Music. The 10th Anniversary edition features a fully re-mastered version of 'The Bells' plus reworked versions of 'Gift Of The Hills' and 'Circus'. A1. The Bells (Re-Mastered) B1. Gift of The Hills (Reworked) B2. Circus (Reworked) The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
(313) This Weeks Mix :: Eamonn Doyle (D1) Model One Traffic 11-03-2005
This weeks mix: Eamonn Doyle (D1) Model One Traffic 11-03-2005 http://www.thearchiver.net/data/audio/ModelOne/EamonnDoyle(D1)ModelOneTraffi c11-03-2005.mp3 More mixes at http://www.thearchiver.net The Archiver -- No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.1.375 / Virus Database: 267.15.0/249 - Release Date: 02/02/2006 -- No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.1.375 / Virus Database: 267.15.0/249 - Release Date: 02/02/2006
(313) Teknology Radio
Hi all ! Teknology today : Terrence Parker / Dimitri Pike February prog. available at http://teknology.free.fr also : http://313tm.blogspot.com Listen here : http://teknology.no-ip.org/listen.pls From 18.00 pm gmt+ 1 to 20.00 pm gmt + 1, each friday... Much thanks to those who listen ! -- Dimitri Pike http://wildtek.free.fr http://wildtek.blogspot.com http://313tm.blogspot.com
Re: (313) Jimmy Edgar--Color Strip album out Feb 20
Wow there is even a great techno track on it: Jefferson Interception and some kick-*ss electro tracks as well. On 2-feb-2006, at 19:27, Andrew Duke Cognition Audioworks wrote: Been looking forward to this since I opened for him in Vancouver! Damn this kid is a genuis. Clips here: http://www.warprecords.com -- Andrew Duke scoring/sound design/source http://andrew-duke.com Cognition Audioworks label [Andrew Duke, Foal, Clinker, Granny'Ark] http://cognitionaudioworks.com
(313) Kosmischer Pitch
As usual my budget is keeping me a few months behind the times, but I just picked up Jan Jelinek's newest and holy balls it's great. After a couple listens my favorite tracks are Universal Band Silhouette and Im Discodickicht, but that might change after I have a chance to sit down with some shrubberies and give it a late-night session. Any other full lengths that y'alls are digging currently? My closet-sized apartment is limiting me to CD's right now, but curious to hear about anything. t
