RE: (313) questions/clarification Re: (313) Uhhhhh, new music from Detroit?
The artworks's probably at least as good as the music on that Johnny Gambit thing. http://www.discogs.com/viewimages?release=1735099 It'd be great if one day Oldham's remembered as a very good illustrator as well as a techno maker. Ken -Original Message- From: Andrew Duke [mailto:and...@andrew-duke.com] Sent: Wednesday, April 29, 2009 11:30 PM To: 313 list Subject: (313) questions/clarification Re: (313) Uh, new music from Detroit? ja...@iridite.com wrote: Howsabout that Alan Oldam dude putting out a frickin exellent 6 track EP on Pure Sonik? Really, really good stuff and I'm not usually his biggest fan. Jason: Are you talking about this one? PURE18LP * DJ T-1000 * Johnny Gambit 01: The Prodigal Son LP A Made Up Sound and Hernich Muller doing a really nice split EP on Kontra Music? Just a clarification: A Made Up Sound and Heinrich Mueller are doing the remixes on this; the original tracks are by Jason Fine. Poor Fine barely gets a mention in all the PR on this! :( Alton Miller's new one on Rize Radical has a pretty big sounding mix by Steve Azzara that used to do some nice tracks on Fortek a couple of years ago. Got any more info on this label, Jason? All I can find is this: http://www.triplevision.nl/label/Rize+Radical/ Assume you have the vinyl, does it have a website or anything more re: the actual label? Thanks. Andrew -- Andrew Duke In The Mix weekly mixshow (est. 1987), excl. DJ mixes, PAs, interviews: http://cognitionaudioworks.com/AndrewDukeInTheMix.html sound design and music content provider: http://cognitionaudioworks.com/sounddesignandmusic.html sound design, music, production, DJ courses: http://andrew-duke.com/course.html http://myspace.com/andrewduke http://www.facebook.com/profile.php?id=1614666166 http://www.discogs.com/artist/Andrew+Duke http://www.residentadvisor.net/dj-page.aspx?id=5947 Andrew Duke Cognition Audioworks 57 Hastings Drive Dartmouth NS Canada B2Y 2C7
(313) twitter in the dj booth
Of COURSE it had to be Hawtin who does it: http://www.m-nus.com/newsletters/TWITTER%20press%20release.pdf -- matt kane's brain techno radio at: http://hydrogenproject.com capoeira in boston http://capoeirageraisboston.com aim - mkbatwerk ; y! - mkb218 ; gtalk - mkb.dirtyorg
Re: (313) twitter in the dj booth
And bless his uberkuhlische herzlein, he didn't just start twittering from the DJ booth, he had to put out a press release announcing it. The whole idea of DJing is that it should be an absorbing enough task that you don't have time to screw around with your iPhone every few minutes. And more than that, what DJ wants to play in front of a crowd glued to their cellies? I think Richie is an OK guy -- really, I'm not being sarcastic. But he needs to get out of the freaking echo chamber he's built up around himself. Can you imagine -- just as an example -- Omar-S twittering from the DJ Booth? DJ Bone? Buzz Goree? Theo Parrish? Ron Hardy? Those guys don't need technology to mediate between them and their audience -- they're ALREADY INTERACTING INTIMATELY WITH THEIR AUDIENCE. On Thu, Apr 30, 2009 at 8:59 AM, Matt Kane's Brain mkb-pr...@hydrogenproject.com wrote: Of COURSE it had to be Hawtin who does it: http://www.m-nus.com/newsletters/TWITTER%20press%20release.pdf
Re: (313) twitter in the dj booth
On Thu, Apr 30, 2009 at 10:13, kent williams chaircrus...@gmail.com wrote: And bless his uberkuhlische herzlein, he didn't just start twittering from the DJ booth, he had to put out a press release announcing it. The whole idea of DJing is that it should be an absorbing enough task that you don't have time to screw around with your iPhone every few minutes. Well in this case, it's automatically exported from Traktor. The end of the press release mentions that the real reason for this is to have a log that you can shove at ASCAP and BMI and whoever so the royalties go to the right people, but I don't see how posting that online is any more effective. -- matt kane's brain techno radio at: http://hydrogenproject.com capoeira in boston http://capoeirageraisboston.com aim - mkbatwerk ; y! - mkb218 ; gtalk - mkb.dirtyorg
Re: (313) transfer pricing in the dj booth
if dj's become become classified as performers and thus compelled to pay royalties for the tracks they play in their performances then why would you want a log of all those tracks going to ASCAP, BMI, etc unless you play almost exclusively tracks that you would benefit from being played - i.e. you are also the producer and/or own the label that released them?
Re: (313) transfer pricing in the dj booth
From my understanding, I was under the impression that the venues themselves paid a yearly fee to the performing rights society. I believe that's how Apra, the Australian performing rights org does it. Only problem here is that pool of money usually ends up in the accounts of The Pussycat Dolls rather than Dopplereffeckt. = Southern Outpost http://www.southernoutpost.com Sydney - San Francisco - Berlin Infiltrating your sound systems = On Apr 30, 2009, at 7:35 AM, jdmo...@frontiernet.net wrote: if dj's become become classified as performers and thus compelled to pay royalties for the tracks they play in their performances then why would you want a log of all those tracks going to ASCAP, BMI, etc unless you play almost exclusively tracks that you would benefit from being played - i.e. you are also the producer and/or own the label that released them?
(313) Re : (313) twitter in the dj booth
Well you should probably consider that as an add-on. To me, CD and even more Traktor DJ set have a lack of visual. But it's not always a lack of interaction.This iPhone thing adds a little bit of visual to something that can be boring to look at (which does not mean boring to hear or dance to). Remember the good old traninspotter stuck in front of the DJs and trying to read on the vinyls the title of the tracks. With that new technology trainsptting will come back lol. And dont be affraid of iPhone looking crowds, trainspotters have always been a minority. Something interesting to add would be an iPhone app to actually download the played track (once they stream the artist/title that should be easy). I know Traktor/Beatport are closely linked so that can be easily implemented (except if iPhone does not allow paying downloads from other sources than iTunes). You might find that stupid or businessey, but like the ASCAP rights, that would allow the played artist to get higher revenue and basicaly to sell more tracks (= more exposition). In these days of crisis that doesnt sound to be a bad thing. Benoît. 2009/4/30, kent williams chaircrus...@gmail.com: And bless his uberkuhlische herzlein, he didn't just start twittering from the DJ booth, he had to put out a press release announcing it. The whole idea of DJing is that it should be an absorbing enough task that you don't have time to screw around with your iPhone every few minutes. And more than that, what DJ wants to play in front of a crowd glued to their cellies? I think Richie is an OK guy -- really, I'm not being sarcastic. But he needs to get out of the freaking echo chamber he's built up around himself. Can you imagine -- just as an example -- Omar-S twittering from the DJ Booth? DJ Bone? Buzz Goree? Theo Parrish? Ron Hardy? Those guys don't need technology to mediate between them and their audience -- they're ALREADY INTERACTING INTIMATELY WITH THEIR AUDIENCE. On Thu, Apr 30, 2009 at 8:59 AM, Matt Kane's Brain mkb-pr...@hydrogenproject.com wrote: Of COURSE it had to be Hawtin who does it: http://www.m-nus.com/newsletters/TWITTER%20press%20release.pdf
Re: (313) Re : (313) twitter in the dj booth
Or in the case of Richie Hawtin, you'll know which boring mnml track is currently making you want to murder ravers. 2009/4/30 Benoît Pueyo benoit.pu...@gmail.com: You might find that stupid or businessey, but like the ASCAP rights, that would allow the played artist to get higher revenue and basicaly to sell more tracks (= more exposition). In these days of crisis that doesnt sound to be a bad thing.
Re: (313) Uhhhhh, new music from Detroit?
Damn- I've got a memory like a sieve - I already knew that and forget it- thanks for reminding me! Jason 2009/4/29 collin strange collin_stra...@comcast.net: A new EP that might restore a glimmer of hope to those who thought Planet E would never release another decent record- Reade Truth (never heard of them!)- sound a bit like early Move D in places. Reade is not a 'them'. He's one of the old Groove records (pre Sonic Groove) / Under One Sky posse from way back in the Brooklyn rave days. and he's a pretty cool guy to boot. It was really cool to see that he's still doing it.
(313) Minimal Nation is back!
Rob Hood is re-releasing the original Minimal Nation album with a couple of extra tracks - he's also relaunching M-Plant and hopefully doing doing re-presses too- all good in the Hood :) Hand's up if you think this sounds like Robs' natural speech characteristics??? Minimal Nation is not just a collection of rhythm tracks, but a supernatural work of art realized. I felt a strong sense of urgency to create a body of work that identified with what was placed on my heart, as opposed to what was on my mind. Regardless, of its diminutive nature, one should never underestimate the neural potency of minimalism. A supernatural what? The neural potency of e? Still, when you made an album that good you don't have to make sense I suppose! Jason
Re: (313) Minimal Nation is back!
On Thu, Apr 30, 2009 at 7:29 PM, ja...@iridite.com ja...@iridite.com wrote: Rob Hood is re-releasing the original Minimal Nation album with a couple of extra tracks - he's also relaunching M-Plant and hopefully doing doing re-presses too- all good in the Hood :) Hand's up if you think this sounds like Robs' natural speech characteristics??? Minimal Nation is not just a collection of rhythm tracks, but a supernatural work of art realized. I felt a strong sense of urgency to create a body of work that identified with what was placed on my heart, as opposed to what was on my mind. Regardless, of its diminutive nature, one should never underestimate the neural potency of minimalism. A supernatural what? The neural potency of e? Still, when you made an album that good you don't have to make sense I suppose! http://blogs.myspace.com/index.cfm?fuseaction=blog.viewfriendId=308874768blogId=485597892 -- Greg
Re: (313) transfer pricing in the dj booth
yeah...i know how it is for bars, cafes, and live music venues but i didnt realize that nightclubs here in the states have to pay up as well if ASCAP, BMI, or SESAC finds out about their existence. i wonder how this tech works? if the artist and song info is embedded into some sort of DRM or audio watermark on legal downloads then how would files you encoded from vinyl be tracked unless the artist and song info is logged from the ID3 tags, in which case the system could be easily gamed ;) On 30April2009, at 11:10 , southernoutpost wrote: From my understanding, I was under the impression that the venues themselves paid a yearly fee to the performing rights society. I believe that's how Apra, the Australian performing rights org does it. Only problem here is that pool of money usually ends up in the accounts of The Pussycat Dolls rather than Dopplereffeckt. = Southern Outpost http://www.southernoutpost.com Sydney - San Francisco - Berlin Infiltrating your sound systems = On Apr 30, 2009, at 7:35 AM, jdmo...@frontiernet.net wrote: if dj's become become classified as performers and thus compelled to pay royalties for the tracks they play in their performances then why would you want a log of all those tracks going to ASCAP, BMI, etc unless you play almost exclusively tracks that you would benefit from being played - i.e. you are also the producer and/or own the label that released them?
Re: (313) transfer pricing in the dj booth
On Thu, Apr 30, 2009 at 16:31, jdmo...@frontiernet.net wrote: i wonder how this tech works? if the artist and song info is embedded into some sort of DRM or audio watermark on legal downloads then how would files you encoded from vinyl be tracked unless the artist and song info is logged from the ID3 tags, in which case the system could be easily gamed ;) I don't think Traktor can play anything with DRM so it's probably looking at ID3 tags. Without those, how can one possibly make sense of a music collection, anyway? -- matt kane's brain techno radio at: http://hydrogenproject.com capoeira in boston http://capoeirageraisboston.com aim - mkbatwerk ; y! - mkb218 ; gtalk - mkb.dirtyorg
(313) SF this Friday, May 1st
I'll be playing this Friday alongside Dave Siska of Sonic Sunset radio, at Swig (561 Geary St. @ Taylor). Stop by if you're in the SF Bay area this weekend to hear some fine Detroit- and not only Detroit-related music. No cover charge! Link to the flyer: http://infinitestatemachine.com/2009/04/30/this-friday-in-sf/ Wojtek
Re: (313) SF this Friday, May 1st
Sounds great. I've always dug Siska's DJing. And Stewart Walker is playing the next night -- http://www.theendup.com/events/kontrol.html On Thu, Apr 30, 2009 at 3:51 PM, wojciech kawalek wojtek@gmail.com wrote: I'll be playing this Friday alongside Dave Siska of Sonic Sunset radio, at Swig (561 Geary St. @ Taylor). Stop by if you're in the SF Bay area this weekend to hear some fine Detroit- and not only Detroit-related music. No cover charge! Link to the flyer: http://infinitestatemachine.com/2009/04/30/this-friday-in-sf/ Wojtek
(313) Dopplereffekt - (first?) US live gigs
Dopplereffekt is doing a mini-tour of the US, apparently. New York on May 16th, LA on May 20th. New York: http://lepoissonrouge.inticketing.com/evinfo.php?eventid=34328 Dopplereffekt Kieran Hebden (DJ set) UR DJ S2 (Santiago Salazar) Los Angeles: https://secure.scion.com/scion/ssl/rsvp/housePartyLa.do Dopplereffekt Nadastrom Discobelle DJs (Scion's claims of First US live performance is ridiculous) I can't seem to find anything about any other shows in between (like SF), though. - Greg
Re: (313) transfer pricing in the dj booth
Sounds like selling out to the man to me. On Thu, Apr 30, 2009 at 4:37 PM, Matt Kane's Brain mkb.dirty...@gmail.com wrote: On Thu, Apr 30, 2009 at 16:31, jdmo...@frontiernet.net wrote: i wonder how this tech works? if the artist and song info is embedded into some sort of DRM or audio watermark on legal downloads then how would files you encoded from vinyl be tracked unless the artist and song info is logged from the ID3 tags, in which case the system could be easily gamed ;) I don't think Traktor can play anything with DRM so it's probably looking at ID3 tags. Without those, how can one possibly make sense of a music collection, anyway? -- matt kane's brain techno radio at: http://hydrogenproject.com capoeira in boston http://capoeirageraisboston.com aim - mkbatwerk ; y! - mkb218 ; gtalk - mkb.dirtyorg -- Michael Kuszynski kuszyn...@gmail.com www.planerecordings.com New York, NY
Re: (313) SF this Friday, May 1st
I haven't been digging much of Stewart's Walker's recent stuff, but he has put out some killer records back in the day. It should be interesting to catch his live show, as the last one I've seen about 5 years ago was excellent, in spite of the venue and sound sucking (old RX gallery in SF). On Thu, Apr 30, 2009 at 2:07 PM, kent williams chaircrus...@gmail.com wrote: Sounds great. I've always dug Siska's DJing. And Stewart Walker is playing the next night -- http://www.theendup.com/events/kontrol.html On Thu, Apr 30, 2009 at 3:51 PM, wojciech kawalek wojtek@gmail.com wrote: I'll be playing this Friday alongside Dave Siska of Sonic Sunset radio, at Swig (561 Geary St. @ Taylor). Stop by if you're in the SF Bay area this weekend to hear some fine Detroit- and not only Detroit-related music. No cover charge! Link to the flyer: http://infinitestatemachine.com/2009/04/30/this-friday-in-sf/ Wojtek
Re: (313) SF this Friday, May 1st
...and to keep with the spirit of recent 313 conversations, I'll be happy to compile a tracklist and upload it to twitter afterwards ;) no live feeds with vinyl I'm afraid... On Thu, Apr 30, 2009 at 2:07 PM, kent williams chaircrus...@gmail.com wrote: Sounds great. I've always dug Siska's DJing. And Stewart Walker is playing the next night -- http://www.theendup.com/events/kontrol.html On Thu, Apr 30, 2009 at 3:51 PM, wojciech kawalek wojtek@gmail.com wrote: I'll be playing this Friday alongside Dave Siska of Sonic Sunset radio, at Swig (561 Geary St. @ Taylor). Stop by if you're in the SF Bay area this weekend to hear some fine Detroit- and not only Detroit-related music. No cover charge! Link to the flyer: http://infinitestatemachine.com/2009/04/30/this-friday-in-sf/ Wojtek
(313) Twitter DJ: Trainspot from your couch with Richie
Apparently there's some sort of app/plug-in for Traktor Pro that was written by someone at M_Nus that will Tweet your track list to Twitter in real-time? http://www.houseplanet.dj/index.php/April-2009/Richie-Hawtin-Twitter-DJ-Application.html Looks like it works: http://twitter.com/rhawtin Now we can change the old joke about how the DJ/performer is really checking their e-mail to They're Twittering. - Greg
(313) 313 in da 323 this weekend - Oliver Ho/Alexi Delano/Osunlade
Good weekend for gigs in LA: Friday, May 1st: Oliver Ho @ Re_Invent Flyer: http://img15.imageshack.us/img15/204/rispringlargea.jpg Saturday, May 2nd: Alexi Delano @ Interface 27 (Droid Behavior) Flyer: http://www.residentadvisor.net/images/events/flyer/2009/us-0502-94865-front.jpg Sunday, May 3rd: Osunlade @ Deep (at Vanguard) Flyer: http://www.deep-la.com/calendar/May0309_500x375.jpg - Greg
Re: (313) Twitter DJ: Trainspot from your couch with Richie
I checked his account, he sure twatted alot! On Thu, Apr 30, 2009 at 2:53 PM, Greg Earle ea...@isolar.dyndns.org wrote: Apparently there's some sort of app/plug-in for Traktor Pro that was written by someone at M_Nus that will Tweet your track list to Twitter in real-time? http://www.houseplanet.dj/index.php/April-2009/Richie-Hawtin-Twitter-DJ-Application.html Looks like it works: http://twitter.com/rhawtin Now we can change the old joke about how the DJ/performer is really checking their e-mail to They're Twittering. - Greg
Re: (313) 313 in da 323 this weekend - Oliver Ho/Alexi Delano/Osunlade
I haven't kept up with Oliver Ho since his output on Blueprint/Meta/etc many many years ago... he still hitting that dark percussive techno? On Thu, Apr 30, 2009 at 3:03 PM, Greg Earle ea...@isolar.dyndns.org wrote: Good weekend for gigs in LA: Friday, May 1st: Oliver Ho @ Re_Invent Flyer: http://img15.imageshack.us/img15/204/rispringlargea.jpg Saturday, May 2nd: Alexi Delano @ Interface 27 (Droid Behavior) Flyer: http://www.residentadvisor.net/images/events/flyer/2009/us-0502-94865-front.jpg Sunday, May 3rd: Osunlade @ Deep (at Vanguard) Flyer: http://www.deep-la.com/calendar/May0309_500x375.jpg - Greg
Re: (313) twitter in the dj booth
F*%k saying names making them famous. How much press will you give to him for free? On Thu, Apr 30, 2009 at 10:20 AM, Matt Kane's Brain mkb-pr...@hydrogenproject.com wrote: On Thu, Apr 30, 2009 at 10:13, kent williams chaircrus...@gmail.com wrote: And bless his uberkuhlische herzlein, he didn't just start twittering from the DJ booth, he had to put out a press release announcing it. The whole idea of DJing is that it should be an absorbing enough task that you don't have time to screw around with your iPhone every few minutes. Well in this case, it's automatically exported from Traktor. The end of the press release mentions that the real reason for this is to have a log that you can shove at ASCAP and BMI and whoever so the royalties go to the right people, but I don't see how posting that online is any more effective. -- matt kane's brain techno radio at: http://hydrogenproject.com capoeira in boston http://capoeirageraisboston.com aim - mkbatwerk ; y! - mkb218 ; gtalk - mkb.dirtyorg -- fbk sleepengineering/absoloop US
Re: (313) twitter in the dj booth
This newsbite spewed all over my entire circle of friends without my help. On Thu, Apr 30, 2009 at 18:44, Kevin Kennedy the...@gmail.com wrote: F*%k saying names making them famous. How much press will you give to him for free? On Thu, Apr 30, 2009 at 10:20 AM, Matt Kane's Brain mkb-pr...@hydrogenproject.com wrote: On Thu, Apr 30, 2009 at 10:13, kent williams chaircrus...@gmail.com wrote: And bless his uberkuhlische herzlein, he didn't just start twittering from the DJ booth, he had to put out a press release announcing it. The whole idea of DJing is that it should be an absorbing enough task that you don't have time to screw around with your iPhone every few minutes. Well in this case, it's automatically exported from Traktor. The end of the press release mentions that the real reason for this is to have a log that you can shove at ASCAP and BMI and whoever so the royalties go to the right people, but I don't see how posting that online is any more effective. -- matt kane's brain techno radio at: http://hydrogenproject.com capoeira in boston http://capoeirageraisboston.com aim - mkbatwerk ; y! - mkb218 ; gtalk - mkb.dirtyorg -- fbk sleepengineering/absoloop US -- matt kane's brain techno radio at: http://hydrogenproject.com capoeira in boston http://capoeirageraisboston.com aim - mkbatwerk ; y! - mkb218 ; gtalk - mkb.dirtyorg
Re: (313) questions/clarification Re: (313) Uhhhhh, new music from Detroit?
Odeluga, Ken wrote: The artworks's probably at least as good as the music on that Johnny Gambit thing. http://www.discogs.com/viewimages?release=1735099 It'd be great if one day Oldham's remembered as a very good illustrator as well as a techno maker. Ken -Original Message- From: Andrew Duke [mailto:and...@andrew-duke.com] Sent: Wednesday, April 29, 2009 11:30 PM If Y'all dig A.O.'s artwork, snag some of the later releases on New Religion with his cover art - nice stuff, inside and out, from Juan Atkins, Kirk Degiorgio, Hal Varian/Marcel Delsin, Newworldaquarium, and others. To: 313 list Subject: (313) questions/clarification Re: (313) Uh, new music from Detroit? ja...@iridite.com wrote: Howsabout that Alan Oldam dude putting out a frickin exellent 6 track EP on Pure Sonik? Really, really good stuff and I'm not usually his biggest fan. Jason: Are you talking about this one? PURE18LP * DJ T-1000 * Johnny Gambit 01: The Prodigal Son LP A Made Up Sound and Hernich Muller doing a really nice split EP on Kontra Music? Just a clarification: A Made Up Sound and Heinrich Mueller are doing the remixes on this; the original tracks are by Jason Fine. Poor Fine barely gets a mention in all the PR on this! :( Alton Miller's new one on Rize Radical has a pretty big sounding mix by Steve Azzara that used to do some nice tracks on Fortek a couple of years ago. Got any more info on this label, Jason? All I can find is this: http://www.triplevision.nl/label/Rize+Radical/ Assume you have the vinyl, does it have a website or anything more re: the actual label? Thanks. Andrew
Re: (313) transfer pricing in the dj booth
I wouldn't be surprised if the swine tried to collect from both the DJ and the venue.Greed has no shame southernoutpost wrote: From my understanding, I was under the impression that the venues themselves paid a yearly fee to the performing rights society. I believe that's how Apra, the Australian performing rights org does it. Only problem here is that pool of money usually ends up in the accounts of The Pussycat Dolls rather than Dopplereffeckt. = Southern Outpost http://www.southernoutpost.com Sydney - San Francisco - Berlin Infiltrating your sound systems = On Apr 30, 2009, at 7:35 AM, jdmo...@frontiernet.net wrote: if dj's become become classified as performers and thus compelled to pay royalties for the tracks they play in their performances then why would you want a log of all those tracks going to ASCAP, BMI, etc unless you play almost exclusively tracks that you would benefit from being played - i.e. you are also the producer and/or own the label that released them?
Re: (313) twitter in the dj booth
Thank goodness, someone intelligent/interesting using it. ;) Ie not the appalling John Mayer. On 30/04/2009, at 11:59 PM, Matt Kane's Brain wrote: Of COURSE it had to be Hawtin who does it: http://www.m-nus.com/newsletters/TWITTER%20press%20release.pdf -- matt kane's brain techno radio at: http://hydrogenproject.com capoeira in boston http://capoeirageraisboston.com aim - mkbatwerk ; y! - mkb218 ; gtalk - mkb.dirtyorg
(313) Jon Hopkins
I haven't posted for a while following my infamous How good is Kanye West's 808s album thread, but here is one that I think some 313 types may like - the Jon Hopkins album Insides out on Domino UK. He's Eno's protege and has worked on the Coldplay album (if you don't like them, don't let it put you off!) and the forthcoming Lovely Bones OST. His music is wonderfully melodic and epic yet uses glitchy production techniques. He's not pretending to be an innovator but the musicianship and composition is wonderful. Tom Middleton rates him bigtime. He's influenced by a lot of Warp era stuff, Aphex Twin etc. I love these tracks: Light Through The Veins (Coldplay jacked this one, there's also a remix by Ewan Pearson of it), Vessel and The Low Places (kinda like Trentemoller's more Lanois-ish material, I've played it on repeat all day) and Autumn Hill. He DJs as well and is coming out here for Eno's Luminous Fest in Sydney. I think if you like some of the more ambient, dreamy album releases on Transmat, this record would appeal. I actually prefer Hopkins' music to that of Stimming who everyone is raving about atm.
Re: (313) twitter in the dj booth
On 01/05/2009, at 12:13 AM, kent williams wrote: And more than that, what DJ wants to play in front of a crowd glued to their cellies? I think it's too late, that's already the norm! I think Richie is an OK guy -- really, I'm not being sarcastic. But he needs to get out of the freaking echo chamber he's built up around himself. Can you imagine -- just as an example -- Omar-S twittering from the DJ Booth? DJ Bone? Buzz Goree? Theo Parrish? Ron Hardy? Those guys don't need technology to mediate between them and their audience -- they're ALREADY INTERACTING INTIMATELY WITH THEIR AUDIENCE. To be fair to Richie, he's never been an 'extrovert' DJ or performance based DJ. He's probably the one DJ who could get away with tweeting and make an 'art' of it.
Re: (313) 313 in da 323 this weekend - Oliver Ho/Alexi Delano/Osunlade
Lutzenkirchen has nicked his sound... and turned it into something horrid. And even he's better than Deadmau5. ;) On 01/05/2009, at 8:09 AM, Southern Outpost wrote: I haven't kept up with Oliver Ho since his output on Blueprint/Meta/etc many many years ago... he still hitting that dark percussive techno? On Thu, Apr 30, 2009 at 3:03 PM, Greg Earle ea...@isolar.dyndns.org wrote: Good weekend for gigs in LA: Friday, May 1st: Oliver Ho @ Re_Invent Flyer: http://img15.imageshack.us/img15/204/rispringlargea.jpg Saturday, May 2nd: Alexi Delano @ Interface 27 (Droid Behavior) Flyer: http://www.residentadvisor.net/images/events/flyer/2009/ us-0502-94865-front.jpg Sunday, May 3rd: Osunlade @ Deep (at Vanguard) Flyer: http://www.deep-la.com/calendar/May0309_500x375.jpg - Greg
