[313] Some info needed.

2002-01-10 Thread Analog Headz
any one got any info about the SHEEP label?
not too much info about them in the web.
Y.


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Re: [313] every dog vol 3

2002-01-08 Thread Analog Headz
i am not saying nothing about mills. but sagen and hawking?
i would touch their stuff about time too.
martin heidegger -time and being sounds better. or henri Bergson.

*BTW*
i am really like the music mills but it got nothing to do with that.
A

- Original Message -
From: :P [EMAIL PROTECTED]
To: Odeluga, Ken [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Tuesday, January 08, 2002 11:30 PM
Subject: Re: [313] every dog vol 3




  The grammar is not the point at all ... (but it is just as bad in the
  origianl notes as in the transcript, I'm afraid) The point is whether we
  really think Jeff is adding a great deal to the history of Western
  philosophy with all this? Of course the validity of temporality (or
not),
  the beauty of the oppressed and rejected are noble topics and further,
 this
  is not to suggest there's some sort of elitism about who can make a
point
 or
  write anything on a particular subject ... but at the end of the day
(upon
  which a dog will have his) facile, primary school sentiments are easily
  recognisable as just that.


 If you buy CDs to be touched deep down inside by the liner notes, you will
 most likely be disappointed.

 if you want to read about time and space, get a book by carl sagan or
 stephen hawking.  turn to mills when you want hard techno.

 I personally think mills is being a bullshit artist because his writings
 sound a lot like your average guy trying to project intelligence through
 abstract CD liner rantings.

 dont get me wrong, he can write whatever he wants on cds and records, and
I
 encourage him to do so.  I just know better than to waste my time reading
 that wankery.

 remember, time and space = stephen hawking, banging techno = mills.

 I haven't slept in a while tho so I might just be grouchy :\


 -Joe


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Re: [313] Metropolis film soundtrack

2002-01-08 Thread Analog Headz
i don`t get how u can cut an hour from a film like metropolis
a
- Original Message -
From: Grammenos, Peter [EMAIL PROTECTED]
To: 'Vince Woolums' [EMAIL PROTECTED]; 313 List 313@hyperreal.org
Sent: Tuesday, January 08, 2002 8:56 PM
Subject: RE: [313] Metropolis film  soundtrack



 Mills took his own cuts and snips of the movie and his version was only an
 hour long. I don't think the Lang estate gave him the rights to put out
his
 version, yet anyway. Nor do I think they were entirely happy with the
parts
 he extended / cut out.

 There's an article my g-friend and i wrote after the screening of
metropolis
 by mills here in nyc - http://www.pgeb.com/muzak/mills.html

 -pete



 -Original Message-
 From: Vince Woolums [mailto:[EMAIL PROTECTED]
 Sent: Tuesday, January 08, 2002 1:30 PM
 To: 313 List
 Subject: [313] Metropolis film  soundtrack


 I'm sure this was covered already

 I got DVD copy of Metropolis, and want to synch up the Mills soundtrack to
 the film.

 The film is nearly 2 hours long, but the soundtrack is only 1 hour long.

 Any suggestions?

 Thanks in advance,

 Vince Woolums


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Re: [313] yellow magic orchestra

2002-01-05 Thread Analog Headz
Ymo r quite kool IMHO- they don`t take them self too seriously
funny funny cute music.
A
- Original Message -
From: Dan Sicko [EMAIL PROTECTED]
To: .: Caltrop :. [EMAIL PROTECTED]; [EMAIL PROTECTED];
313@hyperreal.org
Sent: Saturday, January 05, 2002 9:07 AM
Subject: Re: [313] yellow magic orchestra


 At 3:48 PM -0800 1/4/02, .: Caltrop :. wrote:
 yes sir, cheesy it is. :)
 

 I would argue sense of humor over cheesy  ...

 -d

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Re: [313] Fcom -phone?

2002-01-03 Thread Analog Headz
check the hours or how u dial international, since i have used this phone to
talk with them yesturday.
A
- Original Message -
From: laura gavoor [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Thursday, January 03, 2002 5:30 PM
Subject: Re: [313] Fcom -phone?


 Ditto that!  Been trying to reach them for SOME time now.  Anyone

 F Communications Records phone number would be much appreciated...

 Happy New Year all!





 howdee any one here got a phone for the Fcom label?
 A
 
 
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[313] Fcom -phone?

2002-01-02 Thread Analog Headz
howdee any one here got a phone for the Fcom label?
A


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Re: [313] La Funk Mob - Ravers Suck Our Sound

2002-01-02 Thread Analog Headz
hi.
 this one is great when mowax was great laebl. carl craig`s remix is wicked.
hawtin has a very intense mix, great mix is also the Nightmares on Wax.
if u find this one -or the 12 repress take it.
also worth checking is UNKLE-if u find the erath boring- its great too.

try this internet shop they have alot of special MoWax stuff:
www.turntablelab.com
cheers
A
- Original Message -
From: [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Wednesday, January 02, 2002 6:58 PM
Subject: [313] La Funk Mob - Ravers Suck Our Sound


 Hi,

 Can anyone post a review on that double 10  inch box from La Funk Mob that
 came out on Mo Wax back in 96? Is it worth hunting down?

 Regards,

 W


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Re: [313] OT: Help! Reinhard Voigt

2002-01-02 Thread Analog Headz
www.kompakt-net.de
or send an e-mail to [EMAIL PROTECTED]
all the people there are very nice.
A

- Original Message - 
From: [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Wednesday, January 02, 2002 9:48 PM
Subject: [313] OT: Help! Reinhard Voigt


Help please. I just bought Reinhard Voigt's IM WANDEL DER ZEIT on 
the Kompakt label. In my quick internet search I wasn't able to find 
much in the way of a Web site that would give me a track listing. The 
CD doesn't come with any information. Can anyone help?


mail2web - Check your email from the web at
http://mail2web.com/ .


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[313] parrish id.

2002-01-01 Thread Analog Headz
regards, it a sample id.
theo parrish tm018 has a vocal sample any one knows from where its taken and
what does it say exactly?
A


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[313] a question

2001-11-29 Thread Analog Headz
thinking of upgrading my [EMAIL PROTECTED] I mainly play techno/elektro and
minimal house.
i thought of 2 mixers : Allen and heath Xone62 and vestax pcv 275.
 i don`t know which one to take, and BTW if u have any recommendations of
other mixer ur more than welcome.
 A



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[313] a story?

2001-11-23 Thread Analog Headz
well this is a funny story i would like to tell u people here.
i am a dj and i am from israel, in case u don`t know Psy-trance is huge
here, techno is very small, and yes when people here talk about techno they
only like hard stuff, like most people here really like hawtin but not like
carl craig and such.(i think that all the techno people here r less than
1000).
we did a couple of nits we got like 90 or less people inside.
now a good friend of main who is a goa dj but gives much respect to detroit
told asked me and my partner to spin is the small room of a big Goa party, i
mean they play stuff like 145BPM and even more.
it was very funny but sad too. i kicked off with stuff from SND,basic
channel,and alot of minimal dub music. after that we did play alot of micro
house stuff from poker-flat,playhouse,palette,kompakt force inc. ,7th
city,raygun and such. except for a couple of friends who likes us no one did
even pay attention some people looked at the SND record like it was a crazy
thing from mars. after 2 hours i got the idea no one cares so i played a
killer set of good minimal techno and mean ass elektro (there was only 1 guy
who did breakdancing!!!- that was my audience).
i finished with the last 7th city with duvante and Lig. i didn`t know if i
should cry or lough.
thats the story wanted i wanted to share and i`ll be happy for some remarks.
AH



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Re: [313] Jeff Mills Every Dog Has His Day CD

2001-11-23 Thread Analog Headz
israel is also full of psytrance - i can`t stend it!
- Original Message -
From: werner [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Friday, November 23, 2001 8:34 AM
Subject: Re: [313] Jeff Mills Every Dog Has His Day CD


 whoohoo! people that know what I'm talking about :))
 techno is a bit of a non-entity in cape town (south africa) where
psy-trance
 forces itself down our throats.

 Dave Clark wrote:
  Just a question, which Every Dog... are you talking about? I don't
  recall any 12. There was a CD (I dunno what was on this one) and two
  vinyl albums part 1 and 2, which were gold and silver respectively.
 
 ah - I'm talking about vinyl part 2 (silver)

 Phonopsia:
  What about Now is the Time? How
  anyone can describe that as an example of lazy production is beyond
me.
 
 I guess that I have to say out front that I am an all-out fan of The Other
 Day. Tracks like Sleeping Giants and Spider Formation just do it for me -
and
 in those terms (while some tracks on Every Dog... were good) I felt like
the
 production as a whole did not have that oomph (statement of intent) that
came
 through in The Other Day. I felt like I was listening to Invisible
Orchestra
 again.

 Kent:
  'Lazy'? Err, as a producer I can tell you they're anything but.
 
 hmmm... perhaps I've just spent too much time over the last few years
 listening to jazz-flavoured hip hop (pls. don't bring a Kid Loco record
 _near_ me). What I find appealing now is layering and frequency filtering.


 --

 'Once the music leaves your head, it's already compromised' Jack Brewer


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[313] plusquam.

2001-11-22 Thread Analog Headz
Regards, i was just wodering if anyone here knows this label?
 i was very surprised from their realses. its mainly a goa trance label, but
they got some very fine detroit style.
 A
- Original Message -
From: diana potts [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Thursday, November 22, 2001 2:51 AM
Subject: Re: [313] disco nouveau. detroit. december 7 2001


 For those who who just can't seem to get enough of the
 eighties synth sound, I strongly suggest the album. It
 is cleanly produced and put together (the track
 selection flows quite well and tight) and I know alot
 of work went into it by Sam, Brendan G. and many other
 Ghostly crew members to keep it in the barries of
 their audio vision. The tracks by Adult., Perspects
 and DMX Krew are the ones that stand out strongest on
 the album IMHO.

 An entire weeks worth of events were recently
 dedicated to this sound deemed electroclash by the
 event's promoters in NYC. (I'm hoping that term
 doesn't stick btw). This li'l sub genre seems pretty
 strong in Germany and other parts of Europe as well.
 I've had the album for some time, and every time I
 listen to it I look forward to and ponder what kind of
 impact, if any, it will have on bringing the sound
 stronger/closer to the states-though from the number
 of mullets in nyc, it's already caught on quite well
 here;)

 Another artistic and fine job by Ghostly.

 my medicated dog is licking the carpet for no good
 reason,
 diana









 --- Rob [EMAIL PROTECTED] wrote:
  Friday December 7th, 2001
 
  Ghostly International presents...
  chapter II:  Disco Nouveau
 
  A Ghostly evening of electro, disco-punk and neo-new
  wave.
 
  Disco Nouveau is a pre-release event for Ghostly
  International's Tangent
  2002: Disco Nouveau compilation featuring new music
  from Adult., DMX KREW,
  Ectomorph, I-F, Perspects, Solvent, Daniel Wang,
  Susumu Yokota and more.
  Avaliable February 19th, 2002. (CD/3x12)
 
 
  Featuring:
  ADULT. (live)
  (Detroit/Ersatz Audio)
 
  DMX Krew
  (UK/Rephlex, International Deejay Gigolos)
 
  Charles Manier
  (USA/Ghostly International)
 
  Plus special guest DJ:
  Ectomorph
  (Ann Arbor/IT/*67)
 
  The Labyrinth
  1703 Cass Ave.
  Detroit, Michigan
 
  $15
  10-4am
  18+
 
  www.ghostly.com/dn for flyer, directions, etc.
 
 
 
 
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Re: [313] Jeff Mills Every Dog Has His Day CD

2001-11-22 Thread Analog Headz
i also feel the production isnot too good.
 a
- Original Message -
From: werner [EMAIL PROTECTED]
To: 313 list 313@hyperreal.org
Sent: Thursday, November 22, 2001 8:41 AM
Subject: Re: [313] Jeff Mills Every Dog Has His Day CD


 Not to take the wind out of your sails, but I found Every Dog... vol. 2
(the
 12) to be quite a lazy production - both in intent and execution. As
someone
 who loved the Other Day and Metropolis I can't help feeling that perhaps
the
 title reveals some of the intention behind the compilation(s) - giving
each
 dog of a track a day to be spun. hmmm...

 --

 'The business of the World is Trade and Death, and you must engage with
that
 unpleasentness, as the price of your not-at-all-assur'd Moment of
 Purity.-Fool.' - Thomas Pynchon


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Re: [313] plusquam.

2001-11-22 Thread Analog Headz
well u might try @
 www.kompakt-net.de , www.psyshop.com
the funny part is that its a GOA trance label (well the sublabe of spirit
zone). but i was very surprised to listen to some of the best DEtroit
stuff.- well i have a friend who spins GOA.
- Original Message -
From: Johannes Gronvall [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Thursday, November 22, 2001 5:50 PM
Subject: Re: [313] plusquam.


  Regards, i was just wodering if anyone here knows this label?
   i was very surprised from their realses. its mainly a goa trance label,
but
  they got some very fine detroit style.

 just last night i found my way to their web site at:
 http://www.plusquam-records.de/

 they really seem to have released some quite an interesting stuff.
 any recommendations for mail order shops distributing plusquams?

 --
 Johannes Gronvall - Damicon Kraa - [EMAIL PROTECTED]

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[313] las vegas?

2001-11-21 Thread Analog Headz
any one knows details and abou the luke slater cd?
is it good?



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Re: [313] Environ Records

2001-11-20 Thread Analog Headz
also worth cheking :
 Poker Flat -thats steve bug`s label
 http://www.pokerflat-recordings.com

- Original Message - 
From: Thomas Van Steen [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Tuesday, November 20, 2001 6:15 PM
Subject: Re: [313] Environ Records


 Thanks a lot for all you answer :)
 wha, I'm discovering new horizon :)
 
 I LOVE THAT SOUND!!!
 
 thanks all... :)
 
 
 
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Re: [313] John Aquaviva on FinalScratch

2001-11-18 Thread Analog Headz
any one has playlist od this cd?

- Original Message - 
From: Anya Stang [EMAIL PROTECTED]
To: 313 313@hyperreal.org
Sent: Saturday, November 17, 2001 12:06 PM
Subject: Re: [313] John Aquaviva on FinalScratch


Can't wait to see him tonight!

What do you guys think of his new
mix cd 'Mainhatten Sound'?
Finalscratch is mentioned in the
credits but not whether he actually
used it. Tracks are all Force Inc,
I like - but then I'm biased cos I
was born and grew up not too far
away from Frankfurt. : )

Have a good weekend all,

Anya

- Original Message - 
From: Wibo Lammerts [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Saturday, November 17, 2001 2:35 AM
Subject: [313] John Aquaviva on FinalScratch


 Don't ask me how it works, it works!
 
 And he rocked. Period.
 
 out
 
 
 W


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Re: [313] X-mix on vinyl

2001-11-15 Thread Analog Headz
from what i know the x-mix series is defunkt.
 the now do the DJ-KICKS series.
a
- Original Message -
From: Eric Scuccimarra [EMAIL PROTECTED]
To: Samuel Hobbs [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Thursday, November 15, 2001 5:03 PM
Subject: Re: [313] X-mix on vinyl


 I think it is unmixed - but if I remember correctly it is not all of the
 tracks off of a CD - just a selection of them. This could have changed -
 the last one I bought was X-Mix 5. I'm not sure if they are still doing
them.


 At 07:03 AM 11/15/2001 -0800, Samuel Hobbs wrote:
 just wondering if anyone knows whether the X-mix
 series on K7 is mixed or unmixed.
 
 
 
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[313] VEX? info pliz.

2001-11-13 Thread Analog Headz
Hi.
 i have this record all i know its very old skool elektro.
 its called VEX and it has a very funny catoon on the label.
 the other side is writen vex with a crown.
 one track on the 12 has this sample VEX VEX VEX
 pliz help::
 AH


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[313] miss kittin and ZE hacker.

2001-11-12 Thread Analog Headz
did any one got to listen to their new album???
 i have their single on gigolo and it rocks.
 AH


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Re: [313] RE: (313) carl craig - adult

2001-11-09 Thread Analog Headz
any details on the new middelton? like label and title?

- Original Message -
From: Mad'R [EMAIL PROTECTED]
To: ryan burns [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Friday, November 09, 2001 8:34 PM
Subject: Re: [313] RE: (313) carl craig - adult


 you can hear it on groovetech just go to music and advanced search.
 If you like the original you probalbly like this one two.
 I think Cc didn't release anything spectecalar this year (please tell me,
me
 wrong)
 The new Tom middleton btw rocks as hell

 :-)

 Mad'R
 - Original Message -
 From: ryan burns [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Friday, November 09, 2001 8:22 AM
 Subject: Re: [313] RE: (313) carl craig - adult


 
  any comments on the carl craig remix with adult??
 
  rayn
 
 
  From: [EMAIL PROTECTED]
  To: allnight [EMAIL PROTECTED], 313@hyperreal.org
  Subject: [313] RE: (313) carl craig - moment of thuth
  Date: Tue, 6 Nov 2001 15:20:00 +0100
  
  Deep Dish 002
  THE MOMENT OF TRUTH
  ARTIST: BT
  LABEL: DEEP DISH
  RELEASE DATE: 04.01.1993
  FORMAT: 12
  
  1. x |  THE MOMENT OF TRUTH (THE BRIGHTER DAYS MIX)
  2. x |  THE MOMENT OF TRUTH (KING SIZE REMIX)
  3. x |  THE MOMENT OF TRUTH (ORIGINAL RADIO VERSION)
  4. x |  THE MOMENT OF TRUTH (CARL CRAIG'S URBAN AFFAIR REMIX)
  5. x |  THE MOMENT OF TRUTH (THE BLUE NOTE DUB)
  6. x |  THE MOMENT OF TRUTH (ASCENSION DUB)
  
  Deep Dish 003
  RELATIVITY
  ARTIST: BT
  PRODUCER: BRIAN TRANSEAU, BT
  LABEL: DEEP DISH
  RELEASE DATE: 08.01.1993
  FORMAT: 12
  
  1. x |  RELATIVITY (ORIGINAL VERSION)
  2. x |  RELATIVITY (TRANSEAU'S EXCURSION)
  3. x |  RELATIVITY (THE DEEP DISH REMIX)
  4. x |  RELATIVITY (CARL CRAIG'S URBAN AFFAIR DUB)
  
  (source: www.deepdish.com)
  
  Carl did remixes for both of these records, one of which appeared on
the
  Laurent
  Garnier X-Mix.
  
  W
  
  
  -Original Message-
  From: allnight [EMAIL PROTECTED] at INET-1
  Sent: Monday, November 05, 2001 5:21 PM
  To: 313@hyperreal.org at INET-1
  Subject: [313] carl craig - moment of thuth
  
  
  Carl Craig - Moment of Truth (Planet E)
  relativity - Carl Craig urbans afair dub (deep dish)
  
those two songs seems to be the same one to me. moment of truth is
  in the planet e cd designer music, i guess. and the other is in the
  x mix 2 mixed by laurent garnier on studio k7
  http://www.k7.com/data.pl?release=k7027
  
  i dont know whats is the correct name but the track is one of the
  best songs ever to me. anyone knows about its correct name and
  credits?
  
henrique
  
  
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[313] info needed.

2001-11-08 Thread Analog Headz
Regards, i am doing a big article for the magazine i work for. its gonna be
about swedish techno. i really want to make an interview with Robert Leiner
, any one here has any connection or ways to contact him or labels he works
with will be very helpfull.
AH


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[313] stefan ,maceau info

2001-11-08 Thread Analog Headz
just got some ep from a labl called stababy. by stefan and anissa manceau.
it has a john tejada remix on it. this single is just pure bliss, any info
will be welcome.
A
- Original Message -
From: Bulger, Tim [EMAIL PROTECTED]
To: 'dan robitaille' [EMAIL PROTECTED]; 313 detroit mi
313@hyperreal.org
Sent: Thursday, November 08, 2001 9:09 PM
Subject: RE: [313] Re: vinyl walkman


 Back in the early 60's, several companies made in-car record changers for
 Chrysler that would play a stack of 45's:


http://www.imperialclub.com/TipsAndResources/ComponentParts/Accessories/Audi
 oSystem/HighwayHiFi/1956To1959/SpottersGuide.html

http://www.imperialclub.com/TipsAndResources/ComponentParts/Accessories/Audi
 oSystem/HighwayHiFi/1960To1961/Allstate/index.htm



 -Original Message-
 From: dan robitaille [mailto:[EMAIL PROTECTED]
 Sent: Thursday, November 08, 2001 11:05 AM
 To: 313 detroit mi
 Subject: Re: [313] Re: vinyl walkman


 I have an old Fischer Price portable  vinyl player. That
 thing is still the bomb, except when playing 12 records,
 it gets a little sketchy as the vinyl rubs up against the
 tone arm post..

 dan robitaille



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Re: [313] OT Gas,Sturm...?

2001-11-07 Thread Analog Headz
popish stuff like kompakt u can find from labels like KITTY YO, WARE,DIAL
and all MORR. check the german minimal scene its very hype there right now.
A
- Original Message -
From: Grammenos, Peter [EMAIL PROTECTED]
To: 'Mxyzptlk' [EMAIL PROTECTED]; Jernej Marusic
[EMAIL PROTECTED]; Samu Eilola [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Sent: Wednesday, November 07, 2001 12:27 AM
Subject: RE: [313] OT Gas,Sturm...?



 Pop Ambient is the most ambient of all the kompakt compilations.

 Tobias Thomas released a mix cd on Kompakt that is very minimal called
Fur
 Dich

 -Pete


 -Original Message-
 From: Mxyzptlk [mailto:[EMAIL PROTECTED]
 Sent: Tuesday, November 06, 2001 6:17 PM
 To: Jernej Marusic; Samu Eilola
 Cc: 313@hyperreal.org
 Subject: RE: [313] OT Gas,Sturm...?


 Check some of the Kompakt label comps - particularly the Pop Ambient
 series (is there more than one of those?)
  jeff





 hullo.
 
 can anyone recommend some ambient records in style of what brothers Voigt
 have produced under aliases Gas and Sturm on Mille Plateaux ?
 
 thanks and sorry ;)
 
 
   Ronald Raygun



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Re: [313] traktor?

2001-11-07 Thread Analog Headz
try this page
http://home.snafu.de/circonium/music/din.html
- Original Message -
From: janos [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Wednesday, November 07, 2001 1:00 PM
Subject: [313] traktor?


 Who made the Traktor releases?
 As far as I know there wherer only 3 releases, Traktor 1000/ Traktor 2000

 Traktor 3000.

 // janos




 At 10:53 PM 11/6/2001 +0200, Analog Headz wrote:
 from what i know those guys erik and fidel, r connected to the basic
 channel\DIN\hardwax scene of berlin.
 if u like the donna track try the other MMM single or stuff from the
label
 DIN like master traktor.
 Ah
 - Original Message -
 From: armin holzgethan [EMAIL PROTECTED]
 To: Jonny McIntosh [EMAIL PROTECTED]
 Cc: 313@hyperreal.org
 Sent: Tuesday, November 06, 2001 10:04 PM
 Subject: Re: [313] Re: MMM
 
 
   there's also a hard, experimental  rather industrial electro release
by
 mmm. i
   think it was their first one.
   one of the errorsmith tracks is on herbert's mistakes mix-cd as i've
been
 told.
  
   all their releases should still be available at hardwax.
  
   armin
  
   i'm still hoping for a night where i can play that jb cut-up track off
the
   donna ep without killing the party
  
   Simon Walley schrieb:
  
One particularly top moment
was from Keith Tenniswood, when he played Donna on MMM - it's a
 cracker
of
a tune, from a long time back judging by the Fat Cat price sticker
on
 mine.
Any other info on these folk? My copy is stamped with too much ink,
but
there's not much to go on apart from it being a German email
address.
   
I don't know much but AFAIK they're the same guys (guy?) behind the
two
Soundhack 12s and also the Soundstream EP. I think they've also
done
something under the Errorsmith name but I might well be wrong.
   
The Soundhack 12s are great - the only kind of minimal house I
really
 dig
cos its still got that jackin' cut-up feel to it.
   
|| [CiM]
|| [EMAIL PROTECTED]
|| http://www.warmdata.net/
   
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Re: [313] OT - Web Sites

2001-11-06 Thread Analog Headz
yep but klang web site is not working.
 also worth www.mad-net.de
Ah
- Original Message - 
From: Janne Puurunen [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Tuesday, November 06, 2001 8:47 AM
Subject: Re: [313] OT - Web Sites


  Does anyone have the web address or email address for the following
  labels:
  
  Peacefrog, Playhouse, Harmonie Park, Dow.
 
 http://www.klang-elektronik.de/
 Playhouse, Klang Elektronik, Ongaku Music (all in the same family)
 
 - janne, the head of betoni. -
 http://www.adapteri.com/betoni
 http://www.adapteri.com/burdock
 
 
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Re: [313] Re: MMM

2001-11-06 Thread Analog Headz
from what i know those guys erik and fidel, r connected to the basic
channel\DIN\hardwax scene of berlin.
if u like the donna track try the other MMM single or stuff from the label
DIN like master traktor.
Ah
- Original Message -
From: armin holzgethan [EMAIL PROTECTED]
To: Jonny McIntosh [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Sent: Tuesday, November 06, 2001 10:04 PM
Subject: Re: [313] Re: MMM


 there's also a hard, experimental  rather industrial electro release by
mmm. i
 think it was their first one.
 one of the errorsmith tracks is on herbert's mistakes mix-cd as i've been
told.

 all their releases should still be available at hardwax.

 armin

 i'm still hoping for a night where i can play that jb cut-up track off the
 donna ep without killing the party

 Simon Walley schrieb:

  One particularly top moment
  was from Keith Tenniswood, when he played Donna on MMM - it's a
cracker
  of
  a tune, from a long time back judging by the Fat Cat price sticker on
mine.
  Any other info on these folk? My copy is stamped with too much ink, but
  there's not much to go on apart from it being a German email address.
 
  I don't know much but AFAIK they're the same guys (guy?) behind the two
  Soundhack 12s and also the Soundstream EP. I think they've also done
  something under the Errorsmith name but I might well be wrong.
 
  The Soundhack 12s are great - the only kind of minimal house I really
dig
  cos its still got that jackin' cut-up feel to it.
 
  || [CiM]
  || [EMAIL PROTECTED]
  || http://www.warmdata.net/
 
  _
  Get your FREE download of MSN Explorer at
http://explorer.msn.com/intl.asp
 
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Re: [313] anti-technology

2001-10-30 Thread Analog Headz
first of all, the emphasis should be on the music, not on the insturments.
 the instruments are the organon you cannot make music with out the
instruments but, it is only an instrument.
 many people claim that technology drives civilazation and humanity into
progress, and can only help the human race. as i feel it in the long term
technology isnot something u can check in terms of good or bad.
we have a fact, people can make music with computers, i can still remeber
doing an article for a professor which was about electronic music and if
sample based music is real music. my conclusion was that its not the
instruments that counts but rather what the artists is doing with them.same
goes with digital music. its even more then that with this technology i can
even start my own radio station (something i cannot do in the REAL radio
since my country sucks big time). but there`s a price to pay as allways. and
we keep paying it every day.
AH
- Original Message -
From: Bulger, Tim [EMAIL PROTECTED]
To: 'Samuel Hobbs' [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Tuesday, October 30, 2001 7:47 PM
Subject: RE: [313] anti-technology


the only thing that is happening is that more and
 more people are able to create with this new
 technology.  many may ask how is this good?  i ask how
 can it be bad.
 -sam

 Music is not like your child's first crayon picture.  Being enabled to
 create by a piece of software is not equivalent to being able to create.
 More people creating because they _can_, instead of because they feel the
 need (read, inspired) to is more likely to increase the amount of
 uninspired, lackluster music out there (those records you put back in the
 bin and try to forget about).  I hear the argument that this will help
 people who didn't know they had the ability to create music to discover
it,
 but are the ends worth the means?


 -Original Message-
 From: Samuel Hobbs [mailto:[EMAIL PROTECTED]
 Sent: Tuesday, October 30, 2001 7:29 AM
 To: 313@hyperreal.org
 Subject: [313] anti-technology


i have wondered recently about the fears of
 technology.  ever since the beginning of the use of
 fire, people have sought to simplify their lives by
 combining and simplifying processes.  computers are
 only the most recent example of this process.  music
 that was once only with the physical manipulation of
 air is now possible with the tweaking of knobs and
 buttons.  entire symphonies can now be written on
 computer and less and less organic, real music is
 being made today.  is this a problem...
i think that technological advances lead people
 into a realm of unknown territory, where the rules are
 altered.  ultimately those who acclimate themselves to
 these rules are those who succeed.
in this issue of technology and music, i think it
 is necessary to agree that there is no loss here.  no
 one person is prevented from expressing themselves in
 musical terms with this advent of new technology.  now
 one is prevented or chastized for using established
 methods.  in fact old school recording methods are
 probably considered chic by most on this list.
the only thing that is happening is that more and
 more people are able to create with this new
 technology.  many may ask how is this good?  i ask how
 can it be bad.
 -sam

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Re: [313] anti-technology

2001-10-30 Thread Analog Headz
i ment to say there is a change, but we cannot check it now we need some
context (a couple of years).
AHz
- Original Message -
From: Christian Bloch [EMAIL PROTECTED]
To: 313 313@hyperreal.org
Sent: Tuesday, October 30, 2001 10:24 PM
Subject: Re: [313] anti-technology


 technology isn't neutral.. it's not purely bad or purely good, but you
can't
 honestly say it's not doing anything to the music agreed the artist is
 what is important - but you can't say that an artist is the same with a
 guitar in his hand and with a computer it's not that guns kill people
or
 that people kill people - it's that people with guns kill people... (well
 some people do it even without the guns ;)

 Christian Bloch
 http://mp3.com/bloch
 http://www.mp313.com/christianbloch.htm

 Tresor/LL/Deep Night Essentials/Simple Muzik/Funque
 Droppings/Set.Go/Restructured

 - Original Message -
 From: Analog Headz [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Tuesday, October 30, 2001 8:50 PM
 Subject: Re: [313] anti-technology

  technology isnot something u can check in terms of good or bad..
  we have a fact, people can make music with computers,.. its not the
  instruments that counts but rather what the artists is doing with them.


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Re: [313] techno/jazz

2001-10-25 Thread Analog Headz
also worth checking is is orange water -thats seiji and afronauht. on the
archive label.  every thing that is out from bugz in the attic, and the
visions label from alex attias.
A
- Original Message -
From: Dave Clark [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Thursday, October 25, 2001 4:01 AM
Subject: Re: [313] techno/jazz


 What are some of Seiji's other guises? Both the Seiji records I have
 (on 2000 black and bitasweet) are slamming broken-beated string-laden
 funkmonsters. I admit I still don't know what nu-jazz is, exactly, but
 if it's anything like this I want more.

 -Dave


 --- M Elliot-Knight [EMAIL PROTECTED] wrote:
  Yes, I must agree. The broken beat stuff is really where some of the
  best
  jazz leaning sounds are coming from. Seiji (in all of his guises),


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Re: [313] Axis 09

2001-10-21 Thread Analog Headz
well i have the axis09B does anyone have any info about this EP???
as far as tracks 2 tracks on this EP really hard monotone but i like them.
h
- Original Message -
From: Christian Bloch [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Saturday, October 20, 2001 11:33 PM
Subject: Re: [313] Axis 09


 i'm pretty sure hard wax always have copies of both

 Christian Bloch
 http://mp3.com/bloch
 http://www.mp313.com/christianbloch.htm

 Tresor/LL/Deep Night Essentials/Simple Muzik/Funque
 Droppings/Set.Go/Restructured

 - Original Message -
 From: dan ito [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Saturday, October 20, 2001 10:32 PM
 Subject: Re: [313] Axis 09


  just for an idea what is on the records. there is a track from 009a on
 live
  at the liquid room(1994). also, the subject 001 dj bone mix cd has a
track
  from 009b. one of the tracks from 009a sounds like jerical(spelling?)
from
  waveform vol. 1. they are total collector's items. i'd get another copy
of
  each if i found them.
 
  Computer games don't affect kids; I mean if Pac-Man affected us as
kids,
  we'd all be running around in darkened rooms, munching magic pills and
  listening to repetitive electronic music.
 
 
 
  From: Kevin Conrad [EMAIL PROTECTED]
  To: 313@hyperreal.org
  Subject: Re: [313] Axis 09
  Date: Sat, 20 Oct 2001 09:25:14 -0700 (PDT)
  
  More Drama is actually Axis 006 which replaced
  Drama (older Axis 006).  Axis 009 and 009B are just
  untitled releases.  I have 009B and I think it's worth
  it.  I'm not good at track descriptions so I'm not
  going to attempt :)  I beleieve 009 is much harder to
  find than 009B, which you might still be able to get
  at recordcollectorinc.com (I got mine from there).
  
  Kevin
  
  --- Arne Weinberg [EMAIL PROTECTED] wrote:
Hello!
   
Which one do you mean? There's a Axis 009 and a Axis
009b...
Axis 009b is released much later and is called More
drama.
If you are Mills-addicted like me ;-) I think you
need them both.
Not the best releases of him but worth a check in
every case!
   
Cheers, Arne
   
   
james boylan [EMAIL PROTECTED] schrieb:
Is Axis 09 by Jeff Mills (originally distributed
only via Hardwax in Germany
apparently) worth getting? Track description/rating
anyone?

   
   _
--
   
  °°
Arne Weinberg
   
GROUNDZERO Rec. / STARBABY Rec. / PROPAGANDA
Rec.
   
  °°
   
  °°
   
   
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Re: [313] santos rodriguez

2001-10-21 Thread Analog Headz
i also heard it was steve bicknell
- Original Message -
From: [EMAIL PROTECTED]
To: scott mcgill [EMAIL PROTECTED]; 313 313@hyperreal.org;
Maarten Baute [EMAIL PROTECTED]
Sent: Sunday, October 21, 2001 6:38 AM
Subject: Re: [313] santos rodriguez


not too long ago there was a discussion about this on global-techno.
there were a lot of answers, but i don't know that there was ever a
consensus.  i really think/thought that santos is steve bicknell cuz
i actually read that somewhere, but max duley (who prolly oughta
know...) swore that it was not bicknell.  so basically i have no idea
either.

At 6:01 PM +0100 10/20/01, scott mcgill wrote:
Supposedly rumoured that it is Oliver Ho.
Apparently he said once that the mysterious Santos Rodriguez is great and
gonna be one to watch.

Who knows? More of I hope in the future, that ep is the epitomy of good
tribal tecchno IMO.

Scott Mc

- Original Message -
From: Maarten Baute [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Saturday, October 20, 2001 12:54 PM
Subject: [313] santos rodriguez


  Little question:

  is this guy producing under some aliases?
  Because cosmic id 001 is the only relase from santos rodriguez i´ve
heard
  from (and I like it a lot).

  Greets,
  Maarten


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Re: [313] technology

2001-10-20 Thread Analog Headz
here`s my 2 cents.
 my defenition of techno (when people ask me what i spin thats what i
answer) is music with some sort of feeling. innovative and kool. i know that
as a genere TECHNO was created in detroit. i love detroit - but i think good
music (or techno) is created in many other places.
defenitions are bad!
as for trance i have mixed emotions about this genere since in my country
most of the people who like elektronic music are into trance (goa, psy, or
progressive). many of my friends are dj who spin this music. the early stuff
were great lots of emotion but in a weird way their scene is more like
drum`n`bass no more new innovation. the progressive music for me is just
rubbish with no soul.

A
- Original Message -
From: Kent williams [EMAIL PROTECTED]
To: Dan Sicko [EMAIL PROTECTED]
Cc: Phonopsia [EMAIL PROTECTED]; M. Todd Smith
[EMAIL PROTECTED]; 313@hyperreal.org
Sent: Saturday, October 20, 2001 6:43 AM
Subject: Re: [313] technology


 On Fri, 19 Oct 2001, Dan Sicko wrote:
  Trance in its roots was a marketing tool to identify techno with
melody
 
  That's a real shame that the definition of techno had degraded that
  quickly in the early 90s, don't you think?
 
 Well real Detroit techno was over before it started in some respects.
 Kind of like the Velvet Underground -- by the time anyone paid attention
 it was long since gone.  Later on it was seminal in influencing a later
 generation. The people nowadays that call what they do techno, and more
 particular Detroit techno are influenced and informed by the originators,
 but Techno stopped being 'TECHNO' when it spread beyond a very exclusive
 scene that only really involved a few hundred people in and around
 Detroit.

 Which isn't to say that good music in the dance idiom stopped in 1990 --
 it's just not the same thing. There's a global dance culture that has
 as much to do with fashion and pills as it does with music, and thousands
 of people producing music on every continent, each with their own agenda.

 About trance: I've seen a couple of trance DJs that I really liked, and
 it was because they have taste and seek out interesting things outside the
 mainstream. The real problem with trance is the same problem with things
 like filter house, drum and bass, and two step: Specific, limited
 production tricks and rhythms, that a producer should use once or twice
 and then try something new, become codified and serve as the basis of a
 thousand slight variations, all inferior to the original.  That there's
 a market for all that cheap repetition says something about the
utilitarian
 nature of dance music -- DJs always want something new and slamming, but
 it can't be so new they lose their audience.




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