(313) audion on spectral sound: sample id
which rave track is audion sampling on this track (kisses) from the same-titled ep on spectral sound: http://217.158.65.110/MP3/SF148227-01-01-01.mp3 is it cj bolland's horsepower? was wondering and i've got a bad memory. thanks. andrew duke
(313) Jii Hoo was Re: (313) records
Drew Daugherty wrote: Little late to this thread but its been a quiet on the list lately. What's everyones fives these days? Pepe Bradock - Un Pepe En Or Vol. 2 Oasis Collaborating white label (produced by mysterious omar-s) Oliverwho Factory - Rude Awakening Level 2 Women Beat Their Men (k.b. records) Classic And Rare Chapter 3 (F Communications) Jii Hoo - Let me Luv U (ok so its not new but a great one :) Agreed. Love how Jori Hulkonnen uses the Willie Hutch sample in that. Willie Hutch is much underappreciated. Andrew Duke np Mobb Deep sampling Thomas Dolby's She Blinded Me With Science on their new single Let's Get Twisted (think that's what it is called; it's playing on BET in the background in another room) -drew [EMAIL PROTECTED] wrote: so then, records. anyone got any good ones? (lately) I've just been picking up pretty obvious stuff really to tell the truth, haven't discovered anything that I've not heard of lately. anyone get anything obscure and interesting? alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
(313) Round One/Round Two vocalist?
Listening to Round Two's New Day this morning and was wondering (have wondered about this before) who the vocalist is for this, as well as for Round One. Is it Steve Edwards? Andrew Duke -- Jason Trenholm was born 31 August 1969 and died 1 January 2004. We met when we were 5 years old; he was my best friend for the next 29 years.* Andrew Duke releases out now: Take Nothing For Granted http://cognitionaudioworks.com Environmental Politics http://and-oar.org Sprung http://bip-hop.com *Canadian electronica album of the year nominee* More Destructive Than Organized http://staalplaat.com Highest Common Denominator http://pieheadrecords.com Physical and Mental Health http://dialrecords.com 74'02 (split with Hypo) http://tsunami-addiction.com http://cognitionaudioworks.com
Re: (313) Round One/Round Two vocalist?
Samu Eilola wrote: Andy Caine Thanks for the info, Samu. I went to discogs.com (thinking, heck, those records came out 9 years ago, what else has he done?) and came up with nothing but then I did a google search and came up with a LONG list here: http://ubl.artistdirect.com/music/artist/appears/0,,544567,00.html He's got a great voice and it would be wonderful to hear it on more deep productions like the Round One and Round Two, but unfortunately his discography is about 99% lowest common denominator pop music (Tom Jones, Robbie Williams, Westlife, et etc) that he has sung on; strange that he hasn't done like Steve Edwards and Robert Owens and sung on more tech house, techno, and house (instead of straight up pop music). Thanks again for the info, though. Andrew On Wed, 17 Mar 2004, Andrew Duke Cognition Audioworks http://cognitionaudioworks.com wrote: Listening to Round Two's New Day this morning and was wondering (have wondered about this before) who the vocalist is for this, as well as for Round One. Is it Steve Edwards? Andrew Duke -- Jason Trenholm was born 31 August 1969 and died 1 January 2004. We met when we were 5 years old; he was my best friend for the next 29 years.* Andrew Duke releases out now: Take Nothing For Granted http://cognitionaudioworks.com Environmental Politics http://and-oar.org Sprung http://bip-hop.com *Canadian electronica album of the year nominee* More Destructive Than Organized http://staalplaat.com Highest Common Denominator http://pieheadrecords.com Physical and Mental Health http://dialrecords.com 74'02 (split with Hypo) http://tsunami-addiction.com http://cognitionaudioworks.com
(313) Da Sampla Re: (313) no sequencers
Peteri, Jochem wrote: and that da sampla track is awesome, Shake ainĀ“t it? ***Yes -- Jason Trenholm was born 31 August 1969 and died 1 January 2004. We met when we were 5 years old; he was my best friend for the next 29 years.* Andrew Duke releases out now: Take Nothing For Granted http://cognitionaudioworks.com Environmental Politics http://and-oar.org Sprung http://bip-hop.com *Canadian electronica album of the year nominee* More Destructive Than Organized http://staalplaat.com Highest Common Denominator http://pieheadrecords.com Physical and Mental Health http://dialrecords.com 74'02 (split with Hypo) http://tsunami-addiction.com http://cognitionaudioworks.com
(313) B12 was Re: (313) what ever happened to.....?
[EMAIL PROTECTED] wrote: and of course B12 - are they permanently MIA? MEK IIRC, I think I read on the IDM and/or IDM-M list(s) about a year ago that B12 had an album ready for release. No label or scheduled release date, though. Andrew -- Jason Trenholm was born 31 August 1969 and died 1 January 2004. We met when we were 5 years old; he was my best friend for the next 29 years.* Andrew Duke releases out now: Take Nothing For Granted http://cognitionaudioworks.com Environmental Politics http://and-oar.org Sprung http://bip-hop.com *Canadian electronica album of the year nominee* More Destructive Than Organized http://staalplaat.com Highest Common Denominator http://pieheadrecords.com Physical and Mental Health http://dialrecords.com 74'02 (split with Hypo) http://tsunami-addiction.com http://cognitionaudioworks.com
(313) Inner City/Alicia Keys Re: AW: (313) Techno's Voice
Katrin Richter wrote: Let yourself go! it says to me (sometimes). Sometimes it whispers why so much melancholy? when being confronted with the mere beauty of a bassline or string laden arrangements... Remember these moments when not much more mattered than a pounding beat... But most of the times it's not saying anything... nothing like By-be bayy-be bay-bee - it's getting kinda crayyzee - never heard that one before... I don't like pap. I don't like gossip. I don't like stuff like this (spoken with this kinda cutesy kinda stupid television voice): Well I'm a have to just gon head and call this boy. Hello? Can I speak to...to Michael? Oh, hey how you doin'? So how did she get his phone no. if she doesn't even know his name I used to listen to early Inner City over and over when I was feeling down and it always did the trick to cheer me up. re: the Alicia Keys video You Don't Know My Name: Mos Def (the actor playing the character of Michael) leaves his business card (often businesses have contests where they draw a business card from those left and that person/business wins something) so she has his # and his name (don't forget, she's singing you don't know *my* name) :) This is a Kanye West chipmunk-free production. He also produced the newest Janet Jackson single; haven't heard that yet. Andrew Duke np Fym et Diane--Dew Mops (Telegraph) -- Jason Trenholm was born 31 August 1969 and died 1 January 2004. We met when we were 5 years old; he was my best friend for the next 29 years.* Andrew Duke releases out now: Take Nothing For Granted http://cognitionaudioworks.com Environmental Politics http://and-oar.org Sprung http://bip-hop.com *Canadian electronica album of the year nominee* More Destructive Than Organized http://staalplaat.com Highest Common Denominator http://pieheadrecords.com Physical and Mental Health http://dialrecords.com 74'02 (split with Hypo) http://tsunami-addiction.com http://cognitionaudioworks.com
Re: (313) equipment used olden days
[EMAIL PROTECTED] wrote: Korg Poly 800 Casio CZ-1000 and CZ-5000 Sequential Circuits Drumtracks (I think it was called) Sequential Circuits Prophet 600 Mattel Electronics Synsonics Drums 45RPM phonograph records Akai S900 Those are things I remember using. Shake What a weird coincidence! I'm listening to The Revisionist's Theory EP on Frictional as I read this email! Andrew Duke -- Jason Trenholm was born 31 August 1969 and died 1 January 2004. We met when we were 5 years old; he was my best friend for the next 29 years.* Andrew Duke releases out now: Take Nothing For Granted http://cognitionaudioworks.com Environmental Politics http://and-oar.org Sprung http://bip-hop.com *Canadian electronica album of the year nominee* More Destructive Than Organized http://staalplaat.com Highest Common Denominator http://pieheadrecords.com Physical and Mental Health http://dialrecords.com 74'02 (split with Hypo) http://tsunami-addiction.com http://cognitionaudioworks.com
(313) oh no, Will Smith again was Re: (313) can't wait to get mine
[EMAIL PROTECTED] wrote: http://www.irobotnow.com/index.php This robot will be featured in I, Robot starring... Will Smith. I tell ya, if Will Smith bastardizes another Stevie Wonder song, or another Whispers song, or another classic song for this movie's soundtrack, I'm seriously going to freak! Andrew Duke -- Jason Trenholm was born 31 August 1969 and died 1 January 2004. We met when we were 5 years old; he was my best friend for the next 29 years.* Andrew Duke releases out now: Take Nothing For Granted http://cognitionaudioworks.com Environmental Politics http://and-oar.org Sprung http://bip-hop.com *Canadian electronica album of the year nominee* More Destructive Than Organized http://staalplaat.com Highest Common Denominator http://pieheadrecords.com Physical and Mental Health http://dialrecords.com 74'02 (split with Hypo) http://tsunami-addiction.com http://cognitionaudioworks.com
Re: (313) first techno record
Mann, Ravinder [CCS] wrote: Just out of interestWhat was the first techno record you bought ? Mine was Inner City - Big Fun double packed with an Album of remixes. 88 ?? Man that makes me feel old. Thnks Rav I grew up in a small town of less than 500 people called (no joke) Great Village and thus Halifax (though only about 250 000 people or so) was the big city for me. I snagged Human League's Dare in 1981 (along with the latest J Geils and Joan Jett that was out at the time; think they were being played nonstop on the radio here at the time) and I bought stuff like Depeche Mode, Fad Gadget, Ministry, Severed Heads, (basically everything on Nettwerk records at the time), Skinny Puppy, Kraftwerk whenever my parents went into Halifax (luckily I could listen to Brave New Waves on national Canadian Radio--CBC and hear stuff like these, Scraping Foetus Off The Wheel, Nitzer Ebb, etc). When I got to Halifax in 1987 there was a store that carried a lot of 12s and dance vinyl, so I bought--no lie--practically every single record that came in. So I got DJ Pierre remixing Samantha Fox, Kevin Saunderson remixing the Wee Papa Girls, etc. But I'd say the first techno record I bought would have been in 1988 when I got Techno! The New Dance Sound Of Detroit on Ten Records out of the UK (thank goodness it was licensed to Virgin in Canada or else I probably would never have seen it). I didn't make a conscious effort to buy a techno record that day, it just was on a totally different level than all the other records I was buying. There were also a couple of stores that opened for a while (before folding due to lack of business) that carried imports and would order in imports for you, so I got stuff like Bomb The Bass, S'Express, and a lot of the early techno and acid stuff that way (before they all got licensed domestically; always seemed ironic to me that buy the time the import shop got the record in for me, it would end up being released domestically a couple of weeks later at a third the price!). And one of the local radio stations played Inner City's Good Life in regular rotation when it came out (think someone else mentioned this today), but unfortunately that station didn't stick around long (changed to an oldies station). On a totally different note, anyone want to come over and help me finish shoveling out the driveway here? We got 95.5cm of snow in a 21 hour period 2 weeks ago and I still haven't got all of that damn driveway shoveled! It's warming up here now so there's muck and slush everywhere. Take care. Andrew Duke -- Jason Trenholm was born 31 August 1969 and died 1 January 2004. We met when we were 5 years old; he was my best friend for the next 29 years.* Andrew Duke releases out now: Take Nothing For Granted http://cognitionaudioworks.com Environmental Politics http://and-oar.org Sprung http://bip-hop.com *Canadian electronica album of the year nominee* More Destructive Than Organized http://staalplaat.com Highest Common Denominator http://pieheadrecords.com Physical and Mental Health http://dialrecords.com 74'02 (split with Hypo) http://tsunami-addiction.com http://cognitionaudioworks.com
Re: (313) first techno record
lazlo wrote: If New Order's Fine Time (1989) or any of Antler-Subway's New Beat/Hard Beat comps from about the same time don't count, then for me it would be: The Future Sound of London - Accelerator (1991) XL Recordings - The Second Chapter compilation (1991) I STILL dig these records... Heath A funny anectdote (spelling) about New Order; 1987-1989 I had a Friday and Saturday night residency at the university I was attending and people were always coming up to me and saying play the 'get down on your knees' song. After a few nights I realized they were talking about the chorus of New Order's Bizarre Love Triangle. Reminds me of how obtuse their lyrics could be and how NO was not always one to chant their song titles throughout the song as many do these days. Andrew Duke np Slam--Alien Radio -- Jason Trenholm was born 31 August 1969 and died 1 January 2004. We met when we were 5 years old; he was my best friend for the next 29 years.* Andrew Duke releases out now: Take Nothing For Granted http://cognitionaudioworks.com Environmental Politics http://and-oar.org Sprung http://bip-hop.com *Canadian electronica album of the year nominee* More Destructive Than Organized http://staalplaat.com Highest Common Denominator http://pieheadrecords.com Physical and Mental Health http://dialrecords.com 74'02 (split with Hypo) http://tsunami-addiction.com http://cognitionaudioworks.com
(313) edits vs. remixes was Re: (313) edits
Cobert, Gwendal wrote: ... sounds like the best answer so far. Bringing a second question : a re-edit is usually done without the original artist's authorization, while a remix is commissioned by the artist, right ? Gwendal re: remixes, commissioned or not?: And people like Yam Who? started out by doing bootleg remixes (called remixes because they added layers of acoustic instruments--new drums, basslines, keys, etc; and real live players, not programmed all by one person) for well known artists like Pharrel of the Neptunes and Raphael Sadiq (spelling, I just got up) and were so revered for these, despite them being bootlegs, that they are now being comissioned, sometimes by those same artists they initially remixed without permission, for legitmate remixes. Andrew Duke np Stevie Wonder--They Won't Go When I Go -- Jason Trenholm was born 31 August 1969 and died 1 January 2004. We met when we were 5 years old; he was my best friend for the next 29 years.* Andrew Duke releases out now: Take Nothing For Granted http://cognitionaudioworks.com Environmental Politics http://and-oar.org Sprung http://bip-hop.com *Canadian electronica album of the year nominee* http://warprecords.com/mart/music/release.php?cat=BLEEP12fc_type=CD More Destructive Than Organized http://staalplaat.com Highest Common Denominator http://pieheadrecords.com Physical and Mental Health http://dialrecords.com 74'02 (split with Hypo) http://tsunami-addiction.com http://cognitionaudioworks.com
(313) Stevie Wonder was re: something sensible was Re: (313) Mills
Robert Taylor wrote: Strange coming from me, but has anyone got anything sensible to say today? ;-) I had the unfortunate experience of, while flipping through the TV channels yesterday, coming upon the video for Stevie Wonder's Just Called To Say I Love You from the absolutely horrid Woman In Red soundtrack (don't drive drunk and calling to say you love someone are great sentiments, yes, but accompanying them with clunky 1984 sounds don't work). Now, let me state for the record that Stevie Wonder is a HUGE fave of mine, I just don't have any *post*-1983 records from him! Anyway, that incident from yesterday lead to my listening to nothing but Stevie records so far today and I just had a second unfortunate experience that leads to this rant: STOP BASTARDIZING STEVIE RECORDS BY interpolating THEM! Why the anger?: well, here am I enjoying side 2 of Songs In The Key Of Life and track 1 is I Wish--bastardized by Will Smith for that bloody movie Wild West (I forget the exact title), and then just 2 songs later comes the most wonderful Pastime Paradise--bastardized by Coolio for his horrible rework. Taken separately, I was able to suffer through these bastardizations in the past when they came out, but having the reminders rubbed in my face within the space of 3 tracks this morning, damn, I almost feel Will and Coolio should be apologizing to anyone listening to Songs In The Key Of Life from now on! :) Brings back another horrible memory: I had had a house/tech-house residency at a local bar (313 relevance: Kenny Larkin's rework of Sade that I got when Dan Bell was running the Seventh City store in Detroit with Kristie Negro was a bit hit at this residency) and Coolio's Gangsta's Paradise was a big hit at the time (not that I ever played it--ever--but the other DJs at the bar certainly did). So I played Stevie's Pasttime Paradise when someone requested Coolio during the house/tech-house night (guess he didn't clue in to the theme of the night) thinking I could sorta satisfy the request and perhaps educate a bit as well as keep the vibe I was trying to work with. Well, I almost got beaten up! When I explained the Stevie-- Coolio connection, the guy did not give a sh*t--he just wanted to hear his Coolio. Will Smith did the same horrible thing to a Whispers record I used to love. Don't miss those days at all. Thank goodness Kanye West chops up and plays around a bit with the Chaka Khan sample when he uses it on Through The Wire instead of going for a rap-over-the-original rework. Whew! Not sure if it was sensible, but there's my rant for the morning, Robert. :). Andrew Duke -- Jason Trenholm was born 31 August 1969 and died 1 January 2004. We met when we were 5 years old; he was my best friend for the next 29 years.* Andrew Duke releases out now: Take Nothing For Granted http://cognitionaudioworks.com Environmental Politics http://and-oar.org Sprung http://bip-hop.com *Canadian electronica album of the year nominee* http://warprecords.com/mart/music/release.php?cat=BLEEP12fc_type=CD More Destructive Than Organized http://staalplaat.com Highest Common Denominator http://pieheadrecords.com Physical and Mental Health http://dialrecords.com 74'02 (split with Hypo) http://tsunami-addiction.com http://cognitionaudioworks.com
[Fwd: RE: (313) Stevie Wonder was re: something sensible was Re: (313) Mills]
Original Message Subject: RE: (313) Stevie Wonder was re: something sensible was Re: (313) Mills Date: Wed, 3 Mar 2004 16:21:26 - From: Mann, Ravinder [CCS] [EMAIL PROTECTED] To: '[EMAIL PROTECTED]' [EMAIL PROTECTED], Robert Taylor [EMAIL PROTECTED] CC: 313@hyperreal.org In the UK we have a 'boy band' called Blue they hooked up with SW and Angie Stone in a recents collabaration (abhoration) for the classic Signed Sealed Delivered Im Yours. Blue *feat* SW and AS. I mean two a penny boy band feat a soul legend. Why Stevie ? Why are you spoiling my memory of all the great music with this cack ? Surely you don't need the money ... Yeah I will be putting on Fulfillingness' First Finale as soon as I get home tonight. Rav ps This post prob wont make it to the list as it seem I cant post anymore : ( so if you fellas want to forward it, feel free. -Original Message- From: Andrew Duke Cognition Audioworks http://cognitionaudioworks.com [mailto:[EMAIL PROTECTED] Sent: 03 March 2004 16:07 To: Robert Taylor Cc: 313@hyperreal.org Subject: (313) Stevie Wonder was re: something sensible was Re: (313) Mills Robert Taylor wrote: Strange coming from me, but has anyone got anything sensible to say today? ;-) I had the unfortunate experience of, while flipping through the TV channels yesterday, coming upon the video for Stevie Wonder's Just Called To Say I Love You from the absolutely horrid Woman In Red soundtrack (don't drive drunk and calling to say you love someone are great sentiments, yes, but accompanying them with clunky 1984 sounds don't work). Now, let me state for the record that Stevie Wonder is a HUGE fave of mine, I just don't have any *post*-1983 records from him! Anyway, that incident from yesterday lead to my listening to nothing but Stevie records so far today and I just had a second unfortunate experience that leads to this rant: STOP BASTARDIZING STEVIE RECORDS BY interpolating THEM! Why the anger?: well, here am I enjoying side 2 of Songs In The Key Of Life and track 1 is I Wish--bastardized by Will Smith for that bloody movie Wild West (I forget the exact title), and then just 2 songs later comes the most wonderful Pastime Paradise--bastardized by Coolio for his horrible rework. Taken separately, I was able to suffer through these bastardizations in the past when they came out, but having the reminders rubbed in my face within the space of 3 tracks this morning, damn, I almost feel Will and Coolio should be apologizing to anyone listening to Songs In The Key Of Life from now on! :) Brings back another horrible memory: I had had a house/tech-house residency at a local bar (313 relevance: Kenny Larkin's rework of Sade that I got when Dan Bell was running the Seventh City store in Detroit with Kristie Negro was a bit hit at this residency) and Coolio's Gangsta's Paradise was a big hit at the time (not that I ever played it--ever--but the other DJs at the bar certainly did). So I played Stevie's Pasttime Paradise when someone requested Coolio during the house/tech-house night (guess he didn't clue in to the theme of the night) thinking I could sorta satisfy the request and perhaps educate a bit as well as keep the vibe I was trying to work with. Well, I almost got beaten up! When I explained the Stevie-- Coolio connection, the guy did not give a sh*t--he just wanted to hear his Coolio. Will Smith did the same horrible thing to a Whispers record I used to love. Don't miss those days at all. Thank goodness Kanye West chops up and plays around a bit with the Chaka Khan sample when he uses it on Through The Wire instead of going for a rap-over-the-original rework. Whew! Not sure if it was sensible, but there's my rant for the morning, Robert. :). Andrew Duke -- Jason Trenholm was born 31 August 1969 and died 1 January 2004. We met when we were 5 years old; he was my best friend for the next 29 years.* Andrew Duke releases out now: Take Nothing For Granted http://cognitionaudioworks.com Environmental Politics http://and-oar.org Sprung http://bip-hop.com *Canadian electronica album of the year nominee* http://warprecords.com/mart/music/release.php?cat=BLEEP12fc_type=CD More Destructive Than Organized http://staalplaat.com Highest Common Denominator http://pieheadrecords.com Physical and Mental Health http://dialrecords.com 74'02 (split with Hypo) http://tsunami-addiction.com http://cognitionaudioworks.com -- Jason Trenholm was born 31 August 1969 and died 1 January 2004. We met when we were 5 years old; he was my best friend for the next 29 years.* Andrew Duke releases out now: Take Nothing For Granted http://cognitionaudioworks.com Environmental Politics http://and-oar.org Sprung http://bip-hop.com *Canadian electronica album of the year nominee* http://warprecords.com/mart/music/release.php?cat=BLEEP12fc_type=CD More Destructive Than Organized http://staalplaat.com Highest Common Denominator http
(313) Elecktroids--Elecktro World
Am re-enjoying this album as I type this. Mystery World is playing right now; sends chills down my spine when it hits the breakdowns (particularly after just listening to Giorgio Moroder's From Here To Eternity). Wow! Still sublime 9 years later. One of my absolute favorite releases on Warp Records. Andrew Duke -- Jason Trenholm was born 31 August 1969 and died 1 January 2004. We met when we were 5 years old; he was my best friend for the next 29 years.* Andrew Duke releases out now: Take Nothing For Granted http://cognitionaudioworks.com Environmental Politics http://and-oar.org Sprung http://bip-hop.com *Canadian electronica album of the year nominee* http://warprecords.com/mart/music/release.php?cat=BLEEP12fc_type=CD More Destructive Than Organized http://staalplaat.com Highest Common Denominator http://pieheadrecords.com Physical and Mental Health http://dialrecords.com 74'02 (split with Hypo) http://tsunami-addiction.com http://cognitionaudioworks.com