Re: (313) If
Berlin or Frankfurt your choice. My opinion 51:49 % for Berlin. b. > If Detroit is the First City of Techno, which IYHO is the Second... > > Cheers > Martin
Re: (313) Lekebusch ( for the Madlib fans)
Cari is one of the scandinavian bangers colective, but his early works as MR. James Barth were outstanding. Very floor, but inteligent music. Then on Hybrid and Drum Code songs were much more stupid bangers. After that i didnt have high opinion on him. >P.S. Just listening to the new Cari Lekebusch LP on Truesoul, anyone >Ahave any opinions on this guy - is he part of the scandinavian looped >bangers massive? The LP is decidely unloopy with a few quite good >tracks in fact (though nothing earth-shattering).
(313) jiri ceiver
today i was browsing thru my cd`s and found jiri cevier`s head.phone, it was just to blow my mind trental, vacui and osiac from album were just mindblowing songs. Fantastic. Now the question is, who is that guy, and is he still produceing? thanks b.
Re: (313) Every Dog 4
definition of d is one of his best works beside remainings on Drumcode, and bangers are boring and hard for brain that bangers. They live short life on scene Mull is coming back with some new materials as i heard, but im asking are we going to hear some lekebusch stuff, i dont think so... so banging leeds to suffering, and suffering leads to dark side... b. > Yes, those records on Svek he did are really good. 5 out of 5! > I heard Mike Grant playing the "definition of D" on the DEMF 2000 (I wasn´t > there, but saw the realvideo on groovetech).
Re: (313) 808 State
i would say that ex:el is most complete work after that not my kind of 808, don solaris is by my opinion worst, in yer face, cubic, pacific state 202 best pieces by them b. - Original Message - From: "Toby Frith" <[EMAIL PROTECTED]> To: "Mann, Ravinder [CCS]" <[EMAIL PROTECTED]>; "'313'" <313@hyperreal.org> Sent: Friday, December 13, 2002 11:04 AM Subject: Re: (313) 808 State > The Quadrastate EP from 88/89 is good - "Ex:El" from '91 is ok. Some of > their material has dated rather badly though IMHO. >
Re: (313) Recloose - Ain't Changin'
> Hats off to Recloose. I dropped this track Saturday night in Windsor for the > 1st time and everyone loved it - maybe not as much as I did however. played also on saturday, craig`s remix of ain changin, and was suprised that people can really enjoy this tune as much as i can... one of my favourits this year.. b.
Re: [313] mp3 top ten
adult live at demf shawn rudiman live at velvet christian vogel live at nature one kraftwerk live at tribal gethering 97 sender berlin: gestern heute morgen b. - Original Message - From: "Aaron Reed" <[EMAIL PROTECTED]> To: "Lester Kenyatta Spence" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Tuesday, July 30, 2002 3:04 AM Subject: Re: [313] mp3 top ten > > Laurent Garnier's Essential mix > Dave Clarke's Essential mix > Leftfield live @ Homelands > Leftfield's Essential mix is also quite good > > > -Aaron > > > > > On Tue, 30 Jul 2002, Lester Kenyatta Spence wrote: > > > just got a portable mp3 player (less than $90...damn i love technology). > > if you were to choose 2 or 3 mp3 sets you'd HAVE to place on disk what > > would you put on there? i ask because while i've heard several phat phat > > phat dj real audio dj sets, i haven't heard that many good mp3 sets > > > > peace > > lks > > > > > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] bc
isnt 4.5 maurizio, not bc, but same thing, but ... well you know what i mean :))) berislav - Original Message - From: "scotto" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, June 17, 2002 5:05 PM Subject: Re: [313] bc > I have a couple question in the same vein. probaly be answered by a list > member. > > why is BC 01 so different from the rest of there work. it's quite banging > for them. > > with BC 04 and 04.5 why not release it as a double pack? and why is one side > of 4.5 so short. IMO it's not worth the whole album side. > > scotto > - Original Message - > From: "Odeluga, Ken" <[EMAIL PROTECTED]> > To: "[EMAIL PROTECTED] Org" <313@hyperreal.org> > Sent: Monday, June 17, 2002 2:54 AM > Subject: [313] bc > > > > Whilst we're on the subject, I'd like to ask something which I wouldn't > > waste bc's time with in an interview, but which I'd love to know: > > > > How come/why was 'Cyrus' quite different (discrete) from all of the other > > output? True it has a dubby, hypnotic flavor also, but it is more akin to > > Scan 7 than Studio 1. > > > > Plus - the title, 'Cyrus;' historically, a benevolent, progressive > > patriarch. Could it be an obvious tribute to a Detroit figure? > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Is Techno in a Critical Moment?
i see this maybe in another way, i was thinking alot i past few months about techno, because of the scene in my town and cities around me. there is bunch of partys, all hard techno, pounding and trashing sound systems. so i asked my self, am i still for it, do i realy want to atend partys with bass kicking my ass. and was a little dissapointed. but now i look in another way, techno is on a scene for how long now, 20 years, big boom in last 10 years. and you had critical mass of producers, that had unexplored teritory with a lot of influences, from music to socity. today you have world wide producers, and much of them are influenced with music from big boom. maybe we are missing other teritorys to explore and we are to much focused on teritory that first wave of producers explored. i dont think techno is in critical moment, i think kids that ar now 12, 13 years old, with all this new technology coming with a speed of light into our lifes, will find new moments in music. new ways to express them selfs. and for ourselfs, just to keep open minded and not to see all in black, techno was allways sound of the future, so we just have to look forward... berislav - Original Message - From: "Phonopsia" <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Sent: Saturday, June 15, 2002 11:07 AM Subject: [313] Is Techno in a Critical Moment? > I think this question has to be firmly situated within Sean Deason's > question about the validity of making old-school techno today. I think that > stuff is fine, good, and generally the pleasurable techno I find to listen > to. Stuff like you find on Digital Soul, Delsin, Puzzlebox, UR, Fabrice > Lig's output, etc seems like great f*ckin' music to me, but that seems like > a scarce quantity to sustain a movement (you'll hopefully see this is the > crux of my point). To be overly clear, I am not complaining about that music > at all - I f*cking love it. Meanwhile, I know there's other great stuff, but > I feel like there's an *essential* movement missing from the techno world > right now. I don't know what it is or might be, and I don't know how one > might fill that void. I am completely immersed in the broken beat sound > these days, and I feel like that's more of a house music at the end of the > day than techno, unless you're looking at the Nubian Mindz end of things. > Without digging into all those particulars, I think it's safe to say that's > a distinct movement from "techno". I like the Clicks 'n Cuts stuff a lot for > what it is, but it feels momentary. I love hard techno, but I don't hear > anyone exploring much new territory other perhaps Jacek Sienkewicz, who's > musicality cannot be suppressed, although his best moments remind me of Hood > in a new way. > > I guess what I'm getting at is that I feel like as all the new ideas become > instantly codified it seems like techno is impossible today in the Millsian > "tomorrow" sense. If someone takes refuge in more traditional songwriting, > it's destined to veer towards house, classic electro or retrotechno, as we > see with Metro Area, Delsin and the broken beat stuff. If there are genuine > breakthroughs, a new wing of producers are waiting to stake their claim as > we see today with the Akufen's of the world. I can't disclaim this enough. I > really like almost all of this music, and I'm pleased with the high output > of great music today. But my question is where can techno go from here > without becoming purely experimental or instantly segmented? I ask this as a > producer as much as a DJ. I feel like techno has always occupied a void > between ultimate-soul and experimentation, and now its only route is to fill > in those blanks more and more as experimental producers (think: Monolake or > Vladislav Delay) pave technical territory without losing their grasp on the > music. One of the most futuristic efforts I've ever heard is Monolake's > "Tangent". I feel like this record still outpaces the futurism of most of > today's techno. So to my question: is techno left to integrate these > breakthroughs and bathe them with soul a la Fabrice Lig? Is this the proper > domain of techno, rather than the futuristic banner we normally pin on it? > Is techno today less linked to technology and innovation than it is to its > past? I feel like the answer must be "yes", and I would love to hear your > thoughts on the matter (clarifying again that I really don't give a sh*t > what you call the best music, but I'm left feeling like what we all knew was > techno and the "music of the future" is now occupying a different > significance than it originally had). > > Tristan > ---
[313] Eddie Flashin Fowlkes
Im backing up my self on some producers that i forget long time ago.. so i could find any information about Eddie Fowlkes usefull. His other works, and is there any aka`s that his known for. thanx berislav - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Techno songs so good they make you cry....
it has been interesting to read all day what are the songs to cry for... and its is also interesting to see (90%) atkins,craig, may , listed by everyone... so im not going to move far from that carl craig:climax :at les may:icon model 500:game one and recenty crying on duvant`s : selections for intercourses berislav - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Mills June 1st cancellation
i have heard that Mills canceled all europe gigs because of his studio work. He has decided to take some time for him self in studio. b. > Just found out Mills has cancelled his June 1st date at fabric, London. > They've got Tony Humphries instead. That's all I know. > > TOM - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Speedy J uno
for me from england to croatia, one week. juno is good, but last time a had much happier experience wtih groovetech, records arrived in 5 days, and guys show with packages on my door. that moment i knew how a little child can be happy sometimes :) b. > I thought I should share my internet record shopping joy with you all today > :O) > > I ordered some records yesterday afternoon from www.juno.co.uk and they > arrived this morning! > > Now that's what I call good service! > > Gary 'Happy as Larry' G - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Josh Wink responds to Dan Bell
Dont know for wink`s Phreak, but if im not mistakeing you can get Bell`s Phreak on Tresor`s "sirius is a freund" with some vogel and atkins tracks also... B. 1- how can i hear those two tracks???!! 2- "dan bell - acid phreak" or "dbx - beat phreak" - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Los Hermanos Re: [313] metropolis screening in the
One side is fine, but the other skips in a few places. > Regardless, Birth Of 3000 is going to be a hit. i got same problem with Rob Hood`s Kick Dirt... its skiping so much, that i have it for nothing, played it once on party, but i had to do very fast back spin and some miracles to save my self. other day i spoke with another guy about that and he told me that things like that had to do something with mastering... another look on record and i could see that record groove on some place just crosses with another one,and on this places record skips like it was printing on very fast speeds... b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] groovetech site up then down and all shaken
does somebody have any infromation what is going on with groovetech site. its in mess and can do anything about it, for some time i had message that acces is forbiden , and now its unusable b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] OT: Hawtin fonts
im defenitly tired of looking around, so im asking does anybody have plastikman`s font "F Uck 'n' Pretty", because mr. Hawtin is coming to play over here, and i need font for video wall please help, b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] dub taylor
im just going thru some Force Tracks releases on groovetech, and please can someone can give me some info on dub taylor. this is some realy nice piece of music that his produceing.. thanks b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] A heads-up for anyone who owns the Basic Channel CDs
Dont know, my just snaped one day in two pieces, and it just happend when i heard that there is a problem witht hat metal cases, and that is the main reason why they switched to recycled paper. A i didnt make a copy, and now i dont have "bc" cd any more,and now i said it and my eyes are full of tears... B. Strange.. my copy on cd suddenly stopped working one day. Luckily i made a copy for my then g-friend and stole it back after we broke up ;) Same thing happened with my Ricardo Villalobos mix cd, which is not in a metal case. Wouldn't surprise me if basic channel rigged the cd, inside the case it says "Buy Vinyl". -Pete - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] pronounce this...
> Went to the record shop to buy a CD (LP5) by Autechre > > Me : 'Do you the CD called LP5 by Ought-tek-ra ?' > Shop Fella : 'Oh you mean Ought-Chure' > (think torture without the t) > > So what is the correct pronoucition ? > > And is Monolake...simply > Mono - lake > as in non-stereo - large inland water mass ? > i was never sure what Autechre means, and today im not sure how can you pronounce that... and about monolake, i beleive its just nonstereo water mass, monolake, or on croatian "Monolejk" :) b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Regarding Business
> i dont the point being raised was 'which dj is the best' it was to do with > which was the most well known, i would agree that carl cox certainly has a > hugely higher profile than hawtin in the uk. > this one is gone from one way to another, from racial problems to who is better dj, and who is what , and how is who working on the scene. i cant say juan atkins is super dj, he didnt play in croatia , and i didnt have chace to hear him. on richie i can say that man can do miracle on turntables and music, and everything is just like it should be. but on another hand juan is to me much more better producer then richie will ever be. but that is my opinon. on that dj side i have juan`s mix from mastermix series and i enjoy it everytime, ist not mixed perfect, and i dont need that, but music is perfect. so that who is better or not, it all depends on that in what part of world you are living. over here rush, mills, hawtin, are all big stars, everytime when they come, you can expect 2000 ppl or more, no problem. and about racial problems, i had few weeks ago discussion on that topic with Badi and Phonopsia, and we didnt get some explicit conclusion. we agreed that there could be a problem, and i said "could be", because at most of time you dont have proof that somebody is ditched beacuse he is black. i agree that can happen, but anybody heard someone from big label said "he cant get contract beacuse he is black". and im not trying to defend anybody hear. i just want to say that we are spending lot of energy on "conspirasy theory". and in this topic, we have break the quota of used energy for nothing. maybe there is just plain problem that techno will never be so popular like rock, or hip hop, and that big contracts will never be usual in techno music, or maybe contracts will be usual , in 10 years from now. nobody can tell streight what is going on. and i agree with atkins on topic about interviews, you can tell one thing, but you cant be sure that your words will be putt just as you said themone little word and whole concept is lost i hope nobody will get me wrong here. b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Regarding Business
> trance: oakenfold, sasha digweed (white) > techno: carl cox? (black) > jungle: goldie (black) come on, man ,techno carl cox if somebody is mega super star in techno thats got to be Richie Hawtin, who is that carl cox figure. fat ass dj running intec nothing special b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] New Electronica
> The 3MB/Juan Atkins joint is a classic, from the Jazz Is The Teacher album > on Tresor. > i beleive , that album on tresor dont have name, its just 3mb feat. magic Juan Atkins, and its not to much to know, that names of mortiz von oswald and thomas fehllman are involved in that b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fabrice Lig interview online @ technotourist.org
Fabrice Lig (october 2002) its so nice to have some interviwes from future :-) b. - Original Message - From: "Jongsma, K.J." <[EMAIL PROTECTED]> To: <313@hyperreal.org> Cc: <[EMAIL PROTECTED]> Sent: Monday, February 18, 2002 2:05 PM Subject: [313] Fabrice Lig interview online @ technotourist.org > Hi, > > Listmember John Osselaer did an interview with Fabrice Lig. We just uploaded > this interview to our website. For those of you who are interested go to: > http://technotourist.org > > or more directly, go to: > > http://technotourist.org/modules.php?op=modload&name=Sections&file=index&req > =viewarticle&artid=8 > > Thanks for your time and enjoy! > > [EMAIL PROTECTED] > > -- > DISCLAIMER > > De gemeente Almelo aanvaardt voor haar medewerkers geen enkele > aansprakelijkheid voor eventueel onjuist, onrechtmatig of > ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). > > Dit e-mail bericht is door de gemeente Almelo gecontroleerd op > de aanwezigheid van eventuele virussen. Wij kunnen echter geen > garantie afgeven dat al onze e-mail berichten volledig virus > vrij zijn. Het is daarom verstandig uw binnenkomende e-mail > berichten zelf op de mogelijke aanwezigheid van virussen > te controleren. > -- > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Black techno artists
> > With no disrespect intended (I really love your music and your contributions > to the list), I think a lot of Europeans have trouble relating to racial > problems in the US this is so offtopic again, but im asking my self how we europeans cant understand a racial problem in us, and again everything we do (in smaller countreys) is so not democratic and we always live on some teritory of economic sanctions, but we have to understand a rical problem in US. im confused i have a very big respect for black artist, and realy i dont have any problems with black or white. but i dont have any need to understand problems in US, at the same time that somebody from US have no need to understand problems that we have, or we had and lets take that off this list... music learnd me to be tolerant b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] FW: What's in a name?
> I can tell you for sure that Heinrich Mueller is NOT his real name, well i > hope it isn't becauseif Mueller is really one of the members i will burn my > copies immediatly. Why, well Heinrich Mueller was the head Gestapo, maybe im wrong, and it is defenitlly offtopic, but the head of gestapo was Heinrich Himmler and Adolf Eichman was transportation menager, not that he is not gulity for crimes, afterall, he hanged for that, master plan was Hitler`s work and about all that nazi sh**, you will always find sombody enough stupid who will claim that something from that time was right b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] about the members
Name: berislav oremus Age:25 DJ: mostly at home, but i play at local club Produce: something in 94`, trancy ,that was "in" back there and i was very young Work: web designer, curently working on local kabel TV colege.: no 313:from 97 music: techno, jazz,ambient (something that can keep me going on) born in bjelovar, croatia, living here, working here, i have some freinds here, never visited US... spend some time in shelter when war was here, but never on frontline(i was kind back then) and most of all im gethering knowlege from 313 about music every day, i can say i know much, but here its always something new... top 5: phylyps trax ii climax xenia first floor(entire) orbvs terrarvm(entire) that`s all ,not much - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] r & s song in vanilla sky
Biosphere's first lp > > "Microgravity", Aphex SAW. and Patasnik, great album... one of the "the albums", - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Red Planet on CD ?
its "out of stock". but they are full of vinyls.. b. > right now Submerge is doing all their ordering through Groovtech. goto > Groovetech.com and ask them if they have it. > > jeff > > > -Original Message- > > From: Eric Scuccimarra [SMTP:[EMAIL PROTECTED] > > Sent: Monday, January 28, 2002 5:56 AM > > To: Phonopsia; o Z; 313@hyperreal.org > > Subject: Re: [313] Red Planet on CD ? > > > > The new Submerge website will have mail order and possibly even online > > ordering in place shortly. They are still working on that... > > > > For now you can probably order stuff if you call or fax them. > > > > Eric > > > > At 08:58 AM 1/28/2002 -0500, Phonopsia wrote: > > >- Original Message - > > >From: "o Z" <[EMAIL PROTECTED]> > > >To: <313@hyperreal.org> > > >Sent: Monday, January 28, 2002 8:25 AM > > >Subject: [313] Red Planet on CD ? > > > > > > > > > > Have the Red Planet EPs made it to CD ? I know that a few tracks are > > on > > >compilations such as Submerge. > > > > -- > > > > > >There was a Red Planet compilation CD released a couple of years ago. I'm > > >not 100% clear how mail order is working through the new Submerge website > > if > > >you aren't in Detroit, but if that's an option it's your best place to > > look, > > >or Record Time might be a good choice too. > > > > > >Tristan > > >-- > > >http://www.mp313.com <- Music > > >http://www.metrotechno.net <- DC techno + more > > >http://www.metatrackstudios.com <- DC DJ/Production studios > > >http://phonopsia.tripod.com <- Hub > > >[EMAIL PROTECTED] <- email > > > <- AOL Instant Messenger > > > > > > > > >- > > >To unsubscribe, e-mail: [EMAIL PROTECTED] > > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] am I the only one who is getting sick of deleting posts about jungle???
> If you care that much, read some old Simon Reynold's articles. > > Really, the Reese bassline comes from KMS. > > Acid House+Detroit+Hip-Hop+England in 1990=Hardcore > > Harcore+1993=Jungle lets take a minute of break, and tell me what you connsider hardcore, beacuse if its altern 8, acen, and early 90 in england, i dont know what im talking about, for me it is only one hardcore dutch gabba sperminators, thunderdomes, gizmos, hellraisers and tons of other... b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: RE: [313] string 'n' pad
sorry, its early morning , i dont have enough coffe in me - Original Message - From: "DJ Entropy" <[EMAIL PROTECTED]> To: "'Ron'" <[EMAIL PROTECTED]>; "313" <313@hyperreal.org>; "FC3 Richards" <[EMAIL PROTECTED]>; "Berislav Oremus" <[EMAIL PROTECTED]> Sent: Saturday, January 26, 2002 8:17 AM Subject: Re: RE: [313] string 'n' pad > 1/26/2002 2:12:28 AM, "Berislav Oremus" <[EMAIL PROTECTED]> wrote: > > > > >> Weird, considering that Hardcore, which was the the foundation that > >jungle/dnb developed from, > > > >i would say that breakbeat and hip hop made bigger foundation for d`n`b .. > >liquid, sl2, prodigy and it is early 90` > > That's what I said. > > > > Ian Scott aka DJ Entropy [EMAIL PROTECTED] >(bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) > http://www.djentropy.comhttp://www.ne-hardcore.com > Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html >"There is no ONE right way to live" - Daniel Quinn >Producers: http://groups.yahoo.com/group/us-production > "Educate the narrow minds, they see what they want to see. Educate the > narrow minds, they feel what they want to feel." - Narra Mine - Genacide II > > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: RE: [313] string 'n' pad
> Weird, considering that Hardcore, which was the the foundation that jungle/dnb developed from, i would say that breakbeat and hip hop made bigger foundation for d`n`b .. liquid, sl2, prodigy and it is early 90` b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Reese bass
Lets face it folks. everything musically comes from Detroit! > yes, in one way, but one record spun on 45 dosent mean that all other producers and dj-s didnt do nothing with d`n`b only grooverider and carl craig.. big respect to two of them on my last set i played jermaine jackson with pia zadora together with user does that mean that jackson made everything in techno think twice then come with your sh b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] deep dub detroit/berlin ramble
si the nearest place for dub for us from croatia is ljubljana :) nadam se da se vidimo tamo. b. > Here in Ljubljana (Slovenia) we've finally got a club where we can > listen to all the duby deep minimal & some easy detroit techno on a > weekly basis. > > > Jernej > SoundOfLj.com > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] carl craig live set
sorry for this, but i cant remeber who give link for carl` live set some time ago(not so so long ago), i lost it so if its not a problem to e-mail me again. thank you b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Petar Dundov
I cant tell you for sure is it coming on vinyl, but its out on cd for sure, i think you can find it on groovetech for vinyl i will contact Petar and tell you is it planed to be released. b. - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, November 13, 2001 2:04 PM Subject: [313] Petar Dundov > I am having a real hard time obtaining that new Tomorrow release: Petar > Dundov "Sculptures 1-3" TW300. > > Can someone actually confirm it's already out there? I know it comes on CD, > will it be available on vinyl as well? > > TIA > > W > > > -- > The information in this Internet email is confidential and may be > legally privileged. It is intended solely for the addressee. Access > to this Internet email by anyone else is unauthorised. > > If you are not the intended recipient, any disclosure, copying, distribution > or any action taken or omitted to be taken in reliance on it, is prohibited > and may be unlawful. When addressed to our clients any opinions or advice > contained in this Internet email are subject to the terms and conditions > expressed in any applicable governing ING Barings' terms of business or > client engagement letter. > > Visit us at www.ingbarings.com > > -- > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Jeff Mills interview- tomorrow
One of the latest releases on tomorrow by Brothers Yard is very interesting from the experimental point of wiev. Check that out-Brothers Yard: Sculptures 1-3 i know about that piece that is made only with one synth. b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Hearing Loss
he soposed to play in croatia this summer , but he had to cancal all gigs because he had a hearing problem, and doctor said that it would be unwise to play with that kind of problem. i think its little bit more than ear infection, i can tell but > That's not the case, thank God. He had an ear infection or similar. I think > M. Eric Morand (his sensible, less partying F Comm partner) has seen to it > that he is wearing ear plugs. :) > > >At 12:39 AM -0500 11/6/01, Phonopsia wrote: > >>On this rather depressing note, has anyone heard yay or nay to the rumor > >>that laurent garnier is giving up or cutting back on DJing due to hearing > >>loss? That would be awful. > > > >yep, i've heard that. no way to know if it's actually true, but i've > >heard it also. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Is "technology" just a "new invention"?
or you can have a tons of gear in your studio , and go to play live with one suitcase, as producers that i know. so i dont see why anybody will loose their business, as long they make good music. b. > they are scarred because they dont want to be put out of business. > producer x has to carry tons of gear and it cost more to book him because of > that, but producer y, uses a laptop and some out board efx that fit in to a > suitcase. they are both equally popular who will get booked more? > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
>That track "Cotton Eyed Joe" did it first. I did sample Sandy Bull >performing his arrangement of Carmina Burana, if that makes it any more >acceptable ... it wasn`t Cotton eyed joe, i beleive it was RMB with "banjo love" - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
I totally agree! computers are totally ruinging electronic music! I mean, where's the TALENT in pushing some buttons, or twisting a knob? whatever happened to what a few guys, ONLY IN DETROIT, did 12 years ago, like PLAY THE DRUMS, or LEARN THE GUITAR? im sorry to tell you but electronic music is about that everything is controled or made by some kind of computer, synthsizer or sampler. im not on hawtin side about mixing 1450 tracks in 60 minutes with computer, but please "guitar", drums, what is next...banjo. How can some foolish upstart who's not even from detroit, some moron canadian, possibly think he can start calling himself a so-called "tecno dj" when he uses a COMPUTER? I for one, am shocked an appalled! am i hearing this right or you just said that anybody who is not from detriot cant be a dj, techno dj. i always tought that techno is about pushing the limits, making something new, be the first in upgrading the music. in mixing im on your side, turntables is my first choice, but choose your words. b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Techno for funerals
autchere:anvil vapre as one: from reflectios on reflection track remixed by plaid plastikman:consumed (except 8,9,10) rhythim is rhythim:icon kerri chandler:rain(not so techno, but for funural) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] hawtin hawtin everywhere
maybe im a little bit out of time, but about what are you talking. What new cd. Mixed reviews is the consensus. I personally thought musically, the cd was pretty cool and funky. I've said before that it sounded Studio One-ish. This series is all about the gear and techniques that goes into the production of these mixes, not necessarily the music itself, although some people expected way too much from Richie musically, hence the mixed reviews. g. Rusty Blasco wrote: > So what's the consensus floating around thus far concerning the new > Richie Hawtin joint? I personally haven't heard it yet and am waiting > for my first paycheck in months (fingers crossed it doesn't get held > up somewhere in the bureaucratic process); a positive public opinion > will increase the excitement I have towards my not-too-distant > purchase. Has he mellowed out or become any housier (as a colleague > informed me)? Please respond to me personally. > > Rusty > > _ > Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] croats on axis
Check out new release from Axis, Petar Dundov: Sculptures 1-3.(aka Brother`s Yard) b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] croats on axis
Check out new release from Axis, Petar Dundov: Sculptures 1-3.(aka Brother`s Yard) b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] micro house-sun electric
i dont want to sey anything wrong but, for me sun electric is much closer to some kind of electronica, i cant put them in brinnkman, bell kind of style. and its duo, fehlmann is kind of flying member b. > I thought it was a trio...Loderbauer, Thiel and Fehlmann. > jeff funny, I think I remember a record cover with just two faces ? not sure... anyway, it's fun to learn that these guys from the early days of European techno are still around doing some micro house stuff... Gwendal - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] micro house-sun electric
i dont want to sey anything wrong but, for me sun electric is much closer to some kind of electronica, i cant put them in brinnkman, bell kind of style. and its duo, fehlmann is kind of flying member b. > I thought it was a trio...Loderbauer, Thiel and Fehlmann. > jeff funny, I think I remember a record cover with just two faces ? not sure... anyway, it's fun to learn that these guys from the early days of European techno are still around doing some micro house stuff... Gwendal - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] WTC - Nostrodamas prediction
yes, but im not sure that nostradamus know what new york is, and i beleive that prophecy was pointing at city on 41 parallel, and that the flame will destroy builldings, but you can take that as serious as you want, i wouldnt be sure that thrid WW will begin or something like that. not to talk about third antichrist, and arab domination in world its,.. i beleive americans and the rest of the world are smarter today that nostradamus. and you can always use those spooky prophecys as user`manual "what not to do." b. Thought some of you might be interested in reading this prediction from Nostrodamus.Pretty freaky! "In the city of York there will be a great collapse, two twin brothers, tornapart by chaos. While the fortress falls, the great leader will succumb, the third big war will begin when the big city is burning." Nostrodamus Freeserve - get your free ISP service including web-mail at: www.freeserve.co.uk - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] WTC et al.
>I'm really frightened at this point in time. The >president has >announced >his intent to retaliate (but without detail), >according to sources at >slashdot.org and various news pages, the military is >on the highest >alert >(threatcon delta). I really hope that this is not >the only solution beleive me , people that are ready to crash airplans into bullidings are ready to make even worst things. (maybe this seem to you as worst thing that could happen, but its not) maybe its not in best of human behavior to retaliate, but who did this act can only understand the language of force. situation in world at this point of time is very unstable, and things that could happen after any american atempt to retaliate could be unpredictable. my stand is that america should react on any possible way to show to those that are ready to fight with america, that its not smart. that is my stand and it comes from things that happend in my country few years ago. but what should you do... bring them to justice. what should be the punnishement for what happend? b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE:WTC
now after few hours and after demand for blood that i`ve seen on CNN, to me it stop to be top news. i can now remeber all the people that i `ve forgoten in past few years that i`ve lost in war. its something that i can comment, i can find words. its sad, bitter and unreal. its unreal to see palestinians celebrating on streets. its sad. b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] WTC
support for all of new yorkers from europe nad croatia. b. - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, September 11, 2001 5:08 PM Subject: [313] WTC > Hoping all of you from NY are ok!! > > Rgds, > > David > hkrave.com > Hong Kong > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Ravers; was dodgy Canton promoters
> > That's basically what raves are to me: A crappy venue, filled with disinterested kids, that I > sometimes put up with to hear the music I like. very nice, but problem in lets say, croatia is that you dont have anything else but crappy venue, filled with disinterested kids. so here its same thing, mills or mark spoon, everybody calls that "techno party". and basicly its rave, with techno djs and after hour of party i just want to go home because its not like it should be. here its very shi.. for anybody who likes electronic music. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] RE: joel mull
i was thinking about some biografy, need for flayer that im working and thank you for invitation, but im about 10 hours of flight from NYC. He is playing i zagreb (croatia) in october so if you`re near by, be free to come :-). thank you -Original Message- From: Grammenos, Peter [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 05, 2001 6:51 PM To: 'Berislav' Subject: RE: [313] RE: joel mull he's playing guernica this coming monday if you're in nyc. do a search on alltheweb.com for him and you'll get some real audio. nice minimal techno, sweedish style. -Original Message- From: Berislav [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 05, 2001 10:08 AM To: 313 Subject: [313] RE: joel mull Is there a posibilty to have some new informations about Mull and his work?? please... b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] RE: joel mull
Is there a posibilty to have some new informations about Mull and his work?? please... b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] new order
-Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: Wednesday, August 29, 2001 2:51 AM To: 313 Detroit Subject: Re: [313] new order I have heard it at the office a few times, it sounds too indie to me - which I guess are their roots but not my thang. you could say its like that, but at the and maybe its only thing in rock that is ok. iremember that i always liked bands like new order, happy mondays..etc. its not "substance" , but it is good, for a short time. :-) b. Incidentally, can anyone recall the name of the last Advent LP? The electro one from last year? > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] new order
for me its a little bit less then i excpected. But its just enough to hear sumner again. "crystal" is perfect. -Original Message- From: Martijn de Blaauw [mailto:[EMAIL PROTECTED] Sent: Tuesday, August 28, 2001 8:20 AM To: 313@hyperreal.org Subject: [313] new order Hi all, Bought the new album of New Order ´get ready´ yesterday. After 8 years of silence they still sound pretty good!! Although it´s more of rockier sound they play nowadays, it´s great to hear these guys again who have been such a big influence on the (acid)house-culture (a bit of 313 here:) Hearing Bernard Sumner´s voice and Hooky´s bassline again brought back some great memories..aaah..the early days:) try it, if you can!!! (opinions??) Best regards Martijn Searchline IIC Van Breestraat 154 P.O. Box 9292 1006 AG Amsterdam The Netherlands Tel: +31 (0)20 578 86 86 Fax: +31 (0)20 662 92 81 http://www.searchline-iic.com Disclaimer: This e-mail and any files transmitted with it, including replies and forwarded copies(wich may contain alterations) subsequently transmitted from Searchline IIC, are confidential and solely for the use of the intended recipient.If you have received this e-mail in error please notify the system manager at [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Aaliyah: You Will Be Missed
i cant beleive..jesus... -Original Message- From: Glyph1001 [mailto:[EMAIL PROTECTED] Sent: Sunday, August 26, 2001 6:19 PM Cc: 313 Detroit Subject: Re: [313] Aaliyah: You Will Be Missed Oh no this is the most awful thing to wake up to. damn, I can't believe she is gone. g. Cyclone Wehner wrote: > Aaliyah RIP > > An extraordinary artist and genuinely lovely person - touched all of us. > > http://dailynews.yahoo.com/h/ap/20010826/ts/bahamas_plane_crash.html > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Re: Detroit + Dance
There was that nasty Sven Vath album, the name escapes me but it was really pretentious and along the lines of - the robot the ballerina and the something or other it was "harleqin, robot, and the ballet dancer", but i think it was not made with idea to be ballet or something classical. It was big mix, between trance, ambient, and it showed that piano can be used as instrument in electroinc music. at that time it was really good piece of music. Date: Sat, 18 Aug 2001 09:37:24 +1000 To: 313 Detroit <313@hyperreal.org> From: "Cyclone Wehner" <[EMAIL PROTECTED]> Subject: Detroit + Dance Message-Id: <[EMAIL PROTECTED]> Hey Cyclone's obscure question for the day Does anyone know of any ballet (or dance) productions that may have been based on techno (or electronic music, per se). I know Laurent Garnier did something in Paris, I can't remember its name. I am interested in compiling a list. Apparently the Australian Ballet performed X, a ballet based on tribal drum patterns a while ago - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Moby, underground techno
> >In the beggining techno was underground, but then it was only techno, today >everybody that use somekind of filter is techno. > >So if we talking about big events you cant make event, book Moby, FBS, >Underworld(without emerson), Paul van Dyk and call it Techno, because its >POP. So if I follow your reasoning then Jeff Mills, Laurent Garnier, Richie Hawtin, Dave Clarke, Mark Broom, Derrick May, Juan Atkins, Claude Young, Ken Ishii, etc... who all play or played the I love techno party together with Underworld, Pills, Mixmaster Mike and others for 3 people here in Belgium (which does qualify as a big event me thinks) do not play techno but pop? I'd give a lot to hear their opinion on that... > >you can stop that some records go out of thier original place on scene, but >when you start to make songs with that purpose you are history for >underground electronic music. Then you go on "Top of the Pops". When I heard Laurent Garnier play 'Man With The Red Face' live as early as 1999 I don't think that he made that track with the specific purpose of becoming a hit record. If you could actually know which techno/house records will cross over into the mainstream I'm willing to bet that all names mentioned above would not hesitate to make such a track. Or did you think that Rolando's 'Knights Of The Jaguar' was pre-conceived to becoming a hit record? He would be glad to hear that... I could be misreading your thoughts, so feel free to correct me. And at the and of a day, i see, that one leter is missing-"t" ,i mean "you CANT stop some records..." And by that i also mean on Rolando, and Laurent Garnier etc. Im still saying that moby goes in studio and makes songs like pizza`s. A little bit of everything on top and its one million selling record. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Moby, underground techno
Honestly I think some people here have to start making up their minds, always stating that techno is underground and should not become commercial and at the same time always complaining about lack of exposure or being mad whenever a big event does not pay respect to the underground. What'll it be? RD In the beggining techno was underground, but then it was only techno, today everybody that use somekind of filter is techno. So if we talking about big events you cant make event, book Moby, FBS, Underworld(without emerson), Paul van Dyk and call it Techno, because its POP. you can stop that some records go out of thier original place on scene, but when you start to make songs with that purpose you are history for underground electronic music. Then you go on "Top of the Pops". Long time ago Moby and crew made that. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Darren Emerson
- Original Message - From: Fred Heutte <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Thursday, July 19, 2001 5:06 AM Subject: RE: [313] Darren Emerson > Excuse me pardon me, I heard about this cool list where they discuss > Detroit, Detroit techno and other music and things relating to Detroit. > > Can someone tell me if this is that place? > so its based on things related to detriot, and when someone send post about basic channel what to do? they are from berlin, are they not?? and read your post again, "detroit techno, and other music" b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Darren Emerson
- Original Message - From: Alexander Ohanyan <[EMAIL PROTECTED]> To: Martijn de Blaauw <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Thursday, July 19, 2001 10:09 AM Subject: Re: [313] Darren Emerson > woo hoo baby > where's the rolexes and the viagra? > > isnt there a trance list you can subscribe to? > sorry , not that im tranceman, but when we are talking about emerson, we are talking about great musician. i dont see him in same league with oakenfold and so... he is in higher league. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Soul in Techno (was Curious?)
> I disagree, though I do see your point, but I feel that where a voice is a vocalists instrument through which to 'bare' ones soul, a bass player, a drummer or any other type of musician are equally able, if talented enough, to do the same through thier chosen means. There has been some great instrumental soul music over the years (Love Unlimited Orchestra "strange games and things" springs to mind), and electronic music is no exception. > maybe problem is in term of "soul", when we are talking about soultechno, everybody thinks that its got to do with soul as motown or i dont know what. maybe its just soultechno, techno as techno, not with roots in soul . and im talkin about plain electronic not vocals or acoustic instruments. b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] ultradyne
> Does anyone know is their 'Ultradyne is Evil' ep available anywhere? > Any reviews or opinions on it? > i just found it on www.juno.co.uk b - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Adam Beyer (RE: [313] numerous threads at once (swedes, t-1000, top 10, st germain))
>His cut on the new "Sound Architecture, Vol.1, H.Productions, is veryyy >good > i think that beyer best is svek`s "definition of d" by conceiled project b.
Re: [313] sender berlin
>Thorsten Litschko (Stassy) & Hendrik Vaak (DJ HendriX) to be excact ;) >(and you misspelled litschko) well, shame on me :-), where were you hiding, because im really stay in touch with tresor, and first time i heard about you is here on list. not now its about year ago.) b.
Re: [313] sender berlin
-Original Message- From: Sean Deason <[EMAIL PROTECTED]> To: 'Christian Bloch' <[EMAIL PROTECTED]>; 313 Hyperreal.Org <313@hyperreal.org> Date: 2001. travanj 19 16:24 Subject: RE: [313] sender berlin >heres a question: Is Christian Bloch an alias of Sender Berlin? I smell a >conspiracy theory coming on! >sean > t.litscho and h.vaak
Re: [313] Some cds I ordered, what next (+track ID).
>Oh yeah, what a great idea - by the way, is it me or does Moby owe his >success to the black artists he sampled ? and another question : could >someone give me the real name of the guys behind Drexciya ? are they the >ones behind Ultradyne ? >Gwendal > i dont see here connection between moby and i dont know what is your problem, i just wanted to say, that you can compare maurizio (maurizio as m series)with aphex twin , and you can always put aphex to intelligent(come to daddy or richard james album). on this two examples there is moments but they are not even close to "i care because you do", "selected ambient works", "polygon window" is it clearer or you need more . b.
Re: [313] Some cds I ordered, what next (+track ID).
Whereas Maurizio, Vainqueur don't sound >experimental. They don't sound like intelligent >techno. They don't resemble Aphex Twin. maybe because its not intelligent techno, but we can talk also about how "intelligent" richard is.
Re: [313] Some cds I ordered, what next (+track ID).
Whereas Maurizio, Vainqueur don't sound >experimental. They don't sound like intelligent >techno. They don't resemble Aphex Twin. maybe because its not intelligent techno, but we can talk also about how "intelligent" richard is.
Re: [313] BC 09/suggestions
>Point taken. As I mentioned in the original message I was unclear about the >connection between Chain Reaction and the various Ernestus / Von Oswald >projects due to the large amount of apparently incorrect information >available. My thanks to everyone that has corrected me. > >But if we're going to be really nitpicky about this, isn't Domina M3 (having >been preceded by Ploy and Lyot and followed by M4)? Also, wasn't it a 1993 >release? > :-) i think this is too long ,there is no point to dig something that is long time a go clear or unclear to all of us. thank you b.
Re: [313] BC 09/suggestions
The Maurizio CD that >> contains most of the M-series is often listed as being part of the Chain >> Reaction label discography. yes and one of the tracks that are on m series cd is on main street also(MSR06) but it doesnt mean that all series are on main street. and that is all another story. b.
track id
i cant remember track name video is full of robot dummis in one room that are turning their heads and arms in they are half coverd with som sheets. s*** i dont know. i tink its mid 80` song something like disco-electro-pop. its tearing my head all morning, im about to go mad. thank you b.
Re: [313] BC 09/suggestions
The 'M' series on Chain Reaction / >M is definitely worth investigating (M4 is a particular favorite). i would not bet that "M" is on chain reaction, its not. for BCP compilation look for metal box on cdnow or amazon, also look for maurizio you will find m series. you can find there lots on chain reaction, something from rhytm&sound, main street. also look for farben aka jan jelinek im not sure you can find tat on cdnow or amazon. look for herbert. if you like sound like that you want dan bell`s "button down mind" on tresor.(142) that is about that. for web site check out circonium. b.
radio station
this is my case, im imto opening my radio station, and at start and need some info about prices of equipment. studio equipment is not problem, but equipment for transmition is problem. i found on net tons of sites that describes how to power up pirate station wit info on making small transmitters and buying them in kit. i dont need that, i need real stuff, becuse this is going to be legal thing, and transmitter is have to be art of tech. some sites could be of big help. free radio berkley is not. sorry for little non topic stuff. b.
test
ignore that kij se kurac dogadja sa ovim strojem, jadan je ko jadna mu majka
Re: [313] Why Can't Synth Pop Adapt?
>i checked those tracks out couple of days ago - i want to hear full tracks >before saying it's crap or it's excellent or whatever. but those examples >weren't really what i expected - tracks were quite typical DM. not much of >things from which one could say that Bell has had his hands on the >stuff. there is answer for the question , why synth pop didnt evolve. i was into PSB so , but by the time i just realise that its all the same, every album that got out it was just better because the equipment was newer. but proudiction was same. and im not sure that those guys have any pontential in them, its over for them, but they still putting albms out, and destroying good things about them. another example, modern talking in germany, it was huge, then they disappeared now with same songs, they are back again and they are huge again. and people are just happy, they like that kind of easy music, ohh yes another one Bad Boys Blue and its better that they havenat adapt and become trance because i hate trance, and if PSB become trence i would have to hate myself. :-) b.
metropolis-the movie
im just courious is there going to be relese of meropolis, with music of mills, and if anyone know where can i buy it.
Re: [313] DEMF in Europe?!?!
> >Think about it.. D in DEMF stands for Detroit, not Dussledorf or Dubrovnik. its a little bit bored everyday to read about demf here, demf there, where is going to be next, jupiters nebula. i would like to see it in dubrovnik, but at the and what are the chances to be any where but in D. b.
Re: [313] K.Hand and MotorDetroit.com
sorry i was thinking about connection between detroit and berlin. good music from detroit to berlin, or from berlin to detriot. >also remember godfathers "from detroit via satellite" which was also >released on a german label >lol,,,we germans really look up to the detroiters,,,because many of us >appreciate good music.. >ron
Re: [313] K.Hand and MotorDetroit.com
i remeber one compilation, im not sure wat label, but it was named "from detrot to berlin and back" i think its just way that music goes. >it looks to me that Tresor just can't live with out having a detroit artist >release an album on thier label for more then a year. or maybe it is just >that detroit has it the best. either way... > >JEFF! >
jazz, techno,house
in past week i was going thru old messages on the list and found some posts about jazz and techo and house. few posts was techno is not into jazz, some were oposite, and i can make judgement about is it or not. it was fuuny that i was listening Lalo Schifrin in concert and in his "Fox" theme found some parts of St. Germains " Soul Salsa Soul". i kinda want to sell this record now:( , first thing that impressed in techh music was innovations, not some boring guitar themes and craying about beatles and rolling stones. also i got Le mighty bop " greatest hits" and that is jazz, but there is another tpic thhat is interesting to me. its more downtempo rhyhtms, hip hop like. where do you see hip hop and other like styles in electronic music, if say electronic music is music that is made with electronic instruments(drum machines in first place). and we now tat hip hop rhythms wasnt made with acoustic drums. today . thnx. b.
vinyl pressing technology
i have visited some sites( not that i`ve study them) but i need some kind of book or something where i can read about technology of pressing and mastering. so if you have some names of books or anything i will be greatly thankful. bye. b.
Re: [313] Vinyl Pressing and Mastering links
www.soundenterprises.com (mastering/plating, detroit) www.aardvark-mastering.com (mastering/plating, denver) www.urpressing.com (masterin/plating/pressing, nashville) www.erikarecords.com (mastering/plating/pressing, downey, CA) www.inrecordtime.com (mastering/plating/pressing, NY) www.europadisk.com (mastering/plating/pressing, NYC) www.discmakers.com (mastering/plating/pressing, NJ) >Someone last month sent a great link that had tons of info about mastering >and vinyl pressing and duplication. i must have accidently deleted it. >does anyone still have it? >thanks for the help. >steve
deep chord
can someone send me discography of deep chord,, or some site where i can find it thanks b.
Re: [313] bc stuff
>I believe Basic Channel use the Waldorf Wavesynth...(very nice...and >very expensive) and Doepfer sequencers (german modular type >stuff)..oh..and obviously the TR909this info is at least 2 >or 3 years old though... if "pole" is anything like "bcp" i know from one interwiev wit him that he use some kind of broken filter also named "pole" or something like that.
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