RE: (313) Low Aifare to Detroit from London
Is this a one off? http://youtube.com/watch?v=hgxiQIDq6zomode=relatedsearch= pretty amazing for an airport... -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Saturday, 6 January 2007 2:03 a.m. To: Svagr, Jodie; Ronny Pries; 313@hyperreal.org Subject: RE: (313) Low Aifare to Detroit from London In time for Convextion in London... ;) -Original Message- From: Svagr, Jodie [mailto:[EMAIL PROTECTED] Sent: 05 January 2007 13:00 To: Ronny Pries; 313@hyperreal.org Subject: (313) Low Aifare to Detroit from London Hey everyone, got this email through from NorthWest airlines. Travel between Detroit and London is $189 right now. Have to book by the 9th and travel by March 12th tho. Still a good price tho if anyone's planning a trip. The Telegraph Media Group wishes all of its readers, users and clients a very Merry Christmas and a Happy New Year. This e-mail is from Telegraph Media Group Limited - 111 Buckingham Palace Road, London, SW1W 0DT registered in England under No 451593. This message, its contents and any attachments to it are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Neither we nor the sender accepts any responsibility for viruses and it is your responsibility to scan attachments (if any). The content of this email does not necessarily reflect our views or those of our officers and we take no responsibility for the views of the author. Emails sent and received may be read by people other than the intended recipient and may be monitored to ensure efficient operation of our email systems. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
RE: (313) Mr. Watson
Loving the flutes, some bird song'd be special! -Original Message- From: J.T. [mailto:[EMAIL PROTECTED] Sent: Wednesday, 6 December 2006 1:09 p.m. To: Martin Dust; Thomas D. Cox,Jr.; 313@hyperreal.org Subject: Re: (313) Mr. Watson i like the sound of the rendezvous track, not super special, but lovely and big...the renaissance track has a bit of a trancey new age feeling to it, not for me... -Original Message- From: Martin Dust [EMAIL PROTECTED] Sent: Dec 5, 2006 7:04 PM To: Thomas D. Cox, Jr. [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: (313) Mr. Watson Really? The clips are a tad too short for the full vibe but this is like pure sunshine Tom. Some of his best work I feel. It's getting loads of repeat play at Dust Towers... m - Original Message - Sound Clips: http://mp3.juno.co.uk/MP3/SF247654-01-01-01.mp3 http://mp3.juno.co.uk/MP3/SF247654-01-02-01.mp3 im just not feeling this one. first planet e in years that i wont be picking up (i think the last one before this was the remixes of todd sines' 12 back in 02. tom This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
(313) RE: [SPAM] Re: (313) Best Synth riffs
Could never get The Pied Piper: Kinetic out of my head...or R-Theme... -Original Message- From: Michael Bramwell [mailto:[EMAIL PROTECTED] Sent: Wednesday, 29 November 2006 3:46 a.m. To: 313@hyperreal.org Subject: [SPAM] Re: (313) Best Detroit Synth riffs Groove La Chord by Aril Brikha. The main synth on this tune could very easily played as rocking guitar riff and for me works with a similar kind of energy. This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
RE: (313) ron murphy
Do you know what he means by modulates upwards? -Original Message- From: kent williams [mailto:[EMAIL PROTECTED] Sent: Friday, 22 September 2006 2:24 a.m. To: list 313 Subject: Re: (313) ron murphy Maybe I'm misremembering, but isn't there a picture of Ron and some metal mothers upstairs at Submerge? What I always wondered -- does Mike Banks ever sneak in to the museum at night and borrow the 909? Or are all the beatboxes in the museum knackered? A drum machine is a terrible thing to waste, after all... On 9/21/06, Lee Herrington [EMAIL PROTECTED] wrote: If this cat's work doesn't get exhibit space at some music hall of fame, it'll be a [EMAIL PROTECTED] shame. What a craftsman. Great podcast! Cheers, Lee R. Herrington U STORE IT Technical Support Engineer [EMAIL PROTECTED] 440-260-2245 This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
RE: (313) Laptop Debate
This was from discogs... Even if DeGeorgio recognizes that he resorted to a unique sequencer, the Neutron, to reproduce the modal variations characterizing his musical inspirations ...i guess he'd have trouble making his music on a laptop then? -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Monday, 4 September 2006 10:04 p.m. To: 313@hyperreal.org Subject: RE: (313) Laptop Debate -Original Message- From: Klaas-Jan Jongsma [mailto:[EMAIL PROTECTED] Sent: 04 September 2006 10:14 To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) Laptop Debate Yeah i can remember seeing a gearlist in some article and it is definitely a gearjunkies wetdream, oh and he has this: http://www.kirkdegiorgio.com/ModcanB.htm Now this reminds me of something I've thought for a while ... I like Kirk a lot - he's the same age as me so he must be a good egg (!) Plus he's one of the people I challenge myself with to see if he's ever made a bad record. I certainly don't own any duffers by him. Problem is - despite the fact that my record collection is peppered with his releases from year dot, I'm not sure I can hear the spell-binding difference in the sounds he comes up with, with that rig and the sounds that it's possible to get from a mid-range analog/digital synth. I just can't. I still like the last 3 LPs though, so don't get me wrong, but I just think he could have saved himself some money or something! Just mo. Having said that, it does illustrate that this software vs. hardware debate currently raging is not really a 'new paradigm' problem. The same debates could be heard between advocates and detractors of acoustic vs. amplified, synths vs. guitars, and naturally, modular versus stand-alone (or whatever they're called.) So long as you know that such debates are usually futile, I guess they can be fun and instructive. K This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
RE: (313) Laptop Debate
Ignore that, the neutron is a plug in...i thought it was an outboard step sequencer... -Original Message- From: Ralf Gill (healthAlliance) [mailto:[EMAIL PROTECTED] Sent: Tuesday, 5 September 2006 5:07 a.m. To: Odeluga, Ken; 313@hyperreal.org Subject: RE: (313) Laptop Debate This was from discogs... Even if DeGeorgio recognizes that he resorted to a unique sequencer, the Neutron, to reproduce the modal variations characterizing his musical inspirations ...i guess he'd have trouble making his music on a laptop then? -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Monday, 4 September 2006 10:04 p.m. To: 313@hyperreal.org Subject: RE: (313) Laptop Debate -Original Message- From: Klaas-Jan Jongsma [mailto:[EMAIL PROTECTED] Sent: 04 September 2006 10:14 To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) Laptop Debate Yeah i can remember seeing a gearlist in some article and it is definitely a gearjunkies wetdream, oh and he has this: http://www.kirkdegiorgio.com/ModcanB.htm Now this reminds me of something I've thought for a while ... I like Kirk a lot - he's the same age as me so he must be a good egg (!) Plus he's one of the people I challenge myself with to see if he's ever made a bad record. I certainly don't own any duffers by him. Problem is - despite the fact that my record collection is peppered with his releases from year dot, I'm not sure I can hear the spell-binding difference in the sounds he comes up with, with that rig and the sounds that it's possible to get from a mid-range analog/digital synth. I just can't. I still like the last 3 LPs though, so don't get me wrong, but I just think he could have saved himself some money or something! Just mo. Having said that, it does illustrate that this software vs. hardware debate currently raging is not really a 'new paradigm' problem. The same debates could be heard between advocates and detractors of acoustic vs. amplified, synths vs. guitars, and naturally, modular versus stand-alone (or whatever they're called.) So long as you know that such debates are usually futile, I guess they can be fun and instructive. K This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message. This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
RE: (313) The Laptop Debate - the imitation of sound
I'm confused now. Can someone summarise or conclude this thread for me. Is analogue better than digital or vice versa??? -Original Message- From: Brian Prince [mailto:[EMAIL PROTECTED] Sent: Monday, 4 September 2006 6:35 a.m. To: kent williams Cc: list 313 Subject: Re: (313) The Laptop Debate - the imitation of sound kent williams wrote: Honestly, what matters besides the actual compositions? I'm enough of a studio rat to care about things are produced, but the actual method that someone uses is irrelevant, except as it facilitates the result. It's not like you can't make sh*t tracks with analog gear. Self-appointed golden ears dismiss feeling and creativity, because anyone can appreciate those qualities in music (though not always at first blush, since some tastes are acquired), whereas it takes a genuine superior class of lonely douche to prioritize the production pipeline in their evaluation of a record. see also: missing the point of art - bp This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
RE: (313) The Laptop Debate.
Is it an analogue or a digital laptop? -Original Message- From: kent williams [mailto:[EMAIL PROTECTED] Sent: Saturday, 2 September 2006 1:30 p.m. To: list 313 Subject: (313) The Laptop Debate. Not to stir the pot, but I've been practicing making tracks with a computer for 12 years. In that time I've come up with 3 tracks I felt This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
RE: (313) Digital Downloads
Probably been said a million times, but mp3's are more like records than cd's because you can get straight to the bit of the music you want to hear...ie dance with your right hand...or left if you are left handed (which 96% of the submerge guys are...Detroit would be a wealthy city if it was off the right hand turnoff past New York rather than the left) Anyway...when is Larry seen not heard going to do some electro...that'd be real nice... -Original Message- From: v12 [mailto:[EMAIL PROTECTED] Sent: Saturday, 19 August 2006 06:56 To: 313@hyperreal.org Subject: Re: (313) Digital Downloads ive heard a lot of those 320 kbps from various sources and decided i wont ever spend a cent on mp3/ogg etc . none of the files sounded better than the 192s i made myself. if it's wav / cd-r sure ,ok. but those commercial mps3 are still sort of a joke. often hammered with some funny loudness maximizing limiters the traks lose at least 50% of its dynamics. (often turning into a punk-rock remix of a techno trak) honestly i'd rather get an illegal file and send 5 $ directly to the artist. sad thing is - 95% of stuff i got this year is by ..drexciya ;/ /12 This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
RE: (313) a question regarding DEMF and the history of Detroit techno
Probably a dumb question, but the guys that play later time slots, close the night etc...do they get paid more money? -Original Message- From: Stoddard, Kamal [mailto:[EMAIL PROTECTED] Sent: Friday, 19 May 2006 3:14 a.m. To: disrupt; Thomas D. Cox, Jr. Cc: 313@hyperreal.org Subject: RE: (313) a question regarding DEMF and the history of Detroit techno I agree that influences are ubiquitous. The question here is about the weighting of importance. Using your own analogy, even though all the early guys have basically admitted to trying to imitate italo trax when coming up with the detroit techno sound I would find it just as odd to see the Rome Italo Fest(hypothetical event, don't pm me asking when it takes place :) headlined by cybotron while the originators of the italo sound pushed to play at noon. Even though they definitely took the italo sound and helped it grow into something more. I really would think it odd. Same thing here. Nobody's arguing for the exclusion of detoit influenced artists who are relevant to the sound we love, but the argument is that first priority should be given to the originators, then the hometown sound pushers, then the out of town sound pushers, and LASTLY the filler sideshow acts (breakcore, trance acts, etc). even though I know some feel that it has absolutely no place at the fest, I'd put money down that it wouldn't be much of an issue if they were all given the early slots and the respect chain was obvious. Now for all I know, paxahaus may have all the respect in the world for the real D (hell, rob hood anyone?) but I'm saying it's not as obvious as it should be in the lineup. A simple case of them not putting the money where their mouth is (in the hands of Detroit techno). I mean correct me if I'm wrong, but does anyone here think that POTD and the rest are really relevant to Detroit? k -Original Message- From: disrupt [mailto:[EMAIL PROTECTED] Sent: Thursday, May 18, 2006 10:15 AM To: Thomas D. Cox, Jr. Cc: 313@hyperreal.org Subject: Re: (313) a question regarding DEMF and the history of Detroit techno Yes Tom! Highly interesting discussion, with all its ups and downs, ultimately about the state of Detroit today. Maybe a new line of thought on this: for sure Detroit music influenced many people around the globe, many ripped it off, some took it and went forward (like the Dutch crew, Berlin, etc.), the whole plus and minus of it revealed itself over the last years. BUT: didn't Detroit music got influenced by other music as well over the time? Sucking those influences in, processing and using them in it's unique way? For sure it didn't 100% generate from Zero and from itself only. It's not a closed-in microcosm, completely sealed off from the world. So: shouldn't this fact be reflected in the DEMF lineup somehow? Detroit certainly gave a lot but I think it also 'took', works both channels. What can be discussed, of course, are the porportions of this give/take share and how it ultimately is weighed in the lineup. Anyway, keep it going. Such thoughts have to be processed. Jan On Thu, 18 May 2006 08:22:54 -0400, Thomas D. Cox, Jr. [EMAIL PROTECTED] wrote : On 5/17/06, as if .. [EMAIL PROTECTED] wrote: Tom .. for starters I like you passion .. ' thanks ;) You are suggesting that the only people who can call their Techno Detroit Techno are people who are born and raised in Detroit. ummm, that is a bit obvious, right? i mean i guess you dont necessarily have to have lived every second of your life in detroit to qualify, but certainly a long term connection with the city and its culture should be a requirement. say techno artist X moves to detroit, his music is not now detroit techno, thats for sure. in fact, to me someone like 4 Hero has more to do with detroit techno than someone like the Beretta music people. In a commercial sense you are probably following a clean line of thought. On a personal level I see you trying to protect the energy and truth of the early Detroit Techno. I see you also trying to protect the interests of local Detroit Artists. for me its not only about techno though, its about house and electro and ghetto tech and even soul and hiphop. anything that has a distinctly detroit flavour that is recognizable! every one of those genres that has a sound associated with detroit has been ripped off by and also influenced people outside of detroit. These are all valid things to do. However in order to protect these things you will need to essentially crush what is Detroit Techno into a can cover it in a series of warning labels and putting it on a special shelf for everyone to purchase. i dont necessarily think that is true. the good thing about something as generic as detroit music is ever changing, and will grow to include different genres and different ideas. but it certainly doesnt need to include every single style of music made in detroit. detroit is a large city, im sure theres
RE: (313) Techno on the otherside .. NZ
Depends if you're inside or outside though mate. If you're inside you can't compete with Auckland weather... -Original Message- From: fab. [mailto:[EMAIL PROTECTED] Sent: Thursday, 27 April 2006 2:21 a.m. To: 313@hyperreal.org; [EMAIL PROTECTED] Subject: Re: (313) Techno on the otherside .. NZ LOL but perth has by far better weather ;) - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, April 26, 2006 4:18 PM Subject: Re: (313) Techno on the otherside .. NZ So DEMF and Perth have something in common this year - not many Detroit artists playing ;-) MEK Michael Bramwell [EMAIL PROTECTED] wrote on 04/25/2006 09:07:32 PM: Nice post Simon. Here in Perth West Australia the last times I went out to see a good international DJ play was Mills around 2001, Alton Miller in 2002 and Theo Parrish in 2003. Other good people have come to play; just in the form of expensive 'festivals' where 95% of the line up is a complete waste of money. I have missed a few good Detroit, Chigaco and Compost label artists but I could count them on one hand. My first post to this list, hello all. Michael B. - Original Message - From: Simon Kong [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, April 26, 2006 7:58 AM Subject: (313) Techno on the otherside .. NZ This post is for everyone having a cry baby about DEMF .. Stacey Pullen came to play in Wellington NZ the other week. By some sheer accident I ended up making a one way 16 hour road trip to see him play, and a flight home at 8am. A good friend also flew in from Sydney for the occasion so it was really cool to be connected by Techno. Mostly I just wanted to say to the list that in some places in the world we rarely get to hear Techno. New Zealand has had three US producers visit in the last two years. You may recall me writing in about Carl Craig last year. I go bug for Techno especially Detroit styles. It is the only music that makes me dance like Sven hugs or no hugs. It's the only music that motivates me to dance at all these days. Stacey was just brilliant, and I don't care for the politics. He got on the decks at 2am and was still playing when I had to get to the airport at 7am. It was a sonic inspiration for me .. and was twice as cool cause the dance floor was full .. unlike Carl Craig. wah. While I can understand the frustrations of the DEMF line up .. I think you need to look at the greater context of what the scene is able to support. New Zealand has small population, and so a very small Techno scene. Our ability to foster our own scene, let alone have events or festivals that feature Techno artists is very very limited. On a global scale Techno is still a very underground sound. Over here where I am sitting . the DEMF does heaps to put Techno on the Map. Locally .. I would probably be upset as well. However the opportunity still remains to use the focus on the DEMF to raise the awareness of the 313 sound .. and it's affiliations. I think the Line up is that evil balance between commercial and true. However on any given day it's a line up I would very much like to see, and from a global perspective I think its a very interesting representation of how far the influences of Detroit music have traveled. I think Detroit heads have a lot of heritage to be proud of, and while there is obviously a strong local scene that is looking for representation. I think you have to appreciate that due to the musical foundations of Detroit many people from around the world now share in the positive influence. Somehow in the face of all the commercial dance scenes around the world Techno has managed to hold onto it's integrity. The artists listed are by no means heavy hitters in the commercial dance scene. They are a fairly gritty bunch of left field innovators of electronic sounds. For all the people that stand in Hart Plaza .. there are as many people all around the world who bring their attention to the goings on in Detroit. Promotion is the evil brother of Appreciation, and by all accounts the DEMF has been a constant battle from day one. I just want to send love and respect to the Festival and remind everyone having issues with the event, that some of us are still struggling to hear any sort of Techno once a year. DEMF does bring global attention. We are listening out here on the edge. .simon -- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.1.385 / Virus Database: 268.4.6/324 - Release Date: 25/04/2006 This e-mail message and any accompanying attachments
RE: (313) clark boot?
I got the double pack for about 10 euro's about 3 months ago...sounds a bit 90's, well I mean I dunno if it's dated that well...anyone want to sell a copy of that noosa heads track though I'd be keen... -Original Message- From: J.T. [mailto:[EMAIL PROTECTED] Sent: Saturday, 21 January 2006 3:25 a.m. To: Tristan Watkins; [EMAIL PROTECTED]; '313' Subject: Re: (313) clark boot? some guy on discogs just gave me 60eu for mine, and in my broke state i accepted...already regret, i really treasure it, but i'll hold it in my arms again...of course the music is the thing and i wav'd it before i sent it away...but argh... -Original Message- From: Tristan Watkins [EMAIL PROTECTED] Sent: Jan 20, 2006 6:13 AM To: [EMAIL PROTECTED], '313' 313@hyperreal.org Subject: Re: (313) clark boot? Prolly close to �15 most times, and not that often, but I haven't seen any really stupid prices for it. I could have missed those auctions though, as I don't really eBay. I think it's a fairly slept-on record. I can probably count on one hand the number of people I've heard play it out. Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk - Original Message - From: [EMAIL PROTECTED] [EMAIL PROTECTED] To: '313' 313@hyperreal.org Sent: Friday, January 20, 2006 10:01 AM Subject: RE: (313) clark boot? Ditto everyone else's comments (that's how mine looks however I don't think there's much wrong with the mix/pressing). Only goes for a tenner? D*mn, I thought that'd be worth money, there's no sense to these things, I occasionally find something I have and had no thought would be valuable is whereas something like this is freely available? This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
(313) cheap 909
http://www.trademe.co.nz/structure/0343-0892-0426-0683-/auction-44204787 .htm This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
RE: (313) Techno Films
I guess hip-hop types have Star Wars but Was this a joke? I've just woken up... What about TRON, ZARDOZ and THX1138
RE: Re: (313) Fake Los Hermanos record?
http://www.webspawner.com/users/stinson01/ better than the real thing... -Original Message- From: Sean Creen [mailto:[EMAIL PROTECTED] Sent: Thursday, 29 July 2004 9:22 a.m. To: [EMAIL PROTECTED]; kj at technotourist dot org Cc: Sean Creen; 313 Mailinglist List Subject: Re: Re: (313) Fake Los Hermanos record? There is also an IDM artist called Donna Summer :) That;s a more concious, satirical type thing. As far as I know, he's been forced to stop using the name now anyway.
RE: (313) white girls
No one gets anywhere being bitter, and poking fun at 'fair game(see below)' for whatever reason is just tired and reactionary. I love white girls...especially my mum. -Original Message- From: Kent williams [mailto:[EMAIL PROTECTED] Sent: Wednesday, 9 June 2004 4:48 a.m. To: 313 list Subject: RE: (313) white girls It's a meme they're trying to establish. It means whatever you want it to mean. I've always gotten the impression that when it came to ethnic and racial differences, it's bad cricket to make fun of people of color, or 'white' people who have been treated badly, like the Italians and Irish. But affluent white people from America and Europe are fair game. I'm not saying that I think anyone should be ridiculed based on a stereotype, just that making fun of the traditional oppressor groups doesn't sting as much. I don't think a booth at Movement selling i'm sick and tired of black girls would have been very well received by anyone, black or white. So perhaps I'm sick and tired of white girls is a critique on stereotypes and prejudice, presented with some humor. If a white girl wears it, is she expressing self loathing? If a black or hispanic or asian girl wears it, is it jealosy? If a black man wears it, is he saying he's down with sisters exclusively? If a white man wears it does it mean he's made a sexual fetish of skin color? On Tue, 8 Jun 2004, Robert Taylor wrote: Anyone troubled by this? What do they mean by sick and tired of white girls?
(313) black devil disco club
Is it true about this being found for 20p at a car boot sale? Or was environ trying to get it licensed and warp muscled their way in? Anyone know?
RE: (313) techno renaissance (was dutchie DEMF)
...and these trend hoppers don't really enjoy the music they listen to, there not enjoying it when they go out...mmm..doesn't it feel s good to have authentic taste!!! -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Thursday, 1 April 2004 7:59 a.m. To: 313@hyperreal.org Subject: RE: (313) techno renaissance (was dutchie DEMF) -- Original Message -- From: [EMAIL PROTECTED] so there's now a difference between 'techno fans' and people who go to techno parties? good f**kin' grief. how hard is it to differentiate between people who trend hop (hipsters) and people who are long term fans of a music? these things happen, especially in electronic music. tom andythepooh.com
RE: (313) techno renaissance (was dutchie DEMF)
I've seen people wearing copies of that t-shirt... -Original Message- From: Ralf Gill (healthAlliance) Sent: Thursday, 1 April 2004 8:10 a.m. To: 'Robert Taylor' Subject: RE: (313) techno renaissance (was dutchie DEMF) I've seen people wearing copies of that t-shirt... -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Thursday, 1 April 2004 9:06 a.m. To: [EMAIL PROTECTED]; Ralf Gill (healthAlliance) Cc: 313@hyperreal.org Subject: RE: (313) techno renaissance (was dutchie DEMF) Maybe we need a 313 t-shirt sporting the logo 'I'm Enjoying Myself More Than You Because I'm For Real' -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, March 31, 2004 8:04 PM To: Ralf Gill (healthAlliance) Cc: 313@hyperreal.org Subject: RE: (313) techno renaissance (was dutchie DEMF) wow- i think you've just achieve an entirely new level of constipation. On Thu, 1 Apr 2004, Ralf Gill (healthAlliance) wrote: ...and these trend hoppers don't really enjoy the music they listen to, there not enjoying it when they go out...mmm..doesn't it feel s good to have authentic taste!!! -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Thursday, 1 April 2004 7:59 a.m. To: 313@hyperreal.org Subject: RE: (313) techno renaissance (was dutchie DEMF) -- Original Message -- From: [EMAIL PROTECTED] so there's now a difference between 'techno fans' and people who go to techno parties? good f**kin' grief. how hard is it to differentiate between people who trend hop (hipsters) and people who are long term fans of a music? these things happen, especially in electronic music. tom andythepooh.com # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) Discogs.com question
Wondering why would one want to put up a list of all the records in their collection if they weren't for sale? Does the person with the best collection win something or get receive greater functionality from the website? -Original Message- From: Lee Herrington IV [mailto:[EMAIL PROTECTED] Sent: Tuesday, 30 March 2004 4:36 a.m. To: 313 Subject: RE: (313) Discogs.com question i've been solicited on a few occasions. however, when i have attempted to negotiate a sale at a price that i am happy with, i have received no response. i think some folks just give up on ebay and GEMM and make an effort at acquiring rare titles from collectors online. cheers, lrh -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, March 29, 2004 10:09 AM To: 313@hyperreal.org Subject: (313) Discogs.com question I've started building my collection on discogs and just got an email from someone wanting to buy one of my records - is this common? None of my records on there are for sale, I just use the website as a back-up to my library database I have at home. So do people use Discogs alot to sell and trade? MEK
(313) Can anyone please id this track, small mp3, 100k...???
http://homepages.whl.co.nz/~ralf/dp.htm It came from a mix someone posted here last year...anyone know whose mix it came from? Thnaks in advance
(313) Anyone want to get a burger 2moro after work? was (313) 313's Signal to noise ratio
-Original Message- From: David Bate [mailto:[EMAIL PROTECTED] Sent: Tuesday, 9 March 2004 8:45 a.m. To: 313@hyperreal.org Subject: Re: (313) 313's Signal to noise ratio correct me if i'm wrong, but most of the noise i'm seeing today is in the form of complaints regarding noise. kind of ironic, right? Ironic, but that's the way one has to do it, when one is on a self moderated list. We can't write to a moderator and have them step in, it's something that we have to ourselves. There's good and bad to a self moderated list, but it's the way that 313 has been doing it for the last 10 years. delete takes a second. let people say what they want to say. noise is an inherent part of any community, online or real life. At least for me, maybe I'm slower then some people, but delete's take more then a second for me. When I'm presented with 50-100 messages and some of them are good and some of them are bad, you have to go through the bad ones to find out which are the good ones. That's why I think Phred indicated that he only reads emails from people's who he knows, as most of the time, people aren't even talking about the subject that is on the subject line, so you think you're reading about something that you're really not. I kind of think of it as lurking SPAM. Noise is an inherent part of any community, I do agree, but we use filters to try to reduce that noise. The particular filter on this list is 313, and that's how I have attempted to reduce the noise for non 313 stuff. Unfortunately, I don't see very much stuff about Detroit Techno on this list... I know many people who have just left the list and don't want to deal with it. I've been lurking on this list since just after it started, when I was logging in with my 14.4 baud modem on my Mac Plus ( I know, I was behind the times, even then!) and the signal to noise ratio has never been so high as it has in the last year or two. Also, using the 313 as a chat room, goes against 1 of few rules that we have on here: * List members are here for a reason, keep your posts on topic, using 313 as chat room is not permitted. and here's my attempt to start a more interesting thread: lately i can't get enough of: _ (theo parrish jill scott slowly surely) Remember... please insert DETROIT related artist here ;) Have a good DETROIT day to you all ... Dave
