Re: (313) Actual Detroit techno
It's always great to hear that there are others on this list that still enjoy Mills's post-Waveform Transmissions sound! The Alpha Centauri EP is also worthy of checking if you're into Sleeper Wakes and The Power. -wojtek http://twitter.com/detroitio On Wed, Nov 28, 2012 at 1:44 PM, Mike Taylor disconihil...@gmail.com wrote: I have to second Sleeper Wakes. I have been giving that album a lot of play recently. m On Wed, Nov 28, 2012 at 4:40 PM, Tristan Watkins phonop...@gmail.com wrote: So I've been seriously digging the Mills Sleeper Wakes and The Power albums lately. Probably going to pick up the others in the series too. Really, really on-form. Not news obviously, but easy to overlook I suppose. Also like Nighttime World Volume 3: Motor a lot! Worthy of the Nighttime World title. It's great to hear both these dudes developing their sound still. Tristan
Re: (313) Actual Detroit techno
Yep, his recent live/dj sets have been amazing by all accounts. He's also released a lesser known mini album, Niteroi, that was, and still might be available at the Axis web shop, bundled with a concept tshirt. Stylistically it's a nice blend between his more recent stuff and Every Dog Has His Day albums. -w. On Nov 28, 2012, at 21:39, Lori Polemenakos girly...@gmail.com wrote: yep, the messenger/sleeper wakes was sick live. really disorienting to watch him doing it all kneeling on the ground, though, since I couldn't see the stage setup at first when he performed this year at Metropolis in Montreal. On Wed, Nov 28, 2012 at 4:18 PM, Carlos Boix carlosb...@gmail.com wrote: I went to see jeff mills do his thing about a couple of months ago at cable in London and the music he played was great. It was as if he was DJing stems of sounds together and kind of doing a live set together with the 909. At times ambient and sci-fi and at times banging techno. The blend confused many but I thought it was great. It seems jeff is in top form still and bringing innovation to the dance floor. As for the sleeper wakes... I should catch up and listen. Carlos Boix +447979044454 On 28 Nov 2012, at 22:10, wojciech wojtek@gmail.com wrote: It's always great to hear that there are others on this list that still enjoy Mills's post-Waveform Transmissions sound! The Alpha Centauri EP is also worthy of checking if you're into Sleeper Wakes and The Power. -wojtek http://twitter.com/detroitio On Wed, Nov 28, 2012 at 1:44 PM, Mike Taylor disconihil...@gmail.com wrote: I have to second Sleeper Wakes. I have been giving that album a lot of play recently. m On Wed, Nov 28, 2012 at 4:40 PM, Tristan Watkins phonop...@gmail.com wrote: So I've been seriously digging the Mills Sleeper Wakes and The Power albums lately. Probably going to pick up the others in the series too. Really, really on-form. Not news obviously, but easy to overlook I suppose. Also like Nighttime World Volume 3: Motor a lot! Worthy of the Nighttime World title. It's great to hear both these dudes developing their sound still. Tristan
Re: (313) New Transmat Comp.
make that money !!! ;) On Nov 27, 2012, at 17:08, Patrick Wacher pwac...@gmail.com wrote: GO DERRICK! On Tue, Nov 27, 2012 at 4:39 PM, Sam samuel.kar...@gmail.com wrote: Way to shoot yourself in the foot Derrick ..ie keep it hush when you rip off artists ..that's the best way..maybe something like I had to sell my Ferrari to pay for the cd press and all profits are going to the Red Cross Sent from my iPhone On 28/11/2012, at 6:28 AM, John Sokolowski jrsokolow...@hotmail.com wrote: 'It's a seriously real thing with a fairly decent budget spent on it. Every artist got paid in advance. There's marketing and promotions—it's real!' -Derrick May on business per usual at Transmat CC: 313@hyperreal.org From: irid...@gmail.com Date: Tue, 27 Nov 2012 19:05:57 + To: philipmcga...@gmail.com Subject: Re: (313) New Transmat Comp. LOL - Stephen Brown was in our store on Saturday helping us celebrate our 20th Birthday and he didn't know much about it either :) Cheers Jason Sent from my iPad On 26 Nov 2012, at 21:39, Philip McGarva philipmcga...@gmail.com wrote: Yes thanks for the heads up. First I've heard of it too :^) Philip / Microworld Cool. Thanks much for the heads-up on this. On Fri, Nov 23, 2012 at 12:59 PM, Christian Hcjh4...@gmail.com wrote: http://www.residentadvisor.net/news.aspx?id=18303 Nice to see people like Rennie Foster get more exposure.
Re: (313) New Detroit releases
There's also a Japan-only Rob Hood 7 with a couple tracks that didn't make it onto the Nighttime World Vol. 3 album. Both sound jazzy and laid back, a la that limited Omega track he did years back on Peacefrog. -Wojtek On Oct 23, 2012, at 10:07, kent williams chaircrus...@gmail.com wrote: Yeah Louis Haiman album is brilliant. Has a sort of classic Carl Craig feel. You can hear bits here: http://www.juno.co.uk/products/468184-01.htm On Tue, Oct 23, 2012 at 9:39 AM, gavin morrissey gavinmorris...@gmail.com wrote: Check out the new Louis Haiman album Soul Purpose, great deep techno On Mon, Oct 22, 2012 at 6:42 PM, John Sokolowski jrsokolow...@hotmail.com wrote: Anyone picking up any new Detroit releases (artist or label)? Any recommendations? There seems to be a ton out at the moment. Over the last few weeks and months I have seen new releases from KDJ, Recloose, Andres, Huckaby, Theo, Kyle Hall, Dwayne Jensen, Deepchord, Rob Hood, Mills, Scan 7, and Jared Wilson. I am sure there are plenty of others I am missing. I haven't picked up much lately but am thinking of picking a few things up to warm up those cold winter nights on the way. Any recommendations would be appreciated as I have found online clips can be a bit misleading. Cheers, John
(313) Mills talking to the Detroit Free Press about his Wizard sets, influence of Motown, etc.
...and Detroit peeps: he's playing at Necto in Ann Arbor this Sunday... http://www.freep.com/article/20121011/ENT04/310110005 Producer and DJ Jeff Mills is celebrating the 20th anniversary of his label Axis Records. The Detroit native first became prominent in the mid-'80s, spinning now-legendary mixes as the Wizard on Detroit radio station WJLB-FM (97.9). Then he became an international star in electronic music circles by cofounding the Underground Resistance techno collective and later starting Axis. Now based in Chicago, Mills has become one of the world's most coveted DJs and techno producers. Axis just released Sequence: A Retrospective of Axis Records, a 320-page photographic book complete with a 30-track compilation on a USB card. It shows all the conceptual projects, design schemes, product and merchandise and a lot of other information, Mills says. This weekend, he'll revisit his roots and spin a Wizard set at the Necto in Ann Arbor, where he used to be a resident DJ. QUESTION: You used to spin at Necto (then known as Nectarine Ballroom) three night a week in the late '80s. What are some of your memories from those gigs? ANSWER: There are many. Until then, I had managed many DJ residencies in and around Detroit, but it wasn't until securing the Nectarine Ballroom that I could really try new ideas and experiment with the audience. With the help of my older brother Dennis, who oversaw the production, I was able to incorporate various equipment setups and be more conceptual with the music. An important aspect was that I was positioned on the dance floor, in and along with the people. I believe this made the relationship with the audience much stronger. I remember rushing back from Detroit to Ann Arbor, because I had to deliver my Wizard radio show to WJLB. I remember routinely giving hand signals to the lighting engineer, Mad Hatter, informing him how many minutes I wanted to play at the end of the party. I remember things like certain people always dancing in the same position for every party. I remember a Halloween party where I dressed up as a prisoner and spun the whole night with handcuffs on. We used to have a lot of fun. Q: How much planning was required for Wizard sets? A: There was a lot. Literally the entire day would be spent searching the record shops and various places for music to play for the show that evening. When the outlets in Detroit weren't enough, I would drive to Chicago, Toronto and to other cities get new music. At WDRQ 93 FM, in addition to my salary, I was given a music-spending budget. This would allow me to find and grab anything I thought was worthy of programming. I also had the rare ability to play anything I wanted -- whenever. This way, there was not a pre-approval period, which means, music was played on the radio as soon as possible. All the shows at WDRQ were live. At WJLB, the first few years were live, but the recording and music equipment technology was getting better, which allowed me to create more complex shows and multi-track mixes. With this, I could play more new music in a shorter time span. Working with these recording machines gave me the idea to start making the music earlier in the day and playing it live as if it were new records that just came out. Competitively, I was quite fierce. When new records would arrive at record shops, I would go in and buy all the copies so that I would have the only ones in the city. Q: What defines a Wizard set for you? A: A DJ set that encompasses various styles and forms of music. Not always in a humorous or comical way, but with sincerity and passion. Even though I was quite young then, I was old enough to know the power of music. I was aware that if many people heard the right thing at the right time, it could make a world's difference for the person who made it. A Wizard set for me is a DJ set that has the motive of enticing the listener enough so that he or she would go out and buy the record. While on the radio, I knew that I only had a small time frame to make my point, so playing the entire song would have taken up too much time. A way of quick mixing was something I developed. I would only play the best parts of the song in order to convince the listener to want to hear more. Most of the time, it worked. Q: What elements or techniques have you added to your DJing style? A: Ironically, I never lost my sense of what I'm doing. I still very much believe that music is best served hot, so I go through much effort to make this happen. My objective has not changed and I've maintained the process, though it's more complex and involves a team of people. I still hope to bring new things to the listener. ... I'm still being paid to inform people of new music. For technique, I've become wiser with my technical skill. I use hand speed and agility only when it's called for -- not just doing it for the sake of showing off or battling other DJs. Technology can only take the DJ so far. It's helpful
(313) Detroit Influences
Video interview with Andres/DJ Dez, courtesy of Phonica. Mentions his connection with hip hop, J Dilla, etc. http://www.factmag.com/2012/03/19/fact-tv-andres/ -Wojtek
Re: (313) Derrick May - Heartbeat Presents Mixed By Derrick May Ã- Air Vol.2 (CD) at Discogs
Derrick May still slays most dancefloors without having to try too hard. I wonder if this mix contains any of the ace tracks he's dropped when he played here (SF) recently. There's a 4+ hour long mix floating around Soundcloud that proves the man still has few equals behind decks. On Nov 24, 2011, at 19:03, kuszyn...@gmail.com kuszyn...@gmail.com wrote: thanks for writing up on this. unfortunately, most of us won't be buying it, in fact, few of are likely to consume it in any manner. I generally suspect his last rants at the monetizable DEMF's are the last peeps we hear from this deeply valuable man. Celebrity or not, one of our few folk. On Thu, Nov 24, 2011 at 8:10 PM, Marsel van der Wielen mar...@nomorewords.net wrote: brother of the unknown writer? we had two license requests for this one - but really couldn't make any sense of titles and mp3 samples so still unknown yes :-) Op 24-11-2011 19:32, Odeluga, Ken schreef: Some interesting stuff on the tracklist. Including the ‘unknowns’. Ken http://www.discogs.com/Derrick-May-Heartbeat-Presents-Mixed-By-Derrick-May-Air-Vol2/release/3243802 -- -Mike
Re: (313) Made in Detroit 7-inch?
does it sound similar to this? http://www.youtube.com/watch?v=wfaOSElE9lc On Tue, Sep 13, 2011 at 1:06 PM, Benajmin Oist yaranaika@gmail.comwrote: So, my copy of Reel by Real's Surkit Chamber got here yesterday in all its excellence. When I opened it, something unexpected fell out of the package: A 7-inch white label with only a Made in Detroit logo and a stamped number (apparently limited to 313 copies). The only other writing I could find was etching in the dead wax bearing the legend M.I.D. 1 or something similar. The A-side was a pretty nice techno track with a female vocalist that keeps repeating No more mind games at various points, and the B-side is a more tribal-ish track with what sounds like vocals in Arabic. Anybody know anything about this?
Re: (313) NPR: Detroit Techno City: Exporting A Sound To The World
the party with Malik Pittman and Andres is off the hook right now-1490 gratiot , same block (but on the other side) of the transmat building. On May 31, 2011, at 3:17, Fred Heutte ph...@sunlightdata.com wrote: http://www.npr.org/blogs/therecord/2011/05/27/136718287/detroit-techno-city-exporting-a- sound-to-the-world Detroit Techno City: Exporting A Sound To The World May 27, 2011 by Wills Glasspiegel Carl Craig says he's always thought of his music as a personal beautification of Detroit. This Memorial Day weekend, techno music and its fans come home — to Detroit — for the annual Movement Electronic Music Festival. Today, most of techno's audience is in Europe. But its futuristic sound was nurtured by African-Americans in Detroit in the 1980s. It all started in the late '70s, when a Detroit radio DJ named Electrifying Mojo put music on the air in a way that had never been heard before in the city: Kraftwerk plus Jimi Hendrix; Rick James plus the B52s and Phillip Glass – all on a spaceship. Mojo's sci-fi persona dominated Detroit's urban radio back then. The pieces he assembled became the raw materials for techno. Juan Atkins is often called the first techno artist. In 1981, Atkins was 19 years-old and technology-obsessed. He co-produced a song called, Alleys of Your Mind, on a rudimentary drum machine. Mojo dropped 'Alleys of your Mind' on his radio show and it just blew up, Atkins recalls. It was like a breath of fresh air on the radio. And nobody knew that this was some black kids from Detroit making this record. They thought it was from Europe or somewhere. Through Mojo's radio show, the alien sounds of techno piqued the interest of Detroit natives — but the music's largest audience quickly grew in Europe. I'm fortunate because I exported my business, says Carl Craig, one of techno's biggest ambassadors. If I kept it in the U.S., we would have failed a long time ago. In addition to making his own music, Craig runs a record label he started two decades ago in Detroit. Last year, it shipped nearly 20,000 vinyl records out of the city — 70 percent went to Europe. Craig is a star in Berlin and Paris. But in Detroit, his profile is low key, his studio an anonymous bunker near a slew of abandoned buildings. You go around the block from here, there are buildings [where] the windows are blown out, he says. They've been abandoned for 30 years. Craig says he stays in Detroit because it's cheap, but the city is also central to his creative process. My music has always been for me a personal beautification of Detroit. He's not the only one who sees possibility in the rubble. There's also a small but steady stream of techno tourists who visit Detroit. We've had several people that have come from Germany, mostly from Europe, specifically for the techno scene here, says Nicole Stagg, who hosts visitors through www.couchsurfing.org. They come to see the abandoned factories where techno parties happened, and to visit Detroit's techno landmark, Submerge — an iconic label, studio, techno museum and record shop on Detroit's east side. Label manager Cornelius Harris says Submerge defies the negative trends in Detroit and in the music industry itself. The key with being able to function in Detroit is not to look at what it is, but to understand what's possible and to move from that place, Harris says. People in music do it all the time. They do it every day, which is amazing to me. You've got this thing that doesn't exist and you bring it into existence. That's the definition of magic. One of those musical pieces of magic, Falling Up, by local artist Theo Parish, could be a metaphor for Detroit. Parish is a torchbearer for his city's music, but he hardly ever plays there. His regular gig is at a club called Plastic People — in London. Marlon Bishop contributed reporting to this story. Both he and Glasspiegel are producing a radio documentary on Detroit techno and Chicago house for Afropop Worldwide.
Re: (313) Omar-S tonight!
He played a great set. No classics, none of his own stuff. Just hard jacking, techy house-funk. On Jan 2, 2011, at 12:44 AM, Joe Marougi jmaro...@gmail.com wrote: Man, would have loved to have made it there tonight. On Sat, Jan 1, 2011 at 9:42 PM, Wojciech wojtek@gmail.com wrote: Omar-S is playing in San Francisco this evening for those of you in the bay area. www.kontrolsf.com
(313) Omar-S tonight!
Omar-S is playing in San Francisco this evening for those of you in the bay area. www.kontrolsf.com
(313) derrick may, facebook, and youtube
derrick's been spilling quite a few 313 techno trivia beans lately through his facebook account. some of the comments he's posted along with youtube videos of a few of his tracks are informative, to say the least. enjoy: http://www.facebook.com/derrick.may
(313) Tresor's visual tribute to Detroit
Featuring a mix by Blake Baxter. This virtual coffee table photo book even has pictures of the unforgettable Timeline (Banks, C2, etc.) live show that took place last Spring. Enjoy! http://issuu.com/tresorberlin/docs/tresor.iginal001
Re: (313) Aarron Carl has passed
thanks for the update kent. sad morning... ...and since ron murphy is there too, he can finally master all of ac's tunes that ended up in hit heaven, as a certain other well known detroiter calls it. On Sep 30, 2010, at 6:16 AM, kent williams chaircrus...@gmail.com wrote: Those of you up early in the US who checked Facebook or Twitter already know this, but Aaron Carl Ragland died overnight, having just started chemotherapy for a just-diagnosed cancer. This is a terrible loss for Aaron's family, Detroit, and the world. I didn't know the man well, other than a couple of long conversations earlier this year on the phone. I was impressed by his drive to make things happen in Detroit, not just for himself, or for Detroit Dance Music (though they were things he loved DEEP, second only to his family and friends) but the next generations of kids. Aaron was openly, flamboyantly gay man who came out at a time and place where it was a lot easier to stay on the down low. The Detroit dance scene is a lot more open and accepting than the wider culture, but it's a brave man who's willing to be honest with the whole world the way AC was. Aaron presented himself transcended his sexuality, it represented an openness and honesty that's an example for everyone. Aaron was genuine, authentic, true, no bullsh*t. And he was funny as hell too. Inexplicably, he was afraid of trees -- can you watch this and not laugh? http://www.youtube.com/watch?v=QJVdtEzUJII The W.A.R.M.T.H. Wallshaker Compilation he put out last December was a great example of what Aaron Carl could do -- bring people together under a positive vibe. That's what I'll be listening to today, and if you don't yet have it, you can listen to the mix I made of it: http://www.cornwarning.com/chaircrusher/Chaircrusher-WallshakerMix.mp3 AC I love you, and I hope you're slapping skin with Ron Hardy and Arthur Russell and James Stinson about now, and they've got your crate by the tables waiting for you.
Re: (313) New interviews
it's not a surprise to me, since he calls things as he sees them, and that approach is bound to get at least a few negative responses from the forum responses on ra. that, and the forum-reading crowd always loves to pick a side (i'm for digital-he's for vinyl!), instead of addressing valid--if directly stated--points that rick addressed. i didn't get a vinyl vs. digital vibe from his answers either. more a noob vs. someone that honed their craft vibe. -wojtek On Thu, Sep 23, 2010 at 1:01 PM, maxphi...@gmail.com wrote: http://www.residentadvisor.net/feature.aspx?1245 I'm quite surprised at all the negative feedback both on 313 and RA to Rick's interview, largely on the basis of his comments about the vinyl / digital debate in answer to just a few questions out of the whole article. I thought he came off quite well overall. For a remarkably different perspective, check out: http://www.littlewhiteearbuds.com/feature/little-white-earbuds-interviews-shed/ m50 At 2010.09.23 10:27, kent williams wrote: As for RA commenters, one should not judge humanity on the comments left on blogs websites. The best thing I can say for a lot of them is that at least they're sitting at their computer typing instead of going out in the world and actualizing their hatred and ignorance.
Re: (313) New interviews
afaik, mills started as a drummer when he was still in high school. whether he already dj'ed around that time, i don't know. On Wed, Sep 22, 2010 at 10:06 AM, kuszyn...@gmail.com kuszyn...@gmail.com wrote: You are right, I jumped from my feeling of Mills as having a very musical, tone and synth oriented style, and tried to describe more of a mental philosophy, at least as I see it. Mills obvious first public success and work was in the dj/radio department. I'm glad, however, that I touched upon the vein of dj does not have to equal musician (and frankly, plenty of great musicians make horrible dj's) On Wed, Sep 22, 2010 at 11:54 AM, kent williams chaircrus...@gmail.com wrote: Wasn't Mills DJing long before he began making records? Or am I misunderstanding the connection you're making? I started making music long before I ever tried to DJ, but it was more lack of opportunity and not having $1200 to drop on 1200s and a mixer. Somehow picking up a synth for a couple hunderd bucks every so often was more managable. People that DJ first often have an intuitive grasp of what makes a good dance track. Whether that starts them down the path to artistic excellence is another question. One does have to attain some minimal musical knowledge along the way though. I people who have released records who are functionally tone-deaf. I've actually 'music-doctored' a few tracks for them, where I had to tell them how to get their chords and basslines in the same general key, tune the vocal samples, etc. And of course, they're way more successful than I am. And I have 2 years of college as a music major. There is a big difference between DJs who start producing, and DJs who hire ghost producers to make tracks for them because they're too busy or coked up to learn how to do it properly themselves. That some weak sh*t, and it's remarkably common, especially among the big room techno and progressive DJs. On Wed, Sep 22, 2010 at 8:58 AM, kuszyn...@gmail.com kuszyn...@gmail.com wrote: (Here comes some flame bait) And this is why I really like Jeff Mills. Frankly, I know very few electronic music people who look at things as producers. They become producers after djing, which to me isn't musical, it's beat making. -- -Mike
(313) New interviews
-With Rick Wilhite: ...The whole entertainment industry has created people that really have no passion doing what we do, as a producer, as a remixer, as a DJ. All these new websites and everything have totally annihilated the industry. Nowadays anybody can just do overnight what took somebody else ten years to really become sufficient enough or experienced enough to do. The industry is in total shambles—from the pressing plant to the mastering plant, the people that make the labels and the jackets, to the actual artists themselves. All of that is totally gone because most people don't believe music is worth more than a dollar. If that. http://www.residentadvisor.net/feature.aspx?1245 -With Jeff Mills: ...In my generation we learned differently from the way most DJs are learning now. Most of us came into DJing from being musicians, so when we thought about tracks to play, we were thinking about song structure – we had musical structure to refer to. I’m just trying to create a much more balanced view of what DJing is all about. http://www.junodownload.com/plus/2010/09/03/interview-jeff-mills/
(313) Playing favourites with Alan Oldham - RA
Excerpt: RA: What did you think of the music on Nude Photo back then? Alan Oldham: Back then, it was amazing. It was like alchemy. It was like, taking a box and making it into a car. Full article: http://www.residentadvisor.net/feature.aspx?1204
(313) Sound Signature white labels
Word on the street is that Theo had dropped off four new Sound Signature white labels at various Detroit record shops for the DEMF weekend. Any reports as to what these are like?
Re: (313) Sound Signature white labels
thanks, frank. i guess we're in the same boat - i saw SS 040 at submerge for a steep price and decided to pass on it as well. has anyone else seen these white labels with spraypainted coverwork sold anywhere outside of submerge or melodies @ memories? On Tue, Jun 8, 2010 at 2:57 PM, Frank Glazer cpe1704...@gmail.com wrote: One of them is titled something and is the track featured in that adidas video from a couple years ago. Another has an acid track. I didn't pick any of them up due to their high price and scarcity, and now regret it. Sent from my iPhone On Jun 8, 2010, at 5:28 PM, wojciech wojtek@gmail.com wrote: Word on the street is that Theo had dropped off four new Sound Signature white labels at various Detroit record shops for the DEMF weekend. Any reports as to what these are like?
Re: (313) Sound Signature white labels
yeah, that podcast looks ace from the tracklisting. i wasn't too impressed with kyle's set at the festival, tbh. 2010/6/8 Henrique Antão henriq.an...@gmail.com: Had the chance to see him play 2 months ago here in Portugal, and from the chat we had I can confirm there's new stuff and the one he wrecked was one of the highlights on his set. He described it to me as a joint of different piano layers. Also I catched this mix today of Kyle Hall in which you can see 06 Theo Parrish White Label SS40 (Sound Signature) although it's not the one I recall from that night. catch it on http://www.xlr8r.com/podcast/2010/06/kyle-hall peace wojciech wrote: Word on the street is that Theo had dropped off four new Sound Signature white labels at various Detroit record shops for the DEMF weekend. Any reports as to what these are like?
(313) Not necessarily for the DEMF-bound
Techno tourists get a mention in today's NYT: http://travel.nytimes.com/2010/05/21/travel/escapes/21technotourism.html?ref=travel -Wojtek
Re: (313) Not necessarily for the DEMF-bound
Then again, NYT was never known to be the well of ug electronic music knowledge. It's also refreshing to see the myth of detroit=lowbrow rave culture, mutek=highbrow electronic music bastion perpetuated in mainstream press. /sarcasm On a positive note, NYT did a decent piece on Model 500 live and the Detroit history behind techno (iirc) not too long ago, for anyone that cares to search for it. On Thu, May 27, 2010 at 2:22 PM, Frank Glazer cpe1704...@gmail.com wrote: It's embarrassing how bad that writer's knowledge of the subject matter is, especially considering it's in the New York Times. Not to mention it's a poorly written article. /hater On Thu, May 27, 2010 at 12:38 PM, wojciech wojtek@gmail.com wrote: Techno tourists get a mention in today's NYT: http://travel.nytimes.com/2010/05/21/travel/escapes/21technotourism.html?ref=travel -Wojtek -- peace, frank http://www.deejaycountzero.com http://www.infinitestatemachine.com
(313) The Macarena vs. Suspiria: There Is a Difference
Sherard Ingram, aka Urban Tribe, interviewed in The Wire: http://thewire.co.uk/articles/4131 -Wojtek
Re: (313) 303s, 808s and India
Pics of the original vinyl from the early '80s: http://www.flickr.com/photos/ryanjunell/348052866 On Tue, Apr 13, 2010 at 4:00 PM, Kevin Kennedy the...@gmail.com wrote: All of the edits I've done (and frankly I can only speak to my own philosophy on this) have been kind of personal. I wanted to do Kraftwerk's Hall of Mirrors and re-vision it as a near tech-house groove...I wanted to see if I could make a song by The System sound like an industrial track...I wanted to make a cheesy rock song like 'love is like oxygen' a stomper. All of the edits I've done have my personality built into them, they have many of my signatures: drum programming, new or reworked basslines, etc. I did these things not to 'improve' them, as they were strong tracks to begin with and tracks I liked to start out with. I did them in MY style-creating something for my own DJ sets and the like. I really don't know why others do edits (money, power, respect?) however I to this point had not done any...most of this has been practice for remixing for me. And yes, Abelton Live is a GREAT program for mangling and re-arranging loops and samples. The key is the creativity of the user with the tool...a chisel in a sculptor's hands rather than in the hands of an auto tech I guess. And, sadly, there are so many things now that are released that DON'T make the cut. Most are available on mp3. With that, I say...vote with your feet. I've had a gift of time to do something I've not done before, and it seems to be paying dividends...you'll hear about it soon! Cheers listers! On Tue, Apr 13, 2010 at 11:44 AM, David Powers cybo...@gmail.com wrote: Meant to say: life is too SHORT to waste time... etc. On Tue, Apr 13, 2010 at 10:43 AM, David Powers cybo...@gmail.com wrote: Yeah, I mean I don't really listen all these edits, but if 1 minute of cheese ruins 5 minutes of genius, what's wrong with improving it? That said, I personally don't have time for such shenanigans, there are so many good records out there already, life is too to waste time editing ones that don't quite make the cut... Actually it's funny how many records aren't quite there, but would be good if they just didn't have that one horrible sample or hit running over top of things ruining them... ~David On Tue, Apr 13, 2010 at 10:29 AM, kent williams chaircrus...@gmail.com wrote: If the original was good on its own terms, you don't improve it by editing it. There's a bazillion 'disco edits' right now, and they bother me because they take something with its own internal pace and flow, and fit it to the procrustean bed of DJ expediency. And usually, to fit the ADD no-soul mixing style of DJs who can't tell fake funk from real. The point being, it's great to sample but add something new, make it your own, be original with it. Just because Ableton Live makes it easy to chop tracks to pieces doesn't make it right. It's akin to bowdlerizing Shakespeare. On Tue, Apr 13, 2010 at 10:12 AM, David Powers cybo...@gmail.com wrote: What difference does being true to the original make? -- fbk sleepengineering/absoloop US
Re: (313) Music advice (online)
Many 313ers write off Mills for being either a has been or little more than a hard techno jock, while his more recent productions are a clear example that none of these categories are the case, not to mention his spectacular recent dj sets. One Man Spaceship was an excellent album indeed, with moods ranging from abstract space jazz (on Final Night of Ambient Light) to near peaktime intensity on Life Timed Device, to the classical workout on The Great Chase, or the ambient Above the Waiting Worlds. He keeps churning out good product with just about every new release. Speaking of his new releases, have you heard The Sleeper Wakes? W. On Mar 13, 2010, at 3:38 PM, kuszyn...@gmail.com wrote: That's a good list of relatively recent releases that mark some significant acclaim from 313 style artists. Apparently a sole fan, I also really enjoyed Jeff Mills - One Man Spaceship (though I had to import it from Japan on CD). It really to me is the peak of Jeff-Mills-as-crazy-ambient-non-techno-techno-producer, and the studio work is breath-freaking-taking. On Sat, Mar 13, 2010 at 6:18 PM, David Barna barna.da...@gmail.com wrote: I stopped following this sort of music actively around 03 or 04 and have been looking for new things to listen to as well. I've actually been into reissues more than anything else lately and I've been checking out a lot of old live sets and such. Here are some things you may want to check out, pretty obvious picks I guess... http://www.discogs.com/Kenny-Larkin-Keys-Strings-Tambourines/master/19614 http://www.discogs.com/James-Pennington-Presents-Dark-Energy-Collided-Energy/master/23639 http://www.discogs.com/Robert-Hood-Minimal-Nation/release/1812346 http://www.discogs.com/Anthony-Shake-Shakir-Frictionalism-1994-2009/master/207247 http://www.discogs.com/Kenny-Larkin-The-Chronicles/master/55839 Michael Lees Wed, 10 Mar 2010 21:07:24 -0800 Dear 313, So, I was looking for something interesting to listen to a few days ago and was really stuck. I needed advice which is why I turn to you. I was actually on the list many years ago (around 2002-05, I think), I do recognize some names who are still here. Anyway, since my departure I've swapped the rainy days in the UK for the constant 30 degree heat of Singapore. Unfortunately while the weather here is much better, the music scene... well, there is no (good) music scene. It's really very depressing. I realized the best way for me to locate some good music was to come back here and ask the friendly people of 313. I've been downloading the bleep podcasts, which are great. I've got a few beats in space ones also. Any important albums from the past 5 years I might have missed :) -Mike
Re: (313) New Kirk Degiorgio on Planet E
Kirk Detroitio made j-pop records? who knew... On Wed, Mar 3, 2010 at 11:29 AM, JT Stewart etmach...@gmail.com wrote: It's not bad or anything, but for Kirk it's pretty forgettable. I mean compared to : http://www.youtube.com/watch?v=idBNjSYsjaQ which like Icon part 2 or his old rb stuff http://www.youtube.com/watch?v=U2k9RP7hpns On Wed, Mar 3, 2010 at 12:06 PM, kent williams chaircrus...@gmail.com wrote: I don't know how he does it but Kirk Degiorgio always comes up with tracks that I'm powerless to resist: http://planetary-folklore.blogspot.com/2010/03/kirk-degiorgio-membrane-planet-e.html You could say that it's a bog standard beat, it's tracky as hell, and that minor/major7 chord through delay has been done to death by everyone from shawn rudiman to aril brikha. Well, I just did. But somehow it's beside the point when Degiorgio gets up a head of steam. Listening this reminds me of watching Dan Bell play at DEMF, standing next to Shawn Rudiman. I told him you know, Techno really is a cheap trick. He laughed and said, yeah but it's a really f*cking good trick.
Re: (313) The Long Arm Of DJ Rolando
speaking of Mills... http://www.youtube.com/watch?v=FGzDEvfP_7Q Beyond the dance indeed. W. On Mon, Feb 22, 2010 at 11:38 AM, Fred Heutte ph...@sunlightdata.com wrote: I look at it a little differently. Activity on 313 has always been mostly proportional to the amount of activity in Detroit -- tracks being released, and of course since 2000 the annual cycle of the festival. Then there is a general but somewhat variable flow of comments on music-and-people-that-in-some-way-are-influenced-by-something- from-Detroit. For a very long time, nearly a decade, 313 activity has mostly been people who don't live in Detroit. Dluv and other places are where the locals hang. That's fine, I keep track of both and participate more here. 313 continues to be one of the more rewarding non-work lists I'm on. I also think that continuing as an email-only list has gradually resulted in a kind of age-graded participation. Those who came onto the net post-email, then post-phpBB, post-MyTribeFace and soon post-Twitter are in micro-generations that have no direct connection to the Detroit- techno-widely-conceived that has always been the core 313 focus. But I also don't see that this is unusual, nor that a lot can be done about it. And my sense is that 313 will continue for a good long while because there is still a critical mass of list subscribers, enough of the Detroit- related activity we've always talked about, and, aside from occasional waywardness, a not-bad signal-to-noise ratio overall. Conclusion: rumors of the death of 313 are greatly exaggerated. fh PS There's always been a real easy way to gear up a big surge of comments on 313, and that is to start a thread on J--- M. You first. - I don't know about 'over' but perhaps slumbering. I know that I'm starting way too many threads relative to other people on the list. Keep in mind that in the dark days when the 313 list started, people could subscribe without even having a regular internet connection. I think a fair percentage of people on the list were using terminals on University campuses, and hadn't yet bought a home computer or laptop. There was no Facebook, Twitter, Message Boards, You Tube, Bit Torrent etc. Detroit Techno Artists still lived in Detroit, or sometimes Chicago. They all had their original wives. I know, some of them still do. Perhaps e-mail lists are a vestigial feature of the Internet now. I have to think there is a whole generation who are on the internet constantly who don't even know what an e-mail list is, at this point. When there is a critical mass of active contributors it's still preferable to me for many reasons too boring to list. All you have to do to make it die is unsubscribe. Everyone makes that choice for themselves. On Mon, Feb 22, 2010 at 9:32 AM, Odeluga, Ken ken.odel...@dowjones.com wrote: Rearrange these words people 'the,' 'scraping,' 'bottom,' 'barrel,' 'the,' 'of,' ... I know I'm not helping much though ;-) Is 313 over? Ken
Re: (313) Mills streaming live NOW
here's the link to the archived interview: http://171.66.118.50/~hso/eclektronik_groove-jeff_mills-20091214_0949-interview.mp3 wojtek 2009/12/14 maxphi...@gmail.com: Thanks for the link! Is this still on? Is it over? I can't tell what's going on. m50 At 2009.12.14 13:11, you wrote: on web radio/kzsu now: http://hsomusic.com/show/ BTW, he played a great set here in SF a couple days ago (he's truly a musical shaman imo)--but the sound left a lot to be desired. -Wojtek
(313) Mills streaming live NOW
on web radio/kzsu now: http://hsomusic.com/show/ BTW, he played a great set here in SF a couple days ago (he's truly a musical shaman imo)--but the sound left a lot to be desired. -Wojtek
Re: (313) Mills streaming live NOW
it ended at noon local time. they should rebroadcast during the 3-6pm (pacific) time slot. 2009/12/14 maxphi...@gmail.com: Thanks for the link! Is this still on? Is it over? I can't tell what's going on. m50 At 2009.12.14 13:11, you wrote: on web radio/kzsu now: http://hsomusic.com/show/ BTW, he played a great set here in SF a couple days ago (he's truly a musical shaman imo)--but the sound left a lot to be desired. -Wojtek
(313) Detroit Wildlife doc
upcoming documentary about the D. here's a taster: http://vimeo.com/2371774
(313) Juan Atkins interview + new Model 500 track
http://www.clashmusic.com/feature/juan-atkins-interview ...and a free new Model 500 track http://www.clashmusic.com/sounds-of-the-summer
(313) Jeff Mills interview on Resident Advisor
http://www.residentadvisor.net/feature.aspx?1056 With a favorable mention of everyone's favorite (313) topic from Windsor, Ontario...
(313) SF this Friday, May 1st
I'll be playing this Friday alongside Dave Siska of Sonic Sunset radio, at Swig (561 Geary St. @ Taylor). Stop by if you're in the SF Bay area this weekend to hear some fine Detroit- and not only Detroit-related music. No cover charge! Link to the flyer: http://infinitestatemachine.com/2009/04/30/this-friday-in-sf/ Wojtek
Re: (313) SF this Friday, May 1st
I haven't been digging much of Stewart's Walker's recent stuff, but he has put out some killer records back in the day. It should be interesting to catch his live show, as the last one I've seen about 5 years ago was excellent, in spite of the venue and sound sucking (old RX gallery in SF). On Thu, Apr 30, 2009 at 2:07 PM, kent williams chaircrus...@gmail.com wrote: Sounds great. I've always dug Siska's DJing. And Stewart Walker is playing the next night -- http://www.theendup.com/events/kontrol.html On Thu, Apr 30, 2009 at 3:51 PM, wojciech kawalek wojtek@gmail.com wrote: I'll be playing this Friday alongside Dave Siska of Sonic Sunset radio, at Swig (561 Geary St. @ Taylor). Stop by if you're in the SF Bay area this weekend to hear some fine Detroit- and not only Detroit-related music. No cover charge! Link to the flyer: http://infinitestatemachine.com/2009/04/30/this-friday-in-sf/ Wojtek
Re: (313) SF this Friday, May 1st
...and to keep with the spirit of recent 313 conversations, I'll be happy to compile a tracklist and upload it to twitter afterwards ;) no live feeds with vinyl I'm afraid... On Thu, Apr 30, 2009 at 2:07 PM, kent williams chaircrus...@gmail.com wrote: Sounds great. I've always dug Siska's DJing. And Stewart Walker is playing the next night -- http://www.theendup.com/events/kontrol.html On Thu, Apr 30, 2009 at 3:51 PM, wojciech kawalek wojtek@gmail.com wrote: I'll be playing this Friday alongside Dave Siska of Sonic Sunset radio, at Swig (561 Geary St. @ Taylor). Stop by if you're in the SF Bay area this weekend to hear some fine Detroit- and not only Detroit-related music. No cover charge! Link to the flyer: http://infinitestatemachine.com/2009/04/30/this-friday-in-sf/ Wojtek
Re: (313) Walt Jones, Dave Whiteside, Dave Peoples? Dow Records
Someone from 313 mentioned that Walt J became devoutly religious and no longer makes music/ceased label operations around that time, iirc. On Apr 14, 2009, at 4:01PM, Tristan Watkins phonop...@googlemail.com wrote: On 14/04/2009 18:23, Andrew Duke wrote: Going through the vinyl archives looking for the Pub records on Vertical Form and just stumbled upon my cache of Dow Records catalog. Anyone know what Walter Jones (Walt J), Dave Whiteside (Endow), and Dave Peoples are up to these days? I used to talk to them on the phone back in the days when the mixshow was syndicated but have totally lost touch since. Hey Andrew, I asked the same a couple of times in recent years but I'm pretty sure there's no news. Around 2003 I mistook another Walter Jones for Walt J and got excited, but they're different people. Shame. 'Twas a good label! Cheers, Tristan === phonop...@phonopsia.co.uk http://www.phonopsia.co.uk
(313) DJ Dex podcast
and he's playing live in NYC tonight for those in the area: http://soundnoir.net/2009/03/sound-noir-podcast-001-dj-dex/
Re: (313) DJ Dex podcast
It's all on the flyer: http://www.ur061.com/ On Fri, Mar 20, 2009 at 4:09 PM, Michael Kuszynski kuszyn...@gmail.com wrote: where is he playing? didn't find any info online with a quick search. Do you mind posting details? On Fri, Mar 20, 2009 at 5:39 PM, wojciech kawalek wojtek@gmail.com wrote: and he's playing live in NYC tonight for those in the area: http://soundnoir.net/2009/03/sound-noir-podcast-001-dj-dex/ -- Michael Kuszynski kuszyn...@gmail.com www.planerecordings.com New York, NY
Re: (313) patrice scott tracklist + mix
thanks wibo! (updated) 00.00 - 07.15 - 14.25 Marcellus Pittman - Skylark [Late Morning mix Foool!!] - FXHE 18.05 Kerri Chandler - Moon Bounce - Deeply Rooted House 23.15 - 27.30 - 32.30 - 38.30 DJ OJI - Footsteps of Phire (Ibadan) 42.30 Ferrer Sydenham Inc. - Timbuktu [Ame Main Mix] - Ibadan 48.00 David Alvarado - Passion Fruit - Yoshitoshi 55.55 Kevin Saunderson - Pump the Move [Samuel L Sessions Mix] - KMS direct dl link: http://sound.modelfruit.com/sets/patrice_scott_._deep_in_detroit.mp3 On Thu, Mar 5, 2009 at 1:18 AM, Wibo Lammerts wibo...@gmail.com wrote: 32:30 is NOT Ame remix of Tarzan 38:30 is DJ OJI - Footsteps of Phire (Ibadan) http://www.discogs.com/DJ-Oji-Footsteps-Of-Phire/release/765658 HTH, W 2009/3/5 gavin morrissey gavinmorris...@gmail.com: I really want to know the first track, no one seems to know it. On Thu, Mar 5, 2009 at 7:10 AM, Andrew Duke and...@andrew-duke.com wrote: wojciech kawalek wrote: url edit* - if anyone knows what the missing track titles are, please share. many thanks in advance. 00.00 - 07.15 - 14.25 Marcellus Pittman - Skylark [Late Morning mix Foool!!] - FXHE 18.05 Kerri Chandler - Moon Bounce - Deeply Rooted House 23.15 - 27.30 - 32.30 Roy Ayers - Tarzan [Ame Remix] - Rapster Records 38.30 - 42.30 Ferrer Sydenham Inc. - Timbuktu [Ame Main Mix] - Ibadan 48.00 David Alvarado - Passion Fruit - Yoshitoshi 55.55 Kevin Saunderson - Pump the Move [Samuel L Sessions Mix] - KMS direct dl link: http://sound.modelfruit.com/sets/patrice_scott_._deep_in_detroit.mp3 Slowly but surely, we're gettin' there! :) -- Andrew Duke In The Mix weekly mixshow (est. 1987), excl. DJ mixes, PAs, interviews: http://cognitionaudioworks.com/AndrewDukeInTheMix.html sound design and music content provider: http://cognitionaudioworks.com/sounddesignandmusic.html sound design, music, production, DJ courses: http://andrew-duke.com/course.html http://myspace.com/andrewduke http://www.facebook.com/profile.php?id=1614666166 http://www.discogs.com/artist/Andrew+Duke http://www.residentadvisor.net/dj-page.aspx?id=5947 Andrew Duke Cognition Audioworks 57 Hastings Drive Dartmouth NS Canada B2Y 2C7
(313) patrice scott tracklist + mix
if anyone knows what the missing track titles are, please share. many thanks in advance. 00.00 - 07.15 - 14.25 Marcellus Pittman - Skylark [Late Morning mix Foool!!] - FXHE 18.05 Kerri Chandler - Moon Bounce - Deeply Rooted House 23.15 - 27.30 - 32.30 Roy Ayers - Tarzan [Ame Remix] - Rapster Records 38.30 - 42.30 Ferrer Sydenham Inc. - Timbuktu [Ame Main Mix] - Ibadan 48.00 David Alvarado - Passion Fruit - Yoshitoshi 55.55 Kevin Saunderson - Pump the Move [Samuel L Sessions Mix] - KMS direct dl link: http://sound.modelfruit.com/sets/patrice_scott_._deep_in_detroit.mp
Re: (313) patrice scott tracklist + mix
url edit* - if anyone knows what the missing track titles are, please share. many thanks in advance. 00.00 - 07.15 - 14.25 Marcellus Pittman - Skylark [Late Morning mix Foool!!] - FXHE 18.05 Kerri Chandler - Moon Bounce - Deeply Rooted House 23.15 - 27.30 - 32.30 Roy Ayers - Tarzan [Ame Remix] - Rapster Records 38.30 - 42.30 Ferrer Sydenham Inc. - Timbuktu [Ame Main Mix] - Ibadan 48.00 David Alvarado - Passion Fruit - Yoshitoshi 55.55 Kevin Saunderson - Pump the Move [Samuel L Sessions Mix] - KMS direct dl link: http://sound.modelfruit.com/sets/patrice_scott_._deep_in_detroit.mp3
Re: (313) new release - Endless Days ep feat DJ 3000 remix
speaking of frank, he has a new twelve on motech which is a collaboration between him and esteban adame from ican productions the record isn't half bad in the least. On Tue, Mar 3, 2009 at 9:42 AM, kent williams chaircrus...@gmail.com wrote: I like. Especially like the spitty high res synth line. Reminds me a bit of Jimmy Edgar, but the vocal samples are kind of Kanye-esque, without of course the irritating-Kanye aspect. Frank's remix is pretty sweet as well. I think a lot of people have slept on his stuff -- he's not a huge self-promoter and doesn't have the outsize personality quirks that get producers attention, but his tracks start at solid and go up to brilliant. On Tue, Mar 3, 2009 at 10:26 AM, Matt Chester chesterm...@googlemail.com wrote: hi all, got a new release out finally that some of you might be interested in- featuring Detroit's own DJ 3000 and getting played by plenty of Detroit djs... all promo blurb below... I've got a handful of limited white copies available of this too, if anyone on the list wants one just give me a shout. Cheers :) matt Matt Chester - Endless Days EP (11th Hour Recordings ehr006) http://www.matt-chester.com/wp/releases/ehr006 a1 - Kick It - http://11-hour.com/audio/ehr006/kickit_clip.mp3 a2 - Kick It (DJ 3000 remix) http://11-hour.com/audio/ehr006/kickit_dj3000mix_clip.mp3 b1 - Cold Restraint - http://11-hour.com/audio/ehr006/coldrestraint_clip.mp3 b2 - Down Out in EC2 - http://11-hour.com/audio/ehr006/downandoutinEC2_clip.mp3 For more information, full length track previews and ordering information, please visit the release page - http://www.matt-chester.com/wp/releases/ehr006 Sales Ehr006 is distributed on vinyl by Rubadub http://rubadub.co.uk/ (Glasgow) and Underground Gallery http://www.undergroundgallery.jp/ (Toyko). It is also available digitally via EPM Online http://www.epm-musiconline.com/, available through the usual outlets. Please click the links below for the sales page at your favourite store: Vinyl: [Juno ] http://www.juno.co.uk/ppps/products/344705-01.htm [Rubadub] http://rubadub.co.uk/?node_id=1.3id=24472 [Clone] http://clone.nl/item14713.html [Nuloop]http://www.nuloop.com/en/mp3/detail/14257/matt_chester_endless_days.html Digital: [Juno Download] http://www.junodownload.com/ppps/products/1398899-02.htm [Beatport] https://www.beatport.com/en-US/html/content/release/detail/158647/Endless%20Days [TrackitDown] http://www.trackitdown.net/search/advanced?artist=Matt+chester You can also purchase this record directly from 11th Hour Recordings for £5 +pp - just visit the release page - http://www.matt-chester.com/wp/releases/ehr006/ -or email us to buy a copy - first orders will receive the limited edition white vinyl version (there are approx 15 whites copies left, so hurry!). Reviews /feedback Press: * DJ Magazine 5 out of 5 - Electro Single of the month Feb 09 * Update Magazine 5 out of 5 - Essential single Dec 08 * IDJ Magazine 7 out of 10 - House page, Feb 09 DJs: * 'Lot's and lot's of stunning music in there !!! whaouuu you've been very busy! Cold Restraint is the track for me. Will play it a hell of a lot' - Laurent Garnier (Fcom) * 'Excellent EP, love all the tracks! Matt did it again!' - Fabrice Lig (Soul Designer) * 'Both mixes of Kick It are hot. I will play them in my sets.' - Anthony 'Shake' Shakir (Frictional, 7th City, Gigolo) * 'Really diggin' Cold Restraint. Melodic and banging with a Model 500 3mb feel'- DJ S2 / Santiago Salazaar (UR / Ican / Planet E) * 'I'm likin tracks 1 + 3 on this. Very nice Detroit vibes goin on :)' - Mark Broom (Pure Plastic) * 'Really nice all tracks, best DJ3000 remix I've heard - sounds very inspired!' - Dan Cutin (Metamorphic, Peacefrog) * 'Kick It is da bomb... Cold Restraint is very cool too... all in all i very strong 4 track ep..' - Oliver Kapp (Raygun, Indulge) * 'Nice tunes, addictive melodies. the drums are a bit old skool but have their charm for sure!' - Stefan Robbers (Eevolute, Terrace, Acid Junkies) * 'Many thanks for sharing these tracks! i very much like cold restraint and play it very often :-) great tune!' - Electric Indigo * 'Amazing! Matt continues to be an inspiration to us all. Love 3000's remix but the main track for me is definitely 'Cold Restraint'. Very reminiscent of a certain Atkins track but completely brought up to date. Will be charting, a possible number one??' (5 out of 5) - Terry Mitchell (Dark House Music, D-Edge) * 'I like this one a lot, a1 and a2 are the favs. nice and rich production.' - Hakan Lidbo (Container) *
(313) For the SF Bay Area Detroit heads
I'll be playing this Friday at Swig in San Francisco (561 Geary) around 5 - 9, along with Sonic Sunset's Dave Siska and N!k. Come on down and check it out of you're in the area! Wojtek
Re: (313) New Derrick May Release was Re: (313) Rob Hood in da Grey Area Mix and other new tunes!
clone's got samples of all four tacks on that release. On Thu, Dec 11, 2008 at 5:20 PM, Michael Kuszynski kuszyn...@gmail.com wrote: Says forbidden to me - anyone else have any more info on this release? On Wed, Dec 10, 2008 at 4:35 PM, robin ro...@fivetones.org wrote: Sounds very nice from those clips. Can't wait for this to land. robin... On 8 Dec 2008, at 12:15, james.hurl...@utoronto.ca wrote: found some clips here. hot! http://audio.mbeat.de/extern/41560.mp3 -- --- Michael Kuszynski kuszyn...@gmail.com i...@planerecordings.com http://www.planerecordings.com New York, NY
Re: (313) DJ Bone week 9 - file missing? [plus review]
Subject: Re: (313) DJ Bone week 9 - file missing? [plus review] On Oct 5, 2005, at 3:04 PM, Stoddard, Kamal wrote: I think some may have missed the posts, but bone expressly asked to not have the sets dl'ed as he plans to make them all available at once at a later date. Stuff about the moment in time and other things. Very respectable thoughts from the gentleman if I do say. So if the links die it's probably because someone who didn't read/care about that post ripping the address and the backend crew moving the file for the aforementioned resons. He did say they'd be available to dl soon though. If you're subscribed to the Subject Detroit mailing list, you receive links to the first three (so far) mixes in an email. You can subscribe to the mailing list at http://www.7mzdt.com/subjectdetroit/
(313) discogs?
Has anyone else had trouble accessing discogs in the last couple of days?
Re: (313) Hello 313, I am....
name: Wojtek K. (pronounced Voy-tec) age: 28 I live in: (now) san fran (before) sterling heights, MI I was born in: Poland Into Detroit since: about 1999, thanks to a friend who was parting with his vinyl and was kind enough to pass on to me such gems as the first frictional record, some UR and a Jeff Mills record, that together with a trip to a record store some time before then and picking up a copy of Phylyps trak2 and I was hooked Into electronic music since: the early to mid-80's, hearing Italo and other synth music on the radio while at preschool (in Poland) Starting point on the techno map: Basic Channel Favorite Live act: Kraftwerk, after seeing them perform in Detroit, and enjoying their presence at the afterparty at oslo. (who was the dj who played last that night btw? he was nixing without headphones, played some electro and ghetto-tech, lots of doubles, scratching. He was wearing an aux 88 t-shirt if that's any help)
Re: (313) Buzz Goree mix
During his set in the necto tent at last year's movement, buzz played that acapella by itself and the effect was amazing, to say the least On Apr 10, 2005, at 9:19 PM, Simon Hindle wrote: Yeah, there was a 7 inch released a while ago that has an acapella of Transition and an edit of Windchime on the other side. http://www.discogs.com/release/218436 Melody Ng [EMAIL PROTECTED] 04/11/05 1:06 pm cheers for that. Well there's an acapella version of Transition in there? (laid over the top of another track?? or is it just a different version?) -Original Message- From: Ivan Tomasevic [mailto:[EMAIL PROTECTED] Sent: Saturday, 9 April 2005 07:43 To: 313@hyperreal.org Subject: (313) Buzz Goree mix i hope this is not a re-post. http://www.submerge.com/bookings/media/buzz2005.mp3 it would be nice if someone could help me with the tracklist. regards ivan -- ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
Re: (313) Buzz Goree mix/what is the abandoned building in mono?
Buzz is playing the acapella over the b-side of windchime, a song called abandoned building in mono . Speaking of that record, isn't it the picture of the Michigan Grand Central Station, the old train station close to downtown detroit that has been abandoned since '88 that's printed on the label has abandoned building on it? On Apr 10, 2005, at 9:19 PM, Simon Hindle wrote: Yeah, there was a 7 inch released a while ago that has an acapella of Transition and an edit of Windchime on the other side. http://www.discogs.com/release/218436 Melody Ng [EMAIL PROTECTED] 04/11/05 1:06 pm cheers for that. Well there's an acapella version of Transition in there? (laid over the top of another track?? or is it just a different version?) -Original Message- From: Ivan Tomasevic [mailto:[EMAIL PROTECTED] Sent: Saturday, 9 April 2005 07:43 To: 313@hyperreal.org Subject: (313) Buzz Goree mix i hope this is not a re-post. http://www.submerge.com/bookings/media/buzz2005.mp3 it would be nice if someone could help me with the tracklist. regards ivan -- ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
(313) test
testing
Re: (313) Elements
Will these be available on vinyl? They sound sweet! On Feb 16, 2005, at 11:05 AM, M : A : T : R : I : X wrote: hello gang! I know you all must be tired of hearing my name by now: Sean Deason: Elements vols 1 and 2 are now available for download at Nufonix: http://www.nufonix.com/Merchant2/merchant.mvc? Screen=CTGYStore_Code=nufonix Category_Code=MTX check em out! sean
(313) old tracklist?
Does anyone have a tracklisting for the Derrick May show from 96 archived on betalounge.com? Much info would be appreciated.
