Re: (313) Tejada/maxwell in SF
On Nov 21, 2005, at 1:35 PM, gretchen anderson wrote: I enjoyed John Tejada and Justin Maxwell quite a bit this weekend. It's interesting that you say that, but to each her/his own, I guess. To me their set wouldn't have been enjoyable if they added five laptops and three analog fx boxes to the sequencers they were operating. What their music lacked in depth and emotion (aside from John Tajada's few emotive but far too short moments) they certainly did not make up for by playing to the crowd, incorporating electro-clash guitar samples and a whole slew of quirky and gimmicky glitch sound. It's also interesting to see how the new so-called minimal sound is considered progressive by some magazine music reviewers, while what can be termed classic techno, or at least the original minimal techno of Hood, Mills, Bell, Shakir and others carries the stigma of being perceived as soulless, repetitive machine music to this day, while exactly the opposite is true of the former and the latter.
Re: (313) Tejada/Maxwell in SF
But then again, what else can you expect from a promotion company that spells the word control with a K and uses photoshop to make the producers it books appear otherworldly, quirky, and cool. On Nov 21, 2005, at 1:35 PM, gretchen anderson wrote: I enjoyed John Tejada and Justin Maxwell quite a bit this weekend. It's interesting that you say that, but to each her/his own, I guess. To me their set wouldn't have been enjoyable if they added five laptops and three analog fx boxes to the sequencers they were operating. What their music lacked in depth and emotion (aside from John Tajada's few emotive but far too short moments) they certainly did not make up for by playing to the crowd, incorporating electro-clash guitar samples and a whole slew of quirky and gimmicky glitch sounds. It's also interesting to see how the new so-called minimal sound is considered progressive by some magazine music reviewers, while what can be termed classic techno, or at least the original minimal techno of Hood, Mills, Bell, Shakir and others carries the stigma of being perceived as soulless, repetitive machine music to this day, while exactly the opposite is true of the former and the latter.
Re: (313) Tejada/maxwell in SF
And I'm glad that you quoted a fragment of my sentence out of context! boy oh boy! On Nov 22, 2005, at 4:27 AM, Matt Kane's Brain wrote: On Mon, November 21, 2005 10:35 pm, Wojtek said: the original minimal techno of Hood, Mills, Bell, Shakir and others carries the stigma of being perceived as soulless, repetitive machine music to this day, while exactly the opposite is true of the former and the latter. WELL, boy am I glad I've got guys like you to set me straight on such things! -- /* Halley */ (Halley's comment.) matt kane's brain podcast | http://www.hydrogenproject.com | netradio | on-the-air [EMAIL PROTECTED] || AIM: mkbatwerk
Re: (313) Tejada/Maxwell in SF
On Nov 22, 2005, at 8:50 AM, dave cronin wrote: hey now. no one says you have to love the music, but that's a bit out of order. no reason to take potshots at the kontrol peeps just for following a couple techno conventions/cliches. I don't have anything personal against the promoters, but if you advertise your company as booking Minimal techno and avant house talent, then you should do that, and not limit yourself to producers who happen to be trendy/popular at the moment and associated with Hawtin, or his label as the two shows in a row that Kontrol will be putting on after Dan Bell are. If that's not riding the trend as opposed being really dedicated to the overall minimal techno genre, then I don't know what is. these guys put the on night out of a love of the music at a time when no one else in SF would touch the more avante side of techno/techhouse. luckily for the rest of us who just show up once a month, it's been successful and FUN. What time are you speaking of? 1999 or thereabouts? when Perlon and Playhouse just began putting out its trademark sound? To my knowledge these guys (Kontrol promoters) have been around for about a year, and other promoters (blasthaus for example) have been booking microhouse producers for a while (Hawtin, Matthew Dear). It's not like apendics.shuffle (or however you spell his name) and Orac had albums out more than a year ago (or that large of a body of work for that matter), which brings me to my point, that they're cashing on a current trend while ignoring talent which inspired the whole minimal scene in the process. -d --- Wojtek [EMAIL PROTECTED] wrote: But then again, what else can you expect from a promotion company that spells the word control with a K and uses photoshop to make the producers it books appear otherworldly, quirky, and cool. On Nov 21, 2005, at 1:35 PM, gretchen anderson wrote: I enjoyed John Tejada and Justin Maxwell quite a bit this weekend. It's interesting that you say that, but to each her/his own, I guess. To me their set wouldn't have been enjoyable if they added five laptops and three analog fx boxes to the sequencers they were operating. What their music lacked in depth and emotion (aside from John Tajada's few emotive but far too short moments) they certainly did not make up for by playing to the crowd, incorporating electro-clash guitar samples and a whole slew of quirky and gimmicky glitch sounds. It's also interesting to see how the new so-called minimal sound is considered progressive by some magazine music reviewers, while what can be termed classic techno, or at least the original minimal techno of Hood, Mills, Bell, Shakir and others carries the stigma of being perceived as soulless, repetitive machine music to this day, while exactly the opposite is true of the former and the latter.
Re: (313) Tejada/Maxwell in SF
On Nov 22, 2005, at 9:35 AM, Clifton Dobbie wrote: I second that. Kontrol peepz put on a great nite out!! last month was magda, last weekend was tejada, and next month is dan bell. what more can we ask for in the bay area? =) More diversity in the techno maybe? Some minimal artists that have a larger body body of work maybe? (Dan Bell excluded) More than just flavor of the month glitch-house artists for a start? That would be a start. thx greg and the others! -Original Message- From: dave cronin [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 22, 2005 8:51 AM To: Wojtek; gretchen anderson; 313 Subject: Re: (313) Tejada/Maxwell in SF hey now. no one says you have to love the music, but that's a bit out of order. no reason to take potshots at the kontrol peeps just for following a couple techno conventions/cliches. these guys put the on night out of a love of the music at a time when no one else in SF would touch the more avante side of techno/techhouse. luckily for the rest of us who just show up once a month, it's been successful and FUN. -d --- Wojtek [EMAIL PROTECTED] wrote: But then again, what else can you expect from a promotion company that spells the word control with a K and uses photoshop to make the producers it books appear otherworldly, quirky, and cool. On Nov 21, 2005, at 1:35 PM, gretchen anderson wrote: I enjoyed John Tejada and Justin Maxwell quite a bit this weekend. It's interesting that you say that, but to each her/his own, I guess. To me their set wouldn't have been enjoyable if they added five laptops and three analog fx boxes to the sequencers they were operating. What their music lacked in depth and emotion (aside from John Tajada's few emotive but far too short moments) they certainly did not make up for by playing to the crowd, incorporating electro-clash guitar samples and a whole slew of quirky and gimmicky glitch sounds. It's also interesting to see how the new so-called minimal sound is considered progressive by some magazine music reviewers, while what can be termed classic techno, or at least the original minimal techno of Hood, Mills, Bell, Shakir and others carries the stigma of being perceived as soulless, repetitive machine music to this day, while exactly the opposite is true of the former and the latter.
Re: (313) Tejada/Maxwell in SF
On Nov 22, 2005, at 9:35 AM, Clifton Dobbie wrote: I second that. Kontrol peepz put on a great nite out!! last month was magda, last weekend was tejada, and next month is dan bell. what more can we ask for in the bay area? =) Would be nice to see artists other than the ones associated with Hawtin's and Villalobos's labels, for starters. thx greg and the others! -Original Message- From: dave cronin [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 22, 2005 8:51 AM To: Wojtek; gretchen anderson; 313 Subject: Re: (313) Tejada/Maxwell in SF hey now. no one says you have to love the music, but that's a bit out of order. no reason to take potshots at the kontrol peeps just for following a couple techno conventions/cliches. these guys put the on night out of a love of the music at a time when no one else in SF would touch the more avante side of techno/techhouse. luckily for the rest of us who just show up once a month, it's been successful and FUN. -d --- Wojtek [EMAIL PROTECTED] wrote: But then again, what else can you expect from a promotion company that spells the word control with a K and uses photoshop to make the producers it books appear otherworldly, quirky, and cool. On Nov 21, 2005, at 1:35 PM, gretchen anderson wrote: I enjoyed John Tejada and Justin Maxwell quite a bit this weekend. It's interesting that you say that, but to each her/his own, I guess. To me their set wouldn't have been enjoyable if they added five laptops and three analog fx boxes to the sequencers they were operating. What their music lacked in depth and emotion (aside from John Tajada's few emotive but far too short moments) they certainly did not make up for by playing to the crowd, incorporating electro-clash guitar samples and a whole slew of quirky and gimmicky glitch sounds. It's also interesting to see how the new so-called minimal sound is considered progressive by some magazine music reviewers, while what can be termed classic techno, or at least the original minimal techno of Hood, Mills, Bell, Shakir and others carries the stigma of being perceived as soulless, repetitive machine music to this day, while exactly the opposite is true of the former and the latter.
(313) Now playing...
http://teknology.no-ip.org/listen.pls Nice stream from the wildtek guys!
Re: SV: FW: (313) that jeff mills cd
It's available through Submerge On Nov 9, 2005, at 9:45 AM, Güclüer, Hansi wrote: was it this one: http://www.discogs.com/release/544601 ? -Ursprungligt meddelande- Från: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Skickat: on 2005-11-09 18:37 Till: 313@hyperreal.org Kopia: Ämne: FW: FW: (313) that jeff mills cd -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 09 November 2005 17:24 Now I can't remember what it was called exactly (though I remember the name related to the 7s) and can't find it on Discogs (where I think the original post linked to). Help! did you look under 'millsart'? All 3 of them!
(313) UR live at the LimeLight
http://basiclanguage.net/download/live%20at%20limelight.mp3 Is this with Mills as DJ or it already with Alan Oldham?
(313) New Mills cd, etc.
Does anyone have info on this relaease? http://www.discogs.com/release/544601 Is it availble outside of Japan yet? The discogs notes say that it's a US release, but it doesn't seem to be available from any known outlets. Also, some nice pics of Mills live with a 909 and Scion (does this mean that a new release of theirs is in the works?) performing can be found here http://blog.excite.co.jp/jeff05 wojtek
Re: (313) Detroit Dj's/Live sets to download
Thanks Alex! Speaking of Detroit DJ's, Jeff Mills appears to have a new cd out http://www.discogs.com/release/544601 Has Anyone heard this yet? Any comments? wojtek On Oct 24, 2005, at 3:51 AM, [EMAIL PROTECTED] wrote: Timeline live, Derrick May in Osaka, Carl Craig at Redzone ETC http://basicmath.jp/ _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) track ID
Hi List, Does anyone know what the first track is on the DJ Bone mix from Ireland that he played this past weekend? It sounds familiar, and it goes into Armando's 100% Of Dissin' You. many thanks in advance, W.
Re: (313) DJ Bone week 9 - file missing? [plus review]
On Oct 5, 2005, at 3:04 PM, Stoddard, Kamal wrote: I think some may have missed the posts, but bone expressly asked to not have the sets dl'ed as he plans to make them all available at once at a later date. Stuff about the moment in time and other things. Very respectable thoughts from the gentleman if I do say. So if the links die it's probably because someone who didn't read/care about that post ripping the address and the backend crew moving the file for the aforementioned resons. He did say they'd be available to dl soon though. If you're subscribed to the Subject Detroit mailing list, you receive links to the first three (so far) mixes in an email. You can subscribe to the mailing list at http://www.7mzdt.com/subjectdetroit/
(313) Friday Question
What is the 12th track on the Juan Atkins Mastermix mix cd, right before Infiniti Game One? Apparently it's not the Pacou track listed on the tracklist? Does anyone know?
Re: (313) DJ BONE - ATTACK - WEEK 3
On Aug 21, 2005, at 12:25 PM, Garrett McGrath wrote: http://www.7mzdt.com/subjectdetroit/ DOes anyone know or have a link to the mp3 file?
(313) New music, sans soleil, stacey pullen in SF
I'm not sure how new this really is, but the Transmat artist mr. trommer has put out a nice 80+ minute compilation of the tracks he's played live on a free mp3 compilation available for download from the phoniq netlabel. Ace 313 dream techno, nice pads, good lively rhythms, etc, with some slightly squelchy sounds (at least one broken beat trackon it, too). Highly recommended. On a different note, went to see Stacey Pullen in SF last night and to my surprise and disappointment, he played nothing but low grade echoey trance with a buildup every four or so minutes, with a reverbed spinback in between those. Is this what he usually plays nowadays? or was he just having an off night? It's hard to believe that someone of his caliber would play crappy euro trance, with just about every single song containing the same predictable buildup and then breakdown. To be fair though, he did do ok mixer tricks here and there, but the song selection had zero variety and was extremely, extremely bland. Did he get any better towards the end of his set? I certainly hope that he did. was it just the pre-2am slump for him? Or is this what happens when djs from Detroit sign to big management companies?
(313) london NYE
Besides the bleep43 event on nye, are there any others worth attending on nye and in the month of january? Please advise, thanks in advance, Wojtek
(313) Carl Craig in SF 16april2004, new UR (a week late, but oh well)
I'm surprised that no one has posted their impression from the gig that took place last friday here in San Francisco (did any list members go?). Carl was in top form, representin' Detroit in full effect, playing some of his own classics and reworks of others' work. He played the newest UR track Windchimein two different versions, the more bare bones/minimal one from the 7 as well as the more orchestrated one from UR-054, talk about 21st century high tech soul/jazz!!! alongside his own remix in Inner City's Goodlife, an unfamiliar to these ears remake based on not much more than the bassline from The Climax, and a version of Throw. He also played a Moloko-sounding vocal track that intensified the raw Detroit-primal vibe already in place (for lack of a better term). I could hear a Los Hermanos-sounding track for a bit, ( I'm not sure which one); and lotsa synthy/minimal/detroity sounding techno. Definitely jacking music, to be sure. Any other feedback on the most recent UR output? wk
(313) test
testing, please delete
(313) transmat represses, just in time for Movement!
it looks looks like all but a few records from the Transmat back catalogue have been repressed and are available at Submerge
Re: (313) Carl Craig on the radio
http://www.theplayground.com/static_music/index.html The Detroit Technology ones? On Wednesday, Mar 24, 2004, at 15:24 US/Pacific, [EMAIL PROTECTED] wrote: I seem to have lost the URL for the website that featured mixes from Carl Craig's old radio program anyone got it? thanks MEK
Re: (313) what's up in SF this weekend?
You picked a great weekend to come to SF for 313 related events, Stacey Pullen will be playing at Club Six, and Tikiman along with Scion will be playing on the same evening elsewhere, check the asphodel records website (the address of which escapes me at the moment) for the exact location. Finally some REAL 313 action in this town! ;) Wojtek On Wednesday, Nov 12, 2003, at 17:53 US/Pacific, Ploegmakers, Joost wrote: Hi, I'll be in the San Francisco bay area this weekend and the next. Anything worth checking out? Thanks, Joost
(313) Chillage Idiots radio show with 313 tracks/new Plaid sounding peculiarly Detroit(?)
Hi all, well for those who asked we've been back broadcasting live on the net in real audio for the last 2 months, without my knowledge check it out at http://www.isis.ie/xfm/live.ram when we're live from 8 - 10pm GMT on Sundays or if you're misty-eyed about DeFocus records folding then reminisce at http://www.isis.ie/xfm/defocus.ram Chillage Idiots ::: XFM 107.9 Ireland ::: Sundays 20.00 - 22.00 Playlist ::: 02.11.2003 ::: Luke Vibert: I Love Acid [YosePh lp] Warp Stasis: Point of No Return [Past Moments lp] Peacefrog Larry Heard: Reminisce (Kaito Vocal Remix) Lifeline Records Chris Liebing: Dark Matter [Evolution lp] CLR Lackluster: 08/01/01 [Showcase lp] M3rck Plaid: Cedar City [Spokes lp] Warp Fisk Industries: Last Flight Sonic (edit) [The Isle of Wight ep] Highpoint Lowlife Plastikman: Mind in Rewind [Closer lp] NovaMute Tim Koch: Dry Bones (live at Frigid) [Islandtones lp] U-Cover Isolee: Lost [Can't Sleep All Night ep] Playhouse LFO: Monkey Lips [Sheath lp] Warp Silicon Scally: The Love Inside [Mr. Machine lp] Scsi-Av Cylob Astrobotnia: Electroworks [Cylobotnia lp] Rephlex Mick Chillage: Night Vision [unreleased] Cdr all the best, Paul Chillage Has anyone heard any of their radio shows? I've followed the link to the DeFocus Records show (above) and found that it includes an interview with our own 313-er CiM (even though he hasn't posted to the list in a while). Also, the tracklist from the above-listed show looks tasty to say the least (a track by Stasis here, Larry Heard there), with Plaid sounding quite broken beat-y (or is it drum'n'bass-y?) and although a bit colder perhaps than some of Titonton Duvante's tracks, the drum tracks and percussion sounds on their new album remind me a lot of the of Shake's or Derrick May's work; perhaps it's due to their energy and even melancholy on some tracks (especially with Cedar City, which reminds of the nostalgic melody of Winter on the Boulevard from the Innovator LP. Plaid's new album also sounds similar to Anthony Shakir's more recent work (Mr. Shakir's Beat Store Ep on Klang, for example, especially the tracks untitled or the pinger from that EP, or Lay back from the Convalescence EP). And while all of these artists have their own distinct style that sets them apart from the others, while the energy and flow of their music has a similar underlying emotional/sonic quality. Which brings me to this: Can an artist be considered Detroit (or simply techno) ONLY if he or she uses the classic Detroit instruments and melodies/style or is it more about the energy that the music carries?
(313) Stoney
This may have been discussed before, but who is the mysterious Stoney whose name appears on the Techno! the new dance sound of Detroit compilation? Could it be an early Carl Craig alias, since Stoney is credited on the liner notes by Neil Rushton Please advise Wojtek
(313) Stacey Pullen or Derrick May??
Is it just me or does the track listed on the first Transmat comp cd as the collaboration between May and Hillage sound awfully similar to (or just a stripped down version of) Stacey Pullen's Vertigo? The track on the cd comp almost sounds like the beats-only Mayday Mix of vertigo, as the System 7 Mix of Mysterious Traveller on the vinyl sampler sounds completely different than this one. Any clarification would be greatly appreciated, on or offlist. Cheers, Wojtek
(313) was: OT - where should I live?
Throw a 'richie hawtin isn't underground anymore' or a 'pop culture is below me' at the end real quick here ok. speaking of being more 313 related, I seem to be having trouble posting this, and it is definitely is list-related, so here :) The track listed on the first Transmat comp cd as the collaboration between May and Hillage sounds awfully similar to (or just a stripped down version of) Stacey Pullen's Vertigo? The track on the cd comp almost sounds like the beats-only Mayday Mix of vertigo, as the System 7 Mix of Mysterious Traveller on the vinyl sampler sounds completely different than this one. (did they perhaps collaborate?) Any clarification would be greatly appreciated, on or offlist. Thanks in advance, Wojtek
(313) Stacey Pullen's Vertigo vs. Derrick May's and System 7's Mysterious traveller
Is it just me or does the track listed on the first Transmat comp cd as the collaboration between May and Hillage sound awfully similar to (or just a stripped down version of) Stacey Pullen's Vertigo? The track on the cd comp almost sounds like the beats-only Mayday Mix of vertigo, as the System 7 Mix of Mysterious Traveller on the vinyl sampler sounds completely different than this one. Any clarification would be greatly appreciated. Wojtek
(313) Does this mean a loss of a good 313 resource?
Has anyone else been having problems accessing the forcefield.org website? it seems to be unavailable for at least a week now--has it been taken down??
Re: (313) Geology pt2
the cd is mixed, the vinyl features four songs from the cd, unmixed. wojtek On Wednesday, Aug 6, 2003, at 03:05 US/Pacific, Mann, Ravinder [CCS] wrote: Can anyone tell me if the Planet E Geology v2 is mixed or separate tracks like the first one ? Thanks in Advance. Rav
(313) Derrick May [EMAIL PROTECTED]
Hi, Does anyone have a tracklisting for the Derrick May mix from the Music Institute that's archived on deephousepages.com? Please respond privately, or to the list, if there are any others interested in the tracklisting. Thanks in advance, Wojtek
Re: (313) Derrick May [EMAIL PROTECTED]
Thanks a bunch Maarten!! On Wednesday, Jul 30, 2003, at 02:42 US/Pacific, Maarten Baute wrote: Hi, Does anyone have a tracklisting for the Derrick May mix from the Music Institute that's archived on deephousepages.com? Please respond privately, or to the list, if there are any others interested in the tracklisting. Thanks in advance, I post this to the list because it is not complete yet, if anyone can fill in the gaps, that would be nice! I have a lot of questions about the fifth track: could that be an unreleased mayday track? part i: --- http://www.deephousepage.com/derrickmaymusicinstitute1988a.ram 01) mr. fingers - can you feel it [ trax ] 02) jungle wonz - the jungle [ trax ] 03) bfc - it´s a shame [ fragile ] 04) marshall jefferson - move your body (the house music anthem) [ trax ] 05) (unreleased mayday track?) 06) ? 07) armando - 100% of dissin´ you (armando´s dis mix) [ warehouse ] 08) (unreleased mayday track) 09) rhythim is rhythim - beyond the dance (cult mix) [ transmat ] 10) lil´ louis - french kiss [ diamond ] w/ ? 11) steve poindexter - born to freak [ muzique ] part ii: http://www.deephousepage.com/derrickmaymusicinstitute1988b.ram 11) steve poindexter - born to freak [ muzique ] 12) lil´ louis - war games [ diamond ] 13) lil´ louis - french kiss [ diamond ] w/ lil´ louis - new york [ diamond ] 14) lil´ louis - music takes u away (vibrant mix) [ dance mania ] 15) lil´ louis - music takes u away (serious instrumental mix) [ dance mania ] 16) lil´ louis - music takes u away (alternative mix) [ dance mania ] 17) fast eddie - let´s go [ dj international ] 18) model 500 - ocean to ocean [ transmat ] 19) ecstacy club - jesus loves the acid (acid chant) [ swordfish ] 20) ? (same as 10) w/) 21) reese santonio - bounce your body to the box [ kms ] 22) reese - grab the beat (mike 'hitman' wilson remix) [ kms ] 23) first choice - let no man putasunder (the mayday edit) [ (unreleased) ] 24) rhythim is rhythim - strings of life [ transmat ] Cheers, Maarten
(313) many waves
First Wave: --- Juan Atkins, Marty Bonds, Derrick May, Kevin Saunderson, Blake Baxter, Anthony Shakir, Eddie Fowlkes Well don't forget Alan Oldham, dunno if he is 1st or 2nd wave but i have been told that his radio show was quit influential ...and wasn't James Pennington also producing back then as Suburban Knight???* * Production credits on Inner City's Big Fun in 1988
(313) non planet -e planet e record pressings
Hi list, Does anyone know whether the vinyl version of the Paperclip People's Secret Tapes of Dr. Eich is a good one? I just read a single review that was posted on discogs and the copy mentioned there was not the best of pressings. Any further info would be much appreciated, Thanks in Advance, Wojtek
(313) new Carl craig??
I have chosen come upon a new record labeled C+C musik in a local record store, filed under C2. Is this indeed a new C2 release??
Re: (313) A Guy Called Gerald techno tracks
This track is also available on the Deepest Shade of Techno double cd compilation on SSR/ Reinforced records, compiled by the 4hero crew. It's on the the second volume (cd) both of which (someone please correct me if I'm wrong) were also available on vinyl (?) around '96. On Thursday, Jan 23, 2003, at 19:01 US/Pacific, [EMAIL PROTECTED] wrote: A Guy Called Gerald has a very nice melodic techno track called Anxiety posted on mp3.com http://artists.mp3s.com/artists/51/a_guy_called_gerald.html I was wondering - from his discog (besides Voodoo Ray and Automanikk) which of his releases are similar to this style? I'm looking for his non-drum bass tracks. I'm interested in his remix work too MEK
(313) OT: record store related
Does anyone know where the two latest DownLow records are available domestically in the US? Any info would be appreciated. Thank you, Wojtek
(313) jaydee
is the hip hop producer jay dee the same one who produced plastic dreams on RS in the early 90's?
(313) Ferox: Adventures (?) In Techno Soul
I saw a single disc of this (I'm assuming there were more) in a used record store for a mere $3.95 recently. I don't remember what the disc number on it was, but there was no track listing on it. Could someone tell me the tracklisting of the whole compilation? Also, would it be considered a 313 rarity? Email offline would be much appreciated, cheers, Wojtek
(313) London and paris this weekend
Hi All, Does anyone know of 313-related shows or online resources about shows to see in either London or France this weekend? Please email back offline, thank you, Wojtek
(313) tech related: cd recorders
Does anyone know how to subscribe to the 313technow list? Please email back off list if you do. Much appreciated, Wojtek
