(313) INFLUENCE: The Final Chapter
Tuesday, August 2 Interrupt Media Group, Gapers Block, and Subsystence present the final installment of: INFLUENCE. Featuring unmixed DJ sets from: JOSH WERNER (Antennae/Gramaphone) COMMON FACTOR (Tactile/Soma/Planet E) KARL MEIER (IMG/Subsystence) KEN MEIER (IMG/Subsystence) @ Sonotheque 1444 W Chicago Ave Chicago, IL Doors: 9 PM No Cover! 21 and up Flavorpill says: "Influence...gathers some of the city's most discriminating DJs and musicians for a night of unmixed sets that spans genres, providing the artists with an opportunity to drop some personal favorites that might not move the average dance floor." http://www.gapersblock.com http://www.subsystence.net http://www.interrupt-media.com http://www.sonotheque.net Please forward!
Re: (313) INFLUENCE.
dont know where his home town is, but assuming its detroit, I remember some rumor of him saying he would not play in detroit for a while because about 10 people showed at the last show he'd played at in detroit (I was there, it was great music but he was obviously annoyed about the promotion and turnout, and rightfully so. ) I think this was last year, and I've not seen him show up on any flyers, but Im by no means in the loop. (any for that matter) -Joe - Original Message - From: "FC2 Richards" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, June 08, 2004 12:40 AM Subject: RE: (313) INFLUENCE. > A ton of those DJ's can play the tracks out too...you know they don't just > cut it up and that is what I like. DJ T-1000 is another, and it is > unfortunate that he doesn't get booked in his home town more... > > -Original Message- > From: [EMAIL PROTECTED] > [mailto:[EMAIL PROTECTED] > Sent: Tuesday, June 08, 2004 1:31 AM > To: 313@hyperreal.org > Subject: Re: (313) INFLUENCE. > > > > > > > Robert Taylor wrote: > > >Leave it to the hiphop DJs - I want to hear the record! > > I realize that it's just not your style - but why let the hip-hop DJs have > all the fun? > I'd love to see more DJs be able to do what Claude, Shake, Mills, and > similar styled artists do > If a techno DJ shouldn't scratch, cut, use their nose, elbow, etc. then > what about people like DJ Craze? > Are they not supposed to play house, drum & bass, and techno mixed in with > their hip-hop? > > some of them drum looped techno tracks only have one good part - I don't > want to hear the entire thing played out and mixed seamlessly into the next > drum loop. That bores me to tears. It takes all kinds of DJs to make a > party: The David Mancuso's who don't want to overlap a single tune; those > who blend, mix, and select well but would sooner scratch their @ss then try > and scratch a record; and those that barely let a second go by without some > kind of manipulation of the record/mixer/turntable. > > As long as they do it with conviction then I'm all for it. > > MEK
RE: (313) INFLUENCE.
I was in a bad mood yesterday - I do actually enjoy Mills' style and what I've heard of Parker, it's Young who annoys me - the cutting up can sound great, but not when it interferes with the groove. -Original Message- From: David Powers [mailto:[EMAIL PROTECTED] Sent: Monday, June 07, 2004 6:49 PM To: robin; Robert Taylor Cc: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) INFLUENCE. Well, All I can say is that if you don't like that style of mixing, you really don't enjoy "DETROIT STYLE" DJ-ing, as that is a style that is very associated with 313. If you listen to the way Detroit ghettotech DJs mix especially (who IMO represent the authentic "street sound" of Detroit), it sounds very cut up and mixed quickly. Certainly The Wizard helped popularize this style but plenty of others associated with the D do related things (Terrence Parker sometimes, for instance). Really, it asserts the DJ's power to control the flow of the music and not be bound by the form of a particular record. There are times when that isn't an appropriate style, but it is certainly quite 313. And if you want to hear the record on its own you could always go buy it! Oh hey BTW Robin, I think Tristan introduced us last Monday... Hope you enjoyed your visit. Assuming you are the same Robin?! Peace, David ------ Original Message - Subject: Re: (313) INFLUENCE. Date: Mon, 07 Jun 2004 16:19:25 +0100 From: robin <[EMAIL PROTECTED]> To: Robert Taylor <[EMAIL PROTECTED]> when he gets it right tho, boy does he get it right. i know quite a few people who don't like that approach tho robin... Robert Taylor wrote: > I really really hate it and will leave the room if someone is showing off > like that > # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) INFLUENCE.
I think that it is very hard to dj with minimal or looped techno. not
because it's hard to beat match and make a mix. in fact that's easy with a
lot of these tracks.
what's hard is to make an interesting set that moves the dancefloor. such
tracks are more dj tools that require work from the dj to tranform them. a
lot of house and disco has more structure and nuance and don't need to be
worked as much. it's enough to have ggod track selection and make smooth
mixes.
james
www.jbucknell.com
FC2 Richards
<[EMAIL PROTECTED]
.navy.mil> To
"'313@hyperreal.org'"
08/06/04 05:40 AM <313@hyperreal.org>
cc
Subject
RE: (313) INFLUENCE.
A ton of those DJ's can play the tracks out too...you know they don't just
cut it up and that is what I like. DJ T-1000 is another, and it is
unfortunate that he doesn't get booked in his home town more...
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Sent: Tuesday, June 08, 2004 1:31 AM
To: 313@hyperreal.org
Subject: Re: (313) INFLUENCE.
Robert Taylor wrote:
>Leave it to the hiphop DJs - I want to hear the record!
I realize that it's just not your style - but why let the hip-hop DJs have
all the fun?
I'd love to see more DJs be able to do what Claude, Shake, Mills, and
similar styled artists do
If a techno DJ shouldn't scratch, cut, use their nose, elbow, etc. then
what about people like DJ Craze?
Are they not supposed to play house, drum & bass, and techno mixed in with
their hip-hop?
some of them drum looped techno tracks only have one good part - I don't
want to hear the entire thing played out and mixed seamlessly into the next
drum loop. That bores me to tears. It takes all kinds of DJs to make a
party: The David Mancuso's who don't want to overlap a single tune; those
who blend, mix, and select well but would sooner scratch their @ss then try
and scratch a record; and those that barely let a second go by without some
kind of manipulation of the record/mixer/turntable.
As long as they do it with conviction then I'm all for it.
MEK
ForwardSourceID:NTDFA6
RE: (313) INFLUENCE.
A ton of those DJ's can play the tracks out too...you know they don't just cut it up and that is what I like. DJ T-1000 is another, and it is unfortunate that he doesn't get booked in his home town more... -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, June 08, 2004 1:31 AM To: 313@hyperreal.org Subject: Re: (313) INFLUENCE. Robert Taylor wrote: >Leave it to the hiphop DJs - I want to hear the record! I realize that it's just not your style - but why let the hip-hop DJs have all the fun? I'd love to see more DJs be able to do what Claude, Shake, Mills, and similar styled artists do If a techno DJ shouldn't scratch, cut, use their nose, elbow, etc. then what about people like DJ Craze? Are they not supposed to play house, drum & bass, and techno mixed in with their hip-hop? some of them drum looped techno tracks only have one good part - I don't want to hear the entire thing played out and mixed seamlessly into the next drum loop. That bores me to tears. It takes all kinds of DJs to make a party: The David Mancuso's who don't want to overlap a single tune; those who blend, mix, and select well but would sooner scratch their @ss then try and scratch a record; and those that barely let a second go by without some kind of manipulation of the record/mixer/turntable. As long as they do it with conviction then I'm all for it. MEK
Re: (313) INFLUENCE.
Robert Taylor wrote: >Leave it to the hiphop DJs - I want to hear the record! I realize that it's just not your style - but why let the hip-hop DJs have all the fun? I'd love to see more DJs be able to do what Claude, Shake, Mills, and similar styled artists do If a techno DJ shouldn't scratch, cut, use their nose, elbow, etc. then what about people like DJ Craze? Are they not supposed to play house, drum & bass, and techno mixed in with their hip-hop? some of them drum looped techno tracks only have one good part - I don't want to hear the entire thing played out and mixed seamlessly into the next drum loop. That bores me to tears. It takes all kinds of DJs to make a party: The David Mancuso's who don't want to overlap a single tune; those who blend, mix, and select well but would sooner scratch their @ss then try and scratch a record; and those that barely let a second go by without some kind of manipulation of the record/mixer/turntable. As long as they do it with conviction then I'm all for it. MEK
Re: (313) INFLUENCE.
On Jun 7, 2004, at 1:48 PM, David Powers wrote: All I can say is that if you don't like that style of mixing, you really don't enjoy "DETROIT STYLE" DJ-ing, as that is a style that is very associated with 313. If you listen to the way Detroit ghettotech DJs mix especially (who IMO represent the authentic "street sound" of Detroit), it sounds very cut up and mixed quickly. Certainly The Wizard helped popularize this style but plenty of others associated with the D do related things (Terrence Parker sometimes, for instance). Exactly, well said. Derrick May is crazy in the mix sometimes too, moreso when he was doing stuff with reel-to-reel within his radio sets too, but definitely very physical in a club too, and almost 'pushing' the sounds the room as he mixes from track to track. When he was on the radio too, crazy fast, effects and doubles. Shake has been known to cut it up like this too, drop-ins, phasing, doubles, rough & tumble cut-n-scratch style across different styles (house, techno, whatever) within the same DJ set, and Claude has described Shake as his "teacher" when it came to DJing.Dan Sicko said it best IMHO: Claude's style is kind of an absorption of ALL the different detroit styles of DJing. I think those lucky enough to hear some of this when this style of mixing was heard on detroit radio in the mid-to-late 80s... perhaps we just got used to it (and took it for granted?). To me it doesn't sound that weird or showy, honestly, i think it's just the creation of something new that's greater (and much funkier) than the sum of it's parts. Claude has an artistic flair in his mixes that is very much all his own... I mean all taste is subjective, of course, but the historical "Detroitness" of that style I think was well worth noting! peace -- Matt MacQueen http://SonicSunset.com
RE: (313) INFLUENCE.
Or to be in Minneapolis on Saturday June 12th He's playing at the Quest's Ascot Room - with no cover charge - Free - nothing out of your pocket it's 21+ I'm not sure what time doors are but I'd get there early MEK FC2 Richards <[EMAIL PROTECTED]To: "'[EMAIL PROTECTED]'" <[EMAIL PROTECTED]> .navy.mil> cc: "'313@hyperreal.org'" <313@hyperreal.org> Subject: RE: (313) INFLUENCE. 06/07/04 03:38 PM I have a claude young mix tape from 8 or 9 years ago, and it was all smooth. He didn't really do much cut up or scratching at all... I think having the opportunity to see Claude Young spin live would be awsome. Unfortunatley he doesn't make his way out to San Diego much...that is one good reason for me to move back to Detroit, right? Peace Jeff -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Monday, June 07, 2004 6:31 PM To: 313@hyperreal.org Subject: RE: (313) INFLUENCE. -- Original Message -- From: "Robert Taylor" <[EMAIL PROTECTED]> >I've heard him play several times - even witnessed his nose mixing - but it just doesn't move me - as I said, I want to hear a record properly without loads of crap going on on top of it - maybe if I was a DJ, I would feel differently i normally agree with that perspective on deejaying, but i found claude's mixing to be one of the few exceptions to that rule of mine. i did think what he did was 90% of the time interesting and added to the music. most people that try that nonsense are too heavy handed or too whimsical. he was neither. whats that "horses for courses" phrase? tom andythepooh.com
RE: (313) INFLUENCE.
I have a claude young mix tape from 8 or 9 years ago, and it was all smooth. He didn't really do much cut up or scratching at all... I think having the opportunity to see Claude Young spin live would be awsome. Unfortunatley he doesn't make his way out to San Diego much...that is one good reason for me to move back to Detroit, right? Peace Jeff -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Monday, June 07, 2004 6:31 PM To: 313@hyperreal.org Subject: RE: (313) INFLUENCE. -- Original Message -- From: "Robert Taylor" <[EMAIL PROTECTED]> >I've heard him play several times - even witnessed his nose mixing - but it just doesn't move me - as I said, I want to hear a record properly without loads of crap going on on top of it - maybe if I was a DJ, I would feel differently i normally agree with that perspective on deejaying, but i found claude's mixing to be one of the few exceptions to that rule of mine. i did think what he did was 90% of the time interesting and added to the music. most people that try that nonsense are too heavy handed or too whimsical. he was neither. whats that "horses for courses" phrase? tom andythepooh.com
Re: (313) INFLUENCE.
Well, All I can say is that if you don't like that style of mixing, you really don't enjoy "DETROIT STYLE" DJ-ing, as that is a style that is very associated with 313. If you listen to the way Detroit ghettotech DJs mix especially (who IMO represent the authentic "street sound" of Detroit), it sounds very cut up and mixed quickly. Certainly The Wizard helped popularize this style but plenty of others associated with the D do related things (Terrence Parker sometimes, for instance). Really, it asserts the DJ's power to control the flow of the music and not be bound by the form of a particular record. There are times when that isn't an appropriate style, but it is certainly quite 313. And if you want to hear the record on its own you could always go buy it! Oh hey BTW Robin, I think Tristan introduced us last Monday... Hope you enjoyed your visit. Assuming you are the same Robin?! Peace, David -- Original Message ----- Subject: Re: (313) INFLUENCE. Date: Mon, 07 Jun 2004 16:19:25 +0100 From: robin <[EMAIL PROTECTED]> To: Robert Taylor <[EMAIL PROTECTED]> when he gets it right tho, boy does he get it right. i know quite a few people who don't like that approach tho robin... Robert Taylor wrote: > I really really hate it and will leave the room if someone is showing off > like that >
RE: (313) INFLUENCE.
-- Original Message -- From: "Robert Taylor" <[EMAIL PROTECTED]> >I've heard him play several times - even witnessed his nose mixing - but it just doesn't move me - as I said, I want to hear a record properly without loads of crap going on on top of it - maybe if I was a DJ, I would feel differently i normally agree with that perspective on deejaying, but i found claude's mixing to be one of the few exceptions to that rule of mine. i did think what he did was 90% of the time interesting and added to the music. most people that try that nonsense are too heavy handed or too whimsical. he was neither. whats that "horses for courses" phrase? tom andythepooh.com
RE: (313) INFLUENCE.
I've heard him play several times - even witnessed his nose mixing - but it just doesn't move me - as I said, I want to hear a record properly without loads of crap going on on top of it - maybe if I was a DJ, I would feel differently -Original Message- From: Matt MacQueen [mailto:[EMAIL PROTECTED] Sent: Monday, June 07, 2004 5:56 PM To: Robert Taylor; 313 Subject: Re: (313) INFLUENCE. On Jun 7, 2004, at 11:16 AM, Robert Taylor wrote: > I really really hate it and will leave the room if someone is showing > off like that it's just the way he mixes, if you know or have ever talked to claude it's not 'showing off' it's just the way he chooses to combine techno records. Personally I love it. He can take and inject the funk back into techno by the way he combines it and re-arranges constantly. Hearing a track out, and hearing Claude play the same track out is like night and day. Most uptempo techno is (still, i think) intended to be a DJ's medium... and claude is one of the few at the vanguard of that art IMHO... and has been for many years. If you've never seen him, there's a couple (tiny & dark) quicktime moves i did on this page on Reverb @ Hyperreal many years ago that are but a glimpse into his freestyle/freeform style, with audio. (words by dan sicko, photos & video by me) http://media.hyperreal.org/zines/reverb/sardine.html if you like that, check out the rest of the features to, there's some clips and stories about other detroity/techno things too. peace -- Matt MacQueen http://SonicSunset.com # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) INFLUENCE.
On Jun 7, 2004, at 11:16 AM, Robert Taylor wrote: I really really hate it and will leave the room if someone is showing off like that it's just the way he mixes, if you know or have ever talked to claude it's not 'showing off' it's just the way he chooses to combine techno records. Personally I love it. He can take and inject the funk back into techno by the way he combines it and re-arranges constantly. Hearing a track out, and hearing Claude play the same track out is like night and day. Most uptempo techno is (still, i think) intended to be a DJ's medium... and claude is one of the few at the vanguard of that art IMHO... and has been for many years. If you've never seen him, there's a couple (tiny & dark) quicktime moves i did on this page on Reverb @ Hyperreal many years ago that are but a glimpse into his freestyle/freeform style, with audio. (words by dan sicko, photos & video by me) http://media.hyperreal.org/zines/reverb/sardine.html if you like that, check out the rest of the features to, there's some clips and stories about other detroity/techno things too. peace -- Matt MacQueen http://SonicSunset.com
RE: (313) INFLUENCE.
As it's a bit quiet on 313 traffic today : On the other hand .. I see it as using the skills you've got to add something different to the mix, delivering the records in a new way (& in a way that most DJs can't.) I appreciate the skill involved & enjoy the showmanship.
RE: (313) INFLUENCE.
I just see it as musical masturbation, just like the old free jazz cats - ie the only people who dig it are the players and the other wannabe players in the audience, the rest of the crowd are scratching their heads waiting for someone to play a tune. -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: Monday, June 07, 2004 3:19 PM To: Robert Taylor Cc: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) INFLUENCE. when he gets it right tho, boy does he get it right. i know quite a few people who don't like that approach tho robin... Robert Taylor wrote: > I really really hate it and will leave the room if someone is showing off > like that > # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) INFLUENCE.
when he gets it right tho, boy does he get it right. i know quite a few people who don't like that approach tho robin... Robert Taylor wrote: I really really hate it and will leave the room if someone is showing off like that
RE: (313) INFLUENCE.
I really really hate it and will leave the room if someone is showing off like that -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, June 07, 2004 3:16 PM To: Robert Taylor Cc: 313@hyperreal.org; robin Subject: RE: (313) INFLUENCE. Interesting .. everyone I know appreciates the turntable skills of people like Young. Chop those records up i say... ;o) "Robert Taylor" <[EMAIL PROTECTED]To: "robin" <[EMAIL PROTECTED]> 4.co.uk> cc: <[EMAIL PROTECTED]> Fax to: 07/06/2004 17:02 Subject: RE: (313) INFLUENCE. I don't mind it if it doesn't get in the way of the music - but people like Claude Young nooo! Leave the records alone! Leave it to the hiphop DJs - I want to hear the record! -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: Monday, June 07, 2004 2:56 PM To: Robert Taylor Cc: 313@hyperreal.org Subject: Re: (313) INFLUENCE. for 75% of DJs i'd agree. anyway, isn't 'no-mixing is the new mixing' a bit "last year"? :) robin... Robert Taylor wrote: > Wish more people did this - mixing is a load of sh!te! > > phonofunk > <[EMAIL PROTECTED]To: 313@hyperreal.org > ink.net> cc: > Means exactly what it says...unmixed. Segues galore. = ) Kinda like > listening to a good radio station in person and without the "talk". > Its djs playing selections that "influenced" them either on vinyl or cd > (I guess). # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. # # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) INFLUENCE.
Interesting .. everyone I know appreciates the turntable skills of people like Young. Chop those records up i say... ;o) "Robert Taylor" <[EMAIL PROTECTED]To: "robin" <[EMAIL PROTECTED]> 4.co.uk> cc: <313@hyperreal.org> Fax to: 07/06/2004 17:02 Subject: RE: (313) INFLUENCE. I don't mind it if it doesn't get in the way of the music - but people like Claude Young nooo! Leave the records alone! Leave it to the hiphop DJs - I want to hear the record! -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: Monday, June 07, 2004 2:56 PM To: Robert Taylor Cc: 313@hyperreal.org Subject: Re: (313) INFLUENCE. for 75% of DJs i'd agree. anyway, isn't 'no-mixing is the new mixing' a bit "last year"? :) robin... Robert Taylor wrote: > Wish more people did this - mixing is a load of sh!te! > > phonofunk > <[EMAIL PROTECTED]To: 313@hyperreal.org > ink.net> cc: > Means exactly what it says...unmixed. Segues galore. = ) Kinda like > listening to a good radio station in person and without the "talk". > Its djs playing selections that "influenced" them either on vinyl or cd > (I guess). # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) INFLUENCE.
Got to disagree Rob, you are such a puff sometimes ;) You up in Leeds on Friday? Martin 7/6/04 4:02 PM Robert [EMAIL PROTECTED] > I don't mind it if it doesn't get in the way of the music - but people like > Claude Young nooo! Leave the records alone! Leave it to the hiphop DJs > - I want to hear the record! > > -Original Message- > From: robin [mailto:[EMAIL PROTECTED] > Sent: Monday, June 07, 2004 2:56 PM > To: Robert Taylor > Cc: 313@hyperreal.org > Subject: Re: (313) INFLUENCE. > > > > for 75% of DJs i'd agree. > > > anyway, isn't 'no-mixing is the new mixing' a bit "last year"? > > :) > > robin... > > > Robert Taylor wrote: >> Wish more people did this - mixing is a load of sh!te! >> > > >> phonofunk >> <[EMAIL PROTECTED]To: 313@hyperreal.org >> ink.net> cc: > >> Means exactly what it says...unmixed. Segues galore. = ) Kinda like >> listening to a good radio station in person and without the "talk". >> Its djs playing selections that "influenced" them either on vinyl or cd >> (I guess). > > ## > ### > Note: > > Any views or opinions are solely those of the author and do not necessarily > represent > those of Channel Four Television Corporation unless specifically stated. This > email > and any files transmitted are confidential and intended solely for the use of > the > individual or entity to which they are addressed. If you have received this > email in > error, please notify [EMAIL PROTECTED] > > Thank You. > ## > ### > >
RE: (313) INFLUENCE.
I don't mind it if it doesn't get in the way of the music - but people like Claude Young nooo! Leave the records alone! Leave it to the hiphop DJs - I want to hear the record! -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: Monday, June 07, 2004 2:56 PM To: Robert Taylor Cc: 313@hyperreal.org Subject: Re: (313) INFLUENCE. for 75% of DJs i'd agree. anyway, isn't 'no-mixing is the new mixing' a bit "last year"? :) robin... Robert Taylor wrote: > Wish more people did this - mixing is a load of sh!te! > > phonofunk > > <[EMAIL PROTECTED]To: 313@hyperreal.org > > ink.net> cc: > > Means exactly what it says...unmixed. Segues galore. = ) Kinda like > listening to a good radio station in person and without the "talk". > Its djs playing selections that "influenced" them either on vinyl or cd > (I guess). # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) INFLUENCE.
for 75% of DJs i'd agree. anyway, isn't 'no-mixing is the new mixing' a bit "last year"? :) robin... Robert Taylor wrote: Wish more people did this - mixing is a load of sh!te! phonofunk <[EMAIL PROTECTED]To: 313@hyperreal.org ink.net> cc: Means exactly what it says...unmixed. Segues galore. = ) Kinda like listening to a good radio station in person and without the "talk". Its djs playing selections that "influenced" them either on vinyl or cd (I guess).
RE: (313) INFLUENCE.
Wish more people did this - mixing is a load of sh!te! -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, June 07, 2004 2:52 PM To: phonofunk Cc: 313@hyperreal.org Subject: Re: (313) INFLUENCE. David Mancuso like MEK phonofunk <[EMAIL PROTECTED]To: 313@hyperreal.org ink.net> cc: Subject: Re: (313) INFLUENCE. 06/07/04 12:09 AM Means exactly what it says...unmixed. Segues galore. = ) Kinda like listening to a good radio station in person and without the "talk". Its djs playing selections that "influenced" them either on vinyl or cd (I guess). I've been there myself and its quite cool and relaxing. People ought to check it out. On Sunday, June 6, 2004, at 11:30 PM, FC2 Richards wrote: > really, snuggles? isn't he one of the first in Chicago to do jungle? > I > have a tape of his from the Jungle Book set that is killer. But what > does > "featuring unmixed selections" mean? He's not spinning or doing a > live PA? > Is he playing a tape of his songs that aren't mixed?? I don't get it. > I > must be stupid... > > -Original Message- > From: Ken Meier [mailto:[EMAIL PROTECTED] > Sent: Sunday, June 06, 2004 9:46 PM > To: 313@hyperreal.org > Subject: (313) INFLUENCE. > > > monday, june 7 > > interrupt media and subsystence present > > INFLUENCE. > > this is not a techno night. this is not a retro night. this is not a > night of inoffensive lifestyle music. join us for an evening of sounds > both new and old that have influenced us and continue to inspire. > > featuring unmixed selections from > > ATOMLY [atomiq] - 'bad beat' record release > SNUGGLES [strictly jungle] > MATT HELLIGE [immute] > KEN MEIER [interrupt media] > > @ sonotheque > 1444 w chicago > 312.226.7600 > > doors at 9 pm > no cover > 21+ > $2 pbr > > interrupt-media.com > subsystence.net > sonotheque.net > atomly.com > > -- > july 5: pan american 'quiet city' record/dvd release > # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) INFLUENCE.
David Mancuso like MEK phonofunk <[EMAIL PROTECTED]To: 313@hyperreal.org ink.net> cc: Subject: Re: (313) INFLUENCE. 06/07/04 12:09 AM Means exactly what it says...unmixed. Segues galore. = ) Kinda like listening to a good radio station in person and without the "talk". Its djs playing selections that "influenced" them either on vinyl or cd (I guess). I've been there myself and its quite cool and relaxing. People ought to check it out. On Sunday, June 6, 2004, at 11:30 PM, FC2 Richards wrote: > really, snuggles? isn't he one of the first in Chicago to do jungle? > I > have a tape of his from the Jungle Book set that is killer. But what > does > "featuring unmixed selections" mean? He's not spinning or doing a > live PA? > Is he playing a tape of his songs that aren't mixed?? I don't get it. > I > must be stupid... > > -Original Message- > From: Ken Meier [mailto:[EMAIL PROTECTED] > Sent: Sunday, June 06, 2004 9:46 PM > To: 313@hyperreal.org > Subject: (313) INFLUENCE. > > > monday, june 7 > > interrupt media and subsystence present > > INFLUENCE. > > this is not a techno night. this is not a retro night. this is not a > night of inoffensive lifestyle music. join us for an evening of sounds > both new and old that have influenced us and continue to inspire. > > featuring unmixed selections from > > ATOMLY [atomiq] - 'bad beat' record release > SNUGGLES [strictly jungle] > MATT HELLIGE [immute] > KEN MEIER [interrupt media] > > @ sonotheque > 1444 w chicago > 312.226.7600 > > doors at 9 pm > no cover > 21+ > $2 pbr > > interrupt-media.com > subsystence.net > sonotheque.net > atomly.com > > -- > july 5: pan american 'quiet city' record/dvd release >
Re: (313) INFLUENCE.
Means exactly what it says...unmixed. Segues galore. = ) Kinda like listening to a good radio station in person and without the "talk". Its djs playing selections that "influenced" them either on vinyl or cd (I guess). I've been there myself and its quite cool and relaxing. People ought to check it out. On Sunday, June 6, 2004, at 11:30 PM, FC2 Richards wrote: really, snuggles? isn't he one of the first in Chicago to do jungle? I have a tape of his from the Jungle Book set that is killer. But what does "featuring unmixed selections" mean? He's not spinning or doing a live PA? Is he playing a tape of his songs that aren't mixed?? I don't get it. I must be stupid... -Original Message- From: Ken Meier [mailto:[EMAIL PROTECTED] Sent: Sunday, June 06, 2004 9:46 PM To: 313@hyperreal.org Subject: (313) INFLUENCE. monday, june 7 interrupt media and subsystence present INFLUENCE. this is not a techno night. this is not a retro night. this is not a night of inoffensive lifestyle music. join us for an evening of sounds both new and old that have influenced us and continue to inspire. featuring unmixed selections from ATOMLY [atomiq] - 'bad beat' record release SNUGGLES [strictly jungle] MATT HELLIGE [immute] KEN MEIER [interrupt media] @ sonotheque 1444 w chicago 312.226.7600 doors at 9 pm no cover 21+ $2 pbr interrupt-media.com subsystence.net sonotheque.net atomly.com -- july 5: pan american 'quiet city' record/dvd release
RE: (313) INFLUENCE.
really, snuggles? isn't he one of the first in Chicago to do jungle? I have a tape of his from the Jungle Book set that is killer. But what does "featuring unmixed selections" mean? He's not spinning or doing a live PA? Is he playing a tape of his songs that aren't mixed?? I don't get it. I must be stupid... -Original Message- From: Ken Meier [mailto:[EMAIL PROTECTED] Sent: Sunday, June 06, 2004 9:46 PM To: 313@hyperreal.org Subject: (313) INFLUENCE. monday, june 7 interrupt media and subsystence present INFLUENCE. this is not a techno night. this is not a retro night. this is not a night of inoffensive lifestyle music. join us for an evening of sounds both new and old that have influenced us and continue to inspire. featuring unmixed selections from ATOMLY [atomiq] - 'bad beat' record release SNUGGLES [strictly jungle] MATT HELLIGE [immute] KEN MEIER [interrupt media] @ sonotheque 1444 w chicago 312.226.7600 doors at 9 pm no cover 21+ $2 pbr interrupt-media.com subsystence.net sonotheque.net atomly.com -- july 5: pan american 'quiet city' record/dvd release
(313) INFLUENCE.
monday, june 7 interrupt media and subsystence present INFLUENCE. this is not a techno night. this is not a retro night. this is not a night of inoffensive lifestyle music. join us for an evening of sounds both new and old that have influenced us and continue to inspire. featuring unmixed selections from ATOMLY [atomiq] - 'bad beat' record release SNUGGLES [strictly jungle] MATT HELLIGE [immute] KEN MEIER [interrupt media] @ sonotheque 1444 w chicago 312.226.7600 doors at 9 pm no cover 21+ $2 pbr interrupt-media.com subsystence.net sonotheque.net atomly.com -- july 5: pan american 'quiet city' record/dvd release
(313) INFLUENCE.
interrupt media group + subsystence.net present a new chicago music series: INFLUENCE. this is not a dance night. this is not a retro night. this is not a night of inoffensive lifestyle music. join us for an evening of sounds both new and old that have influenced us and continue to inspire. monday, may 3 subsystence.net magazine launch mat daly [bird machine, taking pictures] michael coleman [foundation gallery] nick butcher [programmable press] jonathan krohn [interrupt media] @ sonotheque 1444 w. chicago ave. 312.226.7600 9 pm - 2 am no cover 21+ $2 pbr + grain belt interrupt-media.com subsystence.net sonotheque.net -- INFLUENCE. continues every first monday of the month: june 7 atomly 'bad beat' record release atomly [atomiq] carlos souffront [crush collision] snuggles [strictly jungle] ken meier [interrupt media] july 5 pan american 'quiet city' record/dvd release pan american [kranky] bruce adams [kranky] joel leoschke [kranky] karl meier [interrupt media]
(313) influence: a new chicago monthly
interrupt media group + subsystence present a new monthly music series: INFLUENCE. monday, april 5 featuring selections from COMMON FACTOR [tactile, planet e] JOSH WERNER [antennae inc.] MATTY [untitled] KEN + KARL MEIER [interrupt media] @ sonotheque 1444 w. chicago ave. 312.226.7600 9 pm - 2 am | 21+ w/id | no cover | $2 pbr + grain belt www.interrupt-media.com | www.subsystence.net | www.sonotheque.org
