Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread GuyDebord

opaqueice;410870 Wrote: 
 the industry needs to focus on the areas that matter, and stop getting
 distracted by mysticism and bogus received wisdom.

Clearly what matters to you and other posters here is NOT the feeling
of music!

Listening to music is by all means a SUBJECTIVE action, there is
nothing scientific about it unless you dont care about music and just
sound! this forum is populated by sound geeks. You guys arent sensible
enough to feel shivers thats why you resort to (pseudo) science.

Listening to music involves all the senses, sight, touch, smell... you
guys just dont get it... continue convincing yourselves of perfectly
reproduced SOUND!


-- 
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'*LAST.FM*' (http://www.last.fm/user/bloodyrosa)  
- SPEAKERS: Kharma CRM 3.2FE - v/d Hul Inspiration
- PRE: Lyngdorf DPA-1 - Kharma Grand Reference XLR's - AMP: Halcro
  MC20
- ANALOGUE: Clearaudio Ambient CMB, Satisfy Carbon  Lyra Helikon SL,
  ASR Basis Exclusive phono pre - Acoustic Zen Silver Reference II
  XLR’s
- DIGITAL: Slim Devices Transporter - Siltech Golden Ridge AES/EBU
- AC: PS Audio Power Plant Premier, PS Audio Statement(PPP), ASR
  Magic Cord(ASR), Siltech SPX30 MKII's for the Lyngdorf, Halcro 
  Transporter

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread cliveb

JezA;410808 Wrote: 
 No it is not my position. I said that A-B-X testing is a poor way of
 evaluating components, because it is more a test of memory than
 anything else.
OK, so you feel that memory is not a good mechanism to compare audio
components. Let's suppose it's true, and then consider your next
statement:
JezA;410808 Wrote: 
 It is perfectly possible to compare two components. Do you understand
 that?
No, I don't understand. How exactly do you suggest two audio components
can be compared without using memory?


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Re: [SlimDevices: Audiophiles] Sound issue, Duet. Will an external DAC help?

2009-03-29 Thread plinford

I have just got a DacMagic and am very happy with it.  A definite
improvement over my SB3.

Paul


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread cliveb

There's a number of things I'd like to respond to, so let's gather them
all in one post:

honestguv;410861 Wrote: 
  cliveb;410749 Wrote: 
  The Blind Testing Controversy  
 There is nothing controversial about blind testing.
Sorry - I didn't mean to suggest that there is any doubt about the
validity of blind testing per se. I was only referring to the arguments
it causes in the audio world. I was originally going to use the title
The Blind Testing Bunfight, but felt that word might be too
UK-centric. On reflection, controversy was the wrong word to use.

opaqueice;410870 Wrote: 
  cliveb;410749 Wrote: 
  The Objectivist typically considers that to allow oneself to be
  influenced by these other factors is some kind of character flaw.  
 While I obviously can't speak for others, I haven't found that
 characterization to be at all accurate.  In I don't think I've ever
 encountered that view, despite reading more comments on this debate
 than I care to admit.
CatBus made the same comment: that Objectivists are not making such an
accusation. I've therefore clearly misinterpreted the things I've seen
written on these and other forums for many years now. Countless times
I've seen phrases like you're deluding yourself and you're imagining
it. Reading between the lines, these phrases seem to be implying that
this delusion/imagination implies some level of gullibility.

CatBus;410880 Wrote: 
  cliveb;410749 Wrote: 
  The Objectivist seems to take the view that since there is no difference
  in the detectable soundfield (as evidenced by a blind comparison)  
 Usually I'm not this pedantic, but it seems to make a difference
 here.  Failing to demonstrate a perceptible difference in a
 double-blind test does NOT mean that the difference can't be
 perceived!
Not sure I understand exactly what you're saying here. Are you pointing
out that a double-blind test can only give a statistical confidence
level, and that 100% proof is never possible? Or are you saying that,
having failed to detect a difference in a blind test, a difference
might be perceived by some other comparison method?

CatBus;410880 Wrote: 
 Failing to prove the existence of something is not the same as proving
 the lack of something.
Perhaps in mathematics proof has this rigorous meaning, but in all
other areas, nothing can ever be proved. Therefore we take the
pragmatic view that proof means almost certainly true on the basis
of the evidence. And if someone scores 50% in an ABX test with 20 or
more test runs, I contend that their inability to perceive a difference
is proved beyond all reasonable doubt.


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Re: [SlimDevices: Audiophiles] To pre or not to pre

2009-03-29 Thread Andy8421

cliveb;410709 Wrote: 
 There seems to be a contradiction in your recommendations here. Is there
 a typo, perhaps? Do you think attenuators are a good idea or not, and if
 not, why? (FWIW, my view is that using passive attenuation for correct
 gain staging is crucial).

I have to admit that I could have been clearer.

I meant no pre amp (my use of 'direct'), but use passive attenuators to
match output of Transporter to the sensitivity of the power amp.


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Re: [SlimDevices: Audiophiles] To pre or not to pre

2009-03-29 Thread Meridion

TC Electronic has a simple passive device, called Level Pilot, for that
purpose! :-)

http://www.tcelectronic.com/levelpilotstudio.asp


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Re: [SlimDevices: Audiophiles] To pre or not to pre

2009-03-29 Thread Teus de Jong

Ok, I'm asking again: what would be the difference between using passive
attenuation using a passive preamp stage and the same attenuation using
in-line attenuators? In his posts, cliveb is the only one who
consequently speaks about avoiding *active* preamps: here I can see the
argument. But why should the same apply to passive ones? These should
act just like variable attenuators I thought?

On the attenuator page in the WiKi, a passive preamp of Creek is
mentioned as a recommended attenuator for unbalanced connections. So
why would using an Endler attenuator with a power amp be different from
using a passive balanced stage like in the Ayre AX-7e? I understand that
you wouldn't use Endler attenuators to regulate the volume normally. But
wouldn't a passive stage where you can use the attenuation level as
volume regulator be preferable? (Of course, the quality of the used
attenuators makes a difference.)

Teus


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread JezA

cliveb, you need to listen to some music. go to a concert even.


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Re: [SlimDevices: Audiophiles] To pre or not to pre

2009-03-29 Thread cliveb

Teus de Jong;411013 Wrote: 
 Ok, I'm asking again: what would be the difference between using passive
 attenuation using a passive preamp stage and the same attenuation using
 in-line attenuators? In his posts, cliveb is the only one who
 consequently speaks about avoiding *active* preamps: here I can see the
 argument. But why should the same apply to passive ones? These should
 act just like variable attenuators I thought?
In principle a purely passive preamp should behave pretty much the same
as fixed passive attenuation. Possible differences I can think of that
might (or might not) be important:

1. Some passive preamps will use potentiometers. No potentiometer can
track 100% accurately. Using selected resistors in a fixed or stepped
attenuator will be more accuate.

2. As you adjust the volume setting of a passive preamp (or stepped
attenuator), its input and output impedances vary. It may be that at
your preferred listening level these impedances go sufficiently far
outside the optimal range that they affect the frequency response. A
fixed attenuator can select suitable resistances so as to avoid that
possibility.

I have to stress that the above are just possibilities that occur to
me. I have no actual evidence that either theoretical disadvantage of a
passive preamp would be an issue in practice. The only genuinely obvious
advantage I can see for fixed attenuation is that it's cheaper -
especially if you do it yourself (when it costs pennies).


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Re: [SlimDevices: Audiophiles] To pre or not to pre

2009-03-29 Thread Teus de Jong

Thanks for the answer cliveb. I see the rationale in all three
arguments.

Teus


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Re: [SlimDevices: Audiophiles] Linn Klimax DS - Network Music Player

2009-03-29 Thread Robin Bowes
El Duderino wrote:
 
 Oh, and Robin, its El Duderino ;)
 

:p

R.

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread cliveb

JezA;411022 Wrote: 
 cliveb, you need to listen to some music. go to a concert even.
What is the purpose of that comment?

I take it you won't (or can't) explain how to compare two components
without using your memory, then?


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Re: [SlimDevices: Audiophiles] A/B SB3 vs Transporter

2009-03-29 Thread Rodney_Gold

The point is not whether there is a differencee between the dacs , but
whether you like any of the DACS. My take on the TP's dac is that it is
analytical and not that much better than the Sb's ... I dont enjoy
listening to it..your mileage may vary.
I recon both units are best used as high end transports which leaves
you free to find the dac that you like instead fo being tied to either
- if that is the direction you take then keep the cheaper SB as its
digital output is as good as the TP's
The TP might have other advantages over the SB that make it worthwhile
, like its balanced analog outputs , its ability to act as both a
digital and normal pre , its ability to feed its own dac and thus
insert some sort of DSP processor, looks , high res files  and so on.


-- 
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TP/X-cans v3/Senns 650's
TP/TACT 2.0/SCM 50a's
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feeling you get when you stop

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Re: [SlimDevices: Audiophiles] 16-44 vs 24-96

2009-03-29 Thread chalkandtalk

If you produce two tones of say 22khz and 23khz then its true you
probably wont hear the pure tones. However, when two tones are close
together they intefere and an extra tone or beat is produced, which
can be heard.

http://en.wikipedia.org/wiki/Beat_(acoustics)


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[SlimDevices: Audiophiles] Convertissor N/A or not convertissor ?

2009-03-29 Thread M�reGrand

Hello, 

I would like to install a N/A convertissor between my SQ3 classic and
my old (but good) analogical amplificator.

Could you give me any information on the result ? Is it better than
analogical way ?

Anyone could inform me on a good N/A convertissor (below 1000 USD) ?
What brand ? Where to buy it ? 

Thanks

Mèregrand of Toulouse.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread CatBus

cliveb;410994 Wrote: 
 Not sure I understand exactly what you're saying here. Are you pointing
 out that a double-blind test can only give a statistical confidence
 level, and that 100% proof is never possible? Or are you saying that,
 having failed to detect a difference in a blind test, a difference
 might be perceived by some other comparison method?

A little of both.  Mostly I'm saying all tests results are, at best,
limited by the conditions under which the test was administered.  And
then, my pedantry added that people need to be careful about saying
they've proved the negative.  It's simply more professional and correct
to talk about confidence.

 Perhaps in mathematics proof has this rigorous meaning, but in all
 other areas, nothing can ever be proved.

I can hear a 1KHz tone.  I can prove that, even to people who swear up
and down that I can't.  There is a pigeon in my back yard.  I can prove
that, even to hardcore pigeon deniers.  However, I cannot convince
hardcore pigeon believers that there ISN'T a pigeon in my yard.  It's a
different thing entirely.  Sure, you can apply the reasonable doubt
standard if you like, but that's a legal term.  Applying reasonable
doubt to science would have killed Quantum Mechanics, among other
things.

It's a terminology/responsibility thing.  When someone says they can
hear a 30KHz tone, it's not really anybody else's job to prove they
can't.  It's THEIR job to prove they can.  And that's easily doable,
assuming they really can.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread Goodsounds

GuyDebord;410979 Wrote: 
 Clearly what matters to you and other posters here is NOT the feeling of
 music!
 
 Listening to music is by all means a SUBJECTIVE action, there is
 nothing scientific about it unless you dont care about music and just
 sound! this forum is populated by sound geeks. You guys arent sensible
 enough to feel shivers thats why you resort to (pseudo) science.
 
 Listening to music involves all the senses, sight, touch, smell... you
 guys just dont get it... continue convincing yourselves of perfectly
 reproduced SOUND!

10 points for the definitive comment.

People who work in IT, software, some engineering, etc., seem to make
up a disproportionally large percentage of the participants in these
forums. People of this ilk see EVERYTHING as black and white. No shades
of gray. When things are gray, they nonetheless use their black and
white approach, it's their orientation and it's comfortable. Gray is
uncomfortable.

To them, a software program, an oscilliscope, a calculation, specs, are
all much more appropriate ways to assess sound than using ears, or
feelings and emotions. They can deal with measurements, but not with
impressions.

I know too many people like this, they abound in Silicon Valley. They
are how they are, it is appropriate for the work they do, it just
doesn't translate well to the outside gray world. But they keep at it.

It makes for boring conversations like this (that is, with those who
can make conversation)


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread opaqueice

GuyDebord;410979 Wrote: 
 
 Listening to music involves all the senses, sight, touch, smell... you
 guys just dont get it... continue convincing yourselves of perfectly
 reproduced SOUND!

You're erecting a straw-objectivist and then beating him over the head.
The fact is that it seems to be -subjectivists- that have the most
trouble relaxing and enjoying music.  Objectivists have, if they
choose, a perfectly well-defined set of criteria for choosing and
comparing components.  Moreover they understand that all that really
matters are speakers and music - most of the rest is irrelevant. 
Subjectivists, on the other hand, have to fret over cables, power
cords, magic pebbles...  the result is inferior sound, an empty wallet
and very little time spent actually enjoying music.

I haven't changed anything in my system in quite a while, and (unless
there's a practical reason to do so) I don't see why I would want to. 
I'm very satisfied with the sound, and if I wanted to improve it I
would focus on things that actually make a difference - like
rearranging the furniture or moving the speakers - rather than $1,000
wires.


cliveb;410994 Wrote: 
 
 CatBus made the same comment: that Objectivists are not making such an
 accusation. I've therefore clearly misinterpreted the things I've seen
 written on these and other forums for many years now. Countless times
 I've seen phrases like you're deluding yourself and you're imagining
 it. Reading between the lines, these phrases seem to be implying that
 this delusion/imagination implies some level of gullibility.

-Everyone- hears things that aren't really there - that's human nature.
The gullibility comes from believing that your subjective impressions
correspond to any kind of real change in the sound.  There's a big
difference between that and what you said.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread Listener

CatBus;411101 Wrote: 
   There is a pigeon in my back yard.  I can prove that, even to hardcore
 pigeon deniers.  However, I cannot convince hardcore pigeon believers
 that there ISN'T a pigeon in my yard.  
 

An image of a pigeon in your back yard would be evidence.  A dead
pigeon you collected in your back yard would be evidence.  Even pigeon
droppings from your back yard would be evidence.  We don't even see the
equivalent of pigeon drooppings in most audio discussions.

Many subjectivists take hearing a difference in an uncontrolled
situation to be proof.  I think many objectivists would regard hearing
a difference as generating a hypothesis that needs to be tested before
it is accepted.

CatBus;411101 Wrote: 
   Applying reasonable doubt to science would have killed Quantum
 Mechanics, among other things.  

In fact science produced the theory of Quantum Mechanics in response to
experiments and theoretical issues.  So what great advances has
subjectivist thinking produced?

CatBus;411101 Wrote: 
 
 It's a terminology/responsibility thing.  When someone says they can
 hear a 30KHz tone, it's not really anybody else's job to prove they
 can't.  It's THEIR job to prove they can.  And that's easily doable,
 assuming they really can.

You claim to hear a difference that seems improbable, you provide some
convincing evidence.

That is the essential problem with the subjectivist approach.  It
doesn't produce valid experiments and quantitative measurements to
validate what subjectivists hear.

Bill


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Re: [SlimDevices: Audiophiles] Smart Gain

2009-03-29 Thread chitunes

Nonreality;410905 Wrote: 
 Yes exactly if you also have replay gain tags on a track that has
 already been volume leveled by mp3tag.  In that case I would not use
 any replay gain in SC.

Thanks for the information.


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Re: [SlimDevices: Audiophiles] Linn Klimax DS - Network Music Player

2009-03-29 Thread opaqueice

cliveb;410715 Wrote: 
 I think you may have misunderstood the end goal of ABX testing in audio.
 The endpoint is NOT does A sound better than B. It's much simpler:
 does A sound DIFFERENT than B. No preference judgements are called
 for: simply the detection (or otherwise) of an audible difference. That
 strikes me as eminently measurable and open to statistical analysis.

I think you meant - does A sound DIFFERENT than B because it is
producing an audibly different pattern of sound waves.  That question
can only be answered with either blind testing or measurements plus
some knowledge (gained via blind testing, of course) of perceptual
thresholds.

But I don't agree that that is the -only- question one might want to
answer.  If I had to choose between two components, I would greatly
prefer a  blind comparison to a sighted one, because I think it's the
best way to determine which sounds better and which I would be more
satisfied with in the long run (or whether it matters at all). 
Sometimes such tests are possible in audio show rooms, and I find it's
-very- instructive to try.  One rapidly starts to understand which
aspects are important, and how easy it is to be absolutely confident
you hear a difference - and then be utterly wrong.

And on that topic, I would vastly prefer if audio reviewers would do
their analyses blind - I find audio reviews nearly useless as they are.


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Re: [SlimDevices: Audiophiles] Smart Gain

2009-03-29 Thread Nonreality

chitunes;411152 Wrote: 
 Thanks for the information.

Glad to help.  You might be able to undo the mp3tag leveling and switch
to using tags.  Then a program like Mediamonkey could apply leveling on
the fly to your portable and not have to have all your files altered. 
Something to think about anyway.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread GuyDebord

opaqueice;43 Wrote: 
 
 But the part of my comment that seems to have irritated you wasn't
 directed at listeners - it was directed at audio engineers, the people
 that design and build audio gear and make recordings, and have to worry
 about this stuff professionally.  They shouldn't listen to audiophiles
 any more than MDs should listen to witch-doctors (which means very
 rarely there might be something with a kernel of truth, but the vast
 majority is nonsense).
 

I know by fact that most of the components I own, once designed were
voiced by ear(s) including my expensive cables. Of course some
companies (i.e. YG acoustics) believe in pure measurements, the result
sound is most of the time: analytical, clinical, un-organic and
lifeless. Something a sound geek will love.

So while aiming your comments at designer professionals you must admit
that subjectivity is always at the end game


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  XLR’s
- DIGITAL: Slim Devices Transporter - Siltech Golden Ridge AES/EBU
- AC: PS Audio Power Plant Premier, PS Audio Statement(PPP), ASR
  Magic Cord(ASR), Siltech SPX30 MKII's for the Lyngdorf, Halcro 
  Transporter

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Re: [SlimDevices: Audiophiles] A/B SB3 vs Transporter

2009-03-29 Thread El Duderino

Eric Carroll;410852 Wrote: 
 Priceless reply. 
 
 But I don't think anyone answered your actual question. 
 
 You should expect XLR outputs to be +6 dB above RCA connections. In
 addition, but more variably, -nominal- line level between RCA
 (consumer) and XLR balanced (professional) can vary up to 12-14 dB.
 Maximum levels differ as well. Its variable because not all vendors
 implement it the same way, unfortunately.
 
 Further insight for SB3/Tp is available on the 'ConnectToPowerAmp'
 (http://wiki.slimdevices.com/index.php/ConnectToPowerAmp) wiki page. 
 
 So level matching with a sound meter as you have done is critical for
 testing, and you should not expect equal settings on the two devices
 for different connection types.

I appreciate your reply to the initial question.  The sound level meter
is definitely the way to go

opaqueice;410853 Wrote: 
 You might find this thread interesting:
 
 http://forums.slimdevices.com/showthread.php?t=35068

That thread says a lot.  I, for one, am not in the least bit surprised
by the findings.


-- 
El Duderino

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread El Duderino

GuyDebord;411196 Wrote: 
 I know by fact that most of the components I own, once designed were
 voiced by ear(s) including my expensive cables. Of course some
 companies (i.e. YG acoustics) believe in pure measurements, the result
 sound is most of the time: analytical, clinical, un-organic and
 lifeless. Something a sound geek will love.
 
 So while aiming your comments at designer professionals you must admit
 that subjectivity is always at the end game

So, basically, all you're saying is that you like inaccurate sound that
may not represent the source material.  That's fine and totally
acceptable. I like some warmth  to my music as well.  Similarly,
others appreciate what you call analytical or accurate, uncolored
sound.  That, too, is fine.

But, you do need to get off this anti-sound geek high horse.  It
sounds immature at best.  I work with ears on a daily basis.  Your ears
and the signals interpreted by your brain as sound are largely the same
as the majority of the healthy-hearing population.  There is no
argument in this--it's human physiology and not subject to your
emotions.  Any downstream interpretation of this sound as something
different or, as you put it, organic is through the introduction of
bias.

Again, I understand where you're coming from regarding listening to,
interpreting and enjoying music but lose the pretentiousness...


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread iPhone

darrenyeats;410811 Wrote: 
 1. The word blind in blind testing doesn't refer to having no sense of
 sight. It's about not knowing the identity of the candidate at hand.
 Hence you can (and reviewers DO*) have blind tests on televisions. The
 frame of the television is covered so the tester doesn't know which
 unit is being looked at.
 
 2. Clive's analogy is pretty good actually. You see a big shiny box
 with a Linn badge on it and admittedly it looks great. You see a dinky
 cheap looking box with a Squeezebox badge on it and it looks not so
 great! It changes the listening experience. Excellent analogy.
 Darren
 
 PS: *Remember what I said about the rest of the world?

I know what a DBT is. I just think that most of them are done
improperly.

And you missed my point completely and proved it at the same time.
Again the point is that the Eyes, Ears, and Brain can't be trusted
except in extreme cases where the components being tested shouldn't
even be in the same room with each other IE an audiophile system vs a
Sears Rack system.

When the Eyes are allowed to be involved, misconceptions, prejudices,
prior opinions, and assumptions run rampant (just like the meal
analogy). Which is why test equipment must be involved when components
reach a certain level to which the Ears alone can no longer be trusted.
There are not very many people in the world that can memorize track A
played on equipment X and directly compare it with track A played
afterwards on equipment Y. It is almost impossible to do when the
equipment gets to a level in quality that requires DBT in the first
place!

This is one of the reasons that the review guys keep equipment for so
long. The ears and brain get used to listening to a setup and have to
be moved away from that with hours of listening to another setup or the
review will end up being really about the new equipment vs the guys
reference setup. Which is another reason I don't like equipment reviews
because they can only be judged against the guys reference system or the
best system he has had the opportunity to listen to.

Which is why I ask people to just go listen to a pair of Thiel or
Vandersteen speakers before they spend $15 to $20K on a pair of
speakers. Don't even go with the idea you might buy them, just listen
to them before buying anything.

If a DBT is to even have a chance, the listener should have no idea
when or what is being listened to. They should pick what sounds best to
them then find out what it was that they preferred later!


-- 
iPhone

*iPhone*   
Media Room:
Transporter, VTL TL-6.5 Signature Pre-Amp, Ayre MX-R Mono's,
Vandersteen Quatro, VeraStarr 6.4SE 6-channel Amp, VCC-5 Reference
Center, four VSM-1 Signatures, Runco RS 900 CineWide AutoScope 2.35:1  


Living Room:
Duet, ADCOM GTP-870HD, Cinepro 3K6SE III Gold, Vandersteen Model 3A
Signature, Two 2Wq subs, VCC-2, Two VSM-1  

Kitchen: Squeezebox BOOM
Bedroom: SB3, GFR-700HD, Thiel 2.3, Second Boom
Home Office: SB3, NAD C370, two VSM-1
Home Gym: SB3, Parasound Vamp v.3, Thiel PowerPoint 1.2
House Portable: SB3, Audioengine A5
Thunderbird: Duet, Mac Mini
Expedition: SB3, ToughBook

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread CatBus

Listener;411146 Wrote: 
 An image of a pigeon in your back yard would be evidence.  A dead pigeon
 you collected in your back yard would be evidence.  Even pigeon
 droppings from your back yard would be evidence.

Exactly my point.  Evidence that proves the existence of the pigeon is
easy.  You didn't list any examples that would prove the lack of a
pigeon to someone who was sure there was one hiding back there
somewhere.

 We don't even see the equivalent of pigeon drooppings in most audio
 discussions.

Again, exactly my point.  It's fairly easy to prove that you CAN hear a
difference, but people who claim to hear a difference choose not to,
throwing the responsibility on others to prove they can't--which as we
both demonstrated above, is a much harder task.

 In fact science produced the theory of Quantum Mechanics in response to
 experiments and theoretical issues.  So what great advances has
 subjectivist thinking produced?

Bad example, you're right.  String theory.  Many Freudian/Jungian
theories.  Both at least started out as making up stuff that works out
the way we like, and can't be tested.  I understand string theory is on
the cusp of being testable so I may retract that half.  Admittedly I'm
no big fan of either.  But in their favor, they sure inspired some good
science by others, even if they were suspect in their own right.

Honestly I think that's the best thing about subjectivists in my
opinion.  They ask the crazy off-the-wall questions that get things
moving in a whole new direction.  When it comes to providing answers,
they're not so good, unfortunately.


-- 
CatBus

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Re: [SlimDevices: Audiophiles] Having trouble using Transporter as standalone DAC with my PS3

2009-03-29 Thread rdb001

When I connect the optical out to the Transporter, which is hooked up to
a DAC via Toslink as well, I get nothing.  When I hook the PS3 directly
to the DAC, it works fine.  Could this be a copy protection issue?


-- 
rdb001

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