[SlimDevices: Audiophiles] Switching to slow rollof filter in AK4396

2010-04-03 Thread tingtong5

Hi,

Would it be possible to make the choice between slow and sharp rolloff
filter in the AK4396 (transporter) user selectable? Personally I would
be very interested to compare (subjectively) the difference.

Ronald.


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Re: [SlimDevices: Audiophiles] Why cannot you make Transporter support 176.4 and 192Khz/24?

2010-04-03 Thread wireless200

michael123;529507 Wrote: 
 
 Transporter is a killer product, i think it deserves more attention.

Michael, I appreciate you dogged pursuit of answers in this thread.  
That's really the only way good things ever get done.  You ran into a
bit of a no can do attitude but it resulted in one of the more
interesting threads here for some time.


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Re: [SlimDevices: Audiophiles] Linn Classical Radio Uk

2010-04-03 Thread esbrewer

Thanks for the post.  These streams are an excellent example of how
satisfying 256-320kbs content can be when recorded properly.


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Re: [SlimDevices: Audiophiles] Why cannot you make Transporter support 176.4 and 192Khz/24?

2010-04-03 Thread michael123

Thanks, wireless200.

mlsstl,

 If one is not mixing and editing multi-track files, what purpose is
 being served at 192K sample rates?  Then why is the need to work with 192KHz 
 at all? Why the industry
adopts DXD, which is 384Hz, I think..? I saw few labels going this way,
and there is hardware available of course..


There is one interesting article, comparing analog and different
digital techniques:
http://www.hometheaterhifi.com/technical-articles/427-a-secrets-technical-article.html

Even with 192/24, analog still has an edge over digital recording 
(see here, for example -
http://www.hometheaterhifi.com/technical-articles/427-a-secrets-technical-article.html?start=3)

I think the main idea of high-resolution is to provide a proper
substitute to vinyl and/or master tape.

HDAD by Classic Records indeed sounds very close, still older records
sound much better on turntable than on computer. 

Recent (USB) release of Beatles was 44.1/24, but, as I understood, it
was digitized on much higher sample rate, and will be re-released in
the future.


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Re: [SlimDevices: Audiophiles] Why cannot you make Transporter support 176.4 and 192Khz/24?

2010-04-03 Thread ghostrider

michael123;529986 Wrote: 
 Thanks, wireless200.
 
 mlsstl,
 
 Then why is the need to work with 192KHz at all? Why the industry
 adopts DXD, which is 384Hz, I think..? I saw few labels going this way,
 and there is hardware available of course..
 
 
 There is one interesting article, comparing analog and different
 digital techniques:
 http://www.hometheaterhifi.com/technical-articles/427-a-secrets-technical-article.html
 
 Even with 192/24, analog still has an edge over digital recording 
 (see here, for example -
 http://www.hometheaterhifi.com/technical-articles/427-a-secrets-technical-article.html?start=3)
 
 I think the main idea of high-resolution is to provide a proper
 substitute to vinyl and/or master tape.
 
 HDAD by Classic Records indeed sounds very close, still older records
 sound much better on turntable than on computer. 
 
 Recent (USB) release of Beatles was 44.1/24, but, as I understood, it
 was digitized on much higher sample rate, and will be re-released in
 the future.


Problem is nobody cares. You'll have a few esoteric recordings from
boutique studios that will sell six copies to audiophiles but the
popular mainstream lables will continue to ship junk product.


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Re: [SlimDevices: Audiophiles] Why cannot you make Transporter support 176.4 and 192Khz/24?

2010-04-03 Thread ghostrider

michael123;529986 Wrote: 
 Thanks, wireless200.
 
 mlsstl,
 
 Then why is the need to work with 192KHz at all? Why the industry
 adopts DXD, which is 384Hz, I think..? I saw few labels going this way,
 and there is hardware available of course..
 
 
 There is one interesting article, comparing analog and different
 digital techniques:
 http://www.hometheaterhifi.com/technical-articles/427-a-secrets-technical-article.html
 
 Even with 192/24, analog still has an edge over digital recording 
 (see here, for example -
 http://www.hometheaterhifi.com/technical-articles/427-a-secrets-technical-article.html?start=3)
 
 I think the main idea of high-resolution is to provide a proper
 substitute to vinyl and/or master tape.
 
 HDAD by Classic Records indeed sounds very close, still older records
 sound much better on turntable than on computer. 
 
 Recent (USB) release of Beatles was 44.1/24, but, as I understood, it
 was digitized on much higher sample rate, and will be re-released in
 the future.


Problem is nobody cares. You'll have a few esoteric recordings from
boutique studios that will sell six copies to audiophiles but the
popular mainstream lables will continue to ship junk product.


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Re: [SlimDevices: Audiophiles] Why cannot you make Transporter support 176.4 and 192Khz/24?

2010-04-03 Thread michael123

That's not exact.
The market of vinyl is booming. Records go for 30$, 50$, 100$, ...
I see more audiophiles that switched to CD 10-15 years ago and now go
back to turntable. Because of a sound. If there will be more material
to buy, these guys will.

There is no point to own 100,000$ stereo system and feed it with CD
mastered with 'loudness wars' in mind.

For me, turntable is simply impractical. I took a strategic decision
to go media-less. I do not have any room to store these pancakes.


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Re: [SlimDevices: Audiophiles] Why cannot you make Transporter support 176.4 and 192Khz/24?

2010-04-03 Thread Phil Leigh

michael123;529986 Wrote: 
 Thanks, wireless200.
 
 mlsstl,
 
 Then why is the need to work with 192KHz at all? Why the industry
 adopts DXD, which is 384Hz, I think..? I saw few labels going this way,
 and there is hardware available of course..
 
 
 There is one interesting article, comparing analog and different
 digital techniques:
 http://www.hometheaterhifi.com/technical-articles/427-a-secrets-technical-article.html
 
 Even with 192/24, analog still has an edge over digital recording 
 (see here, for example -
 http://www.hometheaterhifi.com/technical-articles/427-a-secrets-technical-article.html?start=3)
 
 I think the main idea of high-resolution is to provide a proper
 substitute to vinyl and/or master tape.
 
 HDAD by Classic Records indeed sounds very close, still older records
 sound much better on turntable than on computer. 
 
 Recent (USB) release of Beatles was 44.1/24, but, as I understood, it
 was digitized on much higher sample rate, and will be re-released in
 the future.

That article you linked to is the same old misinformed rubbish that has
been washing around the internet and in (some) hi-fi mags for years.
Please don't show me another jagged sine wave...

So you can't record a 10kHz sine wave perfectly at 44.1kHz, huh? 

Clearly Shannon et al were misguided fools...

Why can't people learn that the way the wave gets drawn on the screen
by some software says nothing - NOTHING - about how it sounds.

There is NO veracity in that article. 
Nothing scientific in it at all. It's just trying to prop up the old
agenda that digital ain't as good as analogue. 

This is just silly. Analogue has some lovely added distortion that a
lot of people like. Accurate it simply isn't.


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You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
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Re: [SlimDevices: Audiophiles] Why cannot you make Transporter support 176.4 and 192Khz/24?

2010-04-03 Thread michael123

Phil

1) Did you listen to quality analog rig?
2) If you did not read the article, please do. That's not black 
white.

I am not a vinyl lover, but I do listen frequently to quality gear. 
Many digital recordings have that 'edginess', vinyl sounds more
'smooth'


There are some measurements in the article, taken with Tektronix and
Audio Precision (I think), I do not understand why did you have to call
it 'old misinformed rubbish'.


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Re: [SlimDevices: Audiophiles] Why cannot you make Transporter support 176.4 and 192Khz/24?

2010-04-03 Thread Themis

Phil Leigh;52 Wrote: 
 
 This is just silly. Analogue has some lovely added distortion that a
 lot of people like. Accurate it simply isn't.
Well, not quite true. A lot of quality recordings are made on analogue
gear, and, having them on CD doesn't make them more accurate... ;)

As for the rest, you're right: there can be fine digital recordings.
Although it took the industry some 20 years to get them right.


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Re: [SlimDevices: Audiophiles] Why cannot you make Transporter support 176.4 and 192Khz/24?

2010-04-03 Thread snarlydwarf

michael123;530001 Wrote: 
 
 Many digital recordings have that 'edginess', vinyl sounds more
 'smooth'
 
 

The catch is those graphs are not comparing digital to analog ...
there is no analog source depicted for comparison: you are left to fill
out the ideal curves in your head.  Believing those ideal curves are
representative of how an analog source would display, however, is an
error.

All they show is that digital is an approximation and at enough of a
'zoom level' you can see the edges of the line.

So what?  Zoom in that close on a real world analog signal (which
medium?  Vinyl isn't the only analog medium) and you will see
distortion.

It's not even a question of is it audible, it's a question of
implying that analog sources somehow make a magical sine wave with no
distortiona at all, which is plain and simply not true.


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Re: [SlimDevices: Audiophiles] Why cannot you make Transporter support 176.4 and 192Khz/24?

2010-04-03 Thread Pat Farrell
Themis wrote:
 Phil Leigh;52 Wrote: 
 This is just silly. Analogue has some lovely added distortion that a
 lot of people like. Accurate it simply isn't.
 Well, not quite true. A lot of quality recordings are made on analogue
 gear, and, having them on CD doesn't make them more accurate... ;)

Well, there are two kinds of accuracy here, often confused. If a
CD/DVD-A is properly made, it can be accurate to the source per the
Nyquist frequency. It can be engineered to be as close to accurately
replicating the vinyl signal as you want.

Audiophiles often claim accuracy when they like something. And most
audiophiles love the added even harmonic distortions that tubes/valves
and vinyl have in spades.


 As for the rest, you're right: there can be fine digital recordings.
 Although it took the industry some 20 years to get them right.

I wouldn't say it took 20 years to get right. It did take five to ten
years. The problem is that the music industry (and the RIAA) have no
interest in music. They care only about sales and revenue.

Its only the boutique folks that care at all about quality, accuracy, etc.


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Re: [SlimDevices: Audiophiles] Why cannot you make Transporter support 176.4 and 192Khz/24?

2010-04-03 Thread michael123

snarlydwarf;530004 Wrote: 
 The catch is those graphs are not comparing digital to analog ...
 there is no analog source depicted for comparison: you are left to fill
 out the ideal curves in your head.  Believing those ideal curves are
 representative of how an analog source would display, however, is an
 error.
 
 All they show is that digital is an approximation and at enough of a
 'zoom level' you can see the edges of the line.
 
 So what?  Zoom in that close on a real world analog signal (which
 medium?  Vinyl isn't the only analog medium) and you will see
 distortion.
 
 It's not even a question of is it audible, it's a question of
 implying that analog sources somehow make a magical sine wave with no
 distortiona at all, which is plain and simply not true.

I was not talking about graphs, that was my pure listening experience.
In ideal world, I would simply have turntable for older recordings
(like Miles Davis, Coltrane, etc.)


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Re: [SlimDevices: Audiophiles] Switching to slow rollof filter in AK4396

2010-04-03 Thread Wombat

I asked that already in another thread but none of the developers
answered.
In theory it should be set in the same way the Transporter chooses
polarity.
Only one flag in a register. 
Sadly i have the feeling the Transporter is seeing EOL soon and no one
from the devs want to change anything on the Transporter anymore.


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Re: [SlimDevices: Audiophiles] Switching to slow rollof filter in AK4396

2010-04-03 Thread Pat Farrell
Wombat wrote:
 Sadly i have the feeling the Transporter is seeing EOL soon and no one
 from the devs want to change anything on the Transporter anymore.

Well, its been documented that the diplays are EOL. And Logitech has
moved to a new fundamental platform for the internals. I would expect
that there is no business case for putting much effort into the
Transporter. I have no idea what the suitable definition of much is,
but I expect its close to zero.


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Re: [SlimDevices: Audiophiles] Why cannot you make Transporter support 176.4 and 192Khz/24?

2010-04-03 Thread snarlydwarf

michael123;530007 Wrote: 
 I was not talking about graphs, that was my pure listening experience.
 

Then your citations to those articles was meaningless?

I must not understand how you could be not talking about graphs when
you cited them as proof of the limits of digital reproduction.


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Re: [SlimDevices: Audiophiles] Why cannot you make Transporter support 176.4 and 192Khz/24?

2010-04-03 Thread michael123

snarlydwarf;530013 Wrote: 
 Then your citations to those articles was meaningless?
 
 I must not understand how you could be not talking about graphs when
 you cited them as proof of the limits of digital reproduction.

Measurements might be the proof to the listening experience.
Listening per se is very subjective.

RE: Distortion and tubes - that's again not exact. There is some very
good quality gear that by combining both tubes and solid state gives
very impressive results.

Talking about 'tube sound', 'vinyl distortion' is prejudgment. I was
listening to some Brinkmann 30,000$ turntable on last Munich HE Show
year ago, you could not tell you were hearing to to vinyl.


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Re: [SlimDevices: Audiophiles] Why cannot you make Transporter support 176.4 and 192Khz/24?

2010-04-03 Thread mlsstl

michael123;529998 Wrote: 
 That's not exact.
 The market of vinyl is booming. Records go for 30$, 50$, 100$, ...
 I see more audiophiles that switched to CD 10-15 years ago and now go
 back to turntable. Because of a sound. If there will be more material
 to buy, these guys will.
 
 There is no point to own 100,000$ stereo system and feed it with CD
 mastered with 'loudness wars' in mind.
 
 For me, turntable is simply impractical. I took a strategic decision
 to go media-less. I do not have any room to store these pancakes.

My reply addresses points from a couple of different posts, but the
above is as good a place to start as any. 

1. Sure, LP sales are up, but compared to what? Vinyl record sale are
estimated at 2,8 million for 2009. That's less than 1% of album sales.
I can also spend a lot on a horse saddle, but that doesn't mean horses
are on track to replace cars in the next couple of years. 

2. Sound quality - I've converted well over 2,000 LPs and open reels in
my personal collection to digital for my server. (That's been an 8 year
project that is still underway.) As such, I've compared a lot of vinyl
directly to digital. 

The other day I converted a 1979 Nancy Wilson LP to CD for a friend.
One track on the LP was damaged so I downloaded the track from Amazon
so she could have a complete album. The difference was dramatic so I
downloaded a copy of one of the undamaged tracks. While both the LP and
the download were from the original 1979 master tape, the (proudly
declared) remastered download had been overprocessed and sounded
aggressive and hot compared to the LP. 

Note that my digital conversion sounded just fine. The point is it
wasn't the format! It was what the producers and engineers had
intentionally chosen to do in their remastering. 

I've got any number of CDs that are well recorded and a delight to
listen to. I've got a bunch of LPs that are downright nasty sounding. 

Forget the storage format - I like recordings that are good music and
that have been handled by producers and engineers who care about sound.
That doesn't require a return to analog open reel masters and LPs or
everyone switching to a 192K sample rate. It takes artists, producers
and engineers who are willing to buck the current fads and fashions of
recording. 

As far as sample rates, where does one stop? If 192K is better, why not
1,028K, or 2,056K? I know I spoke of Dan Lavry before, but he makes a
very strong case that super high bit rates are little more than a
novelty in many ways, and may well be solving a problem that is a
non-issue and creating other problems. 

In multi-track mixing there is the issue of noise levels when mixing
tracks with disparate volume levels, but that is not an issue in
playback of a released recording with a set mix. 

Personally, I've heard enough music on ordinary formats to know the
results can be outstanding. For me, I'd just as soon have them forget
chasing 192K sample rates and just have them learn to reuse the old
equipment! Far too many audiophile recordings are an excuse for an
examination of a pop singer's tonsils or a too-bright classical
recording with highlight mikes balanced in a way one would never hear
at a concert. 

Sorry for the rant, but in light of the prevailing fads in music
recording these days, worrying about 192K sample rate is like
rearranging the deck chairs on the Titanic.


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Re: [SlimDevices: Audiophiles] Thoughts on Parasound Halo amp/preamp potential purchase

2010-04-03 Thread Mr.Vlad

garym;528215 Wrote: 
 Parasound - Halo P3 Balanced Preamplifier
 http://www.audioadvisor.com/prodinfo.asp?number=PAHP3
This Preamplifier is not very good. I had it some years ago. There is a
lot of functions in it, but sound is not very good, and there is a small
noise.
It would be better for you to find another preamplifier (maybe passive
preamplifier).


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Re: [SlimDevices: Audiophiles] Why cannot you make Transporter support 176.4 and 192Khz/24?

2010-04-03 Thread Themis

pfarrell;530005 Wrote: 
 
 Audiophiles often claim accuracy when they like something. And most
 audiophiles love the added even harmonic distortions that tubes/valves
 and vinyl have in spades.
 
This is a caricature, as you know.
My tube amplifiers have no more distortion than the ss ones. No
properly designed tube gear has distortion in spades.

That's funny, replying to a caricature (cold CD sound) by another
(harmonic distortions is spades). :)


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Re: [SlimDevices: Audiophiles] Why cannot you make Transporter support 176.4 and 192Khz/24?

2010-04-03 Thread michael123

mlsstl

so, how would you compare the rip played through Transporter to
original LP record?

I also have few rips of my friends, and there is some loss in
resolution, separation and clarity (given that the rip is done using
24/96). It is very close, though.


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