Re: [SlimDevices: Audiophiles] Fidelizer SBT.. Why should it work?

2012-06-29 Thread SuperQ

The answer is:
Expectation
Bias (http://en.wikipedia.org/wiki/Experimenter's_bias)



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Re: [SlimDevices: Audiophiles] Fidelizer SBT.. Why should it work?

2012-06-29 Thread SBGK

SuperQ wrote: 
 The answer is:
 Expectation
 Bias (http://en.wikipedia.org/wiki/Experimenter's_bias)

to quote soundcheck - 'everything affects the sound'

fidelizer sets the system timer to 15 ms

fidelizer adjusts non essential processes to low priority 

does some other things

so basically it is optimising windows so there is less contention for
resources when running lms and less noise

the difference between non fidelizer and fidelizer extreme mode should
be apparent, even to SuperQ's ears



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Re: [SlimDevices: Audiophiles] Powered Speakers Recommendations

2012-06-29 Thread RussellMrgn

Phileas wrote: 
 Can I add AVI ADM40s to the list?
 
 I've just bought a pair and they're extraordinary (I had the ADM9Ts
 already).
I'd love to hear what you think of them, I've fancied a pair of the
ADM9T's with a Sub, but now having seen these, I'm really intrested in
them. They are a big price hike, so they would have to be a quantum
improvement for me to justify the extra cost. I see that at the moment,
they are made to order, but you can go to ADM to audition them.
If you could post some pictures of these speakers, it would be very
helpful in seeing the quality of finish.



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Re: [SlimDevices: Audiophiles] Fidelizer SBT.. Why should it work?

2012-06-29 Thread chill

SuperQ wrote: 
 The answer is:
 Expectation
 Bias (http://en.wikipedia.org/wiki/Experimenter's_bias)

SuperQ - you're not allowed to say this.  The OP has made it clear that
you're only allowed to post conjecture that reinforces his expectations.
I'm surprised he let you get away with this.



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Re: [SlimDevices: Audiophiles] Fidelizer SBT.. Why should it work?

2012-06-29 Thread Mnyb

chill wrote: 
 SuperQ - you're not allowed to say this.  The OP has made it clear that
 you're only allowed to post conjecture that reinforces his expectations.
 I'm surprised he let you get away with this.

OP says .

Please note: I am not interested in hearing from the “LOL, you can’t
possibly be hearing a difference” chorus.  Post elsewhere if that is
your (only) response.. Rather, I am interested in thoughts as to why
Fidelizer (or any server OS optimisation) could help SQ on the SBT..

Of course he can hear a difference nobody doubts that ,it is just that
it does not happen in the realm of data acoustic or electricity . As
these server tweaks does not change anything at the Touch end it still
buffers the same data the signal remains the same .

You can always hear differences , SuperQ just suggested the most
plausible mechanism that makes fidelizer do that for squeezeboxes ( it
may very well work for some issues in pc playback on that I have no
opinion ) , so it actually answered the question ? Without LoL



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Re: [SlimDevices: Audiophiles] Fidelizer SBT.. Why should it work?

2012-06-29 Thread chill

Mnyb wrote: 
 You can always hear differences , SuperQ just suggested the most
 plausible mechanism that makes fidelizer do that for squeezeboxes ( it
 may very well work for some issues in pc playback on that I have no
 opinion ) , so it actually answered the question ? Without LoL

You make a good point.  I stand corrected.

So do you think the OP is interested in the THE simple test that will
demonstrate that SuperQ's suggested mechanism is the correct one?  You
know, the 'just pull the plug' test.



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Re: [SlimDevices: Audiophiles] RC (Inguz etc.)

2012-06-29 Thread RussellMrgn

ok, sorry in advance, I have not read through this posting, except for
the first few posts. Now comes the real deal of the posting Can
someone post a @who To' to get this working with the current realease of
LMS?



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Re: [SlimDevices: Audiophiles] Powered Speakers Recommendations

2012-06-29 Thread Phileas

RussellMrgn wrote: 
 I'd love to hear what you think of them, I've fancied a pair of the
 ADM9T's with a Sub, but now having seen these, I'm really intrested in
 them. They are a big price hike, so they would have to be a quantum
 improvement for me to justify the extra cost. I see that at the moment,
 they are made to order, but you can go to ADM to audition them.
 If you could post some pictures of these speakers, it would be very
 helpful in seeing the quality of finish.

Russell, if you go to the AVI forum, there's a review section where
you'll find reviews by me and several owners including some pictures.
The AVI website also has a nice picture of one with cherry veneer.

In my opinion, these are a very significant advance over the ADM9T+sub.
However, there is also a new and improved version of the ADM9T available
(with a new woofer design) which I haven't heard but by all accounts is
also a worthwhile improvement.



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Re: [SlimDevices: Audiophiles] Impedance Matching Squeezeboxen to DACs

2012-06-29 Thread HumanMedia

cfraser wrote: 
 ^ Tell me more!! Please. I have never heard of such an xfmr before, but
 I should have known they existed...
 
 The AES/EBU sounds better here too. Has an open-ness and a sense of the
 music coming out of infinite blackness; very noticeable when other
 DACs/inputs *don't* have it. I have not opened this DAC (years of
 warranty left) to see if I can tell why the AES/EBU sounds that extra
 notch better.
 
 Thanks.


Here is the exact one I use. I have a hardwired standard Blue Jeans coax
with bnc from the SBT connects straight into this and this plugs into
the AES/EBU Dac input.

http://www.ebay.co.uk/itm/Canare-BCJ-XP-TRB-Digital-Audio-Format-Converter-Balun-XLR-Male-BNC-Female-/280892208028



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Re: [SlimDevices: Audiophiles] Open Letter to Music Pirates from NPR

2012-06-29 Thread magiccarpetride

Fozzy wrote: 
 For me, morally as well as legally, one
 should obtain music in a way that at least has the potential to provide
 the writers and performers of the music with money unless they
 specifically choose to give the music away.

In the olden days, before mass copying technology became affordable and
available to the mainstream audiences, the only way you could enjoy
music is by attending the actual performance. That does not necessarily
mean attending the actual live performance. For example, the publishing
house could record a popular band, such as the Beatles, but then instead
of mass producing the sound carriers (such as LPs) to be distributed,
they could've arranged for a series of scheduled playbacks at certain
venues. One could easily imagine an event where distributors could
charge admission fees (like $10.00 per person) for attending the
playback of the Beatles album Abbey Road. People would show up, pay
the admission, be seated, and then the playback would commence. Side A,
short intermission, Side B. After which everybody goes home.

You want to hear Abbey Road again? Sure, pay $10.00 and attend another
'performance'. And so on.

The above is how the movie industry used to function. That was during
the pre-VHS/DVD/blu ray/Netflix/Youtube days.

Why music industry chose to go with a different model, whereby they
would mass produce and distribute copies of the recorded performance, is
a curious fact that remains kind of difficult to explain. Have they
stuck with the movie industry model (i.e. you pay each time you want to
attend the playback), I'm sure they would've made much more money in the
long run.

But by now, the cat is out of the bag, as we all are in possession of
dirt cheap means for not only making unlimited number of identical
copies of recorded music, but also unlimited channels for distributing
and sharing these copies.



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Re: [SlimDevices: Audiophiles] Impedance Matching Squeezeboxen to DACs

2012-06-29 Thread Jeff Flowerday

HumanMedia wrote: 
 Here is the exact one I use. I have a hardwired standard Blue Jeans coax
 with bnc from the SBT connecting into the BNC at one end of this. The
 other xlr end plugs into the AES/EBU Dac input.
 
 http://www.ebay.co.uk/itm/Canare-BCJ-XP-TRB-Digital-Audio-Format-Converter-Balun-XLR-Male-BNC-Female-/280892208028

I'd be interested in John's opinion on these transformer based
converters.



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Re: [SlimDevices: Audiophiles] Fidelizer SBT.. Why should it work?

2012-06-29 Thread JohnSwenson

chill wrote: 
 You make a good point.  I stand corrected.
 
 So do you think the OP is interested in the THE simple test that will
 demonstrate that SuperQ's suggested mechanism is the correct one?  You
 know, the 'just pull the plug' test.

But that test is not necessarily defintive, it only tells you if the
processing on the Touch is the issue. There are other possible paths
from server to ears such as EMI radiated from server, noise injected on
power mains etc. Something which is changing the whole operating
environment of the server COULD be changing something which gets
transfered through one of these indirect paths, even when audio data is 
not actively being transmitted to the Touch. Now if you unplugged the
the Touch from the ethernet AND unplugged the power form the server at
the same time, THEN you would have a more convincing test. 

John S.



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Re: [SlimDevices: Audiophiles] Fidelizer SBT.. Why should it work?

2012-06-29 Thread SBGK

JohnSwenson wrote: 
 But that test is not necessarily defintive, it only tells you if the
 processing on the Touch is the issue. There are other possible paths
 from server to ears such as EMI radiated from server, noise injected on
 power mains etc. Something which is changing the whole operating
 environment of the server COULD be changing something which gets
 transfered through one of these indirect paths, even when audio data is 
 not actively being transmitted to the Touch. Now if you unplugged the
 the Touch from the ethernet AND unplugged the power form the server at
 the same time, THEN you would have a more convincing test. 
 
 John S.

with my large buffer settings I can get several minutes playback of
16/44.1 stored on the touch after the music has loaded via the ethernet.
So I can switch off the laptop and disconnect the ethernet while the
music is still playing - the sound doesn't change when I do this, it
does change if I use fidelizer, that is good enough proof for me that
fidelizer works.



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Re: [SlimDevices: Audiophiles] Fidelizer SBT.. Why should it work?

2012-06-29 Thread Triode

SBGK wrote: 
 with my large buffer settings I can get several minutes playback of
 16/44.1 stored on the touch after the music has loaded via the ethernet.
 So I can switch off the laptop and disconnect the ethernet while the
 music is still playing - the sound doesn't change when I do this, it
 does change if I use fidelizer, that is good enough proof for me that
 fidelizer works.

That's impressive - as you can get say 3 seconds worth of buffering from
the tunable alsa buffer (usb interface), 10 seconds from the output
buffer and then the main buffer (pre decoding) is 3 Mbytes in size. 
Several minutes would only work if you are listening to very compressed
music?



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Re: [SlimDevices: Audiophiles] Open Letter to Music Pirates from NPR

2012-06-29 Thread ralphpnj

pippin wrote: 
 Depends.
 For studio albums I couldn't care less about lossless since they are all
 mixed for mp3 these days anyway, so there's no difference.
 
 Live recordings, however, are a different issue.

As a jazz and classical music fan and listener I beg to differ. You are
referring only to most popular music. There are still plenty of great
sounding jazz and classical music recordings being made that are most
definitely not being mixed for mp3 since many of the potential buyers
have no idea what an mp3 is, i.e. think middle aged audiophile. Then
again these buyers have no idea what lossless is either, in fact all
they know are little silver discs played back on overpriced and out
dated players.



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Re: [SlimDevices: Audiophiles] Open Letter to Music Pirates from NPR

2012-06-29 Thread mlsstl

magiccarpetride wrote: 
 Why music industry chose to go with a different model, whereby they
 would mass produce and distribute copies of the recorded performance, is
 a curious fact that remains kind of difficult to explain.

Actually, it is quite easy to explain. The recorded music industry came
directly from the music publishing industry. It wasn't until the 1940s
that records started outselling sheet music. 

It's impossible to use the movie model you describe to monetize sheet
music. People buy sheet music so they can play the song on their own
instrument in their home. Sheet music sales to the public was a big deal
that dated back to 1880, when industry started the mass production of
upright pianos for the home market. The song After The Ball by Charles
Harris sold around 2 million copies in 1892 and millions more in the
years after. (Piano rolls for player pianos was also a big seller,)

Before TV, only the rich could afford a movie projector for their home,
so the idea of mass distribution of films was an impossibility in the
old days. However, record players were quite affordable for the middle
class, as were records. The transition of the mass market from sheet
music to records was quite natural, plus radio broadcasting had already
established the public's expectation that music in their home was a
given, whether by broadcast or record.



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Re: [SlimDevices: Audiophiles] Open Letter to Music Pirates from NPR

2012-06-29 Thread ralphpnj

mlsstl wrote: 
 Actually, it is quite easy to explain. The recorded music industry came
 directly from the music publishing industry. It wasn't until the 1940s
 that records started outselling sheet music. 
 
 It's impossible to use the movie model you describe to monetize sheet
 music. People buy sheet music so they can play the song on their own
 instrument in their home. Sheet music sales to the public was a big deal
 that dated back to 1880, when industry started the mass production of
 upright pianos for the home market. The song After The Ball by Charles
 Harris sold around 2 million copies in 1892 and millions more in the
 years after. (Piano rolls for player pianos were also big sellers,)
 
 Before TV, only the rich could afford a movie projector for their home,
 so the idea of mass distribution of films was an impossibility in the
 old days. However, record players were quite affordable for the middle
 class, as were records. The transition of the mass market from sheet
 music to records was quite natural, plus radio broadcasting had already
 established the public's expectation that music in their home was a
 given, whether by broadcast or record.

Very well stated and AFAIK accurate as well. Thank you.



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Re: [SlimDevices: Audiophiles] Open Letter to Music Pirates from NPR

2012-06-29 Thread RussellMrgn

bakker_be wrote: 
 as a european music lover, i mostly object to the so-called
 convenience of itunes or any other service: It's almost impossible for
 me to get good music legally + lossless. Quite a lot of the stuff on
 hdtracks for instance is interesting to me, but strictly speaking i'm
 forbidden to buy it, as i'm not a us citizen. The offerings of linn etc
 are somewhat too esoteric for my tastes, and there's only so much
 classical music i can take.
 This means that the music industry is forcing me to keep buying physical
 media, which i then have to rip, tag, scan for replaygain, scan for
 musicip ... I still do this, but a whole lot less than i'd like to,
 because:
 -i only have so much storage space for physical media
 -it's not convenient
 -i can't buy from the comfort of my couch at night when the kids are
 asleep ...
 
 This issue isn't caused by the industry alone, the artists as well
 play a role in it. Bands all over the world tweet about the release of
 their new albums, and about when they'll be available in itunes, but
 when you directly ask them about buying in flac, there's nothing but
 radio silence. Metallica is (partly) an exception to this: Almost any
 show of the last 10 years or so is available for sale as a soundboard
 recording, in both flac  mp3, right on their tour site, a couple of
 days after the performance. No studio material however. I've bought a
 lot of those already, most recently the recording of the show i went to
 in belgium on may 28th and the 4 shows for their 30th birthday.
 I think we (the public in general, squeezebox users in particular)
 should all begin pestering any musician we can get access too to begin
 making lossless files available. The success of itunes proves that
 people still want to pay, but what if nobody sells what you want to buy?

[quote=



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