Re: [SlimDevices: Audiophiles] Sound quality between wav and flac

2010-01-03 Thread Patrick Dixon

Robin Bowes;501812 Wrote: 
 
 Yes, it is well-documented that the level of jitter that is audible is
 orders of magnitude *above* the measurable jitter level produced by
 most
 digital devices.
 
Maybe that's true for 'random' jitter, but in the real world jitter is
seldom random and it's spectral content is likely to have an effect on
its audibility, just as much as its absolute amplitude.

Jitter is just another form of distortion, and as with distortion, the
character of the jitter is an important element in its audible effect.


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Re: [SlimDevices: Audiophiles] Query for Sean Adams

2009-11-02 Thread Patrick Dixon

pfarrell;480376 Wrote: 
 
 
 Seriously, just saying that its important and telling me to listen more
 carefully is not engineering.
 
No, but pyschoacoustics is where you need to look.  Engineering will
tell you how it makes a difference and what (numerical) levels that
might be at, but engineering can't tell you whether that's significant
when listening to music.

Unfortunately spending 10 minutes doing AB testing probably won't
either.


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Re: [SlimDevices: Audiophiles] Query for Sean Adams

2009-11-02 Thread Patrick Dixon

Themis;480374 Wrote: 
 do you insinuate that the technical specification given by Slimdevices
 for the TP are intentionally  false, incomplete or misleading ? :)
No I'm just saying the number on it's own is completely meaningless as
you have to understand the complete context for where it came to make
any kind of sense of it.  These sort of raw numbers are for marketing
purposes only, and they're why you can't make meaningful comparisons of
audio kit on the internet.

PS. Yes of course you're right - the real answer is 42.


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Re: [SlimDevices: Audiophiles] Query for Sean Adams

2009-11-01 Thread Patrick Dixon

Themis;479827 Wrote: 
 It means 17 picoseconds. The consensus is declaring the total jitter :
 http://en.wikipedia.org/wiki/Jitter

I am pretty sure 27 is the answer to everything.

Pat, if you don't think jitter is relevant, then you haven't been
listening hard enough.


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Re: [SlimDevices: Audiophiles] Query for Sean Adams

2009-10-30 Thread Patrick Dixon

Themis;479741 Wrote: 
 A TP has very (very) carefully designed digital outputs.
 It is specified 17ps at DAC output and 35ps at S/PDIF receiver. If you
 find much better (or even a little bit better), please let me know what
 it is. ;)

Yes, but what does 17ps mean?


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Re: [SlimDevices: Audiophiles] Will a transporter sound as good as the Linn Majik DS

2009-04-02 Thread Patrick Dixon

Phil, you have super tweeters and you don't think transports can make
any difference?

;-)


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Re: [SlimDevices: Audiophiles] Smart Gain

2009-03-28 Thread Patrick Dixon

chitunes;410835 Wrote: 
 Thanks for the reply SuperQ.  I appreciate the information.  This leads
 me back to my other question as to why the displayed number is always a
 greater reduction than is tagged by MP3/iGain.  This difference is
 audible in the actual volume, sound quality and dynamic range.  Any
 ideas?

There's 'track gain' and 'album gain', are you comparing like with
like?


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Re: [SlimDevices: Audiophiles] A/B SB3 vs Transporter

2009-03-27 Thread Patrick Dixon

El Duderino;409630 Wrote: 
 I did find that the SB3 was somewhat fatiguing to listen to due to
 unrefined/harsh highs.  That seems to have resolved with the
 Transporter.
 
That's a good point and something that's maybe not that obvious when
listening to short samples and switching between sources.

I don't think you'll hear huge differences on short samples between the
two (depending on the material, and the rest of the system etc), but I
think you'll find a more significant difference over a long period. 
What about listening to a programme of music over a couple of nights on
one, and then the same programme over the next couple of nights on the
other?  Just choose the volume you feel comfortable with, which might
be different with a different source as well as with different music,
and see which gives you the most pleasure.

It seems to me that test more closely replicates your real use of the
products, and is therefore more likely to give significant results.


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Re: [SlimDevices: Audiophiles] Smart Gain

2009-03-27 Thread Patrick Dixon

darrenyeats;410453 Wrote: 
 But even if you play a tune with just the 24th bit (with silence
 otherwise) you won't hear it. No masking is required to make it
 inaudible. It's just inaudible if you've set up your gain structure
 correctly.
 
It's inaudible in the presence of no other signal, but that doesn't
necessarily mean it's inaudible when combined with another signal.


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Re: [SlimDevices: Audiophiles] 16-44 vs 24-96

2009-03-08 Thread Patrick Dixon

opaqueice;404219 Wrote: 
 
 Let me make my position clear.  First off, I'm quite convinced that
 hi-res is audibly different from redbook only under totally unrealistic
 conditions.  For 2-channel music, redbook is simply good enough.  That
 said, there's nothing wrong with overkill - particularly if it's easy
 to do.  And for mastering and recording 16/44 does -not- suffice.  So
 there's clearly a need for hi-res standards and gear, and it's fine
 with me if there's a consumer market for it.  It makes people happy,
 secure knowing they're listening to the best money can buy and
 technology can do - and I have absolutely no problem with that.  I'd
 even do the same myself if it wasn't too much hastle.
 
 But I object strongly whenever anyone tells anyone else that hi-res is
 better for home stereo, and/or that they need to spend lots of money
 upgrading their system and buying hi-res versions of music they
 probably already own.  It's BS.  The correct advice is it's almost
 certainly not going to make an audible difference, but you can never be
 sure, and if you want the absolute best and can afford it, go for it. 
 And often when music is in a hi-res formats more attention is payed to
 sound quality during mastering, so you might end up with better
 sounding recordings.

44.1KHz/16-bits can produce some stunning recordings - if they're done
properly.

IMV there's more to be gained from engineering current CDs
better/properly than by just upping all the sampling rates and bit
lengths.  96KHz/24-bits (or whatever) might make the engineering
process easier, but it's not going to help if engineers insist on
compressing all the music into a few levels at the top end of the bit
range.


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Re: [SlimDevices: Audiophiles] Slaving Transporter to dCS Delius/Purcell Wordclock

2009-03-06 Thread Patrick Dixon

On the other hand 


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Re: [SlimDevices: Audiophiles] Slaving Transporter to dCS Delius/Purcell Wordclock

2009-03-05 Thread Patrick Dixon

Blackstone;402336 Wrote: 
 The specs for the Transporter include the following:
 
 Jitter (standard deviation):
 11ps at oscillator (intrinsic jitter)
 17ps at DAC
 35ps at S/PDIF receiver
 
 I am wondering how slaving the Transporter to the dCS combo would
 theoretically affect those numbers?

The point about slaving the Transport(er) clock to the DAC, is not to
improve the clock at the transport, but to least effect the clock at
the DAC.  And it's the clock at the DAC that's important, because you
don't want to introduce any timing distortion when you convert between
digital and analogue levels.


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Re: [SlimDevices: Audiophiles] digital is digital OR NOT

2009-03-05 Thread Patrick Dixon

Archimago;401824 Wrote: 
 Curious why BNC is the best solution.

Because it's a properly designed RF connector with a 75 Ohm
characteristic impedance to correctly match the 75 Ohm characteristic
impedance of the link.


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Re: [SlimDevices: Audiophiles] Smart Gain

2009-03-05 Thread Patrick Dixon

Phil Leigh;403420 Wrote: 
 Patrick do you mean you don't like RG as opposed to just reducing the
 digital volume? (the mechanism is basically the same)- I can't hear
 anything bad going on...Yes.  I'm not sure if the mechanism is precisely the 
 same, but I didn't
like the effect - at least in conjunction with the 'normal' digital
volume control.  As ever YMMV ...


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Re: [SlimDevices: Audiophiles] Will a transporter sound as good as the Linn Majik DS

2009-02-25 Thread Patrick Dixon

opaqueice;400034 Wrote: 
 What about it?  The complex frequency response is precisely equivalent
 to the impulse responseIn theory yes, but in practice they're measured in 
 quite different ways
and can give different results.


opaqueice;400034 Wrote: 
 
 Where did I say I measured them?
My mistake.  I assumed that when talking with such authority, you would
at least have had some facts to base your opinions on.


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Re: [SlimDevices: Audiophiles] Will a transporter sound as good as the Linn Majik DS

2009-02-23 Thread Patrick Dixon

opaqueice;399548 Wrote: 
 Because any high-end digital source will have a flat frequency response
 down to below the threshold of audibility.So what about the impulse response?

And how exactly did you measure the frequency response of the Linn DS
kit and the Transporter?


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Re: [SlimDevices: Audiophiles] Will a transporter sound as good as the Linn Majik DS

2009-02-23 Thread Patrick Dixon

DaveWr;399740 Wrote: 
 Well here is John Atkinson Measurements (Copyright Stereophile)
 
 I agree with Patrick, I think that a lot of variation in audio
 presentation is due to transient / phase effects.
 
 Dave

Hmm, well difficult to compare since one is to a different scale and
one seems to have two variants ...

Load might make a difference too.


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Re: [SlimDevices: Audiophiles] Will a transporter sound as good as the Linn Majik DS

2009-02-22 Thread Patrick Dixon

opaqueice;398750 Wrote: 
 The idea that the Linn could have more bass than the Transporter is
 absurd. 
 
 Why?

[padding ...]


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Re: [SlimDevices: Audiophiles] jitter

2008-12-19 Thread Patrick Dixon

opaqueice;373029 Wrote: 
 They're usually done that way for two reasons:
 
 1) Some research has shown that subtle differences are much -easier- to
 hear when the clips are short, and
 
 2) It takes less time that way.
 
 There is no reason in the world why it can't be done with longer clips
 - the ABX format is perfectly compatible with that.  Personally, I've
 done a number of ABX tests using a computer program (for example, to
 hear the difference between MP3 and WAV).  In my experience it's much
 easier to hear the differences when you first identify a section where
 it's potentially audible and then switch back and forth rapidly on that
 section.  It's possible other types of effects are easier to hear over a
 long term, but I'm not aware of any reason to think so other than the
 (more or less worthless) word of audio manufacturers hawking their
 wares.
 
 
 
 That's another old canard, which is not only obviously false (these
 tests have been used for decades in research to establish hearing
 thresholds, and if what you said were true those thresholds would all
 be zero, an obvious absurdity), but disposed of in 30 seconds of
 googling (many DBTs just in high-end audio falsify what you said).
 
 Of course we've had this discussion before and you're still repeating
 the same falsehood, so I can only assume you have an agenda.
Why is it that you always stoop to personal abuse?


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Re: [SlimDevices: Audiophiles] jitter

2008-12-19 Thread Patrick Dixon

opaqueice;373147 Wrote: 
 Are you not an audio manufacturer/modder hawking your wares (on another
 manufacturer's forum, of all places)?  Not that I actually even said
 you were...No.

opaqueice;373147 Wrote: 
 Do you not have an agenda and a profit motive for people to believe
 these things?  On many fora manufacturers are required to identify
 themselves as such in every post, precisely for these reasons.
 
 Feel free to correct me on either of those.No - so you're corrected.  Now 
 please apologise and stick to the facts
rather than the personal sniping.


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Re: [SlimDevices: Audiophiles] jitter

2008-12-18 Thread Patrick Dixon

The problem I have with DBT in audio, is not that it's DB at all - it's
that the tests are normally conducted using repeated short music
clips.

One the one hand we don't have a great long-term memory for audio
quality, so the clips have to be short to give us any chance of
comparison, yet on the other, listening to music is a much longer term
emotional experience, and there may only be short passages in any piece
of music where the difference that we seek to identify is significant. 
Add to that the pressure that people feel when they're being tested,
and as ar-t says, we generally end up with the result that everything
sounds the same.

So the tests are flawed.  It should be possible to do better tests
using longer term measurements - as you would in drug trials for
example, but no one would fund those tests in a hobby industry.


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Re: [SlimDevices: Audiophiles] jitter

2008-12-17 Thread Patrick Dixon

cliveb;372009 Wrote: 
 
 
 Meanwhile, Benjamin and Gannon demonstrated back in 1998, *using blind
 listening tests*, that jitter less than 20nS was inaudible on music
 material.
 
 And in 2004, Ashihara et al demonstrated, *using blind listening
 tests*, that not one single listener in their panel of 23 people could
 discriminate jitter of less than 250nS. Granted their test used random
 (ie. uncorrelated) jitter, and this can be expected to be less audible
 than correlated. But some people here seem to be claiming that jitter
 around the 200pS region is audible. That's 3 orders of magnitude
 smaller. It frankly stretches the bounds of credulity.
And yet this paper
http://www.iet.ntnu.no/courses/fe8114/files/Report_audiodac.pdf claims
that jitter of 20ps can be audible - depending of the frequency of the
jitter.

Robert Adams of Analog Devices also claims that the jitter sensitivity
is of the order of 20ps rms for 16-bit performance, for some types of
converter. 
http://www.theaudiocritic.com/back_issues/The_Audio_Critic_21_r.pdf


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Re: [SlimDevices: Audiophiles] jitter

2008-12-17 Thread Patrick Dixon

Pete Fowler;372123 Wrote: 
 He's demanding other people toe the line and conform to his belief in
 science as the ultimate arbiter of what is valid and what is snake oil.

For me the problem is that it's a very narrow view of science, based on
the current academic system where someone puts up a piece of research
and everyone else tries to knock it down or reproduce it.  That's fine
if there's lots of people willing to invest time and money to conduct
ever more complex experiments to eliminate errors in the previous
experiments (which there always are), but that just isn't going to
happen in a hobby field.

In the pioneering days of science, people tried out experiments on/for
themselves and observed the results, and human knowledge progressed as
a result.


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Re: [SlimDevices: Audiophiles] jitter

2008-12-17 Thread Patrick Dixon

Michael Amster;372140 Wrote: 
 
 It would be helpful if Pat (ar-t) could name a few names of designs
 that 
 have good low jitter implementations where it counts.  A handfuly of 
 single clock CD players so that people could verify would be very 
 helpful.  I understand our beloved Slim boxes have multiple
 oscillators, 
 so they are already not optimal for that reason even if the rest of the
 
 design is good.
 
 Since people on this list will not have the means to measure the jiter
 
 and characterize it to conclude, the next best thing might be some 
 reference points of widely available equipment:
 
 Try this CD player through this DAC and then the Slim through the same
 DAC.
 
 Then the CD player alone (no SPDIF issues) and the Slim alone.  One 
 would characterize the SPDIF capabilities of both platforms as things 
 the subjectivists could then attempt to describe in language terms. 
 The 
 other would provide a well measured reference point against our Slim 
 platforms and let people draw subjective solutions from there.
 
I think one of the issues is that there are too many variables between
CDPs, streaming devices and DACs to know that you're listening to
effects of jitter alone.

But if you want to do this, get hold of an SB3 and a Transporter (or
better still an SB+ since it uses exactly the same streaming side as an
SB3), and compare the same music file through each device, into the same
DAC, and the same audio system, using the same digital cable.  Then any
differences you can hear, can only be down to effects of jitter in the
conversion process.


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Re: [SlimDevices: Audiophiles] jitter

2008-12-17 Thread Patrick Dixon

Well yes, but it's the same analogue circuitry in each case - in the
external DAC and the rest of the audio system.

You can have the same file playing at the same time on both players,
and simply move the digital cable from one source to another.


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Re: [SlimDevices: Audiophiles] jitter

2008-12-16 Thread Patrick Dixon

NewBuyer;371306 Wrote: 
 
 Also, I've read forum posts from certain DAC engineers saying that some
 types of jitter might actually be euphonic.  This has always seemed
 strange to me, that noise in a digital interface could ever result in
 such an effect.  So has anybody ever actually identified any types at
 all, of pleasant/euphonic jitter?  Do you think such a phenomenon is
 really even possible?

Well it's not really noise in a digital interface, it's noise in the
conversion process, which translates to analogue noise - so I guess it
might be possible for it to be euphonic ... although IME it isn't.


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Re: [SlimDevices: Audiophiles] jitter

2008-12-16 Thread Patrick Dixon

pfarrell;371175 Wrote: 
 Patrick Dixon wrote:
  You completely missing the point - to say that one amp is better
  because it has a SNR of 103dB rather than 100dB is nonsensical
 because
  it depends not only on the level of noise but it's character too. 
 The
  same goes for jitter.
 
 No, if a tree falls in the forest and no one is around, does it make a
 sound? is a question for philosophers. Not engineers.
 
 If two amps measure differently but the difference can't be heard,
 they
 are the same. Or you are not measuring the right thing.
 
 But you can't make a claim that the measurements are different and
 that
 is important, when no one can hear it.
 
 A classic example: frequency response of a speaker over 40kHz. It may
 be
 good, but humans can't hear it. It is therefor not accepted to
 engineers
 that it matters.
I think you have to be careful not to be too definitive about what can
and can't make a difference.  I definitely can't hear 20KHz or 22KHz,
but if you combine the two you get a beat of 2KHz - and I can hear
2KHz.

pfarrell;371175 Wrote: 
 
  I don't think it's science to stand
  around demanding that someone else provides proof for you.
 
 Again you miss the point. If you are saying I believe this is true
 but
 I can't show any science to back it up, then I have zero problem.
 
 But if you say this is engineering, its real then you have to back
 it
 up. It no longer beliefs.
 
 While I've been hearing about jitter for over a decade, every time I
 look into it, I see only theology, not science. Until I see science,
 preferably from several sources, then its just part of a belief
 system.
 
 -- 
 Pat Farrell
 http://www.pfarrell.com/I'm not sure which bit of the 'science' is missing 
 for you.  Jitter is
clearly a real phenomenon, and the mechanism of how converter clock
jitter affects the output signal is clearly understood, so the only
dispute can be in what level of jitter is audible in a digital audio
system ... and I just don't think the research to define that has been
properly done.


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Re: [SlimDevices: Audiophiles] jitter

2008-12-15 Thread Patrick Dixon

pfarrell;370695 Wrote: 
 
 What metric of jitter is important?
 What devices that we are likely to have are examples, good and bad, of
 this measured thing?
 http://www.pfarrell.com/

As art said earlier, jitter is like noise, so the amount of jitter (ps)
and the type of jitter (spectral content) are both important.

I've demonstrated to many people a standard SB3 into an external DAC,
and our SB+ into exactly the same external DAC.  Since both devices use
exactly the same data, and transport that data through exactly the same
'engine', the only difference is in the clock signal at the DAC, which
is affected both by the inherent jitter in the SB3/SB+ clock and any
distortion in the S/PDIF link ... and you can hear a difference.  You
could do the same test with an SB3 and a Transporter.

But 'good' and 'bad' are subjective things ... there is only really
'better' or 'worse'.


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Re: [SlimDevices: Audiophiles] jitter

2008-12-15 Thread Patrick Dixon

pfarrell;370893 Wrote: 
 I expect those claiming that there is an
 issue to back it up with links and citations to engineering and
 scientific data.
 

I think life is too short for most people - with what is basically a
hobby.  If you don't want to believe the claims or investigate them for
yourself, and you're happy with what you have, why worry?


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Re: [SlimDevices: Audiophiles] jitter

2008-12-15 Thread Patrick Dixon

pfarrell;371071 Wrote: 
 Patrick Dixon wrote:
  pfarrell;370695 Wrote: 
  What metric of jitter is important?
  What devices that we are likely to have are examples, good and bad,
 of
  this measured thing?
  http://www.pfarrell.com/
  
  As art said earlier, jitter is like noise, so the amount of jitter
 (ps)
  and the type of jitter (spectral content) are both important.
 
 Amount in picoseconds absolute? or relative to the clock of the
 signal?
 What amounts are important?
 
 Noise is a classic example. while noise is bad, if its 100 dB down, it
 doesn't matter because humans can't hear it.
 
 I keep hearing that jitter is bad, but what jitter is bad, or how much
 of what is bad? What can be ignored, because its below the sensitivity
 of human ears?
 
  But 'good' and 'bad' are subjective things ... there is only really
  'better' or 'worse'.
 
 Then its not science. See Lord Kelvin's quote.
 
 -- 
 Pat Farrell
 http://www.pfarrell.com/
'Good' and 'Bad' is not science ... and neither is not being curious
enough to try stuff for yourself :-)

I'm not sure what you mean by absolute amount in ps ... time is
continuously moving and so it's only ever relative isn't it?

You have to determine what amounts are important to you - it's like
noise, what amount of noise is important?  It depends on the type of
noise because some types and frequencies are less audible and
distracting than others.


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Re: [SlimDevices: Audiophiles] SB3. Audio or Digital device?

2008-12-15 Thread Patrick Dixon

Digital is Analogue really.


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Re: [SlimDevices: Audiophiles] SB3. Audio or Digital device?

2008-12-15 Thread Patrick Dixon

Sorry it was a bit flippant really, but a digital signal is really an
analogue signal that has two basic levels - a one and a nought.  A
device like a DAC should definitely be treated like an analogue
component IMV.


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Re: [SlimDevices: Audiophiles] jitter

2008-12-14 Thread Patrick Dixon

Any clock recovery circuit, is likely to introduce 'jitter' to the
recovered clock, because that's the nature of synchronising one clock
to another.  The recovered clock has to 'follow' the S/PDIF signal, and
so it will have to periodically adjust itself to keep sysnchronised.

You can hear the negative effects of jitter, but they can be down to a
better or worse clock source in the 'transport', as well as the S/PDIF
signal path and clock recovery circuit.  You'll probably only know that
you're hearing the effects of jitter though, once you hear something
with less.


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Re: [SlimDevices: Audiophiles] High bit rates causing confusion.

2008-12-13 Thread Patrick Dixon

You can install a recent sox build and convert to 'proper' 48KHz/24bit
flac on the fly.  It needs an edit to convert.conf and there's a thread
or two about it in the General forum.


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Re: [SlimDevices: Audiophiles] digital is digital OR NOT

2008-08-23 Thread Patrick Dixon

It's not just the magnitude of the jitter that's important, it's also
the spectral content and its correlation with the audio signal.

I agree with opaqueice though, the re-clocker just seems like it's
adding extra complexity where you'd be better off tackling the
'problem' at source.


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Re: [SlimDevices: Audiophiles] NAP250 direct from Transporter

2008-08-16 Thread Patrick Dixon

Naim power amps have a low pass filter at the input stage, so I doubt
they can be driven into instability.

The output stage can become unstable if the 'wrong' speaker cables are
used.  Naim insist that you use a minimum of 3.5m and their NACA5
cable, but there are many other cables that are equally suitable IME.

Naim and Linn like to cultivate these kind of 'myths' so that customers
are drawn to buy more of their equipment.


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Re: [SlimDevices: Audiophiles] NAP250 direct from Transporter

2008-08-14 Thread Patrick Dixon

I think you're being given poor advice.

If you only have a single source, connecting the TP directly to the
NAP250 will give a better result.  Knock the TP attenuators down by
-10db or more to give you a sensible volume range.

When I had Naim kit here, I tried an SB+ directly to the power amps and
via a NAP82 + 2 PSUs, and direct was at least as good.

If you really must have a NAC202, then check out alternative PSUs from
the likes of Avondale etc, any of which will be much better VFM than a
Flatcap.


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Re: [SlimDevices: Audiophiles] digital is digital OR NOT

2008-08-02 Thread Patrick Dixon

DCtoDaylight;325080 Wrote: 
 Ok, you got me on a technicality!  You are 100% correct, jitter in the
 Analog to Digital converter does imprint itself on the data.  And in
 the same context, you could say jitter in the Digital to Analog
 converter is also imprinting itself on the audio stream.  But in the
 context of digital to digital communication, jitter has no effect on
 the data.

Yes that's correct.

However, if the jitter is the data stream, and that data stream is
being used to recover the clock that's used in the D to A Conversion
process, then the jitter becomes an issue.


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Re: [SlimDevices: Audiophiles] digital is digital OR NOT

2008-08-02 Thread Patrick Dixon

DCtoDaylight;325102 Wrote: 
 
 A problem -can- arise, if the two clocks are not at exactly the same
 frequency.  As you might guess, if the buffer in the interface isn't
 large enough, you could overflow or underflow it.  As a result you
 either need a large buffer (which has been done, memory is cheap!) or
 you end up skipping or adding samples as required.  There are
 potentially audible consequences if the latter technique is used.

Solving the problem with a buffer is not straightforward.  The read and
write clocks will never be at exactly the same frequency (and won't be
constant either), but they are at the same nominal frequency.

The problem is akin to having a bucket half-full of water, with a tap
filling it from the top, and then trying to adjust a tap at the bottom
such that the bucket neither overflows or runs dry.  In a practical
sense you will never be able to achieve it without regular
intervention.


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Re: [SlimDevices: Audiophiles] digital is digital OR NOT

2008-08-02 Thread Patrick Dixon

opaqueice;325172 Wrote: 
 Consider the following scenario:  suppose you have a local clock in your
 DAC with an adjustable frequency (such clocks exist and are used in some
 DACs).  For simplicity we'll ignore jitter in that clock (and any other
 local jitter source) and worry only about jitter in the incoming S/PDIF
 stream.  Now you record the incoming data stream in a buffer for (say) 1
 second.  Then you start to play out the buffer using your local clock. 
 The analogue signal coming out is jitter-artifact free given the above
 assumption.  
 
 But now we will run into a problem - our buffer will start to either
 fill or empty depending on the mismatch in average timing between the
 local and source clocks.  But since our local clock is adjustable, we
 can monitor the buffer state and make a (tiny) adjustment.  We'd need
 to do that at most every second, but in reality much less often (since
 the clock mismatch will be smallish).
 
 As far as I can see this scheme removes all jitter with a frequency
 higher than some very low cutoff (which in this example will be around
 1 Hz times the fractional clock mismatch).

Yes, you're right.  But I suspect that making the small frequency
adjustments to the read clock in such a way as not to compromise it's
overall performance is not all that easy.  You might like to try and
build one and see how it works!

My own take on these things is that life is complicated enough as it
is, and using complicated solutions to solve problems that you don't
need to have in the first place, is generally a bad idea.  As ever,
YMMV!


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Re: [SlimDevices: Audiophiles] digital is digital OR NOT

2008-08-01 Thread Patrick Dixon

DCtoDaylight;324918 Wrote: 
  [jitter] has no effect on the data (unless it's so grossly large that
 it causes read errors, not the case here).
 It does if the data is a PCM representation of an analogue signal and
you are in the process of converting it between the analogue and
digital domains.


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Re: [SlimDevices: Audiophiles] Transporter word-clock function

2008-07-30 Thread Patrick Dixon

The music plays faster!


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Re: [SlimDevices: Audiophiles] Open Question to Audiophiles

2008-07-28 Thread Patrick Dixon

opaqueice;323320 Wrote: 
 None that I'm aware of have a dispersion pattern remotely like a box
 speaker

Except for electric/electronic instruments which typically use a box
speaker to make the sound!


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Re: [SlimDevices: Audiophiles] Open Question to Audiophiles

2008-07-26 Thread Patrick Dixon

Judging whether audio reproduction is accurate based on comparison with
a live instrument isn't really valid.  The process of recording adds
some inaccuracy and the best the replay system can ever do is to
reproduce that faithfully.

Modern studio recordings are usually pretty far from being a live
performance anyway, and variations in recording and mastering are often
more significant than the difference between one good 'reproducing'
system and another.

So I don't think it's straightforward to tell which (of two systems) is
more accurate than the other, and in the end I think the only thing that
really matters is which sounds more enjoyable.  If you want 'accurate',
then get out and see/hear more live music.


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Re: [SlimDevices: Audiophiles] Squeezebox plus, does it still exist?

2008-07-19 Thread Patrick Dixon

If we'd have taken a leaf out of the Naim book, we'd have charged at
least 3x the price and an extra £250 for the 'Burndy' power lead
between the two boxes :-)


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Re: [SlimDevices: Audiophiles] Open Question to Audiophiles

2008-07-14 Thread Patrick Dixon

The only goal for me is to maximise my enjoyment of the music I already
have, and to make me want to explore new music.


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Re: [SlimDevices: Audiophiles] Volume control question-Does it threw out bits?

2008-06-03 Thread Patrick Dixon

kbuzz;307450 Wrote: 
 Newbie here with a basic question. Does the internal volume control on
 the SB3 affect the quality of music?  In other words, is it better to
 max out the SB internal digital volume control and use the volume on a
 pre amp?  
 
 I think i recall somewhere that the transporter at the high end of the
 vol range only throws away minimum bits, but not sure about the SB3 or
 a levels say 70-95 percent

No, it doesn't throw away any information providing you have the volume
in the 30-100 range.

Any reduction in the signal level in the digital domain, will affect
the signal to noise level at the DAC, but then so will any subsequent
signal reduction in the analogue domain, so it's a question of
compromises, and which is the least worst.

And yes, it does make a difference if you round and throw away the
information.


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Re: [SlimDevices: Audiophiles] naim volume control with squeezebox controller

2008-04-26 Thread Patrick Dixon

opaqueice;289810 Wrote: 
 ... the whole thing was a waste of time.

There is only one way ... one true way ... the -opaqueice- way.  If the
lord -opaqueice- cannot hear ... or cannot understand ... it cannot
exist.


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Re: [SlimDevices: Audiophiles] I want it bit-perfect

2008-04-19 Thread Patrick Dixon

opaqueice;292935 Wrote: 
 My argument proved that 24 bit rounding errors cannot possibly be
 audible 

You obviously have a very low standard of 'proof'!

Dodgy assumptions, a misunderstanding of noise, and no inconvenient
actual experiments.  I'm just glad we don't have to rely on you to
understand how the universe works.


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Re: [SlimDevices: Audiophiles] Bi- and vertical-amping

2008-04-18 Thread Patrick Dixon

But if you read on just a little bit further, you'll see that he's
modifying the crossover rather than disconnecting it.  He is also
talking about active bi amplification rather than passive bi-amping
which is what the OP wanted to know about.


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Re: [SlimDevices: Audiophiles] Bi- and vertical-amping

2008-04-17 Thread Patrick Dixon

pski;292249 Wrote: 
 The benefit of bi-amping is derived from the fact that each amplifier
 has a fixed range to reproduce.
Not so.  Each amplifier produces the full range, and the (passive)
crossover and driver do the filtering. 

pski;292249 Wrote: 
  ... you might want to check the local tech school for a theory of
 welding class.. each of them will drive into each other. (Of course if
 you can deal with bridged mode and cross the phase on the outputs.)Bridged 
 mode is a different thing completely: when you bi-amp
(passively), each amplifier drives a separate circuit because the
crossover is split.  They don't drive into each other.

pski;292249 Wrote: 
 Active speakers are a different issue entirely.
 
 Another whole point of bi-amping is the ELIMINATION of passive
 crossovers.
 
Active is a different thing completely: eliminating the passive
crossover usually means replacing it with an active one, and is not
generally referred to as bi-amping.


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Re: [SlimDevices: Audiophiles] Bi- and vertical-amping

2008-04-17 Thread Patrick Dixon

opaqueice;292470 Wrote: 
 active means you have to plug it in

That is, plug it into a power source.


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Re: [SlimDevices: Audiophiles] Bi- and vertical-amping

2008-04-16 Thread Patrick Dixon

You are in danger of confusing the OP IMO:

Bi-amping is using a pair of amps to drive a conventional passive
loudspeaker.  Using a (line level) crossover before the amplifiers, is
generally known as 'active' and is a quite different approach.

Bi-amping usually works because the passive loudspeaker has two sets of
binding posts, which allow the crossover to be split into HF and LF
parts.  Each part of the crossover is then driven by a separate
amplifier.  The HF and LF parts of the speaker's crossover may further
split the signal to multiple speaker drive units.

At the very least, bi-amping allows each amplifier to 'see' a reduced
crossover/drive unit load, and doubles the potential power into the
speaker.  You can argue whether it's better to use two amps of 'n'
watts bi-amped or a single amp of '2n' watts, but bi-amping can
definitely make a big difference to the sound - depending on the actual
components used of course.


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Re: [SlimDevices: Audiophiles] I want it bit-perfect

2008-04-13 Thread Patrick Dixon

opaqueice;290921 Wrote: 
 
 
 Second, the discussion of digital volume reduction here is wrong. 
 Nothing special happens at 1/256 volume.  Best practice is to set the
 analog volume so that max digital volume is as loud as you will want;
 then using the SB volume will result only in a slight reduction of
 signal/noise.

Hmm, I'm not quite sure which bit you think is 'wrong'.  This isn't
gong to be another of your 'can't hear -144dB' faux pas is it?

Best practice IMO, is to use the combination of analogue and digital
volume control that sounds best to you.  Both will affect the sound in
slightly different ways depending on your system and your ears.

sleepysurf;290954 Wrote: 
 I presume you've checked to ensure replaygain or smartgain are not
 inadvertantly turned on
Good point.  It's possible that if you have replay gain tags in your
FLAC files they would sound different to a WAV file (with no tags),
converted to FLAC on the fly.


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Re: [SlimDevices: Audiophiles] Transporter - Is it worth it?

2008-04-11 Thread Patrick Dixon

Dick Sternum;290105 Wrote: 
 TAnd considering it's a digital pre-amp, it's DACs will be used however
 I choose to connect.Doesn't it have an analogue bypass?


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Re: [SlimDevices: Audiophiles] naim volume control with squeezebox controller

2008-04-09 Thread Patrick Dixon

opaqueice;289227 Wrote: 
 If you have a point, make it.  You're just making yourself look foolish
 saying the same empty things over and over again.

Is that what your students say to you?


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Re: [SlimDevices: Audiophiles] naim volume control with squeezebox controller

2008-04-09 Thread Patrick Dixon

OK Clive (and anyone who's still interested).

The LSB in a 24-bit PCM signal does indeed represent approximately
-144dB wrt to full scale.  However, in the real world, you have to
allow some headroom in the recording to prevent (excessive) clipping,
so the actual music you are listing to may well be (say) -20dB wrt full
scale too.  The LSB however, stays exactly where it is at -144dB wrt
full scale, but only (say) -144dB minus -20dB down from the actual
music volume - ie -124dB wrt the music

In addition, you are implementing a digital volume control, so you are
reducing the music volume still further within the available PCM range,
maybe by (say) 20-30dB.  Once again the LSB stays where it is at -144dB
wrt full scale, but now your actual music level is also (say) -40dB or
-50dB below full scale.  The difference between the actual music volume
and the LSB rounding error is now -104dB or -94dB which is considerably
less than the -144dB claimed elsewhere in this thread.

Obviously the actual level of the rounding error wrt to the real music
level will vary depending on the recording and the amount of volume
control reduction used, but in the right circumstances - with a decent
system and a decent recording, it is possible to hear the effect.  It's
not large, it's not 'night  day', but IME it does have an impact on the
enjoyment of the music.


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Re: [SlimDevices: Audiophiles] naim volume control with squeezebox controller

2008-04-09 Thread Patrick Dixon

You can't use SPLs as they depend completely on the replay system,
amplifier, volume level setting etc.  This is an entirely digital
artefact, and since PCM audio is only a representation of the 'real'
analogue signal, you need to get your head round the problem in the
digital domain.

The point is that an 24th LSB rounding error is not -144dB from what
you normally listen at, and when you take the effect of the volume
control into account it's more significant.  I'll leave you and others
to argue about what it actually is, but since it will 'depend', there
is no actual answer.  It's much more significant than claimed, and
therefore it's entirely possible that people can hear the effect -
which indeed they did.


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Re: [SlimDevices: Audiophiles] naim volume control with squeezebox controller

2008-04-09 Thread Patrick Dixon

Yawn.

You should be in the Sonos forum with your dunce's cap on.


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Re: [SlimDevices: Audiophiles] naim volume control with squeezebox controller

2008-04-08 Thread Patrick Dixon

opaqueice;288722 Wrote: 
 I think you're missing the point here, Patrick.  
 
 Take a typical home stereo system and crank the volume to max. 
 According to my estimate, the effects on SPL of a distortion component
 at -144db are smaller than the effects on SPL due to random Brownian
 motion of air molecules.  Which means (unless I made a mistake) -144db
 distortion is not even measurable (acoustically), let alone audible -
 it's really an operationally meaningless concept, at least as far as
 acoustics go.

Actually it you that is completely missing the point.

You believe that -144dB is not audible.

You believe that the rounding error in a SB volume control is -144dBs.

You believe in blind testing.

Several people heard the effect of the rounding error in the SB3 volume
control when it was changed.  They heard this blind: they had no idea
that anything had changed.

Therefore at least one of you assumptions is wrong.  If you are a real
scientist you would be interested in giving the subject some though,
and trying to ascertain where you are wrong, and you would be open
minded about it.  That's what science is about - it seeks to explain
that which we observe.  Even great minds (much greater than yours or
mine) have been wrong.

So is the effect of the error -really- -144dB, or can people actually
hear a -144dB error in music?  I'll leave you to think about it for
yourself, but if you care to put up $1M I will be happy to accept your
challenge and your money.


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Re: [SlimDevices: Audiophiles] naim volume control with squeezebox controller

2008-04-08 Thread Patrick Dixon

opaqueice;289000 Wrote: 
 
 I notice you haven't responded substantively even once.  You've never
 challenged anything specific in my analysis, just made vague assertions
 and did your best to sow audio FUD.  Why don't you tell us why you think
 24-bit rounding errors aren't 144db down?  Or why an effect at -144db
 can be audible?

You put up the $1M and I'll show you.  Until then do your own work.

PS. Yes, I agree, the LSB in a 24-bit PCM signal is approx 144dB down
on full scale


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Re: [SlimDevices: Audiophiles] naim volume control with squeezebox controller

2008-04-08 Thread Patrick Dixon

opaqueice;289017 Wrote: 
 Translation:  You're right, but I make money off people I convince
 otherwise and so I have nothing to say.
 
 OK.  I just hope you don't make any of the ridiculous claims you made
 in this thread in your advertising literature.  You might find this
 link interesting:
 
 http://www.asa.org.uk/asa/adjudications/Public/TF_ADJ_44177.htm
Ah right, I guess you are too lazy or too closed minded to apply
yourself to the problem then?

I don't think I've made any claims here - it was you that made all the
claims!

I think you are probably the one who takes money under false pretences
- you claim to be a scientist, yet you seem incapable of solving a
simple problem.


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Re: [SlimDevices: Audiophiles] naim volume control with squeezebox controller

2008-04-08 Thread Patrick Dixon

opaqueice;289055 Wrote: 
 What problem?

The problem that your 'theories' don't agree with the reality.  Come
on, keep up!

opaqueice;289055 Wrote: 
 How about this one:

That's not a claim, that's an observation!  Observations of what
actually happens are quite useful in most areas of science.  When they
don't agree with your theory you have a problem.  A good scientist
tries to understand why: a bad scientist dismisses all contrary
evidence in order to stick with his original paradigm.  Which are you?


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Re: [SlimDevices: Audiophiles] naim volume control with squeezebox controller

2008-04-08 Thread Patrick Dixon

opaqueice;289078 Wrote: 
 Well, since I've eliminated acoustics as an explanation, that leaves
 psychology.  Without data on what you had for breakfast that morning I
 can't comment further.

Bad science.  You have dismissed the observation that doesn't agree
with your theory and stuck to your original paradigm.  Very poor.


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Re: [SlimDevices: Audiophiles] naim volume control with squeezebox controller

2008-04-08 Thread Patrick Dixon

opaqueice;289120 Wrote: 
 I already did: you didn't enjoy your breakfast that morning.
 
 It's very, very simple - if you take a 24 bit binary number and divide
 it by some factor, the error you make will be in the 25th bit (if you
 round properly).  If you truncate rather than rounding, the error may be
 in the 24th bit, but that's as bad as it can possibly be.  So the error
 - I'm talking about the absolute error, *NOT* the error as a percentage
 of the signal - is never larger than 0001.
 
 So all we have to ask is whether 0001 is ever
 audible on a stereo system.  It has the best chance with the analogue
 gain maxed and with a frequency in the good part of the human hearing
 range, but as I've shown it remains way below the threshold of
 audibility even then.  We might also want to ask whether (say)
 01110001 is audibly different from
 01110001 + 0001.  It's not - it's
 -harder- to hear small changes in level than it is to hear the change
 alone (because of masking), and in any case my argument proves that it
 would be *physically impossible* to hear that change either in
 isolation OR added to another signal.
 
 You are probably confusing S/N - which will be much lower than 144dB in
 these cases, since the original data was 16 bit - with audibility of the
 distortion caused by rounding.  Let me try to clarify that for you.  
 
 Here are two ways in which distortion can be *inaudible*:
 
 1) The S/N is sufficiently high that you do not hear the
 noise/distortion no matter how loud the volume is, because the signal
 always masks the distortion.  That is one case where we don't have to
 worry about distortion.  A good example of that is the noise floor of a
 decent digital audio system while playing music.
 
 2) The maximum possible level of the noise/distortion is too low to be
 audible *even when it's played without the signal*!  In this case it
 will *never* be audible - even when the S/N ratio is *0*.  There are
 *no exceptions*, and that's what I've shown is the case of a rounding
 error in 24 bit audio.  Of course if you had -infinite analogue gain-
 available to you, you could always turn it up to the point that it
 would be audible - but you don't.

You are still thinking in your own paradigm.  I'm sure they must have
taught you at Professor-school, to always question your own
assumptions?


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Re: [SlimDevices: Audiophiles] naim volume control with squeezebox controller

2008-04-08 Thread Patrick Dixon

opaqueice;289168 Wrote: 
 Therefore they are not audible, and if you think otherwise, you're
 wrong.

Either that or you have missed something.


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Re: [SlimDevices: Audiophiles] naim volume control with squeezebox controller

2008-04-08 Thread Patrick Dixon

opaqueice;289168 Wrote: 
 
 You can make all the vague pronouncements you like, but -144db
 distortion is not audible, and the errors introduced by attenuating a
 24 bit signal are always -144db down from max level.  Therefore they
 are not audible, and if you think otherwise, you're wrong.

Hmm, lets see, if -144dB is not audible (but yet we can hear it) so
maybe it's not actually -144dB.

Hang on a minute ... it's a volume control isn't it?


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Re: [SlimDevices: Audiophiles] Transporter of SB3

2008-04-07 Thread Patrick Dixon

opaqueice;288436 Wrote: 
 
 I don't agree at all - audibility is -not- a separate argument.  We're
 talking about audio DACs intended to be connected to a stereo system
 and listened to.  A change in the output at -140dB, while it might be
 measurable,  is not relevant.  Actually it is.  When SD changed the SB3 
 firmware volume control, a
number of people heard a reduction is sound quality - including me.  We
weren't aware of what had been done (or even that something had been
done) and so this was effectively a blind test.

You seem not to appreciate the difference in inaudibility between truly
random noise, and other low-level distortions - if dithering is applied
to the rounding process, you should be able to make the noise random,
and therefore I'd expect it to be inaudible.  However, non-random
distortions even at very low levels can definitely be audible.

opaqueice;288436 Wrote: 
 In any case there are (relatively inexpensive)  DACs out there which -
 at least as far as I can tell from published measurements - are totally
 immune to jitter.  Given that that's possible, there is no excuse for a
 high-end DAC not to reduce the effects of jitter to the point where
 they are inaudible.  A DAC which doesn't do that is not designed
 properly.  
 
Published measurements do not tell the whole story. As a scientist
(assuming you are) you should know that there are very few absolutes,
and so 'totally immune to jitter' is a meaningless phrase anyway.


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Re: [SlimDevices: Audiophiles] Transporter of SB3

2008-04-07 Thread Patrick Dixon

pfarrell;288375 Wrote: 
 
 I've never understood why the audiophile magazines drool over 
 transports. All they are required to do is deliver a bit stream.
  ... and a highly accurate timing reference.


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Re: [SlimDevices: Audiophiles] naim volume control with squeezebox controller

2008-04-07 Thread Patrick Dixon

opaqueice;287920 Wrote: 
  Digital rounding errors from attenuation can only ever affect the last
 bit.  But the last bit contributes at a level 144dB down from max
 output, and the noise level of the SB (or any component you might hook
 it to) is far higher than that.  End of story.
 
Well no it's not.  The noise won't be truly random unless you dither,
and the audibility of noise depends on its character as well as it's
amplitude.


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Re: [SlimDevices: Audiophiles] naim volume control with squeezebox controller

2008-04-07 Thread Patrick Dixon

opaqueice;288559 Wrote: 
 First, please provide evidence that -anything- at -144dB is audible at
 anywhere near ordinary listening volumes.
 
Hmm, I think the onus is on you to prove that it's not.

I could hear the SB3 firmware rounding blind, as could others here.


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Re: [SlimDevices: Audiophiles] Transporter of SB3

2008-04-07 Thread Patrick Dixon

opaqueice;288563 Wrote: 
 Nearly every time SD changed the firmware lots of people heard the
 difference.  Quite remarkable, considering most of the revisions didn't
 affect the audio chain. That was after that particular revision, which sowed 
 the seed in
people's minds that fw changes might affect audio performance.  FWIW, I
can't hear any difference between fw revisions other than that
particular one, despite careful comparative listening.
opaqueice;288563 Wrote: 
 
 As the manufacturer and marketer of a SB modification you would say so,
 wouldn't you?Actually as a highly skilled and trained engineer, very familiar 
 with
the technologies and techniques involved, I would say so.  OTOH, you as
a professional skeptic would trot out the same FUD nonsense wouldn't
you?


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Re: [SlimDevices: Audiophiles] Transporter of SB3

2008-04-07 Thread Patrick Dixon

darrenyeats;288532 Wrote: 
 
 However, some DAC manufacturers e.g. Benchmark have published
 measurements which show that output distortion doesn't increase with
 increased input jitter (up to a silly maximum of input jitter). To me
 this is strong evidence of isolation from the S/PDIF-borne clock. In
 other words, immunity from input jitter in real world situations.
 
That's assuming that their measurements and measurement techniques are
-really - applicable to 'real world situations'.  However, since I (and
others) can hear the difference between bit-identical transports through
their DAC, I don't believe they are.

YMMV.


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Re: [SlimDevices: Audiophiles] naim volume control with squeezebox controller

2008-04-07 Thread Patrick Dixon

I was assuming that you meant audible in the context of listening to
music, since that would seem to be the relevant thing.

You should read less and do more - you might learn something!


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Re: [SlimDevices: Audiophiles] naim volume control with squeezebox controller

2008-04-07 Thread Patrick Dixon

opaqueice;288618 Wrote: 
 That is what I meant.  Adding a loud sound on top of the -144dB
 component makes it much, much harder to hear (which is obvious - and
 yes, that's been studied).  I was just being as generous as possible to
 your totally absurd claim.
 
 What was that?  Oh, sorry, nothing, I thought you said something - it
 must have been an air molecule hitting my left eardrum.  Nitrogen, I
 think, from the sound.
 
 So, when are you going to apply for that $1,000,000?

TBH, I've given up listening to tones.  I find it boring and
unfulfilling emotionally.  I've decided that I prefer real music. 
YMMV.

(I haven't followed the Randi thing very closely, but FWIU, someone
wanted to take up his challenge, but it was specifically aimed at one
particular manufacturer and one particular set of cables, and the rules
were very tightly drawn to that purpose.  Mr Randi is not about to give
up his $1M in the interests of science, he is really just interested in
the publicity.)


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Re: [SlimDevices: Audiophiles] naim volume control with squeezebox controller

2008-04-07 Thread Patrick Dixon

opaqueice;288612 Wrote: 
 
 A sound 144dB above 2E-5 pascal is well above the limit of short-term
 hearing damage, and according to wiki is louder than a rifle being
 fired 1m from your ear:
 
 http://en.wikipedia.org/wiki/Sound_pressure_level#Examples_of_sound_pressure_and_sound_pressure_levels
 
 No home stereo I know of is capable of playing a sound that loud. 
 Therefore signal components at -144dB will never be audible from 1m
 away from a speaker even at max volume, and I doubt they are audible
 even with your ear over the tweeter.
 Don't forget that 1 LSB in 24 bits is 144dB down from the -maximum-
level.  Most well recorded music isn't at anything like this level.

Which particular rifle are we talking about btw?


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Re: [SlimDevices: Audiophiles] Dead Transporter

2008-02-18 Thread Patrick Dixon

The Xilinix FPGA chip lost its programme.


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Re: [SlimDevices: Audiophiles] ModWright Transporter experience: truth vs. beauty?

2008-02-17 Thread Patrick Dixon

CardinalFang;270295 Wrote: 
 when I'm only hearing a fraction of what's on the CD.
I'd rather hear a fraction, than a fraction of a fraction.


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Re: [SlimDevices: Audiophiles] ModWright Transporter experience: truth vs. beauty?

2008-02-17 Thread Patrick Dixon

It's a good point.  I guess it indicates that 48KHz, 96KHz and up audio
is more about how good or bad the pre-ADC filters in the recording
process are, rather than anything in the replay chain.  After all, if
we can't even hear 17KHz, there's not much point in worrying about
reproducing 24KHz - we just need to stop it from aliasing with the
'audible' range lower down.


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Re: [SlimDevices: Audiophiles] PS Audio Digital Link III VS Benchmark DAC1

2008-02-16 Thread Patrick Dixon

ChiefVoodooMan;269936 Wrote: 
 Oh my dear friends where is the science (let alone the romance of the
 music) in any of this. I would be willing to bet the farm that given a
 chance to a/b/c test the SB3 with No DAC = A, SB3 with DACx = B,
 SB3 with DACy = C that no  person in a test group of normal human
 subjects ( not Hallucinating Crypto-Schizophrenic self proclaimed
 golden ear audiophiles) would ever to be able make a statistically
 significant choice between the 3 options.
 
How big is your farm, and how easily can it be translated into cash?


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Re: [SlimDevices: Audiophiles] PS Audio Digital Link III VS Benchmark DAC1

2008-02-16 Thread Patrick Dixon

I think you should put-up or shut-up.  Tell us more about this farm ...


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Re: [SlimDevices: Audiophiles] ModWright Transporter experience: truth vs. beauty?

2008-02-09 Thread Patrick Dixon

I can't see that Logitech would mind much about the Modwright TP.  They
get to sell a TP anyway, so from a business PTV, they make the same
profit.

I suppose Sean might mind that someone thinks they can improve on his
design, but I reckon he's pretty pragmatic about these things.


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Re: [SlimDevices: Audiophiles] Differences in sound quality between SB3/Duet when using seperate DAC

2008-02-06 Thread Patrick Dixon

opaqueice;266236 Wrote: 
 
 Again, let me stress that I doubt very much these issues are important
 or audible, particularly into a decent DAC, but they are possible.
You seem to have moved to a world full of possibilities ;-)


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Re: [SlimDevices: Audiophiles] Differences in sound quality between SB3/Duet when using seperate DAC

2008-02-06 Thread Patrick Dixon

opaqueice;266406 Wrote: 
 I don't think making absolute statements is very productive - they
 either come across as polemical or simply confuse people.  Well indeed, I 
 agree.

opaqueice;266406 Wrote: 
 In my opinion what should be said is something like this: the
 differences in jitter are at most X, and since Y is the threshold for
 human perception, we do or do not have to worry about it.
 Yes, but the world is rarely black  white, especially where humans are
involved.  It's the kind of thing we get over here all the time, say
when the government tells us that this or that food type contains X
amount of whatever substance, and Y amount is the threshold for what we
need or can tolerate ... then a few years later it turns out that the
scientists were wrong and Y isn't the correct amount after all.


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Re: [SlimDevices: Audiophiles] Transporter Volume questions

2008-02-05 Thread Patrick Dixon

Tim-Ann;265837 Wrote: 
 
 I’ve also noticed that the volume control on the Transporter is not
 seamless it seems to go louder after every 5 or 6 clicks of the volume
 button on the remote is this normal?
 I think this is a bug with the QNAP - search the 3rd party hardware
forum for a user supplied fix.


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[SlimDevices: Audiophiles] Turn Me Up!

2008-02-04 Thread Patrick Dixon

http://turnmeup.org/index.shtml

Sign up and show your support.


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Re: [SlimDevices: Audiophiles] External DAC - what are the specific advantages?

2008-02-01 Thread Patrick Dixon

bopyanker;264841 Wrote: 
 Thanks for the warning. I thought I better check before doing so.
 I guess the DAC1 is my least expensive upgrade.

The least expensive option is usually the one that gets you to where
you need to be, to not need to spend any more money to enjoy you music.
This is not always the cheapest thing that you can buy in one go ...


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Re: [SlimDevices: Audiophiles] Linn Klimax DS - Network Music Player

2008-01-31 Thread Patrick Dixon

I've got an LP12 that I bought new.  Over the years its had an upgraded
bearing, inner platter, subchassis, springs, motor, PSU, armboard,
baseboard, and two new hinges 'cos the other ones broke.

So the only original things left are the plinth, outer platter, top
plate and the lid ... and there are improved plinths and top plates
available that I never bothered with.

It's good that Linn keep developing things, but IMO the upgrades thing
is really just a marketing exercise.


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Re: [SlimDevices: Audiophiles] More specifications and photos of your audiofool setup please!

2008-01-21 Thread Patrick Dixon

Here's my version which we showed at the Heathrow Hi-Fi show in 2006 -
total cost less than £3K excluding the rack (Isoblue) and the Power
Conditioner (James).

It's our SB+ and SB Amp with Neat Motive 1s.  Cables are Mogami 2972
for speakers, and Mogami 2549/Eichmann bullet plugs for the I/C.

I also have a pair of Oak Motive 1s and a Silver Transporter for sale
should you be interested ...


+---+
|Filename: SB+ System.JPG   |
|Download: http://forums.slimdevices.com/attachment.php?attachmentid=4145|
+---+

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Re: [SlimDevices: Audiophiles] SB3 mediocre sound quality

2008-01-18 Thread Patrick Dixon

opaqueice;260163 Wrote: 
 What's the break-in time for the human ears/brain when it's introduced
 to a new device?  Is there a manufacturer recommendation?

IME the ears/brain do need time to adjust to a new sound.  I think
that's one of the problems in evaluating things after a short demo (I
don't mean just spotting a difference here, but rather expressing a
preference).  On a short listen, people often seem to pick the thing
that sounds louder and/or more exciting, but after a longer listen, the
same thing can become rather tiring.

I'm not a huge believer in long burn-ins, but I have noticed that
(linear) PSUs can take a while to settle down.  Electrolytic capacitors
may be responsible - I'm not sure what effect an ageing mains
transformer might have.

One audio manufacturer I know, contends that burn-in is entirely down
to the human getting used to the new equipment.


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Re: [SlimDevices: Audiophiles] Doh! Now we need 24-bit/176.4kHz on the Transporter!

2008-01-07 Thread Patrick Dixon

opaqueice;255188 Wrote: 
 The White Stripes: ElephantWhite Stripes/Elephant is generally regarded as a 
 well produced album. 
IIRC it was produced using analogue recording and mastering equipment
and much song and dance was made about that on its release (in the UK
at least).  It sounds pretty good on my system - quite live because
there's less overdubbing I guess, and definitely not over analytical.


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Re: [SlimDevices: Audiophiles] Doh! Now we need 24-bit/176.4kHz on the Transporter!

2008-01-07 Thread Patrick Dixon

opaqueice;255584 Wrote: 
 Interesting.  It's one of the few albums I have in 128 MP3, so I'll buy
 the CD and see if that helps.
 
 Do you listen to any noisy rock - say heavy metal or grunge?

I think the CD's worth having.

Some - although I tend to prefer the gentler tracks!  I've liked
Elephant more as my system has got better - 'noisy rock' can easily
switch between too quite to be interesting and too loud to be bearable
for me!


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Re: [SlimDevices: Audiophiles] Anyone around Manchester/Stockport with a good low-noise power supply?

2007-12-10 Thread Patrick Dixon

opaqueice;247236 Wrote: 
 
 They are not discrete.
A pure tone is a discrete frequency - you say tone, I say discrete
frequency.

opaqueice;247236 Wrote: 
 
 The measurement technique is not the same, that's true.
 And if the measurement techniques are not the same, then the results are
not directly comparable.  Basic measurement science.

opaqueice;247236 Wrote: 
 
 Sure, if you (or your equipment) is in error or if one measurement 
 technique reveals something that the other
doesn't for example.

opaqueice;247236 Wrote: 
 That would be a good question if the premise were correct, which of
 course it isn't.Interpretation: it all sounds the same.

opaqueice;247236 Wrote: 
 As you ought to know very well, sounding different to you or me doesn't
 mean that the audio signal was in any way different.Interpretation: you're 
 all kidding yourselves.


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Re: [SlimDevices: Audiophiles] A photo of your Squeezebox setup (please)

2007-12-05 Thread Patrick Dixon


A poll associated with this post was created, to vote and see the
results, please visit http://forums.slimdevices.com/showthread.php?t=19817

Question: Should there be a new forum for photos?

- yes
- no
- maybe


morris_minor;247090 Wrote: 
 Nice! But you forgot to mention the Morphy Richards SureFlow-Steam room
 conditioner . . .

It's for ironing out the wrinkles in the SB+ frequency response ;-)


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Re: [SlimDevices: Audiophiles] Anyone around Manchester/Stockport with a good low-noise power supply?

2007-12-05 Thread Patrick Dixon

For the record

I understand Fourier quite well: I've been designing digital filters
for many years.  The ultimate customers of products I've designed
include all the major broadcasting companies in the world.

I said that music is made up of many discrete frequencies which occur
at the same time, which is perfectly consistent with Fourier.

Most audio equipment is measured by applying a frequency sweep to the
input, and the plotting the output response.  This is not quite the
same as a typical RC measuring technique, which often involves feeding
the -system- with an impulse and measuring the response, and then using
a fourier transform to derive the frequency response.

The reason it's not quite the same, is that with one technique, you are
applying a discrete frequency at any instant in time, whereas with the
other, you apply a range of frequencies simultaneously.  Because the
measurement techniques are different, it's perfectly possible to come
up with different results for seemingly the same parameter.  This is a
common feature of measurement: the technique influences the result, and
unless you are careful to use a measurement technique that properly
represents how the equipment is intended to be used, the measurement is
probably meaningless.

For those of you reading that have not come across Mr Opaqueice
(whoever he may be), he is my SD forum Stalker.  He has no serious
interest in helping anyone here or contributing in a positive sense -
he is here solely to save you from enjoying your music -because to him
it all sounds the same-.

I do make the SB+; I don't make the Transporter; both of which I
recommended the OP check out - before spending lots of money on fancy
PSUs or DACs (which incidentally Mr Opaqueice doesn't think make any
difference anyway).  The OP should also know, that Mr Opaqueice would
think him completely delusional in his experience of difference mains
leads and blocks!

I'll conclude with a question to those who are really interested in
music reproduction.  How is it, that two pieces of equipment that both
measure flat (as near as damnit), reproduce an musical impulse (say a
drum sound) quite differently?  Fourier says that an impulse contains a
whole spectrum of frequencies, so if the frequency responses are really
the same, then the drum should sound the same too ... but it doesn't.


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Re: [SlimDevices: Audiophiles] Anyone around Manchester/Stockport with a good low-noise power supply?

2007-12-04 Thread Patrick Dixon

Phil Leigh;246777 Wrote: 
 The SB certainly goes down as deep as any CD player as far as bass
 extension goes.
I definitely don't agree with this.  However flat the SB3 measures, it
sounds bass light on real music to me.


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Re: [SlimDevices: Audiophiles] Anyone around Manchester/Stockport with a good low-noise power supply?

2007-12-04 Thread Patrick Dixon

I think you should consider the Transporter or SB+ rather than spending
fairly large sums on external DACs and PSUs.  IMV, you are quite likely
to end up spending a grand, without actually achieving what's possible
for that amount of money.

I've heard the SB+ against a fairly inexpensive Creek CDP, and IMO, the
SB+ was much better.


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Re: [SlimDevices: Audiophiles] Anyone around Manchester/Stockport with a good low-noise power supply?

2007-12-04 Thread Patrick Dixon

darrenyeats;246867 Wrote: 
 The biggest factors in bass response are the speaker response and
 room-modes. It doesn't make sense to try to correct these by using a
 source with a different bass response. What we want is sources which
 are accurate, including a flat FR, and then we can deal with the
 problems of each speaker and room on a case-by-case basis (change
 speaker, move rooms, improve room treatment and finally EQ). Otherwise
 you end up with a source tailored to one speaker / room and that is a
 small market.
 Sure - but that's not my point.  Music is a combination of many
frequencies all occurring at the same time, whereas a frequency sweep
just does one frequency at a time.  Hence you can have equipment that
measures flat with a frequency sweep, but actually isn't with real
music.  This seems to be more obvious at the bass end, where the power
supply simply runs out of steam, and the effect is not unlike putting a
bigger/smaller power amplifier in the system.


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Re: [SlimDevices: Audiophiles] Anyone around Manchester/Stockport with a good low-noise power supply?

2007-12-04 Thread Patrick Dixon

opaqueice;246876 Wrote: 
 
 In fact, as most of us learned in high school, any sound can be
 decomposed into a sum of pure tones, which add *linearly*, period, end
 of story. Hmm, I think that's what I said ...

opaqueice;246876 Wrote: 
 If the frequency response of an amp and speakers is flat, so is the
 response to music.
But measuring equipment using single frequencies, doesn't actually
measure the frequency response as it applies to music.  A (bandlimited
if you like) impulse response would be more appropriate.

opaqueice;246876 Wrote: 
 But when you go around spreading false information in order to hawk your
 products, that kind of gets under my skin.
 I think you need to stop misrepresenting what other people say.


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Re: [SlimDevices: Audiophiles] Will Linn high resolution recordings play on an SB3?

2007-11-23 Thread Patrick Dixon

Mr_Sukebe;244729 Wrote: 
 Doesn't downsampling them reduce absolute audio quality and kind of
 defeat the point of them?

One reason for recording at 96 or 88.2KHz is to make the anti-alias
filters on the ADCs easier.  You can design filters with a slower
roll-off without risking aliasing of the sampled information. 
Subsequently downsampling to 48 or 44.1KHz using a well designed
digital filter, won't then loose any information or reduce audio
quality.  The question is how much relevant audio information is really
there - above 20KHz?


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