Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-08-05 Thread banned for life

jh901 wrote: 
 What does this mean?

Digital source is inherently accurate means that the source file will
(in the SB environment,) be delivered exactly. 

Arguments can be made about the various codecs used to convert one
format to another but natively supported formats are presented to the
player without error.

bfl



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-08-05 Thread banned for life

Daverz wrote: 
 I do pay attention to things like measurements, but ultimately long-term
 listening enjoyment is all that matters (within my budget).

Great attitude. Let's not forget ease of use. Having all your music
available wherever you are is a modern marvel that is not a free option
in the fruit universe.

bfl



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-30 Thread Daverz

TheLastMan wrote: 
 
 Is high fidelity important to you when listening to music?  
 Or do you simply want equipment that makes the music more enjoyable to
 listen to?
 

I do pay attention to things like measurements, but ultimately long-term
listening enjoyment is all that matters (within my budget).



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-30 Thread jh901

banned for life wrote: 
 
 For the rest, a digital source is inherently accurate
 

What does this mean?



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-30 Thread Archimago

lachy.au wrote: 
 Long time reader, first time poster.
 
 I'm a sound engineer from Australia, living and working in Hong Kong. 
 
 Recently I've been working with a lot of hifi companies regarding a
 loudspeaker tuning system and have learnt a lot about audiophiles and
 the crazy gear available for their systems.
 
 ...
 Another point, pro studios don't use 100% silver cables, DACs vary in
 quality, sound is recorded at 44.1 or maybe 48 (most of the time).  So
 audiophiles hear more than the engineers who recorded and mixed the
 tracks? I know about upsampling but really the quality of audio we
 listen to can only be as food as it was recorded. 
 
 ...

Welcome to the forum!  Glad to have someone in the industry commenting.
I think you make an excellent point about how many recordings are still
done in 44/48kHz...



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-27 Thread banned for life

TheLastMan wrote: 
 
 My take on this is:
 1. Hi-fi from different brands usually sounds different in all sorts of
 ways from other brands - but as the gear gets more expensive / more
 accurate the differences become smaller.
 
 2. True high fidelity, as the name suggests, reproduces music warts
 and all and should sound fantastic with a great recording and appalling
 with a bad one.  Good hi-fi can only be tested for its fidelity if it is
 played at realistic levels (i.e. loud), in a reasonably large room that
 is acoustically well damped.  It should be full spectrum - reproducing
 both the highest and lowest notes we can perceive without undue emphasis
 in one area of the frequency spectrum.
 
 3. Hi-fi can only really be tested objectively when reproducing acoustic
 music and compared with *real instruments*.  An acoustic folk band or
 string quartet is bloody loud if you are standing within 10 feet of it -
 which is where the microphones used for the recording will have been
 placed.  If the hi-fi passes that test with a high score then it will
 also reproduce electric / synthetic music in the way that the composer
 intended too. You cannot tell what the composer intended with
 synthetic music knocked up on an Apple Mac, so it is impossible to
 objectively test using it.
 
 So in order to get objectively high fidelity reproduction you will
 need a very good source, very powerful and accurate amplification and
 large (for the bass) and un-coloured loudspeakers.  Get those factors
 right and you are halfway there, but to get even that far you will need
 a LOT of money.  Oh, and you will also need a house with a listening
 room large enough!  The room is usually the most expensive part of any
 hi-fi.
 
 

1. Expensive is not always more accurate. Band equipment is often as
good as high-priced components, especially when it comes to amps and
pre-amps.
2. You describe flat and accurate response. Again price is not a factor.
More important are speaker response and room dynamics.
3. This is an argument for accurate dynamic response. Acoustic music
just does not fit here. It's the mix. Also large (for the bass) is
inaccurate if you refer to driver size. Speakers with small drivers can
produce superior bass. This is a balancing act with driver properties,
cabinet design, and porting.

For the rest, a digital source is inherently accurate, powerful
amplification is better whether or not it is accurate, and even
un-coloured loudspeakers are entirely dependent on their environment.

bfl



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-27 Thread banned for life

aubuti wrote: 
 I don't think anyone has made that hyperbolic conclusion except you.  I
 think any of us would agree that some components or systems sound better
 than others, and that some have a sound that we prefer even if one
 doesn't claim it is better.  The conclusion from the first link in the
 OP and much of the subsequent comments is that some reported differences
 are based not at all on the actual sound, but on other information, such
 as the brand, model, or price tag of the components in question.  This
 is not breaking news, but it still astounds me how many people will not
 consider that these non-auditory factors may play a role in their
 auditory perceptions.

+1

bfl



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-27 Thread lachy.au

Long time reader, first time poster.

I'm a sound engineer from Australia, living and working in Hong Kong. 

Recently I've been working with a lot of hifi companies regarding a
loudspeaker tuning system and have learnt a lot about audiophiles and
the crazy gear available for their systems.

Fair enough, some of these components and cables do make a difference to
the reproduced sound. But, sound is subjective! Who can determine if the
sound is better? There are too many factors that can affect sound
reproduction. 

Another point, pro studios don't use 100% silver cables, DACs vary in
quality, sound is recorded at 44.1 or maybe 48 (most of the time).  So
audiophiles hear more than the engineers who recorded and mixed the
tracks? I know about upsampling but really the quality of audio we
listen to can only be as food as it was recorded. 

I'm not having a go at audiophiles either. It is a hobby, and a great
one! If I had more money I too would like to buy and try different
pieces of gear as I simply love music and listening to great systems. 
There's no point arguing about DACs, speakers,cables or whatever - you
don't hear what I hear - sound is subjective.

Sent from my HTC Sensation XE with Beats Audio Z715e using Tapatalk 2



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-24 Thread jh901

You serious Clark?

The conclusion you guys are making seems to be that all gear sounds the
same.  You really believe that?

Let's take DACs, for example.  I'm assuming that by DAC that we are
referring to the conversion to analog (chips and related design), power
supply, analog stage design, master clock design, etc.  If they all
sound the same, then I guess jitter is a myth.  I'd also have to
conclude that you believe that power supply designs have little or no
bearing on sound quality.  Additionally, the design of the analog output
stage must be meaningless too.  Oh, and all chips and the related
implementation...pffftdoesn't matter.  It's all the same.

Why is that people without an investment in hi-end gear seem to always
know so much!?  I mean, if you've never upgraded over the course of
years and actually heard MAJOR improvements in the areas of dynamic
range, soundstage size (width/depth/height), resolution (particularly
intimate detail), transient speed, etc, then how do you know so much and
why are you so desperate to prove that anyone willing and able to
spend more than yourselves is simply a vain fool.

I wonder, isn't there a better way to show off than having an expensive
pre-amp or a wristwatch?  Geez, it couldn't simply be that hi-end gear
actually is pretty amazing when all the pieces are in place (speaker
position, acoustic treatment, great gear well matched, etc)?  Nah,
couldn't possibly be.



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-24 Thread TheLastMan

jh901 wrote: 
 
 The conclusion you guys are making seems to be that all gear sounds the
 same.  You really believe that?
 
I don't think anybody is suggesting that. The main point is that hi-fi
does not always sound good or nice, and that good/nice audio is not
always hi-fi. The price of the gear has little to do with how enjoyable
or exciting it is to listen to, but it has a lot to do with how high
fidelity it is.

My take on this is:
1. Hi-fi from different brands usually sounds different in all sorts of
ways from other brands - but as the gear gets more expensive / more
accurate the differences become smaller.

2. True high fidelity, as the name suggests, reproduces music warts
and all and should sound fantastic with a great recording and appalling
with a bad one.  Good hi-fi can only be tested for its fidelity if it is
played at realistic levels (i.e. loud), in a reasonably large room that
is acoustically well damped.  It should be full spectrum - reproducing
both the highest and lowest notes we can perceive without undue emphasis
in one area of the frequency spectrum.

3. Hi-fi can only really be tested objectively when reproducing acoustic
music and compared with *real instruments*.  An acoustic folk band or
string quartet is bloody loud if you are standing within 10 feet of it -
which is where the microphones used for the recording will have been
placed.  If the hi-fi passes that test with a high score then it will
also reproduce electric / synthetic music in the way that the composer
intended too. You cannot tell what the composer intended with
synthetic music knocked up on an Apple Mac, so it is impossible to
objectively test using it.

So in order to get objectively high fidelity reproduction you will
need a very good source, very powerful and accurate amplification and
large (for the bass) and un-coloured loudspeakers.  Get those factors
right and you are halfway there, but to get even that far you will need
a LOT of money.  Oh, and you will also need a house with a listening
room large enough!  The room is usually the most expensive part of any
hi-fi.

Now, can you get an acceptably pleasant and enjoyable sound from a
cheaper / smaller system?  Of course!  And it may also make a reasonable
stab at tonal, timbral and rhythmic accuracy. But it is unlikely to
reproduce music with enough scale to be truly high fidelity.

I suspect that there is now a lot less difference between expensive and
cheaper musical sources than when LP was the main medium.  A recent
blind test of several DACs in a UK magazine (Hi-fi Choice) highlighted
how the sound of each DAC was not well correlated to its price, and how
one stood out head and shoulders above the others, despite being
inexpensive (it was the Rega DAC if you must know).

The same magazine also blind tested the Touch against a number of
expensive streamers costing around £1,000 and (even with its internal
DAC) the Touch easily matched them sonically - so it came out on top in
value for money terms by a mile.



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-24 Thread aubuti

jh901 wrote: 
 The conclusion you guys are making seems to be that all gear sounds the
 same.  You really believe that?
I don't think anyone has made that hyperbolic conclusion except you.  I
think any of us would agree that some components or systems sound better
than others, and that some have a sound that we prefer even if one
doesn't claim it is better.  The conclusion from the first link in the
OP and much of the subsequent comments is that some reported differences
are based not at all on the actual sound, but on other information, such
as the brand, model, or price tag of the components in question.  This
is not breaking news, but it still astounds me how many people will not
consider that these non-auditory factors may play a role in their
auditory perceptions.



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-23 Thread banned for life

JJZolx wrote: 
 They wouldn't sell their Rolexes when they discover that a Timex works
 just as well. Most high end audio gear is electronic jewelry. Especially
 for a certain age-group.
 
 I'd be willing to bet that at least a few of the testers now question
 the value of their gear. It often takes a slap in the face like that to
 wake someone up.

Rolex are expensive mechanical watches. They require expensive
maintenance that often cost thousands of dollars.

I have a vastly superior time piece from Seiko that only requires a new
battery and a careful setting.

bfl



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-18 Thread RonM

Archimago wrote: 
 For me, I have a DAC/headphone amp because the MacBook Pro's audio out
 is inadequate to drive my HD800. Also, the Mac's audio output is audibly
 more noisy thus not good enough of a match with the Sennheiser when I
 listen thru the computer.
 
 I have a TP because I can afford it and it looks cool :-). Sure, I do
 believe the TP's output is measurably better than the $200 job with the
 oscilloscope, but I haven't reliably been able to hear it...

That was, of course, my point -- I'm not sure that very many people
could actually hear the difference between the TP or Touch internal DAC
and an external of pretty much any quality.  This might possibly also be
true for the Receiver.

R.



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-17 Thread michael123

TheOctavist wrote: 
 http://www.matrixhifi.com/ENG_contenedor_ppec.htm
 
 
 http://www.head-fi.org/t/486598/testing-audiophile-claims-and-myths/1410


Can you tell the difference between $2 and $50 shampoo in a DBT?

Oh, yes :)
I recommend Paul Mitchell



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-16 Thread ralphpnj

SBGK wrote: 
 I would be more persuaded by this torchured logic if the main proponents
 immediately saw the error of their ways and sold off their multi
 thousand $ dacs etc 

Perhaps they don't sell off their expensive equipment because in so
doing they would have nothing to gain and plenty to lose. For example,
the average price for used audio equipment (that does not have a
MacIntosh nameplate) is somewhere between 40% to 70% of the original
retail price. 40% would be for much older or less well reviewed
equipment and 70% would be for newer or very well reviewed equipment.
Add to this less than optimal return on investment the cost of replacing
the sold equipment with less expensive new (or used) equipment, which is
hopefully the sonic equal of the old equipment, and selling the
equipment makes little financial sense. Sure one could turn a profit by
replacing some very expensive equipment since the selling price of the
used equipment might be much higher than the retail price of the
replacement equipment but add in the hassle of that buying and selling
and what's the point.

I find that I am now much less of kool-aid drinking audiophile but that
in no way invalidates how nice my system sounds, a system which includes
some very expensive cables and wires which I now know really aren't
worth the money. But replacing these cables isn't going to make my
system sound better so again, why bother?

As for amps, DACs, speakers, etc. I don't know what the correct answer
would be since it would be more a matter of just how much money can be
gained by swapping out the equipment and whether the extra money is
worth the hassle. However my attitude going forward has always been to
keep the more expensive stuff but to look for less expensive, more bang
for the buck equipment whenever I need to buy some new equipment.



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-15 Thread JJZolx

SBGK wrote: 
 I would be more persuaded by this torchured logic if the main proponents
 immediately saw the error of their ways and sold off their multi
 thousand $ dacs etc

They wouldn't sell their Rolexes when they discover that a Timex works
just as well. Most high end audio gear is electronic jewelry. Especially
for a certain age-group.

I'd be willing to bet that at least a few of the testers now question
the value of their gear. It often takes a slap in the face like that to
wake someone up.



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-14 Thread Archimago

SBGK wrote: 
 I would be more persuaded by this torchured logic if the main proponents
 immediately saw the error of their ways and sold off their multi
 thousand $ dacs etc 
 
 xx

Personally I know of 3 audiophile friends give up on expensive cables
and convert everything over to excellent Mogami or Belden cables over
the last couple years (we're talking Nordost and Synergistics) after
doing tests for themselves. 

As for DAC's, I've done A-B shootouts between China-made $200 DAC's with
those costing thousands with friends (easy to do) and have never heard a
significant difference. Each time, the folks owing the expensive stuff
saying something to the effect of I could live with that!

I believe the majority of audiophiles are economically well-to-do folks
willing to spend thousands of $$$'s on the hobby. IMO most of it is just
pride of ownership rather than the idea that many of us have ever
conducted controlled trials of the stuff. Naturally, it does seem odd to
own $20+K speakers and then show your buddy the $200 DAC. It seems
unintuitive just like how sampling theory may seem unintuitive as well
(in reference to another thread). However, that is exactly what my
experience has been...  As I type this, I'm totally happy driving my
Sennheiser HD800 with the above $200 DAC/headphone amp combo and know
based on experience that I'm not missing anything of significance.



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-14 Thread RonM

Archimago wrote: 
 Personally I know of 3 audiophile friends give up on expensive cables
 and convert everything over to excellent Mogami or Belden cables over
 the last couple years (we're talking Nordost and Synergistics) after
 doing tests for themselves. 
 
 As for DAC's, I've done A-B shootouts between China-made $200 DAC's with
 those costing thousands with friends (easy to do) and have never heard a
 significant difference. Each time, the folks owing the expensive stuff
 saying something to the effect of I could live with that!
 
 I believe the majority of audiophiles are economically well-to-do folks
 willing to spend thousands of $$$'s on the hobby (nothing wrong with
 that IMO). However, IMO most of it is just pride of ownership rather
 than the idea that many of us have ever conducted controlled trials of
 the stuff. Naturally, it does seem odd to own $20+K speakers and then
 show your buddy the $200 DAC. It seems unintuitive just like how
 sampling theory may seem unintuitive as well (in reference to another
 thread). However, that is exactly what my experience has been...  As I
 type this, I'm totally happy driving my Sennheiser HD800 with the above
 $200 DAC/headphone amp combo and know based on experience that I'm not
 missing anything of significance.

So the question is why you or anyone else needs anything other than the
SB device DAC (aside from the headphone amp).  I suspect the Touch, and
certainly the TP, is superior to the $200 China-made DAC.

R.



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-14 Thread Archimago

RonM wrote: 
 So the question is why you or anyone else needs anything other than the
 SB device DAC (aside from the headphone amp).  I suspect the Touch, and
 certainly the TP, is superior to the $200 China-made DAC.
 
 R.

For me, I have a DAC/headphone amp because the MacBook Pro's audio out
is inadequate to drive my HD800. Also, the Mac's audio output is audibly
more noisy thus not good enough of a match with the Sennheiser when I
listen thru the computer.

I have a TP because I can afford it and it looks cool :-). Sure, I do
believe the TP's output is measurably better than the $200 job with the
oscilloscope, but I haven't reliably been able to hear it...



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-10 Thread SuperQ

SBGK wrote: 
 I have never used blind testing because I believe humans are best suited
 to A/B testing

Only someone with something to lose (money, pride, whatever) would have
an opinion like that.



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-09 Thread SBGK

TheOctavist wrote: 
 http://www.matrixhifi.com/ENG_contenedor_ppec.htm
 
 
 http://www.head-fi.org/t/486598/testing-audiophile-claims-and-myths/1410

I would be more persuaded by this torchured logic if the main proponents
immediately saw the error of their ways and sold off their multi
thousand $ dacs etc 

I have never used blind testing because I believe humans are best suited
to A/B testing, works for me, had my amp 12 years, speakers from 1985
etc

xx



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Re: [SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-09 Thread aubuti

SBGK wrote: 
 I have never used blind testing because I believe humans are best suited
 to A/B testing
How's that? Given that blind testing is typically A/B done by humans



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[SlimDevices: Audiophiles] Another Nail in the Golden Eared Audiophile Coffin..

2012-07-08 Thread TheOctavist

http://www.matrixhifi.com/ENG_contenedor_ppec.htm


http://www.head-fi.org/t/486598/testing-audiophile-claims-and-myths/1410



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