[SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2006-01-02 Thread Robin Bowes
Andrew L.Weekes said the following on 02/01/2006 00:16:
Interesting. What is the equations that describe this?
If it is too long to post, got an URL?
 
 
 SNR (DBC)=#8211;20 LOG10(2#960;.FIN.TJITTER), WHERE FIN IS THE
 ANALOG-INPUT FREQUENCY, TJITTER IS THE TOTAL SYSTEM JITTER IN SECONDS.
 
 Immediately it should be clear that the fIN factor gives result
 dependant upon the sampled frequency, using the figures mentioned,
 20,000ps gives, assuming no other system errors, 98dB dynamic range
 (non-dithered CD spec) at 20Hz, but only 51dB at 20kHz.
 
 100pS would meet the 20kHz non-dithered spec, but what about dithered
 input signals?
 
 Factor in a 15dB additional dynamic range from a properly dithered
 input signal, or a 24bit system (or worse still, a wide-bandwidth
 system) and you can see things rapidly becoming much harder.
 
 It's one reason why the newer, hi-res formats fail to live up to my
 expectations, they make the engineering, which is already bloody
 difficult, MUCH harder.
 
 It really isn't as easy as many so called 'experts' make out, jitter
 isn't that easy to measure (to the man in the street) and even when one
 can, it's not as simple as a headline figure.
 
 The recent volume rounding error problem of the Squeezebox gave rise to
 an error at the 16bit of the audio data - so many experts would tell you
 this is inaudible, yet people here (without knowledge of any change)
 found it wasn't.
 
 The human ear / brain interface is a really astonishingly complex
 thing, that can at one and the same time be both amazingly sensitive,
 yet easily fooled. What it isn't is measurable, in any quantitative
 manner. No-one, anywhere, with any experiment or test, can 'prove' the
 absolute audibility or inaudibility of anything when it comes to music.
 Realising that is crucial to avoiding the often prolonged debates that
 happen around these subject areas. Whilst the maths above, for example,
 explains a mechanism for audibility, it tells you nothing at all about
 an individual's ability to hear the effects, there are few absolutes of
 'audiblity'.

Amen.

Andy has articulated my thoughts on this matter much more clearly than I
could ever be bothered to write down!

R.

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[SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2006-01-01 Thread Triode

FlyFishAndGolf Wrote: 
 The studies published by the Audio Engineering Society demonstrated that
 jitter isn't audible until around 20,000 ps.  I am also of the opinion
 that the entire jitter problem was overhyped by marketers.
Figure 9 of http://www.nanophon.com/audio/jitter92.pdf (also an AES
paper) suggests audibility of jitter goes much lower than 20ns...


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[SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2006-01-01 Thread Andrew L . Weekes

 Interesting. What is the equations that describe this?
 If it is too long to post, got an URL?

SNR (DBC)=#8211;20 LOG10(2#960;.FIN.TJITTER), WHERE FIN IS THE
ANALOG-INPUT FREQUENCY, TJITTER IS THE TOTAL SYSTEM JITTER IN SECONDS.

Immediately it should be clear that the fIN factor gives result
dependant upon the sampled frequency, using the figures mentioned,
20,000ps gives, assuming no other system errors, 98dB dynamic range
(non-dithered CD spec) at 20Hz, but only 51dB at 20kHz.

100pS would meet the 20kHz non-dithered spec, but what about dithered
input signals?

Factor in a 15dB additional dynamic range from a properly dithered
input signal, or a 24bit system (or worse still, a wide-bandwidth
system) and you can see things rapidly becoming much harder.

It's one reason why the newer, hi-res formats fail to live up to my
expectations, they make the engineering, which is already bloody
difficult, MUCH harder.

It really isn't as easy as many so called 'experts' make out, jitter
isn't that easy to measure (to the man in the street) and even when one
can, it's not as simple as a headline figure.

The recent volume rounding error problem of the Squeezebox gave rise to
an error at the 16bit of the audio data - so many experts would tell you
this is inaudible, yet people here (without knowledge of any change)
found it wasn't.

The human ear / brain interface is a really astonishingly complex
thing, that can at one and the same time be both amazingly sensitive,
yet easily fooled. What it isn't is measurable, in any quantitative
manner. No-one, anywhere, with any experiment or test, can 'prove' the
absolute audibility or inaudibility of anything when it comes to music.
Realising that is crucial to avoiding the often prolonged debates that
happen around these subject areas. Whilst the maths above, for example,
explains a mechanism for audibility, it tells you nothing at all about
an individual's ability to hear the effects, there are few absolutes of
'audiblity'.

Andy.


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[SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2005-12-31 Thread FlyFishAndGolf

davehg Wrote: 
 in the January 1993 volume of Stereophile. The author, recording
 engineer and now absolute sound editor Robert Harley, first explored
 the scientific measurements of Ed Meitner, who first discovered a means
 of measuring jitter. Meitner presented his findings to the 91st AES
 convention, in a paper called Time Distortions within Digital Audio
 Equipment due to Integrated Circuit Logic induced Modulation. 
 
 Harley references the following scientific journal article:
 
 Is the AES EBU/S/PDIF Digital Audio interface Flawed? by Chris Dunn and
 Malcolm Hawksford. Dunn and Hawskford calculate that for 16bit
 converters, a measurement of less than 100 picoseconds of jitter is not
 likely audible, whereas a 20 bit conversion accuracy on the order of 8
 picoseconds in order not to induce audible (and measurable)
 differences. This also assumes that the jitter is random; in many
 cases, it appears consistently at the same frequency as the audio
 signal. Also, in 1993, these engineers did not have access to 24 bit
 converters, whose jitter measurements would need to be well below 8ps
 given the mathmatical formula developed. 
 
 Pat, I appreciate your healthy skepticism of the hi end, but as others
 have noted here, jitter has a discernible and measurable impact on
 audio frequencies, which is also easily heard. Less clear is at what
 point the lowest measured jitter becomes relevant when all such devices
 display incredibly low measured jitter. In the case of the SB3, its 55
 ps of jitter is one aspect of its sonic improvement when comparing
 against typical transports which measure 200ps, especially when both
 are using 24 bit or even 16 bit conversion.

The studies published by the Audio Engineering Society demonstrated
that jitter isn't audible until around 20,000 ps.  I am also of the
opinion that the entire jitter problem was overhyped by marketers. 
They basically created a problem were there was none.  If you are aware
of any scientifically valid tests that prooves me wrong, please share
it.

Theoretical and Audible Effects of Jitter on Digital Audio Quality
Benjamin, Eric; Gannon, Benjamin
AES Preprint: 4826

Most audiophiles can't even articulate what jitter sounds like.  That
should be the biggest clue.


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[SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2005-12-16 Thread Andrew B .

pfarrell Wrote: 
 :[color=blue]
 
 Humans have evolved for a long time to pay critical attention to phase
 and frequency. It meant telling where the lion was.
 
 But audiophiles also love tube gear, which any engineer
 knows has bad bandwidth (aka rolloff, aka warmth) and all sorts
 of intermodulation distortions.
 
 I'd love a cite to some science or engineering about
 the meaning of jitter at audio frequencies or redbook
 data rates.
 
 
 -- 
 Pat Farrell
 http://www.pfarrell.com

Tube preamps can have flat frequency response when properly engineered.
Tubes are inherently superior to transistors in some respects.

See this series of interviews with the great (and slightly odd) Tim de
Paravicini:
http://www.ear-usa.com/timdeparavicini.htm

 
 YOU USE VACUUM TUBES IN MANY OF YOUR DESIGNS. SOME PEOPLE HAVE SAID
 THAT TUBES HAVE EUPHONIC EVEN-ORDER HARMONIC DISTORTION. DO YOU RELY ON
 THIS TUBE NONLINEARITY TO ACHIEVE THE SOUND OF YOUR MODS, OR DO YOU
 ALWAYS RUN THE TUBES IN THEIR LINEAR REGION?
 
 I do not rely on tube nonlinearity. I don't want a sound in my
 machines. What comes out must sound the same as what went in.
 
 The warmth in a lot of tube electronics is due to their dismal top
 end, the bad transformers they use, and the loading down of their
 high-impedance outputs. Because of the output transformer and the
 feedback used, many tube circuits have a partial bass instability that
 gives a bloated bass. Any warmth in the tube sound is a defect, but
 listeners don't want to know that.
 
 I don't have to use tubes in my designs; I only do it for marketing
 reasons. I've got an exact equivalent in solid state. I can make either
 type do the same job, and I have no preference. People can't pick which
 is which. And electrons have no memory of where they've been! The end
 result is what counts.
 
 Most transistor-circuit architecture was different from tube-circuit
 architecture, and that's what people were hearing, more than the device
 itself. The main advantage of tubes is that an average tube has more
 gain than an average transistor. Second, tubes don't have the enormous
 storage times of transistors, so they are very fast. Tubes go to 100
 MHz without trying.
 

Andrew


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=
SB3- Benchmark DAC1 - EAR864 valve pre - ATC SCM50ASL active
speakers... nice!

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Re: [SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2005-12-16 Thread Pat Farrell
On Fri, 2005-12-16 at 09:59 -0800, Andrew B. wrote:
 pfarrell Wrote: 
  Humans have evolved for a long time to pay critical attention to phase
  and frequency. It meant telling where the lion was.
  
  But audiophiles also love tube gear, which any engineer
  knows has bad bandwidth (aka rolloff, aka warmth) and all sorts
  of intermodulation distortions.

 Tube preamps can have flat frequency response when properly engineered.
 Tubes are inherently superior to transistors in some respects.

No argument about how good tube amps can sound from me.
The preamps can have flat response a lot easier than
power amps.

   Because of the output transformer and the
  feedback used, many tube circuits have a partial bass instability that
  gives a bloated bass. Any warmth in the tube sound is a defect, but
  listeners don't want to know that.

Isn't that what I said :-)
But, it does sound good.

  I don't have to use tubes in my designs; I only do it for marketing
  reasons. 

When you are selling a product, you have to provide what
people want. Many Audiophiles love tubes.

-- 
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[SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2005-12-13 Thread mauidan

I'm open to being educated on it, but I'm not
convinced by this message or year of reading
the high end rags.

-- 
Pat
http://www.pfarrell.com/music/slimserver/slimsoftware.html

If you're happy with the sound you're getting from the SB, then
don't worry about jitter levels. 

Perhaps you've never heard a low jitter hiend system.

What system(s)are your SBs connect to?


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[SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2005-12-13 Thread seanadams

pfarrell Wrote: 
 
 Could be, but I have not seen a credible definition of what jitter is,
 how jitter is caused, what fixes it, or how jitter effects sound.
 

The first three are well defined and understood. Jitter is critical in
high speed logic circuits and communication systems, and there are many
books explaining the phenomenon and how to manage and reduce jitter.
There are also plenty of instruments offering different ways of
analyzing jitter.

Audibility (at the picosecond level) is nebulous, but I am no longer
surprised at the things some trained ears can pick up on a good system.


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[SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2005-12-13 Thread davehg

in the January 1993 volume of Stereophile. The author, recording
engineer and now absolute sound editor Robert Harley, first explored
the scientific measurements of Ed Meitner, who first discovered a means
of measuring jitter. Meitner presented his findings to the 91st AES
convention, in a paper called Time Distortions within Digital Audio
Equipment due to Integrated Circuit Logic induced Modulation. 

Harley references the following scientific journal article:

Is the AES EBU/S/PDIF Digital Audio interface Flawed? by Chris Dunn and
Malcolm Hawksford. Dunn and Hawskford calculate that for 16bit
converters, a measurement of less than 100 picoseconds of jitter is not
likely audible, whereas a 20 bit conversion accuracy on the order of 8
picoseconds in order not to induce audible (and measurable)
differences. This also assumes that the jitter is random; in many
cases, it appears consistently at the same frequency as the audio
signal. Also, in 1993, these engineers did not have access to 24 bit
converters, whose jitter measurements would need to be well below 8ps
given the mathmatical formula developed. 

Pat, I appreciate your healthy skepticism of the hi end, but as others
have noted here, jitter has a discernible and measurable impact on
audio frequencies, which is also easily heard. Less clear is at what
point the lowest measured jitter becomes relevant when all such devices
display incredibly low measured jitter. In the case of the SB3, its 55
ps of jitter is audible using a 24 bit conversion, and comparing
against typical transports which measure in excesss of 100ps.


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[SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2005-12-13 Thread mauidan

pfarrell Wrote: 
 On Tue, 2005-12-13 at 19:01 -0800, mauidan wrote:
  If you're happy with the sound you're getting from the SB, then
  don't worry about jitter levels. 
  Perhaps you've never heard a low jitter hiend system.
  What system(s)are your SBs connect to?
 
 I'm not worried about it now.
 My serious SB is connected to a Benchmark DAC-1.
 If you care about the rest, its in the archives.
 
 -- 
 Pat Farrell
 http://www.pfarrell.com

I don't need to search the archives for the rest. 

I've tested the DAC-1 in my system. 

Be well. 

Mele Kalikimaka


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[SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2005-12-13 Thread JohnnyLightOn

Here's an excellent article on jitter basics, in five parts:
http://www.tnt-audio.com/clinica/diginterf1_e.html


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[SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2005-12-11 Thread Triode

I think this really depends on your dac.  I can tell the difference
between different transports.  But then my dac has a simple spdif input
receiver [very common crystal 8412] with standard loopfilter - this only
attenuates jitter above 25Khz.  Adding a new clock to an old cd
transport was noticable with this.

More complex dacs attenuate jitter much more (in the digital domain
using async resampling or by secondary plls with much tighter loop
filters).  With these any jitter on the spdif line should be much less
noticable...


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[SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2005-12-11 Thread mauidan

pfarrell Wrote: 
 On Sat, 2005-12-10 at 18:26 -0800, scan80269 wrote:[color=blue]
 
 
 I believe that most of the focus on jitter is hype to
 separate audiophiles from their money. I could be wrong.
 YMMV and all that.
 
 -- 
 Pat
 http://www.pfarrell.com/music/slimserver/slimsoftware.html

Yes, you are wrong.


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[SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2005-12-10 Thread Neil Cameron
Your first assumption may be wrong; there is a potentially relevant 
diference between the SB2 and SB3 hardware. To quote Bolder CAble Co: It 
contains all the same circuitry of the SB2 with one small difference. The 
internal power supply for the digital buffer chips is now powered by a 
linear regulator. 

-- 
Neil


kronos 
[EMAIL PROTECTED] 
wrote in message news:[EMAIL PROTECTED]

 ok, given that SB2 and SB3 feature the same hardware; my real question
 is :

 is there a difference between the DIGITAL out of the SB1 and the
 DIGITAL out of the SB2 ?

 ...i'm planning on using an external DAC, so i thank you all in advance
 for feedback that will help me decide which SQUEEZEBOX i am going to
 buy.

 =)


 -- 
 kronos
 
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[SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2005-12-10 Thread scan80269

I just purchased a brand new SB3, and a colleague subjected the digital
outputs to a quick jitter measurement using Audio Precision equipment. 
Results:
SB3 digital coax out jitter: ~99ps
SB3 digital optical out jitter: ~892ps

My colleague's own SB1 is supposed to have digital optical out jitter
measured in the range of 1400ps.  Thus, we believe that SB2/3 digital
output is superior to SB1 based on lower jitter levels.

My colleague also managed to improve his SB1 optical out sound
quality by soldering an additional bypass cap directly across the
power  ground pins of the Toslink optical module.  He believed that
the cap is specified as a requirement for the Toslink optical module
design guide, but was not used by the SB1 design.


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Re: [SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2005-12-10 Thread Pat Farrell
On Sat, 2005-12-10 at 18:26 -0800, scan80269 wrote:
  Thus, we believe that SB2/3 digital
 output is superior to SB1 based on lower jitter levels.

Well, you've measured superior jitter levels.
No need to believe for the measured units.

I believe that most of the focus on jitter is hype to
separate audiophiles from their money. I could be wrong.
YMMV and all that.

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[SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2005-11-15 Thread julian2002

kronos,
the sb2 has a better digital output than the sb1 - i have both and an
audio synthesis dax decade. this dac has 2 'lock' methods one for low
quality high jitter signals and one for high quality low jitter
signals. the lock method is shown on the display as either lock (low
quality) or x-lock (high quality) the sb1 (even with various reclockers
and jitter busters) always showed 'lock' on the display. the sb2 always
shows 'x-lock'. i'd say this is pretty conclusive proof that the sb2
has a better digital output than the sb1.
of course dacs vary in their sensitivity to jitter but i've often found
that dacs that are less sensitive to transports don;t produce a sound
that i enjoy, i suspect because they are desinged from an engineering
first perspective rather than a music first one which means only 'good
enough' psus and components but then i'm a audiophile nutter, so i'm
happy to live with my current solution - an sb2 and a sensitive a/s dax
decade.
cheers


julian.


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[SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2005-11-13 Thread Triode

From that description it sounds like a relatively simple input circuit
(nothing wrong with that).  I would expect it will work fine with SB1
or SB2/3, but as it does not include any internal jitter rejection, the
SB2/3 will potentially sound better.


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[SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2005-11-12 Thread JayNYC

SB2 SPDIF output is much better than SB1.


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[SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2005-11-12 Thread Triode

I think this depends on your dac, what it does to reduce jitter and if
it is fussy about the frequency of the digital signal.

SB1 used an integrated chip to do the dsp functions and produce the
spdif output.  This had a known limitation that the exact frequency it
produced could be slightly off 44.1 KHz and given that the chip vendor
was unwilling to fix it, slim had no control over it.  This is no cause
for concern for the vast majority of dac users, but did impact some as
their external dac was unable to lock onto the signal.  There were also
some reports of channels swapping over in SB1 due to the operation of
the dsp chip.

The dsp chip in SB1 also used a PLL to derive the clock used for the
digital out.  This means that the jitter on this clock is higher than
that which would be obtained with a direct crystal based oscillator.

SB2/3 should have all of this solved - the spdif output is generated
directly from a crystal oscillator with no PLL.  There are two separate
crystals for 44.1 and 48 KHz sampling.

So what does this mean, I would suggest:

1) If you dac is not fussy about the exact frequency of the digital
input (does not experience 'lock' problems) and has internal circitry
to reduce jitter, then you may not hear any benefit from SB2/3.

2) If however your dac is fussy about locking or does not have strong
jitter rejection, then the SB2/3 is likely give better performance. 
The one hardware change between SB3 and SB2 will also be beneficial as
it should further reduce the jitter on the digital output.

In short SB3 (and 2) is definately technically better for the digital
output than SB1.  Whether you can hear this depends on how well your
external dac hides the influence of jitter from the transport.


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[SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2005-11-12 Thread kronos

THANKS a lot guys, now i'm out there looking for info about frequency
of digital input and internal circuitry to reduce jitter for my soon
to be delivered : Triode Wrote: 
 DAC-AH Dac special DIYCLUB version (Red PCB)
 using CS8414 as digital input reciver, 8 pcs of TDA1543 in parallel
 (matched).
 EL2044 OPAMP, On board with three seperate rectifier and  regulators
 provide power to digital and analog circuit.
 Optical and Coaxial input selectable (Ready plug in and play)

available for 135$ + shipping here : http://tinyurl.com/cfnrc

Not being a techie i don't really understand if the answer to my
question is already included in the DAC elements description...

=P

anyway, if you are interested too just click on the link; if you have
one and feel like dropping a line, it will certainly help me decide
whether to go SB1 or later.

Triode Wrote: 
 
 1) If you dac is not fussy about the exact frequency of the digital
 input (does not experience 'lock' problems) and has internal circitry
 to reduce jitter, then you may not hear any benefit from SB2/3.

THANKS !


-- 
kronos

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