Re: AW: AW: [Finale] Sibelius 5 - Second impressions

2007-11-02 Thread John Howell

David W. Fenton wrote:


Quote:

 Netscape 6.0 is finally going into its first public beta. There
 never was a version 5.0. The last major release, version 4.0, was
 released almost three years ago. Three years is an awfully long
 time in the Internet world. During this time, Netscape sat by,
 helplessly, as their market share plummeted.


One assumes that this refers exclusively to Windows versions.  The 
Navigator on my present computer is v. 9.0.0.1.  And yes, I see that 
the article is dated 7 1/2 years ago.  And that it's an opinion 
piece, by someone with very strong opinions!


Mark of the Unicorn did a complete new program--Composer's Mosaic--in 
the early '90s, as a replacement for Professional Composer, which was 
a real dog of a program hardly better than Music Construction Set. 
And made it possible, no, EASY, to convert Composer files to Mosaic 
files.  Unfortunately they later gave up on supporting their notation 
program and veered off in other directions.  I guess the question 
everyone seems to have is whether MM is going to do the same with 
Finale.


John


--
John R. Howell
Virginia Tech Department of Music
College of Liberal Arts  Human Sciences
Blacksburg, Virginia, U.S.A 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:[EMAIL PROTECTED])
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Re: AW: AW: [Finale] Sibelius 5 - Second impressions

2007-11-02 Thread David W. Fenton
On 1 Nov 2007 at 14:11, John Howell wrote:

 David W. Fenton wrote:
 
 Quote:
 
   Netscape 6.0 is finally going into its first public beta. There
   never was a version 5.0. The last major release, version 4.0, was
   released almost three years ago. Three years is an awfully long
   time in the Internet world. During this time, Netscape sat by,
   helplessly, as their market share plummeted.
 
 One assumes that this refers exclusively to Windows versions. 

Why would one assume that? There was no NS5, and NS6 came out around 
the time that article was written. NS7 came out after Mozilla 1.0 was 
released (because it was built on Mozilla 1.0). I don't recall 
precisely when 8 came out and didn't know there was a 9, but so far 
as I know there's been no difference between the numbering and 
releases of the Mac and Windows versions of Netscape. 

Perhaps you're referring to market share?

 The 
 Navigator on my present computer is v. 9.0.0.1.  And yes, I see that 
 the article is dated 7 1/2 years ago.  And that it's an opinion 
 piece, by someone with very strong opinions!

Someone whose opinions make a great deal of sense, it seems to me.

 Mark of the Unicorn did a complete new program--Composer's Mosaic--in 
 the early '90s, as a replacement for Professional Composer, which was 
 a real dog of a program hardly better than Music Construction Set. 
 And made it possible, no, EASY, to convert Composer files to Mosaic 
 files.  Unfortunately they later gave up on supporting their notation 
 program and veered off in other directions.  I guess the question 
 everyone seems to have is whether MM is going to do the same with 
 Finale.

Writing a completely new program is not the same thing as re-writing 
an existing program.

-- 
David W. Fentonhttp://dfenton.com
David Fenton Associates   http://dfenton.com/DFA/


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Re: AW: AW: [Finale] Sibelius 5 - Second impressions

2007-11-01 Thread dhbailey

David W. Fenton wrote:

On 1 Nov 2007 at 2:22, Kurt Gnos wrote:


Fix its old bugs, but better reprogram it from scratch, using new
technologies


This is a really terrible suggestion. If you think the bugs in Finale 
are bad now, wait 'til you see the new programmed-from-scratch 
Finale. Consider the case of Netscape, which chucked its entire 
codebase and started from scratch. The result was that for 5 years, 
there was no new Netscape browser, and the world moved on and 
Netscape lost its market share. Joel Spolsky explains why it's bad to 
chuck an existing codebase and start from scratch:


  http://www.joelonsoftware.com/articles/fog69.html

Quote:

 Netscape 6.0 is finally going into its first public beta. There
 never was a version 5.0. The last major release, version 4.0, 
was

 released almost three years ago. Three years is an awfully long
 time in the Internet world. During this time, Netscape sat by,
 helplessly, as their market share plummeted. 


 It's a bit smarmy of me to criticize them for waiting so long
 between releases. They didn't do it on purpose, now, did they? 


 Well, yes. They did. They did it by making the single worst
 strategic mistake that any software company can make: 

 They decided to rewrite the code from scratch. 


I didn't read the article but I'm sure the part you quoted makes the 
salient point, but it seems to miss one variation to that scenario.  One 
need not abandon continued support and incremental progress on the 
existing codebase while doing a total rewrite in the background.  It is 
possible to hire extra developers to work on the new codebase while 
leaving some of the existing developers to issue interim patches to the 
existing product so that the public doesn't need to know that a total 
rewrite is going on behind the scenes.  Then when the newly rewritten 
code is ready for prime time, they just have to announce a new version, 
no delay, no absence from the public's mind.


It's quite possible to be successful at it -- it costs money, certainly, 
but it's something auto makers do all the time.  They keep on bringing 
out annual upgrades to existing models until a whole new model is 
finally ready to present to the public, then they present the new model 
and decide either to make it an addition to their offerings or to remove 
an existing model which isn't doing very well and put this new model 
line in its place.


--
David H. Bailey
[EMAIL PROTECTED]
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Re: AW: [Finale] Sibelius 5 - Second impressions

2007-11-01 Thread dhbailey

John's right -- there are lots of shortcuts.

The best thing I can suggest to new Sibelius users is to learn to use 
the escape key -- hit it whenever you're in doubt (yes, you can still 
have things selected that you're not viewing onscreen at the moment), 
and sometimes hitting it twice for insurance is wise.  Not difficult, 
just not something that Finale users have had to think about.


One big paradigm shift when moving from Finale to Sibelius is that 
everything is selectable, there being no tools the way that Finale has 
them, which you have to choose before being able to select specific 
things.  Yes, I know that Fin2k8 has the new selection tool but even 
that's a tool and if you're in one of the other tools, you have to exit 
it by selecting the Selection Tool.  And then once you select something 
with the Selection Tool you are placed into the appropriate tool for 
that item, and have to consciously exit that tool to work on something 
else, so you're constantly having to think in terms of tools while 
using Finale.


With Sibelius, you only need to think of what you want to do next. 
Instead of tools there are shortcuts or menu selections to remember or 
navigate but once you place something, you can point at anything else 
and work with it without having to change to a selection tool.


So anything which is selected will be affected by what you do, and if 
anything is selected, the right-click menu will only show what is 
applicable for that item (or those items -- Sibelius allows ctrl-click 
so that you can select non-contiguous items to work on.)


David H. Bailey



John Howell wrote:

At 4:11 PM -0700 10/31/07, Eric Dannewitz wrote:
Right clicking does not bring up any context menu that has OTHER in 
it. I get Cut, Copy, Paste, Delete, Capture Idea, Voice, Hide/Show, 
Color and Apply Color...


It's just something you have to learn.  What happened is that you had 
something selected, so you got that short menu of things you might want 
to do to the thing you had selected.  Click on a blank space on the page 
(or hit escape a few times) to deselect anything that's selected, then 
right click on a blank part of the page.  What you then get IS the 
Create menu.  It's a shortcut; there are LOTS of shortcuts, and I've 
only learned a few at this point, but I remember the ones I use.


Just part of the learning curve.

John



However, in the menu, there is Other buried under Create..

Sibelius 5.1...frustrating..

Richard Smith wrote:

Eric this may be what you want.

  1. Right click on a blank part of the page for the context menu. At
 the bottom of the menu is other. Open that up.
  2. Select change instrument
  3. Pick an instrument from the list.
  4. Click the now blue (=loaded) arrow where you want to change the
 instrument. You will get a transposition and key and/or clef
 change as needed as well as a text instruction to the performer to
 change to the instrument.
  5. If you want to change the stave for the entire score, click in the
 left margin just to the left of the staff. It will change the
 staff and look as if the new instrument had been the choice fromt
 he beginning.

I think that having multiple ways of doing things has a lot to do 
with familiarity. I really like Sibelius' step time entry. There are 
so many ways to enter music that I am constantly changing my approach 
to fit the particular circumstance. Conversely, I find Finale's 
Speedy Entry restrictive but many of  the workers on this list would 
certainly disagree. These two are just differently abled and the 
versatility is good for us all.


Richard Smith
http://www.rgsmithmusic.com


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David H. Bailey
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Re: AW: AW: [Finale] Sibelius 5 - Second impressions

2007-11-01 Thread Jari Williamsson

David W. Fenton wrote:
Consider the case of Netscape, which chucked its entire 
codebase and started from scratch. 


Which is kind of my point. A rewrite, using mainly the same kind of 
thinking, using mainly the same kind of tools, will not solve anything.



Best regards,

Jari Williamsson
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Re: AW: AW: [Finale] Sibelius 5 - Second impressions

2007-11-01 Thread John Howell

At 7:59 AM +0100 11/1/07, Jari Williamsson wrote:

David W. Fenton wrote:
Consider the case of Netscape, which chucked its entire codebase 
and started from scratch.


Which is kind of my point. A rewrite, using mainly the same kind of 
thinking, using mainly the same kind of tools, will not solve 
anything.


I think I understand both sides here, but they leave me confused. 
Partly because I've used Netscape exclusively since I first gained 
access to the internet, back in the early '90s, and have never wanted 
or needed anything else.  Yes, it's now called Navigator, and it's 
based (apparently) on Mozilla or Firefox or whatever, which is 
supposed to be a big improvement, and yes, I'm learning to use Tabs, 
but it still gives me the functionality I need.


David's reasoning seems to be that Netscape lost money during a 
fallow period, but that didn't affect me and it apparently didn't 
cause the company to fail.  Wouldn't it be a good business plan to 
continue supporting a program based on ancient code while at the same 
time developing a new program with new code and none of the old 
problems, designed to replace the older program, and able to open ALL 
files from the old program, regardless of version?


But hey, man, I'm just in the band!

John


--
John R. Howell
Virginia Tech Department of Music
College of Liberal Arts  Human Sciences
Blacksburg, Virginia, U.S.A 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:[EMAIL PROTECTED])
http://www.music.vt.edu/faculty/howell/howell.html
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RE: AW: [Finale] Sibelius 5 - Second impressions

2007-11-01 Thread Steve Currington
Ref below for inserted comments

-Original Message-
From: Eric Dannewitz [mailto:[EMAIL PROTECTED] 
Sent: Thursday, November 01, 2007 8:30 AM
To: finale@shsu.edu
Subject: Re: AW: [Finale] Sibelius 5 - Second impressions



John Howell wrote:
 Nor if you decide you want to change an instrument on a score.

 I assume that you mean same staff, change to a different instrument, 
 perhaps change clef or transposition, rather than the scenario David 
 explained.  I know it can be done, but not how because I haven't had 
 to learn it yet.
 Either way. Seems like you can't do it easily in Sibelius. You have to
create a new staff and then 
 copy all the stuff over? You can't just click the ?
 staff and change it? Seems non-intuitive to me.

Actually it is quite simple.  And no you don't have to go through any
Gymnastics etc.

Ref the below entry from the Sib v5.x help file.

Instrument changes
Sibelius makes it easy to change instruments at any point along a staff
using Create  Other 
Instrument Change. First consider whether you want the instrument change
to take effect up
until the end of the score (or up to an existing instrument change later
in the score), or only temporarily
for a specific passage.

* To change instrument temporarily, first select the passage for which
you want the instrument
change to take effect; Sibelius will automatically revert to the
original instrument at the end of
the selection.

* To change instrument permanently, select a single note after which you
want the instrument
change to take effect, or make no selection (in which case you can click
to place the instrument
change in a moment).

* Once you have selected where you want the instrument change to begin,
and optionally where
you want it to end, choose Create  Other  Instrument Change. The
dialog shown below
appears.

 screen shot removed for brevity

* Choose the instrument you want to change to from the list. The two
extra options you can set
are as follows:

* If Add clef (if necessary) is switched on, Sibelius will create a clef
change at the point where
the instrument change occurs, if the clef of the new instrument is
different to that of the original
instrument

* If Announce at last note of previous instrument is switched on,
Sibelius will create a
warning, To [instrument], at the start of the rests preceding the
change.

 Now click OK. If you didn't have a selection before you opened the
dialog, your mouse pointer
will now be blue, and you can click in the score to place your
instrument change; otherwise,
Sibelius automatically creates the instrument change (or changes) at the
selection.

Sibelius always does the following for you when you create an instrument
change:
* Changes the playback sound of the staff as appropriate
* Changes the instrument name on subsequent systems (which you can edit
if you wish). If you
don't want the instrument name to change, choose House Style  Engraving
Rules (shortcut
Ctrl+Shift+E or xXE), go to the Instruments page, and switch on Don't
change instrument
names at start of system after instrument changes.
* Writes the name of the new instrument above the top of the staff where
it starts playing (you
can edit this if you wish)
* Changes the transposition of the staff, if appropriate (e.g. if
switching from a Bb to A clarinet),
showing an appropriate change of key signature if Notes  Transposing
Score is switched on
* Changes the staff type, if appropriate (e.g. number of staff lines,
tab or normal notation, etc.).

So with just a few mouse clicks or shortcuts it has happened..
What is difficult about that?

I have done it and it is a breeze  What's more.. it works  grin


 
 
Steve Currington


Composition/Musicology Student
New Zealand School of Music
Wellington, New Zealand
 
email: 
[EMAIL PROTECTED]
[EMAIL PROTECTED]
  

 


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Re: AW: AW: [Finale] Sibelius 5 - Second impressions

2007-11-01 Thread David W. Fenton
On 1 Nov 2007 at 4:44, dhbailey wrote:

 It's quite possible to be successful at it -- it costs money, certainly, 
 but it's something auto makers do all the time.  They keep on bringing 
 out annual upgrades to existing models until a whole new model is 
 finally ready to present to the public, then they present the new model 
 and decide either to make it an addition to their offerings or to remove 
 an existing model which isn't doing very well and put this new model 
 line in its place.

Well, as a software developer, I have to say that it just doesn't 
work the same way.

And, I think you are overrating the degree to which any new 
automobile model is completely new -- it's not. The changes are 
usually incremental, based on engineering practices that have been in 
place for a very long time. Eventually, after 10 years of incremental 
changes, you might have an automobile that no longer retains any 
design characteristics that were present 10 years before, but it 
never happens the way you describe it.

And there are good reasons for that and those reasons are not so very 
different from software.

When automakers *really* want to launch completely new models, they 
create a completely new brand, such as GM did with Saturn.

All that said, I really do understand Jari's point. I've said for 
years that the data storage format is the single largest factor 
holding back the evolution of Finale. It was the same way with 
WordPerfect (whose data format was sequential instead of pointer-
based) -- the data format can greatly limit the capabilities of the 
program running on top of it. What Jari is calling for (as I 
understand it) is a completely different approach to the storage of 
the music data such that the inputting of the notation is free of the 
limitations that come from that data model. I don't see it happening 
any time soon, certainly not by MakeMusic or Sibelius, and I don't 
know who would do it otherwise.

-- 
David W. Fentonhttp://dfenton.com
David Fenton Associates   http://dfenton.com/DFA/


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Re: AW: AW: [Finale] Sibelius 5 - Second impressions

2007-11-01 Thread David W. Fenton
On 1 Nov 2007 at 13:47, John Howell wrote:

 At 7:59 AM +0100 11/1/07, Jari Williamsson wrote:
 David W. Fenton wrote:
 Consider the case of Netscape, which chucked its entire codebase 
 and started from scratch.
 
 Which is kind of my point. A rewrite, using mainly the same kind of 
 thinking, using mainly the same kind of tools, will not solve 
 anything.
 
 I think I understand both sides here, but they leave me confused. 
 Partly because I've used Netscape exclusively since I first gained 
 access to the internet, back in the early '90s, and have never wanted 
 or needed anything else.

If you designed web pages you'd know how defective NS4.x was (the 
last version created before Netscape chucked the code). In turn, 
Microsoft stopped developing their browser for a long time, and right 
now, web developers have to deal with the fact that Internet Explorer 
has a substandard implementation of the standards of HTML and CSS. 
This means that it's harder to produce interesting websites that work 
on all browsers.

  Yes, it's now called Navigator,

It was always Netscape Navigator.

 and it's 
 based (apparently) on Mozilla or Firefox or whatever, which is 
 supposed to be a big improvement, and yes, I'm learning to use Tabs, 
 but it still gives me the functionality I need.

The Netscape browser you're using today is built from the new 
codebase, but it really only became usable in 2001 or so (which is 
when I switched to Mozilla as my default browser, around version 
0.9.x, which was more than a year before the release of Mozilla 1.0, 
and more than 3 years before the release of FireFox 1.0, which is 
when the Mozilla project returned to viability as a mainstream web 
browser). It has been built on the new codebase since version 6, but 
it was a very buggy and slow browser in comparison to Internet 
Explorer from the same time period. It was, in fact, completely 
unusable back then.

 David's reasoning seems to be that Netscape lost money during a 
 fallow period, but that didn't affect me and it apparently didn't 
 cause the company to fail.

Eh? What are you talking about? In the mid to late 90s, Netscape was 
an independent company with a huge market capitalization (they were 
like Google is today -- everyone thought they were going to be the 
big winner in the Internet bonanza) because they offered two crucial 
Internet technologies, the best browser in existence and (at that 
time) the best web server (which was not free, as the browser was -- 
in order to the get people to use the Internet on the theory that 
people would then want to buy Netscape's web server software). The 
decision at the end of the 90s to chuck the browser codebase and 
start over led to the company's demise as an independent entity. It 
was purchased by AOL, and at this point does not really exist as an 
AOL division, though AOL has continued to keep a few programmers 
around to take the Mozilla codebase (which is no longer controlled by 
and Netscape) and package it into a browser that is branded as 
being Netscape Navigator. But it's really just a skin running on 
the Mozilla web browsers (just as Firefox is, though to a lesser 
extent than Netscape is).

  Wouldn't it be a good business plan to 
 continue supporting a program based on ancient code while at the same 
 time developing a new program with new code and none of the old 
 problems, designed to replace the older program, and able to open ALL 
 files from the old program, regardless of version?

Did you read Joel's article? He gave the answer: if you've got 
crufty, ugly code that's preventing you from adding new features, you 
do what's called refactoring. What that means is that you take the 
original code and don't change any functionality or behavior, but 
what you do is rewrite it to get rid of all the ugliness. That means 
revising the way it's organized and how it performs certain 
operations, but since you're always doing it tiny bit by tiny bit, 
and not changing any functionality, you always have a codebase that 
can be used to produce a shipping product.

Joel said there's nothing wrong with the refactoring approach. The 
result of a complete refactoring is that you end up with a codebase 
that includes all the legacy bits but that is easier to manage. This 
is what I suggested MakeMusic might very well be doing with Finale in 
the background.

But what Netscape did was start from a clean slate and re-architect 
the software from the ground up.

Consider an analogy:

You live in a house that has a stairway that is too narrow, and leans 
at an angle, but if you're careful, you can climb it easily. The 
floors in half the rooms lean at an angle, but you've built your 
furniture so that it sits properly on top of the tilting floors. The 
problem is that you can't rearrange the furniture the way you'd like 
because the furniture legs are cut to sit properly only in one 
orientation to the tilt of the floor.

Now, you have two choices:

1. continue living in 

Re: AW: [Finale] Sibelius 5 - Second impressions

2007-10-31 Thread dhbailey

Eric Dannewitz wrote:
I, so far, find Sibelius extremely backwards. Like putting articulations 
on notes after I enter them. Still can't figure that out. Nor if you 
decide you want to change an instrument on a score.


So far, I've tried to do two trios with Sibelius, but ended up going 
back to Finale cause it was just not working very well for me




That's fine -- in Finale, using Speedy Entry, I've always entered the 
notes first and then the articulations, so that wasn't a stopper for me.


Changing an instrument in the score, while keeping all the music can be 
done several ways -- from the Mixer window or from the Create - 
Instrument dialog where you add a new staff, then select all the music 
in the old instrument staff and then paste it into the new staff then 
delete the old staff.


But it took me three versions of Sibelius before I finally felt 
comfortable working in it.  I wouldn't expect others to keep at it if 
they don't wish to.


If Finale works fine for you and you don't run into the bugs that have 
amassed in recent versions, then you should keep on working in Finale.


I find that when I start Finale2k8 it doesn't feel the same and I don't 
like the new feel, but when I fire up Fin2k7 or earlier (I've got them 
all going back to 2004 on my computer still) I feel right at home.


And when I start Sib5 (now 5.1) I feel right at home, too.

--
David H. Bailey
[EMAIL PROTECTED]
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Re: AW: [Finale] Sibelius 5 - Second impressions

2007-10-31 Thread Richard Smith
You can select the articulation from the keypad at the same time as the 
rhythm. But I find that awkward unless you just need a few isolated 
articulations. For me, articulation is most seamlessly applied to entire 
regions (select any number of measures) rather than note by note. I also 
stop entering notes from scratch and begin a copy, paste, and edit 
routine as soon as possible. If you copy a passage that's already 
articulated, attaching articulations becomes moot.


This is another case of Sib and Finale being differently abled. You 
can get to the same result but the path may be much different and some 
may prefer Finale's while others prefer Sibelius'.


Richard Smith
http://rgsmithmusic.com


Eric Dannewitz wrote:
I, so far, find Sibelius extremely backwards. Like putting 
articulations on notes after I enter them. Still can't figure that 
out. Nor if you decide you want to change an instrument on a score.


So far, I've tried to do two trios with Sibelius, but ended up going 
back to Finale cause it was just not working very well for me


John Howell wrote:

At 10:25 PM +0100 10/30/07, Kurt Gnos wrote:

David, John,

thanks for the quick and competent answers.

Well, apart from the crashes, I get a quite good impression. And I 
am glad
you two are here to answer all my future Sibelius questions. I must 
say,
generally the user interface it quite nice and much more modern than 
Finale,
and the output is flawless, which much less fiddling than in Finale. 
So I

guess I am a candidate to switch, sooner or later...


Kurt:  David is competent, I'm still very much learning.  But you 
might want to subscribe to the SibList at 
[EMAIL PROTECTED]  It's much like this list, not an 
official Sibelius list, with the crucial difference that a Senior 
Product Manager for Sibelius, Daniel Spreadbury, monitors the list 
and answers questions quickly and honestly.


John




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Re: AW: [Finale] Sibelius 5 - Second impressions

2007-10-31 Thread John Howell

At 10:30 PM -0800 10/30/07, Eric Dannewitz wrote:
I, so far, find Sibelius extremely backwards. Like putting 
articulations on notes after I enter them. Still can't figure that 
out.


I'll second everything David Bailey said, but add this.  Sibelius 
gives you choices, and one of those choices is to add articulations 
as you enter notes.  It's done with the keypad, and of course depends 
on how facile you are using the keypad, but I'm gradually training 
myself to do it that way so I won't have to go back to add them, and 
my speed is gradually increasing.  You can also reprogram the keypad, 
according to some users, but that's something I probably won't 
investigate until I'm comfortable with the default arrangement.



Nor if you decide you want to change an instrument on a score.


I assume that you mean same staff, change to a different instrument, 
perhaps change clef or transposition, rather than the scenario David 
explained.  I know it can be done, but not how because I haven't had 
to learn it yet.


All notation is complex.  (Don't forget that it was originally 
developed by monks using feathers!!!)  But any program has to deal 
with those complexities.  Some do it better than others, but I don't 
EVER expect any programmer or team of programmers to come up with 
exactly the same way of approaching things.




So far, I've tried to do two trios with Sibelius, but ended up going 
back to Finale cause it was just not working very well for me


Cool.  No problem.  I used Mosaic long after it stopped being 
supported because I was comfortable with it.  Now it no longer runs 
on OS X.  I'd probably still be using it if I could, but then I'm Mr. 
Conservative when it comes to jumping into new programs when I have 
an older one that does what I need it to do.


John


--
John R. Howell
Virginia Tech Department of Music
College of Liberal Arts  Human Sciences
Blacksburg, Virginia, U.S.A 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:[EMAIL PROTECTED])
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Re: AW: [Finale] Sibelius 5 - Second impressions

2007-10-31 Thread Jari Williamsson

John Howell wrote:


All notation is complex.


In this case, I think the complete opposite way. The problem as I see it 
is that all music software of today are using technology from 30-40 
years ago. If a music program was developed today, using the technology 
invented during the last 5-10 years, a music notation program could 
handle notation in an extremely simple way.


And it could also be a creative environment, which can't be said of any 
music notation product found today... ;-)



Best regards,

Jari Williamsson
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Re: AW: [Finale] Sibelius 5 - Second impressions

2007-10-31 Thread Eric Dannewitz



John Howell wrote:

Nor if you decide you want to change an instrument on a score.

I assume that you mean same staff, change to a different instrument, 
perhaps change clef or transposition, rather than the scenario David 
explained.  I know it can be done, but not how because I haven't had 
to learn it yet.
Either way. Seems like you can't do it easily in Sibelius. You have to 
create a new staff and then copy all the stuff over? You can't just 
click the staff and change it? Seems non-intuitive to me.


All notation is complex.  (Don't forget that it was originally 
developed by monks using feathers!!!)  But any program has to deal 
with those complexities.  Some do it better than others, but I don't 
EVER expect any programmer or team of programmers to come up with 
exactly the same way of approaching things.
Well, ideally, they should have multiple ways of doing it. One path is 
not always the best path. That is one thing that is great about Finale 
is that it generally has a number of ways to do what you want it to do.

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Re: AW: [Finale] Sibelius 5 - Second impressions

2007-10-31 Thread dhbailey

Eric Dannewitz wrote:



John Howell wrote:

Nor if you decide you want to change an instrument on a score.

I assume that you mean same staff, change to a different instrument, 
perhaps change clef or transposition, rather than the scenario David 
explained.  I know it can be done, but not how because I haven't had 
to learn it yet.
Either way. Seems like you can't do it easily in Sibelius. You have to 
create a new staff and then copy all the stuff over? You can't just 
click the staff and change it? Seems non-intuitive to me.




You don't have to do it that way -- that's just one way you can do it.

You can edit the attributes for the existing staff.

All notation is complex.  (Don't forget that it was originally 
developed by monks using feathers!!!)  But any program has to deal 
with those complexities.  Some do it better than others, but I don't 
EVER expect any programmer or team of programmers to come up with 
exactly the same way of approaching things.
Well, ideally, they should have multiple ways of doing it. One path is 
not always the best path. That is one thing that is great about Finale 
is that it generally has a number of ways to do what you want it to do.


The same is true for Sibelius.


--
David H. Bailey
[EMAIL PROTECTED]
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Re: AW: [Finale] Sibelius 5 - Second impressions

2007-10-31 Thread Richard Smith

Eric this may be what you want.

  1. Right click on a blank part of the page for the context menu. At
 the bottom of the menu is other. Open that up.
  2. Select change instrument
  3. Pick an instrument from the list.
  4. Click the now blue (=loaded) arrow where you want to change the
 instrument. You will get a transposition and key and/or clef
 change as needed as well as a text instruction to the performer to
 change to the instrument.
  5. If you want to change the stave for the entire score, click in the
 left margin just to the left of the staff. It will change the
 staff and look as if the new instrument had been the choice fromt
 he beginning.

I think that having multiple ways of doing things has a lot to do with 
familiarity. I really like Sibelius' step time entry. There are so many 
ways to enter music that I am constantly changing my approach to fit the 
particular circumstance. Conversely, I find Finale's Speedy Entry 
restrictive but many of  the workers on this list would certainly 
disagree. These two are just differently abled and the versatility is 
good for us all.


Richard Smith
http://www.rgsmithmusic.com


Eric Dannewitz wrote:



John Howell wrote:

Nor if you decide you want to change an instrument on a score.

I assume that you mean same staff, change to a different instrument, 
perhaps change clef or transposition, rather than the scenario David 
explained.  I know it can be done, but not how because I haven't had 
to learn it yet.
Either way. Seems like you can't do it easily in Sibelius. You have to 
create a new staff and then copy all the stuff over? You can't just 
click the staff and change it? Seems non-intuitive to me.


All notation is complex.  (Don't forget that it was originally 
developed by monks using feathers!!!)  But any program has to deal 
with those complexities.  Some do it better than others, but I don't 
EVER expect any programmer or team of programmers to come up with 
exactly the same way of approaching things.
Well, ideally, they should have multiple ways of doing it. One path is 
not always the best path. That is one thing that is great about Finale 
is that it generally has a number of ways to do what you want it to do.

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AW: AW: [Finale] Sibelius 5 - Second impressions

2007-10-31 Thread Kurt Gnos
Jari,

when I read your message, I didn't agree. I doubt whether music notation, a
rather complex and not always logical process, can be handled in a simple
way.

But then I think I have been using Finale for almost 20 years. Even if they
were progresses, and big ones, you are right - the core of the program is
20 years old. I remember I did a song book for the church I was working for.
Finale 3 had no easy way to do slurs, you had to fine-tune everyone. 3.5
came out and hat automatic slurs - they were much better. So I deleted
every slur in about 300 pages and used the new ones...

And so on. I have used Finale so long I can do everything I want, but as in,
e. g. quark xpress, I do it the hard way. I have learned to use quite exotic
work-arounds to get to the goal. And I am tired of it. 

Postscript (I have bought postscript printers for 20 years because of
Finale) worked on and off. After working fine for some years, it has not
been working fine for 10 years or so, Coda blaming Windows, but hell, why do
other programs like Sibelius work fine?

Sibelius is certainly newer, fresher, but it has the same problem as Finale.
It has grown over the years, adding features, adding features we need, and
certainly adding featers I don't need, but the interface - is not
up-to-date.

So the best thing is if one of the big music-notation-firms that hopefully
have learned of their draw-backs would create a new, easy-to-use notation
software that does everything the way we want and also offers the freedom to
do everything.

What I like more in Sibelius (compared to Finale) after just a few hours is
- in Finale, I enter music, and then spend most of my time doing layout
things - in Siblius, I don't have to spend so much time doing layout work,
because it's looking fine, by default.

So if Finale doesn't want to lose more clients, this should be its first
priority - we enter the notes and stuff, and Finale does the layout in a
satisfying way... We should not need to do both...

Fix its old bugs, but better reprogram it from scratch, using new
technologies, so finally (!) I agree with you, Jari, we need a new
program...


Kurt

 -Ursprüngliche Nachricht-
 Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Im
 Auftrag von Jari Williamsson
 Gesendet: Mittwoch, 31. Oktober 2007 19:45
 An: finale@shsu.edu
 Betreff: Re: AW: [Finale] Sibelius 5 - Second impressions
 
 John Howell wrote:
 
  All notation is complex.
 
 In this case, I think the complete opposite way. The problem as I see
 it
 is that all music software of today are using technology from 30-40
 years ago. If a music program was developed today, using the technology
 invented during the last 5-10 years, a music notation program could
 handle notation in an extremely simple way.
 
 And it could also be a creative environment, which can't be said of any
 music notation product found today... ;-)
 
 
 Best regards,
 
 Jari Williamsson
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Re: AW: [Finale] Sibelius 5 - Second impressions

2007-10-31 Thread Eric Dannewitz
Right clicking does not bring up any context menu that has OTHER in it. 
I get Cut, Copy, Paste, Delete, Capture Idea, Voice, Hide/Show, Color 
and Apply Color...


However, in the menu, there is Other buried under Create..

Sibelius 5.1...frustrating..

Richard Smith wrote:

Eric this may be what you want.

  1. Right click on a blank part of the page for the context menu. At
 the bottom of the menu is other. Open that up.
  2. Select change instrument
  3. Pick an instrument from the list.
  4. Click the now blue (=loaded) arrow where you want to change the
 instrument. You will get a transposition and key and/or clef
 change as needed as well as a text instruction to the performer to
 change to the instrument.
  5. If you want to change the stave for the entire score, click in the
 left margin just to the left of the staff. It will change the
 staff and look as if the new instrument had been the choice fromt
 he beginning.

I think that having multiple ways of doing things has a lot to do with 
familiarity. I really like Sibelius' step time entry. There are so 
many ways to enter music that I am constantly changing my approach to 
fit the particular circumstance. Conversely, I find Finale's Speedy 
Entry restrictive but many of  the workers on this list would 
certainly disagree. These two are just differently abled and the 
versatility is good for us all.


Richard Smith
http://www.rgsmithmusic.com


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Re: AW: AW: [Finale] Sibelius 5 - Second impressions

2007-10-31 Thread David W. Fenton
On 1 Nov 2007 at 2:22, Kurt Gnos wrote:

 Fix its old bugs, but better reprogram it from scratch, using new
 technologies

This is a really terrible suggestion. If you think the bugs in Finale 
are bad now, wait 'til you see the new programmed-from-scratch 
Finale. Consider the case of Netscape, which chucked its entire 
codebase and started from scratch. The result was that for 5 years, 
there was no new Netscape browser, and the world moved on and 
Netscape lost its market share. Joel Spolsky explains why it's bad to 
chuck an existing codebase and start from scratch:

  http://www.joelonsoftware.com/articles/fog69.html

Quote:

 Netscape 6.0 is finally going into its first public beta. There
 never was a version 5.0. The last major release, version 4.0, 
was
 released almost three years ago. Three years is an awfully long
 time in the Internet world. During this time, Netscape sat by,
 helplessly, as their market share plummeted. 

 It's a bit smarmy of me to criticize them for waiting so long
 between releases. They didn't do it on purpose, now, did they? 

 Well, yes. They did. They did it by making the single worst
 strategic mistake that any software company can make: 

 They decided to rewrite the code from scratch. 

It was originally posted April 6, 2000. And y'all know how many more 
years it took after that before the Mozilla foundation produced a 
decent browser.

-- 
David W. Fentonhttp://dfenton.com
David Fenton Associates   http://dfenton.com/DFA/


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Re: AW: [Finale] Sibelius 5 - Second impressions

2007-10-31 Thread Richard Smith
It sounds like your cursor was resting on some musical element when you 
right clicked. You got the menu that opens when you are pointing to a 
specific element. It's much shorter.


To get the longer list of options, you have to point to a blank space on 
the page. Then there is a context menu with other at the bottom of the 
list. When you open the other item you will find Instrument change.


The same menu is also in the create drop down menu on the menu bar at 
the top of the page. I just right click because it's more convenient. 
This menu, either as a context or a drop down from the menu bar, has 
most of the controls you normally need. You just learn to look there first.


Hope that helps.

Richard Smith
http://www.rgsmithmusic.com



Eric Dannewitz wrote:
Right clicking does not bring up any context menu that has OTHER in 
it. I get Cut, Copy, Paste, Delete, Capture Idea, Voice, Hide/Show, 
Color and Apply Color...


However, in the menu, there is Other buried under Create..

Sibelius 5.1...frustrating..

Richard Smith wrote:

Eric this may be what you want.

  1. Right click on a blank part of the page for the context menu. At
 the bottom of the menu is other. Open that up.
  2. Select change instrument
  3. Pick an instrument from the list.
  4. Click the now blue (=loaded) arrow where you want to change the
 instrument. You will get a transposition and key and/or clef
 change as needed as well as a text instruction to the performer to
 change to the instrument.
  5. If you want to change the stave for the entire score, click in the
 left margin just to the left of the staff. It will change the
 staff and look as if the new instrument had been the choice fromt
 he beginning.

I think that having multiple ways of doing things has a lot to do 
with familiarity. I really like Sibelius' step time entry. There are 
so many ways to enter music that I am constantly changing my approach 
to fit the particular circumstance. Conversely, I find Finale's 
Speedy Entry restrictive but many of  the workers on this list would 
certainly disagree. These two are just differently abled and the 
versatility is good for us all.


Richard Smith
http://www.rgsmithmusic.com


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Re: AW: [Finale] Sibelius 5 - Second impressions

2007-10-30 Thread John Howell

At 11:44 PM +0100 10/29/07, Kurt Gnos wrote:


Is there a way to select an entire staff except highlighting the first
measure, go to the last page and shift-clicking the last measure? I guess
there is... But there is no clicking to the left of the staff as in Finale,
so I didn't find out...;-)


Yes.  Click on a measure and it selects that measure.  Double click 
and it selects that staff on that whole system.  Triple click and it 
selects that staff from beginning to end.


This is Sib 4 on Mac.

John


--
John R. Howell
Virginia Tech Department of Music
College of Liberal Arts  Human Sciences
Blacksburg, Virginia, U.S.A 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:[EMAIL PROTECTED])
http://www.music.vt.edu/faculty/howell/howell.html
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AW: [Finale] Sibelius 5 - Second impressions

2007-10-30 Thread Kurt Gnos
David, John,

thanks for the quick and competent answers.

Well, apart from the crashes, I get a quite good impression. And I am glad
you two are here to answer all my future Sibelius questions. I must say,
generally the user interface it quite nice and much more modern than Finale,
and the output is flawless, which much less fiddling than in Finale. So I
guess I am a candidate to switch, sooner or later...

Kurt

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Re: AW: [Finale] Sibelius 5 - Second impressions

2007-10-30 Thread John Howell

At 10:25 PM +0100 10/30/07, Kurt Gnos wrote:

David, John,

thanks for the quick and competent answers.

Well, apart from the crashes, I get a quite good impression. And I am glad
you two are here to answer all my future Sibelius questions. I must say,
generally the user interface it quite nice and much more modern than Finale,
and the output is flawless, which much less fiddling than in Finale. So I
guess I am a candidate to switch, sooner or later...


Kurt:  David is competent, I'm still very much learning.  But you 
might want to subscribe to the SibList at 
[EMAIL PROTECTED]  It's much like this list, not an 
official Sibelius list, with the crucial difference that a Senior 
Product Manager for Sibelius, Daniel Spreadbury, monitors the list 
and answers questions quickly and honestly.


John


--
John R. Howell
Virginia Tech Department of Music
College of Liberal Arts  Human Sciences
Blacksburg, Virginia, U.S.A 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:[EMAIL PROTECTED])
http://www.music.vt.edu/faculty/howell/howell.html
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Re: AW: [Finale] Sibelius 5 - Second impressions

2007-10-30 Thread Eric Dannewitz
I, so far, find Sibelius extremely backwards. Like putting articulations 
on notes after I enter them. Still can't figure that out. Nor if you 
decide you want to change an instrument on a score.


So far, I've tried to do two trios with Sibelius, but ended up going 
back to Finale cause it was just not working very well for me


John Howell wrote:

At 10:25 PM +0100 10/30/07, Kurt Gnos wrote:

David, John,

thanks for the quick and competent answers.

Well, apart from the crashes, I get a quite good impression. And I am 
glad

you two are here to answer all my future Sibelius questions. I must say,
generally the user interface it quite nice and much more modern than 
Finale,
and the output is flawless, which much less fiddling than in Finale. 
So I

guess I am a candidate to switch, sooner or later...


Kurt:  David is competent, I'm still very much learning.  But you 
might want to subscribe to the SibList at 
[EMAIL PROTECTED]  It's much like this list, not an 
official Sibelius list, with the crucial difference that a Senior 
Product Manager for Sibelius, Daniel Spreadbury, monitors the list and 
answers questions quickly and honestly.


John




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AW: [Finale] Sibelius 5 - Second impressions

2007-10-29 Thread Kurt Gnos
David,

thanks, that did it.

Is there a way to select an entire staff except highlighting the first
measure, go to the last page and shift-clicking the last measure? I guess
there is... But there is no clicking to the left of the staff as in Finale,
so I didn't find out...;-)

Kurt

 -Ursprüngliche Nachricht-
 Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Im
 Auftrag von dhbailey
 Gesendet: Montag, 29. Oktober 2007 22:27
 An: finale@shsu.edu
 Betreff: Re: [Finale] Sibelius 5 - Second impressions
 
 Kurt Gnos wrote:
  Hi,
 
  today I gave Sibelius my second try.
 
  I entered and arranged a simple melody (S/A in canon) and T/B
 accompaniment,
  to check out copying, pasting, lyrics and so on.
 
  Many things work quite differently than in Finale, but I got most
 things
  working.
 
  I could enter notes, copy and paste things, add lyrics. Sibelius
 crashed
  once (something about a C-Library), but for the rest of the time
 worked
  quite fine.
 
  Playback: I had to restart two times because one of my SATB voices
 would not
  play back. Restarting fixed it.
 
  I now have entered the music and lyrics. I wanted to shift the lyrics
 a
  little lower because they are too near to the staff symstem. I've
 checked
  all the menus and fiddled around for half an hour but I could not
 find a way
  to adjust the verse 1 baseline. I am quite certain there must be a
 way to do
  it, but where? I can adjust one syllable no problem, but the whole
 lyrics
  line?
 
 highlight the entire staff, then under Edit menu select FILTER and then
 select Lyrics.  Then only the lyrics are selected and using up or down
 arrow (or clicking and dragging) will move all the lyrics.
 
 
 [snip]
 
 
 --
 David H. Bailey
 [EMAIL PROTECTED]
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AW: [Finale] Sibelius 5 - Third impressions

2007-10-29 Thread Kurt Gnos
Hi,

another one for the Sibelius users...

I added a text block on the second page containing additional verses.

I wrote 1. - TAB - first verse
And aligned everything.

Up to the 5th verse.

But the text printed as

1. bla bla bla
bla bla bla.

What I wanted is:

1.  bla bla bla
Bla bla bla
Bla bla bla...

I couldn't get this working.

Kurt

 -Ursprüngliche Nachricht-
 Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Im
 Auftrag von Kurt Gnos
 Gesendet: Montag, 29. Oktober 2007 21:07
 An: finale@shsu.edu
 Betreff: [Finale] Sibelius 5 - Second impressions
 
 Hi,
 
 today I gave Sibelius my second try.
 
 I entered and arranged a simple melody (S/A in canon) and T/B
 accompaniment,
 to check out copying, pasting, lyrics and so on.
 
 Many things work quite differently than in Finale, but I got most
 things
 working.
 
 I could enter notes, copy and paste things, add lyrics. Sibelius
 crashed
 once (something about a C-Library), but for the rest of the time worked
 quite fine.
 
 Playback: I had to restart two times because one of my SATB voices
 would not
 play back. Restarting fixed it.
 
 I now have entered the music and lyrics. I wanted to shift the lyrics a
 little lower because they are too near to the staff symstem. I've
 checked
 all the menus and fiddled around for half an hour but I could not find
 a way
 to adjust the verse 1 baseline. I am quite certain there must be a way
 to do
 it, but where? I can adjust one syllable no problem, but the whole
 lyrics
 line?
 
 I also found out Sibelius dreadfully misses Finale's arrow tool. It's a
 pain
 to select notes or measures when drop down menus hide it. I found no
 simple way to enter rests other than break bars into rests and go right
 with
 the arrow keys.
 
 I might be doing many things wrong, but I wanted to find things out the
 intuitive way. Some things worked out fine, some things did not.
 
 I miss Finale's options to change everything, but hey, I know where to
 look,
 after almost twenty years.
 
 Wondering if some Sibelius user can solve my lyrics problem. And how
 can I
 select one voice other than right-clicking the first bar and than the
 last
 bar. It's so easy in Finale...
 
 Cheers
 
 Kurt
 
  -Ursprüngliche Nachricht-
  Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Im
  Auftrag von Kurt Gnos
  Gesendet: Donnerstag, 25. Oktober 2007 22:37
  An: finale@shsu.edu
  Betreff: [Finale] Sibelius 5 - First experiences
 
  Hi,
 
  after all these discussions and Finale seeming to coming to an end, I
  gave
  Sibelius 5 a try, at a friend's computer.
 
  First impression - nice interface, more modern than finale.
 
  Second impression - less control - for example, when I play back, I
  cannot
  easily control what Sibelius will show me - it tries to show me what
  happens
  - but - I can change the resolution, e. g. 75%, during playback,
 which
  is
  great.
 
  What would I do first - I listened to some demo songs - The sound
 great
  with
  the new samples Siblius comes with, and Sibelius certainly does a
 nice
  playback.
  BUT, and this is a big but (no pun intended) - during the first hour
  Sibelius crashed three times just playing demo songs and videos.
 Finale
  hasn't crashed on me for years.
 
  I started entering a new piece of music, but I will keep you informed
  when
  I've tried a bit more. So there are ups and downs, but if the
 crashing
  goes
  on I'm sure to stay with Finale, even if it seems a bit out-of-
  fashion...
 
  Kurt
 
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AW: [Finale] Sibelius 5 - Second impressions

2007-10-29 Thread Kurt Gnos
I tried that and it didn't work. I guess this is only for future entries - I
also did not find any apply button or something like this...

Kurt

 -Ursprüngliche Nachricht-
 Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Im
 Auftrag von Jeff Tanner
 Gesendet: Montag, 29. Oktober 2007 23:09
 An: finale@shsu.edu
 Betreff: Re: [Finale] Sibelius 5 - Second impressions
 
 You can also just edit the Lyrics Text Style and it will change them
 all and make it that position as the default.
 
 
 On Oct 29, 2007, at 5:27 PM, dhbailey wrote:
 
  Kurt Gnos wrote:
  Hi,
  today I gave Sibelius my second try.
  I entered and arranged a simple melody (S/A in canon) and T/B
  accompaniment,
  to check out copying, pasting, lyrics and so on.
  Many things work quite differently than in Finale, but I got most
  things
  working.
  I could enter notes, copy and paste things, add lyrics. Sibelius
  crashed
  once (something about a C-Library), but for the rest of the time
  worked
  quite fine. Playback: I had to restart two times because one of my
  SATB voices would not
  play back. Restarting fixed it.
  I now have entered the music and lyrics. I wanted to shift the
  lyrics a
  little lower because they are too near to the staff symstem. I've
  checked
  all the menus and fiddled around for half an hour but I could not
  find a way
  to adjust the verse 1 baseline. I am quite certain there must be a
  way to do
  it, but where? I can adjust one syllable no problem, but the whole
  lyrics
  line?
 
  highlight the entire staff, then under Edit menu select FILTER and
  then select Lyrics.  Then only the lyrics are selected and using up
  or down arrow (or clicking and dragging) will move all the lyrics.
 
 
  [snip]
 
 
  --
  David H. Bailey
  [EMAIL PROTECTED]
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Re: AW: [Finale] Sibelius 5 - Second impressions

2007-10-29 Thread dhbailey

Kurt Gnos wrote:

David,

thanks, that did it.

Is there a way to select an entire staff except highlighting the first
measure, go to the last page and shift-clicking the last measure? I guess
there is... But there is no clicking to the left of the staff as in Finale,
so I didn't find out...;-)



Click selects one measure, double-click selects that staff for that 
system, triple-click selects that staff for the entire score.


--
David H. Bailey
[EMAIL PROTECTED]
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Re: AW: [Finale] Sibelius 5 - Second impressions

2007-10-29 Thread dhbailey

Kurt Gnos wrote:

I tried that and it didn't work. I guess this is only for future entries - I
also did not find any apply button or something like this...



Just make sure you exit that dialog properly after editing any of the 
text styles -- be sure to click any/all OK buttons and don't get out of 
the Edit Lyrics dialog and then click the X to close the Edit Text 
Styles dialog, be sure to click OK to get out of that dialog.


--
David H. Bailey
[EMAIL PROTECTED]
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AW: [Finale] Sibelius 5

2007-10-05 Thread Kurt Gnos
It seems people who write these kinds of topics don't read the rest of the
Finale maillist.

While I sympathize with switching to Sibelius, I've been doing that for
years, I must admit that I find Finale's new features, even if keeping the
bugs, worth the upgrade. The new combined arrow/mass mover tool and the
more logical menus have already saved me a lot of hours work.
The less new linked parts are worth weeks or months.

If Finale could make such progresses AND get rid of old bugs, I would stay
with it. But new features without bugfixes is not enough to hold me there.
And since most of our Finale problems are just not there in Sibelius...
(EPS, PDF)

I'm a loyal Finale user since 1.8 or so, and I know its ups and downs, and
still, enough is enough

Kurt

 -Ursprüngliche Nachricht-
 Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Im
 Auftrag von Randolph Peters
 Gesendet: Freitag, 5. Oktober 2007 18:35
 An: finale@shsu.edu
 Betreff: Re: [Finale] Sibelius 5
 
 ThomaStudios wrote:
 Well, this was the shove I needed.  50% off and you put it perfectly
 Bruce:  same cost as upgrading to Finale 2008, which I steadfastly
 refuse to do.  So I took the plunge and ordered the competitive
 upgrade.
 
 Correct me if I'm wrong, but it seems that the overwhelming consensus
 is that Finale 2008 has all the problems of 2007 and then some,
 without any new features that would make the pain more tolerable. (I
 know there are new features, but do they improve the day to day
 experience of Finale?)
 
 I'll wait until the first bug-fix to reevaluate buying Finale 2008.
 
 -Randolph Peters
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Re: AW: [Finale] Sibelius 5

2007-10-05 Thread Christopher Smith


On Oct 5, 2007, at 8:04 PM, Kurt Gnos wrote:

It seems people who write these kinds of topics don't read the rest  
of the

Finale maillist.

While I sympathize with switching to Sibelius, I've been doing that  
for
years, I must admit that I find Finale's new features, even if  
keeping the
bugs, worth the upgrade. The new combined arrow/mass mover tool  
and the

more logical menus have already saved me a lot of hours work.
The less new linked parts are worth weeks or months.


Hmm, they never saved me HOURS of work, since I spent more time  
looking for stuff than using it...


And I miss the old functionality of the Clear button (on Mac) that  
got rid only of measure entries. Now it clears EVERYTHING, so I have  
to go to the menu and go through the Clear Selected Items menu  
manually, which I only had to do in past if I wanted to get rid of a  
certain class of item.


But I am off 2008 now. And I won't be upgrading to 2009 unless some  
BIG bug fixes are made, including the almost ubiquitous file  
corruption problem.


Christopher


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