[Hornlist] Buzz pipes, how do they work?
I am interested in the buzz pipes sold by embouchures.com. However, before I decide to order and pay for pipe and overseas shipping (I live in Sweden), I would be grateful if someone could describe the design and explain how they work. So far, I have no idea which model to select, so a description of any one model is welcome. The use I am thinking of is on the road practicing. Sven ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] RM Williams Publishing
Does anyone have any information on when the Rm Williams Publushing website will be back in business? Dec. 21, 2006, I ordered over $200 worth of horn music I was really looking forward to playing-mostly music of Paul Basler. And I have not recieved any kind of response-no email confirmation of my order and no response to my 2 additional emails either. Just a few days ago, I went back to their website and it says they are unable to fill any orders at this time. Does anyone know what's going on? I know this music is worth waiting for-but for how long? Melvin Baldwin _ FREE online classifieds from Windows Live Expo buy and sell with people you know http://clk.atdmt.com/MSN/go/msnnkwex001001msn/direct/01/?href=http://expo.live.com?s_cid=Hotmail_tagline_12/06 ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] RM Williams Publishing
Hello Melvin, I've had the same problem with music I ordered (and paid for) in August. Repeated emails to their address got no response so I sent one to the owner, Michelle Stebleton, at her FSU address in November asking about it. She did respond to that that they had a fire and were running behind. She also said she would send the order right away. Since then, I've emailed two reminders with no response, no music and no refund. Their web site doesn't list a phone number but the Florida State University web site does list an office phone and email for her. http://directory.fsu.edu/cgi-bin/search/searchList.cgi Search for Stebleton. I just left a message this morning. I really hope everything is OK - Michelle is a great horn player and an advocate for hornists everywhere. -- Bruce Kelley in Redmond, WA -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Melvin Baldwin Sent: Friday, February 02, 2007 6:01 AM To: Horn@music.memphis.edu Subject: [Hornlist] RM Williams Publishing Does anyone have any information on when the Rm Williams Publushing website will be back in business? Dec. 21, 2006, I ordered over $200 worth of horn music I was really looking forward to playing-mostly music of Paul Basler. And I have not recieved any kind of response-no email confirmation of my order and no response to my 2 additional emails either. Just a few days ago, I went back to their website and it says they are unable to fill any orders at this time. Does anyone know what's going on? I know this music is worth waiting for-but for how long? Melvin Baldwin ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Playing with headphones
The head phones are just used when synchronizing with another soundtrack or to synchronize with a certain rhythm pattern for (just before) rhythm changes. It is nonsense to use it in classical music recordings except for those, where a real ensemble does not exist all voices are recorded separately mixed together. We know about such synthetic results. There is no music in such recordings but they are just boring. Why not trying another idea ? Perhaps doing an intercontinental orchestral concert, where all work with earphones but playing in different countries continens JUST ONLINE for listeners JUST ONLINE. The funny thing is it, they wood save the rent of the hall, the security personal, the music rental (who could check that), every listener could feed himself or herself with their preferred food make food noise all over not disturbing any other listener, even going pee without disturbing the seat neighbour, even listening naked or in bed or on the toilet . Many advantages ... And nobody has to pay for the concert ticket (How about the living for the musicians) -- ooops they do it from home anyway earn their living by giving lessons - oops again, sorry, they teach online - etc. A world of music I would not like to live in. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Jeremy Cucco Sent: Friday, February 02, 2007 2:35 PM To: horn@music.memphis.edu Subject: [Hornlist] Playing with headphones Hey guys and gals - Weird question here. I'm having a debate with some of my recording cronies about the use of headphones on classical musicians while recording. While I completely agree that in soundstages for soundtrack (movie) recording, it's common place. However, some of my (should be better informed) colleagues insist that it is becoming the norm for all orchestral players to get used to recording with headphones (full coverage or single ear coverage). I'm curious to know some of your thoughts. I won't state my full opinion here as I don't want to taint the potential advice that comes in. Thoughts anyone?? Thanks - Jeremy ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/hans%40pizka. de ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Playing with headphones
It really depends on the nature of the recording. There are essentially two types of orchestral recordings nowadays -- those that attempt to reproduce a live sound, and studio recordings that are after an often non-acoustic sound. Film scores fall into the latter catagory, as do many orchestral pop recordings and projects that record additional instruments/soloists in different takes than the orchestra. Should classical musicians get used to using headphones? Sure -- it's a useful skill to have, even if they don't actually have to records that way. On Feb 2, 2007, at 10:00 AM, [EMAIL PROTECTED] wrote: message: 3 date: Fri, 2 Feb 2007 08:35:03 -0500 from: Jeremy Cucco [EMAIL PROTECTED] subject: [Hornlist] Playing with headphones Hey guys and gals - Weird question here. I'm having a debate with some of my recording cronies about the use of headphones on classical musicians while recording. While I completely agree that in soundstages for soundtrack (movie) recording, it's common place. However, some of my (should be better informed) colleagues insist that it is becoming the norm for all orchestral players to get used to recording with headphones (full coverage or single ear coverage). I'm curious to know some of your thoughts. I won't state my full opinion here as I don't want to taint the potential advice that comes in. Thoughts anyone?? Thanks - Jeremy ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Headphones
I like to use headphones when I am layering, doubling/3x/4x myself , tutti horn never sounded better. I have done a few commercials which required this. Where are all the studio horn players in LA? I would like to hear their input on larger ensemble work. Bored stiff? Loosen up... Download and play hundreds of games for free on Yahoo! Games. http://games.yahoo.com/games/front ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] New Horn Questions
Hello All- I write with extreme excitement as my brand new, yellow brass double Engelbert Schmid arrived this morning. (I bought a medium yellow brass and a large(still significantly smaller than the 8D) rose-brass bell flare, both hand-hammered with garland. What a beauty! Such an improvement over my old and junky Texas 8D. I have a few questions though. First, I play on a Lawson S670 XT (the XT is because I had him drill the cup a little deeper, making a little more cup volume -greatly improved the tone on my old 8D at least; by improve I mean darker and less splatty) My concern is that the mouthpiece shank sinks in very far (about an inch) into the mouthpiece receiver on the leadpipe. I have read from various sources that European horn makers use a different taper on the mouthpiece receiver than so American horn and mouthpiece makers. Is this a problem? It does fit snug with no wiggle room. Also, while still on MP's, have a lot of people out there who switched horns at some point found that they also needed to switch MP's to match the new horn too? I really like what the Lawson MP did for me on the Conn, but I assume since these are such radically different horns that that might not be true on the Schmid. Another question. How long will it take me to get used to this new instrument? I ask because I am right in the middle of recording an extensive audition tape and even have recording dates set up starting tomorrow. (I could cancel them and postpone quite easily though) Should I record the tape on the old horn or reschedule and play on the Schmid? If so how long to wait, I have until the end of Feb.? There are a lot of things the new horn does infinitely better which I could tell immediately. But a lot of things are totally different, the biggest that I chip (overshoot) a lot of notes while slurring as the partials feel a lot closer. Well anyway, if anyone could offer some advice in these regards I'd greatly appreciate it. My god, the Schmid is just exquisite though. It feels like blowing a feather around where as the 8D is like playing soccer with a bowling ball. Thanks in advance, Dave Meichle A much broker student at Lawrence University now ps. If you have any questions about this horn I'd be happy to offer my experiences, especially as I get a change to play it a little more. Interested in getting caught up on today's news? Click here to checkout USA TODAY Headlines. http://track.juno.com/s/lc?s=198954u=http://www.usatoday.com/news/front.htm?csp=24 ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] New Horn Questions
Oh, another quick question. I would very much like to get this instrument insured. College Campus' are notorious for theft. My mother's hand-made Lauben Oboe was stolen when she was a student and she had to quit playing. (so there is motivation in my family here) What options are there out there for instrument insurance? I don't think it would be covered under homeowners, as I live in a dormatory. Should I get a seperate plan just for the Horn? Will plans cover accidental damage (like someone knocking it off a chair) or just theft? What about if the building burns down and the horn is lost? Or damaged on an airline ? What so these policies cost? Thanks again, I am sure this is something many of you will know about, Dave Meichle Lawrence University Interested in getting caught up on today's news? Click here to checkout USA TODAY Headlines. http://track.juno.com/s/lc?s=198954u=http://www.usatoday.com/news/front.htm?csp=24 ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] New Horn Questions
Check with both the college and the home owner's or apartment policy from your permanent domicile. One, the other, or both may cover this, or one, the other, or both may let you add specific coverage (a rider) to whatever coverage you currently have. Either way, be sure to take pictures of the horn and keep those plus the receipt in a safe deposit box somewhere. -S- -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, February 02, 2007 4:47 PM To: horn@music.memphis.edu Subject: Re: [Hornlist] New Horn Questions Oh, another quick question. I would very much like to get this instrument insured. College Campus' are notorious for theft. My mother's hand-made Lauben Oboe was stolen when she was a student and she had to quit playing. (so there is motivation in my family here) What options are there out there for instrument insurance? I don't think it would be covered under homeowners, as I live in a dormatory. Should I get a seperate plan just for the Horn? Will plans cover accidental damage (like someone knocking it off a chair) or just theft? What about if the building burns down and the horn is lost? Or damaged on an airline ? What so these policies cost? Thanks again, I am sure this is something many of you will know about, Dave Meichle Lawrence University __ __ Interested in getting caught up on today's news? Click here to checkout USA TODAY Headlines. http://track.juno.com/s/lc?s=198954u=http://www.usatoday.com/ news/front.htm?csp=24 ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/steve%40fridays computer.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] New Horn Questions
Dave, Start calling insurance agents and see what you can get. Your mileage will vary by company. I've had various homeowners insurance policies through the years, and some have covered my horn, while others required a separate addendum to the policy. You'll just have to shop around. You should also check and see if you can still be covered by your parents' homeowner or renter policy. It's a bit daunting when you realize that your instrument is one of the most valuable items that you own! Good luck, Carlisle -now returning to lurker mode On Feb 2, 2007, at 9:46 PM, [EMAIL PROTECTED] wrote: Oh, another quick question. I would very much like to get this instrument insured. College Campus' are notorious for theft. My mother's hand-made Lauben Oboe was stolen when she was a student and she had to quit playing. (so there is motivation in my family here) What options are there out there for instrument insurance? I don't think it would be covered under homeowners, as I live in a dormatory. Should I get a seperate plan just for the Horn? Will plans cover accidental damage (like someone knocking it off a chair) or just theft? What about if the building burns down and the horn is lost? Or damaged on an airline ? What so these policies cost? Thanks again, I am sure this is something many of you will know about, Dave Meichle Lawrence University ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] conductor issues
I'm hoping someone can give me some professional advice. I'm coprincipal of my university's top symphony. The usual conductor of our symphony is on sabbatical and the baroque ensemble conductor has stepped in for this semester. He's always been one of my favorite conductors to work under because his style is so clear, but is still very musical. And he's just a nice, fun guy. In the many times I've worked with him I've never had a problem until now. Just the other day, he went to the horn instructor on campus and told him the horn players didn't know their parts. When the instructor confronted me about it I was appalled. This section is the best we've had in years. We all know our music very well. And in our symphony's history, the horn section has always been exceptional--if not in the first few rehearsals, certainly by the concert. But on several occations, the conductor has asked us to fix parts that didn't need fixing. We finally asked him what he wanted specifically (thought that maybe he didn't like our interpretation or something) and he said we were playing wrong notes. We hadn't missed any! We are in a new rehearsal hall so I thought that maybe there was something about the acoustics of the room that caused him to hear another section's mistakes and think they're coming from us. Does that happen? Or maybe he's just stressed because we have two tours this semester (different music for each). In the second rehearsal he screamed at us (only the horns) for not being perfect by the second rehearsal. On that piece we were transposing parts in C, and we have a freshman whos' a little slow on transpositions larger than a 3rd. On the other hand, the basses have a very exposed section that they've NEVER played together or with correct notes. He points this out to them every rehearsal and politely asks them to learn their part. Seven rehearsals later, they still don't know their part and all they get is a smile and learn that for next time. I'm beginning to feel like we could play our music flawlessly and it still wouldn't be enough for him. On the other hand, any other section can do no wrong. Again, I've never had a problem with this conductor before and I don't like being upset with him. But he incapacitates my section in every rehearsal. The other principal was so angry one day he had to get up a leave to walk around for a while. Anyway, I want to confront this conductor about what's been happening, but I'm afraid that anything I say will be interpreted as whining or making excuses for a section he seems to believe is sub par. What can I say to him that will preserve a good relationship and help solve the problem? Thanks, Heather ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] conductor issues
At 9:39 PM -0700 2/2/07, Barson, Heather wrote: Anyway, I want to confront this conductor about what's been happening, but I'm afraid that anything I say will be interpreted as whining or making excuses for a section he seems to believe is sub par. What can I say to him that will preserve a good relationship and help solve the problem? Seems to me that it would be helpful if you suggested that the conductor point out specific things during rehearsal. Ask him if you man play as a section then. You can't win if there's a war, but I'd say this would improve things. No need to defend yourselves; that's usually counterproductive. You say he's a nice guy so there shouldn't be any problem. Maybe giving the person who has trouble with transposition a bit of help wouldn't be too bad an idea. How about some names? Where? Who? How big is the group? What pieces? Where does he think there's a problem? -- Carlberg Jones Skype - carlbergbmug Guanajuato, Gto. MEXICO ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
