Re: [Hornlist] Duets
Jeremy, I invite you to look at my Recital Duets (1981) - These duets were originally composed for English horn and tuba. They are now available for all instruments as duets for the same instrument or in any combination of instruments. The seven movements range in expressiveness from fanfares to love duets in a modal language that is based in shifting tonality. Duration: 10:00 $5.00. You can see and hear these duets at http://cooppress.hostrack.net and click on "horn music". Sy Brandon [EMAIL PROTECTED] Website http://cooppress.hostrack.net Book, A Composer’s Guide To Understanding Music with Activities for Listeners, Interpreters and Composers On Feb 18, 2007, at 2:18 PM, Jeremy Cucco wrote: All - Please allow me to confess my utter ignorance on the subject of duets. Could any of you kindly make a recommendation of good collections of duets available (still in print) which would be well suited for advanced amateur/semi-pro caliber individuals? All styles are appreciated including jazz and contemporary as well as classically-oriented. Thanks in advance! Jeremy ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/ options/horn/retiredprof55%40comcast.net ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Duets
I can't tell you how hurt I am that my horn duets have not been mentioned in the lists that have been offered so far. (Well, I could tell you, but you wouldn't take me seriously.) My six horn duets were composed originally for natural horns in various keys, but there is also an edition for modern horns in F. Philip Farkas liked them -- so what can I say? If anybody is interested, write to me off-list. David Lamb in Seattle ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Duets
Well: Duvernoy (2 sonatas for horn & bassoon or cello), Mackovecky (horn & clarinet or viola), Punto (horn & bassoon or cello), Adolphe Blanc (3 Sonatas for horn & bassoon or cello) - that´s only from my publications ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Duets
Belloli, Many more Gallay, Mozart & Nicolai, O.Franz are in print. But there are more by Punto (Stich), Mackovecky, Cacciamani, Meifred, Vanderhagen, Grimm, etc. - all available -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Carlberg Jones Sent: Sunday, February 18, 2007 10:42 PM To: The Horn List Subject: RE: [Hornlist] Duets These are some of my favorite duet collections: Belloli Piccoli Duetti Franz 100 Duette Gallay 6 Duos Faciles, Op. 41 Gallay 12 Duets, Op. 2 GearhartDuet Sessions (two treble clef instruments) Griebling Duets Henning & FrehseInstruktive Duos HoweSeventeen Horn Duets Kling Classical Transcriptions Kling 30 Duets Mozart Duets (McGinnis & Marx) Nicolai Duos (six of them) SchullerDuets I don't know which are in print. -- Carlberg Jones Skype - carlbergbmug Guanajuato, Gto. MEXICO ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/hans%40pizka. de ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Duets
At 4:16 PM -0500 2/18/07, David Goldberg wrote: duets for double bass and 1) viola, by Karl Ditters von Dittersdorf 2) bassoon, by Benoit Guillement 3) cello, by Bernhard Romberg One must remember that the double bass is a transposing instrument. The sounding pitch is an octave lower than the written pitch. -- Carlberg Jones Skype - carlbergbmug Guanajuato, Gto. MEXICO ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Duets
These are some of my favorite duet collections: Belloli Piccoli Duetti Franz 100 Duette Gallay 6 Duos Faciles, Op. 41 Gallay 12 Duets, Op. 2 GearhartDuet Sessions (two treble clef instruments) Griebling Duets Henning & FrehseInstruktive Duos HoweSeventeen Horn Duets Kling Classical Transcriptions Kling 30 Duets Mozart Duets (McGinnis & Marx) Nicolai Duos (six of them) SchullerDuets I don't know which are in print. -- Carlberg Jones Skype - carlbergbmug Guanajuato, Gto. MEXICO ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Duets
Hey- I think that every hornist should own both the O. Franz duetts (there are two books) and at least some of the 6 Otto Niccoli duets. The Niccoli duets are excellent 3 movement works, all about 20 pages long. They are hard enough to be interesting and challenging, but also easy enough for a very good non-pro to sightread, at least under tempo at first. I don't know if the O. Franz set are all original compositions or arrangements, some of them say Bach at the top and some don't. regardless they are also excellent, and there are so many you can flip to a random page and play away. I read a few with my prof. every week in my lesson. Both of these can be found at Robert King music online very easily, and probably lots of other places... Happy Practicing, Dave Meichle Lawrence University Interested in getting caught up on today's news? Click here to checkout USA TODAY Headlines. http://track.juno.com/s/lc?s=198954&u=http://www.usatoday.com/news/front.htm?csp=24 ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Duets
Hans - read Jeremy's message again - he said "duets" - he didn't say "horn duets". But ok - I would have answered the same anyway. And I didn't mean transcriptions - I meant the real thing, out of the geige store; violin duets composed for two violins. Or for two brave hornists. That reminds me - I also recently stumbled on a very pleasant CD of duets for double bass and 1) viola, by Karl Ditters von Dittersdorf 2) bassoon, by Benoit Guillement 3) cello, by Bernhard Romberg played by members of the Chicago Symphony Orchestra. These would also be good fun for horns - sometimes folks here ask, what about low horn practice. These are nice little cupcakes for two. Cheers, David hans wrote: David, I thought hornplayers want to play original works for horn not all these transcriptions Cello sonatas, violin duets, etc. but the same time protesting that a Russian cornettist plays the Gliere . -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of David Goldberg Sent: Sunday, February 18, 2007 8:38 PM To: The Horn List Subject: Re: [Hornlist] Duets Pleyel Duets for 2 violins; at least op.8, 23, 48. Best transpose to C, maybe lower. There are lots of other violin duets by other composers. Some of these would be very difficult for horns. Jeremy Cucco wrote: All - Please allow me to confess my utter ignorance on the subject of duets. Could any of you kindly make a recommendation of good collections of duets available (still in print) which would be well suited for advanced amateur/semi-pro caliber individuals? All styles are appreciated including jazz and contemporary as well as classically-oriented. Thanks in advance! Jeremy ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Recommendation: Harp, Horn, and ???
I have enjoyed performing "Pavane pour une Infante defunte" with harp. You can find one version in the Mason Jones "Solos for the Horn Player". -- Nelson R. Lawson, Sr. Music Education Consultant French hornist -- Original message -- From: Bo Gusman <[EMAIL PROTECTED]> > My wife's church was planning on a Mozart Flute/Harp duet this summer as > part of an ongoing fundraising series for a local charity. The flautist, > a studio musician from LA cannot escape his duties in Shakey Town, and > so the opportunity has presented itself to do a Horn/Harp piece. The > orchestra is small based on the other piece they're doing (something > like 7 strings, 2 oboes, 2 bassoons, 2 trumpets and tympani). Are there > any recommendations for something using Horn and Harp, with or without > orchestra, or Horn/Harp/Voice of some sort, with or without orch.? > > Maybe it's time for me to buy one of the Dalley catalogs. (google is > your friend: http://www.brassarts.com/books,_etc_.htm) > > Bo > ___ > post: horn@music.memphis.edu > unsubscribe or set options at > http://music2.memphis.edu/mailman/options/horn/nlaws2001%40comcast.net ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
RE: [Hornlist] Duets
David, I thought hornplayers want to play original works for
horn not all these transcriptions
Cello sonatas, violin duets, etc. but the same time
protesting that a Russian cornettist plays the Gliere .
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of David Goldberg
Sent: Sunday, February 18, 2007 8:38 PM
To: The Horn List
Subject: Re: [Hornlist] Duets
Pleyel Duets for 2 violins; at least op.8, 23, 48. Best
transpose to C, maybe lower.
There are lots of other violin duets by other composers.
Some of these would be very difficult for horns.
Jeremy Cucco wrote:
> All -
>
> Please allow me to confess my utter ignorance on the
subject of duets.
> Could any of you kindly make a recommendation of good
collections of
> duets available (still in print) which would be well
suited for
> advanced amateur/semi-pro caliber individuals? All styles
are
> appreciated including jazz and contemporary as well as
classically-oriented.
>
> Thanks in advance!
>
> Jeremy
>
--
{ David Goldberg: [EMAIL PROTECTED] }
{ Math Dept, Washtenaw Community College }
{ Ann Arbor Michigan }
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de
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RE: [Hornlist] Duets
Visit my homepage at www.pizka.de/Pizka-music.html or ask me for my complete pricelist (1.8 MB) with many duets from easy to difficult. == -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Jeremy Cucco Sent: Sunday, February 18, 2007 8:18 PM To: horn@music.memphis.edu Subject: [Hornlist] Duets All - Please allow me to confess my utter ignorance on the subject of duets. Could any of you kindly make a recommendation of good collections of duets available (still in print) which would be well suited for advanced amateur/semi-pro caliber individuals? All styles are appreciated including jazz and contemporary as well as classically-oriented. Thanks in advance! Jeremy ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/hans%40pizka. de ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Duets
Pleyel Duets for 2 violins; at least op.8, 23, 48. Best transpose to C,
maybe lower.
There are lots of other violin duets by other composers. Some of these
would be very difficult for horns.
Jeremy Cucco wrote:
All -
Please allow me to confess my utter ignorance on the subject of duets.
Could any of you kindly make a recommendation of good collections of
duets available (still in print) which would be well suited for advanced
amateur/semi-pro caliber individuals? All styles are appreciated
including jazz and contemporary as well as classically-oriented.
Thanks in advance!
Jeremy
--
{ David Goldberg: [EMAIL PROTECTED] }
{ Math Dept, Washtenaw Community College }
{ Ann Arbor Michigan }
___
post: horn@music.memphis.edu
unsubscribe or set options at
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Nichol's knuckles
David G wrote "(Red Nichol's) father believed that practice makes perfect and made Red practice the cornet for at least an hour before breakfast. He rewarded mistakes with a crack on the knuckles. Red's precision, tone, and mastery of his instrument were developed early because of his father's strict discipline." Such pedagogical techniques have likely long fallen into disuse; yet they equally likely helped to produce this fine musician, land him immortality in music history, and left us with a great musical legacy. In retrospect, was Red better or worse off for his treatment? Are there any moms or dads here who would like to weigh in on unusual teaching techniques that have paid off for their youngsters? Is the world missing some excellent musicians because dad was too timid to whack his little prodigy? On the detail level, if you are going to crack knuckles, would it make more musical sense for cornet and horn dads to target the right hand? If your students have learned their lessons properly, and if they have seriously absorbed the significance of cracking knuckles, then eventually they spontaneously crack their own knuckles after making a mistake, or even in advance of making the mistake. This is why I enjoy cracking my knuckles during the long boring bit before the horn solo in Tchaik V. Really, David, there's no point in limiting yourself to one hand - you can crack one hundred percent more if you use both hands. Gotta go, Cabbage ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Duets
All - Please allow me to confess my utter ignorance on the subject of duets. Could any of you kindly make a recommendation of good collections of duets available (still in print) which would be well suited for advanced amateur/semi-pro caliber individuals? All styles are appreciated including jazz and contemporary as well as classically-oriented. Thanks in advance! Jeremy ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Nichol's knuckles
This is slightly NHR, as it concerns a teaching technique that worked
for a cornet player, but it might work just as well for horn players.
I recently stumbled on the CD "Radio Transcriptions", which is a
collection of the playing of Red Nichols and his Five Pennies. The
pieces were broadcast on the radio in 1929-1930. For those of you not
in the know, Red Nichols and his Five Pennies were a popular and
innovative jazz band at that time; also they are the protagonist in the
1959 movie "The Five Pennies", starring Danny Kaye, Barbara Bel Geddes,
and Louis Armstrong. Must see - you'll laugh, you'll cry, you'll hear
great music.
However, what caught my eye was part of Red's biography from the blurb
inside the CD case. Red's father was a professional musician, teacher,
conductor, and a professor of music. "His father believed that practice
makes perfect and made Red practice the cornet for at least an hour
before breakfast. He rewarded mistakes with a crack on the knuckles.
Red's precision, tone, and mastery of his instrument were developed
early because of his father's strict discipline."
Such pedagogical techniques have likely long fallen into disuse; yet
they equally likely helped to produce this fine musician, land him
immortality in music history, and left us with a great musical legacy.
In retrospect, was Red better or worse off for his treatment? Are there
any moms or dads here who would like to weigh in on unusual teaching
techniques that have paid off for their youngsters? Is the world
missing some excellent musicians because dad was too timid to whack his
little prodigy?
On the detail level, if you are going to crack knuckles, would it make
more musical sense for cornet and horn dads to target the right hand?
( I ascribe to none of the above, I ask questions only; do not try this
at home; your mileage may vary)
--
{ David Goldberg: [EMAIL PROTECTED] }
{ Math Dept, Washtenaw Community College }
{ Ann Arbor Michigan }
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[Hornlist] Recent updates to hornplayer.net (18th February 2007)
Updates to hornplayer.net since 4th February 2007: FRENCH HORNS FOR SALE - New adverts Durk D4 - Full Double - 6300 EUR ? http://www.hornplayer.net/advert.asp?id=6483 Conn 6D - Full Double - 1000 US $ http://www.hornplayer.net/advert.asp?id=6484 Alexander 107 - Bb/A/f Alto Full Double - 2800 UK sterling http://www.hornplayer.net/advert.asp?id=6490 [Photo] Alexander 103 - Full Double - 2000 EUR ? http://www.hornplayer.net/advert.asp?id=6491 Conn 8D - 1972 - Full Double - 2500 US $ http://www.hornplayer.net/advert.asp?id=6492 Reynolds Contempora - Full Double - 1800 US $ http://www.hornplayer.net/advert.asp?id=6493 [Photo] Alexander, possible copy Identical to 103 - Full Double - 2500 US $ http://www.hornplayer.net/advert.asp?id=6494 Stork Orval custom 4 1/2 - Mouthpiece - 50 US $ http://www.hornplayer.net/advert.asp?id=6495 [Photo] Holton H-104 Tuckwell - Full Double - 3800 US $ http://www.hornplayer.net/advert.asp?id=6496 [Photo] Engelbert Schmid ES1 - Full Double - 7800 US $ http://www.hornplayer.net/advert.asp?id=6497 Conn 28D - Full Double - 4800 US $ http://www.hornplayer.net/advert.asp?id=6499 Yamaha 667 - Leadpipe only - 160 US $ http://www.hornplayer.net/advert.asp?id=6500 Dieter Otto - Full Double - 3200 EUR ? http://www.hornplayer.net/advert.asp?id=6501 Conn 8D (M-series Elkhart) - Full Double - 2900 US $ http://www.hornplayer.net/advert.asp?id=6502 [Photo] ProTec - Case - Detachable Bell - 100 US $ http://www.hornplayer.net/advert.asp?id=6503 Lawson Classical - Leadpipe only - 200 US $ http://www.hornplayer.net/advert.asp?id=6504 Conn 8D - Full Double - 2500 US $ http://www.hornplayer.net/advert.asp?id=6506 Here is a small selection from the 162 horns currently advertised: Yamaha 667D - Full Double - 5000 AUS $ http://www.hornplayer.net/advert.asp?id=6255 [Photo] Finke Brendan - Full Double - 5200 US $ http://www.hornplayer.net/advert.asp?id=6155 Paxman 75/3 - Full Triple - 9850 EUR ? http://www.hornplayer.net/advert.asp?id=5579 -> For a complete list of horns for sale, visit http://www.hornplayer.net/advert.asp -> Signup at http://groups.yahoo.com/group/hpn_new_adverts to get <- -> an email every time a new advert is added to hornplayer.net <- -- Looking for a professional quality used horn? www.hornsaplenty.com has your next horn -- New and updated teacher listings: John Ericson (USA, AZ, Tempe) http://www.hornplayer.net/teachers.asp?rd=703 Prof. I. M. Gestopftmitscheist (USA, NH, Bad Corner) http://www.hornplayer.net/teachers.asp?rd=731 Dr. Jennifer Oliva-Perry (USA, MI, Goodrich) http://www.hornplayer.net/teachers.asp?rd=1318 Amy Horn (USA, VA, Mclean, VA/Burtonsville MD) http://www.hornplayer.net/teachers.asp?rd=1341 Beth Graham (USA, MD, Baltimore) http://www.hornplayer.net/teachers.asp?rd=1538 Dave Claessen (Germany, Hamburg, Hamburg) http://www.hornplayer.net/teachers.asp?rd=2262 Mitch Serslev (USA, IN, Bloomington) http://www.hornplayer.net/teachers.asp?rd=3420 Harriet Parris- Piper (UK, Kent, Faversham) http://www.hornplayer.net/teachers.asp?rd=4371 Laurel Kay Filzen (USA, MI, Kalamazoo) http://www.hornplayer.net/teachers.asp?rd=15019 Gavriella Goldman (UK, Bedfordshire, BIGGLESWADE) http://www.hornplayer.net/teachers.asp?rd=15052 Rob Travis (USA, IL, Manteno) http://www.hornplayer.net/teachers.asp?rd=5991 Brandon Stewart (USA, TX, Lubbock) http://www.hornplayer.net/teachers.asp?rd=8756 Neil Smit (South Africa, Western Cape, Cape Town) http://www.hornplayer.net/teachers.asp?rd=6544 Sean Vore (USA, OH, Cincinnati) http://www.hornplayer.net/teachers.asp?rd=6597 Sybil Siska (USA, WI, Milwaukee) http://www.hornplayer.net/teachers.asp?rd=6781 Jeffrey Lang (USA, NJ, Cresskill) http://www.hornplayer.net/teachers.asp?rd=6982 Nick Caluori (USA, NEW YORK, West Point) http://www.hornplayer.net/teachers.asp?rd=7367 Lorenz Stockli (Switzerland, SG, Weesen) http://www.hornplayer.net/teachers.asp?rd=8609 Cara Kizer (USA, NY, New York) http://www.hornplayer.net/teachers.asp?rd=9838 Kimberly R.F. Allmann (USA, MN, Empire Township (Twin Cities)) http://www.hornplayer.net/teachers.asp?rd=11975 Eric Renfro (USA, TX, Dallas/Forth Worth) http://www.hornplayer.net/teachers.asp?rd=12910 Joseph Johnson (USA, GA, Augusta) http://www.hornplayer.net/teachers.asp?rd=12923 Cameron Rush (USA, KS, MO, Kansas City Metro) http://www.hornplayer.net/teachers.asp?rd=14329 Tony Gonzalez (USA, FL, Miami) http://www.hornplayer.net/teachers.asp?rd=15094 Colleen Wolf (USA, NY, Rocheste
