RE: [Hornlist] Re: Synesthesia

2007-02-23 Thread Robert Dickow
I was diagnosed with Synesthesia about 26 years ago. In my case it was quite
uninteresting; I saw bright flashes of light upon sudden noises, such as
doors shutting, etc. After about 2 years it went away. I had a lot of other
symptoms though too at the time, such as hallucinations (in various sensory
areas), and while I was living in France some of the neurologists there
described the syndrome as 'artistic hypersensitivity.' Others thought I had
a brain tumor. In the end, it was the artistic sensitivity I guess. Long
story, but I rather like the artistic sensitivity bit. Aside from a
childhood period of strange (but extremely pleasurable) 'out-of-body'
experiences, I have been completely normal, unfortunately. ;-) (also, see:
Oliver Sacks et al on temporal lobe epilepsy/migrane equivalents)

Robert Dickow
Lionel Hampton School of Music 

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
[EMAIL PROTECTED]
Sent: Thursday, February 22, 2007 7:46 PM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] Re: Synesthesia


Hello-

For more info about "synaesthesia" look at the Wikipedia article at:
http://en.wikipedia.org/wiki/Synesthesia

I know that this can vary greatly in severity.  The wonderful Russian
painter Wassily Kandinsky (1866-1944) also had this. This quite obvious from
his very brilliant colors.  Apparently he painted some of his masterpieces
when listening to Gershwin.  I remember reading that he experienced music as
an ocean of colors in his mind. 

I know a few students in my ear-training class who can tell (quite
reliably) what key something is in by its "color." I don't mean color as in
sound timbre, I mean actual visual color. F major is blue, A major is
Yellow, like that. 

Certain psychedelic drugs can induce this affect - though I will not comment
on whether I know of this from first hand experience... - and it can be
quite vivid. 

 

Happy Practicing Everyone, 

Dave Meichle
Lawrence University 



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Re: [Hornlist] Re: Synesthesia

2007-02-23 Thread billbamberg

I didn't inhale.

-Original Message-
From: [EMAIL PROTECTED]
To: horn@music.memphis.edu
Sent: Thu, 22 Feb 2007 7:46 PM
Subject: Re: [Hornlist] Re: Synesthesia

Hello-

For more info about "synaesthesia" look at the Wikipedia article at:
http://en.wikipedia.org/wiki/Synesthesia

I know that this can vary greatly in severity. The wonderful Russian
painter Wassily Kandinsky (1866-1944) also had this. This quite obvious
from his very brilliant colors. Apparently he painted some of his
masterpieces when listening to Gershwin. I remember reading that he
experienced music as an ocean of colors in his mind.

I know a few students in my ear-training class who can tell (quite
reliably) what key something is in by its "color." I don't mean color
as in sound timbre, I mean actual visual color. F major is blue, A
major is Yellow, like that.

Certain psychedelic drugs can induce this affect - though I will not
comment on whether I know of this from first hand experience... - and
it can be quite vivid.



Happy Practicing Everyone,

Dave Meichle
Lawrence University


 


FREE Reminder Service - NEW from AmericanGreetings.com
Click HERE and never forget a Birthday or Anniversary again!
 
http://track.juno.com/s/lc?s=197335&u=http://www.americangreetings.com/products/online_calendar.pd?c=uol5752



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Re: Re: [Hornlist] RE: Duets

2007-02-23 Thread Herbert Foster
Thanks, everyone for the suggestions. I will start him on the music he's
playing in school anyway.

Herb Foster
--- Anna Henry <[EMAIL PROTECTED]> wrote:

> Often, beginning band books have some duets in them.  Also, some methods have
> extra volumes of duets that work for any instrumentation (like the horn and
> saxophone duets my friend and I played in church in fifth grade).  I'd check
> what band method your student is using, and see if there is anything that
> goes along with it.  
>
>   Anna
>
>  
>
--
> 
> Here's a request from the other end of difficulty. I have volunteered 
> to teach
> a beginning kid--lesson fees to our church. What dead simple duets are
> available with recognizable tunes? He wouldn't recognize hymn tunes, 
> though. 
> 
> Herb Foster
> 
> 
> 
>  
> -
> Now that's room service! Choose from over 150,000 hotels 
> in 45,000 destinations on Yahoo! Travel to find your fit.
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RE: [Hornlist] Re: Synesthesia

2007-02-23 Thread hans
Last sentence applies special to Dr.Gestopftmitscheisst !!
("Grows to become rich, famous and good looking )
expressed modestly.

=== 

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Friday, February 23, 2007 3:27 PM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] Re: Synesthesia

 
I want to thank everyone who contributed to the palliation
of this  thread.
 
KOPPRASCH EFFECT: Child shows great initiative, discipline
and  attention to detail.  Gains self confidence.  Learns to
do things  properly and correctly the first time.  Grows up
to become rich,  famous and good looking.
 
KB
 
In a message dated 2/23/2007 8:52:28 A.M. Eastern Standard
Time, [EMAIL PROTECTED] writes:

Another  spelling is "palette" which seems to me a better
choice for one's  spread of color resources.

Mansur's Answers


On Feb 22, 2007,  at 9:48 PM, Simon Varnam wrote:

> Do you have it too, Matthew, or is  your spelling of
"pallete" a 
> simple typo?
>  :-)
>
> On 2007/02/23, at 3:00, [EMAIL PROTECTED]
wrote:
>
>> Curiously, he had the gift of Synesthesia. I  think that
fact alone 
>> may explain much of his sound  palate.
>>
>> Matthew Scheffelman
>
>  Interesting topic. Thanks for bringing it up.
> I wonder if this could  be connected to transposition too;
the feeling 
> of intervals as  distances. I'd assumed it was a learned
ability.  
> Hm...
>
> ___
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>  options/horn/p_mansur1%40comcast.net

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[Hornlist] Re: Soloist $

2007-02-23 Thread Richard
I thank Jeff Barker for his post and offer my own experiences from 
Chicago. The Lake Shore Symphony of Chicago has been around for over 30 
years. Our annual budget is less than $40K for a four concert season - 
some years we have done five concerts for that money. A few years back 
we were awarded the "Low Budget Orchestra of the Year" by the Illinois 
Council of Orchestras.


We have been fortunate to have several sources for soloists. The Chicago 
Symphony Orchestra and Lyric Opera Orchestra have many superb musicians 
who will perform for us for nominal fees, because they are looking for 
solo opportunities and/or because they appreciate the work we do. 
Section string players are especially easy targets. However we have had 
the likes of John Bruce Yeh (clarinet) and Gail Williams (horn), 
including a performance of the Schumann Konzertstück by the "Valykrie" 
horn quartet with Gail playing first.


Other soloists have been faculty players at the various music schools, 
rising young jobbers, talented students, and winners of competitions. 
Providing a performance opportunity for a rising young talent is one of 
the best roles a community group can perform. And the orchestra responds 
to a strong solo talent, playing up to their capabilities and sometimes 
beyond.


Richard Hirsh
Principal horn, sometime board president, often chief janitor
Lake Shore Symphony Orchestra of Chicago
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Re: [Hornlist] Re: Synesthesia

2007-02-23 Thread KendallBetts
 
I want to thank everyone who contributed to the palliation of this  thread.
 
KOPPRASCH EFFECT: Child shows great initiative, discipline and  attention to 
detail.  Gains self confidence.  Learns to do things  properly and correctly 
the first time.  Grows up to become rich,  famous and good looking.
 
KB
 
In a message dated 2/23/2007 8:52:28 A.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

Another  spelling is "palette" which seems to me a better choice for  
one's  spread of color resources.

Mansur's Answers


On Feb 22, 2007,  at 9:48 PM, Simon Varnam wrote:

> Do you have it too, Matthew, or is  your spelling of "pallete" a  
> simple typo?
>  :-)
>
> On 2007/02/23, at 3:00, [EMAIL PROTECTED]  wrote:
>
>> Curiously, he had the gift of Synesthesia. I  think
>> that fact alone may explain much of his sound  palate.
>>
>> Matthew Scheffelman
>
>  Interesting topic. Thanks for bringing it up.
> I wonder if this could  be connected to transposition too; the  
> feeling of intervals as  distances. I'd assumed it was a learned  
> ability.  Hm...
>
> ___
>  post: horn@music.memphis.edu
> unsubscribe or set options at  http://music2.memphis.edu/mailman/ 
>  options/horn/p_mansur1%40comcast.net

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Re: [Hornlist] Re: Synesthesia

2007-02-23 Thread Paul Mansur
Another spelling is "palette" which seems to me a better choice for  
one's spread of color resources.


Mansur's Answers


On Feb 22, 2007, at 9:48 PM, Simon Varnam wrote:

Do you have it too, Matthew, or is your spelling of "pallete" a  
simple typo?

:-)

On 2007/02/23, at 3:00, [EMAIL PROTECTED] wrote:


Curiously, he had the gift of Synesthesia. I think
that fact alone may explain much of his sound palate.

Matthew Scheffelman


Interesting topic. Thanks for bringing it up.
I wonder if this could be connected to transposition too; the  
feeling of intervals as distances. I'd assumed it was a learned  
ability. Hm...


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Re: [Hornlist] Shipping horns (a cautionary tale)

2007-02-23 Thread BrassArtsUnlim
In a message dated 2/22/2007 6:40:12 PM Eastern Standard Time, 
[EMAIL PROTECTED] writes:
I once received a horn who's leadpipe was actually sticking through the side 
of the box!  It had about 3 pieces of crumpled newspaper in the box, I think 
for decoration, certainly not for any functional reason.
---
At the risk of playing "Can you top this?" I have to relate the following 
story.  I sold an MB case to a customer who, for what reason I cannot remember, 
decided against keeping the case.  I am still in disbelief as to how they 
returned this new case, expecting full credit:  A FedEx ground sticker, similar 
to 
the kind they put on your luggage handle at airports, was wound around the 
case handle.  That's it. No wrapping, no box, no packing materials of any kind. 
 
The case was bumped, handled, chuted, packed, transported, conveyed, and 
otherwise delivered to my door unpackaged, au naturel, and it looked as though 
it 
had suffered all the indignities that it might have in such a situation.  (sigh)

Dave Weiner
Brass Arts Unlimited
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RE: [Hornlist] A Strauss 2 to take note of

2007-02-23 Thread Sandra Clark
Cleveland Orchestra on the Radio - a nationally broadcast series of their
concerts - is available to stations who wish to broadcast it.  Some do -
most don't.  As many musicians are aware, most NPR stations have gone to the
all talk format.  Classical music stations are few and far between.  I do
know that there is live streaming on many public radio stations - including
our local station here (which does broadcast The Cleveland Orchestra)-
though live streaming is subject to dropouts and interruptions.  

www.wgte.org

Sandra
Toledo, OH

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Fred
Baucom
Sent: Thursday, February 22, 2007 4:29 PM
To: The Horn List
Subject: Re: [Hornlist] A Strauss 2 to take note of

For those of us not close-by to the Cleveland area - does the Cleveland
Orchestra have a national rebroadcast agreement, say with National Public
Radio?

Thanks, Fred


- Original Message 
From: Sandra Clark <[EMAIL PROTECTED]>
To: The Horn List 
Cc: [EMAIL PROTECTED]
Sent: Thursday, February 22, 2007 1:20:48 PM
Subject: [Hornlist] A Strauss 2 to take note of


Hi folks – Julie, at Cleveland Orchestra group sales, asked me to post this
for your information.  For those who don’t know, Richard is an amazing
player, and it’s sure to be a great performance – 


Discounted tickets available for members of the International Horn Society! 

Join your fellow I.H.S. members at
Severance Hall
11001 Euclid Avenue, Cleveland, Ohio 44106 Thursday, May 10, 2007 at 8:00
p.m.

Concert program:
Paavo Järvi, conductor
Richard King, horn

SIBELIUS Night Ride and Sunrise
R. STRAUSS Horn Concerto No. 2
PROKOFIEV Symphony No. 5

Contact The Cleveland Orchestra Group Sales office TODAY to order discounted
tickets at
216-231-7463
Please mention "I.H.S." to receive a 50% discount on tickets to this
concert. Your friends, family and students are welcome to join you!


Discount is only valid through Group Sales office, by calling 
216-231-7463. Tickets must be purchased by 5/04/07. Offer NOT valid at the
Ticket Office or on-line. 

Julie Gilliland 
Group Sales Manager
The Cleveland Orchestra
Severance Hall
11001 Euclid Ave
Cleveland OH 44106
Ph/216-231-7463
Fax/216-231-4038
[EMAIL PROTECTED]
www.clevelandorchestra.com  


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