Re: [Hornlist] Spit valve problem: Ideas?

2007-05-08 Thread David Goldberg
A slight problem is cutting a nice circle of whatever flexible material 
you decide to use; but it doesn't really need to be nice, just functional.


A related approach to what has already been suggested would be to use 
some silicone glue - aquarium sealer is one incarnation - as the pad.  
Lay a thick blob into the space that used to be occupied by the original 
pad.  After it dries, you can slice a straight surface with a sharp 
blade so that it seals the hole perfectly, but it might be more 
efficient to let the blob half-dry while keeping the valve open, and 
then let the valve close sufficiently so that the blob gets squeezed 
enough for it to conform to the correct shape.  I never tried this, but 
it seems simple and can't-miss.


   {  David Goldberg:  [EMAIL PROTECTED]  }
   { Math Dept, Washtenaw Community College }
 { Ann Arbor Michigan }

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Re: [Hornlist] Spit valve problem: Ideas?

2007-05-08 Thread Jerry Houston

Angela Gonzales wrote:
Howdy, fellow hornlisters. 

I have a situation involving one of my horn students. 


The padding to the spit valve on her Holton 179 fell
off. She was going to give me the padding to put back
on when she also realized it went missing. 


I was going to suggest that you fix it with a bit of cork (from a nice 
Cabernet, maybe?) but that seemed too obvious.


Even some cork from a cheap white zinfandel oughta work just fine.
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Re: [Hornlist] Spit valve problem: Ideas?

2007-05-08 Thread Steve Haflich
   From: Angela Gonzales <[EMAIL PROTECTED]>
   
   Any ideas on what could be used to seal it temporarily
   until it's properly fixed? I would hate to have her to
   use piece of paper to cover the opening until it gets
   to the shop.

The important point is that the spit value must not leak even in the
slightest, or the horn will not play correctly.  The seal must be air
tight.

That said, there are three strategies for this repair.

(1) This is an absolutely trivial repair and can be trusted even to a
2nd-rate assistant tech in any shop.  (Even if it were botched, the
instrument is not harmed and a better job can be performed later.)  I
imagine any repair shop would be willing to do it while you wait, if
you explain the situation.

(2) The repair is within the capability of any reasonably-handy
person, provided you can get a little bit of rubber gasket material to
trim into a careful circle and glue into the key.  Rubber cement is
good -- water resistant, but easily removable -- although not as
permanent as what a pro would use.  If you have nothing else readily
available for gasket material at home or at the local hardware store,
an old bicycle inner tube would provide the necessary rubber.  Might
need two layers glued together.

(3) If neither of the above works, you can easily seal the opening in
the valve opening temporarily with a small piece of saran wrap
(perhaps doubled) stretched tightly across the opening and with a
small rubber band.  This is an emergency repair that can be
accomplished in less than a minute.  This will leave the valve not
functional, but there are other ways to empty a horn, and the seal
will be air tight.  That's the important thing.

A better, more permanent repair can be done at leisure.
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Re: [Hornlist] Spit valve problem: Ideas?

2007-05-08 Thread Greg Campbell

Angela Gonzales wrote:

The padding to the spit valve on her Holton 179 fell off.  Any
ideas on what could be used to seal it temporarily until it's
properly fixed?


Something like a small, flat piece of cork or rubber should do the trick
until it can be fixed properly. Maybe secure it with a rubber band if
the lever isn't holding it securely. Realistically, anything malleable
that won't harm the horn or get stuck in the hole would work; the idea
is simply to cover the hole with something that won't leak air. This
jury-rigged solution won't allow you to actually use the key to empty
the horn, so you'll have to spin and dump with slides.

I'm pretty sure that the "proper repair" only involves gluing a piece of
rubber or cork cut to the proper size into the lever--probably something
that could easily be done at home. It don't know if there's a preferred
glue for this kind of work or a preferred pad material, but it's
certainly not as critical an operation as replacing a pad on a woodwind
instrument key. The repair folks on the list may chime in with the
bottom line on this.

Greg
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[Hornlist] Spit valve problem: Ideas?

2007-05-08 Thread Angela Gonzales
Howdy, fellow hornlisters. 

I have a situation involving one of my horn students. 

The padding to the spit valve on her Holton 179 fell
off. She was going to give me the padding to put back
on when she also realized it went missing. (Middle
school student, so everything goes missing.) 

What I need is a temporary fix. Her solo and ensemble
contest is this coming Saturday and her instrument
won't be sent to the shop until next Tuesday at the
earliest. Since she also comes from an inner-city
school (meaning low on funds), her band teacher
doesn't have the materials for me to fix this
properly.

Any ideas on what could be used to seal it temporarily
until it's properly fixed? I would hate to have her to
use piece of paper to cover the opening until it gets
to the shop.

Also, where would I be able to obtain the materials so
I could be better prepared to handle such a case
myself?

Thanks for the replies.
Angela Gonzales

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Re: [Hornlist] Update: Modern works for Natural horn

2007-05-08 Thread Walter E. Lewis
I was honored to receive a recording from Lowell of his "Live at 
Yale" compact disc. The work is scored for Trompes de Chasse, Organ 
and Tenor, and is entitled Requiem du Chasseur. He wrote it in memory 
of Helen Kotas Hirsch.


Walt Lewis


At 03:09 PM 5/7/2007, you wrote:

[EMAIL PROTECTED] wrote: Has Lowell Greer written for natural horn?
Thanks, Richard Burdick



Lowell Greer has either a Requiem  or Mass for natural horn 
ensemble.  It was played at the 2005 NE workshop at Purchase.  As I 
remember it was quite an intense work, and involved a tenor soloist 
and organ as well as about a dozen natural horns.

  Paxmaha





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[Hornlist] RE: musical idiot & disgusting arranger.

2007-05-08 Thread Larry Jellison
This tops them all-- the concert band version of "The
Marriage of Figaro Overture".  When the saxophones
join in by tackling the cello parts, you know the
music world has reached a new low.  Not even the
clarinets on the violin parts can prepare you for this.

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Re: [Hornlist] musical idiot & disgusting arranger.

2007-05-08 Thread Richard
I would direct your attention to the item called "Sugar Plums" from either the second or third Hoffnung festival. (Still available on EMI I believe.) It contained several selections by Tchaikovsky, including the opening of the 4th symphony and the finale to the 1812 overture, performed by recorder consort with Renaissance percussion. The cannon shots were executed by children's popguns. 


Richard Hirsh, Chicago

date: Sun, 6 May 2007 08:40:38 EDT
from: [EMAIL PROTECTED]
subject: Re: [Hornlist] musical idiot & disgusting  arranger.

I was once invited to take part (as a recorder player I might add) in a  
performance of "Pictures at an Exhibition" arranged for large recorder  consort.  
Can you imagine "Great Gate of Kiev" on recorders??


Neither could I, so after the perfomance they sent me a copy of the  
recording.  You would not believe how good it sounds!


Cheers,

Lawrence (still waiting for "The Rite of Spring" on washboard and  spoons)

lawrenceyates.co.uk




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RE:[Hornlist] NHR - Beethoven #5 video

2007-05-08 Thread Richard
This old geezer remembers watching this when it first aired in the 
mid-1950's - Sid Caesar and Nanette Fabray. She replaced Imogen Coca on 
Caesar's Show of Shows.




date: Sat, 05 May 2007 14:51:01 -0400
from: David Goldberg <[EMAIL PROTECTED]>
subject: [Hornlist] NHR - Beethoven #5 video

Very interesting interpretation:

http://www.youtube.com/watch?v=EEhF-7suDsM&mode=related&search=

Two conductors!  Geezers here may remember them.




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[Hornlist] RE: 2nd Movement to Mozart 3rd Concerto or ...

2007-05-08 Thread Richard

If I remember right, Johann Michael Haydn was also young Mozart's composition 
teacher. A number of Mozart's early symphonies are arrangements of his works. 
The most notable is the Mozart 37th symphony, which is Haydn's Turkish symphony 
with an opening adagio by Mozart. So who better to write in Mozart's style?

Richard Hirsh, Chicago

=
date: Sat, 5 May 2007 07:37:16 +0200
from: "hans" <[EMAIL PROTECTED]>
subject: RE: [Hornlist] 2nd Movement to Mozart 3rd Concerto or . . .

Yes, this piece exists in the State Library here in Munich.
Roland Horvath has written an essay about it. It is nearly -
but nearly - the same as the 2nd mov. from K.447. History
behind: some horn soloist knew the piece by heart or had a
copy of the solo part & remembered some of the
accompaniment. So he asked Johann Michael Haydn to
"re-compose" the score for him. This is not a difficult task
at all, if one knows the composition style - and Johann
Michael Haydn, Joseph Haydns very skilled younger brother &
director of church music in Salzburg, knew this kind of not
unusual task very well.


=

-Original Message-
Subject: [Hornlist] 2nd Movement to Mozart 3rd Concerto or .
. .

Speaking of Mozart horn concerto's, driving into work this
AM I was listening to the Classical Music station in Austin,
TX.  The announcer said the next piece would be for a
Romance for horn and string quartet by Michael Haydn.  It
sounded almost exactly like the 2nd movement to Mozart's
third concerto.  The recording was by Herman Bauman.

Anyone else ever hear of such a thing? 



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[Hornlist] Finke horns for tryout and Conn 6d for sale.

2007-05-08 Thread Loren Mayhew
Dear listers,
I will be traveling to Michigan for the rest of May and the 1st half
of June. My primary stay will be in the Traverse City area, but I expect to
making trips to East Lansing and the Flint-Detroit corridor. I have a gold
brass Brendan triple horn for tryout. There is also a gold brass Americus
double for tryout and for sale which I can bring with me if there is an
interest, otherwise I will leave it here in Tucson. If anyone has any
interest in trying out a Finke horn please contact me off list so I can
arrange my schedule to accommodate you.
I also have an Elkhart Conn 6d for sale. Please check it out at
http://www.mayhews.us/CI/Finke/Conn6d.htm if you are interested.

Loren Mayhew
\@()
Finke Horns
[EMAIL PROTECTED]
www.mayhews.us/CI/Finke
011 1 (520) 289-0700


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RE: [Hornlist] Re: works for horn and wind ensemble

2007-05-08 Thread hans
You meant a concerto for 2 corns & wind ensemble, did you
??? Sorry.


=== 

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Donald J. Ankney
Sent: Tuesday, May 08, 2007 6:04 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Re: works for horn and wind ensemble

David Maslanka wrote a concerto for 2 horns and hind
ensemble. I want to say that it was called Sea Changes (or
something similar) and was premiered at ASU.

It's pretty idiomatic for Maslanka, so if you like his
music, you'll probably like the piece. It's hell on the
percussionists, though ...

On May 8, 2007, at 10:00 AM, [EMAIL PROTECTED]
wrote:

>
>>> message: 7
>>> date: Sun, 6 May 2007 15:22:28 -0700 (PDT)
>>> from: G <[EMAIL PROTECTED]>
>>> subject: [Hornlist] works for horn and wind ensemble
>
>>> All this makes me wonder...are there any good (grade 6
and up) works 
>>> that have been written for horn and wind ensemble? Not
arrangements, 
>>> but original works. And not Strauss or Mozart.
>
>>> Gary

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RE: [Hornlist] music ghost writers

2007-05-08 Thread hans
Hello, I worked a lot with Maurice Jarre, who had a cousin
of L.Bernstein as orchestrator. Wow, they worked incredible
fast, most over night. That time, they did not have the help
of a PC. All music was written by hand by a legion of
copyists. They were still writing out the parts when we were
recording allready. So piece & fractions of pieces were
reached into the recording hall one by one. There was zero
time to rehearse anything as it was not ready. But what kind
of a great music we did then : Enemy mine, Lawrence from
Arabia, - just two name some. We also worked with Harry
Rosenthal, wo arrived with complete scores, but was a very
poor conductor. We recorded for "Peter the Great" & did a 15
min. sequence as one block in one take only. Lucky. There
were many composers rcording for their films here in Munich.
But this business is gone.

If you watch the great b/w mountain movies & others by Louis
Trenker, famous mountaineer  & producer-actor, one remains
in doubt, if not R.Strauss himself had done some of these
films to earn a further big cheque .

=== 

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Herbert Foster
Sent: Tuesday, May 08, 2007 5:25 PM
To: The Horn List
Subject: Re: [Hornlist] music ghost writers

Some movie score composers do their own orchestrating, and
others have the orchestrators do it. They work fairly
closely with the directors, so ghost writers usually don't
get into the act. Of course they may "borrow" some music.
Composing movie music is an art in itself. Each cue is of a
given length, and enhances the emotional impact.

Herb Foster
--- Per Ottar Gjerstad <[EMAIL PROTECTED]> wrote:

> Dear List,
> 
> I may be wrong about this, but I believe that most movie
score writers 
> make use of some sort of "short score" or "condensed
score" when they 
> do the actual writing of the music.
> These scores usually contains (more or less detailed)
instructions for 
> the orchestrators, who then use this short score when
laying out the 
> score that is actually used when playing and recording the
music.
> 
> 
> Per Ottar
> 
> 
> 
> Subject: RE: [Hornlist] music ghost writers
> 
> 
> > G.Mahler, R.Strauss, Korngold ...
> > 
> >
> > Subject: [Hornlist] music ghost writers
> >
> > idiocy and lousy arrangers aside, Is there someone who
is willing to 
> > concur without using names that some famous movie score
composers 
> > 'owe' their fame to ghost writers?
> >
> > or is this a question that should not be asked in
public?
> > ___
> > post: horn@music.memphis.edu
> > unsubscribe or set options at
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> >
> > ___
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isurf.no
> >
> > 
> 
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0yahoo.com
> 



 


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[Hornlist] Re: works for horn and wind ensemble

2007-05-08 Thread Donald J. Ankney
David Maslanka wrote a concerto for 2 horns and hind ensemble. I want  
to say that it was called Sea Changes (or something similar) and was  
premiered at ASU.


It's pretty idiomatic for Maslanka, so if you like his music, you'll  
probably like the piece. It's hell on the percussionists, though ...


On May 8, 2007, at 10:00 AM, [EMAIL PROTECTED] wrote:




message: 7
date: Sun, 6 May 2007 15:22:28 -0700 (PDT)
from: G <[EMAIL PROTECTED]>
subject: [Hornlist] works for horn and wind ensemble



All this makes me wonder...are there any good (grade 6
and up) works that have been written for horn and wind
ensemble? Not arrangements, but original works. And
not Strauss or Mozart.



Gary


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Re: [Hornlist] music ghost writers

2007-05-08 Thread Herbert Foster
Some movie score composers do their own orchestrating, and others have the
orchestrators do it. They work fairly closely with the directors, so ghost
writers usually don't get into the act. Of course they may "borrow" some music.
Composing movie music is an art in itself. Each cue is of a given length, and
enhances the emotional impact.

Herb Foster
--- Per Ottar Gjerstad <[EMAIL PROTECTED]> wrote:

> Dear List,
> 
> I may be wrong about this, but I believe that most movie score writers make 
> use of some sort of
> "short score" or "condensed score" when they do the actual writing of the 
> music.
> These scores usually contains (more or less detailed) instructions for the 
> orchestrators, who then use this short score when
> laying out the score that is actually used when playing and recording the 
> music.
> 
> 
> Per Ottar
> 
> 
> 
> Subject: RE: [Hornlist] music ghost writers
> 
> 
> > G.Mahler, R.Strauss, Korngold ...
> > 
> >
> > Subject: [Hornlist] music ghost writers
> >
> > idiocy and lousy arrangers aside, Is there someone who is
> > willing to concur without using names that some famous movie
> > score composers 'owe' their fame to ghost writers?
> >
> > or is this a question that should not be asked in public?
> > ___
> > post: horn@music.memphis.edu
> > unsubscribe or set options at
> > http://music2.memphis.edu/mailman/options/horn/hans%40pizka.
> > de
> >
> > ___
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> > http://music2.memphis.edu/mailman/options/horn/potgjers%40frisurf.no
> >
> > 
> 
> ___
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> unsubscribe or set options at
> http://music2.memphis.edu/mailman/options/horn/herb_foster%40yahoo.com
> 



 

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RE: [Hornlist] work(s) for organ/piano and chorus with horn obligato?

2007-05-08 Thread Jonell Lindholm
Sound file, lyrics, etc for "Set Me as a Seal" appear here:
http://www.plu.edu/~nancelr/set-me-1.html

--

Jonell Lindholm
Reisterstown MD USA
[EMAIL PROTECTED] 

 

> -Original Message-
> From: [EMAIL PROTECTED] 
> [mailto:[EMAIL PROTECTED] On 
> Behalf Of Melvin Baldwin
> Sent: Tuesday, May 08, 2007 8:45 AM
> To: horn@music.memphis.edu
> Subject: RE: [Hornlist] work(s) for organ/piano and chorus 
> with horn obligato?
> 
> "Set Me as a Seal" by Richard Nance for SATB, Horn, Piano or Organ
> I was supposed to perform this exquisitely beautiful work 
> this month-but 
> alas, I have not heard anything from the choir director. It 
> was originally 
> composed for a wedding. The words may come from the "Song of 
> Solomon" but I 
> do not remember for sure and I only have the horn part. It's 
> published by 
> Walton Music Corporation. I highly recommend this work 
> followed closely by 
> Paul Basler's compositions-which is my personal taste of course.
> Melvin Baldwin


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Re: [Hornlist] work(s) for organ/piano and chorus with horn obligato?

2007-05-08 Thread Paul Manly
I found that adding the original horn parts to the choir/organ arrangement 
of Brahms' "How Lovely Thy Dwelling Place" from the Requiem was very 
effective. 


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Re: [Hornlist] music ghost writers

2007-05-08 Thread BrassArtsUnlim
 
In a message dated 5/8/2007 2:37:10 AM Eastern Daylight Time, [EMAIL PROTECTED] 
writes:

G.Mahler, R.Strauss, Korngold ...

---
Korngold's music is enjoying somewhat of a revival on our local classical 
music radio station, WBJC.  He's getting substantial air time.  Very thrilling 
concert pieces based on his movie scores.  
 
Dave Weiner
Brass Arts Unlimited



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RE: [Hornlist] work(s) for organ/piano and chorus with horn obligato?

2007-05-08 Thread Melvin Baldwin

"Set Me as a Seal" by Richard Nance for SATB, Horn, Piano or Organ
I was supposed to perform this exquisitely beautiful work this month-but 
alas, I have not heard anything from the choir director. It was originally 
composed for a wedding. The words may come from the "Song of Solomon" but I 
do not remember for sure and I only have the horn part. It's published by 
Walton Music Corporation. I highly recommend this work followed closely by 
Paul Basler's compositions-which is my personal taste of course.

Melvin Baldwin



From: "Scott Avenell" <[EMAIL PROTECTED]>
Reply-To: The Horn List 
To: horn@music.memphis.edu
Subject: [Hornlist] work(s) for organ/piano and chorus with horn obligato?
Date: Mon, 07 May 2007 10:23:51 -0500

howdy all,
I've been asked to find a piece for the above listed combination, organ 
preferred but piano also acceptable.

Is there such a piece?
Having never heard of one, I thought of this List as a ready and valuable 
research option.

best regards,
Scott


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Re: [Hornlist] music ghost writers

2007-05-08 Thread Per Ottar Gjerstad

Dear List,

I may be wrong about this, but I believe that most movie score writers make 
use of some sort of
"short score" or "condensed score" when they do the actual writing of the 
music.
These scores usually contains (more or less detailed) instructions for the 
orchestrators, who then use this short score when
laying out the score that is actually used when playing and recording the 
music.



Per Ottar



Subject: RE: [Hornlist] music ghost writers



G.Mahler, R.Strauss, Korngold ...


Subject: [Hornlist] music ghost writers

idiocy and lousy arrangers aside, Is there someone who is
willing to concur without using names that some famous movie
score composers 'owe' their fame to ghost writers?

or is this a question that should not be asked in public?
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