[lace] Re: lace-digest V2007 #84

2007-03-28 Thread Paula
I  enjoyed reading about the idea of making bobbins with dowels and pony beads. 
 When we moved from Holland to the U.S. in 1984 I could not get bobbins quickly 
and was unfamiliar with the sources, so my DH made some for me out of pony 
beads and dowels!!  Of course I eventually found more of the type I used in 
Holland.  Many years later I got them out to make wire lace.  We made them 
shorter and put an eye screw in the end of the dowel on top and drilled a tiny 
hole in the side to anchor the wire.  They are perfect!

Always lurking in Sunnyvale California
Paula Harten



Paula

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[lace] Re: JMK Arts Center and lace for children

2007-01-25 Thread Paula Harten
Hi, all. 
I know I am a lousy excuse for an arachne member - I read, but rarely 
write.  I thought I ought to put in my "two cents" though, since my "two 
cents" is also represented at the JMK Arts Center.  I was honored to be 
suggested by The Lace Museum and to have some of my needle lace pieces 
accepted for display.  I had no idea what a big deal this was.  I sure 
hope someone did sneak in something of Tamara's ;-)   For something 
different, check out Nina Libin's BEANILE tatting that is also in the 
exhibit.


I had forgotten about submitting the story about lace for children to 
the IOLI bulletin.  This year I created a Rainbow Fish project that 
worked very well at the Sunnyvale Hands on the Arts festival.  I will 
share if anyone is interested.


I really enjoyed the video of the Spanish lacemakers.  They make lace 
like well trained concert pianists!


Paula Harten
Morgan Hill, CA

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[lace] Re: lace-digest V2006 #79

2006-03-14 Thread Paula
Hi all,

My husband has made several different lovely continental bobbins for me.  He 
started to try it with a 
German-made lathe attachment for his electric drill we got when living in 
Holland.  That was not so successful and it was more than 15 years later that 
he had a chance to take a workshop with David Springett here in California.  I 
was so surprised that he could make a bone bobbin, among others in the first 
day.  I learned to spangle them and will eventually have enough to use.  I 
tried the workshop with him two years later, and he haad  bought a proper lathe 
after the first workshop.  I don't have time for it now, but he does it once in 
a while.  The continental ones he does have such a lovely smooth finish and 
feel so good to use.  The thread stays on just fine, as i use a double hitch on 
the bobbin before winding.  I have always done that and it prevents the bobbins 
from escaping and allows me to work close to the end of the thread.  We won't 
be able to sell any until he retires AND learns to make them all the same 
size!!  For myself I don't mind as I have always mixed all 
 sorts of continental styles of bobbins.  

Paula Harten in wet Morgan Hill, California

Paula

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[lace] Re: the sound of bobbins

2006-02-08 Thread Paula
Hi all,
Since i still see some comments on the sound of bobbins, I thought i would pop 
out of lurkdom and tell about the latest bobbins my DH has made for me.  When 
we were in Hilo, Hawaii in October he found a man who sold him some pieces of 
Koa wood.  He made a few rather slim bobbins - sort of shapely honiton style.  
He doesn't worry about tradition and I don't mind, although I work mostly with 
Danish style bobbins.  The Koa wood bobbins make a wonderful klinking sound 
when they strike each other.  i hope he will find time to make some more.

Paula Harten - in an amazingly warm and sunny California.




Paula

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[lace] uploaded lace images

2005-02-21 Thread Paula Harten
Hi all,
I think this message didn't show up as I sent it from the wrong e- mail 
address.  I have been lurking as usual, but was encouraged to put up a 
couple more lace images when I finished my first piece of Gros Point - 
very timely, don't you think? Certainly not as good as Liz's and I hope 
to study with her at the IOLI convention in August. I also have put up 
my Point de Gaze fan  and a scan of an old piece- the cow in linen.  We 
had been chatting some time ago about doing honiton in heavier thread 
and I had done this several years ago to have for a county fair with the 
theme of "Cows".  It is #80m linen and I just started in one corner and 
designed as I went.  Probably not the smartest thing to do, but it was fun

Paula Harten
California

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[lace] Re: photo stamps

2004-12-21 Thread Paula Harten
Greetings from the "semi-lurker" Paula,
I don't chime in much because I typing has become a chore for me.
I learned about this photo stamp offer through our San Jose newspaper.  
By the time I got mine and saw that they were, in fact, quite nice, the 
trial had ended.  It made no sense to tell everybody about it.  I mainly 
did it to make stamps for my children who were both ready to announce 
weddings.  Since the processing was the same for more, I decided to do 
my needle lace fan and a picture from our garden rail road for my 
husband.  They were received with mixed emotions from the kids, but we 
really liked all of them.  I suppose I now have something that would be 
of value to a serious lace stamp collector.  I hope they do do it again 
so we could start putting more lace images out there.
Speaking of putting images out there, I have tried twice to upload the 
picture of my needle lace fan for those who are not IOLI members to see, 
and an ornament I made using one of Brigitta Gornik's balloon patterns 
as printed in the IOLI bulletin, and I get the message that the page I 
am requesting is unavailable.  I can access my page, but it won't let me 
upload any more pictures.  Has anyone else had that trouble?

Paula
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[lace] Lace Museum Christmas exhibit

2004-09-30 Thread Paula Harten
Just a slight correction to Elaine's message - The Holiday exhibit at 
The Lace Museum in Sunnyvale, CA will , hopefully, be up by Nov. 9, so 
you can get inspired and  find  ornaments in plenty of time to send as 
Christmas gifts.  The 2004 edition of Ele Schwartz's tatted ornaments 
will be available.

Paula Harten
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[lace] Re: lace survey

2004-06-30 Thread Paula Harten
Greetings,
I do not usually write much as I am a lousy typist, but I thought I 
would mention my latest lace projects.
The strip of Sedlice lace, a Bohemian lace, in the 2004 OIDFA Bulletin#1 
caught my eye since the picture and pricking were there, I decided I 
could try to figure it out.  It became obvious that techniques I had 
learned from Christine Springett would probably the solution to making 
this lace.  I just happened to have exactly 36 bobbins wound with Bouc 
100 linen, which turned out to be a good weight to use.  It has been a 
fun challenge, and I may move it up on the cookie pillow and make enough 
to use it on a guest towel or something.
I have finally finished the Point de Gaze fan I designed - it is being  
submitted to IOLI for a future issue, and decided to "back up" and do 
the Gros Point pattern #1 in Catherine Barley's book.

On the  collecting side, I am helping to put together the new calendar 
from The Lace Museum and studying two strange pieces of needle lace in 
the museum's collection with the help of very close photography. 
Have a fun Summer - wish I were traveling to Europe too.

Paula Harten
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[lace] wire snowflake on webshots

2004-06-15 Thread Paula Harten
Just a quick note to let you all know that I have posted my wire version 
of one of Tamara's snowflakes on webshots.
Paula Harten

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[lace] Re: lace-digest V2004 #172

2004-06-08 Thread Paula Harten
Hi all,
I am returning to my computer after spending a day with a group at The 
Lace Museum sorting a lot of donated lace that has been piling up.  
Thanks to some dedicated volunteers, our storage system is getting a 
major overhaul!!

I thought I better answer  Ann-Marie's question. 
I made the lace directly on the ornaments.  First, a tape of an 
appropriate width was wrapped around the ornament to create the desired 
spaces.  This takes some juggling and pins are helpful at this point.  
Then I tack the points of crossing with thread.  Sometimes I also run 
some basting threads between the tapes to keep them from shifting and 
distorting my design while working.  I can clip them as needed.   I try 
to start and end the wrapping  at the top where the cap will help to 
hide hide the ends. Then I work needle lace stitches in each of the 
spaces, alternating dense and open areas of stitching.  Carefully 
stitching into the tape makes it unnecessary to do any work over the 
edges.  I have tried various shapes and find they do not all work as 
well as the heart. or the onion shaped ornaments.  I have just uploaded 
another ornament to show an onion shaped one.

I have also finally put up my version of the needle lace penguin by Ruth 
McCartney.  My husband and I, too, enjoyed the Blue Penguins in New 
Zealand - even helping to band some one evening as they came ashore.

Paula Harten


>Subject: [lace] web shot Paula Harten 
>
>Hello 
>I am looking around in the webshot album, it is so nice to see your work. 
>And I must ask Paula how she did get the ornaments inside the lace!? 
>Ann-Marie 
>http://community.webshots.com/user/annma1  
>
>
>  
>
>  
>

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[lace] men making lace

2003-10-07 Thread Paula Harten
Message from a lurker:
Please note my new email address.
I don't think anyone has mentioned an American man who tats, Dan
Rush-Fischer   He designs beautiful patterns and has a web site:
www.tribbler.com/tatman/  When he lived in California, he won the
tatting prizes at the county fairs. the large round doily that pops up
when you open his site, is not his design, but was worked by him and is
presently on display at The Lace Museum in Sunnyvale.
Paula Harten
Morgan Hill, CA
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