Re: tempo markings and LilyJAZZ
Am 27.08.2013 01:53, schrieb Thomas Morley:
2013/8/26 Marc Hohl m...@hohlart.de:
Hi list,
does anyone have a workaround for the following problem?
The small notes in a tempo marking are missing when I use the
preliminary LilyJAZZ version:
\version 2.17.25
\include LilyJAZZ.ily
\relative c' {
\jazzOn
\tempo Swing 4 = 120
c
}
(This won't compile without having the LilyJAZZ files installed!)
The console output claims that infinity or NaN is replaced by 0.0
in the output.
Regards,
Marc
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Hi Marc,
the problem:
MetronomeMark is formatted by
metronomeMarkFormatter = #format-metronome-markup
(in engraver-init.ly)
'format-metronome-markup' calls 'metronome-markup'
(in translation-functions.scm)
'metronome-markup' uses 'note-by-number'
(from define-markup-commands.scm)
'note-by-number' gets the glyphs to use from fetaMusic (!!)
Hi Harm,
thanks for the detailed explanation!
I see no easy way to change it.
In the end it might be less effort to rewrite a (shortened)
markup-command for use with LilyJAZZ.
You're probably right here. I am just busy at the moment, but
as soon as time allows, I'll either try to write a suitable
note-by-number routine for LilyJAZZ or a simplified markup command.
Regards,
Marc
Greetings,
Harm
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: tempo markings and LilyJAZZ
On 27 August 2013 08:10, Marc Hohl m...@hohlart.de wrote: You're probably right here. I am just busy at the moment, but as soon as time allows, I'll either try to write a suitable note-by-number routine for LilyJAZZ or a simplified markup command. Great news! Could you remember to update issue #3096 when you'll work on this? https://code.google.com/p/lilypond/issues/detail?id=3096 Thank you. Cheers, Xavier -- Xavier Scheuer x.sche...@gmail.com ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: chopin example
Am 26.08.2013 13:45, schrieb Martin Tarenskeen: P.S. I am typesetting a lesser known and lesser played, yet Chopin autograph, version of this Nocturne, with some interesting typesetting issues. For example at some point in the score I have to combine two 3/4 bars in the right hand with one 2/2 bar in the left hand. polymetric music from 1830! I'll share the end results later. I'm looking forward to that as I'm very interested in this sort of thing. HTH Urs My Chopin score can be found here: https://www.dropbox.com/sh/zqnsijhiwp2ebgr/op8gtlOx9N (Let me know if the link doesn't work) -- MT ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
a few questions
Hi all,
I have a few questions which I need help with.
I not sure what the /relative is for?
Also, how do I make chords?
Here is a little code I'd written below, can some one let me know
if I'm on the right track?
Steph
\relative c {
\clef treble
\key c \major
\time 4/4
} c4 do every from go from every do c4
lower = \relative c {
\clef bass
\key c \major
\time 4/4
} g3 from every do can do every from g1
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: chopin example
Am 27.08.2013 11:15, schrieb Martin Tarenskeen: Am 26.08.2013 13:45, schrieb Martin Tarenskeen: P.S. I am typesetting a lesser known and lesser played, yet Chopin autograph, version of this Nocturne, with some interesting typesetting issues. For example at some point in the score I have to combine two 3/4 bars in the right hand with one 2/2 bar in the left hand. polymetric music from 1830! I'll share the end results later. I'm looking forward to that as I'm very interested in this sort of thing. HTH Urs My Chopin score can be found here: https://www.dropbox.com/sh/zqnsijhiwp2ebgr/op8gtlOx9N (Let me know if the link doesn't work) So you don't want to know _that_ the link works? ;-) Nice score. Interesting use of polymetric notation. And interesting that he chose not to keep it for publication. Too advanced? Are there any biographical notions that Chopin used that Nocturne (page 2) as a resource bin for the f minor piano concerto? And one more question: You mentioned a Henle edition somewhere. Where did you copy the music from, Henle or the autograph? Best Urs ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: a few questions
Hi Stephanie,
I'm not sure where the track is supposed to lead to, so it's hard to say
whether you're on the right one.
The code you've written so far doesn't do anything (and what do you mean with
c4 do every from go from every do c4?).
Anyway, there's a learning manual on the Lilypond website (Manuals --
Learning) - you should find most of your basic questions answered there if you
work through that (doesn't take that long), and the notation reference (Manuals
-- Notation) for the more difficult ones. Of course, you can always direct
questions to the list, but they probably should be more specific ...
best,
Rob
-
Von meinem Fliewatüüt gesendet.
On 27 Aug 2013, at 11:36, Stephanie sim.musicsch...@gmail.com wrote:
Hi all,
I have a few questions which I need help with.
I not sure what the /relative is for?
Also, how do I make chords?
Here is a little code I'd written below, can some one let me know if I'm on
the right track?
Steph
\relative c {
\clef treble
\key c \major
\time 4/4
} c4 do every from go from every do c4
lower = \relative c {
\clef bass
\key c \major
\time 4/4
} g3 from every do can do every from g1
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: tempo markings and LilyJAZZ
Am 27.08.2013 08:10, schrieb Marc Hohl:
Am 27.08.2013 01:53, schrieb Thomas Morley:
[...]
I see no easy way to change it.
In the end it might be less effort to rewrite a (shortened)
markup-command for use with LilyJAZZ.
You're probably right here. I am just busy at the moment, but
as soon as time allows, I'll either try to write a suitable
note-by-number routine for LilyJAZZ or a simplified markup command.
Ok, I had a little time.
What I came up with is a simple markup command based loosely on some LSR
snippets:
---
\version 2.17.25
jazzTempoMarkup = #(define-scheme-function (parser location name music
bpm) (string? ly:music? string?)
#{ \markup {
\line {
#name
(
\score {
\new Staff \with {
fontSize = #-4
\override StaffSymbol #'staff-space = #(magstep -4)
\override StaffSymbol #'line-count = #0
\override VerticalAxisGroup #'Y-extent = #'(0 . 0)
}
\relative c'' { \jazzOn \stemUp $music }
\layout {
ragged-right= ##t
indent = 0
\context {
\Staff
\remove Clef_engraver
\remove Time_signature_engraver
}
}
}
=
#bpm
)
}
}
#})
\score {
\new Staff {
\jazzOn
\mark\jazzTempoMarkup #Swing c4 #120
c'4 d' e' f'
}
}
\score {
\new Staff {
\jazzOn
\mark\jazzTempoMarkup #Bossa c2 #150
c'4 d' e' f'
}
}
\score {
\new Staff {
\jazzOn
\time 6/8
\mark\jazzTempoMarkup #Blues c4. #60
c'4. d' e' f'
}
}
---
THis yields in the attached output, which is mostly fine, but dotted
notes seem to carry some unwanted space. Soes anyone know where this
comes from and how it can be avoided?
Thanks,
Marc
Regards,
Marc
Greetings,
Harm
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
attachment: tempotest.png___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: tempo markings and LilyJAZZ
Marc Hohl m...@hohlart.de writes:
Am 27.08.2013 08:10, schrieb Marc Hohl:
Am 27.08.2013 01:53, schrieb Thomas Morley:
[...]
I see no easy way to change it.
In the end it might be less effort to rewrite a (shortened)
markup-command for use with LilyJAZZ.
You're probably right here. I am just busy at the moment, but
as soon as time allows, I'll either try to write a suitable
note-by-number routine for LilyJAZZ or a simplified markup command.
Ok, I had a little time.
What I came up with is a simple markup command based loosely on some LSR
snippets:
---
\version 2.17.25
jazzTempoMarkup = #(define-scheme-function (parser location name music
bpm) (string? ly:music? string?)
#{ \markup {
\line {
#name
Well, in such cases (only use is inside of \markup) it's usually a nicer
idea not to use a string? argument but rather a markup? argument.
Strings are permitted either way (unquoted words, quoted or Scheme
strings), but in this manner you can also use \markup ... for more
complex material.
--
David Kastrup
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: a few questions
Here's a discussion of \relative mode: http://lilypond.org/doc/v2.16/Documentation/learning/simple-notation The easiest way to enter notes is by using \relative mode. In this mode, the octave is chosen automatically by assuming the following note is always to be placed closest to the previous note, i.e., it is to be placed in the octave which is within three staff spaces of the previous note. And a chord (or other harmonic interval) is created using like this: c e g4 c f a2 More on chords here: http://lilypond.org/doc/v2.16/Documentation/learning/combining-notes-into-chords Cheers, -Paul -- View this message in context: http://lilypond.1069038.n5.nabble.com/a-few-questions-tp149856p149870.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Distance between first barline and paper (in preview)
Is there any possibility to determine the exact x-position of the leftmost barline in a -dpreview example (well, apart from opening it up in a graphics program and measure)? I would like to try out to left-align (or justify) music examples in a text document on the barline, so the piano or staffgroup brackets etc. protrude into the left margin. I would equally use a way to determine that value from the finished document or to set it explicitely. TIA Urs ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: tempo markings and LilyJAZZ
Am 27.08.2013 16:17, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
Am 27.08.2013 08:10, schrieb Marc Hohl:
Am 27.08.2013 01:53, schrieb Thomas Morley:
[...]
I see no easy way to change it.
In the end it might be less effort to rewrite a (shortened)
markup-command for use with LilyJAZZ.
You're probably right here. I am just busy at the moment, but
as soon as time allows, I'll either try to write a suitable
note-by-number routine for LilyJAZZ or a simplified markup command.
Ok, I had a little time.
What I came up with is a simple markup command based loosely on some LSR
snippets:
---
\version 2.17.25
jazzTempoMarkup = #(define-scheme-function (parser location name music
bpm) (string? ly:music? string?)
#{ \markup {
\line {
#name
Well, in such cases (only use is inside of \markup) it's usually a nicer
idea not to use a string? argument but rather a markup? argument.
Ok, thanks! Now I can just write
\mark\jazzTempoMarkup Blues c4. 60
which looks way neater than
\mark\jazzTempoMarkup #Blues c4. #60
(the numbers still have to be quoted).
But the main question still remains – what causes this ugly space when
I use a dotted note?
Marc
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: tempo markings and LilyJAZZ
Marc Hohl m...@hohlart.de writes: Ok, thanks! Now I can just write \mark\jazzTempoMarkup Blues c4. 60 which looks way neater than \mark\jazzTempoMarkup #Blues c4. #60 (the numbers still have to be quoted). Uh, you could have written that even before. The difference is just that you can write \mark\jazzTempoMarkup \markup ... now. But the main question still remains – what causes this ugly space when I use a dotted note? Not having the Jazz fonts, I just outcommented all instances of \jazzOn without resulting spacing problems. That would seem to suggest either bad metrics for the jazz dot, or some other settings made by \jazzOn (like proportionalNotationDuration or whatever else). -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: a few questions
Stephanie sim.musicsch...@gmail.com wrote:
I have a few questions which I need help with.
I not sure what the /relative is for?
Ordinarily, notes in Lilypond specify not only the pitch, but the
octave. Middle C is c' -- third-space C is c'' -- two ledger lines C is
c'''. Similarly, 2nd space bass clef C is c -- two ledger lines below
is c, -- octave below that is c,, . Note that c4 means a quarter
note. The 4 is not an octave number.
It can get tedious to write all those ticks and commas on every note.
So, most people use relative mode, where each note is assumed to be
close to the note just before. \relative c says that the following
block is starting close to the C below middle C. That applies only to
the stuff INSIDE the braces.
Did you type your message on a phone? I'm wondering if it was
auto-correct that changed your scale to:
c4 do every from go from every do c4
So, you probably want something similar to this:
upper = \relative c' {
\clef treble
\key c \major
\time 4/4
c4 d e f | g4 f e d | c1
}
lower = \relative c {
\clef bass
\key c \major
\time 4/4
g4 f e d | c4 d e f | g1
}
\new PianoStaff
\new Staff \upper
\new Staff \lower
--
Tim Roberts, t...@probo.com
Providenza Boekelheide, Inc.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: chopin example
On Tue, 27 Aug 2013, Urs Liska wrote: My Chopin score can be found here: https://www.dropbox.com/sh/zqnsijhiwp2ebgr/op8gtlOx9N (Let me know if the link doesn't work) So you don't want to know _that_ the link works? ;-) Nice score. Interesting use of polymetric notation. And interesting that he chose not to keep it for publication. Too advanced? Are there any biographical notions that Chopin used that Nocturne (page 2) as a resource bin for the f minor piano concerto? And one more question: You mentioned a Henle edition somewhere. Where did you copy the music from, Henle or the autograph? Are you worried about copyrights? Yes, I have the Henle edition. Chopin's autograph is in a museum somewhere in Mallorca. It's not my intention to make an exact copy of the Henle Edition. LilyPond's automatic formatting mechanisms make different choices than the Henle engravers. And I think I will change some details, without affecting Chopin's original intentions. For example: I think Chopin's usage of rests vs. spaces in the two voices of the left hand (last systems of page 2) is very inconsistent. That could be improved I guess. -- MT ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: a few questions
Note that the closing ” were cut off from the end of the example in the
email.
Stan
On Aug 27, 2013, at 12:40 PM, Tim Roberts t...@probo.com wrote:
similar to this:
upper = \relative c' {
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
How to add the number of repetitions above a bar
Hello everyone, I am working with a score in Lilypond that has a lot of repetitions, where basically every bar has to be repeated a certain number of times. I would like to be able to write the number of repeats above every bar, similar to the score below (which was not created in Lilypond): http://i.stack.imgur.com/GLzuk.jpg It would be great to be able to have some brackets above the bar and also to have the 3x centralized, just like in the example above. So far, the only (temporary) solution I was able to come up with in Lilypond was to add repeat bars and then simply write 3x above the first note of every bar (since I could not have it centralized on the bar either). It does not look very good, but gets the job done. This temporary solution looks like this: http://i.stack.imgur.com/jcCh2.jpg Do you have any suggestions of how to make this last example look more similar to the first in Lilypond? Thanks a lot! Take care, Gilberto ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How to add the number of repetitions above a bar
On Tue, Aug 27, 2013 at 2:04 PM, Gilberto Agostinho gilbertohasn...@googlemail.com wrote: Hello everyone, I am working with a score in Lilypond that has a lot of repetitions, where basically every bar has to be repeated a certain number of times. I would like to be able to write the number of repeats above every bar, similar to the score below (which was not created in Lilypond): http://i.stack.imgur.com/GLzuk.jpg It would be great to be able to have some brackets above the bar and also to have the 3x centralized, just like in the example above. So far, the only (temporary) solution I was able to come up with in Lilypond was to add repeat bars and then simply write 3x above the first note of every bar (since I could not have it centralized on the bar either). It does not look very good, but gets the job done. This temporary solution looks like this: http://i.stack.imgur.com/jcCh2.jpg Do you have any suggestions of how to make this last example look more similar to the first in Lilypond? Thanks a lot! Take care, Gilberto Off hand, I would suggest looking up analysis brackets in the Notation Reference. I don't recall at the moment how those work with text, but it will get you something approaching the brackets you're looking for. Carl ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How to add the number of repetitions above a bar
Hi Carl, I had a look on those, and I was able to get the brackets, but they didn't look very nice because they were extending from a note to a note, not fro ma bar line to a bar line. On top of that, the main issue for me here is to have the 3x centralized above the bar; the brackets will just make it look prettier :) Nevertheless, I will check again the analysis brackets and see if I missed something out. Take care! Gilberto On Tue, Aug 27, 2013 at 8:07 PM, Carl Peterson carlopeter...@gmail.comwrote: On Tue, Aug 27, 2013 at 2:04 PM, Gilberto Agostinho gilbertohasn...@googlemail.com wrote: Hello everyone, I am working with a score in Lilypond that has a lot of repetitions, where basically every bar has to be repeated a certain number of times. I would like to be able to write the number of repeats above every bar, similar to the score below (which was not created in Lilypond): http://i.stack.imgur.com/GLzuk.jpg It would be great to be able to have some brackets above the bar and also to have the 3x centralized, just like in the example above. So far, the only (temporary) solution I was able to come up with in Lilypond was to add repeat bars and then simply write 3x above the first note of every bar (since I could not have it centralized on the bar either). It does not look very good, but gets the job done. This temporary solution looks like this: http://i.stack.imgur.com/jcCh2.jpg Do you have any suggestions of how to make this last example look more similar to the first in Lilypond? Thanks a lot! Take care, Gilberto Off hand, I would suggest looking up analysis brackets in the Notation Reference. I don't recall at the moment how those work with text, but it will get you something approaching the brackets you're looking for. Carl ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Put the text on the left above a centered note
Hello to all,
is possible to put some text to the left above a centered note in a bar?
I have to write something like that that you see below. If you think that
everything is OK, no problem.
Ciao
Tommaso
Here's the code:
%-%
\version 2.16.2
#(define (sort-by-X-coord sys grob-lst)
Arranges a list of grobs in ascending order by their X-coordinates
(let* ((X-coord (lambda (x) (ly:grob-relative-coordinate x sys X)))
(comparator (lambda (p q) ( (X-coord p) (X-coord q)
(sort grob-lst comparator)))
#(define (find-bounding-grobs note-column grob-lst)
(let* ((sys (ly:grob-system note-column))
(X-coord (lambda (n) (ly:grob-relative-coordinate n sys X)))
(note-column-X (X-coord note-column)))
(define (helper lst)
(if (and ( (X-coord (car lst)) note-column-X)
( (X-coord (cadr lst)) note-column-X))
(cons (car lst) (cadr lst))
(if (null? (cddr lst))
(cons note-column note-column)
(helper (cdr lst)
(helper grob-lst)))
#(define (read-out l1 l2)
(define (helper ls1 ls2 ls3)
Filters all elements of ls1 from ls2 by their grob-name and appends it to
ls3
(let ((grob-name-proc (lambda (x) (assq-ref (ly:grob-property x 'meta)
'name
(if (null? ls1)
ls3
(helper
(cdr ls1)
ls2
(append ls3 (filter (lambda (x) (eq? (car ls1) (grob-name-proc x)))
ls2))
(helper l1 l2 '()))
#(define ((center-note-column x-offs) grob)
(let* ((sys (ly:grob-system grob))
(elements-lst (ly:grob-array-list (ly:grob-object sys 'all-elements)))
(grob-name (lambda (x) (assq-ref (ly:grob-property x 'meta) 'name)))
(X-extent (lambda (q) (ly:grob-extent q sys X)))
;; NoteColumn
(note-column-coord (ly:grob-relative-coordinate grob sys X))
(grob-ext (X-extent grob))
(grob-length (interval-length grob-ext))
;; NoteHeads
(note-heads (ly:grob-object grob 'note-heads))
(note-heads-grobs (if (not (null? note-heads))
(ly:grob-array-list note-heads)
'()))
(one-note-head (if (not (null? note-heads-grobs))
(car note-heads-grobs)
'()))
(one-note-head-length (if (not (null? one-note-head))
(interval-length (X-extent one-note-head)) ;; NB
0))
;; Stem
(stem (ly:grob-object grob 'stem))
(stem-dir (ly:grob-property stem 'direction))
(stem-length-x (interval-length (X-extent stem))) ;; NB
;; DotColumn
(dot-column (ly:note-column-dot-column grob))
;; AccidentalPlacement
(accidental-placement (ly:note-column-accidentals grob))
;; Arpeggio
(arpeggio (ly:grob-object grob 'arpeggio))
;; Rest
(rest (ly:grob-object grob 'rest))
;; BassFigure + ChordName
(other-grobs-to-center
;; TODO
;; Not sure: What belongs to the list, what not?
(list 'BassFigure
;'BassFigureAlignment
;'BassFigureAlignmentPositioning
'BassFigureBracket
'BassFigureContinuation
;'BassFigureLine
'ChordName
'FretBoard
))
(all-other-grobs (read-out other-grobs-to-center elements-lst))
(condensed-other-grobs
(remove
(lambda (x)
(not (= (ly:grob-relative-coordinate x sys X)
note-column-coord)))
all-other-grobs))
;; Grobs to center between
(args (list 'BarLine
'Clef
'KeySignature
'KeyCancellation
'TimeSignature))
(grob-lst (read-out args elements-lst))
(new-grob-lst (remove (lambda (x) (interval-empty? (X-extent x))) grob-lst))
(sorted-grob-lst (sort-by-X-coord sys new-grob-lst))
;; Bounds
(bounds (find-bounding-grobs grob sorted-grob-lst))
(left (cdr (X-extent (car bounds
(right (car (X-extent (cdr bounds
;;(bounds-coord (cons left right)) ;; delete
(basic-offset
(- (average left right)
(interval-center (X-extent grob))
(* -1 x-offs)))
(dir-correction
(if ( grob-length one-note-head-length)
(* stem-dir (* -2 stem-length-x) grob-length)
0))
) ;; End of Defs in let*
;; Calculation
(begin
;; (display \n\taccidental-placement: \t)(write accidental-placement)
(for-each
(lambda (x)
(cond ((ly:grob? x)
(ly:grob-translate-axis!
x
(- basic-offset dir-correction)
X
(append
(list
(cond ((not (null? note-heads)) grob))
dot-column
accidental-placement
arpeggio)
condensed-other-grobs)
centerNoteColumnOn = \override Staff.NoteColumn #'after-line-breaking =
#(center-note-column 0)
centerNoteColumnOff = \revert Staff.NoteColumn #'after-line-breaking
onceCenterNoteColumn =
#(define-music-function (parser location x-offs)(number?)
#{
\once \override Staff.NoteColumn #'after-line-breaking =
#(center-note-column x-offs)
#})
% from:
% http://lsr.dsi.unimi.it/LSR/Item?id=637
#(define (Text_align_engraver ctx)
(let ((scripts '())
(note-column #f))
`((acknowledgers
(note-column-interface
. ,(lambda (trans grob source)
;; cache NoteColumn in this Voice context
(set! note-column grob)))
(text-script-interface
. ,(lambda (trans grob source)
;; whenever a TextScript is acknowledged,
;; add it to `scripts' list
(set! scripts (cons grob scripts)
(stop-translation-timestep
. ,(lambda (trans)
;; if any TextScript grobs exist,
;; set NoteColumn as X-parent
(and (pair? scripts)
(for-each (lambda
stemless note
Hello:
In the attached snip, the first beat of the second measure has a f4.
without a stem.
The error messages suggests using polyphonic voices. Since I am using \\
, I do not know what that means.
I have tried changing stem direction - \stemUp, \stemDown.
I have tried shifting the note - \once \override NoteColumn #'force-hshift =
#xx.
Neither worked. What should I do now?
Thank you.
Mark
\version 2.16.2
global = {
\key g \minor
\time 2/2
}
rightOne = \relative c'' {
\global
g1~ | g |
}
rightTwo = \relative c'' {
\global
d, f 8 d g, d' f d
{ g, d' | f4. d8 f4. d8 } \\
{ g,4~ | g1 }
}
left = \relative c' {
\global
b,,8 g' d' g, b, g' d' g, |
b, g' d' g, b, g' d' g, |
}
\score {
\new PianoStaff
\new Staff = right \rightOne \\ \rightTwo
\new Staff = left { \clef bass \left }
}
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: chopin example
On Tue, 27 Aug 2013, Urs Liska wrote: Are there any biographical notions that Chopin used that Nocturne (page 2) as a resource bin for the f minor piano concerto? Yes there are. I don't know the exact story. I remember having read somewhere it was written for his sister, as a pre-study for the 2nd piano concerto. Maybe the complete story can be found somewhere on the internet. I think it is interesting to see that the 3/4 theme from the 2nd concerto in this version of the Nocturne is much more recognizable than in the better known 4/4 version without those polymetric bars. -- MT ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: tempo markings and LilyJAZZ
Am 27.08.2013 18:07, schrieb David Kastrup: Marc Hohl m...@hohlart.de writes: Ok, thanks! Now I can just write \mark\jazzTempoMarkup Blues c4. 60 which looks way neater than \mark\jazzTempoMarkup #Blues c4. #60 (the numbers still have to be quoted). Uh, you could have written that even before. The difference is just that you can write \mark\jazzTempoMarkup \markup ... now. I think I tried that and got errors before, but I am not sure now. But the main question still remains – what causes this ugly space when I use a dotted note? Not having the Jazz fonts, I just outcommented all instances of \jazzOn without resulting spacing problems. That would seem to suggest either bad metrics for the jazz dot, or some other settings made by \jazzOn (like proportionalNotationDuration or whatever else). I just skimmed through the \overrides which LilyJAZZ.ily does, and most of the stencils overrides are paired like this: \override Staff.NoteHead #'stencil = #jazz-notehead \override Staff.NoteHead #'Y-extent = \makeUnpurePureContainer but not the dots! So I added \override Staff.Dots #'X-extent = \makeUnpurePureContainer and voilá: it works! So cc'ing to Torsten, this may be useful for future versions. Marc ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How to add the number of repetitions above a bar
2013/8/27 Gilberto Agostinho gilbertohasn...@googlemail.com:
Hi Carl,
I had a look on those, and I was able to get the brackets, but they didn't
look very nice because they were extending from a note to a note, not fro ma
bar line to a bar line. On top of that, the main issue for me here is to
have the 3x centralized above the bar; the brackets will just make it look
prettier :)
Nevertheless, I will check again the analysis brackets and see if I missed
something out.
Take care!
Gilberto
On Tue, Aug 27, 2013 at 8:07 PM, Carl Peterson carlopeter...@gmail.com
wrote:
On Tue, Aug 27, 2013 at 2:04 PM, Gilberto Agostinho
gilbertohasn...@googlemail.com wrote:
Hello everyone,
I am working with a score in Lilypond that has a lot of repetitions,
where basically every bar has to be repeated a certain number of times. I
would like to be able to write the number of repeats above every bar,
similar to the score below (which was not created in Lilypond):
http://i.stack.imgur.com/GLzuk.jpg
It would be great to be able to have some brackets above the bar and also
to have the 3x centralized, just like in the example above. So far, the
only (temporary) solution I was able to come up with in Lilypond was to add
repeat bars and then simply write 3x above the first note of every bar
(since I could not have it centralized on the bar either). It does not look
very good, but gets the job done. This temporary solution looks like this:
http://i.stack.imgur.com/jcCh2.jpg
Do you have any suggestions of how to make this last example look more
similar to the first in Lilypond?
Thanks a lot! Take care,
Gilberto
Off hand, I would suggest looking up analysis brackets in the Notation
Reference. I don't recall at the moment how those work with text, but it
will get you something approaching the brackets you're looking for.
Carl
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Hi Gilberto,
the following two possibilities are not exactly what you want. Maybe
you can adapt one
1.)
You could try to use \startMeasureCount, \stopMeasureCount while
consisting Measure_counter_engraver in Score-layout.
This is quite new functionality, implemented somewhere 2.17.x, pending
its documentation.
I quote the example from our regtests, 'measure-counter.ly':
\version 2.17.25
\relative c' {
\startMeasureCount
\repeat unfold 5 {
a4 b c d
}
\stopMeasureCount
a'4 b c d
\override Staff.MeasureCounter.count-from = #2
\startMeasureCount
\repeat unfold 4 {
a4 b c d
}
\stopMeasureCount\startMeasureCount
\revert Staff.MeasureCounter.count-from
\clef bass
\key fis \major
\time 3/4
\repeat unfold 3 {
R2.
}
\stopMeasureCount
}
\layout {
\context {
\Staff
\consists #Measure_counter_engraver
}
}
2.)--
Maybe the frame-engraver is worth a second look:
See here:
http://lilypond.1069038.n5.nabble.com/aleatoric-box-frameEngraver-td147962.html
(it's not in the source).
Thanks to David Nalesnik for both!
Cheers,
Harm
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: stemless note
2013/8/27 Mark Stephen Mrotek carsonm...@ca.rr.com:
Hello:
In the attached snip, the first beat of the second measure has a “f4.”
without a stem.
The error messages suggests using polyphonic voices. Since I am using \\
, I do not know what that means.
I have tried changing stem direction - \stemUp, \stemDown.
I have tried shifting the note - \once \override NoteColumn #'force-hshift =
#xx.
Neither worked. What should I do now?
Thank you.
Mark
Hi Mark,
the \\ construct fails in complicated situations quite often.
Better use some (perhaps named) \new Voice together with \voiceXxx.
\version 2.16.2
global = {
\key g \minor
\time 2/2
}
rightOne = \relative c'' {
\global
\voiceOne
g1~ | g |
}
rightTwo = \relative c'' {
\global
\voiceFour
d, f 8 d g, d' f d
\voiceThree
g,^[ d'] |
f4. d8 f4. d8
}
rightThree = \relative c'' {
\global
\voiceTwo
s2. g,4~ | g1
}
left = \relative c' {
\global
b,,8 g' d' g, b, g' d' g, |
b, g' d' g, b, g' d' g, |
}
\score {
\new PianoStaff
\new Staff = right
\new Voice \rightOne
\new Voice \rightTwo
\new Voice \rightThree
\new Staff = left { \clef bass \left }
}
HTH,
Harm
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: cascading font selections?
Carl Smith wrote: If the fonts are embedded in the PDF, you only need to have them on your system when you create the file. The recipient has the fonts, they're in the PDF. Okay, I appreciate the helpfulness, but a lot of you are missing the point. The recipients will be editing the files themselves, then compiling them on their own systems. - Mark ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Put the text on the left above a centered note
2013/8/27 Tommaso Gordini illinguista1...@gmail.com:
Hello to all,
is possible to put some text to the left above a centered note in a bar?
I have to write something like that that you see below. If you think that
everything is OK, no problem.
Ciao
Tommaso
Here's the code:
%-%
\version 2.16.2
#(define (sort-by-X-coord sys grob-lst)
Arranges a list of grobs in ascending order by their X-coordinates
(let* ((X-coord (lambda (x) (ly:grob-relative-coordinate x sys X)))
(comparator (lambda (p q) ( (X-coord p) (X-coord q)
(sort grob-lst comparator)))
#(define (find-bounding-grobs note-column grob-lst)
(let* ((sys (ly:grob-system note-column))
(X-coord (lambda (n) (ly:grob-relative-coordinate n sys X)))
(note-column-X (X-coord note-column)))
(define (helper lst)
(if (and ( (X-coord (car lst)) note-column-X)
( (X-coord (cadr lst)) note-column-X))
(cons (car lst) (cadr lst))
(if (null? (cddr lst))
(cons note-column note-column)
(helper (cdr lst)
(helper grob-lst)))
#(define (read-out l1 l2)
(define (helper ls1 ls2 ls3)
Filters all elements of ls1 from ls2 by their grob-name and appends it to
ls3
(let ((grob-name-proc (lambda (x) (assq-ref (ly:grob-property x 'meta)
'name
(if (null? ls1)
ls3
(helper
(cdr ls1)
ls2
(append ls3 (filter (lambda (x) (eq? (car ls1) (grob-name-proc x)))
ls2))
(helper l1 l2 '()))
#(define ((center-note-column x-offs) grob)
(let* ((sys (ly:grob-system grob))
(elements-lst (ly:grob-array-list (ly:grob-object sys 'all-elements)))
(grob-name (lambda (x) (assq-ref (ly:grob-property x 'meta) 'name)))
(X-extent (lambda (q) (ly:grob-extent q sys X)))
;; NoteColumn
(note-column-coord (ly:grob-relative-coordinate grob sys X))
(grob-ext (X-extent grob))
(grob-length (interval-length grob-ext))
;; NoteHeads
(note-heads (ly:grob-object grob 'note-heads))
(note-heads-grobs (if (not (null? note-heads))
(ly:grob-array-list note-heads)
'()))
(one-note-head (if (not (null? note-heads-grobs))
(car note-heads-grobs)
'()))
(one-note-head-length (if (not (null? one-note-head))
(interval-length (X-extent one-note-head)) ;; NB
0))
;; Stem
(stem (ly:grob-object grob 'stem))
(stem-dir (ly:grob-property stem 'direction))
(stem-length-x (interval-length (X-extent stem))) ;; NB
;; DotColumn
(dot-column (ly:note-column-dot-column grob))
;; AccidentalPlacement
(accidental-placement (ly:note-column-accidentals grob))
;; Arpeggio
(arpeggio (ly:grob-object grob 'arpeggio))
;; Rest
(rest (ly:grob-object grob 'rest))
;; BassFigure + ChordName
(other-grobs-to-center
;; TODO
;; Not sure: What belongs to the list, what not?
(list 'BassFigure
;'BassFigureAlignment
;'BassFigureAlignmentPositioning
'BassFigureBracket
'BassFigureContinuation
;'BassFigureLine
'ChordName
'FretBoard
))
(all-other-grobs (read-out other-grobs-to-center elements-lst))
(condensed-other-grobs
(remove
(lambda (x)
(not (= (ly:grob-relative-coordinate x sys X)
note-column-coord)))
all-other-grobs))
;; Grobs to center between
(args (list 'BarLine
'Clef
'KeySignature
'KeyCancellation
'TimeSignature))
(grob-lst (read-out args elements-lst))
(new-grob-lst (remove (lambda (x) (interval-empty? (X-extent x))) grob-lst))
(sorted-grob-lst (sort-by-X-coord sys new-grob-lst))
;; Bounds
(bounds (find-bounding-grobs grob sorted-grob-lst))
(left (cdr (X-extent (car bounds
(right (car (X-extent (cdr bounds
;;(bounds-coord (cons left right)) ;; delete
(basic-offset
(- (average left right)
(interval-center (X-extent grob))
(* -1 x-offs)))
(dir-correction
(if ( grob-length one-note-head-length)
(* stem-dir (* -2 stem-length-x) grob-length)
0))
) ;; End of Defs in let*
;; Calculation
(begin
;; (display \n\taccidental-placement: \t)(write accidental-placement)
(for-each
(lambda (x)
(cond ((ly:grob? x)
(ly:grob-translate-axis!
x
(- basic-offset dir-correction)
X
(append
(list
(cond ((not (null? note-heads)) grob))
dot-column
accidental-placement
arpeggio)
condensed-other-grobs)
centerNoteColumnOn = \override Staff.NoteColumn #'after-line-breaking =
#(center-note-column 0)
centerNoteColumnOff = \revert Staff.NoteColumn #'after-line-breaking
onceCenterNoteColumn =
#(define-music-function (parser location x-offs)(number?)
#{
\once \override Staff.NoteColumn #'after-line-breaking =
#(center-note-column x-offs)
#})
% from:
% http://lsr.dsi.unimi.it/LSR/Item?id=637
#(define (Text_align_engraver ctx)
(let ((scripts '())
(note-column #f))
`((acknowledgers
(note-column-interface
. ,(lambda (trans grob source)
;; cache NoteColumn in this Voice context
(set! note-column grob)))
(text-script-interface
. ,(lambda (trans grob source)
;; whenever a TextScript is acknowledged,
;; add it to `scripts'
RE: stemless note
Mr. Morley:
Thank you for your response and suggestion.
This error is the only occurrence in the 118 measure piece. Can I insert
the \newVoice just here and revert for the rest of the piece (already
completed).
Mark
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@gmail.com]
Sent: Tuesday, August 27, 2013 12:27 PM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: stemless note
2013/8/27 Mark Stephen Mrotek carsonm...@ca.rr.com:
Hello:
In the attached snip, the first beat of the second measure has a f4.
without a stem.
The error messages suggests using polyphonic voices. Since I am using
\\
, I do not know what that means.
I have tried changing stem direction - \stemUp, \stemDown.
I have tried shifting the note - \once \override NoteColumn
#'force-hshift = #xx.
Neither worked. What should I do now?
Thank you.
Mark
Hi Mark,
the \\ construct fails in complicated situations quite often.
Better use some (perhaps named) \new Voice together with \voiceXxx.
\version 2.16.2
global = {
\key g \minor
\time 2/2
}
rightOne = \relative c'' {
\global
\voiceOne
g1~ | g |
}
rightTwo = \relative c'' {
\global
\voiceFour
d, f 8 d g, d' f d
\voiceThree
g,^[ d'] |
f4. d8 f4. d8
}
rightThree = \relative c'' {
\global
\voiceTwo
s2. g,4~ | g1
}
left = \relative c' {
\global
b,,8 g' d' g, b, g' d' g, |
b, g' d' g, b, g' d' g, |
}
\score {
\new PianoStaff
\new Staff = right
\new Voice \rightOne
\new Voice \rightTwo
\new Voice \rightThree
\new Staff = left { \clef bass \left }
}
HTH,
Harm
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: stemless note
2013/8/27 Mark Stephen Mrotek carsonm...@ca.rr.com:
Mr. Morley:
Thank you for your response and suggestion.
This error is the only occurrence in the 118 measure piece. Can I insert
the \newVoice just here and revert for the rest of the piece (already
completed).
Mark
Perhaps:
global = {
\key g \minor
\time 2/2
}
rightOne = \relative c'' {
\global
\voiceOne
g1~ | g |
\oneVoice
}
rightTwo = \relative c'' {
\global
d, f 8 d g, d' f d
\new Voice { \voiceThree g, d' | f4. d8 f4. d8 } \\
\new Voice { \voiceFour g,4~ | g1 }
\oneVoice
}
left = \relative c' {
\global
b,,8 g' d' g, b, g' d' g, |
b, g' d' g, b, g' d' g, |
}
\score {
\new PianoStaff
\new Staff = right \rightOne \\ \rightTwo
\new Staff = left { \clef bass \left }
}
Cheers,
Harm
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: chopin example
Am 27.08.2013 19:42, schrieb Martin Tarenskeen: On Tue, 27 Aug 2013, Urs Liska wrote: My Chopin score can be found here: https://www.dropbox.com/sh/zqnsijhiwp2ebgr/op8gtlOx9N (Let me know if the link doesn't work) So you don't want to know _that_ the link works? ;-) Nice score. Interesting use of polymetric notation. And interesting that he chose not to keep it for publication. Too advanced? Are there any biographical notions that Chopin used that Nocturne (page 2) as a resource bin for the f minor piano concerto? And one more question: You mentioned a Henle edition somewhere. Where did you copy the music from, Henle or the autograph? Are you worried about copyrights? No, I'm just interested in editions from manuscript. Yes, I have the Henle edition. Is this an edition of that specific version? Or a facsimile? Chopin's autograph is in a museum somewhere in Mallorca. Sometimes there are reproductions available? Or: I have a bunch of digital photos of Schubert manuscripts that I was allowed to take in the Vienna City library (where one then even had the opportunity to put them on the piano and play from them!) It's not my intention to make an exact copy of the Henle Edition. LilyPond's automatic formatting mechanisms make different choices than the Henle engravers. And I think I will change some details, without affecting Chopin's original intentions. For example: I think Chopin's usage of rests vs. spaces in the two voices of the left hand (last systems of page 2) is very inconsistent. That could be improved I guess. I can't judge that specific case, but one often sees that composers can take the liberty to make 'intuitive' deviation from notation rules, especially when the manuscript isn't intended for the public. Usually they reconsider that when it comes to publication. And usually the result is more clear and 'correct' but somtimes less interesting than the initial version ... Best Urs ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: chopin example
Am 27.08.2013 20:22, schrieb Martin Tarenskeen: On Tue, 27 Aug 2013, Urs Liska wrote: Are there any biographical notions that Chopin used that Nocturne (page 2) as a resource bin for the f minor piano concerto? Yes there are. I don't know the exact story. I remember having read somewhere it was written for his sister, as a pre-study for the 2nd piano concerto. Maybe the complete story can be found somewhere on the internet. I think it is interesting to see that the 3/4 theme from the 2nd concerto in this version of the Nocturne is much more recognizable than in the better known 4/4 version without those polymetric bars. Yes, obviously. I didn't know that piece really, but I've surely seen the score and probably also played a little bit from it. But I never noticed that connection. But when I saw your score today it practically sprang in my face ... ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
RE: stemless note
Mr. Morley:
Thank you. Using your previous suggestion I created the attached
(StemCollision.ly) that prints the stem yet the head collides with the g1.
What would you suggest?
Mark
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@gmail.com]
Sent: Tuesday, August 27, 2013 1:00 PM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: stemless note
2013/8/27 Mark Stephen Mrotek carsonm...@ca.rr.com:
Mr. Morley:
Thank you for your response and suggestion.
This error is the only occurrence in the 118 measure piece. Can I
insert the \newVoice just here and revert for the rest of the piece
(already completed).
Mark
Perhaps:
global = {
\key g \minor
\time 2/2
}
rightOne = \relative c'' {
\global
\voiceOne
g1~ | g |
\oneVoice
}
rightTwo = \relative c'' {
\global
d, f 8 d g, d' f d
\new Voice { \voiceThree g, d' | f4. d8 f4. d8 } \\
\new Voice { \voiceFour g,4~ | g1 }
\oneVoice
}
left = \relative c' {
\global
b,,8 g' d' g, b, g' d' g, |
b, g' d' g, b, g' d' g, |
}
\score {
\new PianoStaff
\new Staff = right \rightOne \\ \rightTwo
\new Staff = left { \clef bass \left }
}
Cheers,
Harm
\version 2.16.2
global = {
\key g \minor
\time 2/2
}
rightOne = \relative c'' {
\global
g1~ | g |
}
rightTwo = \relative c'' {
\global
d, f 8 d g, d' f d
\new Voice {
\voiceOne g, d' |
f4. d8 f4. d8 }
\new Voice {
\voiceTwo
g,4~ | g1
}
}
left = \relative c' {
\global
b,,8 g' d' g, b, g' d' g, |
b, g' d' g, b, g' d' g, |
}
\score {
\new PianoStaff
\new Staff = right \rightOne \\ \rightTwo
\new Staff = left { \clef bass \left }
}
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: stemless note
2013/8/27 Mark Stephen Mrotek carsonm...@ca.rr.com:
Mr. Morley:
Thank you. Using your previous suggestion I created the attached
(StemCollision.ly) that prints the stem yet the head collides with the g1.
What would you suggest?
My snippet! :)
Why did you change it?
-Harm
Mark
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@gmail.com]
Sent: Tuesday, August 27, 2013 1:00 PM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: stemless note
2013/8/27 Mark Stephen Mrotek carsonm...@ca.rr.com:
Mr. Morley:
Thank you for your response and suggestion.
This error is the only occurrence in the 118 measure piece. Can I
insert the \newVoice just here and revert for the rest of the piece
(already completed).
Mark
Perhaps:
global = {
\key g \minor
\time 2/2
}
rightOne = \relative c'' {
\global
\voiceOne
g1~ | g |
\oneVoice
}
rightTwo = \relative c'' {
\global
d, f 8 d g, d' f d
\new Voice { \voiceThree g, d' | f4. d8 f4. d8 } \\
\new Voice { \voiceFour g,4~ | g1 }
\oneVoice
}
left = \relative c' {
\global
b,,8 g' d' g, b, g' d' g, |
b, g' d' g, b, g' d' g, |
}
\score {
\new PianoStaff
\new Staff = right \rightOne \\ \rightTwo
\new Staff = left { \clef bass \left }
}
Cheers,
Harm
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How to add the number of repetitions above a bar
Hi Thomas,
Thanks for your answer. About the 1st proposition, it looks great! It is
just a pity I was not able (so far) to write anything but pure numbers
above the bars. It would be great if I manage to add the x after the
number. About the 2nd proposition, those discussions in that link are way
above my level at Lilypond, I really could not understand much of what was
going on :(
I am experimenting now with analysis brackets plus the centralized bar
numbers, let's see how they work together.
Thanks a lot for all the help!
Gilberto
On Tue, Aug 27, 2013 at 9:05 PM, Thomas Morley thomasmorle...@gmail.comwrote:
2013/8/27 Gilberto Agostinho gilbertohasn...@googlemail.com:
Hi Carl,
I had a look on those, and I was able to get the brackets, but they
didn't
look very nice because they were extending from a note to a note, not
fro ma
bar line to a bar line. On top of that, the main issue for me here is to
have the 3x centralized above the bar; the brackets will just make it
look
prettier :)
Nevertheless, I will check again the analysis brackets and see if I
missed
something out.
Take care!
Gilberto
On Tue, Aug 27, 2013 at 8:07 PM, Carl Peterson carlopeter...@gmail.com
wrote:
On Tue, Aug 27, 2013 at 2:04 PM, Gilberto Agostinho
gilbertohasn...@googlemail.com wrote:
Hello everyone,
I am working with a score in Lilypond that has a lot of repetitions,
where basically every bar has to be repeated a certain number of
times. I
would like to be able to write the number of repeats above every bar,
similar to the score below (which was not created in Lilypond):
http://i.stack.imgur.com/GLzuk.jpg
It would be great to be able to have some brackets above the bar and
also
to have the 3x centralized, just like in the example above. So far,
the
only (temporary) solution I was able to come up with in Lilypond was
to add
repeat bars and then simply write 3x above the first note of every
bar
(since I could not have it centralized on the bar either). It does not
look
very good, but gets the job done. This temporary solution looks like
this:
http://i.stack.imgur.com/jcCh2.jpg
Do you have any suggestions of how to make this last example look more
similar to the first in Lilypond?
Thanks a lot! Take care,
Gilberto
Off hand, I would suggest looking up analysis brackets in the Notation
Reference. I don't recall at the moment how those work with text, but it
will get you something approaching the brackets you're looking for.
Carl
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Hi Gilberto,
the following two possibilities are not exactly what you want. Maybe
you can adapt one
1.)
You could try to use \startMeasureCount, \stopMeasureCount while
consisting Measure_counter_engraver in Score-layout.
This is quite new functionality, implemented somewhere 2.17.x, pending
its documentation.
I quote the example from our regtests, 'measure-counter.ly':
\version 2.17.25
\relative c' {
\startMeasureCount
\repeat unfold 5 {
a4 b c d
}
\stopMeasureCount
a'4 b c d
\override Staff.MeasureCounter.count-from = #2
\startMeasureCount
\repeat unfold 4 {
a4 b c d
}
\stopMeasureCount\startMeasureCount
\revert Staff.MeasureCounter.count-from
\clef bass
\key fis \major
\time 3/4
\repeat unfold 3 {
R2.
}
\stopMeasureCount
}
\layout {
\context {
\Staff
\consists #Measure_counter_engraver
}
}
2.)--
Maybe the frame-engraver is worth a second look:
See here:
http://lilypond.1069038.n5.nabble.com/aleatoric-box-frameEngraver-td147962.html
(it's not in the source).
Thanks to David Nalesnik for both!
Cheers,
Harm
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Repeat bar line do not show in polymetric music
Hi to everybody,
I have found a solution one of my questions on this mailing list, so I
thought it would be nice for me to share it here (in case someone might
look for it one day). It concerns the lack of automatic repeat bar lines
when using \repeat volta N {music} with the following snippet:
\layout {
\context { \Score
\remove Default_bar_line_engraver
}
\context { \Staff
\consists Default_bar_line_engraver
}
}
The solution is to move the Repeat_acknowledge_engraver from the Score to
the Staff context in the layout. Also, in order to have the last bar line
appearing (\bar |.), the Timing_translator should be also moved from
the Score to the Staff context. Here is an example of a working code:
\version 2.17.24
A = {
\time 2/4
c'4 e' \repeat volta 2 {g' c''} e'' g'' \bar |.
}
\score {
\new Staff {
\A
}
\layout {
\context { \Score
\remove Timing_translator
\remove Default_bar_line_engraver
\remove Repeat_acknowledge_engraver
}
\context { \Staff
\consists Timing_translator
\consists Default_bar_line_engraver
\consists Repeat_acknowledge_engraver
}
}
}
Take care,
Gilberto
On Mon, Aug 26, 2013 at 2:37 AM, Gilberto Agostinho
gilbertohasn...@googlemail.com wrote:
Hi Thomas,
Thank you so much for all your help, I really appreciate it. Well, in this
case I will continue to manually add repeat bar lines, but I will also
report this as a bug. Hopefully this could be solved in some future update.
Take care!
Gilberto
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How to add the number of repetitions above a bar
Hi Gilberto, Harm-- On Tue, Aug 27, 2013 at 4:06 PM, Gilberto Agostinho gilbertohasn...@googlemail.com wrote: Hi Thomas, Thanks for your answer. About the 1st proposition, it looks great! It is just a pity I was not able (so far) to write anything but pure numbers above the bars. It would be great if I manage to add the x after the number. (See below.) [...] On Tue, Aug 27, 2013 at 9:05 PM, Thomas Morley thomasmorle...@gmail.comwrote: [...] Hi Gilberto, the following two possibilities are not exactly what you want. Maybe you can adapt one 1.) You could try to use \startMeasureCount, \stopMeasureCount while consisting Measure_counter_engraver in Score-layout. This is quite new functionality, implemented somewhere 2.17.x, pending its documentation. There is no write-up yet in the Notation Reference, but there are two snippets in the documentation: Numbering groups of measures and Centered measure numbers. I went ahead and hacked the stencil for MeasureCounter to show how this might be done. Of course, the number has no relation to the repeat structure of the music, but it looks OK! } 2.)-- Maybe the frame-engraver is worth a second look: See here: http://lilypond.1069038.n5.nabble.com/aleatoric-box-frameEngraver-td147962.html (it's not in the source). Thanks to David Nalesnik for both! You're welcome! --David centered-reps.ly Description: Binary data attachment: centered-reps.png___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
RE: stemless note
Mr. Morley:
Actually I changed it right after your first suggestion and before I got the
one below.
I shall try the code you provided below.
Thank you for your kind attention.
Mark
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@gmail.com]
Sent: Tuesday, August 27, 2013 1:58 PM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: stemless note
2013/8/27 Mark Stephen Mrotek carsonm...@ca.rr.com:
Mr. Morley:
Thank you. Using your previous suggestion I created the attached
(StemCollision.ly) that prints the stem yet the head collides with the g1.
What would you suggest?
My snippet! :)
Why did you change it?
-Harm
Mark
-Original Message-
From: Thomas Morley [mailto:thomasmorle...@gmail.com]
Sent: Tuesday, August 27, 2013 1:00 PM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: stemless note
2013/8/27 Mark Stephen Mrotek carsonm...@ca.rr.com:
Mr. Morley:
Thank you for your response and suggestion.
This error is the only occurrence in the 118 measure piece. Can I
insert the \newVoice just here and revert for the rest of the piece
(already completed).
Mark
Perhaps:
global = {
\key g \minor
\time 2/2
}
rightOne = \relative c'' {
\global
\voiceOne
g1~ | g |
\oneVoice
}
rightTwo = \relative c'' {
\global
d, f 8 d g, d' f d
\new Voice { \voiceThree g, d' | f4. d8 f4. d8 } \\
\new Voice { \voiceFour g,4~ | g1 }
\oneVoice
}
left = \relative c' {
\global
b,,8 g' d' g, b, g' d' g, |
b, g' d' g, b, g' d' g, |
}
\score {
\new PianoStaff
\new Staff = right \rightOne \\ \rightTwo
\new Staff = left { \clef bass \left }
}
Cheers,
Harm
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How to add the number of repetitions above a bar
Hi David! I can't thank you enough for this! It works beautifully :) I already made some tests now and this is exactly what I needed. Thanks again and take care! Gilberto On Tue, Aug 27, 2013 at 11:31 PM, David Nalesnik david.nales...@gmail.comwrote: Hi Gilberto, Harm-- On Tue, Aug 27, 2013 at 4:06 PM, Gilberto Agostinho gilbertohasn...@googlemail.com wrote: Hi Thomas, Thanks for your answer. About the 1st proposition, it looks great! It is just a pity I was not able (so far) to write anything but pure numbers above the bars. It would be great if I manage to add the x after the number. (See below.) [...] On Tue, Aug 27, 2013 at 9:05 PM, Thomas Morley thomasmorle...@gmail.comwrote: [...] Hi Gilberto, the following two possibilities are not exactly what you want. Maybe you can adapt one 1.) You could try to use \startMeasureCount, \stopMeasureCount while consisting Measure_counter_engraver in Score-layout. This is quite new functionality, implemented somewhere 2.17.x, pending its documentation. There is no write-up yet in the Notation Reference, but there are two snippets in the documentation: Numbering groups of measures and Centered measure numbers. I went ahead and hacked the stencil for MeasureCounter to show how this might be done. Of course, the number has no relation to the repeat structure of the music, but it looks OK! } 2.)-- Maybe the frame-engraver is worth a second look: See here: http://lilypond.1069038.n5.nabble.com/aleatoric-box-frameEngraver-td147962.html (it's not in the source). Thanks to David Nalesnik for both! You're welcome! --David ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How to add the number of repetitions above a bar
On Tue, Aug 27, 2013 at 4:38 PM, Gilberto Agostinho gilbertohasn...@googlemail.com wrote: Hi David! I can't thank you enough for this! It works beautifully :) I already made some tests now and this is exactly what I needed. I'm glad to hear this! Just be aware that this workaround has its limitations. Aside from the fact that the number doesn't really denote repeats (which would only be an issue with playback, I suppose): (1) I didn't deal with the situation of a bar broken across a line; (2) This will only work with single-bar repeats. Limitation (1) really wouldn't be much of a problem. Number (2), on the other hand, would involve changes to the engraver itself. (The code for it is in scm/scheme-engravers.scm.) I don't think this would be particularly complex. If you need this kind of functionality, just let me know! Best, David ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Docs for Lylipond Emacs mode?
Hi all? Aside from this: http://www.lilypond.org/doc/v2.17/Documentation/usage/text-editor-support#emacs-mode Is there any documentation on all the features, shortcuts and what not of the Emacs mode for Lilypond? Thanks! ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Docs for Lylipond Emacs mode?
The best place to look is within emacs: with a .ly file loaded get help on
the mode ( c-h m ). At least that will give you a list of the key-strokes
that will do something LilyPond-ish. By far what I use the most is 'C-c
C-l' to compile a LilyPond file and provide messages from the compilation
in a buffer (in compilation mode) where I can then mouse-click to get to
the position of failure. Typing 'C-c b' or a bar-check character ('|') also
gives a beat count in the measure, if you hadn't noticed.
Most of the other editing sugar I like is basic emacs : auto-fill'ing
comments, auto-indenting code, multiple windows and buffers, syntax
highlighting, etc.
-glen
On Tue, Aug 27, 2013 at 4:22 PM, Alexander Wallace a...@rwmotloc.com wrote:
Hi all? Aside from this:
http://www.lilypond.org/doc/v2.17/Documentation/usage/text-editor-support#emacs-mode
Is there any documentation on all the features, shortcuts and what not of
the Emacs mode for Lilypond?
Thanks!
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Docs for Lylipond Emacs mode?
Glen, this info helps a lot. I'll come back to with specifics if there is
something i can not figure out.
Thanks!
Original message
From: Glen Larsen glenl@gmail.com
Date: 08/27/2013 6:55 PM (GMT-06:00)
To: Alexander Wallace a...@rwmotloc.com
Cc: lilypond-user lilypond-user@gnu.org
Subject: Re: Docs for Lylipond Emacs mode?
The best place to look is within emacs: with a .ly file loaded get help on the
mode ( c-h m ). At least that will give you a list of the key-strokes that will
do something LilyPond-ish. By far what I use the most is 'C-c C-l' to compile a
LilyPond file and provide messages from the compilation in a buffer (in
compilation mode) where I can then mouse-click to get to the position of
failure. Typing 'C-c b' or a bar-check character ('|') also gives a beat count
in the measure, if you hadn't noticed.
Most of the other editing sugar I like is basic emacs : auto-fill'ing comments,
auto-indenting code, multiple windows and buffers, syntax highlighting, etc.
-glen
On Tue, Aug 27, 2013 at 4:22 PM, Alexander Wallace a...@rwmotloc.com wrote:
Hi all? Aside from this:
http://www.lilypond.org/doc/v2.17/Documentation/usage/text-editor-support#emacs-mode
Is there any documentation on all the features, shortcuts and what not of the
Emacs mode for Lilypond?
Thanks!
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
