Re: [NetBehaviour] An Interview with Alan Sondheim @furtherfield

[Mark Hancock]

This is a great interview.

Can I just say: I don't know what's in the cyber-water across Furtherfield
and associated collaborator networks right now, but the past few months
have been totally invigorating and inspiring. Stay strong and keep doing
whatever it is everyone who drinks deep from the well of net art/digital
media art does.

You are all needed today more than ever before.

On 28 June 2017 at 10:45, Marc.garrett  wrote:

> An Interview with Alan Sondheim
>
> By Michael Szpakowski.
>
> On the occasion of his talk at Furtherfield Commons this coming Wednesday
> 5 July, and participation in the Children of Prometheus exhibition at
> Furtherfield Gallery we present an interview conducted by the artist and
> writer Michael Szpakowski in which Sondheim gives a broad overview of his
> artistic formation, practice and philosophy. Alan Sondheim has been
> ploughing a very singular furrow through art, music, writing, philosophy,
> technology, and much else since the late sixties.
>
> http://bit.ly/2s17rtN
>
> Wishing you well
>
> marc
>
> Marc Garrett
>
> Co-Founder, Co-Director and main editor of Furtherfield.
> Art, technology and social change, since 1996
> http://www.furtherfield.org
>
> Furtherfield Gallery & Commons in the park
> Finsbury Park, London N4 2NQ
> http://www.furtherfield.org/gallery
> Currently writing a PhD at Birkbeck University, London
> https://birkbeck.academia.edu/MarcGarrett
>
> Curating, Touring Exhibition
> Monsters of the Machine:Frankenstein in the 21st Century
> At Laboral, Spain until Sept 2017 http://bit.ly/2eGdpw1
> Visiting other countries soon...
>
> Sent with ProtonMail  Secure Email.
>
>
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>
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Re: [NetBehaviour] my thought, index

[Mark Hancock]

Hi Alan,

persurge made me think of those photos of Martian Earthrise.

I really liked the ghostliness of the short video as well. The brevity was
enticing, creating a tension as it stopped, and I found I wanted it to last
just a few moments more. I always find it hard to know when to close out a
film, maybe I'm looking for narrative.

One day I'd really like to borrow one of your tracks and sample it in one
of my pieces!

M

On 27 June 2017 at 20:05, Alan Sondheim  wrote:

>
>
> my thought, index
>
> http://www.alansondheim.org/persurge.png
> http://www.alansondheim.org/anglank.mp4
> http://www.alansondheim.org/utteror.png
>
> avatar mocap edgespace gamespace dance perform surge terror
> anguish analog digital clutter architecture blank digilit motar
> edgegame spacedance persurge angalog digiblank blankterror
> avadance perspace archilit ter$ spacesurge tectform clutform
> terrter anglank digitter danceterror terrordance digidigi
> capsurge blankedge utteror taluish perlog errorl$
>
> a smooth deal
> cusp and valley, geodesics wandering
> the waves
> perennial
>
> my thought, beginnings
>
> avatar mocap edgespace gamespace dance perform surge terror
> anguish analog digital clutter architecture blank digilit
>
> motar edgegame spacedance persurge angalog digiblank blankterror
> avadance perspace archilit tercap spacesurge tectform
>
> clutform terrter anglank digitter danceterror terrordance
> digidigi capsurge blankedge utteror taluish perlog errorlit
>
> my thought, a smooth deal
>
> avatar mocap mocap edgespace edgespace gamespace gamespace dance
> dance perform perform surge surge terror terror anguish anguish
> avatar analog digital clutter analog architecture digital blank
> clutter digilit architecture motar edgegame motar spacedance
> edgegame persurge spacedance angalog persurge digiblank angalog
> blankterror digiblank avadance perspace archilit avadance tercap
> perspace spacesurge archilit tectform tercap clutform terrter
> clutform anglank terrter digitter anglank danceterror digitter
> terrordance danceterror digidigi terrordance capsurge blankedge
> utteror capsurge taluish blankedge perlog utteror errorlit
> taluish
>
> my thought, cusp and valley, geodesics wandering
>
> mocap mocap errorlit avatar avatar analog dance utteror
> edgespace gamespace gamespace taluish terror digilit perform
> surge surge perform digital clutter terror analog analog analog
> motar blank anguish architecture architecture architecture
> edgegame digilit motar edgegame architecture angalog avadance
> spacedance persurge angalog persurge perspace perspace angalog
> blankterror avadance avadance anglank spacesurge spacedance
> archilit tercap tercap edgegame terrter utteror tectform
> clutform clutform spacesurge danceterror terrordance terrter
> digitter digitter digitter utteror capsurge anglank digidigi
> digidigi digidigi taluish terrordance blankedge utteror taluish
> digidigi perlog errorlit errorlit errorlit blankedge digitter
>
> my thought, the waves
>
> errorlit errorlit errorlit errorlit perlog errorlit errorlit
> blankedge errorlit errorlit errorlit errorlit surge perlog
> errorlit edgespace perlog errorlit mocap taluish errorlit mocap
> blankedge errorlit avatar terrordance errorlit avatar archilit
> perlog perlog blankterror taluish errorlit analog utteror
> errorlit surge capsurge errorlit dance terrordance errorlit
> edgespace clutform perlog mocap digilit perlog mocap taluish
> avatar taluish blankedge spacedance capsurge errorlit digital
> terrordance errorlit terror terrter errorlit perform avadance
> perlog gamespace perform taluish edgespace utteror mocap
> capsurge avatar archilit terrordance motar anglank errorlit
> digital spacesurge errorlit terror spacedance perlog perform
> utteror gamespace blankedge edgespace digidigi avatar
> terrordance digitter digiblank clutform errorlit blank avadance
> errorlit digital blank taluish terror utteror perform capsurge
> gamespace danceterror mocap terrter avatar tercap tercap
> errorlit spacedance angalog errorlit architecture anguish
> taluish analog blankedge surge digidigi dance digitter edgespace
> clutform avatar anglank perspace errorlit blankterror edgegame
> perlog motar dance taluish clutter capsurge anguish terrordance
> perform anglank gamespace spacesurge mocap blankedge blankterror
> tercap blank perlog persurge avatar utteror blank capsurge
> analog danceterror surge terrter dance tercap mocap angalog
> terrter clutter perlog digiblank utteror motar digidigi clutter
> digitter terror clutform dance perspace edgespace spacedance
> terrordance anguish errorlit perspace utteror spacedance
> digidigi architecture anglank analog tectform perform avadance
> edgespace motar utteror surge errorlit tectform utteror angalog
> terrordance digilit anglank digital spacesurge surge digiblank
> gamespace blank avatar gamespace errorlit anglank blankedge
> avadance terrordance edgegame terrter clutter tercap terror
> angalog dance 

[NetBehaviour] Colour and Shape - in Conversation with Hollis

[Mark Hancock]

Hi all,

Here's my short documentary/interview with Bristol-based artist Hollis.
Part of a (very very ) slowly emerging series of artist interviews.

https://vimeo.com/216930361

Thanks

Mark
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[NetBehaviour] Ascenseur Pour L’Échafaud

[Mark Hancock]

Hi Net(mis)behaviorists,

Here's a short film I shot while at Resonate festival in Serbia this year.
Many thanks to AGF for allowing me to use clips I recorded of her talk at
the festival.


https://vimeo.com/215096593

Care

Mark
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Re: [NetBehaviour] Links

[Mark Hancock]

Mark Fisher's passing has been really upsetting, in a way that hasn't
really had an impact on me with other theorists/writers. Maybe it's that we
were similiar ages? I only knew Mark through his writing but it feels like
a rent in the fabric of the model of the world that I've created for myself
over the past ten years.

Thanks for these Rob, there were a few I missed.

I hope there's a plan to collect all of Mark's K-punk blog posts somewhere.

M

On 18 January 2017 at 20:47, Rob Myers  wrote:

> Mark Fisher, 1968–2017 -
>
> https://www.urbanomic.com/mark_fisher/
>
>
> Mark Fisher RIP -
>
> http://www.ufblog.net/mark-fisher-rip/
>
>
> Remembering Mark Fisher -
>
> http://thequietus.com/articles/21572-mark-fisher-rip-obituary-interview
>
>
> Mark Fisher’s K-punk blogs were required reading for a generation -
>
> https://www.theguardian.com/commentisfree/2017/jan/18/
> mark-fisher-k-punk-blogs-did-48-politics
>
>
> The Weird and The Eerie -
>
> http://repeaterbooks.com/books/the-weird-and-the-eerie-mark-fisher/
>
>
> Ghosts of My Life -
>
> http://www.zero-books.net/books/ghosts-my-life
>
>
> Capitalist Realism -
>
> http://www.zero-books.net/books/capitalist-realism
>
>
> Ccru: Writings 1997-2003 -
>
> https://www.amazon.co.uk/Ccru-Writings-1997-2003-ebook/dp/B00X96VLF0/
>
>
> k-punk -
>
> http://k-punk.abstractdynamics.org/
>
>
> k-punk.org -
>
> http://k-punk.org/
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Re: [NetBehaviour] Links

[Mark Hancock]

Excellent links, Rob. Thank you.

M

On Tue, 27 Dec 2016 at 04:56, Rob Myers  wrote:

> "A curated list of awesome TensorFlow experiments, libraries, and
>
> projects." -
>
>
>
> https://github.com/jtoy/awesome-tensorflow
>
>
>
>
>
> Shardcore's generative art -
>
>
>
> http://www.shardcore.org/shardpress/category/algorithmicart/
>
>
>
>
>
> Web VR fundamentals -
>
>
>
> https://developers.google.com/web/fundamentals/vr
>
>
>
>
>
> Plantoids: The First Blockchain-Based Artificial Life Forms -
>
>
>
>
> https://bitcoinmagazine.com/articles/plantoids-the-first-blockchain-based-artificial-life-forms-1482768916
>
>
>
>
>
> Ledger cryptocurrency Journal Volume 1 -
>
>
>
> http://ledger.pitt.edu/ojs/index.php/ledger/issue/view/2
>
>
>
>
>
> Technical developments in Cryptography: 2016 in Review -
>
>
>
> https://www.eff.org/deeplinks/2016/12/what-happened-crypto-2016
>
>
>
>
>
> A 3D Printing DAO -
>
>
>
> https://news.bitcoin.com/open3d-club-bitcoin-3d-printing-dao/
>
>
>
>
>
> An Open Hardware U2F dongle -
>
>
>
> https://u2fzero.com/
>
>
>
>
>
> "The Tech behind Bitcoin Could Help Artists and Protect Collectors. So
>
> Why Won’t They Use It?" -
>
>
>
>
> https://m.artsy.net/article/artsy-editorial-the-tech-behind-bitcoin-could-help-artists-and-protect-collectors-so-why-won-t-they-use-it
>
>
>
>
>
> A CCRUish reading list -
>
>
>
> https://www.are.na/dillon-votaw/ccrupted-t0sh0kan
>
> ___
>
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>
> NetBehaviour@netbehaviour.org
>
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[NetBehaviour] Furthernoise.org

[Mark Hancock]

Hi Marc/Ruth et al,

I'm probably being a bit dense and have missed something. Is Furthernoise
still active in any form or presence?

Thanks

Mark
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Re: [NetBehaviour] FW: NetBehaviour Digest, Vol 2912, Issue 1

[Mark Hancock]

Alan's work is like the finely presented food of a sushi bar, slowly presented 
in quick succession before us. Each small bowl a delight, should we choose to 
take a chance with a new, rare exotic flavour.

I'm staying at the restaurant a bit longer if that's alright?

Sent from my iPhone

> On 30 Nov 2016, at 17:20, John Hopkins  wrote:
> 
>> On 30/Nov/16 02:47, Charlotte Elizabeth Webb wrote:
>> Last night I was watching Astra Taylor give a keynote for the 2016 Rhizome
>> Seven on Seven event, and she made a good point
>> that 'purity' re: Facebook (i.e. not being there on principle) is
>> counter-effective when it comes to political organising, because it is simply
>> where the people are.
> 
> Somewhat similar rationale got Trump elected...
> 
> Principles are principles because they are principles...
> 
> jh
> -- 
> ++
> Dr. John Hopkins, BSc, MFA, PhD
> levitating on bentonite
> twitter: @neoscenes
> http://tech-no-mad.net/blog/
> ++
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Re: [NetBehaviour] FW: NetBehaviour Digest, Vol 2912, Issue 1

[Mark Hancock]

cultural-industry complex feels like a good way to capture it all, I may 
appropriate if you don't mind?

Sent from my iPhone

> On 29 Nov 2016, at 21:15, John Hopkins  wrote:
> 
> cultural-industry complex
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Re: [NetBehaviour] FW: NetBehaviour Digest, Vol 2912, Issue 1

[Mark Hancock]

I wish I could unsubscribe! I went in for a minor art removal and they grafted 
on a whole brave new art world to the left side of my brain. Now every time I 
go to say, "art market democracy", it comes out as "military-industrial 
complex, patriarchal hegemony."

What's the cure?



> On 29 Nov 2016, at 11:20, furtherfield  wrote:
> 
> ;-);-);-);-)you are now unsubscribed from the list ;-);-);-)
> ;-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-)
> ;-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-)
> ;-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-)
> ;-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-)
> ;-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-);-)
> ;-);-);-);-);-);-);-);-);-);-)
> 
> 
> 
>> On Mon, Nov 28, 2016 at 6:49 PM, c...@caracourage.net  
>> wrote:
>> please unsubscribe me form this list
>> 
>> -Original Message-
>> From: netbehaviour-boun...@netbehaviour.org 
>> [mailto:netbehaviour-boun...@netbehaviour.org] On Behalf Of 
>> netbehaviour-requ...@netbehaviour.org
>> Sent: 28 November 2016 12:00
>> To: netbehaviour@netbehaviour.org
>> Subject: NetBehaviour Digest, Vol 2912, Issue 1
>> 
>> Send NetBehaviour mailing list submissions to
>> netbehaviour@netbehaviour.org
>> 
>> To subscribe or unsubscribe via the World Wide Web, visit
>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>> or, via email, send a message with subject or body 'help' to
>> netbehaviour-requ...@netbehaviour.org
>> 
>> You can reach the person managing the list at
>> netbehaviour-ow...@netbehaviour.org
>> 
>> When replying, please edit your Subject line so it is more specific than 
>> "Re: Contents of NetBehaviour digest..."
>> 
>> 
>> Today's Topics:
>> 
>>1. bloodriver amanuensis (Alan Sondheim)
>>2. Blaan Faglung (Alan Sondheim)
>> 
>> 
>> --
>> 
>> Message: 1
>> Date: Sun, 27 Nov 2016 14:40:51 -0500 (EST)
>> From: Alan Sondheim 
>> To: netbehaviour@netbehaviour.org
>> Subject: [NetBehaviour] bloodriver amanuensis
>> Message-ID: 
>> Content-Type: text/plain; charset=US-ASCII; format=flowed
>> 
>> 
>> 
>> bloodriver amanuensis
>> 
>> http://www.alansondheim.org/bloodriver2.jpg
>> http://www.alansondheim.org/bloodriver3.jpg
>> 
>> the wound of 2 transliterated into the normative illumination of 3; the 
>> environment pales in comparison. it's all driven by the apparatus of a 
>> stopped video load; the central timing wheel is stilled as a result perhaps 
>> of a rupture somewhere along the way. the bloodflow parts and churns and is 
>> buried in the inverse rectitude of 3. the images resonate with the original 
>> bloodriver video as well as its cover image, bloodriver.jpg. bloodriver is 
>> also bloo-driver, the driven blue of the ocean churned to death.
>> death inverts. the illumination of death inverts death. this is progressive 
>> reportage which is never fulfilled, always incomplete; we like to believe 
>> the text is just around the corner, but nothing ever returns, or returns in 
>> the same form.
>> we give credence to blood as sign, but it is never sign, always empty; we 
>> inflate emptiness to the level of the sign. we call this transmission or a 
>> text. the text dissolves in the blood, the blood dissolves, the world dries, 
>> cauterizes. we will not be around for a final reading, nor any such 
>> asymptotic. dissolution of the blood empties. the planet empties. the timing 
>> wheel means nothing. it is a panic symptom, panic syndrome. the only thing 
>> that returns, turns, is the image. someone asked me about my books today, 
>> whether there are any new ones. there aren't any.
>> do not salvage these texts; the inevitable, as one is wont to say, is 
>> inevitable. they have always already disappeared.
>> nothing writes them. the blood is mine. the blood is mined, no salvage.
>> 
>> 
>> 
>> --
>> 
>> Message: 2
>> Date: Mon, 28 Nov 2016 03:23:17 -0500 (EST)
>> From: Alan Sondheim 
>> To: netbehaviour@netbehaviour.org
>> Subject: [NetBehaviour] Blaan Faglung
>> Message-ID: 
>> Content-Type: text/plain; charset=US-ASCII; format=flowed
>> 
>> 
>> 
>> Blaan Faglung
>> 
>> for Arjho Carino Turner and Hans Brandeis
>> 
>> http://www.alansondheim.org/atl110.jpg
>> http://www.alansondheim.org/faglung.mp4
>> http://www.alansondheim.org/atl090.jpg
>> http://www.alansondheim.org/atl100.jpg
>> 
>> Years ago, I bought a hegelung from Music Inn, in Manhattan. I didn't know 
>> much about the instrument, but learned quickly, and through a series of odd 
>> coincidences I met Grace Nono, T'boli singer, musical advocate, and hegelung 
>> player; I also met, independently, her friend Hans Brandeis, 
>> ethnomusicologist and 

[NetBehaviour] Brief Encounter

[Mark Hancock]

Hi,

To avoid doing actual work with looming deadlines, I set myself the
challenge of creating a soundtrack and shooting a video in a single day.
Managed to render this out just before midnight and uploaded it this
morning.

A short story about a hired killer waiting for his target to arrive. It's
about the mundanity of the things we never see in action movies. The
waiting part, without the spectacle which Hollywood-genre movies spend
their time focussing on.

https://vimeo.com/180450559

Cheers

M
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Re: [NetBehaviour] After Dark documentary

[Mark Hancock]

Hi Michael,

Thank you! I'm glad you liked it, I think it was the first time I've
managed to get some of the aesthetic I was after into a 'factual' piece of
filming.

Mark

On 12 August 2016 at 22:20, Michael Szpakowski <szp...@yahoo.com> wrote:

> Tremendous Mark! -beautifully shot, paced and edited.
> michael
>
>
> --
> *From:* Mark Hancock <mark.r.hanc...@gmail.com>
> *To:* netbehaviour@netbehaviour.org
> *Sent:* Friday, August 12, 2016 10:36 AM
> *Subject:* [NetBehaviour] After Dark documentary
>
> Hi all
>
> Here's a short documentary I made about the After Dark project by Kaye
> Winwood.
>
> Enjoy!
>
> https://vimeo.com/178577565
>
> Mark
>
>
>
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>
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Re: [NetBehaviour] After Dark documentary

[Mark Hancock]

Thanks Marc. I can say from my interventions in the production process, that 
these are in fact... Not made from oysters

M


Sent from my brain 

> On 12 Aug 2016, at 11:40, marc garrett <marc.garre...@gmail.com> wrote:
> 
> Hi Mark,
> 
> Thanks for sharing - a well made doc-film indeed.
> 
> I like the food. Just wondering, the 'oyster leaves' --- are  they made from 
> oysters?
> 
> Wishing you well.
> 
> marc
> 
>> On 12 August 2016 at 10:36, Mark Hancock <mark.r.hanc...@gmail.com> wrote:
>> Hi all
>> 
>> Here's a short documentary I made about the After Dark project by Kaye 
>> Winwood.
>> 
>> Enjoy!
>> 
>> https://vimeo.com/178577565
>> 
>> Mark
>> 
>> 
>> 
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> 
> 
> 
> -- 
> -- 
> 
> Marc Garrett
> Co-Founder, Co-Director and main editor of Furtherfield.
> 
> Furtherfield - A living, breathing, thriving network
> http://www.furtherfield.org - for art, technology and social change since 1996
> 
> Furtherfield Gallery & Commons,
> Finsbury Park, London N4 2NQ
> T +44(0)208 802 1301/+44(0)208 802 2827
> M +44(0)7533676047
> www.furtherfield.org
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[NetBehaviour] After Dark documentary

[Mark Hancock]

Hi all

Here's a short documentary I made about the After Dark project by Kaye Winwood.

Enjoy!

https://vimeo.com/178577565

Mark


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[NetBehaviour] Last of the Summer Wine/Brexit

[Mark Hancock]

Hi all,

Apologies to those of you who don't know the reference to the long running
British sitcom!

Mark

Scene: Top of a large hill, below them Europe stretches out. There’s a road
from the hill down, currently being ripped up and carelessly flung to one
side.

Theresa May (pointing at go-cart with NHS pledge painted on side: “Come on,
Boris, climb in, you’ll love it!”

Boris: ” What? No flipping way. You won’t get me in that contraption!”

CUT TO: Boris in that contraption.

May: Righto! Off you go, Boris!

Boris heads down the road, hitting potholes and bumping into people trying
to repair the road. “Look out Frenchies!! Boris express crashing through!”

CUT TO: May, wringing hands and laughing at top of hill.
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Re: [NetBehaviour] A conversation on Netbehaviour about implications of Brexit

[Mark Hancock]

Do we have to vote on a leader first?

Sent from my mind

> On 30 Jun 2016, at 12:29, marc garrett  wrote:
> 
> Hi Netbehaviorists,
> 
> Expect a conversation on this list about the implications of Brexit — soon.
> 
> Wishing you well.
> 
> marc
> 
> -- 
> -- 
> 
> Marc Garrett
> Co-Founder, Co-Director and main editor of Furtherfield.
> 
> Furtherfield - A living, breathing, thriving network
> http://www.furtherfield.org - for art, technology and social change since 1996
> 
> Furtherfield Gallery & Commons,
> Finsbury Park, London N4 2NQ
> T +44(0)208 802 1301/+44(0)208 802 2827
> M +44(0)7533676047
> www.furtherfield.org
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[NetBehaviour] Kathy and Bill - a love story

[Mark Hancock]

Hi Netbehaviourists

A track (can we still say ‘track’ in the digital era? - doesn’t that phrase 
relate to the grooves on vinyl?) I produced using Ableton software and Korg 
gear. The cut-up of the Kathy Acker and William Burroughs interview was 
actually a mistake, because it’s the first time I’ve used the editing software. 
But how could I not leave it in?


https://soundcloud.com/keepartevil/kathys-leather-jacket 


All the best

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[NetBehaviour] Random string

[Mark Hancock]

Hi Netbehaviourists,

For once I don’t have to stray further than the Midlands (UK) for some digital 
media goodness. This is taking place at Warwick University. 

M


A one-day event for artists and arts professionals, exploring the use of 
interactive and networked technologies in the creative process.

The Random String Symposium gives space for inspiration, discussion and 
sharing. Hear from cutting-edge artists and technologists from across the UK 
and overseas, have frank conversations with commissioners, producers and 
decision-makers about the practicalities of using technology in your work and 
explore works-in-progress projects from the Random String Fellows and a host of 
other practitioners. There’s also the opportunity to play and tinker yourselves 
in hands-on workshops in creative technology and network with other 
practitioners over free coffee.

Contributors include artist, games designer and activist Phoenix Perry; 
 the RSC’s  Head of Digital 
Development Sarah Ellis; Dan Hett, a BBC  R 
Technologist with a crippling addiction to side projects; and Matt Johnson, CEO 
of Bare Conductive . There’ll also be project 
talks from artists including Nikki Pugh, Antonio Roberts and Juneau Projects.



http://www.warwickartscentre.co.uk/whats-on/2016/random-string-symposium/ 
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[NetBehaviour] Resonate festival

[Mark Hancock]

Hi Net[mis]behaviourists,

I’m off to Resonate festival this Thursday and I'm filming a series of short 
artist interviews. If any of you are over there and would like to meet and 
spare me a few minutes, it would be great to catch your thoughts and find out 
what you’re working on.

See you there.

Mark
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Re: [NetBehaviour] Eating crisps for Sport Relief

[Mark Hancock]

I’ve pledged £1000 after watching this video. To Gary Lineker



> On 18 Mar 2016, at 19:10, Edward Picot  wrote:
> 
> Edward Picot attempts to eat a packet of crisps for Sport Relief.
> 
> YouTube - https://youtu.be/mZhp3nLgz_E
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Re: [NetBehaviour] Interspersed amongst the decaying landscapes of Albion

[Mark Hancock]

Hi Ann,

This has really amused me. Thanks for sharing.

M

Sent from my MindPad

> On 15 Mar 2016, at 06:58, Ann Light <ann.li...@gmail.com> wrote:
> 
> Hi Mark,
> 
> Your question inspired me to share a moment that's stayed with me through a 
> lifetime.
> 
> Long long ago, in the days of the O level in British education, the Liverpool 
> poets (http://www.literature-study-online.com/essays/liverpool-poets.html) 
> were quite the thing and their poems were often set for study on the English 
> literature syllabus, then assessed by an unseen exam. At some point, one 
> Sunday newspaper decided to pit the three poets against their own poems by 
> setting them that year's English literature paper. They were hopeless. They 
> had no idea what the themes were or how to conduct an appropriately pitched 
> analysis. They were also very amusing about it. Though not, if I recall 
> rightly, in verse. 
> 
> Best wishes
> Ann
> 
>> On Mon, Mar 14, 2016 at 10:32 PM, Mark Hancock <mark.r.hanc...@gmail.com> 
>> wrote:
>> Hi Johannes,
>> 
>> >>a kind of romanticism that evokes/links decaying landscapes and empires 
>> >>and the sublime (aesthetics)
>> 
>> Excellent! You make it sound like a bad thing though?
>> 
>> I like that the work has evoked some discussion, especially as it has moved 
>> beyond my own thought processes while creating the work. The work was born, 
>> after all, from an instinctive creative process, rather than one that 
>> attempted to prove any given ideology or philosophical perspective. But 
>> perhaps I’m being disingenuous here, maybe I was hoping that it would, while 
>> not explicitly stating that during the process of creation?
>> 
>> Can the person making the work, be in the best place to analyse the work? I 
>> know this is a well-worn path, but I’d be interested in what people have to 
>> say on this. I’ve been looking at subjects for a short documentary I’d like 
>> to make this year, I wonder if this is it?
>> 
>> Cheers
>> 
>> Mark
>> 
>> 
>> 
>> > On 14 Mar 2016, at 20:13, Johannes Birringer 
>> > <johannes.birrin...@brunel.ac.uk> wrote:
>> >
>> > dear all
>> >
>> > it is interesting to me to read the responses, or the conversation between 
>> > Mark and Alan,
>> > but I find Mark's (and to some extent yours, Alan, as well) commentary too 
>> > close to
>> > a kind of romanticism that evokes/links decaying landscapes and empires 
>> > and the sublime (aesthetics).
>> >
>> > And John did respond to my query, thank you, regarding "posturing of 
>> > power, and the decay implicit in
>> > myths of cultural heritage.. and 'preservation'", and I thought his 
>> > discussion of
>> > the depletion of energy/force (for building archive and hoarding in the 
>> > museums of the former west)
>> > and depletion of social order (a kind of chaos theory of the end of 
>> > political, including the poor cousins of landscape art and border art?), 
>> > also in
>> > the US empire (Amurika? whose albion is that?), was very thought-provoking.
>> >
>> > It did make me think, and wonder also, given Alan's silence, whether I 
>> > offended sensibilities here evoking
>> > a materialist dialectics that would see iconoclasm/destruction in another 
>> > light. It was so easy
>> > to condemn ISIS and be morally abhorred; and when you ask why is there no 
>> > abhorrence
>> > and condemnation and protest against the state governments that took the 
>> > war to Syria and destroyed
>> > Syria (after destroying Iraq), well, are we powerless to stop war, stop 
>> > the refugee crisis?
>> >
>> > nothing unknowable here, Mark, I guess.
>> >
>> >
>> > respectfully,
>> > Johannes Birringer
>> >
>> > 
>> > From: netbehaviour-boun...@netbehaviour.org 
>> > [netbehaviour-boun...@netbehaviour.org] on behalf of Mark Hancock 
>> > [mark.r.hanc...@gmail.com]
>> > Sent: Monday, March 14, 2016 12:29 AM
>> > To: NetBehaviour for networked distributed creativity
>> > Subject: Re: [NetBehaviour] Interspersed amongst the decaying landscapes 
>> > of Albion
>> >
>> > Hi,
>> >
>> > Yes! It probably is me collapsing, bits falling away and into the ocean 
>> > (of the sublime?).
>> >
>> > I’d be interested to find out more of your feelings of i

Re: [NetBehaviour] Interspersed amongst the decaying landscapes of Albion

[Mark Hancock]

Hi Johannes,

>>a kind of romanticism that evokes/links decaying landscapes and empires and 
>>the sublime (aesthetics)

Excellent! You make it sound like a bad thing though?

I like that the work has evoked some discussion, especially as it has moved 
beyond my own thought processes while creating the work. The work was born, 
after all, from an instinctive creative process, rather than one that attempted 
to prove any given ideology or philosophical perspective. But perhaps I’m being 
disingenuous here, maybe I was hoping that it would, while not explicitly 
stating that during the process of creation?

Can the person making the work, be in the best place to analyse the work? I 
know this is a well-worn path, but I’d be interested in what people have to say 
on this. I’ve been looking at subjects for a short documentary I’d like to make 
this year, I wonder if this is it?

Cheers

Mark



> On 14 Mar 2016, at 20:13, Johannes Birringer 
> <johannes.birrin...@brunel.ac.uk> wrote:
> 
> dear all
> 
> it is interesting to me to read the responses, or the conversation between 
> Mark and Alan,
> but I find Mark's (and to some extent yours, Alan, as well) commentary too 
> close to
> a kind of romanticism that evokes/links decaying landscapes and empires and 
> the sublime (aesthetics).
> 
> And John did respond to my query, thank you, regarding "posturing of power, 
> and the decay implicit in
> myths of cultural heritage.. and 'preservation'", and I thought his 
> discussion of
> the depletion of energy/force (for building archive and hoarding in the 
> museums of the former west) 
> and depletion of social order (a kind of chaos theory of the end of 
> political, including the poor cousins of landscape art and border art?), also 
> in
> the US empire (Amurika? whose albion is that?), was very thought-provoking. 
> 
> It did make me think, and wonder also, given Alan's silence, whether I 
> offended sensibilities here evoking
> a materialist dialectics that would see iconoclasm/destruction in another 
> light. It was so easy
> to condemn ISIS and be morally abhorred; and when you ask why is there no 
> abhorrence
> and condemnation and protest against the state governments that took the war 
> to Syria and destroyed
> Syria (after destroying Iraq), well, are we powerless to stop war, stop the 
> refugee crisis?
> 
> nothing unknowable here, Mark, I guess. 
> 
> 
> respectfully,
> Johannes Birringer
> 
> 
> From: netbehaviour-boun...@netbehaviour.org 
> [netbehaviour-boun...@netbehaviour.org] on behalf of Mark Hancock 
> [mark.r.hanc...@gmail.com]
> Sent: Monday, March 14, 2016 12:29 AM
> To: NetBehaviour for networked distributed creativity
> Subject: Re: [NetBehaviour] Interspersed amongst the decaying landscapes of   
>   Albion
> 
> Hi,
> 
> Yes! It probably is me collapsing, bits falling away and into the ocean (of 
> the sublime?).
> 
> I’d be interested to find out more of your feelings of insignificance, 
> because I imagine that comes from knowing that there is so much more to know 
> in the world. Perhaps the decaying landscape is our own uncertainty in the 
> face of so much unknowable?
> 
> M
> 
>> On 13 Mar 2016, at 20:12, Alan Sondheim <sondh...@panix.com> wrote:
>> 
>> 
>> Hi Mark,
>> 
>> Wouldn't it be true to say that you're collapsing, not the landscape? And 
>> whether that content is somehow manifest to us as viewers? I feel the same 
>> sort of vertigo, but I associate it with the Kantian sublime (which for all 
>> I know relates to Peirce's continuum via Zalamea), and a resulting, for me, 
>> sense of insignificance - literally in the presennce of being (and Being) 
>> _awe-struck._ ...
>> 
>> - Alan
>> 
>> On Sun, 13 Mar 2016, Mark Hancock wrote:
>> 
>>> Hi all, thank you for taking the time to view the video!
>>> 
>>> 
>>> In a very general, not too researched way, I was reading about Deep Time in 
>>> (I think, I?m still on holiday away from my bookshelves) Collapse journal, 
>>> Volume 2. That, coupled with a comic from Image, called Injection, which 
>>> touches on aspects of British folklore and AI, got me thinking last year 
>>> about the idea of cinema as occult exploration; part ritual, part 
>>> documentation, perhaps? So I created these Deep Time Exploration experiment 
>>> films, which I?ve linked below.
>>> 
>>> This latest piece is an extension of that exploration, trying to see 
>>> something in the landscape beyond what initially meets the eye.
>>> 
>>> As for decaying landscapes, I?m extreme

Re: [NetBehaviour] Interspersed amongst the decaying landscapes of Albion

[Mark Hancock]

Hi,

Yes! It probably is me collapsing, bits falling away and into the ocean (of the 
sublime?).

I’d be interested to find out more of your feelings of insignificance, because 
I imagine that comes from knowing that there is so much more to know in the 
world. Perhaps the decaying landscape is our own uncertainty in the face of so 
much unknowable?

M



> On 13 Mar 2016, at 20:12, Alan Sondheim <sondh...@panix.com> wrote:
> 
> 
> Hi Mark,
> 
> Wouldn't it be true to say that you're collapsing, not the landscape? And 
> whether that content is somehow manifest to us as viewers? I feel the same 
> sort of vertigo, but I associate it with the Kantian sublime (which for all I 
> know relates to Peirce's continuum via Zalamea), and a resulting, for me, 
> sense of insignificance - literally in the presennce of being (and Being) 
> _awe-struck._ ...
> 
> - Alan
> 
> On Sun, 13 Mar 2016, Mark Hancock wrote:
> 
>> Hi all, thank you for taking the time to view the video!
>> 
>> 
>> In a very general, not too researched way, I was reading about Deep Time in 
>> (I think, I?m still on holiday away from my bookshelves) Collapse journal, 
>> Volume 2. That, coupled with a comic from Image, called Injection, which 
>> touches on aspects of British folklore and AI, got me thinking last year 
>> about the idea of cinema as occult exploration; part ritual, part 
>> documentation, perhaps? So I created these Deep Time Exploration experiment 
>> films, which I?ve linked below.
>> 
>> This latest piece is an extension of that exploration, trying to see 
>> something in the landscape beyond what initially meets the eye.
>> 
>> As for decaying landscapes, I?m extremely risk-averse and nervous whenever I 
>> go near any cliffs, constantly worrying that they?ll collapse and crush me. 
>> There?s beauty in there, but also fear. To me, the landscapes are constantly 
>> collapsing. Maybe I?m being paranoid.
>> 
>> I?ve been using GoPros for a couple of years, because I?ve wanted to take 
>> this ?extreme sports? documentation tool and use it in a different, 
>> creative/playful way. As I?ve been thinking about this all now, I realised 
>> that one root was probably the work of Mark Amerika. In fact, an interview 
>> for DigiCult* I did with Mark a few years ago, probably lodged itself in my 
>> neural pathways.
>> 
>> It?s rare that I get to think and write about my own work, so thank you and 
>> your references and thoughts have really got me thinking and making some 
>> connections.
>> 
>> Regards
>> 
>> Mark
>> 
>> 
>> 
>> https://vimeo.com/140845772
>> 
>> https://vimeo.com/140842992
>> 
>> https://vimeo.com/140842883
>> 
>> * 
>> http://www.digicult.it/digimag/issue-068/moving-remixing-the-economy-of-motion-by-mark-amerika/
>> 
>> 
>>> On 13 Mar 2016, at 03:22, Alan Sondheim <sondh...@panix.com> wrote:
>>> Really like this, but not sure why the landscapes are decaying, what you 
>>> mean by this? and yes, great music/visuals!
>>> Thanks! Alan
>>> On Sat, 12 Mar 2016, Mark Hancock wrote:
>>>> Hi Gill, thank you!
>>>> M
>>>> On 12 Mar 2016, at 13:47, Gill Davies <gill.dav...@gmail.com> wrote:
>>>> 
>>>> Enjoyed this, Mark.  Love the soundtrack.
>>>> On 12 March 2016 at 13:26, Mark Hancock <mark.r.hanc...@gmail.com>
>>>> wrote:
>>>> Hi all,
>>>> A short video, filmed at Port Isaac in Cornwall (UK):
>>>> Interspersed amongst the decaying landscapes of Albion
>>>> https://vimeo.com/158726454
>>>> All the best,
>>>> Mark
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>>>> 
>>>> ___
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>>> ==
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>>> web http://www.alansondheim.org / cell 718-813-3285
>>> music: http://www.espdisk.com/alansondheim/
>>> current text http://www.alansondheim.org/tv.txt
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Re: [NetBehaviour] Interspersed amongst the decaying landscapes of Albion

[Mark Hancock]

Hi all, thank you for taking the time to view the video!


In a very general, not too researched way, I was reading about Deep Time in (I 
think, I’m still on holiday away from my bookshelves) Collapse journal, Volume 
2. That, coupled with a comic from Image, called Injection, which touches on 
aspects of British folklore and AI, got me thinking last year about the idea of 
cinema as occult exploration; part ritual, part documentation, perhaps? So I 
created these Deep Time Exploration experiment films, which I’ve linked below.

This latest piece is an extension of that exploration, trying to see something 
in the landscape beyond what initially meets the eye.

As for decaying landscapes, I’m extremely risk-averse and nervous whenever I go 
near any cliffs, constantly worrying that they’ll collapse and crush me. 
There’s beauty in there, but also fear. To me, the landscapes are constantly 
collapsing. Maybe I’m being paranoid.

I’ve been using GoPros for a couple of years, because I’ve wanted to take this 
‘extreme sports’ documentation tool and use it in a different, creative/playful 
way. As I’ve been thinking about this all now, I realised that one root was 
probably the work of Mark Amerika. In fact, an interview for DigiCult* I did 
with Mark a few years ago, probably lodged itself in my neural pathways.

It’s rare that I get to think and write about my own work, so thank you and 
your references and thoughts have really got me thinking and making some 
connections.

Regards

Mark



https://vimeo.com/140845772

https://vimeo.com/140842992

https://vimeo.com/140842883

* 
http://www.digicult.it/digimag/issue-068/moving-remixing-the-economy-of-motion-by-mark-amerika/


> On 13 Mar 2016, at 03:22, Alan Sondheim <sondh...@panix.com> wrote:
> 
> 
> 
> Really like this, but not sure why the landscapes are decaying, what you mean 
> by this? and yes, great music/visuals!
> 
> Thanks! Alan
> 
> On Sat, 12 Mar 2016, Mark Hancock wrote:
> 
>> Hi Gill, thank you!
>> M
>> On 12 Mar 2016, at 13:47, Gill Davies <gill.dav...@gmail.com> wrote:
>> 
>>      Enjoyed this, Mark.  Love the soundtrack.
>> On 12 March 2016 at 13:26, Mark Hancock <mark.r.hanc...@gmail.com>
>> wrote:
>>  Hi all,
>> A short video, filmed at Port Isaac in Cornwall (UK):
>> Interspersed amongst the decaying landscapes of Albion
>> https://vimeo.com/158726454
>> All the best,
>> Mark
>> ___
>> NetBehaviour mailing list
>> NetBehaviour@netbehaviour.org
>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>> 
>>  ___
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>> 
> 
> ==
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> web http://www.alansondheim.org / cell 718-813-3285
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Re: [NetBehaviour] Interspersed amongst the decaying landscapes of Albion

[Mark Hancock]

Hi Gill, thank you!

M

> On 12 Mar 2016, at 13:47, Gill Davies <gill.dav...@gmail.com> wrote:
> 
> Enjoyed this, Mark.  Love the soundtrack.
> 
>> On 12 March 2016 at 13:26, Mark Hancock <mark.r.hanc...@gmail.com> wrote:
>> Hi all,
>> 
>> A short video, filmed at Port Isaac in Cornwall (UK): Interspersed amongst 
>> the decaying landscapes of Albion
>> 
>> https://vimeo.com/158726454
>> 
>> All the best,
>> 
>> Mark
>> 
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[NetBehaviour] Interspersed amongst the decaying landscapes of Albion

[Mark Hancock]

Hi all,

A short video, filmed at Port Isaac in Cornwall (UK): Interspersed amongst the 
decaying landscapes of Albion

https://vimeo.com/158726454 

All the best,

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Re: [NetBehaviour] besides, what are we (Martina and Annie in their networked performances) doing?

[Mark Hancock]

Hi, I’m also finding this really interesting right now.

I guess what stands out for me is the line, "– We are not developing a 
performance – our performances are part of a research process.”

I really like this idea that, as performers, you’re exploring what the text is 
and means. If this is the case? But, instead of working through towards a 
moment when the text is fully understood and can be presented, there is always 
a becoming?

All the best,

Mark



> On 9 Mar 2016, at 18:31, ruth catlow  wrote:
> 
> Thank you for sharing this Annie,
> I have a question (I enjoyed reading the last Bakhtin quote about voice). 
> Do you think that voice is also conveyed in the same way in the written word?
> 
> I ask, because I recently participated in a residency in which a writer was 
> partnered with a voice coach. I was lucky enough to have a session with the 
> voice coach and feel that the extended range of voices that I accessed 
> through this session have added range to my thought and writing.
> 
> Ruth
> 
> On 03/03/16 10:48, Annie Abrahams wrote:
>> 
>> This is a copy of my latest blogpost. I want to share it here too, because 
>> it might be of interest to some of you who are not connected to me 
>> otherwise. 
>> (Next performance will be March 19th 20h in Im_Flieger in Vienna)
>> Take care
>> Annie
>> We started out with three very different meetings (See turbulence.org 
>> ) and then decided to continue 
>> to explore one of them further; we restricted ourselves to a theme and made 
>> the project on “meeting online =” also a research on the relation between 
>> objects/things, text and the voice.
>> We began experiencing and experimenting the performances as an other method 
>> of thinking together about both object agency and online collaboration.
>> 
>> – We stage a collaborative performance project online.
>> – Meeting online =
>> – We are meeting online, trying to get more grip on what is actually 
>> happening in online webcam communication.
>> – This is a research project where we use performance as a tool.
>> – Using performance as a tool, is a way to create a common responsibility.
>> – We use an interface which doesn’t permit that either of us two can become 
>> dominant, an interface that has flaws, glitches, bugs, an interface that 
>> cannot be domesticated.
>> – We are not developing a performance – our performances are part of a 
>> research process.
>> My performances are a research tool, not an object ansich, not something to 
>> show off. (See allergic-to-utopias 
>> )
>> 
>> But the audience? Why should they be interested, What is it for them? They 
>> can think with us!
>> 
>> So far :
>> besides, the person I am becoming 1/06 2015
>> There are :
>> – the interface : two webcam images side by side, one managed by Martina, 
>> one by Annie. Both images have exactly the same size and presence there is 
>> no power relation. 
>> – a text : a remix, done together, of phrases read and heard, collected over 
>> one month by Annie and Martina individually. We determined before who would 
>> read what part of the text.
>> – objects : things : we will not use personal objects, things with a very 
>> specific personal history and they should not be too beautiful, as ordinary, 
>> casual, daily as possible.
>> What did we mean by that, why? We didn’t want things to be symbols. We 
>> almost entirely excluded also natural objects as flowers, leafs etc., 
>> because, they are already alive on their own and so are too symbolically 
>> loaded too.
>> The objects were placed in front of the webcam at before undetermined 
>> intervals.
>> – the hands : hands who lay down the objects carefully.
>> – two voices : as neutral as possible. Because the interface merges the 
>> sound of both webcams in one stream, there is no way for the audience to 
>> distinguish if a voice comes from the one or from the other webcam. They can 
>> only hear that there are two different voices, there is a dialogue.
>> 
>> What dialogue? Who is talking to who, who is addressed? Who receives? The 
>> objects replace the faces we are used to see in webcam images. We see them 
>> in close up – they become actors – we can believe them to be intimate, to 
>> have a relation. They too have a / are in dialogue. They too are elements 
>> being in the event. (1)
>> 
>> This is where the two subjects meet. This is where we meet.
>> 
>> In besides, the city is not a tree, 22/07 2015 we used a different, more 
>> narrative, mix of the same text collection. We decided to abandon the 
>> neutral voice and let the exchange be more natural allowing for affect to 
>> transpire (2). We speeded the rhythm and alternations.
>> Hands should be just careful installers, shouldn’t manipulate, nor stay too 
>> long in the frame.
>> For besides, smaller than a single pixel 28/11 2015 we made a 

Re: [NetBehaviour] PLEASE REMOVE ME FROM THIS LIST

[Mark Hancock]

I bloody love this email list!

Sent from my iPhone

> On 8 Jan 2016, at 15:17, Theresa Ramseyer  wrote:
> 
> Please stop yelling.
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Re: [NetBehaviour] Dharti

[Mark Hancock]

Alan,

Thank you so much for all this information. Just in these two paragraphs, 
there’s enough to keep me thinking for several lifetimes. We should all go more 
obscure!

Your research shamed me into returning to my copy and on opening it, found the 
definition on the first page I came to. I know how these things can happen 
through statistical chance and mechanical structure of book binding etcetera, 
but I also like the idea of being guided to it by… whatever. Anyway, here’s my 
hastily copied over (with one hand holding the book open while I type).

Thank you for sending me back!

Page 91, footnote 3:  'dhutih, meaning “median-nerve”, but lit. “tri-junction”. 
VS. Apte’s Sanscrit-English dictionary (Poona 1890) gives dhuti as the only 
similar word, defined as “shaking” or “moving”, which applied to our text may 
refer to the vibratory motion of the psychic force traversing the median nerve 
as its channel.’ - Lama Kazi Dawa-Samdup


> On 11 Nov 2015, at 23:56, Alan Sondheim <sondh...@panix.com> wrote:
> 
> 
> It's the Evans-Wentz translation. I wasn't able to find the word in the 
> index, but Wikipedia has
> Triunes that are metonymic of the ananda-chakra (Tib. gankyil; the trishula; 
> triratna; the heavenly, earthly and hellish realms; three eyes, third eye; 
> trimurti; trikaya; the directionality of left, middle, right and forward, 
> stationary, backwards; past, present, future; polarities and their synthesis; 
> upperworld or akash, middleworld or dharti and underworld or patal, etc. -
> which is in the article on Kila, Tibetan phurba or three-sided knife - so 
> triunes are important. There's an intro section on Tibetan cosmography in the 
> Evans-Wentz, which mentions various cosmological layers/worlds (which are 
> common in Buddhism), but I didn't see the term itself. Now the plot thickens; 
> I just downloaded the E-W translation as a pdf, and the word isn't found 
> there. It sounds cognate with dharma of course, but that really gets us 
> nowhere. I'd go with "middle-world" - and now I have to locate the Sanskrit 
> interjection "aho" which was a big deal in the 2nd Council schisms in 
> Buddhism.
> 
> We can't get much more obscure than this! :-)
> 
> - Alan
> 
> 
> On Wed, 11 Nov 2015, Mark Hancock wrote:
> 
>> Hi Alan,
>> 
>> Thank you! Blimey, errr, it has CG Jung essay in it. Galaxy imprint of OUP ( 
>> I think) fourth printing 1967. Cover design by Laurence Ratzkin (sic?)
>> 
>> If that offers any guidance to the version?
>> 
>> M
>> 
>> Sent from my iPad
>> 
>>> On 9 Nov 2015, at 12:14, Alan Sondheim <sondh...@panix.com> wrote:
>>> 
>>> 
>>> 
>>> Hi, great video - which version of the book?
>>> 
>>> Thanks, Alan
>>> 
>>>> On Mon, 9 Nov 2015, Mark Hancock wrote:
>>>> 
>>>> Hi all,
>>>> Here's a short track that I worked on yesterday. The meaning of the word
>>>> dharti is hard to find online, I took it from the Tibetan Book of the Dead,
>>>> but the page escapes me now! As these things do, it seemed very appropriate
>>>> at the time.
>>>> https://www.youtube.com/watch?v=A_xcdtGtDsg
>>>> Mark
>>>> 
>>> 
>>> ==
>>> email archive http://sondheim.rupamsunyata.org/
>>> web http://www.alansondheim.org / cell 718-813-3285
>>> music: http://www.espdisk.com/alansondheim/
>>> current text http://www.alansondheim.org/tm.txt
>>> ==
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>> 
> 
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Re: [NetBehaviour] Dharti

[Mark Hancock]

And of course, I meant to say, I’d misspelled the word, hence sending you off 
on a wild-goose chase!

My apologies for that. And to everyone on the list who has had to partake in 
this!

> On 12 Nov 2015, at 21:53, Mark Hancock <mark.r.hanc...@gmail.com> wrote:
> 
> Alan,
> 
> Thank you so much for all this information. Just in these two paragraphs, 
> there’s enough to keep me thinking for several lifetimes. We should all go 
> more obscure!
> 
> Your research shamed me into returning to my copy and on opening it, found 
> the definition on the first page I came to. I know how these things can 
> happen through statistical chance and mechanical structure of book binding 
> etcetera, but I also like the idea of being guided to it by… whatever. 
> Anyway, here’s my hastily copied over (with one hand holding the book open 
> while I type).
> 
> Thank you for sending me back!
> 
> Page 91, footnote 3:  'dhutih, meaning “median-nerve”, but lit. 
> “tri-junction”. VS. Apte’s Sanscrit-English dictionary (Poona 1890) gives 
> dhuti as the only similar word, defined as “shaking” or “moving”, which 
> applied to our text may refer to the vibratory motion of the psychic force 
> traversing the median nerve as its channel.’ - Lama Kazi Dawa-Samdup
> 
> 
>> On 11 Nov 2015, at 23:56, Alan Sondheim <sondh...@panix.com> wrote:
>> 
>> 
>> It's the Evans-Wentz translation. I wasn't able to find the word in the 
>> index, but Wikipedia has
>> Triunes that are metonymic of the ananda-chakra (Tib. gankyil; the trishula; 
>> triratna; the heavenly, earthly and hellish realms; three eyes, third eye; 
>> trimurti; trikaya; the directionality of left, middle, right and forward, 
>> stationary, backwards; past, present, future; polarities and their 
>> synthesis; upperworld or akash, middleworld or dharti and underworld or 
>> patal, etc. -
>> which is in the article on Kila, Tibetan phurba or three-sided knife - so 
>> triunes are important. There's an intro section on Tibetan cosmography in 
>> the Evans-Wentz, which mentions various cosmological layers/worlds (which 
>> are common in Buddhism), but I didn't see the term itself. Now the plot 
>> thickens; I just downloaded the E-W translation as a pdf, and the word isn't 
>> found there. It sounds cognate with dharma of course, but that really gets 
>> us nowhere. I'd go with "middle-world" - and now I have to locate the 
>> Sanskrit interjection "aho" which was a big deal in the 2nd Council schisms 
>> in Buddhism.
>> 
>> We can't get much more obscure than this! :-)
>> 
>> - Alan
>> 
>> 
>> On Wed, 11 Nov 2015, Mark Hancock wrote:
>> 
>>> Hi Alan,
>>> 
>>> Thank you! Blimey, errr, it has CG Jung essay in it. Galaxy imprint of OUP 
>>> ( I think) fourth printing 1967. Cover design by Laurence Ratzkin (sic?)
>>> 
>>> If that offers any guidance to the version?
>>> 
>>> M
>>> 
>>> Sent from my iPad
>>> 
>>>> On 9 Nov 2015, at 12:14, Alan Sondheim <sondh...@panix.com> wrote:
>>>> 
>>>> 
>>>> 
>>>> Hi, great video - which version of the book?
>>>> 
>>>> Thanks, Alan
>>>> 
>>>>> On Mon, 9 Nov 2015, Mark Hancock wrote:
>>>>> 
>>>>> Hi all,
>>>>> Here's a short track that I worked on yesterday. The meaning of the word
>>>>> dharti is hard to find online, I took it from the Tibetan Book of the 
>>>>> Dead,
>>>>> but the page escapes me now! As these things do, it seemed very 
>>>>> appropriate
>>>>> at the time.
>>>>> https://www.youtube.com/watch?v=A_xcdtGtDsg
>>>>> Mark
>>>>> 
>>>> 
>>>> ==
>>>> email archive http://sondheim.rupamsunyata.org/
>>>> web http://www.alansondheim.org / cell 718-813-3285
>>>> music: http://www.espdisk.com/alansondheim/
>>>> current text http://www.alansondheim.org/tm.txt
>>>> ==
>>>> ___
>>>> NetBehaviour mailing list
>>>> NetBehaviour@netbehaviour.org
>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>> ___
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>>> NetBehaviour@netbehaviour.org
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>>> 
>>> 
>> 
>> ==
>> email archive http://sondheim.rupamsunyata.org/
>> web http://www.alansondheim.org / cell 718-813-3285
>> music: http://www.espdisk.com/alansondheim/
>> current text http://www.alansondheim.org/tm.txt
>> ==
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> 

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Re: [NetBehaviour] Dharti

[Mark Hancock]

Hi Alan,

Thank you! Blimey, errr, it has CG Jung essay in it. Galaxy imprint of OUP ( I 
think) fourth printing 1967. Cover design by Laurence Ratzkin (sic?)

If that offers any guidance to the version?

M

Sent from my iPad

> On 9 Nov 2015, at 12:14, Alan Sondheim <sondh...@panix.com> wrote:
> 
> 
> 
> Hi, great video - which version of the book?
> 
> Thanks, Alan
> 
>> On Mon, 9 Nov 2015, Mark Hancock wrote:
>> 
>> Hi all,
>> Here's a short track that I worked on yesterday. The meaning of the word
>> dharti is hard to find online, I took it from the Tibetan Book of the Dead,
>> but the page escapes me now! As these things do, it seemed very appropriate
>> at the time. 
>> https://www.youtube.com/watch?v=A_xcdtGtDsg
>> Mark
>> 
> 
> ==
> email archive http://sondheim.rupamsunyata.org/
> web http://www.alansondheim.org / cell 718-813-3285
> music: http://www.espdisk.com/alansondheim/
> current text http://www.alansondheim.org/tm.txt
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[NetBehaviour] Dharti

[Mark Hancock]

Hi all,

Here's a short track that I worked on yesterday. The meaning of the word
dharti is hard to find online, I took it from the Tibetan Book of the Dead,
but the page escapes me now! As these things do, it seemed very appropriate
at the time.

https://www.youtube.com/watch?v=A_xcdtGtDsg

Mark
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Re: [NetBehaviour] Deep-time explorations of Albion.

[Mark Hancock]

Thanks Alan. I can’t tell you how much I appreciate that someone like yourself 
(with your standing in the arts world) enjoys these.

M


> On 4 Oct 2015, at 06:44, Alan Sondheim <sondh...@gmail.com> wrote:
> 
> These experiments are wonderful, just wonderful, I love these, not Jerek 
> Jarman for me, but the stones themselves.
> incredibly moving, Alan
> 
> On Tue, Sep 29, 2015 at 8:11 PM, Mark Hancock <mark.r.hanc...@gmail.com 
> <mailto:mark.r.hanc...@gmail.com>> wrote:
> Hi all,
> 
> I’ve just returned from a week break in Wales (UK), where I went exploring 
> with a couple of GoPros*. I’ve been reading a comic called Injection 
> (published by Image Comics) that is partly about deep-time and British folk 
> lore. These three videos are the result of the clash of all these things in 
> my consciousness once I’d unhooked from the constant hum of work life.
> 
> If nothing else, take a look at number two. I found these stones sculptures 
> on the coastline, obviously made by an artist, judging by the attention and 
> patience required. I like to think they were conjured into place by the 
> spirit of Derek Jarman.
> 
> *The reason I mention the make of camera is because I think these are 
> excellent, hi quality cameras with great potential beyond just extreme sports 
> use.
> 
> Cheers
> 
> Mark
> 
> Experiment #1
> https://vimeo.com/140845772 <https://vimeo.com/140845772>
> Experiment #2
> https://vimeo.com/140842992 <https://vimeo.com/140842992>
> Experiment #3
> https://vimeo.com/140842883 <https://vimeo.com/140842883>
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> 
> 
> 
> -- 
> =
> directory http://www.alansondheim.org <http://www.alansondheim.org/> tel 
> 718-813-3285
> music/sound http://espdisk.com/alansondheim/ 
> <http://espdisk.com/alansondheim/> 
> email sondheim ut panix.com <http://panix.com/>, sondheim ut gmail.com 
> <http://gmail.com/>
> =

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[NetBehaviour] Deep-time explorations of Albion.

[Mark Hancock]

Hi all,

I’ve just returned from a week break in Wales (UK), where I went exploring with 
a couple of GoPros*. I’ve been reading a comic called Injection (published by 
Image Comics) that is partly about deep-time and British folk lore. These three 
videos are the result of the clash of all these things in my consciousness once 
I’d unhooked from the constant hum of work life.

If nothing else, take a look at number two. I found these stones sculptures on 
the coastline, obviously made by an artist, judging by the attention and 
patience required. I like to think they were conjured into place by the spirit 
of Derek Jarman.

*The reason I mention the make of camera is because I think these are 
excellent, hi quality cameras with great potential beyond just extreme sports 
use.

Cheers

Mark

Experiment #1
https://vimeo.com/140845772 
Experiment #2
https://vimeo.com/140842992 
Experiment #3
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Re: [NetBehaviour] Jagged/intersecting quasi-4d sculpted prims/rivers of flesh

[Mark Hancock]

Hi Alan,

These are great. There's something ethereal and reassuring in the playing that 
really held me.

M


 On 29 Jul 2015, at 05:51, Alan Sondheim sondh...@panix.com wrote:
 
 
 
 Jagged/intersecting quasi-4d sculpted prims/rivers of flesh
 
 http://www.alansondheim.org/jagged1.png
 http://www.alansondheim.org/jagged.mp4
 http://www.alansondheim.org/jagged0.png
 http://www.alansondheim.org/jagged2.png
 http://www.alansondheim.org/jagged3.png
 http://www.alansondheim.org/jagged4.png
 
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[NetBehaviour] Reimbursing the optimistic racist

[Mark Hancock]

Hi all,

Call it displacement activity for all the work I’ve promised other people: 
Here’s my review of the current Vanley Burke exhibition at Ikon gallery in 
Birmingham (UK).

... radicalism lends itself so well [...], as it stands outside of nearly all 
of our social constructs: we can all find something worth despising to justify 
this new, background hum of racism.

http://keepartevil.net/?p=129 http://keepartevil.net/?p=129

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Re: [NetBehaviour] The New Black exhibition at Resonate 2015 (short documentary)

[Mark Hancock]

Hey thank you. As a long time AGF fan, that’s a great compliment to hear.

M


 On 23 Jun 2015, at 20:31, AG Forever a...@poemproducer.com wrote:
 
 Thanks! Nice!
 
 ***
 
 On 23 Jun 2015, at 21:12, Mark Hancock mark.r.hanc...@gmail.com 
 mailto:mark.r.hanc...@gmail.com wrote:
 
 Hi folks,
 
 While I was at Resonate festival in Serbia this year, I decided to make a 
 short documentary about curator Nora O Murchú’s The New Black exhibition. 
 It’s only short and I wish I’d taken along some better audio equipment, but 
 so be it. 
 
 https://www.youtube.com/watch?v=-2l3Gi7YMBM 
 https://www.youtube.com/watch?v=-2l3Gi7YMBM
 
 Thanks
 
 Mark
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[NetBehaviour] The New Black exhibition at Resonate 2015 (short documentary)

[Mark Hancock]

Hi folks,

While I was at Resonate festival in Serbia this year, I decided to make a short 
documentary about curator Nora O Murchú’s The New Black exhibition. It’s only 
short and I wish I’d taken along some better audio equipment, but so be it. 

https://www.youtube.com/watch?v=-2l3Gi7YMBM 
https://www.youtube.com/watch?v=-2l3Gi7YMBM

Thanks

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Re: [NetBehaviour] Phase Shift 50 Delta 9

[Mark Hancock]

Thank you all, that really means a lot to me.

M



 On 17 Jun 2015, at 22:21, Alan Sondheim sondh...@panix.com wrote:
 
 
 
 i agree, beautiful sounds and surges here -
 
 On Wed, 17 Jun 2015, Gill Davies wrote:
 
 Amazing sounds, Mark. Great piece.
 On 17 June 2015 at 00:12, Mark Hancock mark.r.hanc...@gmail.com wrote:
  Hi all,
 Another one from me. Based on Tibetan singing bowls and field
 recordings made while at Resonate festival in Serbia this year. Some
 other guitar samples used and the rest just heavily treated noise.
 Aside: real rain drops, but no actual thunderstorm recorded.
 https://soundcloud.com/keepartevil/phase-shift-50-delta-9
 You are all loved. Be kind to each other.
 M
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[NetBehaviour] Phase Shift 50 Delta 9

[Mark Hancock]

Hi all,

Another one from me. Based on Tibetan singing bowls and field recordings made 
while at Resonate festival in Serbia this year. Some other guitar samples used 
and the rest just heavily treated noise. Aside: real rain drops, but no actual 
thunderstorm recorded.

https://soundcloud.com/keepartevil/phase-shift-50-delta-9 
https://soundcloud.com/keepartevil/phase-shift-50-delta-9

You are all loved. Be kind to each other.

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Re: [NetBehaviour] Discotheques of the Appalachian Courtiers

[Mark Hancock]

Hi Dave,

Thank you, that's really generous of you to say! I used After Effects, Premiere 
Pro and Audition (I know I know, but I need it for work).

Thankfully I did get a seat, but at the cost of buying my ticket last minute, I 
flipping well had better! And then a bus journey for the last stage (work in 
the line, I'm assuming). Bring back British Rail!

M






Sent from my mind 

 On 15 Jun 2015, at 21:07, dave miller dave.miller...@gmail.com wrote:
 
 Thats wonderful! Some really fascinating scenes and is very poetic. Am very 
 impressed that you could make such beautiful work while stuck on a train. I 
 always get too angry to be creative. I hope you at least had a seat!
 What software did you use?
 Dave
 
 On 15 Jun 2015 19:26, Mark Hancock m...@memecortex.net wrote:
 Hi All,
 
 Something I created while stuck on a train yesterday for three hours. Crank 
 it up to 11!
 
 Cheers
 
 M
 
 https://www.youtube.com/watch?v=tPd5HJExnh4
 
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[NetBehaviour] Discotheques of the Appalachian Courtiers

[Mark Hancock]

Hi All,

Something I created while stuck on a train yesterday for three hours. Crank
it up to 11!

Cheers

M

https://www.youtube.com/watch?v=tPd5HJExnh4
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[NetBehaviour] The Psychic Annihilation Of The Mortal Remains Of Sylvia Plath

[Mark Hancock]

Hi all,

This probably betrays my love of Cabaret Voltaire and the like. I haven’t had 
as much creating some noise as I did with this though.

https://soundcloud.com/keepartevil/the-pyschic-annihilation-of-the-mortal-remains-of-sylvia-plath
 
https://soundcloud.com/keepartevil/the-pyschic-annihilation-of-the-mortal-remains-of-sylvia-plath

Cheers

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[NetBehaviour] Never Isn't Always

[Mark Hancock]

Hi all,

Here’s a short piece that’s me just experimenting with my new Korg Volca bass 
and some found sounds (and post-production). I’ve given it the subtitle of A 
ritual incantation to ward off 5 years of bad luck!”

Play loud while voting 

https://soundcloud.com/keepartevil/never-isnt-always 
https://soundcloud.com/keepartevil/never-isnt-always

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Re: [NetBehaviour] vipassanūpakkilesa

[Mark Hancock]

Kath,

Thank you. I like that, it feels like a ritual for cleansing of negativity (or 
avoiding it in the first place?).

M

 On 26 Apr 2015, at 02:41, Kath O'Donnell alia...@gmail.com wrote:
 
 I like it. reminds me of little stress mirrors doing their job, bouncing 
 stress (lines/rays) off as they arrive
 
 On Sunday, 26 April 2015, Mark Hancock mark.r.hanc...@gmail.com 
 mailto:mark.r.hanc...@gmail.com wrote:
 Hi folks,
 
 Here’s a video/piece of music I’ve put together following my trip to Resonate 
 in Serbia. Originally it was going to be just the sounds I’d recorded over 
 there, but I’ve layered it with Tibetan singing bowl and guitar samples, all 
 then worked on in post-production.
 
 Why vipassanūpakkilesa you ask? It means corruption of insight. When you 
 think you’ve made a major breakthrough on the path to enlightenment and 
 instead you’ve been misled by the false promises of earth-bound trappings. 
 Art making can be like that, don’t you think? And also, just life in general, 
 a lot of the time. But that’s a good thing, because realisation of 
 vipassanūpakkilesa means you’re still on the path.
 
 Enjoy (or don’t, we all have to find our own path).
 
 
 https://youtu.be/4KTPC27PijE https://youtu.be/4KTPC27PijE
 
 
 M
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[NetBehaviour] vipassanūpakkilesa

[Mark Hancock]

Hi folks,

Here’s a video/piece of music I’ve put together following my trip to Resonate 
in Serbia. Originally it was going to be just the sounds I’d recorded over 
there, but I’ve layered it with Tibetan singing bowl and guitar samples, all 
then worked on in post-production.

Why vipassanūpakkilesa you ask? It means corruption of insight. When you think 
you’ve made a major breakthrough on the path to enlightenment and instead 
you’ve been misled by the false promises of earth-bound trappings. Art making 
can be like that, don’t you think? And also, just life in general, a lot of the 
time. But that’s a good thing, because realisation of vipassanūpakkilesa means 
you’re still on the path.

Enjoy (or don’t, we all have to find our own path).


https://youtu.be/4KTPC27PijE https://youtu.be/4KTPC27PijE


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[NetBehaviour] Featherly - Composition of Belgrade sounds during festival

[Mark Hancock]

All,

I’ve been recording an collecting various presentations and ambient sounds from 
Resonate festival in Serbia this week. This is a quick piece from those 
recordings (with a lot of post-production work).

Thanks

Mark

https://soundcloud.com/keepartevil/featherly
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Re: [NetBehaviour] Happy International Working Women's Day

[Mark Hancock]

Happy International women's Day to all. This is a great idea, I'd never
thought about it, but I can see now that there's a lack of documentation of
women in the studio.

M

On 8 March 2015 at 10:14, Antye Greie-Ripatti a...@poemproducer.com wrote:

 Happy International Working Women's Day !

 Women at work via female:pressure
 http://femalepressure.tumblr.com/

 peace, love, diversity and equality for humans


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Re: [NetBehaviour] Announcement: Rob Myers Furtherfield Guest Editor- January to March 2015

[Mark Hancock]

Fantastic news! The Rob Myers should be Le Système International d'Unités by 
which all media art work is measured.

M

On 18 Jan 2015, at 12:02, ruth catlow ruth.cat...@furtherfield.org wrote:

 Dear All,
 
 Announcement: Rob Myers Furtherfield Guest Editor January to March 2015
 
 Many of you will know Rob Myers very well by now, for his excellent 
 contribution as a writer on Furtherfield, and to this list as an artist, 
 explorer and commentator on arts and technology cultures.
 
 We are therefore very pleased to commission Rob as Guest Editor these next 
 few months, to build on the diverse range of interviews, articles and reviews 
 featured on the Furtherfield website. http://furtherfield.org/features
 
 Ruth
 
 www.furtherfield.org
 
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Re: [NetBehaviour] hi

[Mark Hancock]

Yay!

On 3 Jan 2015, at 23:23, James Morris ja...@jwm-art.net wrote:

 hi my name is james morris. i used to want to change the world. now i'm just 
 slightly drunk on beer, but now halfway through a cup of coffee. i used to 
 think i was creative, but now i'm just drunk on computer games. my current 
 favourite is kairo. i recommend it. go play it. i also like tri - of 
 friendship and madness. i live in in cliftonville, kent. i've lived in kent 
 all my life, apart from when i went to university of sunderland to study art 
 - the opposite end of the country (of england).
 merry mew year. i'm slightly drunk on coffee and beer, i'm a lightweight. i 
 like the linux operating system - and when i say like, i mean, yes, i really 
 do like it. good day to you my friend. good day! yes i like linux and beer. 
 yes. yes. i like. good day! i installed debian linux on my NAS i got for 
 christmas. i updated debian wheezy (stable) to debian jessie (testing) and 
 now my NAS won't boot. i need a TTL to 232 level shifter for serial console. 
 seriouttys0. boo. muh. go. go .go. yes. i like you too. crumbs! crikey oh 
 riley! yay! good day my friend. go! go! go! yay! hurrah! go! be off with you 
 fiend. good day! snigger. good day! eek. $($(echo echo echo echo)). i say. 
 c++1011. i say. go! boom! yay! my name. eek! hi! my! go! hello alan! yay! go! 
 boom! yay! who rah? you rah? me rah? rarghh. g. i'll huffkin do you. you 
 huffkin gum. gra. yee. grarrrgghss is greener on t' dark side of the 
 spoon. mehyi do that for you? grub. good buy.
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[NetBehaviour] Katharine Morling at Llantarnam Grange Arts Centre

[Mark Hancock]

Hi all,

There's a smallish gallery in Cymbran, Wales (UK) that I get to go to every now 
and then through various circumstances: Llantarnam Grange Arts Centre. They 
showcase mostly craft. It's always well curated and certainly for me, work that 
I might not necessarily go out of my way to see.

Anyway, there's currently an exhibition of Katharine Morling's work. Here's a 
short review from my blog:

http://keepartevil.net/?p=90

Cheers

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[NetBehaviour] Genuflecx

[Mark Hancock]

Hi all,

Genuflecx , a short experimental (in the true sense of the word) film I've been 
playing with.


https://www.youtube.com/watch?v=RYQLJVwYJik

All the best,

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Re: [NetBehaviour] FLOSS Manuals UK hub warm-up (change of time)

[Mark Hancock]

Hi,

If I get there on time (shouldn't be too much of an issue but you never know, 
coming from Coventry), I'm happy to bring my Zoom audio recorder along for 
historical recording, rather than live stream. But you've probably got that 
covered, I'm guessing?

M



On 16 Oct 2014, at 20:03, ahanon a...@aharonic.net wrote:

 We also wanted to ask if anyone was attending that might be able to do
 an audio stream from a laptop.
 Not sure whether a rather old netbook could do..
 
 What is the neoTime?
 
 However, initially, read this as a call for a:
 FLOSS LAPTOP ON A CAMEL --
 Here's the search.. (check the images, I think it brings a certain
 spectrum, perhaps with its own frequency - eg. images todo with weddings,
 kids, and abuse..)
 https://duckduckgo.com/?q=floss+laptop+on+a+camel
 
 Cheers and have much fun!
 
 aharonon
 (??)
 x
 @if
 
 
 
 We don't want to put people out by bringing in mikes and mixers, but we
 think that an open laptop might do a pretty good job and thought someone
 might be able to help.
 
 Let me know if so and I'll promote it to the international FLOSS Manuals
 community.
 
 nice one
 Mick
 
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Re: [NetBehaviour] bridge to elsewhere

[Mark Hancock]

Nice, thank you Alan. I like the inclusion of the screengrab as well.

Obviously I don't know why you included it, but for me it felt like a reminder 
that we have to be open and honest that technology has played a part in the 
creative process. We are working in unison with the tools and often at odds 
with them to create something that says something about being human beings 
living at this moment in time.

The repetition in the video felt very ritualistic, with the grey background and 
the almost cell-like sparseness of the set.

A good way to start a Tuesday morning.

M

On 14 Oct 2014, at 05:37, Alan Sondheim sondh...@panix.com wrote:

 
 
 bridge to elsewhere
 
 http://www.alansondheim.org/maw.png
 http://www.alansondheim.org/maw.mp4
 http://www.alansondheim.org/bridgetoelsewhere.mp3
 
 
 
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[NetBehaviour] All is as waves upon the night

[Mark Hancock]

Hi all,

Here's the second in a series of video pieces that explore my ambivalent 
attitude towards the unreality of the world and our existence. Although |'m not 
agoraphobic or suffering from any mental health issues that would affect my 
relationship to the outside world, I spend enough time indoors and have worked 
outside for a living, that I'm sometimes not so sure I'd mind never going out 
again. But I'd hate to have to make the choice, of course.


http://youtu.be/WoN-pKtpxRs?list=UUxeikEH9A2_GkZHAX9N3GJw


Cheers

Mark
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Re: [NetBehaviour] FLOSS Manuals UK hub warm-up

[Mark Hancock]

I'll be there, just booked my train tickets down from Midlands. I love FLOSS 
manuals and the work they do. If I was a better kind of human being I'd set 
time aside to contribute.

M


On 28 Sep 2014, at 13:21, helen varley jamieson he...@creative-catalyst.com 
wrote:

 :D  
 remember to consult me first before you plan your 2015 trip ;)
 
 On 28/09/14 12:42 PM, Mick Clearerchannel wrote:
 
 On 28/09/14 11:36, helen varley jamieson wrote:
 it sounds like a great idea, i wish i could be there with you all, but i'll 
 be in manchester doing this: http://talesfromthetowpath.net/
 
 for any of you in manchester who are interested in geocaching, zappar 
 codes, digital storytelling, distributed narrative, etc etc - please check 
 it out. the story trail runs from 6-19 october  it's free. the performance 
 is only on the 18th  it doesn't cost very much but as it's on a canal boat 
 there is very limited seating so you do need to book.
 
 hope the FM warm-up goes well :)
 
 That's bad timing! I only leave the north once a year and it's when you are 
 in Manchester :(
 
 nice one
 Mick
 
 
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 http://www.creative-catalyst.com
 http://www.talesfromthetowpath.net
 http://www.upstage.org.nz
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[NetBehaviour] Snogging at the BFI – Matisse and the digital revolution

[Mark Hancock]

Hi all,

My hastily cobbled-together-at-two-in-the-morning review of two exhibitions 
currently in London:

In the BFI lounge, you can get a cocktail for just over £8. For an extra £1.10 
you can get someone to bring it over to you while you lounge around in the 
overly comfortable settees. If you’re stuck opposite a couple who are tongue 
deep inside each other, then you only have two possible options: order more 
cocktails. Or join in.

http://keepartevil.net/?p=16



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Re: [NetBehaviour] Snogging at the BFI – Matisse and the digital revolution

[Mark Hancock]

Hi Edward,

Thank you, that's really nice of you to say. I guess that's what I'm trying to 
explore with the writing: subjective criticism and a more creative writing 
approach to exploring what I, as a person, rather than academic/art historian, 
am feeling when I'm confronted with an exhibition and trying to understand it. 

You're right, I've updated the review with dates for both and even added a link 
to buy tickets at the end.

M

On 31 Aug 2014, at 14:26, Edward Picot edw...@edwardpicot.com wrote:

 Mark -
 
 This is a very lively and engaging read! I quite like the highly-personal 
 angle - This is how it struck me on the evening, but then I was half-pissed 
 - the advantage of this approach being that it avoids the I'm very 
 knowledgeable about art and therefore you've got to respect my opinions 
 stance, which is exactly what you're calling into question with regard to the 
 galleries - This art must be important and canonical, because we've put it 
 in our gallery. 
 
 Interesting point, too, about Matisse's The Cowboy being almost contemporary 
 with Francis Bacon's Three Studies for Figures at the Base of a Crucifixion - 
 you're right, it's quite difficult to think of them as belonging to the same 
 era. 
 
 Just one point, however - you give the dates of the Matisse exhibition, but 
 not the Digital Revolutions exhibition.
 
 - Edward
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[NetBehaviour] Ironic appropriation is dead (or is it?) Barbara Kruger knows.

[Mark Hancock]

Hi all,

I've re-ignited my art blog, which no doubt will rise in flames and die slowly 
in agony over the coming weeks as I abandon it. In the meantime, here's a 
review of Barbara Kruger at Modern Art Oxford:

In Modern Art Oxford‘s unisex toilet, the little box for collecting sanitary 
waste is overflowing. Sanitary waste just sits there, at the top of the box, 
staring at you. It seems slightly vulgur and, inevitably, you have to wonder 
when the toilets were last checked. But is it disgusting? Why should 
confronting the detritus of ‘the other’ (a male perspective) and the healthy 
signs of female bodies, feel wrong? We’re in a gallery for Lork’s sake.

http://keepartevil.net/?p=4

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Re: [NetBehaviour] After the storm

[Mark Hancock]

Thanks Simon, and glad to have helped expand the sensory pleasure of Street of 
Crocodiles (I'm just looking it up now)

M

On 20 Jul 2014, at 09:36, Simon Mclennan mclennanf...@gmail.com wrote:

 Enjoyed it! Sensory pleasure with film. Re-seeing the world. Had just read a 
 passage from Street of Crocodiles, the chapter ‘Pan’, a depiction
 of an overgrown orchard garden - then this film - great.
 Simon
 On 19 Jul 2014, at 23:58, Mark Hancock mark.r.hanc...@gmail.com wrote:
 
 Hi all,
 
 We've had some...interesting weather here in the UK of late. In today's 
 torrential downpour, some fool (me) went out with a camera and captured some 
 of the rain on leaves. And then the sunshine and drying out. Here's the 
 result as a short film with a soundtrack that I've made for it.
 
 Anyway, enjoy (or whatever it is we're supposed to do with art films)
 
 M
 
 http://youtu.be/CBkh91SVnHU
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[NetBehaviour] After the storm

[Mark Hancock]

Hi all,

We've had some...interesting weather here in the UK of late. In today's 
torrential downpour, some fool (me) went out with a camera and captured some of 
the rain on leaves. And then the sunshine and drying out. Here's the result as 
a short film with a soundtrack that I've made for it.

Anyway, enjoy (or whatever it is we're supposed to do with art films)

M

http://youtu.be/CBkh91SVnHU
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Re: [NetBehaviour] 33 Sci-Fi Stories by Philip K. Dick as Free Audio Books Free eBooks

[Mark Hancock]

Brilliant. I realised a couple of years ago that I hadn't actually read as many 
Dick books as I thought, so have been working on correcting this fault of late 
|(currently  A Scanner Darkly). I'll add these to the list!

Cheers

M

On 17 Jun 2014, at 09:44, dave miller dave.miller...@gmail.com wrote:

 Nice one marc. Will enjoy these. 
 Hope ur well
 Dave
 
 On 17 Jun 2014 09:25, marc garrett marc.garr...@furtherfield.org wrote:
 33 Sci-Fi Stories by Philip K. Dick as Free Audio Books  Free eBooks
 
 in e-books, Literature, Sci Fi.
 
 Although he died when he was only 53 years old, Philip K. Dick (1928 – 1982) 
 published 44 novels and 121 short stories during his lifetime and solidified 
 his position as the most literary of science fiction writers. His novel Ubik 
 appears on TIME magazine’s list of the 100 best English-language novels, and 
 Dick is the only science fiction writer to get honored in the prestigious 
 Library of America series, a kind of pantheon of American literature.
 
 If you’re not intimately familiar with his novels, then you assuredly know 
 major films based on Dick’s work – Blade Runner, Total Recall, A Scanner 
 Darkly and Minority Report. Today, we bring you another way to get acquainted 
 with his writing. We’re presenting a selection of Dick’s stories available 
 for free on the web. Below we have culled together 33 short stories from our 
 two collections, 600 Free eBooks for iPad, Kindle  Other Devices and 550 
 Free Audio Books: Download Great Books for Free. The stories, it appears, are 
 all in the public domain.
 
 http://bit.ly/1lMsidc
 
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Re: [NetBehaviour] Open Call for commissions

[Mark Hancock]

Doug Rocket's accountant was BBC's current Sherlock Holmes. That probably says 
it all about the state of current arts funding.



On 15 Jun 2014, at 17:24, Mick Clearerchannel mickf...@clearerchannel.org 
wrote:

 I know nothing about the context of this project. But is it just me or does 
 it bear a resemblance to the Place project run by Doug Rocket in Nathan 
 Barley?
 
 http://www.theguardian.com/media/2005/feb/12/tvandradio.theguide1
 
 Founder member of seminal 1980s politi-synth electro rock duo the 
 Veryphonics, Doug Rocket is one of the most important figures to have emerged 
 in the history of clueless self-indulgence. Rocket's latest project is the 
 experimental artsphere Place, a multimillion-pound creative enablement hive, 
 which comprises studios, galleries, minglespace, thoughtcupboards, flotation 
 melds and an Eric Clapton memorial songwriting vineyard. Place is designed to 
 empower anyone who wishes to explore an idea to its full potential 
 (especially if they also declare a need to do this in the foetal position, 
 sustained by empowering wafts of Amazonian oxygen and the jarred farts of 
 Krishnamurti), and might as well be replaced by a gigantic furnace that 
 Rocket can shovel skyscraping piles of banknotes into with spectral, 
 uncomprehending joy in his eyes.
 
 
 On June 15, 2014 11:28:58 AM GMT+01:00, ruth catlow 
 ruth.cat...@furtherfield.org wrote:
 TheSpace has launched.
 
 They have an open call which you might be interested in.
 £20-60k with 50% funding; the remaining 50% can either be cash or in-kind.
 Please good people apply for these commissions.
 
 http://www.thespace.org/opencall
 
 We want to see your work in this space.
 
 : )
 R
 
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 -- 
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Re: [NetBehaviour] test

[Mark Hancock]

Can I submit another test paper?


On 30 May 2014, at 01:42, Pall Thayer pallt...@gmail.com wrote:

 test failed
 
 
 On Thu, May 29, 2014 at 7:27 PM, Triuzla Green triu...@gmail.com wrote:
 no answer)
 
 
 2014-05-29 13:13 GMT+03:00 michael szpakowski mich...@dvblog.org:
 test
 
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Re: [NetBehaviour] arthur askey memorial mail art

[Mark Hancock]

Buzz? Biz buz buzz buzz. buZzzzZ

Mark R Hancock

On 30 May 2014, at 13:32, michael szpakowski mich...@dvblog.org wrote:

 
 
 https://www.flickr.com/photos/szpako/
 
 cheers
 m.
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[NetBehaviour] The Tree of Despair - a cartoon

[Mark Hancock]

The tree of despair has no memory.

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Re: [NetBehaviour] Element #53

[Mark Hancock]

perfect.
On 8 May 2014 10:34, marc garrett marc.garr...@furtherfield.org wrote:

  Hi Mark,

 Just don't mention 'La Jetee' or anything - just have it as a mysterious
 moan that echoes grating at the soul ;-)

 marc

 thanks Marc. Yes, let's put it on a loop and broadcast it across the world
 forever. It might even be the unofficial soundtrack to La Jetee (sic) even?

  m


  Sent from Samsung Mobile


  Original message 
 From: marc garrett
 Date:08/05/2014 09:05 (GMT+00:00)
 To: netbehaviour@netbehaviour.org
 Subject: Re: [NetBehaviour] Element #53

  Hi Mark,

 Yes, I like this...

 I think this piece should last for months, a year, forever even!

 As one continuous radio broadcast - on the net  on FM radio.

 Of course your reasons for making this particular work is contextually
 different to my own interpretations. But, from where I am sitting it
 feels post-apocalyptic.

 Listening to it I hear pain, not from one voice - but of a multitude.

 Wishing you well.

 marc

  Hi Netbees,
 
  A reworking of my previous piece (Element #52) slightly longer and with
 a couple of more layers to the mix. I've also removed the video as I felt
 this was distracting from the experience slightly.
 
  Cheers
 
  Mark
 
 
  https://soundcloud.com/keepartevil/element-53
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 A living - breathing - thriving networked neighbourhood -
 proud of free culture - claiming it with others ;)

 Other reviews,articles,interviewshttp://www.furtherfield.org/reviews.php

 Furtherfield – online arts community, platforms for creating, viewing,
 discussing and learning about experimental practices at the
 intersections of art, technology and social change.http://www.furtherfield.org

 Furtherfield Gallery – Finsbury Park 
 (London).http://www.furtherfield.org/gallery

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Re: [NetBehaviour] Element #53

[Mark Hancock]

Hi James,

I've just changed the setting so it should be downloadable now. Feel free to 
have a play/remix

Cheers

M

On 8 May 2014, at 12:25, James Morris ja...@jwm-art.net wrote:

 On Wed, 7 May 2014 21:44:17 +0100
 Mark Hancock mark.r.hanc...@gmail.com wrote:
 
 Hi Netbees,
 
 A reworking of my previous piece (Element #52) slightly longer and
 with a couple of more layers to the mix. I've also removed the video
 as I felt this was distracting from the experience slightly.
 
 Cheers
 
 Mark
 
 
 https://soundcloud.com/keepartevil/element-53
 ___
 
 Hi Mark,
 
 Would you be able/willing to allow people to download the track from
 soundclound? Soundcloud doesn't seem to want to play nicely for me
 despite disabling ad/script/tracker blocking plugins.
 
 James.
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[NetBehaviour] Element #52

[Mark Hancock]

Hello folks,

A short video and soundscape that I was working on yesterday:

http://youtu.be/JdU-a_G5QGc


Cheers

Mark
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Re: [NetBehaviour] test message

[Mark Hancock]

So have I Alan. Thought it was something I did, but I guess not?


On 28 Apr 2014, at 16:31, Alan Sondheim sondh...@panix.com wrote:

 
 test message, getting spam around this address
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Re: [NetBehaviour] test message

[Mark Hancock]

Hey get off, she's my new girlfriend!

Although I do have to keep paying for her to love me. Weird.

On 28 Apr 2014, at 16:47, dave miller dave.miller...@gmail.com wrote:

 me too, I seem to have developed a close relationship with a russian lady
 
 
 On 28 April 2014 16:41, Pall Thayer pallt...@gmail.com wrote:
 I got some weird spam last time I posted to netbehaviour too.
 
 
 On Mon, Apr 28, 2014 at 11:40 AM, Simon Mclennan mclennanf...@gmail.com 
 wrote:
 Me too!
 On 28 Apr 2014, at 16:38, Mark Hancock mark.r.hanc...@gmail.com wrote:
 
  So have I Alan. Thought it was something I did, but I guess not?
 
 
  On 28 Apr 2014, at 16:31, Alan Sondheim sondh...@panix.com wrote:
 
 
  test message, getting spam around this address
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Re: [NetBehaviour] Angry Women (Still?) - Art For Offices

[Mark Hancock]

It feels a bit phallo-centric. But maybe I'm reading too much into it?

M

Mark R Hancock

On 27 Apr 2014, at 11:27, Karen Blissett karen.bliss...@gmail.com wrote:

 We read your discussion about Angry Women (Still?) and respond with our new 
 artwork, 
 Senior Managers, An Inspirational Guide.
 
 We are distributing to offices.
 
 Available in three formats
 
 Animated slideshow for corporate display screens
 http://www.youtube.com/watch?v=gNTpRGHkNdw
 
 High Res digital prints - blog
 http://guide2seniormanagement.tumblr.com
 
 Slide show for conference presentation
 http://www.slideshare.net/KarenBlissett/senior-management-33711144
 
 
 …
 
 Karen.
 
 
 Karens find new ways of communication, we are breaking through the voidz. We 
 function as many and as individuals - we infiltrate the crowd.
 
 We Karens reach each individual in the crowd. We are effective, personal, we 
 never forget that the masses are composed of assembled individuals.
 
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[NetBehaviour] Angry women (still?)

[Mark Hancock]

Hi NetBees
I know a few of you will have seen/read about Milo Moire's Plopegg piece for 
the 2014 Cologne Art Fair. I'm not sure what I make of it, so wrote a short 
jumbled lot of thoughts about it (see second  link below). I was wonder what 
others make of her work?

http://designtaxi.com/news/365200/Artist-Drops-Paint-Filled-Eggs-From-Her-Vagina-To-Create-Art

http://www.memecortex.net/blog/?p=1094


Cheers all,

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[NetBehaviour] The Space Between Us

[Mark Hancock]

Hi all,

Thought I'd share a short film I've made. 

Synopsis:

The Archangel Azrael finds himself on the brink of an existential crisis, 
moments after breaking free of his appointed mission on earth.

https://www.youtube.com/watch?v=y7mnLdz3rIg

Happy Easter, to those that celebrate such things.

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Re: [NetBehaviour] Drone Painting

[Mark Hancock]

One day there will be funding for all.

I'm beginning to like Bush's art more and more. It reminds me of my own futile 
attempts at portraits. My wife thought my William Burroughs was my own father - 
(maybe he is though?)

M

On 14 Apr 2014, at 05:27, Rob Myers r...@robmyers.org wrote:

 On Sun, 13 Apr, 2014 at 3:50 PM, Mark Hancock mark.r.hanc...@gmail.com 
 wrote:
 My response to this. I thought, this reminds me of those paintings done by 
 elephants and horses.
 
 Or former presidents of the USA:
 
 http://www.theguardian.com/world/2014/apr/09/george-bushs-paintings-bear-uncanny-resemblance-to-google-images
 
 But I think it's more like training former Soviet attack dolphins to whack 
 balls of paint against a wall to make a mural.
 
 http://robotpartiet.se/blogg/wp-content/uploads/2011/03/cyborgdelfinen-jones.jpg
 
 Nobody ever gives me funding for these ideas...
 
 
 
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[NetBehaviour] Resonate 2014

[Mark Hancock]

Hi Netbehaviorists/istics/iorisers

Is anyone going to Resonate this coming week? It would be nice to say hello in 
the flesh.

Additionally, if anyone is having an exhibition over there at the same time as 
Resonate, let me know, I'm really keen to see more of the local art scene this 
year (last year was a bit crazy with trying to navigate the city).

Cheers

M
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[NetBehaviour] The value of working differently: The Theatre Absolute story by Chris O’Connell

[Mark Hancock]

Hi all,

I thought this article by a friend of mine working in theatre might be of 
interest to those of us interested in performance (everyone?/Define 
performance/ etcetera)

Presenting art or making theatre in shops is not new, although theatre in 
shops can often be pop up and gone within the duration of a project. But this 
idea of us having our own space in a shop felt like a unique way forward for 
the company: affordable, flexible, light touch, long term – we could make work 
when we wanted, about what we wanted. It was a cultural provocation.




http://culturalvalueinitiative.org/2014/02/18/value-working-differently-theatre-absolute-story-chris-oconnell/___
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Re: [NetBehaviour] Alan Sondheim's video

[Mark Hancock]

Traffic lights are urban cowboys herding the mindless cattle of humanity
across the wild terrain of our mega-cities. Maybe a disgruntled cow turned
against the masters and sought revenge for years of abuse. Traffic lights
don't tell me what to do. That's the role of government and religion!

M


On 21 February 2014 02:32, Alan Sondheim sondh...@panix.com wrote:


 Thanks - Azure and I thought it looked wounded, it seemed to be trying so
 hard to get up. It was signaling everything and nothing, as if pain were
 involved.

 - Alan



 On Fri, 21 Feb 2014, Mark Hancock wrote:

  Hi Alan and NetB'ees,

 Alan, I meant to say but have since lost the email you posted, that I
 really liked your video of the fallen road-crossing sign. And weirdly, one
 near me was taken down a day or two later for road repairs. But it was dark
 so I couldn't make a homage video in return.

 Cheers

 M
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 ==
 email archive http://sondheim.rupamsunyata.org/
 web http://www.alansondheim.org / cell 347-383-8552
 music: http://www.espdisk.com/alansondheim/
 current text http://www.alansondheim.org/sj.txt
 ==
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[NetBehaviour] Alan Sondheim's video

[Mark Hancock]

Hi Alan and NetB'ees,

Alan, I meant to say but have since lost the email you posted, that I really 
liked your video of the fallen road-crossing sign. And weirdly, one near me was 
taken down a day or two later for road repairs. But it was dark so I couldn't 
make a homage video in return.

Cheers

M
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Re: [NetBehaviour] Not Estimotes

[Mark Hancock]

Ahh crap, damn you Rob.  I'm hoping these aren't available yet to UK buyers. 
I'm trying to curtail my buying and 'tinkering/making/hacking.' Although for 
myself, I prefer the term electronics breaker!

M

On 28 Jan 2014, at 03:35, Rob Myers r...@robmyers.org wrote:

 On 27/01/14 01:42 AM, dave miller wrote:
 thanks Rob - this could be useful for me.
 Will look into this
 
 Cool! I should credit @berrydm on Twitter for reminding me that they
 exist and causing me to look closer (and for cheaper alternatives).
 
 - Rob.
 
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Re: [NetBehaviour] Day 2 of Wish4[0]

[Mark Hancock]

I'm liking this. Nice to have a bit of mixed media in there today. V 
interesting. I can't wait to see what the whole feels like at the end. I'm 
guessing that you have no idea which way the piece will go, if it's responding 
to news events?


M

On 5 Jan 2014, at 08:37, mez breeze netwur...@gmail.com wrote:

 Day 2 of _Wish4[0]_ is now live. Inspired by the article Losing Aaron by 
 @JanelleNanos http://wp.me/p4cnpZ-1s.
 
 Enjoy,
 Mez
 
 
 -- 
 | facebook.com/MezBreezeDesign
 | twitter.com/MezBreezeDesign
 | en.wikipedia.org/wiki/Mez_Breeze 
 
 
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Re: [NetBehaviour] Drawing

[Mark Hancock]

I like surreal, and (to me at least) oddly spiritual overtones.

Beats my attempts over xmas: http://instagram.com/p/iSGM8ZkmWM/


On 4 January 2014 13:58, Simon Mclennan mclennanf...@gmail.com wrote:





 Angel and creature by river

 Sent from my iPhone
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Re: [NetBehaviour] moRe: Drawing

[Mark Hancock]

I like the feel of it being pixelated but brought through into the real world. 
Tron-esque seeping through of the virtual into the real?

Mark R Hancock

On 4 Jan 2014, at 15:26, Michael Szpakowski szp...@yahoo.com wrote:

 
 
  here's my latest, executed this very morning...
 
 http://www.flickr.com/photos/szpako/11753738316/
 
 cheers
 m.
 
 
 From: Michael Szpakowski szp...@yahoo.com
 To: NetBehaviour for networked distributed creativity 
 netbehaviour@netbehaviour.org 
 Cc: m...@memecortex.net m...@memecortex.net 
 Sent: Saturday, January 4, 2014 3:22 PM
 Subject: Re: [NetBehaviour] Drawing
 
 
 
 I like both very much!
 michael
 
 
 
 
 From: Mark Hancock m...@memecortex.net
 To: NetBehaviour for networked distributed creativity 
 netbehaviour@netbehaviour.org 
 Sent: Saturday, January 4, 2014 2:07 PM
 Subject: Re: [NetBehaviour] Drawing
 
 
 
 I like surreal, and (to me at least) oddly spiritual overtones.
 
 Beats my attempts over xmas: http://instagram.com/p/iSGM8ZkmWM/
 
 
 
 On 4 January 2014 13:58, Simon Mclennan mclennanf...@gmail.com wrote:
 
 
 
 
 
 Angel and creature by river
 
 Sent from my iPhone
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Re: [NetBehaviour] The New Who vs Oldskool Timey-Wimey Whovians

[Mark Hancock]

I'm yet to watch the new Sherlock. I've been 'kind of' off-grid(ish) for a few 
days. I'm not sure that I'm going to be as enamoured of the new one as I was 
the previous episodes. But we'll see. Sometimes I'm just happy there's an 
alternative to X Factor and the like (more of which below).

One thing I'm trying to explore more in my own [creative/fiction] writing this 
year is the idea of jeopardy for characters. What are they risking, what is at 
stake for them within the given options. And more importantly how do those 
decisions drive them on to either succeed or fail (with elegance). I think that 
Breaking Bad did this very well, for those that watched it. Jeopardy has to 
mount and be layered, if you're going to create a narrative arc across a whole 
series or two. Jeopardy can be anything from falling in love to... deciding to 
fight the Daleks (Oh to fall in love with a Dalek!)

I recall an interview with Russell T Davies where he said that even X Factor 
and the like, had great narrative arcs and the directors/producers fully 
understood how to create that gripping drama in each fractal of each episode. 
This started with each performance, covered the whole episode and then of 
course built across the whole series. There are good guys and bad guys. Heroes 
we love and heroes we hate. I always regard these shows with respect since 
seeing that interview. There's a lot to be learnt from them (I hope this 
doesn't come across as ironic, I really mean it).

To me, this is one of the things that differentiates the two showrunners from 
each other. I'm not sure Moffat really believes that bad guys are all that bad 
(I bet he's mates with Simon Cowell (I knew i'd get ironic eventually)). And he 
probably believes that everyone should be a winner in the end.

Not that I've been thinking about all this or anything

M



On 3 Jan 2014, at 20:59, mez breeze netwur...@gmail.com wrote:

 On Sat, Jan 4, 2014 at 6:27 AM, Rob Myers r...@robmyers.org wrote:
 
 And then you saw the first episode of the new Sherlock? :-)
 
 
 Too busy with the launch of wishforyouand.me [begins today] to watch the new 
 Sherlock...;) Mark, have you watched it?
  
 Mez you're much more generous to Moffat than I would be. He's
 misunderstood the very basis of the show (to the extent that fairytales
 and SF both take place in a strange and distant land yes they share some
 aesthetics and affordances, but he's thrown out Who's techno/social
 ethic in favour of an aesthetic of robes and staffs) and is worshiping
 at the altar of the story arc without being willing or able to do any
 of the planning or resolution that involves.
 
 I'm still [constantly] oscillating as to Moffat's overall take: it could be 
 unintentional part-wonder-crafting, part-new-Whovian-pandering, but it also 
 could just be slopping work overall. 
 
 I prefer the old American commentator's description of that crazy space
 bum to the aging British fanboy's that wonderful man[...]who is
 watching over us.
 
 I think I like both?
  
 
 I'm not the only one. This article describes the schmaltz, cowardice and
 nastiness of Moffat's storytelling well:
 
 http://www.theatlantic.com/entertainment/archive/2013/12/the-captain-kirk-problem-how-em-doctor-who-em-betrayed-matt-smith/282690/
 
 [Don't forget potential/possible misogyny:)] And thanks for the article 
 link: will read when less Wish4[0]-ing.
  
 
 Smith’s approach to the character, and the obvious on-screen chemistry
 he had with co-stars Karen Gillan as Amy Pond, Arthur Darvill as Rory
 Williams, and Alex Kingston as River Song helped the whole ensemble sell
 the entire ridiculous package that is Doctor Who. His first season had
 its problems, but the individual episodes and the season-long arc had
 enough momentum that—along with the slicker direction and more polished
 production values compared to the previous rebooted Who—the whole thing
 hung together well.
 
 I was absolutely gobsmacked by the lack of finesse of the Ep involving the 
 exit of the Darvills. 
 
 
 The problem was never with Smith’s performance. It was with Steven
 Moffat’s conception of the character.
 
 
 Nice point: looking forward to reading the article.
 
 Chunks,
 Mez
 
  
 - Rob.
 
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Re: [NetBehaviour] Now that Mandela is dead - It feels like being left to fight the monsters alone :-(

[Mark Hancock]

Seconded.






On 5 Dec 2013, at 23:19, marc garrett marc.garr...@furtherfield.org wrote:

 
 
 
 
 
   .
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Re: [NetBehaviour] test

[Mark Hancock]

So we have to pay for resits? Damn this edchumakaton system.

Mark R Hancock

On 29 Nov 2013, at 21:01, mez breeze netwur...@gmail.com wrote:

 NOOooOOooo*plop*.
 
 
 On Sat, Nov 30, 2013 at 7:54 AM, James Morris ja...@jwm-art.net wrote:
 Only comparatively I'm afraid.
 
 
 mark.r.hancock mark.r.hanc...@gmail.com wrote:
 
 Did we pass?
 
 
  Original message 
 From: James Morris 
 Date:29/11/2013 15:27 (GMT+00:00) 
 To: NetBehaviour for networked distributed creativity 
 Subject: Re: [NetBehaviour] test 
 
 You can't beat a good test, test away!
 
 On 29 November 2013 11:06, netbehaviour netbehavi...@furtherfield.org 
 wrote:
  Just testing...
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Re: [NetBehaviour] two drawings: tango small cloud floating over the hills

[Mark Hancock]

There's grain in them thar hills!


On 17 Nov 2013, at 13:39, Michael Szpakowski szp...@yahoo.com wrote:

 
 
 tango  small cloud floating over the hills
 
 currently:
 
 http://www.flickr.com/photos/szpako/
 
 permanent links:
 
 http://www.flickr.com/photos/szpako/10894240903/in/photostream/
 
 http://www.flickr.com/photos/szpako/10876195764/in/photostream/
 
 cheers
 
 michael
 
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[NetBehaviour] Companis interview

[Mark Hancock]

Hi all,

Here's an interview I recorded with Sian Tompkin of Companis at their Down the 
Rabbit Hole event at Library of Birmingham, last Sunday. 

This is the latest in a loose ongoing experiment of seeing what can be done 
with documenting and writing/capturing contemporary arts practices without 
recourse to mainstream channels.


http://youtu.be/jWQHlBhyLs0

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Re: [NetBehaviour] brbxoxo

[Mark Hancock]

Inter-coital tensions?

There can be no more sublime a moment than the after and the before of a long 
evening of passion. This project celebrates those moments on the internets.

I've just finished reading the autobiography of Sebastien Horsley, the British 
dandy and artist. He would have loved this project, as it celebrates everything 
that is sordid and yet frustrating about the sex industry.

It would be interesting to read a critique of the work in relation to the 
effects (affects) of objectification of women in the workplace. Any takers? 
(also a possible title!)

M

On 4 Nov 2013, at 16:40, Rob Myers r...@robmyers.org wrote:

 On 03/11/13 04:47 AM, ruth catlow wrote:
 
 http://brbxoxo.com/
 
 which searches online sexcam sites and only broadcasts feeds when the
 performers are absent.
 
 The absence of presence, or possibly the presence of absence.
 
 This made me think of the denouement of One Hour Photo. Which I've
 seen for some reason.
 
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[NetBehaviour] Oh Everything is Isn't it #2?

[Mark Hancock]

Hi all,

Here's a video piece I'm currently developing. If you don't like the
imagery, you can always dance along to the music!

Oh Everything is Isn't it #2?
http://youtu.be/JIS4nG810P0

Have a great day/night, wherever you are.

M
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Re: [NetBehaviour] portrait of the artist taking a selfie late at night whilst balancing a pineapple on his head

[Mark Hancock]

Yes!

Carmen Szpakowski?



Mark R Hancock

On 21 Oct 2013, at 21:21, Michael Szpakowski szp...@yahoo.com wrote:

 
 
 http://www.flickr.com/photos/szpako/10409382046/
 
 cheers
 
 michael
 
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Re: [NetBehaviour] These moments (series of ongoing works)

[Mark Hancock]

Ha! Always one step ahead Rob. Cheers.

M

Mark R Hancock

On 7 Oct 2013, at 06:19, Rob Myers r...@robmyers.org wrote:

 On 06/10/13 03:40 PM, Mark Hancock wrote:
 Hi folks,
 
 Here's some stuff I've been developing and reworking recently. These 
 download directly from the browser, hope that's not too much of a hassle for 
 anyone who wants to take a look.
 
 ImageMagick says hi. ;-)
 
 The colour, geometry and *spatiality* of these are something special.
 
 Do keep developing and reworking this, it's glitchtastic!
 
 - Rob.
 
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Re: [NetBehaviour] These moments (series of ongoing works)

[Mark Hancock]

Hi, thanks Kath, really appreciate your feedback. I'm seeing where these go 
next. Untitled #209 has some potential to go in a number of directions (quite 
literally, possibly).

M

Mark R Hancock

On 7 Oct 2013, at 01:35, Kath O'Donnell alia...@gmail.com wrote:

 these are great. I like where you're going with untitled#209
 
 On Monday, 7 October 2013, Mark Hancock wrote:
 Hi folks,
 
 Here's some stuff I've been developing and reworking recently. These 
 download directly from the browser, hope that's not too much of a hassle for 
 anyone who wants to take a look.
 
 All the best,
 
 Mark
 
 Everything right now right here #1
 
 http://www.memecortex.net/These_moments/Everything_right_now_right_here_%231.tiff
 
 Everything right now right here #2
 
 http://www.memecortex.net/These_moments/Everything_right_now_right_here_%232.tiff
 
 I try and yet always fail
 
 http://www.memecortex.net/These_moments/I_try_and_yet_always_fail.tiff
 
 This is not nor shall be
 
 http://www.memecortex.net/These_moments/This%20is_not_nor_shall_be.tiff
 
 untitled#208
 
 http://www.memecortex.net/These_moments/untitled%23208.tiff
 
 untitled#209
 
 http://www.memecortex.net/These_moments/untitled%23209.tiff
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[NetBehaviour] These moments (series of ongoing works)

[Mark Hancock]

Hi folks,

Here's some stuff I've been developing and reworking recently. These download 
directly from the browser, hope that's not too much of a hassle for anyone who 
wants to take a look.

All the best,

Mark

Everything right now right here #1

http://www.memecortex.net/These_moments/Everything_right_now_right_here_%231.tiff

Everything right now right here #2

http://www.memecortex.net/These_moments/Everything_right_now_right_here_%232.tiff

I try and yet always fail

http://www.memecortex.net/These_moments/I_try_and_yet_always_fail.tiff

This is not nor shall be

http://www.memecortex.net/These_moments/This%20is_not_nor_shall_be.tiff

untitled#208

http://www.memecortex.net/These_moments/untitled%23208.tiff

untitled#209

http://www.memecortex.net/These_moments/untitled%23209.tiff
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Re: [NetBehaviour] Links

[Mark Hancock]

Hopefully looking at paintings isn't an
indicator of terrorist intent.

Only in Russia under Putin maybe? We should flood his office with Mapplethorpe 
photocopies!

M

Sent from my iPhone

On 3 Sep 2013, at 21:51, Rob Myers r...@robmyers.org wrote:

 Hopefully looking at paintings isn't an
 indicator of terrorist intent.
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Re: [NetBehaviour] Links

[Mark Hancock]

Cheers Rob, another package of reading for my journey to work. Fresh, 
invigorating and informative. Like if they combined alphaspaghetti and coffee 
in one cup! *calls business manager* i have an idea!

Hope abroad is suiting you.

M

Sent from my iPhone

On 23 Aug 2013, at 01:30, Rob Myers r...@robmyers.org wrote:

 [Via everyone] Artist's chip implant sends animated GIFs to his phone -
 
 http://news.cnet.com/8301-11386_3-57599589-76/artists-chip-implant-sends-animated-gifs-to-his-phone/
 
 
 The Internet: We’re Doing It Wrong -
 
 http://techcrunch.com/2013/08/18/the-internet-were-doing-it-wrong/
 
 
 NSA's surveillance programs are the most serious attacks on free
 speech we’ve ever seen. -
 
 http://boingboing.net/2013/08/22/opinion-nsas-surveillance-p.html
 
 
 German Government Warns Key Entities Not To Use Windows 8 – Links The
 NSA -
 
 http://investmentwatchblog.com/leaked-german-government-warns-key-entities-not-to-use-windows-8-links-the-nsa/
 
 
 Hacks continue as FBI claims to have dismantled Anonymous -
 
 http://disinfo.com/2013/08/hacks-continue-as-fbi-claims-to-have-dismantled-anonymous/
 
 
 Digital Dashboards of the 1980s -
 
 http://www.darkroastedblend.com/2013/08/flash-dance-digital-dashboards-of-1980s.html
 
 
 7 Things You Probably Won't 3D Print At Home Any Time Soon -
 
 http://fabbaloo.com/blog/2013/8/20/7-things-you-probably-wont-3d-print-at-home-any-time-soon.html#.UhVSI1TyORt
 
 
 I’ve become aware that my dear old friends, the vanity artist farmers
 Debut Contemporary, have been trawling for fat new wallets -
 
 http://careersuicideblog.wordpress.com/2013/08/22/disinformation-catalogue/
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[NetBehaviour] Emphatic #4

[Mark Hancock]

Hi all,

This is the latest step in an ongoing exploration of programming, video and
audio work. Generative movie created using Processing and Audacity.
Post-production done in Premiere.

http://youtu.be/O6qGNORedXI

Cheers

M
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Re: [NetBehaviour] my new t-shirt!

[Mark Hancock]

Can we buy one from un-amazon as part of a pack with Charlotte's #arthistory 3D 
tags?

Sent from my iPhone

On 24 Jul 2013, at 18:02, Eduardo Valle dudava...@hotmail.com wrote:

 Living on the age of FINAZISM ... 
 
 Date: Wed, 24 Jul 2013 16:07:01 +0100
 From: marc.garr...@furtherfield.org
 To: netbehaviour@netbehaviour.org
 Subject: [NetBehaviour] my new t-shirt!
 
 Neo-tshirt.jpg
 
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[NetBehaviour] Zone Terrain

[Mark Hancock]

Hi all,

Zone Terrain. The static made mobile and reversed. An anti-movement-image 
against/for Deleuze? This piece feels like a static painting made active across 
the frames.

http://youtu.be/PZJKOSJXUmc
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Re: [NetBehaviour] o loop

[Mark Hancock]

Hi Michael,

I really like the colouring on this. Made me think of a slightly glitchy side 
effect of colouring it. Also  i kept watching the the blocking of the sections 
of the image. That mathematical, imposed sectioning of the image feels like 
it's a juxtaposition against the nature represented in the scene.

Calming. Thank you.

M

Mark R Hancock

On 10 May 2013, at 18:27, Michael Szpakowski szp...@yahoo.com wrote:

 
 
 http://vimeo.com/65907661
 
 cheers
 
 michael
 
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