Re: [newbie] more BS from RIAA: Music Labels Plant Online Decoys, Mull Lawsuits

2002-07-07 Thread Derek Jennings


Here is the site to assuage guilt
http://www.fairtunes.com/functions/mlmain.php

derek


here is that site On Sunday 07 Jul 2002 7:41 pm, Roger Sherman wrote:
 On Fri, 5 Jul 2002, shane wrote:
  it is funny, i buy music the same way i buy software.  i get it free, and
  if i think it i pay for it, for which i get a cd that collects dust,
  cause i already have it.

 There is a website, in my opinion a great one, where you send them money,
 tell them the band you want that money to go to (no matter how big or
 small, they'll find 'em), and they give the money to the band (after
 letting it sit in an interest bearing account, so they don't have to
 charge for this service). You can give as little as a dollar if you
 want...anyways, IMO as a professional musician, guys like Bill are out of
 their minds. GIVE AWAY the recorded music? So that you'll come see us?
 Give me a break...and how are we supposed to pay for the studio time?
 Sheesh...

 OK, anyways...I've unfortunately lost the URL for that service...if anyone
 knows it, please, please post it. I personally know musicians who've
 absolutely had money taken out of their pockets, and food taken off their
 tables cause of Napster (Limewire, blah blah), and this site is a great
 way to give back to the musicians while bypassing the labels.

  now that we have the mandrake club, i still pay, but i make the cd
  myself. music clubs that trusted me to buy it if i liked it and delete it
  other wise would find me a paying member.
 
  and the blank cd sales people could make billions... ;)
 
  - --
  Microsoft: Having a false sense of security was never so expensive.
 
  shane
  Profile at: http://dmoz.org/profiles/shen.html
  Proud to be a DMOZ editor since 10-98
  Mandrake Users Club Member http://www.linux-mandrake.com/en/club/
  Registered linux user #101606  http://counter.li.org/
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Re: [newbie] more BS from RIAA: Music Labels Plant Online Decoys,Mull Lawsuits

2002-07-07 Thread robin

Derek Jennings wrote:

Here is the site to assuage guilt
http://www.fairtunes.com/functions/mlmain.php

  

I tried this site, and after wandering around deciding which artists to 
support (Cassandra Complex, Sheila Chandra and the Cocteau twins, if 
anyone's interested) and filling in my credit card details, I had to 
give up because the idiots at Paypal are unaware of the existence of my 
country of residence (Turkey, which is not exactly off the map).

Sir Robin

-- 
We're clouds over the sea, or flecks of matter
in the ocean when the ocean seems lit from within.
I know I'm drunk when I start this ocean talk. - Rumi

Robin Turner
IDMYO
Bilkent Üniversitesi
Ankara 06533

http://www.bilkent.edu.tr/~robin






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Re: [newbie] more BS from RIAA: Music Labels Plant Online Decoys,Mull Lawsuits

2002-07-05 Thread Jure Repinc

Sevatio wrote:
 Check out this story:
 http://www.reuters.com/news_article.jhtml?type=internetnewsStoryID=1168474

Why do they even try to stop this. Can't they see it can't be stopped? 
The future is in sharing information and nothing can be done to make it 
different. RIAA and the like are just a bunch of stupid selfish bastards 
and they will soon become extinct. Keep on sharing people! Information 
to everyone!

-- 
Live long and prosper!





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Re: [newbie] more BS from RIAA: Music Labels Plant Online Decoys, Mull Lawsuits

2002-07-05 Thread Todd Slater

On Fri, Jul 05, 2002 at 11:34:10AM -0700, Sevatio wrote:
 Check out this story:
 http://www.reuters.com/news_article.jhtml?type=internetnewsStoryID=1168474

While I'm all for sharing and sticking it to the RIAA, MPAA, and the
man, I tend to side with the artist on this issue. It would be nice to
see a distribution system in which the artist could reap the benefits of
his/her labor more than the record label.

It's great to share as in free software, but you are projecting your
ideas about sharing onto others. How do you make your living? Shall we
all of a sudden decide that your labor should be shared for free,
without any input from you? People who develop free software do so
willingly. I don't think it's fair to project that onto others so you
don't have to spend $15 on a crummy CD.

Lately I'm having a hard time finding music I want to purchase anyway.
That's the fault of the record labels and FM radio. Blah!!

I know this will be an unpopular position on this list, so let me
practice moving side to side and ducking . . .

Todd

-- 
Todd Slater



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Re: [newbie] more BS from RIAA: Music Labels Plant Online Decoys, Mull Lawsuits

2002-07-05 Thread Alastair Scott

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Hash: SHA1

On Friday 05 July 2002 8:13 pm, Todd Slater wrote:

 While I'm all for sharing and sticking it to the RIAA, MPAA, and the
 man, I tend to side with the artist on this issue. It would be nice
 to see a distribution system in which the artist could reap the
 benefits of his/her labor more than the record label.

 It's great to share as in free software, but you are projecting your
 ideas about sharing onto others. How do you make your living? Shall
 we all of a sudden decide that your labor should be shared for free,
 without any input from you? People who develop free software do so
 willingly. I don't think it's fair to project that onto others so you
 don't have to spend $15 on a crummy CD.

 Lately I'm having a hard time finding music I want to purchase
 anyway. That's the fault of the record labels and FM radio. Blah!!

 I know this will be an unpopular position on this list, so let me
 practice moving side to side and ducking . . .

Although not a recording artist I agree with you, although CDs were 
costing £13-£15 a shot long before the Internet haled up over the 
horizon ;)

As a classical musician (viola, violin, piano) my sort of music is 
rarely discussed in this context, which is a pity because it has unique 
problems. The most pertinent is that, apart from the output of a few 
small companies* who do a lot of digging in libraries and bring forth 
fascinating esoterica, everything that can be recorded has been 
recorded multiple times; why have eight slightly different copies of a 
Mahler symphony? That fact has finally got through to recording 
companies which have flown into a wild panic, stopped new recordings, 
terminated artists' contracts and started issuing their back catalogue 
en bloc. This slash and burn has had a pleasant impact on the consumer 
(I'm regularly seeing boxed sets of two or three CDs for £12-£15, which 
is a nice incentive to fill in the gaps) but, in the medium or long 
term, is disastrous as there is no fertile ground left.

I would like to see it recognised that the Internet is an obviously good 
way of distributing music and rows and rows of plastic boxes in a shop 
are anachronistic. The RIAA et alia, as a block to change, should be 
summarily legislated out of existence, contracts between record 
companies and artists should be bought out at mandated rates, and 
artists should be obliged to sell, track by track, direct to the 
consumer, at reasonable costs (a flat rate per track or similar) with 
appropriate digital rights management. 'Record shops' should become 
quasi-Internet cafes with CD burners and printers (for sleeve material) 
ad lib, so that those who don't have their own equipment can still take 
part and bring their own media.

(I have no problem with Palladium provided it is used to enforce DRM for 
goods with reasonable price structures; I hope that, if Microsoft 
thinks it can set these structures, it is sorely mistaken. Such a job 
is not for a private company). 

Alastair

* http://www.hyperion-records.com/ being an outstanding example.
- -- 
Alastair Scott (London, United Kingdom)
http://www.unmetered.org.uk/
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Re: [newbie] more BS from RIAA: Music Labels Plant Online Decoys, Mull Lawsuits

2002-07-05 Thread Josef Lowder

You're absolutely right, Todd. 

Everyone deserves to be reasonably compensated for the creative and 
productive value-added work that they do.  Sadly, there seem to be three 
extremes that get in the way:  1) Greed -- some (like monopolistic, 
anti-trustworthy Microsoft and grossly over-paid athletes, actors, corporate 
CEOs, etc.) who excessively, disproportionately, and unreasonably profit 
from whatever value-added they contribute to society; 2) Theft -- those 
who steal the value-added of others' work, whatever it may be, without being 
willing to pay reasonable compensation; and 3) rip-off-artists who profit 
disproportionately on the work and productivity of others.  (One has to 
wonder-out-loud what value-added lawyers, packagers, and the advertising 
industry provide to society.  For a $5.00 box of cereal a farmer gets what, 
9-cents? 

It could be argued that the computer software shareware concept and the 
GNU-Linux open source initiatives just might be among the most significant 
developments in the history of mankind.  For in this we see the very best of 
humanity -- many, many talented people freely sharing their best efforts for 
the good of all -- and many appreciative users supporting those efforts in 
various ways.  But then, sadly, there are too-many who want everything free 
and contribute nothing to anyone. 

Perhaps the web will remedy this problem in creative new ways that we have 
not yet seen. 


On Friday 05 July 2002 12:13, you wrote:
 While I'm all for sharing and sticking it to the RIAA, MPAA, and the
 man, I tend to side with the artist on this issue. It would be nice to
 see a distribution system in which the artist could reap the benefits of
 his/her labor more than the record label.

 It's great to share as in free software, but you are projecting your
 ideas about sharing onto others. How do you make your living? Shall we
 all of a sudden decide that your labor should be shared for free,
 without any input from you? People who develop free software do so
 willingly. I don't think it's fair to project that onto others so you
 don't have to spend $15 on a crummy CD.

 Lately I'm having a hard time finding music I want to purchase anyway.
 That's the fault of the record labels and FM radio. Blah!!

 I know this will be an unpopular position on this list, so let me
 practice moving side to side and ducking . . .




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Go to http://www.mandrakestore.com



Re: [newbie] more BS from RIAA: Music Labels Plant Online Decoys, Mull Lawsuits

2002-07-05 Thread Bill Davidson

On Fri, 5 Jul 2002 15:13:55 -0400
Todd Slater [EMAIL PROTECTED] wrote:

 On Fri, Jul 05, 2002 at 11:34:10AM -0700, Sevatio wrote:
  Check out this story:
  http://www.reuters.com/news_article.jhtml?type=internetnewsStoryID=1168474
 
 While I'm all for sharing and sticking it to the RIAA, MPAA, and the
 man, I tend to side with the artist on this issue. It would be nice
 to see a distribution system in which the artist could reap the
 benefits of his/her labor more than the record label.
 
 It's great to share as in free software, but you are projecting your
 ideas about sharing onto others. How do you make your living? Shall we
 all of a sudden decide that your labor should be shared for free,
 without any input from you? People who develop free software do so
 willingly. I don't think it's fair to project that onto others so you
 don't have to spend $15 on a crummy CD.
 
 Lately I'm having a hard time finding music I want to purchase anyway.
 That's the fault of the record labels and FM radio. Blah!!
 
 I know this will be an unpopular position on this list, so let me
 practice moving side to side and ducking . . .

I couldn't disagree with you more on this one. These artists aren't
getting shafted because people steal music online. They're getting
shafted because record companies don't pay them squat compared to what
they make the record companies. Let's face it. They're getting their
money anyway because they're paid up front, and nothing beyond that.

In fact this is actually helping the lesser known bands. Some of them
are quite happy about the whole music sharing thing. They make their
money doing concerts, not by selling records. This just gives them more
exposure, enabling them to sell more tickets. Eventually, I think we'll
see the end of record companies. Bands will all give their music away
online so that people will go and see them live.

Bill



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Re: [newbie] more BS from RIAA: Music Labels Plant Online Decoys, Mull Lawsuits

2002-07-05 Thread Todd Slater

On Fri, 5 Jul 2002 18:02:26 -0400
Bill Davidson [EMAIL PROTECTED] wrote:

 On Fri, 5 Jul 2002 15:13:55 -0400
 Todd Slater [EMAIL PROTECTED] wrote:
 
  On Fri, Jul 05, 2002 at 11:34:10AM -0700, Sevatio wrote:
   Check out this story:
   http://www.reuters.com/news_article.jhtml?type=internetnewsStoryID=1168474
  
  While I'm all for sharing and sticking it to the RIAA, MPAA, and the
  man, I tend to side with the artist on this issue. It would be nice
  to see a distribution system in which the artist could reap the
  benefits of his/her labor more than the record label.
  
  It's great to share as in free software, but you are projecting your
  ideas about sharing onto others. How do you make your living? Shall we
  all of a sudden decide that your labor should be shared for free,
  without any input from you? People who develop free software do so
  willingly. I don't think it's fair to project that onto others so you
  don't have to spend $15 on a crummy CD.
  
  Lately I'm having a hard time finding music I want to purchase anyway.
  That's the fault of the record labels and FM radio. Blah!!
  
  I know this will be an unpopular position on this list, so let me
  practice moving side to side and ducking . . .
 
 I couldn't disagree with you more on this one. These artists aren't
 getting shafted because people steal music online. They're getting
 shafted because record companies don't pay them squat compared to what
 they make the record companies. Let's face it. They're getting their
 money anyway because they're paid up front, and nothing beyond that.
 
 In fact this is actually helping the lesser known bands. Some of them
 are quite happy about the whole music sharing thing. They make their
 money doing concerts, not by selling records. This just gives them more
 exposure, enabling them to sell more tickets. Eventually, I think we'll
 see the end of record companies. Bands will all give their music away
 online so that people will go and see them live.
 
 Bill

Umm, I think you agree with me more than you disagree with me. I said I
side with the artist and against the record labels, RIAA, MPAA. I agree
that the artists get the shaft because of the record labels, but they also
get the shaft because people steal music online. Why does the fact that
they get shafted from the label, or that they get paid enough (according
to you)  make it OK to steal their music online?

I nearly always side with labor, and in the case of music, I think the
artists should get all they're entitled to. I don't care how much it is,
or if it seems ridiculous to you. I don't have a problem with professional
athletes making millions of dollars as long as the industry can support
them through ticket sales and merchandising. After all, the athletes are
who the fans pay to see. I'd rather the athletes get the money instead of
the owner and team shareholders. (I don't believe I've ever seen the owner
of a professional team who did not earn a handsome income, either.)

As far as up-and-coming bands are concerned, if they want to share their
music, that's great. My two brothers have a band and they released a CD,
and I posted it on alt.binaries.mp3.blues (with their permission, of
course). I understand that sharing can create exposure. However, these
bands _voluntarily_ share their music. When somebody takes a commercial
cd, rips it and shares it via Internet, the artist/band is not consulted
as to whether they would like to share their music to get more fans at
their concert; the ripper has made that decision for them.

I still think it's appropriate to ask how you would feel if society at
large decided that the fruits of your labor should be shared without your
consent, or that X amount of dollars is enough for you.

I'm not sure that bands want to make their living playing live
concerts--that's a hard life with a quick burnout. But if they do, that's
their choice. Let them give their music away. But if I want to sell a CD
that I write and perform, I sure as hell don't want anybody else deciding
for me. If the content is not worth paying for in a consumer's mind, it's
not worth owning and listening to.

I would love to see the end of record companies, and see the artists have
total control over their music and its distribution. 

Todd

-- 
Todd Slater
Men are born ignorant, not stupid. They are made stupid by education.
(Bertrand Russell)



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Re: [newbie] more BS from RIAA: Music Labels Plant Online Decoys,Mull Lawsuits

2002-07-05 Thread Sevatio

If you really want the artists to reap the fruits of their labour, you 
should their CD *directly* from them.

Here's the not well known the reason...

The typical top-40 artist earns only 70 cents per CD sale.  Yes, 70 
cents!  Of that 70 cents, they have to pay the studio and promo costs. 
This is why you've seen a few big-name artists file for bankruptcy. 
It's because they simply don't have much money at the bottom line.  This 
is also why you've seen bignamers rebel against their label... Dixie 
Chicks, Courtney Love, and etc... (this is not an example based on my 
taste in music).  So when you go to your CD store and buy a CD through 
those traditional channels, you're making the labels very fat and the 
artists very thin.

So buy the CDs from the artists if you want them to get any money.  For 
example, Aimee Mann earns about %50 on each CD sale.  That's a very good 
percentage compared to 70cents per $18 CD.




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