Re: GESO: South Dakota

2012-08-17 Thread Fernando
Lot of nice photos there; was fun to watch in my lunch break.

On Thu, Aug 16, 2012 at 9:16 PM, Matthew Hunt m...@pobox.com wrote:
 My wife and I recently drove from Pennsylvania to South Dakota, for a
 camping vacation in the Fort Pierre National Grassland, Badlands
 National Park, and Custer State Park in the Black Hills. A gallery of
 photographs is now available:

 http://flic.kr/s/aHsjBhErAh

 For those who find the gallery too large, here are selected highlights:

 LANDSCAPE:

 Badlands rock formations:
 http://flic.kr/p/cPUYoy

 Homage to St. Ansel:
 http://flic.kr/p/cPUY55

 Campsite rainbow:
 http://flic.kr/p/cPmjHs

 Storm chasing:
 http://flic.kr/p/cQoE4S
 The storm then chased us back to our campsite, forcing us to tear down
 our tent and cower in the entrance of the toilet building while being
 pelted by marble-sized hail.

 CRITTERS:

 Bighorn ram, portrait:
 http://flic.kr/p/cPUXmm

 ...and practicing for his role in the diorama at the natural history museum:
 http://flic.kr/p/cPUXJy

 Bison:
 http://flic.kr/p/cQozBQ

 Pronghorn doe and fawn:
 http://flic.kr/p/cQoz3s

 MAN-MADE STUFF:

 Silos (Wall, SD):
 http://flic.kr/p/cSvTQL

 Carhenge (Alliance, NE):
 http://flic.kr/p/cT779L

 I hope you enjoy, and welcome your feedback.

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Re: Pentax K-30 experience

2012-08-17 Thread Fernando
Nice review.

Shutter is noisy
just that would be a big step back for me; I found the quiet shutter
of the K-5 to be a valuable asset for candids; it was an evolution for
me: *istDS' shutter noise could wake the dead, K10D felt much better,
but K20D made me realise how loud a K10D it was, finally the K5 feels
like the pinnacle of Pentax DSLR shutter quietness evolution (I'm
guessing the K7 was the same, never tried one). Before using a K5 I
considered the original istD the most acceptable of the pentax
digitals when it comes to shutter noise.

On Mon, Aug 13, 2012 at 11:09 AM, Margus Männik mar...@eol.ee wrote:
 Now I have walked a week with (literally) K-30 in one hand and K-5 in other.
 I wrote a review for our local press, but obviously I'm not going to
 translate the whole thing, but just want to share some points (and please
 forgive me if my English is not good enough).

 + Nice body. I'm not very happy with K-7/K-5 body design (especially w/o
 battery grip attached) and K-30 feels better. First it looks a bit
 suspicious, but it's really comfortable in hand, even for a long
 carrying/shooting.
 + Two-wheel user interface. I've never liked single-wheel cameras like K-r
 (and many other). Considering the price, it's really nice feature.
 + Very good viewfinder and possibility to change focusing screen. Once
 again, I wouldn't expect those features from less-than-top-line camera,
 especially Pentax (who has such a short line of cameras).
 + The picture quality is nearly the same compared to K-5 under ~ISO 6400.
 I've really compared around 100 parallel shots and just sometimes K-5
 images seem to have a tiny bit more dynamic range. At very high ISOs K-30
 noise becomes more prominent and has different nature (rougher grain).
 Considering that Pentax K-5 have been named as the very best APS-C SLR, it
 seems that now the second best is also Pentax.
 + Video quality is superior to K-5. It's not much surprising as K-30
 utilizes the same PRIME M processor that we've already seen in K-01.
 Focusing in video mode has made a significant leap forward compared both to
 K-5 and K-01.
 0 Much praised modifications to focusing system are nearly unnoticeable.
 K-30 may be a bit more self-confident with SDM lenses, but can not drive
 older ones as fast as K-5.
 - Battery life is not impressive and there's no battery grip either. Of
 course, 450 shots per charging is not THAT bad, but serious enthusiasts will
 definitely need a spare battery.
 - Shutter is noisy, about the same as K20D. Continuous drive at 6 fps sounds
 quite scary.
 - Video soundtrack is mono and camera has no external mic connector.
 - Image buffer could be larger. Nowadays the memory chips are inexpensive,
 after all.

 All together, we have got an really impressive camera. IQ is much better
 than K20D and almost the same as K-5. My personal favorite is still K-5 (I
 need battery grip and don't care about video), but I'm quite sure many
 existing pentaxians will prefer K-30.

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Re: PESO - PAD - Street Musician - Print-a-Day-13

2012-06-12 Thread Fernando
Cool shot; very ipod-commercial like ;-)



On Tue, Jun 12, 2012 at 9:38 AM, George Sinos gsi...@gmail.com wrote:
 This is number 13 in the series Print-a-Day for 30 Days.

 http://georges.posterous.com/street-musician-print-a-day-13

 There are quite a few musicians that perform at the open air farmer's
 markets.    This photo of a young violinist is one of my favorites.

 Some of you have seen an earlier version of this photo.  I decided to
 include it in the print-a-day project because of the big areas of blue
 sky.  In the past, with other printers, I've had trouble with this
 type of gradient.  There can also be an issue with blue and cyan.  The
 representation of this part of the color space can differ between
 monitor and paper.

 I added the vignette to help define the border.  I had not felt that
 was necessary until I saw the printed version.  Now that I've seen it,
 I prefer the version with the vignette.

 The final print and a nice smooth gradient with no banding.  The sky
 color was very close.  It seems just slightly more saturated.

 gs

 George Sinos
 
 gsi...@gmail.com
 www.georgesphotos.net
 plus.georgesinos.com

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Re: PESO - Urban Ballet

2012-06-11 Thread Fernando
Nice Frank!

I like how you got the head sharp and the extremities unsharp, really
suggesting movement -and the position of the right hand up is awesome.
My own personal preference would be just to frame it a touch, just a
touch, less tight -but I know that you normally don't crop so that is
probably not an option.

Great shot.


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On Mon, Jun 11, 2012 at 9:39 PM, frank theriault
knarftheria...@gmail.com wrote:
 A skateboarder practicing in a back alley looked rather balletic to me:

 http://knarfinthecity.blogspot.ca/2012/06/urban-ballet.html

 Hope you enjoy.  Comments welcome.

 cheers,
 frank

 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: OT OM-D OMG!

2012-06-09 Thread Fernando
Enjoyed them all, nice stuff. Particularly the one with the smoker.

On Sat, Jun 9, 2012 at 8:30 AM, Derby Chang der...@iinet.net.au wrote:

 I'm on a business trip to China tomorrow, and semi-impulse buy, I picked up
 an OM-D today. So beautiful. I really hope Ollie stays afloat so they can
 keep making gear like this.

 http://members.iinet.net.au/~derbyc/12/12_06/12_06_om-d/index.htm

 After the battery ran out, switched back to the GH1 for the rest of the
 night

 http://members.iinet.net.au/~derbyc/12/12_06/12_06_noktonfun/index.htm

 --

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 http://members.iinet.net.au/~derbyc


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Re: Same stream, different photo

2012-06-07 Thread Fernando
Really beautiful

On Thu, Jun 7, 2012 at 10:07 AM, Bruce Walker bruce.wal...@gmail.com wrote:
 This goes a long way towards understanding why the attraction to GFM.
 Quietly spectacular.

 On Thu, Jun 7, 2012 at 8:40 AM, Postmaster postmas...@robertstech.com wrote:
 Here's another shot of that stream (Shanty Branch) on Grandfather
 Mountsin. It's the same little cascade but in a horizontal pano rather
 than vertical. And it's cropped from a single shot rather than
 stitched from several.

 http://www.robertstech.com/temp/7dc02602-Shanty-Branch-Panorama.jpg

 Full-size photo is around 5000 x 2000 pixels. I was just thinking how
 it wasn't that long ago that such an image would had to have been
 stitched together from several shots rather than just cropped out of
 one.



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Re: Presentation

2012-06-05 Thread Fernando
Welcome Ronaldo,

As long as we don't talk about futebol we are going to be fine
-Fernando, originaly from Argentina :-)

On Tue, Jun 5, 2012 at 7:39 PM,  rona...@skyairlines.com.br wrote:
 Hello, I would like to introduce myself. My name is Ronaldo, I am Brazilian 
 and I live in the city of Fortaleza, Ceara. I am a Canon user and recently, 
 through a friend, I started doing a few clicks using their Pentax Kr and he 
 showed me this mailing list to delve into the resources of this wonderful 
 machine.
 I hope I can contribute and learn a lot from you.

 Regards

 Ronaldo Bomfim http://flickr.com/ronaldobomfim


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Re: How much difference does optimizing the aperture make?

2012-06-04 Thread Fernando
I personally know by memory for the prime lenses I used the most, and
out of personal experimentation in real world shooting -just because I
like to know- although P mode with MTF program will get you there
easily. For the non-chip lenses I guess a couple of clicks from wide
open.

The ones for me that I found is worth knowing (partly because I used
them often) are the 43/1.9 (some magic happens at f4 and 5.6), 31/1.8
(f5.6), 21/3.2 (f8) and 15/4 (f8 or f11). In some cases finding those
sweet spots rekindled some lens love.

And I also know that I get slightly sharper images with the 35/2 than
the 31/1.8 @f2, that the DA40/2.8 is slightly sharper at 2.8 than the
43/1.9 at f2.8 and that the 50/1.4 gets ok at f2; for the rest I don't
care that much/don't know/don't shoot with them that often

Photozone.de has charts that I found pretty accurate for the lenses I
have; and I used them just to answer questions like is the 16-45
better @ 16 than the 12-24 @ 16? without having to test myself (which
I won't do anyway)



On Mon, Jun 4, 2012 at 6:22 PM, Larry Colen l...@red4est.com wrote:
 I was thinking about my quest for sharpness, and was considering trying to do 
 some research into what the aperture sweet spot is for each lens, and was 
 wondering if anyone had already made a chart of them.

 Then I wondered how much it really matters.  I've heard a couple of stops 
 down from wide open,  anywhere between f/8 and f/16, and a couple other 
 rules of thumb.   I do know that on some lenses, particularly the FA50/1.4, 
 that stopping it down a couple of stops from wide open, makes a huge 
 difference.  And I suspect that if you look on an MTF chart, you might be 
 able to easily see the difference between f/4 and f/8,  but is there a 
 practical noticeable difference?

 There is also the question of sharpness at the critical focus distance, and 
 overall sharpness.  That a lens might be sharper at f/4 than f/16 at the 
 focal distance, but with a lot more depth of field, more of the photo will be 
 sharper at f/16, than at f/64.

 I'm primarily interested in answers based on personal, practical experience, 
 rather than theory.  My hunch is that as long as I'm not too close to wide 
 open, or pushing diffraction limits, optimizing aperture for sharpness is not 
 the most productive place to spend my time and energy.  That I'm generally 
 best optimizing the aperture for the picture, and not trying to optimize the 
 aperture for MTF.

 --
 Larry Colen l...@red4est.com sent from i4est





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Re: Improving the technical quality of my photography

2012-05-30 Thread Fernando
Hi all,

out of my year (or years?) of long lurking;

Larry, I found this book an interesting read -lot of the suggestions
in this thread are mentioned in it:
http://www.amazon.ca/Michael-Freemans-Digital-Photography-Tips/dp/1600594182/ref=sr_1_8?ie=UTF8qid=1338425392sr=8-8

I agree with Frank, a huge number of photos I like (not thinking
necessarily about my photos, but from good photographers+) have
technical imperfections, but these imperfections are compensated with
a beautiful spontaneity and a sense of a moment that cannot be
repeated again (not all of them, but a lot of them) and I would even
say that those imperfections contribute to that spontaneity.

as I write this I'm thinking about:
http://www.bulgergallery.com/dynamic/fr_artwork_display.asp?ArtworkID=2332

and

this photo of Borges:
http://wildunicornherd.tumblr.com/post/9456572634



On Wed, May 30, 2012 at 8:47 PM, knarftheria...@gmail.com
knarftheria...@gmail.com wrote:
 A developing theme certainly seems to be forming: that of slowing it down, 
 taking your time, getting it right.

 And that's great advice.

 There are situations, however, where that just isn't possible. A photo will 
 appear for a very brief time and if you don't snap ~now~ it will be lost 
 forever. The choice is sometimes between getting the (technically imperfect) 
 photo and getting nothing.

 At times like that it's important to be as prepared as possible by 
 understanding the prevailing conditions and being as ready as possible to 
 do almost anything in a very short period of time. If you snap and the photo 
 is still there be ready to then consider what adjustments might be 
 important in the time you have to re-adjust.

 I think that one of the things that is happening here is that we're getting 
 comments from photographers of different genres. Obviously a studio 
 photographer, a sports photographer, a nature guy and a PJ all have different 
 standards of technical requirement, different equipment available to them and 
 different time frames in which to work.

 Cheers,
 frank

 What can be asserted without proof can be dismissed without proof. -- 
 Christopher Hitchens

 --- Original Message ---

 From: Godfrey DiGiorgi gdigio...@gmail.com
 Sent: May 30, 2012 5/30/12
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Improving the technical quality of my photography

 On Wed, May 30, 2012 at 5:18 PM, knarftheria...@gmail.com
 knarftheria...@gmail.com wrote:
 Wow! That's a very complicated way of saying get the focus and exposure 
 right, keep the camera as still as possible.

 Mark!

 When I want the best technical quality in my photos, I use a tripod,
 focus critically (manually), and use a light meter to assess the
 correct exposure.

 More important than all of that, I slow way down and think carefully
 of what I'm trying to achieve first, form a plan to achieve it, then
 execute the plan carefully.

 --
 Godfrey
   godfreydigiorgi.posterous.com

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Re: Improving the technical quality of my photography

2012-05-30 Thread Fernando
Thanks Frank!

That one is awesome too, taking about catching the moment!


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On Wed, May 30, 2012 at 9:40 PM, knarftheria...@gmail.com
knarftheria...@gmail.com wrote:
 Hey Fernando! Nice to see you back.

 My favourite Larry Towell:

  http://www.bulgergallery.com/dynamic/fr_artwork_display.asp?ArtworkID=2394Body=The%20World%20from%20My%20Front%20Porch

 cheers,
 frank

 What can be asserted without proof can be dismissed without proof. -- 
 Christopher Hitchens

 --- Original Message ---

 From: Fernando fer.p...@gmail.com
 Sent: May 30, 2012 5/30/12
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Improving the technical quality of my photography

 Hi all,

 out of my year (or years?) of long lurking;

 Larry, I found this book an interesting read -lot of the suggestions
 in this thread are mentioned in it:
 http://www.amazon.ca/Michael-Freemans-Digital-Photography-Tips/dp/1600594182/ref=sr_1_8?ie=UTF8qid=1338425392sr=8-8

 I agree with Frank, a huge number of photos I like (not thinking
 necessarily about my photos, but from good photographers+) have
 technical imperfections, but these imperfections are compensated with
 a beautiful spontaneity and a sense of a moment that cannot be
 repeated again (not all of them, but a lot of them) and I would even
 say that those imperfections contribute to that spontaneity.

 as I write this I'm thinking about:
 http://www.bulgergallery.com/dynamic/fr_artwork_display.asp?ArtworkID=2332

 and

 this photo of Borges:
 http://wildunicornherd.tumblr.com/post/9456572634



 On Wed, May 30, 2012 at 8:47 PM, knarftheria...@gmail.com
 knarftheria...@gmail.com wrote:
 A developing theme certainly seems to be forming: that of slowing it down, 
 taking your time, getting it right.

 And that's great advice.

 There are situations, however, where that just isn't possible. A photo will 
 appear for a very brief time and if you don't snap ~now~ it will be lost 
 forever. The choice is sometimes between getting the (technically imperfect) 
 photo and getting nothing.

 At times like that it's important to be as prepared as possible by 
 understanding the prevailing conditions and being as ready as possible to 
 do almost anything in a very short period of time. If you snap and the photo 
 is still there be ready to then consider what adjustments might be 
 important in the time you have to re-adjust.

 I think that one of the things that is happening here is that we're getting 
 comments from photographers of different genres. Obviously a studio 
 photographer, a sports photographer, a nature guy and a PJ all have 
 different standards of technical requirement, different equipment available 
 to them and different time frames in which to work.

 Cheers,
 frank

 What can be asserted without proof can be dismissed without proof. -- 
 Christopher Hitchens

 --- Original Message ---

 From: Godfrey DiGiorgi gdigio...@gmail.com
 Sent: May 30, 2012 5/30/12
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Improving the technical quality of my photography

 On Wed, May 30, 2012 at 5:18 PM, knarftheria...@gmail.com
 knarftheria...@gmail.com wrote:
 Wow! That's a very complicated way of saying get the focus and exposure 
 right, keep the camera as still as possible.

 Mark!

 When I want the best technical quality in my photos, I use a tripod,
 focus critically (manually), and use a light meter to assess the
 correct exposure.

 More important than all of that, I slow way down and think carefully
 of what I'm trying to achieve first, form a plan to achieve it, then
 execute the plan carefully.

 --
 Godfrey
   godfreydigiorgi.posterous.com

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Re: Language Question

2011-10-24 Thread Fernando
If you want Latinamerican Spanish is more like: ka-sinko as oppposed
to Spanish from Spain (closer to what Bob wrote): ka-thinko

On Mon, Oct 24, 2011 at 3:35 AM, Bob W p...@web-options.com wrote:

 I was wondering how K-5 is pronounced in other languages.  In English
 it's Kay-five. Japanese, I'm guessing is Kay-go because it's
 Romanji on it.  In Hebrew is it Kay-chamesh?


 French: Car Sank
 Spanish: Car Thinko
 Italian: Car Chink Way
 Rumanian: Car Chinch
 Latin: no letter K, maybe Kappa Quinque
 Greek: Kappa Pente
 German: Car Funf
 Welsh: Car Pimp

 B


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Re: PESO: Love in 45St

2011-10-04 Thread Fernando
Thanks Brian

On Tue, Oct 4, 2011 at 2:14 AM, Brian Walters supera1...@fastmail.fm wrote:
 On Saturday, October 01, 2011 11:21 AM, Fernando fer.p...@gmail.com
 wrote:
 We took a short vacation and went to Miami, so I had a chance to test
 the K5 for longer.
 From the test shots I got one that I really liked:
 http://www.flickr.com/photos/ferand/6197202546/sizes/o/in/photostream/
 K5+DA21/3.2

 and one more -proof that the shutter sound is sooo quiet (first time a
 pentax body doesn't wake up my wife when I take a photo of her while
 sleeping):
 http://www.flickr.com/photos/ferand/6197201234/sizes/o/in/photostream/
 K5+FA35/2



 Very romantic - both photos.

 If I can nitpick  On the first image there is a small lean in the
 horizon to the right.  A slight anticlockwise rotation would fix that
 and make the centre post vertical.



 and if you have time and want to see how Miami looks like at this time
 of the year:
 http://www.flickr.com/photos/ferand/sets/72157627784642534/




 Are you sure that's Miami?  If 'CSI Miami' is to be believed, the sky
 should be tobacco coloured  :-)



 Cheers

 Brian

 ++
 Brian Walters
 Western Sydney Australia
 http://lyons-ryan.org/southernlight/



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Re: Phew, almost shut out at Markham Fair

2011-10-04 Thread Fernando
I like the pixelated cat, an interesting take. And the second one is
a classic. Nice

On Sun, Oct 2, 2011 at 8:24 AM, David J Brooks pentko...@gmail.com wrote:
 I had a charter to the fair on Thursday, and Friday, but went Saturday
 so i could walk around with out a time table.

 Non of my prints placed, but i did manage to get two placings in the
 digital section.

 http://www.caughtinmotion.com/2011-markhamfair/album/slides/64_dbrooks.html
 animals

 http://www.caughtinmotion.com/2011-markhamfair/album/slides/65_dbrooks.html
 farm scene

 So that's 10 years running with at least 1 placing. Entries in
 everything seemed low this year.

 Dave

 --
 Documenting Life in Rural Ontario.
 www.caughtinmotion.com
 http://brooksinthecountry.blogspot.com/
 York Region, Ontario, Canada

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Re: PESO: Love in 45St

2011-10-04 Thread Fernando
Thanks Frank, dunno what's the problem with the links is. The shots
were in the set, so you probably saw them (in that third link). In any
case, they are the first and thrird shots of my current Flickr stream:

http://www.flickr.com/photos/ferand/

Note to me, I should start getting on Google+

On Tue, Oct 4, 2011 at 12:43 PM, frank theriault
knarftheria...@gmail.com wrote:
 On Sat, Oct 1, 2011 at 11:21 AM, Fernando fer.p...@gmail.com wrote:
 We took a short vacation and went to Miami, so I had a chance to test
 the K5 for longer.
 From the test shots I got one that I really liked:
 http://www.flickr.com/photos/ferand/6197202546/sizes/o/in/photostream/
 K5+DA21/3.2

 and one more -proof that the shutter sound is sooo quiet (first time a
 pentax body doesn't wake up my wife when I take a photo of her while
 sleeping):
 http://www.flickr.com/photos/ferand/6197201234/sizes/o/in/photostream/
 K5+FA35/2


 and if you have time and want to see how Miami looks like at this time
 of the year:
 http://www.flickr.com/photos/ferand/sets/72157627784642534/

 The first two links don't seem to want to work for me, but the last
 one does and it's a wonderful shot.  The colours are sublime.

 cheers,
 frank


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Re: Love in 45St

2011-10-02 Thread Fernando
Thanks Dario, genetically speaking she is pure Italian -both on the
mother and father side ;-)


And thanks Christine for your feedback and everyone else that had a look

Cheers

Fernando

On Sun, Oct 2, 2011 at 12:47 PM, Dario Bonazza
dario.bona...@virgilio.it wrote:
 Hi Fernando,

 Very nice pics, I enjoyed them all! Oh, lucky man, your wife looks gorgeous
 in that picture (from a strictly-photographic point of view, of course ;-)

 Cheers,

 Dario


 - Original Message - From: Fernando fer.p...@gmail.com
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Saturday, October 01, 2011 5:21 PM
 Subject: PESO: Love in 45St


 We took a short vacation and went to Miami, so I had a chance to test
 the K5 for longer.
 From the test shots I got one that I really liked:
 http://www.flickr.com/photos/ferand/6197202546/sizes/o/in/photostream/
 K5+DA21/3.2

 and one more -proof that the shutter sound is sooo quiet (first time a
 pentax body doesn't wake up my wife when I take a photo of her while
 sleeping):
 http://www.flickr.com/photos/ferand/6197201234/sizes/o/in/photostream/
 K5+FA35/2


 and if you have time and want to see how Miami looks like at this time
 of the year:
 http://www.flickr.com/photos/ferand/sets/72157627784642534/

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 http://www.flickr.com/photos/ferand/

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 -
 Nessun virus nel messaggio.
 Controllato da AVG - www.avg.com
 Versione: 10.0.1410 / Database dei virus: 1520/3931 -  Data di rilascio:
 01/10/2011



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Re: Ride Home

2011-10-02 Thread Fernando
What Rick said, but including #6 as well. They have what I would
describe as some sort cool impressionistic vibe

On Sun, Oct 2, 2011 at 6:04 PM, Rick Womer rwomer1...@yahoo.com wrote:
 Christine,

 #5 is particularly effective.  We're enjoying the same weather in Philly now.

 Rick

 http://photo.net/photos/RickW


 --- On Sun, 10/2/11, Christine Aguila christ...@caguila.com wrote:

 From: Christine Aguila christ...@caguila.com
 Subject: Ride Home
 To: PDML List pdml@pdml.net
 Date: Sunday, October 2, 2011, 5:25 PM
 Hi Everyone:  This past week it
 rained virtually everyday--and a weird kind of rainy period
 it was.  Virtually every day you could see the sun and
 the clouds struggling for dominance and during the tension
 it would rain, sometimes heavy, sometimes just
 sprinkles.  Black clouds along with patches of clear
 sky could be seen at the same time!  On the way home
 from work this past Friday, I made a few shots while Darrel
 drove.  This small gallery depicts what it's been like
 here.  This weekend has been very bright and clear and
 nippy.  Cheers, Christine

 http://www.caguila.com/drivehome/
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Re: PESO: Running in style

2011-10-02 Thread Fernando
Funny photo!

On Sun, Oct 2, 2011 at 9:48 PM, Charles Robinson charl...@visi.com wrote:
 Minneapolis had a marathon today.  I was out watching for a few friends to 
 run by, but there's always some joker in costume.

 This guy was pretty much dancing (with his hands) as he ran by.  Very fun to 
 watch!

 http://charles.robinsontwins.org/photos/2011/marathon/content/IMGP4477_large.html

 It is better to look good than to feel good, and he looked marvelous!

  -Charles

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Re: Football Sunday!

2011-10-02 Thread Fernando
No idea about football and all that, but interesting portrait, with
all the books as background and the low ceiling. Nice picture.

On Sun, Oct 2, 2011 at 1:06 PM, Christine Aguila christ...@caguila.com wrote:
 Just a little photo-play.  Definitely, a Bears-sweatshirt-day--nippy.  Tough 
 season to be a Bears fan this year.  Cheers, Christine



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PESO: Love in 45St

2011-10-01 Thread Fernando
We took a short vacation and went to Miami, so I had a chance to test
the K5 for longer.
From the test shots I got one that I really liked:
http://www.flickr.com/photos/ferand/6197202546/sizes/o/in/photostream/
K5+DA21/3.2

and one more -proof that the shutter sound is sooo quiet (first time a
pentax body doesn't wake up my wife when I take a photo of her while
sleeping):
http://www.flickr.com/photos/ferand/6197201234/sizes/o/in/photostream/
K5+FA35/2


and if you have time and want to see how Miami looks like at this time
of the year:
http://www.flickr.com/photos/ferand/sets/72157627784642534/

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Re: PESO: Love in 45St

2011-10-01 Thread Fernando
Thanks for the comments Marnie!

re: the gal, after many photos, I think she is used to it ;-)

On Sat, Oct 1, 2011 at 2:32 PM,  eactiv...@aol.com wrote:
 That's nice. Very romantic. The left side of the  frame doesn't quite
 balance the right, but I have no suggestions on that. Not  sure any cropping
 would be better. Very romantic.

 I'll let the guys  comment on the gal. But does she know you're showing
 that? Heh.

 Marnie  :-)

 In a message dated 10/1/2011 8:21:44 A.M. Pacific Daylight Time,
 fer.p...@gmail.com writes:
 We took a short vacation and went to Miami, so I  had a chance to test
 the K5 for longer.
 From the test shots I got one that  I really  liked:
 http://www.flickr.com/photos/ferand/6197202546/sizes/o/in/photostream/
 K5+DA21/3.2

 and  one more -proof that the shutter sound is sooo quiet (first time a
 pentax  body doesn't wake up my wife when I take a photo of her  while
 sleeping):
 http://www.flickr.com/photos/ferand/6197201234/sizes/o/in/photostream/
 K5+FA35/2


 and  if you have time and want to see how Miami looks like at this time
 of the  year:
 http://www.flickr.com/photos/ferand/sets/72157627784642534/

 --

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Re: PESO - Fire Dance

2011-10-01 Thread Fernando
Beautiful image Peter.

I went to Ko Samui 12 years ago, with a K1000 and a 50mm. Times have changed ;-)

On Sat, Sep 24, 2011 at 9:47 AM, Peter McIntosh peter...@gmail.com wrote:
 Hi guys,

 Just back from 10 days R  R in Ko Samui, Thailand.  Took the K5 on a
 Camdapter wrist strap, the 18-135 zoom , a couple of filters (POL and
 ND 4X), FGZ 360 flash, in a Lowepro Passport Sling bag.  Turned out to
 be a great travel kit.

 Took lots of holiday snaps; there were a couple I was particularly
 pleased with, and one of these is quite relevant given recent
 discussions on low-light abilities and the like.  It's here:

 http://www.pbase.com/petergly/image/138318869

 EXIF: 1/90s f/5.6 at 53.0mm @ iso12800.  I'm astounded by what the
 camera captured.  This was basically an unlit beach except for some
 reflected light from the restaurant I was standing in. All I've done
 is a little contrast adjustment and minor sharpening on the K5 jpeg.
 No noise reduction.

 Comments most welcome.

 Regards,

 Pete Mac in Melbourne

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Re: PESO - King

2011-09-21 Thread Fernando
Excellent

On Wed, Sep 21, 2011 at 8:17 AM, frank theriault
knarftheria...@gmail.com wrote:
 Hope you enjoy:

 http://knarfinthecity.blogspot.com/2011/09/king.html

 Comments always welcome.

 cheers,
 frank


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Enablement

2011-09-21 Thread Fernando
I belong to the K-5 club now! (thanks to someone buying my K10D and
Henry's dropping the price to $1,100).

Coming from the K20D I'm still getting used to the interface changes.
The thing I like the most: quiet shutter. I was surprised with the
lack of an SR switch, but I gained a Live View button -and the live
view implementation is a quantum leap from the one in the K20D.

I'll be out there taking some photos (and maybe a movie now...)

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Re: PESO - Pot of Gold?

2011-09-17 Thread Fernando
Very nice. Colours, composition, and amazing sky. I like it a lot.

On Sat, Sep 17, 2011 at 6:46 PM, frank theriault
knarftheria...@gmail.com wrote:
 They look like trees to me.  Maybe the pot's hiding under them or something:

 http://knarfdummyblog.blogspot.com/2011/09/pot-of-gold.html

 Hope you enjoy.  Comments always welcome.

 cheers,
 frank

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Re: When high ISO performance matters (was: Pentax K-Q adapter and such)

2011-09-13 Thread Fernando
Dario, I'm not participating of the high ISO discussion, but those
first two shots are awesome.

On Tue, Sep 13, 2011 at 3:21 AM, Dario Bonazza
dario.bona...@virgilio.it wrote:
 To me, high-ISO performance and dynamic range are paramount and are the
 single most important feature in choosing a SLR these days. Here are some
 typical pictures I had to take two days ago:

 ISO 12,800, FA 24-90mm @ 35mm f/4, 1/13s:
 www.dariobonazza.com/public/K5_23830x.jpg
 As you can see, above shooting data were not enough for freezing action and
 getting the subject sharp. Hence, 3-4 extra stops would have come in handy
 (i.e. ISO 100,000). This way, I'm going to supply a 'creative blur' image.
 Last year, neither the K20D nor the K-7 were able to manage situations of
 this kind and sometimes I had to give up shooting. This year, the K-5 came
 to rescue.

 ISO 10,000, DA* 50-135mm @ 85mm f/3.2, 1/60s:
 www.dariobonazza.com/public/K5_23850x.jpg
 In this case, ISO 10,000 was on the verge of getting the required picture.
 Of course, a few extra stops would have allowed higher IQ.

 ISO 8,000, DA* 50-135mm @ 55mm f/3.2, 1/60s:
 www.dariobonazza.com/public/K5_23921x.jpg
 In this case, ISO 8,000 was again on the verge for the required picture, and
 I was able to get it only because I took them at the highest point of their
 jump. Having an extra margin would be welcome.

 I have to mention that flash was strictly forbidden.

 I understand not everybody is facing such challenges, but I do appreciate
 high ISO settings with good noise performance.

 Cheers,

 Dario


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Re: IstD BW modification

2011-09-13 Thread Fernando
This is the only place I remembered mentioning something like this. I
don't think they do pentaxes though:
http://www.maxmax.com/bw_conversion.htm



On Tue, Sep 13, 2011 at 6:22 PM, Gonz rgonzoma...@gmail.com wrote:
 Well, you still have to convert it to BW from the raw data.  The
 difference is that you take the values as they are, and per pixel, no
 array computation.

 On Tue, Sep 13, 2011 at 2:34 PM, David Parsons parsons.da...@gmail.com 
 wrote:
 I don't think that it would make the camera BW.  The circuitry in the
 camera/raw processor interpolates the luminance data into colors and
 assigns a color based on the strength of the light.  The color filters
 simply filter light.

 I'd be interested to see what the results would be if you can get it
 off.  You might end up with a sharper image if you take off both the
 Bayer array and the AA filter.  The Bayer array softens the image a
 bit, and the AA (anti-aliasing) filter gives some of the sharpness
 back.

 On Tue, Sep 13, 2011 at 3:22 PM, Gonz rgonzoma...@gmail.com wrote:
 Anyone here ever converted a Pentax DSLR into a straight BW, i.e.
 remove the tricolor filter?

 I was thinking of trying this with an old Pentax DSLR if it was possible.



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Re: GESO: Back to the moon

2011-09-13 Thread Fernando
I still prefer the original one you posted before (PESO: Harvest Moon)
I remember it showed nicer colours. From these new ones, probably the
first, but I'm not convinced about the location of the moon.

On Tue, Sep 13, 2011 at 8:42 PM, Stan Halpin
s...@stans-photography.info wrote:
 Thanks to Don and Christine for your comments on my Harvest Moon PESO, as 
 well as to the others who had previously looked and commented.
 I went back out to the same location last night. The conditions were about 
 the same, though I swear that the corn must have grown another 12 inches. 
 This time I drove, and could thus use my vehicle as a camera platform, giving 
 me some extra height.

 For the full saga and a few of the resulting images:
 http://smhalpin.posterous.com/back-to-the-moon

 stan
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Re: PESO - Healing Vibrations

2011-09-13 Thread Fernando
Very nice album cover, well balanced, he must be happy.

On Tue, Sep 13, 2011 at 8:12 PM, Paul Stenquist pnstenqu...@comcast.net wrote:
 I shot an album cover for my friend, Paul Miles, a well-regarded Detroit 
 bluesman: It's a large image. Click to make smaller.

 http://photo.net/photodb/photo?photo_id=14205591size=lg
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Re: PESO: Harvest Moon

2011-09-12 Thread Fernando
I like the moon one. I would look great printed big, I think.

It caught my attention, because I'm reading some stuff on colour
theory -to see if I can improve my colour photography- and the
yellow-orange of the moon contrasts well with the violet colour of the
sky -opposites in the colour wheel:
http://www.tigercolor.com/color-lab/color-theory/color-harmonies.htm

and the amount of colour on the yellow moon and the sky is somewhat
balanced as you have a lot of violet in the sky vs small amount in the
moon (Yellow = 9 / Orange = 8 vs Violet = 3)
http://www.framedreality.com/color-in-photography-color-theory

and that explains why my eyes go first to the moon, then down to the
crops in the bottom, and finish on the barn. It also has a nice
calming mood to it.

Anyways, what I meant to say is that I like it.


On Mon, Sep 12, 2011 at 12:17 AM, Stan Halpin
s...@stans-photography.info wrote:
 That undergrowth be mature corn. Over the which I was not tall enough to see.

 We (my neighbor and I) chose the site because of the barn. We wanted a long 
 view, over a field, something interesting (like the barn) mid-distance, with 
 the moon low in the sky. But we miscalculated a bit plus there was low-lying 
 haze on the horizon. The sun didn't set until well after the moon rose, by 
 the time the moon looked like a moon rather than a white blob, it was too 
 high in the sky to be able to make the barn a more prominent element. We'll 
 go back tomorrow, the sun sets a few minutes earlier, the moon rises 20 
 minutes later, and we have a better feel for the angles now.
 Back to the undergrowth/corn: I have many shots taken from a few feet to the 
 left, a point which allows me to look along the roadside edge of the corn 
 field. And some from a bit further back, higher on the crown of the road we 
 were on. I felt that this one that used the corn field as the foreground was 
 less cluttered and allowed the focus to be on the barn and moon.

 Thanks for looking Jack!

 stan


 On Sep 11, 2011, at 10:32 PM, Jack Davis wrote:

 Really well done exposure balance. If only the barn were somewhat more 
 prominent. The undergrowth gets in the way, but my guess is it's considered 
 needed to obstruct some unwanted feature(s).(?)

 Jack


 - Original Message -
 From: Stan Halpin s...@stans-photography.info
 To: Pentax-Discuss Mail List PDML@pdml.net
 Cc:
 Sent: Sunday, September 11, 2011 6:40 PM
 Subject: PESO: Harvest Moon

 From earlier this evening:  http://smhalpin.posterous.com/harvest-moon

 The previous two entries in the blog include a color and a BW version of an 
 egret. Comments on any or all are welcome.

 stan
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Re: PESO: Harvest Moon

2011-09-12 Thread Fernando
I would look great printed big should read It would look great printed big

-not that I wouldn't look good printed big though...

On Mon, Sep 12, 2011 at 11:35 AM, Fernando fer.p...@gmail.com wrote:
 I like the moon one. I would look great printed big, I think.

 It caught my attention, because I'm reading some stuff on colour
 theory -to see if I can improve my colour photography- and the
 yellow-orange of the moon contrasts well with the violet colour of the
 sky -opposites in the colour wheel:
 http://www.tigercolor.com/color-lab/color-theory/color-harmonies.htm

 and the amount of colour on the yellow moon and the sky is somewhat
 balanced as you have a lot of violet in the sky vs small amount in the
 moon (Yellow = 9 / Orange = 8 vs Violet = 3)
 http://www.framedreality.com/color-in-photography-color-theory

 and that explains why my eyes go first to the moon, then down to the
 crops in the bottom, and finish on the barn. It also has a nice
 calming mood to it.

 Anyways, what I meant to say is that I like it.


 On Mon, Sep 12, 2011 at 12:17 AM, Stan Halpin
 s...@stans-photography.info wrote:
 That undergrowth be mature corn. Over the which I was not tall enough to see.

 We (my neighbor and I) chose the site because of the barn. We wanted a long 
 view, over a field, something interesting (like the barn) mid-distance, with 
 the moon low in the sky. But we miscalculated a bit plus there was low-lying 
 haze on the horizon. The sun didn't set until well after the moon rose, by 
 the time the moon looked like a moon rather than a white blob, it was too 
 high in the sky to be able to make the barn a more prominent element. We'll 
 go back tomorrow, the sun sets a few minutes earlier, the moon rises 20 
 minutes later, and we have a better feel for the angles now.
 Back to the undergrowth/corn: I have many shots taken from a few feet to the 
 left, a point which allows me to look along the roadside edge of the corn 
 field. And some from a bit further back, higher on the crown of the road we 
 were on. I felt that this one that used the corn field as the foreground was 
 less cluttered and allowed the focus to be on the barn and moon.

 Thanks for looking Jack!

 stan


 On Sep 11, 2011, at 10:32 PM, Jack Davis wrote:

 Really well done exposure balance. If only the barn were somewhat more 
 prominent. The undergrowth gets in the way, but my guess is it's considered 
 needed to obstruct some unwanted feature(s).(?)

 Jack


 - Original Message -
 From: Stan Halpin s...@stans-photography.info
 To: Pentax-Discuss Mail List PDML@pdml.net
 Cc:
 Sent: Sunday, September 11, 2011 6:40 PM
 Subject: PESO: Harvest Moon

 From earlier this evening:  http://smhalpin.posterous.com/harvest-moon

 The previous two entries in the blog include a color and a BW version of 
 an egret. Comments on any or all are welcome.

 stan
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Re: PESO: Harvest Moon

2011-09-12 Thread Fernando
If you can pull-off that one, I agree, it would improve the shot -a
brighter bottom would feel more balanced methinks. I feel that trying
that in post might end up looking artificial though.

On Mon, Sep 12, 2011 at 11:55 AM, Stan Halpin
s...@stans-photography.info wrote:
 Thanks Fernando. I agree, I think you would look good printed big!

 Color theory is one of those topics that I can understand but fail to grasp 
 in any detail. Your description is useful.
 I could fiddle with postprocessing but what I would like to do is to 
 replicate this shot tonight with just a bit more sunset glow on the corn in 
 the foreground, but with the lighting/color about the same in the upper 
 portions. We'll see . . .

 stan

 On Sep 12, 2011, at 11:35 AM, Fernando wrote:

 I like the moon one. I would look great printed big, I think.

 It caught my attention, because I'm reading some stuff on colour
 theory -to see if I can improve my colour photography- and the
 yellow-orange of the moon contrasts well with the violet colour of the
 sky -opposites in the colour wheel:
 http://www.tigercolor.com/color-lab/color-theory/color-harmonies.htm

 and the amount of colour on the yellow moon and the sky is somewhat
 balanced as you have a lot of violet in the sky vs small amount in the
 moon (Yellow = 9 / Orange = 8 vs Violet = 3)
 http://www.framedreality.com/color-in-photography-color-theory

 and that explains why my eyes go first to the moon, then down to the
 crops in the bottom, and finish on the barn. It also has a nice
 calming mood to it.

 Anyways, what I meant to say is that I like it.


 On Mon, Sep 12, 2011 at 12:17 AM, Stan Halpin
 s...@stans-photography.info wrote:
 That undergrowth be mature corn. Over the which I was not tall enough to 
 see.

 We (my neighbor and I) chose the site because of the barn. We wanted a long 
 view, over a field, something interesting (like the barn) mid-distance, 
 with the moon low in the sky. But we miscalculated a bit plus there was 
 low-lying haze on the horizon. The sun didn't set until well after the moon 
 rose, by the time the moon looked like a moon rather than a white blob, it 
 was too high in the sky to be able to make the barn a more prominent 
 element. We'll go back tomorrow, the sun sets a few minutes earlier, the 
 moon rises 20 minutes later, and we have a better feel for the angles now.
 Back to the undergrowth/corn: I have many shots taken from a few feet to 
 the left, a point which allows me to look along the roadside edge of the 
 corn field. And some from a bit further back, higher on the crown of the 
 road we were on. I felt that this one that used the corn field as the 
 foreground was less cluttered and allowed the focus to be on the barn and 
 moon.

 Thanks for looking Jack!

 stan


 On Sep 11, 2011, at 10:32 PM, Jack Davis wrote:

 Really well done exposure balance. If only the barn were somewhat more 
 prominent. The undergrowth gets in the way, but my guess is it's 
 considered needed to obstruct some unwanted feature(s).(?)

 Jack


 - Original Message -
 From: Stan Halpin s...@stans-photography.info
 To: Pentax-Discuss Mail List PDML@pdml.net
 Cc:
 Sent: Sunday, September 11, 2011 6:40 PM
 Subject: PESO: Harvest Moon

 From earlier this evening:  http://smhalpin.posterous.com/harvest-moon

 The previous two entries in the blog include a color and a BW version of 
 an egret. Comments on any or all are welcome.

 stan
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Re: September PUG - Self Portrait Gallery is up

2011-09-09 Thread Fernando
me 2

On Fri, Sep 9, 2011 at 1:39 PM, Bob Sullivan rf.sulli...@gmail.com wrote:
 Can't connect.  All I get is BAD REQUEST
 Regards,  Bob S.

 On Fri, Sep 9, 2011 at 8:28 AM, Brian Walters supera1...@fastmail.fm wrote:
 G'day all

 The September PUG is now up and a top gallery it is too - everything
 from the conventional to the obscure and one or two mildly
 disturbing

 There are several excellent contributions to the Open Gallery as well.

 You'll find the gallery here (as usual):

 http://pug.komkon.org/

 (you may need to refresh your browser if you see the previous Gallery
 there)

 +

 Next up - Roads.

 Submit here:

 http://pug.komkon.org/submit/

 Submission Guidelines here:

 http://pug.komkon.org/general/autosubmit.html


 The main requirements are:

 * Max. pixel dimensions: 800 x 800 pixels
 * Max file size: 300k
 * Third party equipment is acceptable provided either the camera body or
 lens used is Pentax.

 Also - as not all browsers are colour space aware, if you embed a colour
 space in the image, it should be sRGB to ensure the image looks right on
 line.


 Cheers

 Brian

 ++
 Brian Walters
 Western Sydney Australia
 http://lyons-ryan.org/southernlight/
 --


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                          or over the web


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Re: September PUG - Self Portrait Gallery is up

2011-09-09 Thread Fernando
Hi Brian,

I'm getting the same error as Bob when I try at work (IE6 and IE8).
Works fine here at home (IE9)

On Fri, Sep 9, 2011 at 5:40 PM, Brian Walters supera1...@fastmail.fm wrote:
 Bob, Fernando.

 Are you (or anyone else) still having the connection problem?  If so,
 what browser(s) are you using?

 One of the differences with this gallery is that some of the images have
 spaces in the file names. I usually remove them because some browsers
 seem to have problems when there are spaces in the names, but I forgot
 this time. However, that shouldn't stop the main thumbnail page from
 loading.



 Cheers

 Brian

 ++
 Brian Walters
 Western Sydney Australia
 http://lyons-ryan.org/southernlight/



 On Friday, September 09, 2011 12:39 PM, Bob Sullivan
 rf.sulli...@gmail.com wrote:
 Can't connect.  All I get is BAD REQUEST
 Regards,  Bob S.

 On Fri, Sep 9, 2011 at 8:28 AM, Brian Walters supera1...@fastmail.fm
 wrote:
  G'day all
 
  The September PUG is now up and a top gallery it is too - everything
  from the conventional to the obscure and one or two mildly
  disturbing
 
  There are several excellent contributions to the Open Gallery as well.
 
  You'll find the gallery here (as usual):
 
  http://pug.komkon.org/
 
  (you may need to refresh your browser if you see the previous Gallery
  there)
 
  +
 
  Next up - Roads.
 
  Submit here:
 
  http://pug.komkon.org/submit/
 
  Submission Guidelines here:
 
  http://pug.komkon.org/general/autosubmit.html
 
 
  The main requirements are:
 
  * Max. pixel dimensions: 800 x 800 pixels
  * Max file size: 300k
  * Third party equipment is acceptable provided either the camera body or
  lens used is Pentax.
 
  Also - as not all browsers are colour space aware, if you embed a colour
  space in the image, it should be sRGB to ensure the image looks right on
  line.
 
 
  Cheers
 
  Brian
 
  ++
  Brian Walters
  Western Sydney Australia
  http://lyons-ryan.org/southernlight/
  --
 
 --


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Re: PESO - 'Joisey Shore'

2011-09-09 Thread Fernando
Beautiful. Congratulations on the award, well deserved.

On Fri, Sep 9, 2011 at 3:47 PM,  kwal...@peoplepc.com wrote:
 I might have posted this image before, but I post it now to show an image
 that was awarded second place in the color category at a recent local
 gallery show. Around 150 images were entered in B+W and color category.

 I specifically entered this show since it was being judged by Monte Nagler,
 a student of Ansel and a nationally know photographer.

 http://photo.net/photodb/photo?photo_id=14181152

 comments appreciated.

 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller

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Re: September PUG - Self Portrait Gallery is up

2011-09-09 Thread Fernando
Makes sense, I'm sure if try any browser here at home it'll work.

On Fri, Sep 9, 2011 at 10:46 PM, Mark Roberts m...@robertstech.com wrote:
 Fernando fer.p...@gmail.com wrote:

I'm getting the same error as Bob when I try at work (IE6 and IE8).
Works fine here at home (IE9)

 A Bad Request error doesn't sound like a browser problem.

 Works fine for me in IE 8, Firefox 4, Opera 11.


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Re: photo essay--punk hobos hippie squatters by m. brody

2011-09-04 Thread Fernando
Thanks for posting that Christine. \\


On Sat, Sep 3, 2011 at 2:56 PM, Christine Aguila christ...@caguila.com wrote:
 a series of intriguing photos--cheers, christine

 http://flavorwire.com/205957/captivating-photographs-of-punk-hobos-and-hippie-squaters
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Re: PESO - The Group Photo

2011-09-02 Thread Fernando
I like it a lot. Particularly all people lined up behind and his face
expression, like some sort of outcast.

PS: That K10D with its weak low pass filter is making your photos look
too sharp for Frank  ;-)

On Wed, Aug 31, 2011 at 1:43 PM, frank theriault
knarftheria...@gmail.com wrote:
 So my computer's had a major crash and I've been off-line since early
 last weekend.  Won't get into details, but everything seems to work
 ~except~ Mozilla, so I can still process photos.

 Until things get sorted out I'm relegated to using public computers at
 the library to go on-line.  So this morning I loaded a couple of
 photos onto a storage device - had to get that PUG submission in this
 month!  While I'm here, I thought I'd post this fun little PESO.
 They're lining up for a wedding photo (the bride hasn't shown up yet);
  I thought the guy on the bench (obviously not a member of the
 celebrating party) was a hoot:

 http://knarfinthecity.blogspot.com/2011/08/group-photo.html

 Hope you enjoy!

 Comments always welcome.

 cheers,
 frank

 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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The Stolen Scream

2011-09-01 Thread Fernando
I don't know if you saw this before:

http://thestolenscream.com/

Summary: guy posts photo of himself screaming in flickr and couple of
years later starts to find the picture in t-shirts, magazines, books,
and walls all around the world.

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Re: What lens would you like Pentax to make?

2011-08-31 Thread Fernando
How much would a DA* 200/4 macro come up to? My guess is in the
$2,000~$2,500 ~would that be right?

On Wed, Aug 31, 2011 at 7:19 AM, Matthew Hunt m...@pobox.com wrote:
 On Wed, Aug 31, 2011 at 7:10 AM, Eckehard Wegner
 overpenta...@googlemail.com wrote:

 I want some syrup filters to go with my pancake lenses.

 Oh, stop waffling.

 I'll concur with several others and put a 1.4x SDM teleconverter at
 the top of my list (for the DA* 300/4).

 I like the idea of a 200mm macro and longer super-telephotos. But
 realistically I don't know that I'd come up with the cash for either
 of these.

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Re: What lens would you like Pentax to make?

2011-08-30 Thread Fernando
That's good to know, haven't been online that much. I didn't spring
for it before because I felt that I can't buy online and need an
extended warranty -adding too much to the price (and here in Canada we
pay extra). My concern was that I heard that people that use SDM
sporadicaly have problems -and I wouldn't be using it that often- so
I've sticking to good'ol screwdrive  MF lenses.

On Tue, Aug 30, 2011 at 6:33 AM, Paul Stenquist pnstenqu...@comcast.net wrote:
 The current 166-50/2.8 is qite excellent. I haven't seen any complaints in a 
 long time. I'm quite sure any initial assembly problems have been resolved.
 Paul



 On Aug 29, 2011, at 11:19 PM, Fernando wrote:

 I've been shooting with a K24/2.8 for a full year, last year. I like
 the 35mm EFV, so I would like a Limited pancake DA24/4. I switched
 back to the DA21 this year because I was tired of guesstimating
 exposures -good exercise nonetheless.

 Other than that, the usual: bring back the *200/4 macro and I'll buy
 it even if I need to sell anything, and some fast glass would be nice,
 some 20/2, 30/1.4, or 35/1.4 those can be big, but sharp wide open. A
 mark II of the 16-50/2.8 would be nice as well.

 The current 166-50/2.8 is qite excellent. I haven't seen any complaints in a 
 long time. I'm quite sure any initial assembly problems have been resolved.
 Paul

 On Mon, Aug 29, 2011 at 3:03 PM, Mark Roberts m...@robertstech.com wrote:
 I just realized that it's been literally years (two or more) since I
 bought a pentax lens. The fact is, I have pretty much everything I
 need - the 50-135 and 60-250 are interesting, but not enough to make
 my break out my credit card (the FA*80-200/2.8 works fine for me).

 But one thing I *would* buy in a heartbeat would be a weather-sealed
 12-24 (or wider) ultrawide.


 --
 Mark Roberts - Photography  Multimedia
 www.robertstech.com





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Re: What lens would you like Pentax to make?

2011-08-29 Thread Fernando
I've been shooting with a K24/2.8 for a full year, last year. I like
the 35mm EFV, so I would like a Limited pancake DA24/4. I switched
back to the DA21 this year because I was tired of guesstimating
exposures -good exercise nonetheless.

Other than that, the usual: bring back the *200/4 macro and I'll buy
it even if I need to sell anything, and some fast glass would be nice,
some 20/2, 30/1.4, or 35/1.4 those can be big, but sharp wide open. A
mark II of the 16-50/2.8 would be nice as well.

On Mon, Aug 29, 2011 at 3:03 PM, Mark Roberts m...@robertstech.com wrote:
 I just realized that it's been literally years (two or more) since I
 bought a pentax lens. The fact is, I have pretty much everything I
 need - the 50-135 and 60-250 are interesting, but not enough to make
 my break out my credit card (the FA*80-200/2.8 works fine for me).

 But one thing I *would* buy in a heartbeat would be a weather-sealed
 12-24 (or wider) ultrawide.


 --
 Mark Roberts - Photography  Multimedia
 www.robertstech.com





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Re: PESO - Eggplant Salute

2011-08-26 Thread Fernando
Hi Paul,

I enjoyed this one, nice colours, the hat+bold person, pensive
expression -lost in thoughts-. Nice combination of elements.

On Mon, Aug 15, 2011 at 11:14 AM, Paul Stenquist
pnstenqu...@comcast.net wrote:
 http://photo.net/photodb/photo?photo_id=14020219size=lg

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Re: Query: What Pentax Camera Are You Using?

2011-08-24 Thread Fernando
what he said

On Wed, Aug 24, 2011 at 12:10 PM, P. J. Alling
webstertwenty...@gmail.com wrote:
 I'm still using the K20D simply because a K5 isn't in my budget right now.
  From all accounts the K5 is the camera to get if you don't need Nikon's
 flash controlling technology and you want simply the best image quality
 short of a medium format camera.

 On 8/24/2011 11:37 AM, eactiv...@aol.com wrote:

 I am intrigued with the new Pentax cameras, and  am thinking of switching
 back.

 I need to upgrade anyway. I have a Canon  Xsi that I better unload while I
 can still get some money for it. Lots of new  cameras out, all brands,
 since
 I last looked.

 If you are using a Pentax,  which camera are you using?




 Appreciate hearing. And  appreciate hearing any thoughts/feelings you have
 about it.

 Marnie aka  Doe :-)
 If you have a Canon, you might mention that too, which camera. But  not
 enough to be drummed off list. ;-)




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Re: Berlin

2011-08-24 Thread Fernando
I like both, nice work.

On Mon, Aug 22, 2011 at 6:05 PM, SV Hovland pdml...@heime.org wrote:
 I am back from Berlin. A lot more difficult this year to get pictures I am 
 reasonable pleased with. Here are two.

 http://album.heime.org/album/berlin/tiergarten_110819_105556.jpg


 http://album.heime.org/album/berlin/tiergarten_110821_140322.jpg

 I like the last one where adults seemingly has lost all interest in having 
 fun :-)




 Please note that there are now new rules for access to the Reichstag roof.

 http://reichstagberlin.com/
 https://www.bundestag.de/htdocs_e/visits/kupp.html
 https://www.bundestag.de/besuche/besucherdienst/index.jsp

 A request has to be sent at least three working days beforehand.

 Stig Vidar Hovland


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Re: PESO - Finally an American Goldfinch!

2011-08-22 Thread Fernando
Wow, beautiful colours, nice background and good crop.

On Mon, Aug 22, 2011 at 10:51 AM, frank theriault
knarftheria...@gmail.com wrote:
 I've been trying for over a year to get one of these little fellows,
 and yesterday is my best try yet.  Not quite as sharp as I might like
 (he moved his head just as I shot), I'm still pleased with this one.

 Their bodies are only about 2 to 3 inches, so with a 200mm I have to
 get quite close.  They seem to know just when I'm in my range, and
 wait just until I get my monopod planted to fly away.

 Anyway, here it is, taken yesterday down by Lake Ontario:

 http://knarfdummyblog.blogspot.com/2011/08/finally-american-goldfinch.html

 Hope you enjoy.  Comments welcome.

 cheers,
 frank


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Re: PESO - South Doublehead

2011-08-22 Thread Fernando
Navigating back the list, I really like this one, that small spot with
the house gives and incredible sense of scale, and the play of cloud
shadows and sunlight is beautiful

On Fri, Aug 12, 2011 at 9:53 PM, Rick Womer rwomer1...@yahoo.com wrote:
 The view from South Doublehead looking west, in New Hampshire's White 
 Mountains yesterday afternoon:

 http://photo.net/photodb/photo?photo_id=14003932size=lg

 (K7 and DA 16-45)

 If anyone is interested in what the summits are, let me know!

 Cheers,

 Rick

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Re: Street photography article

2011-08-22 Thread Fernando
Interesting read, thanks for posting Christine

On Mon, Aug 22, 2011 at 1:58 AM, Christine Aguila christ...@caguila.com wrote:
 FYI.  Cheers, Christine

 http://m.guardian.co.uk/artanddesign/2010/apr/18/street-photography-privacy-surveillance?cat=artanddesigntype=article

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Re: OT The Image, Deconstructed

2011-08-19 Thread Fernando
Thanks for posting this.

On Fri, Aug 19, 2011 at 1:59 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 An interesting blog that should appeal to many here ...

  http://www.imagedeconstructed.com/

 The Image, Deconstructed (TID) is a weekly blog that examines an image, or
 a theme, and attempts to deconstruct the mental approach behind it.

 TID is non-profit and volunteer-based. It's primary goal is to provide a
 collective insight to the psychology of photojournalism, and serves as a
 resource for a purposeful approach to photography.


 A good example is this one:
 http://imagedeconstructed.blogspot.com/2011/04/spotlight-on-amanda-lucier.html


 -bmw

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OFFLIST: Re: The Price of History Re: Archives only go back to April?

2011-08-10 Thread Fernando
Yea

 will send some Paypal

On Tue, Aug 9, 2011 at 2:08 PM, Doug Brewer d...@alphoto.com wrote:
 On 8/8/11 10:53 AM, Rick Womer wrote:

 Doug,

 Once upon a time, not so very long ago, I reccall there being two PDML
 archives, one of which went back into the 1990s.  Is the farther-back one
 now defunct?

 Rick

 Sorry I missed this, Rick. The mail-archive.com archive dates back to when I
 took over the list, during the Winter of 2000-2001.

 When we moved to the current host, in 2006, I didn't carry over a local
 archive, since we were pretty well established on mail-archive by then.
 There may be a little gap there around that time, due to propagation and
 merging issues, but it's pretty complete.

 This brings up something I'd like to ask The List about. When in April we
 had to move to another server, our hosting company realized we were
 occupying a largish amount of server real estate, and told me it would cost
 an extra ten bucks a month to continue to house the archives.

 At the time I told them to go ahead, but it's stayed in my mind, given that
 the mail-archive space gets far more traffic, so let's put it to a vote. Do
 we want to keep the local archive, or not? Let me know here or off-list.

 Now would also be a good time to chunk a couple bucks toward the PDML fund,
 if you'd like. It's certainly not required, but will help offset some of the
 costs.

 Also, I don't think anyone cares one way or the other, but yes, I'm still
 here. If you follow me on FB, you know I'm about to disappear into the
 time-sink that is grad school, but will continue to monitor.

 Carry on, then.

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Re: Few PESOs by Boris and Galia

2011-08-10 Thread Fernando
Very nice, I like 30-hill-of-galilee tight crop the most, 32 and 31 in
that order.

about 30-hill-of-galilee, I really like that curvy road embracing the
houses, the four layers (deserted foreground, tiny town, mountains and
sky) and the combination of colours: light brown, desat green and
light hazy blue, which makes a for very pleasing harmonious photo.

On Mon, Aug 8, 2011 at 12:58 PM, Boris Liberman bori...@gmail.com wrote:
 Hi!

 During that trip to Upper Galilee recently, one of the evenings we
 drove by the hills late afternoon and shot some landscapes. Also twice
 I woke up early and went on hunting for light. So here are the PESOs
 on these subjects:

 http://pentax-ways.blogspot.com/2011/08/peso-2011-30-hill-of-galilee.html
 (Galia and Boris)
 http://pentax-ways.blogspot.com/2011/08/peso-2011-31-sun-is-rising.html 
 (Boris)
 http://pentax-ways.blogspot.com/2011/08/peso-2011-32-hills-of-galilee.html
 (Boris)

 A little point about the first two images (the same village shot by
 Galia with K-7 and DA21 and Boris with K-7 and FA 20). No matter how I
 tried I couldn't bring the color balance to match. So they look
 somewhat different in this respect.

 Be brutal and honest, as usual.

 Thanks.


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Re: PESO - Kiss and make up

2011-08-10 Thread Fernando
Funny photo! Seems like she is almost slowly approaching the kiss with
regret ;-)

On Wed, Aug 10, 2011 at 8:59 PM, Paul Stenquist pnstenqu...@comcast.net wrote:
 http://photo.net/photodb/photo?photo_id=13978356size=lg

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Re: PESO - As Yet Untitled

2011-08-08 Thread Fernando
Awesome shot, I like the bright colours, the way you cut the frame
diagonally with the red cloth and the boy's face expression.

Back to lurking.

On Mon, Aug 8, 2011 at 7:47 AM, frank theriault
knarftheria...@gmail.com wrote:
 Taken at the bi-annual parade of our local Hindu temple:

 http://knarfdummyblog.blogspot.com/2011/08/as-yet-untitled.html

 Will have a GESO of this most colourful event in a day or two, but
 this one stood out for me.  Hope you like it too.  Comments always
 welcome.

 cheers,
 frank

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OT: Hugo - RIP

2011-07-26 Thread Fernando
Hi all,

I was reading some photography blog yesterday and found out that this
French photographer died in a car accident in Brazil 3 months ago. I
didn't personaly know him -nor ever contacted him via email- but I was
a silent follower of his photography via his flickr account.
I don't know for how long his website and flickr account will remain
up, so if you have a chance I encourage you to visit them:

http://www.flickr.com/photos/hughes_leglise/

Take a look at the BW:
http://www.flickr.com/photos/hughes_leglise/sets/1346258/

and his website:
http://leglise-bataille.photoshelter.com/

It's painful to see someone with so much talent go so early.

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Re: OT: Hugo - RIP

2011-07-26 Thread Fernando
I hope that myself being a non-native english speaker something was
lost in translation, but I have to ask, what is that supposed to mean?

On Tue, Jul 26, 2011 at 10:24 AM, P. J. Alling
webstertwenty...@gmail.com wrote:
 I've often listened to Modern compositions and thought to myself, a cat on
 a keyboard could have done better...

 On 7/26/2011 9:51 AM, Fernando wrote:

 Hi all,

 I was reading some photography blog yesterday and found out that this
 French photographer died in a car accident in Brazil 3 months ago. I
 didn't personaly know him -nor ever contacted him via email- but I was
 a silent follower of his photography via his flickr account.
 I don't know for how long his website and flickr account will remain
 up, so if you have a chance I encourage you to visit them:

 http://www.flickr.com/photos/hughes_leglise/

 Take a look at the BW:
 http://www.flickr.com/photos/hughes_leglise/sets/1346258/

 and his website:
 http://leglise-bataille.photoshelter.com/

 It's painful to see someone with so much talent go so early.



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Re: OT How do you pronounce your name?

2011-07-21 Thread Fernando
I'll delurk


te-rra-'zzi-no

'te' like in 'ten'
'rra' the 'rr' sound like in 'wrong', 'a' sound like in 'ash'
'zzi' i sound like in 'hit'
'no' 'o' sound like in 'on'

Italians usually get it right ;-)


'Fernando', like in the Abba song -I know most of you are old enough
to know that one.


On Wed, Jul 20, 2011 at 5:57 PM, Larry Colen l...@red4est.com wrote:
 We've got people from a wide range of cultures on this list, and there are a 
 lot of folks with names that I can only guess at the pronunciation.  Names 
 which may be common in one culture are pretty rare in Central California.

 I haven't heard much variation in the pronunciation of Larry, but the two 
 common mistakes are to misread Colen as Cohen, or to pronounce it the way 
 everyone but Colin Powell pronounces Colin.  It's pronounced like Cohen, but 
 with an L rather than an H:  Koe-len.


 --
 Larry Colen l...@red4est.com sent from i4est





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Re: MBOI Capture One Express Free

2011-07-13 Thread Fernando
Thanks!

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On Wed, Jul 13, 2011 at 6:21 PM, Eckehard Wegner
overpenta...@googlemail.com wrote:
 http://www.dphotographer.co.uk/captureone/
 Cheers
 Ecke

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Re: Scharpenberg Gallery photo returns home, saga ends happily

2011-07-06 Thread Fernando
Stepping out of my silence to thank Christine publicly -and Mark for
the print- it looks beautiful decorating my place -it was worth the
wait (including some extra strike delay thanks to our fine postal
service).

Bruce, my first thought was the same, the glass is awesome -specially
for matte photos.

Different topic, I made the mistake of starting a photography club at
work (I figured the whole exercise could sparkle some inspiration).

Anyone has some tips on running a photo club? never been in one -sorta
a lone wolf myself.

On Wed, Jul 6, 2011 at 1:16 PM, Christine Aguila christ...@caguila.com wrote:
 Most excellent.  Fernando emailed me yesterday to say his arrived as well.
 The glass is non-reflective glass--pretty cool stuff.

 I'm hoping the European ship-backs arrive soon.  I'm just sorry this all
 took so long.  I should have stepped in sooner--and I will next time--but
 next time, if there is a next time--we're going to get ship-back dates
 written into the contract!  Cheers, Christine



 - Original Message - From: Bruce Walker bruce.wal...@gmail.com
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Wednesday, July 06, 2011 12:03 PM
 Subject: Scharpenberg Gallery photo returns home, saga ends happily


 My photo [*] that was exhibited in the 2010 PDML Augenblick exhibit in the
 Scharpenberg gallery at DankHaus finally landed on my doorstep -- intact! --
 this morning, putting an end to a year and a bit saga.

 It's beautifully printed and framed. I really like the subtly matte glass
 over it, a type which I've never seen before. I'll have to find out where I
 can get some of that stuff.

 Big *huge* thanks go out to Saint Christine for arranging the exhibit in
 the first place then stepping in to help get my work shipped back when it
 appeared to be forever lost in some unhappy limbo.

 -bmw

 * http://blog.brucemwalker.com/2009/10/dusk.html

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 put 4 edges around some facts, you change those facts.
  -- Gary Winogrand

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PDML Annual, just placed my order

2011-04-24 Thread Fernando
Hi all,

Long time no write.

I just came from some short vacation (yes, yet again) and placed my
order, I can't wait to see all your photos.
My photography has been on hold -busy with work- nothing better than a
good photobook to bring up some needed inspiration.


Hope everyone is ok.



PS: Thanks Ken for your comment on my submission.





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Re: Prophoto RGB, gamma and other Qs

2010-09-29 Thread Fernando
Thanks Godfrey,  I went with the Eye One Display 2 based on your
advice -and with Bill Robb later confirmation as well.

Today I got a batch of prints done at my local Photo Lab
(http://www.pikto.ca/). It's close to my place and has profiles
available -I used their Frontier+Fuji Matte Paper.
I`m happy with the result, even viewing under tungsten light prints
match fairly well -had to play with some of the options in photoshop
soft proof menu though.

Finally no more darker prints: thanks to Mark's Monitor tips and the
i1 calibration recommended by Godfrey, now I have an affordable color
calibrated setup and I even successfully played with skin tones
(wouldn't dare before) -testing lightroom as well, found that nudging
the red and orange I get better skin tones (Hue Red +20, Lum Orange
+18 and Sat Red -9) still found Capture One pro skin tools more useful
though (using both tools on trial for now).

And speaking on Lightroom V3, that BW module is awesome -better than
anything I tried other than PS. I rescued a couple of shots with the
conversion tool in a couple of minutes:
http://farm5.static.flickr.com/4153/5038331062_20a86b9137_o.jpg
http://farm5.static.flickr.com/4104/5038332388_29f5a5e986_o.jpg
http://farm5.static.flickr.com/4128/5038332778_e1b587bdb6_o.jpg

But the best investment so far this year has been getting Bruce
Fraser's Real World Sharpening for $7, it's an old book and refers to
older versions of CS2 but still relevant
http://www.amazon.com/World-Image-Sharpening-Adobe-Photoshop/dp/0321449916/ref=ntt_at_ep_dpt_7

Later and hope everything is ok

Fernando



On Fri, Sep 24, 2010 at 7:19 PM, Godfrey DiGiorgi gdigio...@gmail.com wrote:
 For still photography work, a quality desktop LCD display should only
 require recalibration/profiling about every other month at most. I see
 less than 2% drift with the Apple Cinema Display 23 (2006 generation)
 in six months.

 The Eye One Display 2 is an excellent calibration/profiling system.
 It's what I've been using since 2004.


 On Fri, Sep 24, 2010 at 1:20 PM, Doug Franklin
 jehosep...@mindspring.com wrote:
 On 2010-09-24 10:02, Fernando wrote:


 + How often are you supposed to calibrate an LCD monitor. I don't know
 if it's relevant but I have this monitor and this calibration system:

 http://accessories.dell.com/sna/products/displays/productdetail.aspx?c=cal=ens=corpsku=320-7825
  - Dell 2209WA
 http://www.xrite.com/product_overview.aspx?ID=788 - X-rite i1 display 2

 I'm not familiar with that calibration system, but my Spyder3 wants me to
 recalibrate every month (30 days).


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Prophoto RGB, gamma and other Qs

2010-09-24 Thread Fernando
Hi all,

I'm walking my first steps into the overwhelming world of color
management. Any of the gurus can help me with a couple of questions?:

+ How often are you supposed to calibrate an LCD monitor. I don't know
if it's relevant but I have this monitor and this calibration system:
http://accessories.dell.com/sna/products/displays/productdetail.aspx?c=cal=ens=corpsku=320-7825
 - Dell 2209WA
http://www.xrite.com/product_overview.aspx?ID=788 - X-rite i1 display 2

+ If I want to use ProphotoRGB as my color space, I heard that this is
a gamma 1.8 color space (as opposed to AdobeRGB and sRGB that are
gamma 2.2). Does this mean that to use ProPhotoRGB I should calibrate
for gamma 1.8 instead of 2.2?

http://www.luminous-landscape.com/tutorials/prophoto-rgb.shtml

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Re: Prophoto RGB, gamma and other Qs

2010-09-24 Thread Fernando
Thanks Mark

On Fri, Sep 24, 2010 at 10:23 AM, Mark Roberts m...@robertstech.com wrote:
 Fernando wrote:

I'm walking my first steps into the overwhelming world of color
management. Any of the gurus can help me with a couple of questions?:

+ How often are you supposed to calibrate an LCD monitor.

 It depends on how critical/neurotic you are. LCD monitors are pretty
 stable and if you're not sending files out for extremely critical fine
 art printing I'd say once a month is fine.

+ If I want to use ProphotoRGB as my color space, I heard that this is
a gamma 1.8 color space (as opposed to AdobeRGB and sRGB that are
gamma 2.2). Does this mean that to use ProPhotoRGB I should calibrate
for gamma 1.8 instead of 2.2?

 Nope. If you're using color managed software like Photoshop the ICC
 profile for ProPhoto RGB will take care of the rendering.

 Calibrate and profile your monitor for 2.2 gamma and 6500K white
 point.

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Re: Ot: a play on words a day keeps the doctor away PUN warning , one photo reference

2010-09-08 Thread Fernando
This made my day, gave me a nice break from work...

Fernando

On Thu, Aug 26, 2010 at 12:34 PM, Ann Sanfedele ann...@nyc.rr.com wrote:
 These may have been seen by some -- I have a particularly good source for
 stuff like this
 Enjoy -

 ann


    A man's home is his castle, in a manor of speaking.
    Dijon  vu - the same mustard as before.
    Practice safe eating - always use condiments.
    Shotgun wedding - A case of wife or death.
    A man needs a mistress just to break the monogamy.
    A hangover is the wrath of grapes.
    Dancing cheek-to-cheek is really a form of floor play.
    Does the name Pavlov ring a bell?
    Condoms should be used on every conceivable occasion.
     Reading  while sunbathing makes you well red.
    When two egotists meet, it's an I for an I.
    A bicycle can't stand on its own because it is two tired.
    What's the definition of a will? (It's a dead give away.)
    Time flies like an arrow. Fruit flies like a banana.
    In democracy your vote counts. In feudalism your count votes.
    She was engaged to a boyfriend with a wooden leg but broke it off.
    A chicken crossing the road is poultry in motion.
    If you don't pay your exorcist, you get repossessed.
    With her marriage, she got a new name and a dress.
    The man who fell into an upholstery machine is fully recovered.
    You feel stuck with your debt if you can't budge it.
    Local Area Network in  Australia  - the LAN down under.
    Every calendar's days are numbered.
    A lot of money is tainted -  Taint yours and taint mine.
    A boiled egg in the morning is hard to beat.
    He had a photographic memory that was never developed.
    A midget fortune-teller who escapes from prison is a small medium at
 large.
    Once you've seen one shopping center, you've seen a mall.
    Bakers trade bread recipes on a knead-to-know basis.
    Santa's helpers are subordinate clauses.
    Acupuncture is a jab well done.





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Re: Not Suited for Work

2010-09-08 Thread Fernando
Hi Christine,

Just want to be part of the congratulatory crowd. Great shot, very
funny and well seen.


On Sun, Sep 5, 2010 at 12:51 PM, Christine  Aguila
cagu...@earthlink.net wrote:
 The wondrous things you see when you're young.  :-)  Enjoy!

 http://www.caguila.com/caguila/snap/content/IMGP1385_large.html

 Cheers, Christine

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Re: Enablement, Pentaxland vacation photos and other stuff

2010-07-25 Thread Fernando
Thanks Boris!!

Tokyo is asking for a second trip -I'm thinking in 5 or more years ;-)
 - this one was too short, and everyone keeps telling my that the best
of Japan is in Kyoto -and this one left me hungry for more :-P



On Sun, Jul 25, 2010 at 3:44 AM, Boris Liberman bori...@gmail.com wrote:
 Lovely series, Fernando (or should I call you The globe trotter?) ;-).

 Tokyo is firmly on the list of places which I would like to visit!

 Boris

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Re: Enablement, Pentaxland vacation photos and other stuff

2010-07-25 Thread Fernando
Thanks for the suggestion Rick, I should at least number them, would
love to hear which one you like. Some of them are fun, but I found
most of them forgettable...

On Sun, Jul 25, 2010 at 8:49 PM, Rick Womer rwomer1...@yahoo.com wrote:
 There are some great shots, especially in the Boracay set.  Unfortunately 
 they don't seem to have labels so I can't easily tell you what my favorites 
 are.

 Rick

 http://photo.net/photos/RickW


 --- On Thu, 7/22/10, Fernando fer.p...@gmail.com wrote:

 From: Fernando fer.p...@gmail.com
 Subject: Enablement, Pentaxland vacation photos and other stuff
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Thursday, July 22, 2010, 9:42 PM
 Hey all,

 After a year of asking for tripod advice I finally pulled
 the trigger.
 I got somewhat newer versions of the legs and head:
 Manfrotto 055XPROB
 and a Manfrotto 496RC2 head, but boy, what an upgrade from
 my $20
 elcheapo tripod, just the experience of having a tripod of
 my height
 is exhilarating ;-)
 Expect my photos to be sharp for a difference now...

 I'm already salivating after carbon fiber legs, some better
 heads and
 a pano thingy, but this combo is a quantum leap -or feels
 like that
 for now.

 I also fought my procrastination and processed my vacation
 photos; I
 don't feel I had much luck this time -no 2011 Pdml-book
 photo yet- but
 some funny pictures. In Boracay the best snorkeling
 experience ever,
 some interesting thunderstorms and other stuff. In Tokyo
 not so much,
 but I can blame jet lag for that -only 4 jetlagged days
 there.

 I kept it short -19 photos each album

 Boracay:
 slideshow: http://www.flickr.com/photos/ferand/sets/72157624548005050/show/
 or all of them together
 http://www.flickriver.com/photos/ferand/sets/72157624548005050/

 Tokyo
 slideshow: http://www.flickr.com/photos/ferand/sets/72157624423201883/show/
 or all of them together
 http://www.flickriver.com/photos/ferand/sets/72157624423201883/

 Changes in my work are keeping away from the list, but I
 check it now
 and them, hope everyone is fine.


 Later


 Fernando




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Re: Enablement, Pentaxland vacation photos and other stuff

2010-07-23 Thread Fernando
Just some hours in Manila, connecting the international flight with
the domestic, the rest of the time in Boracay.

Are you close to Manila?

On Thu, Jul 22, 2010 at 10:56 PM, Bong Manayon bongmana...@gmail.com wrote:
 Hey cool! You were here...

 Bong

 On Fri, Jul 23, 2010 at 9:42 AM, Fernando fer.p...@gmail.com wrote:
 Hey all,

 After a year of asking for tripod advice I finally pulled the trigger.
 I got somewhat newer versions of the legs and head: Manfrotto 055XPROB
 and a Manfrotto 496RC2 head, but boy, what an upgrade from my $20
 elcheapo tripod, just the experience of having a tripod of my height
 is exhilarating ;-)
 Expect my photos to be sharp for a difference now...

 I'm already salivating after carbon fiber legs, some better heads and
 a pano thingy, but this combo is a quantum leap -or feels like that
 for now.

 I also fought my procrastination and processed my vacation photos; I
 don't feel I had much luck this time -no 2011 Pdml-book photo yet- but
 some funny pictures. In Boracay the best snorkeling experience ever,
 some interesting thunderstorms and other stuff. In Tokyo not so much,
 but I can blame jet lag for that -only 4 jetlagged days there.

 I kept it short -19 photos each album

 Boracay:
 slideshow: http://www.flickr.com/photos/ferand/sets/72157624548005050/show/
 or all of them together
 http://www.flickriver.com/photos/ferand/sets/72157624548005050/

 Tokyo
 slideshow: http://www.flickr.com/photos/ferand/sets/72157624423201883/show/
 or all of them together
 http://www.flickriver.com/photos/ferand/sets/72157624423201883/

 Changes in my work are keeping away from the list, but I check it now
 and them, hope everyone is fine.


 Later


 Fernando




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Enablement, Pentaxland vacation photos and other stuff

2010-07-22 Thread Fernando
Hey all,

After a year of asking for tripod advice I finally pulled the trigger.
I got somewhat newer versions of the legs and head: Manfrotto 055XPROB
and a Manfrotto 496RC2 head, but boy, what an upgrade from my $20
elcheapo tripod, just the experience of having a tripod of my height
is exhilarating ;-)
Expect my photos to be sharp for a difference now...

I'm already salivating after carbon fiber legs, some better heads and
a pano thingy, but this combo is a quantum leap -or feels like that
for now.

I also fought my procrastination and processed my vacation photos; I
don't feel I had much luck this time -no 2011 Pdml-book photo yet- but
some funny pictures. In Boracay the best snorkeling experience ever,
some interesting thunderstorms and other stuff. In Tokyo not so much,
but I can blame jet lag for that -only 4 jetlagged days there.

I kept it short -19 photos each album

Boracay:
slideshow: http://www.flickr.com/photos/ferand/sets/72157624548005050/show/
or all of them together
http://www.flickriver.com/photos/ferand/sets/72157624548005050/

Tokyo
slideshow: http://www.flickr.com/photos/ferand/sets/72157624423201883/show/
or all of them together
http://www.flickriver.com/photos/ferand/sets/72157624423201883/

Changes in my work are keeping away from the list, but I check it now
and them, hope everyone is fine.


Later


Fernando




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Re: The State of The List

2010-06-14 Thread Fernando
Done

On Sat, Jun 12, 2010 at 6:34 PM, Paul Sorenson allarou...@earthlink.net wrote:
 So...how many of us can kick in 20USD and see how far it goes?

 -p

 On 6/12/2010 5:04 PM, Doug Brewer wrote:

 Paul Sorenson wrote:

 Doug -

 What kind of operating costs are we looking at?  There should be no
 reason that we can't all contribute either through a Donate button or
 directly to you in order to keep the costs off your back.

 At least until you get back on your feet and can foot the bill entirely
 by yourself again. * :-D ;-) :-) *

 -p

 I'll try to answer here.

 The cost for hosting runs $50/month, and I'm $200 in the red as of today,
 so basically just the hosting runs $600 annually. I re-upped the domain name
 last December for a couple of years, so it's good until Dec 2011.

 This has all come out of my pocket, with some donations earlier this year
 and a gift from the list four or five years ago, both of which were greatly
 appreciated. Again, it must be emphasized that I have been more than happy
 to do this, as well as the maintenance over the years.

 I've just added a donation button to the pdml.net site. It looks like
 shite right now, and I'm hoping to re-write the page to look better some
 time this weekend; keep in mind that I am single-parenting this week while
 Mrs. List Guy visits her grandmother in Colorado, so time is hard to come
 by.

 Thanks for your inquiries and whatnot, both on and off list.

 Doug



 No virus found in this incoming message.
 Checked by AVG - www.avg.com
 Version: 9.0.829 / Virus Database: 271.1.1/2932 - Release Date: 06/11/10
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Re: Sensor native color balance setting?

2010-06-06 Thread Fernando
Hi Larry,

This discussion might be of some use -it's based on the K10D but at
least describes the method to get -what I understand- is an answer to
your question:
http://forums.dpreview.com/forums/readflat.asp?forum=1036thread=22957362page=1

On Sun, Jun 6, 2010 at 2:50 AM, Larry Colen l...@red4est.com wrote:
 The problem with the histogram is that it shows the exposure of the jpeg, not 
 of the raw sensor.

 It seems to me that if you set the camera to the sensor's raw color balance, 
 then the jpeg and the raw file histograms would match.

 Anybody know what that setting would be?

 --
 Larry Colen l...@red4est.com sent from i4est





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Re: Rumour: The 31 Ltd has been discontinued (welcome the DA* 30mm f/1.4?)

2010-06-04 Thread Fernando
AFAIR it's always been like this, it took Henry's 3 months to get a
black 31 for me (3 years ago); sounds like this rumour is BS -and
would be a stupid move by Pentax to discontinue the finest lens in
their current line up.

On Fri, Jun 4, 2010 at 8:18 PM, Adam Maas a...@mawz.ca wrote:
 I normally deal with Downtown Camera,and rarely deal with Henry's
 anymore as I don't much lik the Superstore and the Outlet got moved to
 Mississauga.

 -Adam

 On Fri, Jun 4, 2010 at 7:59 PM, David J Brooks pentko...@gmail.com wrote:
 On Fri, Jun 4, 2010 at 7:19 PM, Adam Maas a...@mawz.ca wrote:
 The 77 and 43 are in stock at mine, but they don't have the 31 normally.

 -Adam

 I deal at Newmarket, but when i bought the 77 it only took a month to get it

 Dave

 On Fri, Jun 4, 2010 at 7:17 PM, David J Brooks pentko...@gmail.com wrote:
 I had to special order my 77 at my local crack dealer, and the others
 are also special order.

 Another reason i un subbed from PF

 Dave

 On Fri, Jun 4, 2010 at 1:14 PM, Miserere miser...@gmail.com wrote:
 Some guy just started a rumour on PentaxForums that the 31 Ltd has
 been discontinued based on the lack of stock at major store sites. He
 thinks this might herald the arrival of the fabled DA* 30mm f/1.4.

 http://www.pentaxforums.com/forums/pentax-news-rumors/103664-how-rumours-born-new-30mm-prime-lens-coming-soon.html

 I hope it doesn't come riding on a silver surfboard...

 Cheers,


  --M.

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    http://EnticingTheLight.com
    A Quest for Photographic Enlightenment

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GESO: This week in photos

2010-05-28 Thread Fernando
Hi all,

Nothing special, just a small set to celebrate that summer arrived in TO.

http://www.flickriver.com/photos/ferand/tags/WOMAY282010/

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Re: Artist Bios CVs from Exhibit

2010-05-24 Thread Fernando
fine with me

On Mon, May 24, 2010 at 11:45 AM, Christine  Aguila
cagu...@earthlink.net wrote:
 Hi Everyone:

 Are folks interested in reading the artist bios  cvs from the exhibit?  If
 so, Sue is willing to send me that information, and I could post it to the
 list--somehow.  Are there any photogs on the list who do not want their
 information posted?  We wouldn't post addresses etc, just the text from the
 bios and cvs.

 If you have objections to this idea, post to the list to let me know.
 If you have NO objections to this idea, post to the list to let me know.


 cheers, Christine


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Re: K20D tips and tricks

2010-05-20 Thread Fernando
That's neat. Thanks for sharing.

On Wed, May 19, 2010 at 11:29 PM, P. J. Alling
webstertwenty...@gmail.com wrote:
 I post this only because I don't remember reading this in the manual, and I
 know some people didn't know that the OK button worked as a dedicated ISO
 button, so this may help someone.

 Want to zero exposure compensation instantly?  Simple, press the
 compensation [+/-] button, and while holding it in press the green button.
  The compensation resets to 0.

 As I said it may be in the manual but I didn't remember reading it.

 Note:  This may not work with all versions of the firmware, I have no way of
 testing anything but the latest version I have, which is 1.04.

 --
 {\rtf1\ansi\ansicpg1252\deff0\deflang1033{\fonttbl{\f0\fnil\fcharset0
 Courier New;}}
 \viewkind4\uc1\pard\f0\fs20 I've just upgraded to Thunderbird 3.0 and the
 interface subtly weird.\par
 }


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Re: Leica M9

2010-05-20 Thread Fernando
One year someone bought a silver dinner service, used it over Christmas

That might explain that sign that I saw last year in Canadian Tire,
stating that Christmas ornaments can't be returned after Dec. 24...

On Thu, May 20, 2010 at 2:20 PM, Bob W p...@web-options.com wrote:
 [...]
 Sears, as you know has made it a practice on their Craftsman
 hand tools to replace items, no receipt, no questions asked,
 regardless of how the item was abused. Do we pay for that
 policy at the get go when purchasing a Craftsman hand tool?
 Yes we do.  But I, for one, like the idea that I can use a
 flat blade screwdriver for a crowbar and when it breaks I
 simply walk in and say 'it broke'. Salesman says 'Oh, OK go
 get another'. It's proven to be a successful policy, as far
 as I can tell.

 I used to work for Selfridges many years ago when they had a
 no-questions-asked returns policy, even for stuff that was clearly bought in
 a different shop, eg Marks  Spencer. One year someone bought a silver
 dinner service, used it over Christmas, then returned it for a full refund.
 People would also bring in shoes they'd obviously been wearing every day for
 a year, and get a full refund. Incredible really, but it seemed not to
 damage the shop's profits

 B


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Re: Pentax 645D apparently introduced in Canada

2010-05-18 Thread Fernando
That looks like the Henry's Camera Show. Damm it, I should've gone...

On Tue, May 18, 2010 at 3:56 PM, AlunFoto alunf...@gmail.com wrote:
 Youtube flick:
 http://www.youtube.com/watch?v=xd1V58LsKtcfeature=player_embedded

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Re: Chicago

2010-05-18 Thread Fernando
Regarding photography, these are my problems defining art exclusively
by intent:

+When I take a photo I always have the intention of creating an image,
the same goes when my grandmother takes a photo. Does this fact
declare as artists? If that intention is not good then what
intention/s define art? Art is defined by the intention of making art?

+An artist's father owns a company that cleans dead people's
apartments. Possessions that are not claimed -like photos, in most
cases family snapshots- are selected by the artist with the intention
of communicating the value of certain aesthetic. Most of these photos
where not created with the intention of creating art, they become art
by the view of the artist that is showing them. By this extreme
example you can say that any photo is potentially art, waiting to be
interpreted as that by an artist. Intent needs to exist before the
photo is created or can be found after its creation?

+What about Lartigue? He's the father of vernacular photography, lots
of these photos are the equivalent of today's snapshots, he just
happened to be wealthy enough to have access to technology that wasn't
easily available to the rest. I don't think that when John Szarkowski
found his work he pondered about intent.

+The same goes with the example of the NY Crime Scene photos that I
posted before.

On Tue, May 18, 2010 at 4:33 PM, eckinator eckina...@gmail.com wrote:
 2010/5/18 Tom C caka...@gmail.com:
 On Tue, May 18, 2010 at 2:55 PM, steve harley p...@paper-ape.com wrote:

 another problem with requiring intent is how does the viewer know about
 the intent ...

 is it always obvious? is any intent sufficient? must one meet or learn about
 the artist as well as experience the art? what if we perceive intent where
 there is none? what if we perceive no intent where there is some? what about
 art that deliberately manipulates the perception of intent?


 Well I have my simple answer to that.

 1. I can tell art even when it's art I don't like.  There's a ton of
 art that I do not like or that I actually detest, or I think 'why
 would anybody do that?', yet I will admit it is art.
 2. In my book if there is no intent or if the shown item (assuming
 we're limiting the discussion to things visible) displays no intent,
 then I'll conclude logically that there was no intent, so I don't
 define it as art.

 Put another way, if the maker of something deliberately produces
 something that is so incongruous or disharmonious, that ist's devoid
 of perceivable intent, then I have every right to view it in that way.
 I would likely view it as junk and not art.

 I would also venture to say that a random sampling of the general
 populace would view it the same way and that virtually the only ones
 that would view such a work as art, is the art theorists themselves.

 Really I've tried to see it from their point of view but I couldn't
 get my head up that far.

 Everyone of course is free to disagree.

 I couldn't agree more. My thoughts exactly.
 Cheers
 Ecke

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Re: Pentax 645D apparently introduced in Canada

2010-05-18 Thread Fernando
Is the least he can do given that with your purchases you probably put
his children through college...

On Tue, May 18, 2010 at 7:20 PM, William Robb war...@gmail.com wrote:

 - Original Message - From: AlunFoto
 Subject: Pentax 645D apparently introduced in Canada


 Youtube flick:
 http://www.youtube.com/watch?v=xd1V58LsKtcfeature=player_embedded


 My pusher is already working on getting me a demo camera to play with for a
 while.
 I have rather a love/hate relationship with him.

 William Robb

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Re: GESO - Yet another Chicago view

2010-05-18 Thread Fernando
Thanks Ann, I enjoyed that. I liked these ones the most:

+Megabus
+Red Line Station
+Storm at dusk
+The Boat Basin at Monroe

Sounds like you had a great time.

On Tue, May 18, 2010 at 4:07 PM, Ann Sanfedele ann...@nyc.rr.com wrote:


 http://annsan.smugmug.com/On-the-Road-or-On-Foot/Bus-Trip-to-Chicago-May-2010/12194964_YYtFD

 And getting there and comping back...

 I'm better at editing after waiting a year but these kinda tell the story -
 although on longer reflection I'm sure I'll dump some of these and
 replace with others..

 Have to get back to retrieving funds now I'm home.  IT always costs more
 than you think it is going to to go away but , boy, am I glad I did.

 Adding to the cheers of the crowd for the perps of the splendid event at
 Dankhaus  -- rah rah Mark, Christine, Sue, Doug et al...!

 ann





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Re: Chicago

2010-05-18 Thread Fernando
Hey, I know that trying to define art is an exercise in futility, but
I still can have fun refuting the arguments of the ones that are
trying to define it ;-)

On Tue, May 18, 2010 at 11:29 PM, frank theriault
knarftheria...@gmail.com wrote:
 On Tue, May 18, 2010 at 10:16 PM, Doug Franklin
 jehosep...@mindspring.com wrote:

 IMO, one cannot reasonably define art solely in terms of the artist, the
 work, or the intent of the artist, any more than one can reasonably define
 art solely in terms of the viewer/recipient/?.  Art is a collaboration
 between the artist, the work, and the viewer. Both humans must be
 engaged, though not necessarily satisfied, for the work to achieve the
 status of art.

 Let me interject this what is art? thread for a moment to let you
 all know that I'm going to go out just now to take a few photos.

 I don't give a rat's ass if anyone calls them art or not.

 Have a great day!

 ;-)

 cheers,
 frank




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Re: Leica M9

2010-05-17 Thread Fernando
Nothing exciting, I just wanted to share that.

Sounds pretty exciting to me...

On Mon, May 17, 2010 at 2:31 PM, William Robb war...@gmail.com wrote:
 I had the opportunity to play with one this morning.
 It and a little 35mm lens that reminded me somewhat of a Pentax Limited
 lens, except a lot nicer.
 My pusher, bless his heart, is going to try to get the company demo model
 for me so that I can have it to play with for a few days.
 Nothing exciting, I just wanted to share that.

 William Robb



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Re: Chicago

2010-05-17 Thread Fernando
Every time I hear about intent I remember this piece of Genius of
Photography and the NY police crime scene shots. There was no intent
of making art, but this can be considered art nonetheless.
http://www.youtube.com/watch?v=-I8KljdoZM0

On Mon, May 17, 2010 at 12:17 PM, P. J. Alling
webstertwenty...@gmail.com wrote:
 On 5/12/2010 10:09 AM, P N Stenquist wrote:

 On May 12, 2010, at 9:19 AM, William Robb wrote:


 - Original Message - From: paul stenquist
 Subject: Re: Chicago




 Invoking an emotional response is artistry in its highest form.

 When Tom and I were driving to the hotel on Thursday, a station wagon
 being driven in an erratic and dangerous manner invoked a fairly extreme
 emotional response from both of us.
 I hadn't thought of bad driving as being an art form before this
 moment.


 Well, it can be.

 I think this is as good a place for my comment in this discussion.  For it
 to actually be Art there has to be _describable_ intent on the part of the
 /Artist/.  That usually, but doesn't always, requires a certain level of
 craftsmanship.  So I guess intentional bad driving is Art, while
 unintentional bad driving isn't.  Extrapolate to the rest of the universe at
 your peril.



 William Robb

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Re: Cleaning Sensors

2010-05-16 Thread Fernando
I did 3 methods in the past -I kinda don't clean sensors anymore in
the new cameras because the come with a new coating that seems to
repel things from building up.

In this order when I have to clean a sensor I try:
1) Blowinng -with a blower, I use some cheap Giottos blower
2) A brush -I use this expensive Sensor Brush from VisibleDust but
there is a DIY version in
http://www.prime-junta.net/pont/How_to/a_Brush_Your_Sensor/a_Brush_Your_Sensor.html
3) Finally if everything else fails I do the wet method (AKA
Copperhill method) I got my stuff from www.copperhillimages.com but
there are some disposable ones called Sensor Swabs

I never brought it to a shop so I don't know what's reasonable.

PS: If you want to DIY and can't build up courage let me know if you
want me to help.

On Sun, May 16, 2010 at 8:03 AM, frank theriault
knarftheria...@gmail.com wrote:
 Or more specifically the sensor in my *istD.

 Is this a do-at-home project or something best left to professionals?

 If I can do it myself, how?

 If I take it to a shop, what's a reasonable price?

 Thanks!

 cheers,
 frank

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SDHC Card problem

2010-05-15 Thread Fernando
Hi list,

My wife's boss has this SDHC Lexar 16GB that can't be accessed. She
was using this in a video camera (not a pentax BTW) and the thing shut
off all of the sudden -battery died apparently. I tried to read it but
Windows would not even recognize that there is a card in the reader.

Did this ever happen to you? Any pointers on what to do?

PS: I use Sandisk SD exclusively, I guess this can happen with any
brand, this is more of a camera problem right?

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Re: PESO : skies and clouds

2010-05-14 Thread Fernando
Hi Dominique,

I like the plane lines one, for some reason I feel I would like it
better without the tree-top on the rigth-bottom corner.

On Fri, May 14, 2010 at 9:41 AM, Madame RD romd...@orange.fr wrote:
 one of my favourite subjects .. clouds over Paris are puffy and very white
 .. worth admiring from a bridge over the Seine..
 the last photo  was taken from my office and the others during a trip to
 Brittany from the hotel windows ..

 http://www.flickr.com/photos/la_meduse/4605933385/sizes/l/
 http://www.flickr.com/photos/la_meduse/4605932929/
 http://www.flickr.com/photos/la_meduse/4606546092/sizes/l/in/photostream/

 http://www.flickr.com/photos/la_meduse/4606546866/sizes/l/in/photostream/  I
 thought the plane lines added peps to the pictures.

 comments welcome of course ...

 dominique




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Re: What Makes a Good Photograph? Was: Chicago

2010-05-14 Thread Fernando
LOL oh sorry, lol

On Fri, May 14, 2010 at 10:52 AM, Daniel J. Matyola
danmaty...@gmail.com wrote:
 For the non-Americans, Shout is a brand of laundry detergent.  G

 Dan

 On Fri, May 14, 2010 at 10:49 AM, Bob Sullivan rf.sulli...@gmail.com wrote:
 WILSON MICHAEL,
 Why are you SHOUTING at us?
 Regards,  Bob S.

 On Fri, May 14, 2010 at 9:18 AM, WILSON MICHAEL m.9.wil...@ntlworld.com 
 wrote:
 On 14 May 2010 01:03, Miserere miser...@gmail.com wrote:
 On 13 May 2010 15:02, mike wilson m.9.wil...@ntlworld.com wrote:

 One man's charming is another's charmin.

 For the non-Americans: Charmin is a brand of toilet paper.

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Re: PESO from Chicago

2010-05-14 Thread Fernando
That's cool

On Thu, May 13, 2010 at 4:17 PM, Mark Roberts m...@robertstech.com wrote:
 I've got a gallery put together, but I won't have time to get it on
 line for a while. So here's a PESO...

 Say what you will about Eggleston, viewing his exhibit really does
 make you *think* about photography and what you do and don't like. And
 it may even give you new ideas. I found myself spotting
 Eggleston-ish color palettes all over the place after seeing the
 show.

 This one was taken in O'Hare airport while waiting for our flight
 home. In the terminal they have screens made of some sort of gauze
 material over the windows - they cut down the incoming light while
 still letting you see what's outside.

 http://www.robertstech.com/pages/fotoblog/7da01856.htm


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Re: For HCB fans

2010-05-14 Thread Fernando
Gracias Carlos ;-)

On Fri, May 14, 2010 at 3:41 AM, Carlos R carlos_r...@teleline.es wrote:
 http://www.elpais.com/articulo/cultura/Guerra/Civil/Cartier-Bresson/elpepicul/20100514elpepicul_1/Tes

 Carlos

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Re: Win some pentax glass

2010-05-14 Thread Fernando
I was going with that, but changed to 15, 31, 77 at the last minute...

On Fri, May 14, 2010 at 12:07 PM, Larry Colen l...@red4est.com wrote:
 On 5/13/2010 9:53 PM, Fernando wrote:

 Guess and explain what 3 limiteds Ned is taking to Hawaii and you can
 win some Pentax Glass:
 http://nedbunnell.blogspot.com/2010/05/whats-in-your-bag.html

 Thanks.

 I guessed the 21, 31 and 77.


 PS: I hope is not a Pentax-branded beer glass.



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Re: The evolution of a photographer

2010-05-13 Thread Fernando
My pre-search skills didn't work, I thought I was being original ;-(

My problem is that I don't know if I'm in the all I shoot is crap or
Dammit I suck...

On Thu, May 13, 2010 at 6:17 AM, AlunFoto alunf...@gmail.com wrote:
 2010/5/13 Fernando fer.p...@gmail.com:
 Some humor:
 http://www.f1point0.com/2010/04/19/the-evolution-of-a-photographer/

 It's been circulated before, iirc, but it's still just as good.

 Except it's a bit too close to home for comfort... :-)

 Jostein


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Definig good or bad photos around the viewer Was: What Makes a Good Photograph?

2010-05-13 Thread Fernando
I see lots of arguments here defining good or bad around the
viewer. This reminds me of this discussion I read some time ago,
it's a simple thought experiment that got me thinking about why I
shoot what I shoot.

The premise is simple:
Let's say you just emerged from a cave to find that everyone else was
gone. You're the last person on the planet.

None will ever follow.

You have every camera ever made at your disposal, as well as unlimited
lenses, film, batteries, paper, as well as crates all the world's
remaining Polaroid film. Whatever you would need to shoot whatever you
want for the rest of your life, without consideration of cost or
effort, would be at your disposal. (Your cave is also stocked with
food, water, clothes and all of that other stuff, so you won't need to
expend much time or effort on basic survival.)

Knowing that you will be the only one to ever, ever see your pictures,
would you still bother to make them?

Source: http://www.flickr.com/groups/onthestreet/discuss/72157611943044274/



On Thu, May 13, 2010 at 11:26 AM, John Sessoms jsessoms...@nc.rr.com wrote:
 Stick my two cents in here ... for whatever it's worth.

 I'm one of those who doesn't get Eggelston. To me his work looks like a
 compilation of discarded snapshots purchased from yard sales and flea
 markets.

 But it's a matter of taste. Some people appreciate it, some people don't.
 Same could be said about any photographer. Annie Liebowitz has her fans ...
 so do Tony Sweet and Ken Rockwell.

 For me, a good photograph evokes a response from the viewer - it could be
 an emotional response or an intellectual response, but it evokes SOMETHING
 from the viewer other than boredom.

 That's why it's so hard to define a good photograph, because what evokes a
 response from me might not evoke one from you. There seem to be some
 photographs that are universally acclaimed, some that are not.

 How do you catalog the characteristics of those universally acclaimed photos
 to define goodness? What minimum of those characteristics are required for a
 new work to automatically become a good photograph?

 I don't think anyone has yet found the surefire recipe.


 From: Tom C

 Hi Doug,  (take everything I say as not an argument, but more or less
 musing)

 I don't know the history of Eggleston or how/why he became famous.

 From the exhibit I saw, I suspect either some beatniks in a coffehouse

 somewhere or some art professors who talk vs. do, were looking for
 deeper meaning and stared at some photographs long enough until they
 thought that they'd found it.  Realizing he could achieve fame and/or
 money by doing more of the same he set out to deliver what the
 'intellectuals' wanted.

 The above may not be true, but it's the sense I get, because if I were
 to show a similar set of photographs, which would be quite easy to
 produce, I'd be uniformly chastized.

 If a person deliberately sets about shooting in what I'd call a
 'crappy snaphot style', is it good because it was deliberate as
 opposed to haphazard?  Or is it good because it reminds people of the
 way things were in years gone by and hence evokes an emotion?

 I called his photographs crappy because I found them largely devoid of
 any discernible style or intent, and I did not find them aesthetically
 pleasing.  I did not enjoy the majority of them individually nor did I
 see any cohesiveness as a group. If that was what he was shooting for,
 he achieved it.

  And what I'm trying to do, somewhat clumsily, is get you to articulate
  those
  reasons. What I'm trying to get at is that we all have our templates,
  as
  photographers, and sometimes to our detriment. How often do we take the
  lazy
  way out and just rely on the rule of thirds to compose a photo instead
  of
  taking the time to think about what composition really suits the
  subject
  matter best? The rule of thirds is not the only game in town, and the
  same
  can be said for any other compositional/sharpness/exposure/color habit
  we
  get into.

 Yes, I deliberately tried NOT to articulate the reasons why I would
 consider a photograph good, and leave it open to interpretation.   :-)
 Why? Because I KNOW, that sure as grass is green, if I elaborate on
 some specific criteria that someone will argue the opposite or the
 exception, and point out to me (as if I'm a total idiot) that I cannot
 be the sole arbiter of what makes a good photograph (and I can't).  So
 I did not fall into the trap.   :-)
 I do however agree with your statements above.  The formula for making
 a good photograph is wide and varied, and we can easily become trapped
 in our formulaic way of seeing and producing. That, in essence,
 probably becomes our style, but it's certainly good to keep an open
 mind and consider that our subject at the time could posiibly benefit
 from a different approach than our norm.

  The same can be said for how we view photographs. We like best those
  that
  are like what we shoot, as photographers. The 

Re: Definig good or bad photos around the viewer Was: What Makes a Good Photograph?

2010-05-13 Thread Fernando
My conclusion was the opposite ;-)

Basically this is the photo-existensial version of the
if-a-tree-falls-in-the-forest-and-no-one-is-there-to-hear-it-does-it-make-a-sound
question.

The reason why I answered 'yes' is because I realised that there are
shots that I make just for me -heck I have complete sets that I don't
believe in general no one else but me will like.

This doesn't mean I lack the skills to discern -with certain accuracy-
what shots might appeal to some crowds: all the shots I sent for the
PDML annual are the ones that I believe can stand on their own while
still being truthfull to the type of photograph I like the most.

This also goes with experimenting and working outside of my comfort
zone, even if this means failing -for the general public- 6,000 times
before I get a great shot.


On Thu, May 13, 2010 at 1:42 PM, Tom C caka...@gmail.com wrote:
 The simple answer is No.

 Images are a means of communication. If there's no one to communicate
 with, the image is useless.

 Now if I had repair the still that was in the cave, and I wanted to
 make sure that I remembered how I took it apart, so that I could
 reassemble it correctly, I'd take photos.  In that case I'd be
 essentially communicating with myself from the past.

 Tom C.

 On Thu, May 13, 2010 at 1:04 PM, Fernando fer.p...@gmail.com wrote:
 I see lots of arguments here defining good or bad around the
 viewer. This reminds me of this discussion I read some time ago,
 it's a simple thought experiment that got me thinking about why I
 shoot what I shoot.

 The premise is simple:
 Let's say you just emerged from a cave to find that everyone else was
 gone. You're the last person on the planet.

 None will ever follow.

 You have every camera ever made at your disposal, as well as unlimited
 lenses, film, batteries, paper, as well as crates all the world's
 remaining Polaroid film. Whatever you would need to shoot whatever you
 want for the rest of your life, without consideration of cost or
 effort, would be at your disposal. (Your cave is also stocked with
 food, water, clothes and all of that other stuff, so you won't need to
 expend much time or effort on basic survival.)

 Knowing that you will be the only one to ever, ever see your pictures,
 would you still bother to make them?

 Source: http://www.flickr.com/groups/onthestreet/discuss/72157611943044274/


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For the Weegee fans

2010-05-13 Thread Fernando
http://www.americansuburbx.com/2010/05/interview-famous-photographers-tell-how.html

I liked this Now the easiest kind of a job to cover is a murder,
because the stiff will be laying on the ground, [..] and he would be
good for at least two hours yikes...



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Re: A good photographer

2010-05-13 Thread Fernando
Thanks for that. This made me realise how little I know of HCB work, I
think I didn't recognize a single shot!

On Thu, May 13, 2010 at 2:33 PM,  p...@web-options.com wrote:
 Peter Galassi, chief curator of photography at New York's Museum of
 Modern Art, talks about Henri Cartier Bresson, the man whose camera left
 such an enduring mark.

 http://news.bbc.co.uk/1/hi/programmes/world_news_america/8679164.stm






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Re: PESO - After the Storm - Part III

2010-05-13 Thread Fernando
Another great shot. I like the position of the birds and the tones.

On Thu, May 13, 2010 at 11:09 PM, frank theriault
knarftheria...@gmail.com wrote:
 This will be the final one taken last Saturday morning, after Friday
 night's thunderstorm.  I had initially expected to put these together
 as a GESO, but things didn't work out that way.

 The winds were high, so the clouds and lighting were changing by the
 minute.  This is my favourite taken of Toronto's skyline that morning:

 http://knarfinthecity.blogspot.com/2010/05/after-storm-part-iii.html

 Hope you enjoy.  Comments always welcome.

 *istD, Sigma f3.5 50-200 manual focus zoom (at 200mm), Manfrotto monopod.

 cheers,
 frank

 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Win some pentax glass

2010-05-13 Thread Fernando
Guess and explain what 3 limiteds Ned is taking to Hawaii and you can
win some Pentax Glass:
http://nedbunnell.blogspot.com/2010/05/whats-in-your-bag.html

PS: I hope is not a Pentax-branded beer glass.

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Re: What Makes a Good Photograph? Was: Chicago

2010-05-12 Thread Fernando
I think the approach you guys are using to analyse this might be
flawed for some type of work, some photos need to be evaluated as part
of a whole, and even in an intended sequence (e.g. Robert Frank's The
Americans). These are the photos that evaluated individualy are
mundane but are elevated to a different level as part of a whole.

On Wed, May 12, 2010 at 9:45 AM, Tom C caka...@gmail.com wrote:
 On Wed, May 12, 2010 at 12:47 AM, Doug Brewer d...@alphoto.com wrote:

OK, if we're going to discuss this, first you have to define what exactly 
makes a good photograph, without saying a good photo is not this... or a 
good photo is not that...

Fire when ready.

 Thought about in my sleep. :-)

 I'll cop out with the following:

 We and I may be mixing up the terms art and good in this discussion...
 oh well...

 There can be be no single answer to the question because photographs
 are taken for a variety of reasons. Some photographs are intended as a
 form of artistic expression while others may be simply documentary.
 Some are documentary of an event, say a party, while others are taken
 for more mundane reasons.  I believe some photos are taken for
 practically no reason whatsoever - the person has a camera and
 therefore is using it (similar to what happens if you give a child a
 camera and they mostly, indiscriminately, start walking around
 actuating the shutter). (Like Eggleston, IMO, wink)

 There's at least two ways of defining good when it's applied to photography:

 1. Good because the image fulfills the requirements for which it was taken
 2. Good because the image possesses some attributes that make it stand
 out in a positive way

 Individually we all define good somewhat differently.

 It seems to me that invoking/or not an emotional response is not the
 whole thing either.  First, one viewer is different from the next, so
 will be impacted differently. Second, the viewer may have an emotional
 response to the image that has little to do with the merits of the
 image itself.

 Example 1: I love my baby, so a picture of my baby invokes an
 emotional response.
 Example 2: I remember the day JFK was shot, so when I see images of
 that traumatic event, it invokes an emotional response.

 In both examples above the subject matter alone is what may produce a
 response.  I would think that a snapshot baby picture or a hastily
 taken image documenting an event, likely does not qualify as art
 unless it invokes a response for reasons other than the subject matter
 itself.

 In the GESO I just posted of wide angle portraits.  Are they good or
 bad?  Are they art?  I didn't intend them to be art.  Nor would I ever
 submit that they are such. Yet, I took them with the sole purpose of
 invoking an emotional response (which from what I read is either
 amusement or horror). Are they good? IMO, yes, but only in that they
 invoked the response I was hoping for).  Are they good because they
 possess some other qualities, such as excellent composition, lighting,
 exposure control? No.

 In the end, I suppose, the only statements I can really make that are
 unassailable is I like that image or I think that's a good image.
 My thoughts and emotions are my own and require no validation. If
 someone disagrees, their opposite statements are just as valid.

 As I said, I think the PDML exhibit in Chicago was a far better
 collection of images than the Eggleston exhibit. That's my opinion.
 For instance I saw nothing artistic or good about the photographs of a
 pile of garbage or the black porcelain interior of an oven.

 It's probably easier to define a bad photograph as opposed to a good one.

 A bad photograph is one that a person sees once and never cares to
 look at again.

 Tom C.

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The evolution of a photographer

2010-05-12 Thread Fernando
Some humor:
http://www.f1point0.com/2010/04/19/the-evolution-of-a-photographer/

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Re: PESO: Pennington Barn II III

2010-05-11 Thread Fernando
In my humble and clueless opinion I feel the BW suits the subject
much better. I like it.

On Tue, May 11, 2010 at 12:37 PM, Jack Davis jdavi...@yahoo.com wrote:
 I recently posted a quicky of this barn, but conditions improved (the Earth 
 did some further tilting) and this AM I noticed the sun is now hitting its 
 front. Also, dying weeds are now more suited to the scene.
 I'd have allowed a bit more of the sky had it had more to offer.

 Comments warmly accepted!

 Jack

 Color..
 http://photolightimages.com/aspupload/detail.asp?ID=501

 BW..
 http://photolightimages.com/aspupload/detail.asp?ID=502

 K20, da55~...@55mm, f/11, 1/30, ISO 100, bean bag/SUV hood rest







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Re: PESO - After the Storm

2010-05-11 Thread Fernando
Stunning image Frank. Beautiful tones and composition.

Does the bike path make it close to where you are there? If so we
probably rollerblade there on sunny days -a rarity lately...

PS: I can see my place there in the background ;-)

On Tue, May 11, 2010 at 7:33 PM, frank theriault
knarftheria...@gmail.com wrote:
 Took this one Saturday morning.  I hoped to get together a GESO, but
 things got crazy on Saturday afternoon and I haven't been on the
 computer since.  So far this and Early Morning Run are the only two
 I've had a chance to render.

 Anyway, we had intense thunderstorms here in Toronto on Friday night.
 By Saturday morning the rain had stopped but Lake Ontario was still
 pretty pissed off about the whole thing.  I had no idea that our
 little Great Lake could produce the waves I saw that morning.  Not
 quite surfing material, but still, bigger than I expected.

 Hope you enjoy:

 http://knarfinthecity.blogspot.com/2010/05/after-storm.html

 This also gives locals an idea of how far I am from downtown now.

 Comments welcome.

 cheers,
 frank

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Re: GESO - Quality Human Hair

2010-05-11 Thread Fernando
I really liked 4, 7, 5, 9 the most -in that order-.

I wish I could have joined you guys -would love to see that exhibit. I
still remember my first time in the MOMA, looking at some classic
photos -not from Eggleston but from other american photographers- was
like the first I went to a concert, getting that thrill of
experiencing live music after wearing out the band's cd -and I feel
that, like some music, some of these shows are more enjoyable after
you worn out a couple of books until they grow into you.

On Sun, May 9, 2010 at 11:44 PM, Doug Brewer d...@alphoto.com wrote:
 Most of these will not survive a more serious cull, but right now they don't
 make me spew.

 All taken over the too little time I had for shooting in Chicago, just a
 random collection with no thought to flow or chronological order. Friday
 night is missing until I move them from the laptop to my working computer.

 Anyway:

 http://www.alphoto.com/images/chicago2010/

 enjoy

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