Re: PESO: A tree grows in Badlands.

2016-10-27 Thread Brian Walters
On Fri, Oct 28, 2016, at 12:54 PM, ann sanfedele wrote:
> Stan - You made the point much better than I did earlier - u write good
> :-)


+1 :-)>



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/

> 
> ann
> 
> 
> On 10/27/2016 9:10 PM, Stanley Halpin wrote:
> >> On Oct 25, 2016, at 10:31 AM, Ken Waller  wrote:
> >>
> >> Your involvement with stock photography changed your goal relative to most 
> >> of us on this list and retaining your captures maked sense. You were 
> >> shooting for reasons other than casual photography.
> >>
> >> I know that the vast majority of my photography up to about the last 20 
> >> years was to simply record things with a few real 'keepers' amongst the 
> >> rest.
> >>
> >> About 20 years ago I started to attempt to refine my photography and 
> >> produce 'wall hangers' so to speak and stop recording the more mundane 
> >> subjects out there.
> >>
> >> It was the collection of these 'keepers' that made me stop and weed out 
> >> most of the previous 20 plus years of my photography.
> >>
> >> With a much improved eye and careful editing I now have a few thousand 
> >> images I truly regard as 'keepers’.
> > I somewhat agree with you Ken. If one’s goal is to produce a select set of 
> > “wall hangers” that are worthy of one’s careful craftsmanship, then one 
> > shouldn’t waste time shooting what is obviously going to be a poor shot due 
> > to lighting issues, too much wind causing subject movement, intrusive 
> > elements in the composition, etc.
> >
> > But there are many other reasons for taking pictures. Dan and Brian talk 
> > about capturing memories of places (e.g., a poorly lit Grand Canyon.) For 
> > many people, it is about capturing memories of people and occasions (and 
> > places).
> >
> > I am in occasional contact with a few from my high school class. There was 
> > a recent reunion (which I could not attend.) My friend Ingrid afterwards 
> > walked to a landmark waterfall, her husband took a P&S or cellphone image 
> > of her on the path behind the falls. She posted it on Facebook, commented 
> > how happy she was to have been able to visit the place.  I have struggled 
> > with that waterfall. Lighting is poor in the gorge, too many people on the 
> > path, most of whom want that shot under the falls. It is possible but 
> > highly unpopular to set up a tripod on the narrow pathway.  It is possible 
> > to do a decent portrait but it takes care and luck. Someone commented on 
> > Ingrid’s photo, gushing about what a wonderful shot it was. It wasn’t 
> > wonderful. It was approaching pretty awful. Poor focus, camera movement, 
> > subject too small to be recognizable unless you knew who you were looking 
> > at. But for Ingrid and others, it was wonderful because it captured her in 
> > a moment in time, at a special place she is too seldom able to visit.
> >
> > stan
> >
> >>
> >> -Original Message-
> >>> From: ann sanfedele 
> >>> Subject: Re: PESO: A tree grows in Badlands.
> >>>
> >>> the black and whitenegatives are in numbered and dated looseleaf binders
> >>> and sometimes help me find key slides, as I shot both together.
> >>>
> >>>  From about 1980 on I was in a stock agency  I still am but don't give
> >>> them anything anymore.. so I kept careful notes and such.. but without
> >>> thetrip markers I could give them the wrong info.  Also, I over shot in
> >>> film.  I've only tossed the most greviously duplicate OTF or
> >>> unidentifiable shots..  Mine go back to 1965..
> >>>
> >>> The ones from the early days only take up a couple of drawers .. are
> >>> mostly nostalgia and frequently not that good... I'm guessing I have
> >>> well over 100,000 slides. 25,000 bw negs and drawers from prints, not
> >>> sure how many.  I have room for them, so they stay.  I'd never have been
> >>> able to do my new calendar without keeping the fillers. There are
> >>> precious memories among thosethat I wouldn't show to the list - more
> >>> important than the qualityof the images... gott'm in steel filing 
> >>> cabinets.
> >>>
> >>> But then I'm a keeper of things in general, a collector by nature as
> >>> those to Chez Ashley can testify. I hav

Re: PESO: A tree grows in Badlands.

2016-10-27 Thread ann sanfedele

Stan - You made the point much better than I did earlier - u write good :-)

ann


On 10/27/2016 9:10 PM, Stanley Halpin wrote:

On Oct 25, 2016, at 10:31 AM, Ken Waller  wrote:

Your involvement with stock photography changed your goal relative to most of 
us on this list and retaining your captures maked sense. You were shooting for 
reasons other than casual photography.

I know that the vast majority of my photography up to about the last 20 years 
was to simply record things with a few real 'keepers' amongst the rest.

About 20 years ago I started to attempt to refine my photography and produce 
'wall hangers' so to speak and stop recording the more mundane subjects out 
there.

It was the collection of these 'keepers' that made me stop and weed out most of 
the previous 20 plus years of my photography.

With a much improved eye and careful editing I now have a few thousand images I 
truly regard as 'keepers’.

I somewhat agree with you Ken. If one’s goal is to produce a select set of 
“wall hangers” that are worthy of one’s careful craftsmanship, then one 
shouldn’t waste time shooting what is obviously going to be a poor shot due to 
lighting issues, too much wind causing subject movement, intrusive elements in 
the composition, etc.

But there are many other reasons for taking pictures. Dan and Brian talk about 
capturing memories of places (e.g., a poorly lit Grand Canyon.) For many 
people, it is about capturing memories of people and occasions (and places).

I am in occasional contact with a few from my high school class. There was a recent 
reunion (which I could not attend.) My friend Ingrid afterwards walked to a 
landmark waterfall, her husband took a P&S or cellphone image of her on the 
path behind the falls. She posted it on Facebook, commented how happy she was to 
have been able to visit the place.  I have struggled with that waterfall. Lighting 
is poor in the gorge, too many people on the path, most of whom want that shot 
under the falls. It is possible but highly unpopular to set up a tripod on the 
narrow pathway.  It is possible to do a decent portrait but it takes care and luck. 
Someone commented on Ingrid’s photo, gushing about what a wonderful shot it was. It 
wasn’t wonderful. It was approaching pretty awful. Poor focus, camera movement, 
subject too small to be recognizable unless you knew who you were looking at. But 
for Ingrid and others, it was wonderful because it captured her in a moment in 
time, at a special place she is too seldom able to visit.

stan



-Original Message-

From: ann sanfedele 
Subject: Re: PESO: A tree grows in Badlands.

the black and whitenegatives are in numbered and dated looseleaf binders
and sometimes help me find key slides, as I shot both together.

 From about 1980 on I was in a stock agency  I still am but don't give
them anything anymore.. so I kept careful notes and such.. but without
thetrip markers I could give them the wrong info.  Also, I over shot in
film.  I've only tossed the most greviously duplicate OTF or
unidentifiable shots..  Mine go back to 1965..

The ones from the early days only take up a couple of drawers .. are
mostly nostalgia and frequently not that good... I'm guessing I have
well over 100,000 slides. 25,000 bw negs and drawers from prints, not
sure how many.  I have room for them, so they stay.  I'd never have been
able to do my new calendar without keeping the fillers. There are
precious memories among thosethat I wouldn't show to the list - more
important than the qualityof the images... gott'm in steel filing cabinets.

But then I'm a keeper of things in general, a collector by nature as
those to Chez Ashley can testify. I have a couple of years on you in
length of time shooting.. since there are many more years behind me than
in front of me, I see no reason to toss thingsthat are small and tidy...
I've mainly regrettedparting with some things more than keeping them.

Good morning gang..

ann


On 10/25/2016 12:19 AM, Ken Waller wrote:

Ann - I might have agreed with you a few years ago before I went
through approximately 35,000 edited slides I'd accmulated over 40+
years of photography. I discarded all but a thousand or so and wound
up wondering why I had ever kept them as I had seldom reviewed any for
many years.

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

----- Original Message - From: "ann sanfedele" 
Subject: Re: PESO: A tree grows in Badlands.



Ken - sometimes we take photos just to remember the moment..., when
you know you won't have another chance... the geometry is nice enough
here.

My solution in this situation in days of film was to slap on a red
filteron the camera with the bW film in it... Dan could do the same
in photo shop and

improve it quite a bit I think...

I hardly shot anything at that particular location it isn't a very
handsome spot.. but I do 

Re: PESO: A tree grows in Badlands.

2016-10-27 Thread Stanley Halpin

> On Oct 25, 2016, at 10:31 AM, Ken Waller  wrote:
> 
> Your involvement with stock photography changed your goal relative to most of 
> us on this list and retaining your captures maked sense. You were shooting 
> for reasons other than casual photography. 
> 
> I know that the vast majority of my photography up to about the last 20 years 
> was to simply record things with a few real 'keepers' amongst the rest.
> 
> About 20 years ago I started to attempt to refine my photography and produce 
> 'wall hangers' so to speak and stop recording the more mundane subjects out 
> there.
> 
> It was the collection of these 'keepers' that made me stop and weed out most 
> of the previous 20 plus years of my photography.
> 
> With a much improved eye and careful editing I now have a few thousand images 
> I truly regard as 'keepers’.

I somewhat agree with you Ken. If one’s goal is to produce a select set of 
“wall hangers” that are worthy of one’s careful craftsmanship, then one 
shouldn’t waste time shooting what is obviously going to be a poor shot due to 
lighting issues, too much wind causing subject movement, intrusive elements in 
the composition, etc.

But there are many other reasons for taking pictures. Dan and Brian talk about 
capturing memories of places (e.g., a poorly lit Grand Canyon.) For many 
people, it is about capturing memories of people and occasions (and places).

I am in occasional contact with a few from my high school class. There was a 
recent reunion (which I could not attend.) My friend Ingrid afterwards walked 
to a landmark waterfall, her husband took a P&S or cellphone image of her on 
the path behind the falls. She posted it on Facebook, commented how happy she 
was to have been able to visit the place.  I have struggled with that 
waterfall. Lighting is poor in the gorge, too many people on the path, most of 
whom want that shot under the falls. It is possible but highly unpopular to set 
up a tripod on the narrow pathway.  It is possible to do a decent portrait but 
it takes care and luck. Someone commented on Ingrid’s photo, gushing about what 
a wonderful shot it was. It wasn’t wonderful. It was approaching pretty awful. 
Poor focus, camera movement, subject too small to be recognizable unless you 
knew who you were looking at. But for Ingrid and others, it was wonderful 
because it captured her in a moment in time, at a special place she is too 
seldom able to visit.

stan

> 
> 
> -Original Message-
>> From: ann sanfedele 
>> Subject: Re: PESO: A tree grows in Badlands.
>> 
>> the black and whitenegatives are in numbered and dated looseleaf binders 
>> and sometimes help me find key slides, as I shot both together.
>> 
>> From about 1980 on I was in a stock agency  I still am but don't give 
>> them anything anymore.. so I kept careful notes and such.. but without 
>> thetrip markers I could give them the wrong info.  Also, I over shot in 
>> film.  I've only tossed the most greviously duplicate OTF or 
>> unidentifiable shots..  Mine go back to 1965..
>> 
>> The ones from the early days only take up a couple of drawers .. are 
>> mostly nostalgia and frequently not that good... I'm guessing I have 
>> well over 100,000 slides. 25,000 bw negs and drawers from prints, not 
>> sure how many.  I have room for them, so they stay.  I'd never have been 
>> able to do my new calendar without keeping the fillers. There are 
>> precious memories among thosethat I wouldn't show to the list - more 
>> important than the qualityof the images... gott'm in steel filing cabinets.
>> 
>> But then I'm a keeper of things in general, a collector by nature as 
>> those to Chez Ashley can testify. I have a couple of years on you in 
>> length of time shooting.. since there are many more years behind me than 
>> in front of me, I see no reason to toss thingsthat are small and tidy... 
>> I've mainly regrettedparting with some things more than keeping them.
>> 
>> Good morning gang..
>> 
>> ann
>> 
>> 
>> On 10/25/2016 12:19 AM, Ken Waller wrote:
>>> Ann - I might have agreed with you a few years ago before I went 
>>> through approximately 35,000 edited slides I'd accmulated over 40+ 
>>> years of photography. I discarded all but a thousand or so and wound 
>>> up wondering why I had ever kept them as I had seldom reviewed any for 
>>> many years.
>>> 
>>> Kenneth Waller
>>> http://www.pentaxphotogallery.com/kennethwaller
>>> 
>>> - Original Message - From: "ann sanfedele" 
>>> Subject: Re: PESO: A tree grows in Badlands.
>>> 

Re: PESO: A tree grows in Badlands.

2016-10-26 Thread Adam Montoya
Daniel,

 To order up rain, i'd suggest an old school super soaker brand squirt gun.


-Adam

On Wed, Oct 26, 2016 at 10:12 AM, Daniel J. Matyola 
wrote:

> On Tue, Oct 25, 2016 at 5:39 PM, ann sanfedele  wrote:
>
> > this scene would be so so differentif there had just been a rain and
> > the desert was abloom and the sun was low...
> >
>
> Any tips on how to order up some rain and conjure up Maui to lasso the sun
> and alter it path?
>
>
> Dan Matyola
> http://www.pentaxphotogallery.com/danieljmatyola
> --
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Re: PESO: A tree grows in Badlands.

2016-10-26 Thread ann sanfedele

too late, you already said you aren't going back...

ann


On 10/26/2016 12:12 PM, Daniel J. Matyola wrote:

On Tue, Oct 25, 2016 at 5:39 PM, ann sanfedele  wrote:


this scene would be so so differentif there had just been a rain and
the desert was abloom and the sun was low...


Any tips on how to order up some rain and conjure up Maui to lasso the sun
and alter it path?


Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola



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Re: A tree grows in Badlands.

2016-10-26 Thread Daniel J. Matyola
On Tue, Oct 25, 2016 at 2:25 PM, ann sanfedele  wrote:

> I think Dan himself would agree that it was unfortunate he was there at
> the time of day he was...


Yes, he would.  In other exposures around the same time that day, there was
not only harshness, but also some distortion of the colors as seen by the
eye.

OTOH, given that this type of weather and light persisted through most of
my visit to New Mexico, it was probably better to have the worst of the
overbearing light at the point I was taking this image, rather than at the
pueblos or other more significant sites (although the light was troublesome
there as well).  We stopped at the Rio Grande Gorge Bridge for only 20
minutes, in the middle of a 9 hour excursion that included Chimayo, the
town of Taos and the Taos Pueblo.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
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Re: PESO: A tree grows in Badlands.

2016-10-26 Thread Daniel J. Matyola
On Tue, Oct 25, 2016 at 5:39 PM, ann sanfedele  wrote:

> this scene would be so so differentif there had just been a rain and
> the desert was abloom and the sun was low...
>

Any tips on how to order up some rain and conjure up Maui to lasso the sun
and alter it path?


Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
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PDML Pentax-Discuss Mail List
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Re: PESO: A tree grows in Badlands.

2016-10-25 Thread ann sanfedele
My feeling is you should always shoot from your gut... the memories are 
important.. always better to over shoot, grab and go when that is your 
only opportunity... edit when you get home...  The thing I try to do is 
not share those things that are not up to being keepers in an artistic 
sense, unless there is some very specific story to be told and that 
capture is all that does it.   I don't always followthe advice I once 
read "show only your best work" but I try to,

and I think Ken does that always.

OTOH, we are showing otherphotogs our work sometimes only to see what 
can be suggested to improve an image.  with Dan's tree there is a lot 
about it that is good.. The placement of the tree in the frame, etc... 
but the ovehead light spoils it.. I think it would work well in BW... 
and still convey the starkness.


I have a different feeling about that landscape, though.. I love the 
high desert, and this scene would be so so differentif there had just 
been a rain and

the desert was abloom and the sun was low...

ann


On 10/25/2016 5:01 PM, Brian Walters wrote:

On Wed, Oct 26, 2016, at 07:26 AM, Daniel J. Matyola wrote:

On Mon, Oct 24, 2016 at 4:25 PM, Ken Waller  wrote:


Not to be elitist about this, but I wouldn't take this shot if the light
wasn't acceptable - I don't see a reason to capture the image when I know
it already has major faults built it - YMMV


I appreciate your thoughts Ken, and you are of course correct.

I took the image despite the fact that the light was less than ideal, for
several reasons.

1.  I act before I think.
2.  In a way, the harshness of the light conveys the feeling of the
parched
desert I saw better than an image taken during the golden hour.  It may
be
ugly and stark, but in a way so was the landscape, except for this
magnificent brave tree clinging on to like.
3.  I was recording the trip, and was not going to be able to return.


Exactly.  If I'd only taken photos in good light on my trip western USA
in 2013, I'd have come home with very little to remember the trip.  When
you're travelling as much as we were, you have to accept the conditions
you're given on arrival. We had awful light and high winds when we were
at the Grand Canyon, for example, but the chances of me ever returning
are slim (sadly!) so I fired away!



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/






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Re: PESO: A tree grows in Badlands.

2016-10-25 Thread Brian Walters
On Wed, Oct 26, 2016, at 07:26 AM, Daniel J. Matyola wrote:
> On Mon, Oct 24, 2016 at 4:25 PM, Ken Waller  wrote:
> 
> > Not to be elitist about this, but I wouldn't take this shot if the light
> > wasn't acceptable - I don't see a reason to capture the image when I know
> > it already has major faults built it - YMMV
> 
> 
> I appreciate your thoughts Ken, and you are of course correct.
> 
> I took the image despite the fact that the light was less than ideal, for
> several reasons.
> 
> 1.  I act before I think.
> 2.  In a way, the harshness of the light conveys the feeling of the
> parched
> desert I saw better than an image taken during the golden hour.  It may
> be
> ugly and stark, but in a way so was the landscape, except for this
> magnificent brave tree clinging on to like.
> 3.  I was recording the trip, and was not going to be able to return.


Exactly.  If I'd only taken photos in good light on my trip western USA
in 2013, I'd have come home with very little to remember the trip.  When
you're travelling as much as we were, you have to accept the conditions
you're given on arrival. We had awful light and high winds when we were
at the Grand Canyon, for example, but the chances of me ever returning
are slim (sadly!) so I fired away!



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/



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Re: PESO: A tree grows in Badlands.

2016-10-25 Thread Daniel J. Matyola
On Mon, Oct 24, 2016 at 4:25 PM, Ken Waller  wrote:

> Not to be elitist about this, but I wouldn't take this shot if the light
> wasn't acceptable - I don't see a reason to capture the image when I know
> it already has major faults built it - YMMV


I appreciate your thoughts Ken, and you are of course correct.

I took the image despite the fact that the light was less than ideal, for
several reasons.

1.  I act before I think.
2.  In a way, the harshness of the light conveys the feeling of the parched
desert I saw better than an image taken during the golden hour.  It may be
ugly and stark, but in a way so was the landscape, except for this
magnificent brave tree clinging on to like.
3.  I was recording the trip, and was not going to be able to return.


Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
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Re: PESO: A tree grows in Badlands.

2016-10-25 Thread ann sanfedele
stock photography was my excuse for shooting the merely scenic, cute 
animals and pretty flowers - as opposed to the statements I use to make or


aspired to make in the old days.   These days I only care about pretty 
scenes, cute animals and pretty flowers... :-)


ann


On 10/25/2016 10:31 AM, Ken Waller wrote:

Your involvement with stock photography changed your goal relative to most of 
us on this list and retaining your captures maked sense. You were shooting for 
reasons other than casual photography.

I know that the vast majority of my photography up to about the last 20 years 
was to simply record things with a few real 'keepers' amongst the rest.

About 20 years ago I started to attempt to refine my photography and produce 
'wall hangers' so to speak and stop recording the more mundane subjects out 
there.

It was the collection of these 'keepers' that made me stop and weed out most of 
the previous 20 plus years of my photography.

With a much improved eye and careful editing I now have a few thousand images I 
truly regard as 'keepers'.


-Original Message-

From: ann sanfedele 
Subject: Re: PESO: A tree grows in Badlands.

the black and whitenegatives are in numbered and dated looseleaf binders
and sometimes help me find key slides, as I shot both together.

 From about 1980 on I was in a stock agency  I still am but don't give
them anything anymore.. so I kept careful notes and such.. but without
thetrip markers I could give them the wrong info.  Also, I over shot in
film.  I've only tossed the most greviously duplicate OTF or
unidentifiable shots..  Mine go back to 1965..

The ones from the early days only take up a couple of drawers .. are
mostly nostalgia and frequently not that good... I'm guessing I have
well over 100,000 slides. 25,000 bw negs and drawers from prints, not
sure how many.  I have room for them, so they stay.  I'd never have been
able to do my new calendar without keeping the fillers. There are
precious memories among thosethat I wouldn't show to the list - more
important than the qualityof the images... gott'm in steel filing cabinets.

But then I'm a keeper of things in general, a collector by nature as
those to Chez Ashley can testify. I have a couple of years on you in
length of time shooting.. since there are many more years behind me than
in front of me, I see no reason to toss thingsthat are small and tidy...
I've mainly regrettedparting with some things more than keeping them.

Good morning gang..

ann


On 10/25/2016 12:19 AM, Ken Waller wrote:

Ann - I might have agreed with you a few years ago before I went
through approximately 35,000 edited slides I'd accmulated over 40+
years of photography. I discarded all but a thousand or so and wound
up wondering why I had ever kept them as I had seldom reviewed any for
many years.

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

----- Original Message - From: "ann sanfedele" 
Subject: Re: PESO: A tree grows in Badlands.



Ken - sometimes we take photos just to remember the moment..., when
you know you won't have another chance... the geometry is nice enough
here.

My solution in this situation in days of film was to slap on a red
filteron the camera with the bW film in it... Dan could do the same
in photo shop and

improve it quite a bit I think...

I hardly shot anything at that particular location it isn't a very
handsome spot.. but I do often use photos as trip markers...  I was
thinking of looking to

see if I met that tree back in the 80's... I know I drove over that
bridge in 2001.  scary bridge!acrophobia city.  When I was there two
dogs were having

a tussleand I mainly photo'ed them

ann


On 10/24/2016 4:25 PM, Ken Waller wrote:

I appreciate that as others have stated the light isn't wonderful,
but sometimes you have to work with what you have and live with
it.

Not to be elitist about this, but I wouldn't take this shot if the
light wasn't acceptable - I don't see a reason to capture the image
when I know it already has major faults built it - YMMV

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - From: "Malcolm Smith"

Subject: RE: PESO: A tree grows in Badlands.



Daniel J. Matyola wrote:

A shot from my recent trip to New Mexico:
http://photo.net/photodb/photo?photo_id=18302690&size=lg

+++

I like it. I appreciate that as others have stated the light isn't
wonderful, but sometimes you have to work with what you have and
live with
it.

I had a difference of opinion recently with a photographer with
letters
after his name for this medium; he was not adverse to changing (quite
dramatically) light or removing elements from the photo with
software. I'm
happy to use Lightroom to enhance the image and remove spots, but
otherwise
it stops b

Re: A tree grows in Badlands.

2016-10-25 Thread ann sanfedele
Ken and I agree...  in fact, that countryside is anything but bleak... I 
think Dan himself would agree that it was unfortunate he was there at 
the time of day he was...


ann

On 10/25/2016 10:17 AM, Ken Waller wrote:

That's true if you wanted to portray bleakness, but in this case it would be in 
opposition to the green - non bleak - tree. Bleakness would require a different 
subject IMO.


-Original Message-

From: Alan C 
Subject: Re: A tree grows in Badlands.

Don't you think what you call "bad light" actually enhances the bleakness of
the scene?

Alan C

-Original Message-
From: Ken Waller
Sent: Tuesday, October 25, 2016 6:19 AM
To: Pentax-Discuss Mail List
Subject: Re: PESO: A tree grows in Badlands.

Ann - I might have agreed with you a few years ago before I went through
approximately 35,000 edited slides I'd accmulated over 40+ years of
photography. I discarded all but a thousand or so and wound up wondering why
I had ever kept them as I had seldom reviewed any for many years.

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message -
From: "ann sanfedele" 
Subject: Re: PESO: A tree grows in Badlands.



Ken - sometimes we take photos just to remember the moment..., when you
know you won't have another chance... the geometry is nice enough here.

My solution in this situation in days of film was to slap on a red
filteron the camera with the bW film in it... Dan could do the same in
photo shop and

improve it quite a bit I think...

I hardly shot anything at that particular location it isn't a very
handsome spot.. but I do often use photos as trip markers...  I was
thinking of looking to

see if I met that tree back in the 80's... I know I drove over that bridge
in 2001.  scary bridge!acrophobia city.  When I was there two dogs were
having

a tussleand I mainly photo'ed them

ann


On 10/24/2016 4:25 PM, Ken Waller wrote:

I appreciate that as others have stated the light isn't wonderful, but
sometimes you have to work with what you have and live with
it.

Not to be elitist about this, but I wouldn't take this shot if the light
wasn't acceptable - I don't see a reason to capture the image when I know
it already has major faults built it - YMMV

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

----- Original Message - From: "Malcolm Smith"

Subject: RE: PESO: A tree grows in Badlands.



Daniel J. Matyola wrote:

A shot from my recent trip to New Mexico:
http://photo.net/photodb/photo?photo_id=18302690&size=lg

+++

I like it. I appreciate that as others have stated the light isn't
wonderful, but sometimes you have to work with what you have and live
with
it.

I had a difference of opinion recently with a photographer with letters
after his name for this medium; he was not adverse to changing (quite
dramatically) light or removing elements from the photo with software.
I'm
happy to use Lightroom to enhance the image and remove spots, but
otherwise
it stops being what you saw. I have no doubt an artist would simply
paint
what he wanted. I've looked at your image several times Dan, and I've
taken
many pictures which would benefit from a more dramatic sky. I still like
this as it stands.

Malcolm


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RE: PESO: A tree grows in Badlands.

2016-10-25 Thread Malcolm Smith
ann sanfedele wrote:

the black and whitenegatives are in numbered and dated looseleaf binders and
sometimes help me find key slides, as I shot both together.

 From about 1980 on I was in a stock agency  I still am but don't give them
anything anymore.. so I kept careful notes and such.. but without thetrip
markers I could give them the wrong info.  Also, I over shot in film.  I've
only tossed the most greviously duplicate OTF or unidentifiable shots..
Mine go back to 1965..

The ones from the early days only take up a couple of drawers .. are mostly
nostalgia and frequently not that good... I'm guessing I have well over
100,000 slides. 25,000 bw negs and drawers from prints, not sure how many.
I have room for them, so they stay.  I'd never have been able to do my new
calendar without keeping the fillers. There are precious memories among
thosethat I wouldn't show to the list - more important than the qualityof
the images... gott'm in steel filing cabinets.

But then I'm a keeper of things in general, a collector by nature as
those to Chez Ashley can testify. I have a couple of years on you in length
of time shooting.. since there are many more years behind me than in front
of me, I see no reason to toss thingsthat are small and tidy... 
I've mainly regrettedparting with some things more than keeping them.



Over the year, I've got all my slides into one place. This hasn't made
things better clutter wise, it's made things much worse. I had no idea which
slides were where, and it's going through things box by box to find (and
scan). I now wish I'd left them where they were and just got them out a box
at a time, but oh no, I did it this way. Well, I'm committed to seeing it
through now and I'm hoping I'll find some real gems to make this misery
worthwhile.

Malcolm  


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Re: PESO: A tree grows in Badlands.

2016-10-25 Thread Ken Waller
Your involvement with stock photography changed your goal relative to most of 
us on this list and retaining your captures maked sense. You were shooting for 
reasons other than casual photography. 

I know that the vast majority of my photography up to about the last 20 years 
was to simply record things with a few real 'keepers' amongst the rest.

About 20 years ago I started to attempt to refine my photography and produce 
'wall hangers' so to speak and stop recording the more mundane subjects out 
there.

It was the collection of these 'keepers' that made me stop and weed out most of 
the previous 20 plus years of my photography.

With a much improved eye and careful editing I now have a few thousand images I 
truly regard as 'keepers'.


-Original Message-
>From: ann sanfedele 
>Subject: Re: PESO: A tree grows in Badlands.
>
>the black and whitenegatives are in numbered and dated looseleaf binders 
>and sometimes help me find key slides, as I shot both together.
>
> From about 1980 on I was in a stock agency  I still am but don't give 
>them anything anymore.. so I kept careful notes and such.. but without 
>thetrip markers I could give them the wrong info.  Also, I over shot in 
>film.  I've only tossed the most greviously duplicate OTF or 
>unidentifiable shots..  Mine go back to 1965..
>
>The ones from the early days only take up a couple of drawers .. are 
>mostly nostalgia and frequently not that good... I'm guessing I have 
>well over 100,000 slides. 25,000 bw negs and drawers from prints, not 
>sure how many.  I have room for them, so they stay.  I'd never have been 
>able to do my new calendar without keeping the fillers. There are 
>precious memories among thosethat I wouldn't show to the list - more 
>important than the qualityof the images... gott'm in steel filing cabinets.
>
>But then I'm a keeper of things in general, a collector by nature as 
>those to Chez Ashley can testify. I have a couple of years on you in 
>length of time shooting.. since there are many more years behind me than 
>in front of me, I see no reason to toss thingsthat are small and tidy... 
>I've mainly regrettedparting with some things more than keeping them.
>
>Good morning gang..
>
>ann
>
>
>On 10/25/2016 12:19 AM, Ken Waller wrote:
>> Ann - I might have agreed with you a few years ago before I went 
>> through approximately 35,000 edited slides I'd accmulated over 40+ 
>> years of photography. I discarded all but a thousand or so and wound 
>> up wondering why I had ever kept them as I had seldom reviewed any for 
>> many years.
>>
>> Kenneth Waller
>> http://www.pentaxphotogallery.com/kennethwaller
>>
>> - Original Message - From: "ann sanfedele" 
>> Subject: Re: PESO: A tree grows in Badlands.
>>
>>
>>> Ken - sometimes we take photos just to remember the moment..., when 
>>> you know you won't have another chance... the geometry is nice enough 
>>> here.
>>>
>>> My solution in this situation in days of film was to slap on a red 
>>> filteron the camera with the bW film in it... Dan could do the same 
>>> in photo shop and
>>>
>>> improve it quite a bit I think...
>>>
>>> I hardly shot anything at that particular location it isn't a very 
>>> handsome spot.. but I do often use photos as trip markers...  I was 
>>> thinking of looking to
>>>
>>> see if I met that tree back in the 80's... I know I drove over that 
>>> bridge in 2001.  scary bridge!acrophobia city.  When I was there two 
>>> dogs were having
>>>
>>> a tussleand I mainly photo'ed them
>>>
>>> ann
>>>
>>>
>>> On 10/24/2016 4:25 PM, Ken Waller wrote:
>>>>> I appreciate that as others have stated the light isn't wonderful, 
>>>>> but sometimes you have to work with what you have and live with
>>>>> it.
>>>>
>>>> Not to be elitist about this, but I wouldn't take this shot if the 
>>>> light wasn't acceptable - I don't see a reason to capture the image 
>>>> when I know it already has major faults built it - YMMV
>>>>
>>>> Kenneth Waller
>>>> http://www.pentaxphotogallery.com/kennethwaller
>>>>
>>>> - Original Message - From: "Malcolm Smith" 
>>>> 
>>>> Subject: RE: PESO: A tree grows in Badlands.
>>>>
>>>>
>>>>> Daniel J. Matyola wrote:
>>>>>
>>>>> A shot fro

Re: A tree grows in Badlands.

2016-10-25 Thread Ken Waller
That's true if you wanted to portray bleakness, but in this case it would be in 
opposition to the green - non bleak - tree. Bleakness would require a different 
subject IMO.


-Original Message-
>From: Alan C 
>Subject: Re: A tree grows in Badlands.
>
>Don't you think what you call "bad light" actually enhances the bleakness of 
>the scene?
>
>Alan C
>
>-Original Message- 
>From: Ken Waller
>Sent: Tuesday, October 25, 2016 6:19 AM
>To: Pentax-Discuss Mail List
>Subject: Re: PESO: A tree grows in Badlands.
>
>Ann - I might have agreed with you a few years ago before I went through
>approximately 35,000 edited slides I'd accmulated over 40+ years of
>photography. I discarded all but a thousand or so and wound up wondering why
>I had ever kept them as I had seldom reviewed any for many years.
>
>Kenneth Waller
>http://www.pentaxphotogallery.com/kennethwaller
>
>- Original Message - 
>From: "ann sanfedele" 
>Subject: Re: PESO: A tree grows in Badlands.
>
>
>> Ken - sometimes we take photos just to remember the moment..., when you 
>> know you won't have another chance... the geometry is nice enough here.
>>
>> My solution in this situation in days of film was to slap on a red 
>> filteron the camera with the bW film in it... Dan could do the same in 
>> photo shop and
>>
>> improve it quite a bit I think...
>>
>> I hardly shot anything at that particular location it isn't a very 
>> handsome spot.. but I do often use photos as trip markers...  I was 
>> thinking of looking to
>>
>> see if I met that tree back in the 80's... I know I drove over that bridge 
>> in 2001.  scary bridge!acrophobia city.  When I was there two dogs were 
>> having
>>
>> a tussleand I mainly photo'ed them
>>
>> ann
>>
>>
>> On 10/24/2016 4:25 PM, Ken Waller wrote:
>>>> I appreciate that as others have stated the light isn't wonderful, but 
>>>> sometimes you have to work with what you have and live with
>>>> it.
>>>
>>> Not to be elitist about this, but I wouldn't take this shot if the light 
>>> wasn't acceptable - I don't see a reason to capture the image when I know 
>>> it already has major faults built it - YMMV
>>>
>>> Kenneth Waller
>>> http://www.pentaxphotogallery.com/kennethwaller
>>>
>>> - Original Message - From: "Malcolm Smith" 
>>> 
>>> Subject: RE: PESO: A tree grows in Badlands.
>>>
>>>
>>>> Daniel J. Matyola wrote:
>>>>
>>>> A shot from my recent trip to New Mexico:
>>>> http://photo.net/photodb/photo?photo_id=18302690&size=lg
>>>>
>>>> +++
>>>>
>>>> I like it. I appreciate that as others have stated the light isn't
>>>> wonderful, but sometimes you have to work with what you have and live 
>>>> with
>>>> it.
>>>>
>>>> I had a difference of opinion recently with a photographer with letters
>>>> after his name for this medium; he was not adverse to changing (quite
>>>> dramatically) light or removing elements from the photo with software. 
>>>> I'm
>>>> happy to use Lightroom to enhance the image and remove spots, but 
>>>> otherwise
>>>> it stops being what you saw. I have no doubt an artist would simply 
>>>> paint
>>>> what he wanted. I've looked at your image several times Dan, and I've 
>>>> taken
>>>> many pictures which would benefit from a more dramatic sky. I still like
>>>> this as it stands.
>>>>
>>>> Malcolm
>
>
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Re: PESO: A tree grows in Badlands.

2016-10-25 Thread ann sanfedele
the black and whitenegatives are in numbered and dated looseleaf binders 
and sometimes help me find key slides, as I shot both together.


From about 1980 on I was in a stock agency  I still am but don't give 
them anything anymore.. so I kept careful notes and such.. but without 
thetrip markers I could give them the wrong info.  Also, I over shot in 
film.  I've only tossed the most greviously duplicate OTF or 
unidentifiable shots..  Mine go back to 1965..


The ones from the early days only take up a couple of drawers .. are 
mostly nostalgia and frequently not that good... I'm guessing I have 
well over 100,000 slides. 25,000 bw negs and drawers from prints, not 
sure how many.  I have room for them, so they stay.  I'd never have been 
able to do my new calendar without keeping the fillers. There are 
precious memories among thosethat I wouldn't show to the list - more 
important than the qualityof the images... gott'm in steel filing cabinets.


But then I'm a keeper of things in general, a collector by nature as 
those to Chez Ashley can testify. I have a couple of years on you in 
length of time shooting.. since there are many more years behind me than 
in front of me, I see no reason to toss thingsthat are small and tidy... 
I've mainly regrettedparting with some things more than keeping them.


Good morning gang..

ann


On 10/25/2016 12:19 AM, Ken Waller wrote:
Ann - I might have agreed with you a few years ago before I went 
through approximately 35,000 edited slides I'd accmulated over 40+ 
years of photography. I discarded all but a thousand or so and wound 
up wondering why I had ever kept them as I had seldom reviewed any for 
many years.


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message ----- From: "ann sanfedele" 
Subject: Re: PESO: A tree grows in Badlands.


Ken - sometimes we take photos just to remember the moment..., when 
you know you won't have another chance... the geometry is nice enough 
here.


My solution in this situation in days of film was to slap on a red 
filteron the camera with the bW film in it... Dan could do the same 
in photo shop and


improve it quite a bit I think...

I hardly shot anything at that particular location it isn't a very 
handsome spot.. but I do often use photos as trip markers...  I was 
thinking of looking to


see if I met that tree back in the 80's... I know I drove over that 
bridge in 2001.  scary bridge!acrophobia city.  When I was there two 
dogs were having


a tussleand I mainly photo'ed them

ann


On 10/24/2016 4:25 PM, Ken Waller wrote:
I appreciate that as others have stated the light isn't wonderful, 
but sometimes you have to work with what you have and live with

it.


Not to be elitist about this, but I wouldn't take this shot if the 
light wasn't acceptable - I don't see a reason to capture the image 
when I know it already has major faults built it - YMMV


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

----- Original Message - From: "Malcolm Smith" 


Subject: RE: PESO: A tree grows in Badlands.



Daniel J. Matyola wrote:

A shot from my recent trip to New Mexico:
http://photo.net/photodb/photo?photo_id=18302690&size=lg

+++

I like it. I appreciate that as others have stated the light isn't
wonderful, but sometimes you have to work with what you have and 
live with

it.

I had a difference of opinion recently with a photographer with 
letters

after his name for this medium; he was not adverse to changing (quite
dramatically) light or removing elements from the photo with 
software. I'm
happy to use Lightroom to enhance the image and remove spots, but 
otherwise
it stops being what you saw. I have no doubt an artist would simply 
paint
what he wanted. I've looked at your image several times Dan, and 
I've taken
many pictures which would benefit from a more dramatic sky. I still 
like

this as it stands.

Malcolm






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Re: A tree grows in Badlands.

2016-10-25 Thread Jack Davis
A personal choice IOW.

J

Sent from my iPhone

> On Oct 24, 2016, at 11:23 PM, Alan C  wrote:
> 
> Don't you think what you call "bad light" actually enhances the bleakness of 
> the scene?
> 
> Alan C
> 
> -Original Message- From: Ken Waller
> Sent: Tuesday, October 25, 2016 6:19 AM
> To: Pentax-Discuss Mail List
> Subject: Re: PESO: A tree grows in Badlands.
> 
> Ann - I might have agreed with you a few years ago before I went through
> approximately 35,000 edited slides I'd accmulated over 40+ years of
> photography. I discarded all but a thousand or so and wound up wondering why
> I had ever kept them as I had seldom reviewed any for many years.
> 
> Kenneth Waller
> http://www.pentaxphotogallery.com/kennethwaller
> 
> ----- Original Message - From: "ann sanfedele" 
> Subject: Re: PESO: A tree grows in Badlands.
> 
> 
>> Ken - sometimes we take photos just to remember the moment..., when you know 
>> you won't have another chance... the geometry is nice enough here.
>> 
>> My solution in this situation in days of film was to slap on a red filteron 
>> the camera with the bW film in it... Dan could do the same in photo shop and
>> 
>> improve it quite a bit I think...
>> 
>> I hardly shot anything at that particular location it isn't a very handsome 
>> spot.. but I do often use photos as trip markers...  I was thinking of 
>> looking to
>> 
>> see if I met that tree back in the 80's... I know I drove over that bridge 
>> in 2001.  scary bridge!acrophobia city.  When I was there two dogs were 
>> having
>> 
>> a tussleand I mainly photo'ed them
>> 
>> ann
>> 
>> 
>> On 10/24/2016 4:25 PM, Ken Waller wrote:
>>>> I appreciate that as others have stated the light isn't wonderful, but 
>>>> sometimes you have to work with what you have and live with
>>>> it.
>>> 
>>> Not to be elitist about this, but I wouldn't take this shot if the light 
>>> wasn't acceptable - I don't see a reason to capture the image when I know 
>>> it already has major faults built it - YMMV
>>> 
>>> Kenneth Waller
>>> http://www.pentaxphotogallery.com/kennethwaller
>>> 
>>> - Original Message - From: "Malcolm Smith" 
>>> Subject: RE: PESO: A tree grows in Badlands.
>>> 
>>> 
>>>> Daniel J. Matyola wrote:
>>>> 
>>>> A shot from my recent trip to New Mexico:
>>>> http://photo.net/photodb/photo?photo_id=18302690&size=lg
>>>> 
>>>> +++
>>>> 
>>>> I like it. I appreciate that as others have stated the light isn't
>>>> wonderful, but sometimes you have to work with what you have and live with
>>>> it.
>>>> 
>>>> I had a difference of opinion recently with a photographer with letters
>>>> after his name for this medium; he was not adverse to changing (quite
>>>> dramatically) light or removing elements from the photo with software. I'm
>>>> happy to use Lightroom to enhance the image and remove spots, but otherwise
>>>> it stops being what you saw. I have no doubt an artist would simply paint
>>>> what he wanted. I've looked at your image several times Dan, and I've taken
>>>> many pictures which would benefit from a more dramatic sky. I still like
>>>> this as it stands.
>>>> 
>>>> Malcolm
> 
> 
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Re: A tree grows in Badlands.

2016-10-24 Thread Alan C
Don't you think what you call "bad light" actually enhances the bleakness of 
the scene?


Alan C

-Original Message- 
From: Ken Waller

Sent: Tuesday, October 25, 2016 6:19 AM
To: Pentax-Discuss Mail List
Subject: Re: PESO: A tree grows in Badlands.

Ann - I might have agreed with you a few years ago before I went through
approximately 35,000 edited slides I'd accmulated over 40+ years of
photography. I discarded all but a thousand or so and wound up wondering why
I had ever kept them as I had seldom reviewed any for many years.

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: "ann sanfedele" 

Subject: Re: PESO: A tree grows in Badlands.


Ken - sometimes we take photos just to remember the moment..., when you 
know you won't have another chance... the geometry is nice enough here.


My solution in this situation in days of film was to slap on a red 
filteron the camera with the bW film in it... Dan could do the same in 
photo shop and


improve it quite a bit I think...

I hardly shot anything at that particular location it isn't a very 
handsome spot.. but I do often use photos as trip markers...  I was 
thinking of looking to


see if I met that tree back in the 80's... I know I drove over that bridge 
in 2001.  scary bridge!acrophobia city.  When I was there two dogs were 
having


a tussleand I mainly photo'ed them

ann


On 10/24/2016 4:25 PM, Ken Waller wrote:
I appreciate that as others have stated the light isn't wonderful, but 
sometimes you have to work with what you have and live with

it.


Not to be elitist about this, but I wouldn't take this shot if the light 
wasn't acceptable - I don't see a reason to capture the image when I know 
it already has major faults built it - YMMV


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

----- Original Message - From: "Malcolm Smith" 


Subject: RE: PESO: A tree grows in Badlands.



Daniel J. Matyola wrote:

A shot from my recent trip to New Mexico:
http://photo.net/photodb/photo?photo_id=18302690&size=lg

+++

I like it. I appreciate that as others have stated the light isn't
wonderful, but sometimes you have to work with what you have and live 
with

it.

I had a difference of opinion recently with a photographer with letters
after his name for this medium; he was not adverse to changing (quite
dramatically) light or removing elements from the photo with software. 
I'm
happy to use Lightroom to enhance the image and remove spots, but 
otherwise
it stops being what you saw. I have no doubt an artist would simply 
paint
what he wanted. I've looked at your image several times Dan, and I've 
taken

many pictures which would benefit from a more dramatic sky. I still like
this as it stands.

Malcolm



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Re: PESO: A tree grows in Badlands.

2016-10-24 Thread Ken Waller
Ann - I might have agreed with you a few years ago before I went through 
approximately 35,000 edited slides I'd accmulated over 40+ years of 
photography. I discarded all but a thousand or so and wound up wondering why 
I had ever kept them as I had seldom reviewed any for many years.


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: "ann sanfedele" 

Subject: Re: PESO: A tree grows in Badlands.


Ken - sometimes we take photos just to remember the moment..., when you 
know you won't have another chance... the geometry is nice enough here.


My solution in this situation in days of film was to slap on a red 
filteron the camera with the bW film in it... Dan could do the same in 
photo shop and


improve it quite a bit I think...

I hardly shot anything at that particular location it isn't a very 
handsome spot.. but I do often use photos as trip markers...  I was 
thinking of looking to


see if I met that tree back in the 80's... I know I drove over that bridge 
in 2001.  scary bridge!acrophobia city.  When I was there two dogs were 
having


a tussleand I mainly photo'ed them

ann


On 10/24/2016 4:25 PM, Ken Waller wrote:
I appreciate that as others have stated the light isn't wonderful, but 
sometimes you have to work with what you have and live with

it.


Not to be elitist about this, but I wouldn't take this shot if the light 
wasn't acceptable - I don't see a reason to capture the image when I know 
it already has major faults built it - YMMV


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message ----- From: "Malcolm Smith" 


Subject: RE: PESO: A tree grows in Badlands.



Daniel J. Matyola wrote:

A shot from my recent trip to New Mexico:
http://photo.net/photodb/photo?photo_id=18302690&size=lg

+++

I like it. I appreciate that as others have stated the light isn't
wonderful, but sometimes you have to work with what you have and live 
with

it.

I had a difference of opinion recently with a photographer with letters
after his name for this medium; he was not adverse to changing (quite
dramatically) light or removing elements from the photo with software. 
I'm
happy to use Lightroom to enhance the image and remove spots, but 
otherwise
it stops being what you saw. I have no doubt an artist would simply 
paint
what he wanted. I've looked at your image several times Dan, and I've 
taken

many pictures which would benefit from a more dramatic sky. I still like
this as it stands.

Malcolm



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Re: PESO: A tree grows in Badlands.

2016-10-24 Thread ann sanfedele
I think I got it right -- but given its location I bet I could confirm 
it getting in touch with a local naturalist... I'll try with some phone 
calls at some point


Meanwhile - I'm about to peso the photo I did take there in 1985  - 
perhaps one of those little specs in the distance is -the_ tree :-)


ann


On 10/24/2016 8:10 PM, Brian Walters wrote:

On Tue, Oct 25, 2016, at 10:55 AM, ann sanfedele wrote:

I'm feeling uneasy about my id as cottonwood... if that is the same
tree... hmmm.. The cottonwoods in Dans other photsow ere already
turning.. but they were not out in the blistering sun..


I'm pretty certain it's the same tree judging by the rocks near the base
and the main branches of the tree.  My photo was taken on May 8, 2013
so, presumably, the tree was just showing new foliage - much less than
in Dan's photo.

I was hoping your ID as a Fremont cottonwood was correct - that would be
a bit more info to add to the metadata :-)>



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/



But I found a shot that may have that tree in it from 1985 - and the
dogs playing.. butwe werenot in the parking area where the tree was...
stay tuned this is a fun game

ann


On 10/24/2016 6:39 PM, Brian Walters wrote:

On Tue, Oct 25, 2016, at 08:48 AM, ann sanfedele wrote:

Ken - sometimes we take photos just to remember the moment..., when you
know you won't have another chance... the geometry is nice enough here.

My solution in this situation in days of film was to slap on a red
filteron the camera with the bW film in it... Dan could do the same in
photo shop and improve it quite a bit I think...


I agree with you, Ann.

In fact I photographed that exact same tree in 2013 during a quick stop
at the Rio Grande Gorge (heading for Alamosa). The light wasn't
wonderful when I was there either so I warmed it a tad in Photoshop.

Here's my memory of that stop-over:

https://dl.dropboxusercontent.com/u/1370864/_IGP2352-K5-1peso.jpg

(I might not have photographed it if it wasn't for the colourful ice
cream truck parked under it)



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/



I hardly shot anything at that particular location it isn't a very
handsome spot.. but I do often use photos as trip markers...  I was
thinking of looking to

see if I met that tree back in the 80's... I know I drove over that
bridge in 2001.  scary bridge!acrophobia city.  When I was there two
dogs were having

a tussleand I mainly photo'ed them

ann


On 10/24/2016 4:25 PM, Ken Waller wrote:

I appreciate that as others have stated the light isn't wonderful,
but sometimes you have to work with what you have and live with
it.

Not to be elitist about this, but I wouldn't take this shot if the
light wasn't acceptable - I don't see a reason to capture the image
when I know it already has major faults built it - YMMV

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - From: "Malcolm Smith"

Subject: RE: PESO: A tree grows in Badlands.



Daniel J. Matyola wrote:

A shot from my recent trip to New Mexico:
http://photo.net/photodb/photo?photo_id=18302690&size=lg

+++

I like it. I appreciate that as others have stated the light isn't
wonderful, but sometimes you have to work with what you have and live
with
it.

I had a difference of opinion recently with a photographer with letters
after his name for this medium; he was not adverse to changing (quite
dramatically) light or removing elements from the photo with
software. I'm
happy to use Lightroom to enhance the image and remove spots, but
otherwise
it stops being what you saw. I have no doubt an artist would simply
paint
what he wanted. I've looked at your image several times Dan, and I've
taken
many pictures which would benefit from a more dramatic sky. I still like
this as it stands.

Malcolm

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Re: PESO: A tree grows in Badlands.

2016-10-24 Thread Brian Walters
On Tue, Oct 25, 2016, at 10:55 AM, ann sanfedele wrote:
> I'm feeling uneasy about my id as cottonwood... if that is the same 
> tree... hmmm.. The cottonwoods in Dans other photsow ere already 
> turning.. but they were not out in the blistering sun..


I'm pretty certain it's the same tree judging by the rocks near the base
and the main branches of the tree.  My photo was taken on May 8, 2013
so, presumably, the tree was just showing new foliage - much less than
in Dan's photo.

I was hoping your ID as a Fremont cottonwood was correct - that would be
a bit more info to add to the metadata :-)>



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/


> 
> But I found a shot that may have that tree in it from 1985 - and the 
> dogs playing.. butwe werenot in the parking area where the tree was... 
> stay tuned this is a fun game
> 
> ann
> 
> 
> On 10/24/2016 6:39 PM, Brian Walters wrote:
> > On Tue, Oct 25, 2016, at 08:48 AM, ann sanfedele wrote:
> >> Ken - sometimes we take photos just to remember the moment..., when you
> >> know you won't have another chance... the geometry is nice enough here.
> >>
> >> My solution in this situation in days of film was to slap on a red
> >> filteron the camera with the bW film in it... Dan could do the same in
> >> photo shop and improve it quite a bit I think...
> >>
> >
> > I agree with you, Ann.
> >
> > In fact I photographed that exact same tree in 2013 during a quick stop
> > at the Rio Grande Gorge (heading for Alamosa). The light wasn't
> > wonderful when I was there either so I warmed it a tad in Photoshop.
> >
> > Here's my memory of that stop-over:
> >
> > https://dl.dropboxusercontent.com/u/1370864/_IGP2352-K5-1peso.jpg
> >
> > (I might not have photographed it if it wasn't for the colourful ice
> > cream truck parked under it)
> >
> >
> >
> > Cheers
> >
> > Brian
> >
> > ++
> > Brian Walters
> > Western Sydney Australia
> > http://lyons-ryan.org/southernlight/
> >
> >
> >> I hardly shot anything at that particular location it isn't a very
> >> handsome spot.. but I do often use photos as trip markers...  I was
> >> thinking of looking to
> >>
> >> see if I met that tree back in the 80's... I know I drove over that
> >> bridge in 2001.  scary bridge!acrophobia city.  When I was there two
> >> dogs were having
> >>
> >> a tussleand I mainly photo'ed them
> >>
> >> ann
> >>
> >>
> >> On 10/24/2016 4:25 PM, Ken Waller wrote:
> >>>> I appreciate that as others have stated the light isn't wonderful,
> >>>> but sometimes you have to work with what you have and live with
> >>>> it.
> >>> Not to be elitist about this, but I wouldn't take this shot if the
> >>> light wasn't acceptable - I don't see a reason to capture the image
> >>> when I know it already has major faults built it - YMMV
> >>>
> >>> Kenneth Waller
> >>> http://www.pentaxphotogallery.com/kennethwaller
> >>>
> >>> - Original Message - From: "Malcolm Smith"
> >>> 
> >>> Subject: RE: PESO: A tree grows in Badlands.
> >>>
> >>>
> >>>> Daniel J. Matyola wrote:
> >>>>
> >>>> A shot from my recent trip to New Mexico:
> >>>> http://photo.net/photodb/photo?photo_id=18302690&size=lg
> >>>>
> >>>> +++
> >>>>
> >>>> I like it. I appreciate that as others have stated the light isn't
> >>>> wonderful, but sometimes you have to work with what you have and live
> >>>> with
> >>>> it.
> >>>>
> >>>> I had a difference of opinion recently with a photographer with letters
> >>>> after his name for this medium; he was not adverse to changing (quite
> >>>> dramatically) light or removing elements from the photo with
> >>>> software. I'm
> >>>> happy to use Lightroom to enhance the image and remove spots, but
> >>>> otherwise
> >>>> it stops being what you saw. I have no doubt an artist would simply
> >>>> paint
> >>>> what he wanted. I've looked at your image several times Dan, and I've
> >>>> taken
> >>>> many pictures which would benefit from a more dramatic sky. I still like
> >>>> this as it stands.
> >>>>
> >>>> Malcolm
> >>>
> >>
> >> -- 
> >
> 
> 
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> to UNSUBSCRIBE from the PDML, please visit the link directly above and
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Re: PESO: A tree grows in Badlands.

2016-10-24 Thread ann sanfedele
I'm feeling uneasy about my id as cottonwood... if that is the same 
tree... hmmm.. The cottonwoods in Dans other photsow ere already 
turning.. but they were not out in the blistering sun..


But I found a shot that may have that tree in it from 1985 - and the 
dogs playing.. butwe werenot in the parking area where the tree was... 
stay tuned this is a fun game


ann


On 10/24/2016 6:39 PM, Brian Walters wrote:

On Tue, Oct 25, 2016, at 08:48 AM, ann sanfedele wrote:

Ken - sometimes we take photos just to remember the moment..., when you
know you won't have another chance... the geometry is nice enough here.

My solution in this situation in days of film was to slap on a red
filteron the camera with the bW film in it... Dan could do the same in
photo shop and improve it quite a bit I think...



I agree with you, Ann.

In fact I photographed that exact same tree in 2013 during a quick stop
at the Rio Grande Gorge (heading for Alamosa). The light wasn't
wonderful when I was there either so I warmed it a tad in Photoshop.

Here's my memory of that stop-over:

https://dl.dropboxusercontent.com/u/1370864/_IGP2352-K5-1peso.jpg

(I might not have photographed it if it wasn't for the colourful ice
cream truck parked under it)



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/



I hardly shot anything at that particular location it isn't a very
handsome spot.. but I do often use photos as trip markers...  I was
thinking of looking to

see if I met that tree back in the 80's... I know I drove over that
bridge in 2001.  scary bridge!acrophobia city.  When I was there two
dogs were having

a tussleand I mainly photo'ed them

ann


On 10/24/2016 4:25 PM, Ken Waller wrote:

I appreciate that as others have stated the light isn't wonderful,
but sometimes you have to work with what you have and live with
it.

Not to be elitist about this, but I wouldn't take this shot if the
light wasn't acceptable - I don't see a reason to capture the image
when I know it already has major faults built it - YMMV

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message ----- From: "Malcolm Smith"

Subject: RE: PESO: A tree grows in Badlands.



Daniel J. Matyola wrote:

A shot from my recent trip to New Mexico:
http://photo.net/photodb/photo?photo_id=18302690&size=lg

+++

I like it. I appreciate that as others have stated the light isn't
wonderful, but sometimes you have to work with what you have and live
with
it.

I had a difference of opinion recently with a photographer with letters
after his name for this medium; he was not adverse to changing (quite
dramatically) light or removing elements from the photo with
software. I'm
happy to use Lightroom to enhance the image and remove spots, but
otherwise
it stops being what you saw. I have no doubt an artist would simply
paint
what he wanted. I've looked at your image several times Dan, and I've
taken
many pictures which would benefit from a more dramatic sky. I still like
this as it stands.

Malcolm




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Re: PESO: A tree grows in Badlands.

2016-10-24 Thread Brian Walters
On Tue, Oct 25, 2016, at 08:48 AM, ann sanfedele wrote:
> Ken - sometimes we take photos just to remember the moment..., when you 
> know you won't have another chance... the geometry is nice enough here.
>
> My solution in this situation in days of film was to slap on a red 
> filteron the camera with the bW film in it... Dan could do the same in 
> photo shop and improve it quite a bit I think...
>


I agree with you, Ann.

In fact I photographed that exact same tree in 2013 during a quick stop
at the Rio Grande Gorge (heading for Alamosa). The light wasn't
wonderful when I was there either so I warmed it a tad in Photoshop.

Here's my memory of that stop-over:

https://dl.dropboxusercontent.com/u/1370864/_IGP2352-K5-1peso.jpg

(I might not have photographed it if it wasn't for the colourful ice
cream truck parked under it)



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/


> 
> I hardly shot anything at that particular location it isn't a very 
> handsome spot.. but I do often use photos as trip markers...  I was 
> thinking of looking to
> 
> see if I met that tree back in the 80's... I know I drove over that 
> bridge in 2001.  scary bridge!acrophobia city.  When I was there two 
> dogs were having
> 
> a tussleand I mainly photo'ed them
> 
> ann
> 
> 
> On 10/24/2016 4:25 PM, Ken Waller wrote:
> >> I appreciate that as others have stated the light isn't wonderful, 
> >> but sometimes you have to work with what you have and live with
> >> it.
> >
> > Not to be elitist about this, but I wouldn't take this shot if the 
> > light wasn't acceptable - I don't see a reason to capture the image 
> > when I know it already has major faults built it - YMMV
> >
> > Kenneth Waller
> > http://www.pentaxphotogallery.com/kennethwaller
> >
> > - Original Message - From: "Malcolm Smith" 
> > 
> > Subject: RE: PESO: A tree grows in Badlands.
> >
> >
> >> Daniel J. Matyola wrote:
> >>
> >> A shot from my recent trip to New Mexico:
> >> http://photo.net/photodb/photo?photo_id=18302690&size=lg
> >>
> >> +++
> >>
> >> I like it. I appreciate that as others have stated the light isn't
> >> wonderful, but sometimes you have to work with what you have and live 
> >> with
> >> it.
> >>
> >> I had a difference of opinion recently with a photographer with letters
> >> after his name for this medium; he was not adverse to changing (quite
> >> dramatically) light or removing elements from the photo with 
> >> software. I'm
> >> happy to use Lightroom to enhance the image and remove spots, but 
> >> otherwise
> >> it stops being what you saw. I have no doubt an artist would simply 
> >> paint
> >> what he wanted. I've looked at your image several times Dan, and I've 
> >> taken
> >> many pictures which would benefit from a more dramatic sky. I still like
> >> this as it stands.
> >>
> >> Malcolm
> >
> >
> 
> 
> -- 


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Re: PESO: A tree grows in Badlands.

2016-10-24 Thread ann sanfedele
Ken - sometimes we take photos just to remember the moment..., when you 
know you won't have another chance... the geometry is nice enough here.


My solution in this situation in days of film was to slap on a red 
filteron the camera with the bW film in it... Dan could do the same in 
photo shop and


improve it quite a bit I think...

I hardly shot anything at that particular location it isn't a very 
handsome spot.. but I do often use photos as trip markers...  I was 
thinking of looking to


see if I met that tree back in the 80's... I know I drove over that 
bridge in 2001.  scary bridge!acrophobia city.  When I was there two 
dogs were having


a tussleand I mainly photo'ed them

ann


On 10/24/2016 4:25 PM, Ken Waller wrote:
I appreciate that as others have stated the light isn't wonderful, 
but sometimes you have to work with what you have and live with

it.


Not to be elitist about this, but I wouldn't take this shot if the 
light wasn't acceptable - I don't see a reason to capture the image 
when I know it already has major faults built it - YMMV


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - From: "Malcolm Smith" 


Subject: RE: PESO: A tree grows in Badlands.



Daniel J. Matyola wrote:

A shot from my recent trip to New Mexico:
http://photo.net/photodb/photo?photo_id=18302690&size=lg

+++

I like it. I appreciate that as others have stated the light isn't
wonderful, but sometimes you have to work with what you have and live 
with

it.

I had a difference of opinion recently with a photographer with letters
after his name for this medium; he was not adverse to changing (quite
dramatically) light or removing elements from the photo with 
software. I'm
happy to use Lightroom to enhance the image and remove spots, but 
otherwise
it stops being what you saw. I have no doubt an artist would simply 
paint
what he wanted. I've looked at your image several times Dan, and I've 
taken

many pictures which would benefit from a more dramatic sky. I still like
this as it stands.

Malcolm






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Re: PESO: A tree grows in Badlands.

2016-10-24 Thread ann sanfedele
My memory is aided by repeated trips to the area and repeated trips to 
my boxes of slides more recently :-)


ann


On 10/24/2016 3:45 PM, Ken Waller wrote:

Great memory ann!

I spent a week in Taos, in trial and got out to that bridge but never 
shot that tree.


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - From: "ann sanfedele" 
Subject: Re: PESO: A tree grows in Badlands.



Yeah... too bad about the light -

I know that Dan was only in that area for a few days and I gather, 
because of the kind of meet-up it was, he really was constrained - 
Dan you should elaborate a bit on your trip... I'd personally like to 
know what your local itinerary was.


This shot was taken near the edge of the rio grand gorge, a bit north 
and west of Taos.. A bridge runs over it :-)


ann


On 10/24/2016 11:50 AM, Ken Waller wrote:

Nice subject that cries out for better light.

-Original Message-

From: "Daniel J. Matyola" 
Subject: PESO: A tree grows in Badlands.

A shot from my recent trip to New Mexico:
http://photo.net/photodb/photo?photo_id=18302690&size=lg
Comments are invited.

Dan Matyola
http://www.pentaxphotogallery.com/






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Re: PESO: A tree grows in Badlands.

2016-10-24 Thread Ken Waller
I appreciate that as others have stated the light isn't wonderful, but 
sometimes you have to work with what you have and live with

it.


Not to be elitist about this, but I wouldn't take this shot if the light 
wasn't acceptable - I don't see a reason to capture the image when I know it 
already has major faults built it - YMMV


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: "Malcolm Smith" 

Subject: RE: PESO: A tree grows in Badlands.



Daniel J. Matyola wrote:

A shot from my recent trip to New Mexico:
http://photo.net/photodb/photo?photo_id=18302690&size=lg

+++

I like it. I appreciate that as others have stated the light isn't
wonderful, but sometimes you have to work with what you have and live with
it.

I had a difference of opinion recently with a photographer with letters
after his name for this medium; he was not adverse to changing (quite
dramatically) light or removing elements from the photo with software. I'm
happy to use Lightroom to enhance the image and remove spots, but 
otherwise

it stops being what you saw. I have no doubt an artist would simply paint
what he wanted. I've looked at your image several times Dan, and I've 
taken

many pictures which would benefit from a more dramatic sky. I still like
this as it stands.

Malcolm



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Re: PESO: A tree grows in Badlands.

2016-10-24 Thread Ken Waller

Great memory ann!

I spent a week in Taos, in trial and got out to that bridge but never shot 
that tree.


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: "ann sanfedele" 

Subject: Re: PESO: A tree grows in Badlands.



Yeah... too bad about the light -

I know that Dan was only in that area for a few days and I gather, because 
of the kind of meet-up it was, he really was constrained - Dan you should 
elaborate a bit on your trip... I'd personally like to know what your 
local itinerary was.


This shot was taken near the edge of the rio grand gorge, a bit north and 
west of Taos.. A bridge runs over it :-)


ann


On 10/24/2016 11:50 AM, Ken Waller wrote:

Nice subject that cries out for better light.

-Original Message-

From: "Daniel J. Matyola" 
Subject: PESO: A tree grows in Badlands.

A shot from my recent trip to New Mexico:
http://photo.net/photodb/photo?photo_id=18302690&size=lg
Comments are invited.

Dan Matyola
http://www.pentaxphotogallery.com/



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Re: PESO: A tree grows in Badlands.

2016-10-24 Thread ann sanfedele
It's a common tree in the area Dan was in...  It is a Fremont cottonwood 
tree, Populus fremontii


I'm waiting for Dan's photos of the Plaza - either Taos or Old Santa 
Fe... they are both very beautiful

ann

On 10/24/2016 11:53 AM, Alan C wrote:

A powerful image, Dan. A survivor.

Alan C

-Original Message- From: Daniel J. Matyola
Sent: Monday, October 24, 2016 3:46 PM
To: Pentax-Discuss Mail List
Subject: PESO: A tree grows in Badlands.

A shot from my recent trip to New Mexico:
http://photo.net/photodb/photo?photo_id=18302690&size=lg
Comments are invited.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola



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Re: PESO: A tree grows in Badlands.

2016-10-24 Thread Alan C

A powerful image, Dan. A survivor.

Alan C

-Original Message- 
From: Daniel J. Matyola

Sent: Monday, October 24, 2016 3:46 PM
To: Pentax-Discuss Mail List
Subject: PESO: A tree grows in Badlands.

A shot from my recent trip to New Mexico:
http://photo.net/photodb/photo?photo_id=18302690&size=lg
Comments are invited.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
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RE: PESO: A tree grows in Badlands.

2016-10-24 Thread Malcolm Smith
Daniel J. Matyola wrote:

A shot from my recent trip to New Mexico:
http://photo.net/photodb/photo?photo_id=18302690&size=lg

+++

I like it. I appreciate that as others have stated the light isn't
wonderful, but sometimes you have to work with what you have and live with
it.

I had a difference of opinion recently with a photographer with letters
after his name for this medium; he was not adverse to changing (quite
dramatically) light or removing elements from the photo with software. I'm
happy to use Lightroom to enhance the image and remove spots, but otherwise
it stops being what you saw. I have no doubt an artist would simply paint
what he wanted. I've looked at your image several times Dan, and I've taken
many pictures which would benefit from a more dramatic sky. I still like
this as it stands.

Malcolm 


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Re: PESO: A tree grows in Badlands.

2016-10-24 Thread ann sanfedele

Yeah... too bad about the light -

I know that Dan was only in that area for a few days and I gather, 
because of the kind of meet-up it was, he really was constrained - Dan 
you should elaborate a bit on your trip... I'd personally like to know 
what your local itinerary was.


This shot was taken near the edge of the rio grand gorge, a bit north 
and west of Taos.. A bridge runs over it :-)


ann


On 10/24/2016 11:50 AM, Ken Waller wrote:

Nice subject that cries out for better light.

-Original Message-

From: "Daniel J. Matyola" 
Subject: PESO: A tree grows in Badlands.

A shot from my recent trip to New Mexico:
http://photo.net/photodb/photo?photo_id=18302690&size=lg
Comments are invited.

Dan Matyola
http://www.pentaxphotogallery.com/



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Re: PESO: A tree grows in Badlands.

2016-10-24 Thread Ken Waller

Nice subject that cries out for better light.

-Original Message-
>From: "Daniel J. Matyola" 
>Subject: PESO: A tree grows in Badlands.
>
>A shot from my recent trip to New Mexico:
>http://photo.net/photodb/photo?photo_id=18302690&size=lg
>Comments are invited.
>
>Dan Matyola
>http://www.pentaxphotogallery.com/

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PESO: A tree grows in Badlands.

2016-10-24 Thread Daniel J. Matyola
A shot from my recent trip to New Mexico:
http://photo.net/photodb/photo?photo_id=18302690&size=lg
Comments are invited.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
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