Re: K-7 composition shift question

2009-05-21 Thread Adam Maas
Enough to support 11mm of shift on a 35mm frame. There's a couple 35mm
mount tilt/shift adapters available that use P645 lenses, usually the
FA35.

-Adam

On Wed, May 20, 2009 at 10:02 PM, Nick Wright nickwright1...@gmail.com wrote:
 Sure, do we know how large the image circle of a typical FA645 lens is?

 On Wed, May 20, 2009 at 8:56 PM, John Francis jo...@panix.com wrote:
 On Wed, May 20, 2009 at 08:49:54PM -0500, Nick Wright wrote:
 8-11mm isn't a terrible lot of movement.

 I wonder how difficult it would be to implement a sensor shift of that
 magnitude in say a medium format digital body?

 Can you imagine that? It wouldn't give you tilt control (but perhaps
 that wouldn't be that hard to put in either?) but just think being
 able to apply shift to any lens you put on the body?

 That only works if the image circle of the lens is large enough,
 otherwise you're going to have serious vignetting problems.

 TANSTAAFL.


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Re: K-7 composition shift question

2009-05-21 Thread Thibouille
Shift with the sensor is possible if I understood things correctly.
However, ther's not a lot of space for the sensor to move, e few
millimiteres at best.
It may help, it is nice to be able to, but it won't replace a true shift lens.


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Re: K-7 composition shift question

2009-05-21 Thread frank theriault
On Wed, May 20, 2009 at 7:08 PM, William Robb war...@gmail.com wrote:


 Ok, lets presume that it's a perfect world snip

The optimist says this is the best of all possible worlds. The
pessimist fears he is right. -- J. Robert Oppenheimer

cheers,
frank


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Re: K-7 composition shift question

2009-05-21 Thread P. J. Alling
11mm of movement may not very much, except when you're talking about it 
in terms of moving the APS-C sized sensor, within the camera body.  Then 
you're looking at a movement that's 45% of the sensor's long axis and 
69% of it's short axis, with a commensurate increase in the size of the 
mirror box, mirror, prism, etc or a maybe a live view only camera, which 
would still be larger than a K20D in most dimensions, except for 
possibly the lack of a prism hump.   A specialized camera like that 
might be possible but not as a general purpose SLR or even EVIL camera. 

Now if you plan to use lenses for 24x36mm lenses you get 8mm of movement 
in either direction, 33%  movement in long axis and 50% on the short 
axis, but Pentax seems to have stopped using the old 35mm mirror boxes 
and mirrors with end of the *ist-D series.  Now the K7d by all accounts, 
(well the two I've read so far anyway), state the it's shutter and 
mirror are exceptionally quite, which is probably made possible partly 
by it's APS-C sized components.  So why Pentax would give that up to 
build a camera with a larger noisier shutter mirror assembly I cannot 
fathom. 

If you want to use medium format lenses you can already get shift 
adapters from Pentacon-6 mount to K mount.


http://araxfoto.com/accessories/shift/

I'm sure you could have one made for 645 or 6x7 lenses.  This likely to 
be the state of art for some time to come.


Adam Maas wrote:

Enough to support 11mm of shift on a 35mm frame. There's a couple 35mm
mount tilt/shift adapters available that use P645 lenses, usually the
FA35.

-Adam

On Wed, May 20, 2009 at 10:02 PM, Nick Wright nickwright1...@gmail.com wrote:
  

Sure, do we know how large the image circle of a typical FA645 lens is?

On Wed, May 20, 2009 at 8:56 PM, John Francis jo...@panix.com wrote:


On Wed, May 20, 2009 at 08:49:54PM -0500, Nick Wright wrote:
  

8-11mm isn't a terrible lot of movement.

I wonder how difficult it would be to implement a sensor shift of that
magnitude in say a medium format digital body?

Can you imagine that? It wouldn't give you tilt control (but perhaps
that wouldn't be that hard to put in either?) but just think being
able to apply shift to any lens you put on the body?


That only works if the image circle of the lens is large enough,
otherwise you're going to have serious vignetting problems.

TANSTAAFL.


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Re: K-7 composition shift question

2009-05-21 Thread Graydon
On Wed, May 20, 2009 at 05:08:52PM -0600, William Robb scripsit:
 - Original Message - 
 From: Graydon
  Or maybe I'm just confused, and I'm not sure I can manage ASCII art
  diagrams for the first couple floors being right here, nicely parallel
  to the sensor, and the top two floors, fifteen floors above those first
  two floors, not being (in perspective) parallel, although actually in
  parallel unless it's a very funky building.
 
 Ok, lets presume that it's a perfect world, because it makes the explanation 
 easier.

It certainly does!

 The walls of the building are perpendicular to the absolutely level ground 
 you are standing on.
 If the sensor/film is also perpendicular to the ground, it will be parallel 
 to the walls of the building.
 In this scenario, there will be no keystoning.
 Keystoning (actually, I think this is when the building appears to be tilted 
 forwards due to over correction, but I'll happily misuse the term because 
 it's one that doesn't see the light of day often enough) arises when the 
 building is taller than the lens in use can capture, and so the camera must 
 be tilted upwards to capture the netire building. As soon as that happens, 
 the building will have the falling over backwards look.

Ah, ok!

I thought keystoning meant the apparent divergence of actually parallel
lines.

 The ways to correct it are: back off far enough that you get the entire 
 building in the picture without having to tilt the camera, and then crop out 
 the forground, or move the lens up or film/sensor downwards (with the camera 
 set up square and perpendicular to the ground) or a combination of the two 
 to get the entire building in the picture (generally this is a view camera 
 thing, rarely do shift lenses have enough movement), or take the picture 
 with the camera tilted upwards and correct the image during processing, 
 either with the transform perspective tool in Photoshop (or whatever passes 
 for the same thing in the software you are using) or if you are shooting 
 film, tilt the easel to correct the image (only works if the mage is only 
 slightly skewed due to depth of focus considerations).

Appreciate the explanation.

-- Graydon

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Re: K-7 composition shift question

2009-05-21 Thread Nick Wright
I know it wouldn't be very feasible in an APS sized camera. That's why
I specifically mentioned that perhaps we might see such a feature in
the reportedly upcoming 645D.

On Thu, May 21, 2009 at 9:37 AM, P. J. Alling p_all...@hotmail.com wrote:
 11mm of movement may not very much, except when you're talking about it in
 terms of moving the APS-C sized sensor, within the camera body.  Then you're
 looking at a movement that's 45% of the sensor's long axis and 69% of it's
 short axis, with a commensurate increase in the size of the mirror box,
 mirror, prism, etc or a maybe a live view only camera, which would still be
 larger than a K20D in most dimensions, except for possibly the lack of a
 prism hump.   A specialized camera like that might be possible but not as
 a general purpose SLR or even EVIL camera.
 Now if you plan to use lenses for 24x36mm lenses you get 8mm of movement in
 either direction, 33%  movement in long axis and 50% on the short axis, but
 Pentax seems to have stopped using the old 35mm mirror boxes and mirrors
 with end of the *ist-D series.  Now the K7d by all accounts, (well the two
 I've read so far anyway), state the it's shutter and mirror are
 exceptionally quite, which is probably made possible partly by it's APS-C
 sized components.  So why Pentax would give that up to build a camera with a
 larger noisier shutter mirror assembly I cannot fathom.
 If you want to use medium format lenses you can already get shift adapters
 from Pentacon-6 mount to K mount.

 http://araxfoto.com/accessories/shift/

 I'm sure you could have one made for 645 or 6x7 lenses.  This likely to be
 the state of art for some time to come.

 Adam Maas wrote:

 Enough to support 11mm of shift on a 35mm frame. There's a couple 35mm
 mount tilt/shift adapters available that use P645 lenses, usually the
 FA35.

 -Adam

 On Wed, May 20, 2009 at 10:02 PM, Nick Wright nickwright1...@gmail.com
 wrote:


 Sure, do we know how large the image circle of a typical FA645 lens is?

 On Wed, May 20, 2009 at 8:56 PM, John Francis jo...@panix.com wrote:


 On Wed, May 20, 2009 at 08:49:54PM -0500, Nick Wright wrote:


 8-11mm isn't a terrible lot of movement.

 I wonder how difficult it would be to implement a sensor shift of that
 magnitude in say a medium format digital body?

 Can you imagine that? It wouldn't give you tilt control (but perhaps
 that wouldn't be that hard to put in either?) but just think being
 able to apply shift to any lens you put on the body?


 That only works if the image circle of the lens is large enough,
 otherwise you're going to have serious vignetting problems.

 TANSTAAFL.


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Re: K-7 composition shift question

2009-05-21 Thread P. J. Alling

I should have read the post I was responding to better please ignore.

P. J. Alling wrote:
11mm of movement may not very much, except when you're talking about 
it in terms of moving the APS-C sized sensor, within the camera body.  
Then you're looking at a movement that's 45% of the sensor's long axis 
and 69% of it's short axis, with a commensurate increase in the size 
of the mirror box, mirror, prism, etc or a maybe a live view only 
camera, which would still be larger than a K20D in most dimensions, 
except for possibly the lack of a prism hump.   A specialized camera 
like that might be possible but not as a general purpose SLR or even 
EVIL camera.
Now if you plan to use lenses for 24x36mm lenses you get 8mm of 
movement in either direction, 33%  movement in long axis and 50% on 
the short axis, but Pentax seems to have stopped using the old 35mm 
mirror boxes and mirrors with end of the *ist-D series.  Now the K7d 
by all accounts, (well the two I've read so far anyway), state the 
it's shutter and mirror are exceptionally quite, which is probably 
made possible partly by it's APS-C sized components.  So why Pentax 
would give that up to build a camera with a larger noisier shutter 
mirror assembly I cannot fathom.
If you want to use medium format lenses you can already get shift 
adapters from Pentacon-6 mount to K mount.


http://araxfoto.com/accessories/shift/

I'm sure you could have one made for 645 or 6x7 lenses.  This likely 
to be the state of art for some time to come.


Adam Maas wrote:

Enough to support 11mm of shift on a 35mm frame. There's a couple 35mm
mount tilt/shift adapters available that use P645 lenses, usually the
FA35.

-Adam

On Wed, May 20, 2009 at 10:02 PM, Nick Wright 
nickwright1...@gmail.com wrote:
 

Sure, do we know how large the image circle of a typical FA645 lens is?

On Wed, May 20, 2009 at 8:56 PM, John Francis jo...@panix.com wrote:
   

On Wed, May 20, 2009 at 08:49:54PM -0500, Nick Wright wrote:
 

8-11mm isn't a terrible lot of movement.

I wonder how difficult it would be to implement a sensor shift of 
that

magnitude in say a medium format digital body?

Can you imagine that? It wouldn't give you tilt control (but perhaps
that wouldn't be that hard to put in either?) but just think being
able to apply shift to any lens you put on the body?


That only works if the image circle of the lens is large enough,
otherwise you're going to have serious vignetting problems.

TANSTAAFL.


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Re: K-7 composition shift question

2009-05-21 Thread William Robb

- Original Message - 
From: Graydon
Subject: Re: K-7 composition shift question



 Appreciate the explanation.


I think I owed you one.

William Robb 



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Re: K-7 composition shift question

2009-05-21 Thread Joseph McAllister

On May 21, 2009, at 02:08 , Thibouille wrote:


Shift with the sensor is possible if I understood things correctly.
However, ther's not a lot of space for the sensor to move, e few
millimiteres at best.
It may help, it is nice to be able to, but it won't replace a true  
shift lens.


I agree. However, it will, would add an extension of what the shift  
lenses are capable of. I can't guess by how much though. Someone could  
figure out the difference in subject movement at infinity vs image  
movement at the focal plane for given lenses. Not my bailiwick.


Joseph McAllister
pentax...@mac.com

http://gallery.me.com/jomac
http://web.me.com/jomac/show.me/Blog/Blog.html






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K-7 composition shift question

2009-05-20 Thread Nick Wright
So this new feature that allows you to shift the sensor for composition.

Would that allow you to use the sensor in a similar (though very
limited) way as a shift lens? Could you use that function to correct a
slight amount of keystoning in architecture for example?

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Re: K-7 composition shift question

2009-05-20 Thread Graydon
On Wed, May 20, 2009 at 05:18:02PM -0500, Nick Wright scripsit:
 So this new feature that allows you to shift the sensor for composition.
 
 Would that allow you to use the sensor in a similar (though very
 limited) way as a shift lens? Could you use that function to correct a
 slight amount of keystoning in architecture for example?

The sensor moves left to right, up and down, and rotates around its
centre axis, but all within the focal plane.

To correct keystone effects, you'd have to be able to tilt the sensor
relative to the focal plane, which I don't think you can do.

If you *could* tilt the sensor relative to the nominal focal plane, it
opens up some interesting possibilities but it would also cause problems
with figuring out what, exactly, might be in focus at any given time, so
I don't think that will happen.

-- Graydon

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Re: K-7 composition shift question

2009-05-20 Thread Adam Maas
On Wed, May 20, 2009 at 6:22 PM, Graydon o...@uniserve.com wrote:
 On Wed, May 20, 2009 at 05:18:02PM -0500, Nick Wright scripsit:
 So this new feature that allows you to shift the sensor for composition.

 Would that allow you to use the sensor in a similar (though very
 limited) way as a shift lens? Could you use that function to correct a
 slight amount of keystoning in architecture for example?

 The sensor moves left to right, up and down, and rotates around its
 centre axis, but all within the focal plane.

 To correct keystone effects, you'd have to be able to tilt the sensor
 relative to the focal plane, which I don't think you can do.

 If you *could* tilt the sensor relative to the nominal focal plane, it
 opens up some interesting possibilities but it would also cause problems
 with figuring out what, exactly, might be in focus at any given time, so
 I don't think that will happen.

 -- Graydon


Actually, you can correct for keystoning via sensor shift, but likely
not by a sufficient amount for it to matter. Tilt is rarely used to
correct perspective, but rather to use the Scheimpflug effect to
control DoF.

Keystoning is corrected by positioning the camera parallel to the
subject and using shift to move the image circle to get the desired
composition. Doing so for more than very minor amounts would require
far more sensor shift capability than is present in the SR system.


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Re: K-7 composition shift question

2009-05-20 Thread William Robb

- Original Message - 
From: Graydon
Subject: Re: K-7 composition shift question




 To correct keystone effects, you'd have to be able to tilt the sensor
 relative to the focal plane, which I don't think you can do.


This isn't correct.
To correct keystoning, the sensor has to be parallel to the object being 
photographed.
With a view camera, generally one would raise the lens to include the top of 
the building, I suppose with sensor shift, one could lower the sensor to do 
the same thing.
I don't think there will be enough sensor shift to make a heck of a lot of 
difference WRT this. I expect it will still be something best done in post 
processing.

William Robb 



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Re: K-7 composition shift question

2009-05-20 Thread Graydon
On Wed, May 20, 2009 at 04:35:11PM -0600, William Robb scripsit:
 
 - Original Message - 
 From: Graydon
 Subject: Re: K-7 composition shift question
  To correct keystone effects, you'd have to be able to tilt the sensor
  relative to the focal plane, which I don't think you can do.
 
 This isn't correct.
 To correct keystoning, the sensor has to be parallel to the object being 
 photographed.

Parallel, parallel, or perspective parallel?

-- Graydon

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Re: K-7 composition shift question

2009-05-20 Thread William Robb

- Original Message - 
From: Graydon
Subject: Re: K-7 composition shift question




 This isn't correct.
 To correct keystoning, the sensor has to be parallel to the object being
 photographed.

 Parallel, parallel, or perspective parallel?

I think you are stuttering.

William Robb 



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Re: K-7 composition shift question

2009-05-20 Thread Graydon
On Wed, May 20, 2009 at 04:45:58PM -0600, William Robb scripsit:
 
 - Original Message - 
 Subject: Re: K-7 composition shift question
  This isn't correct.
  To correct keystoning, the sensor has to be parallel to the object being
  photographed.
 
  Parallel, parallel, or perspective parallel?
 
 I think you are stuttering.

Plausibly.

Or maybe I'm just confused, and I'm not sure I can manage ASCII art
diagrams for the first couple floors being right here, nicely parallel
to the sensor, and the top two floors, fifteen floors above those first
two floors, not being (in perspective) parallel, although actually in
parallel unless it's a very funky building.

-- Graydon

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Re: K-7 composition shift question

2009-05-20 Thread William Robb

- Original Message - 
From: Graydon
Subject: Re: K-7 composition shift question




 Or maybe I'm just confused, and I'm not sure I can manage ASCII art
 diagrams for the first couple floors being right here, nicely parallel
 to the sensor, and the top two floors, fifteen floors above those first
 two floors, not being (in perspective) parallel, although actually in
 parallel unless it's a very funky building.

Ok, lets presume that it's a perfect world, because it makes the explanation 
easier.

The walls of the building are perpendicular to the absolutely level ground 
you are standing on.
If the sensor/film is also perpendicular to the ground, it will be parallel 
to the walls of the building.
In this scenario, there will be no keystoning.
Keystoning (actually, I think this is when the building appears to be tilted 
forwards due to over correction, but I'll happily misuse the term because 
it's one that doesn't see the light of day often enough) arises when the 
building is taller than the lens in use can capture, and so the camera must 
be tilted upwards to capture the netire building. As soon as that happens, 
the building will have the falling over backwards look.
The ways to correct it are: back off far enough that you get the entire 
building in the picture without having to tilt the camera, and then crop out 
the forground, or move the lens up or film/sensor downwards (with the camera 
set up square and perpendicular to the ground) or a combination of the two 
to get the entire building in the picture (generally this is a view camera 
thing, rarely do shift lenses have enough movement), or take the picture 
with the camera tilted upwards and correct the image during processing, 
either with the transform perspective tool in Photoshop (or whatever passes 
for the same thing in the software you are using) or if you are shooting 
film, tilt the easel to correct the image (only works if the mage is only 
slightly skewed due to depth of focus considerations).

William Robb 



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Re: K-7 composition shift question

2009-05-20 Thread P. J. Alling

I doubt that there's enough shift involved to do that.

Nick Wright wrote:

So this new feature that allows you to shift the sensor for composition.

Would that allow you to use the sensor in a similar (though very
limited) way as a shift lens? Could you use that function to correct a
slight amount of keystoning in architecture for example?

  



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free man any more than a dog.

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Re: K-7 composition shift question

2009-05-20 Thread Nick Wright
After I posted the question I saw the imaging resources page which
says I believe that the sensor can be shifted 2mm up or down.

On a shift lens what kind of travel is there?

On Wed, May 20, 2009 at 6:49 PM, P. J. Alling p_all...@hotmail.com wrote:
 I doubt that there's enough shift involved to do that.

 Nick Wright wrote:

 So this new feature that allows you to shift the sensor for composition.

 Would that allow you to use the sensor in a similar (though very
 limited) way as a shift lens? Could you use that function to correct a
 slight amount of keystoning in architecture for example?




 --
 --

 The free man owns himself. He can damage himself with either eating or
 drinking; he can ruin himself with gambling. If he does he is certainly a
 damn fool, and he might possibly be a damned soul; but if he may not, he is
 not a free man any more than a dog.

        --G. K. Chesterton


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Re: K-7 composition shift question

2009-05-20 Thread Adam Maas
8-11m on most 35mm or MF format SLR lenses, several cm to several
inches on a large format camera.

-Adam

On Wed, May 20, 2009 at 8:05 PM, Nick Wright nickwright1...@gmail.com wrote:
 After I posted the question I saw the imaging resources page which
 says I believe that the sensor can be shifted 2mm up or down.

 On a shift lens what kind of travel is there?

 On Wed, May 20, 2009 at 6:49 PM, P. J. Alling p_all...@hotmail.com wrote:
 I doubt that there's enough shift involved to do that.

 Nick Wright wrote:

 So this new feature that allows you to shift the sensor for composition.

 Would that allow you to use the sensor in a similar (though very
 limited) way as a shift lens? Could you use that function to correct a
 slight amount of keystoning in architecture for example?




 --
 --

 The free man owns himself. He can damage himself with either eating or
 drinking; he can ruin himself with gambling. If he does he is certainly a
 damn fool, and he might possibly be a damned soul; but if he may not, he is
 not a free man any more than a dog.

        --G. K. Chesterton


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Re: K-7 composition shift question

2009-05-20 Thread John Francis

Impressive - that would put it in the next room.  :-)


On Wed, May 20, 2009 at 08:59:02PM -0400, Adam Maas wrote:
 8-11m on most 35mm or MF format SLR lenses, several cm to several
 inches on a large format camera.
 
 -Adam
 
 On Wed, May 20, 2009 at 8:05 PM, Nick Wright nickwright1...@gmail.com wrote:
  After I posted the question I saw the imaging resources page which
  says I believe that the sensor can be shifted 2mm up or down.
 
  On a shift lens what kind of travel is there?
 
  On Wed, May 20, 2009 at 6:49 PM, P. J. Alling p_all...@hotmail.com wrote:
  I doubt that there's enough shift involved to do that.
 
  Nick Wright wrote:
 
  So this new feature that allows you to shift the sensor for composition.
 
  Would that allow you to use the sensor in a similar (though very
  limited) way as a shift lens? Could you use that function to correct a
  slight amount of keystoning in architecture for example?
 
 
 
 
  --
  --
 
  The free man owns himself. He can damage himself with either eating or
  drinking; he can ruin himself with gambling. If he does he is certainly a
  damn fool, and he might possibly be a damned soul; but if he may not, he is
  not a free man any more than a dog.
 
  ? ? ? ?--G. K. Chesterton
 
 
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  to UNSUBSCRIBE from the PDML, please visit the link directly above and
  follow the directions.
 
 
 
 
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  http://www.nickdavidwright.com/
 
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 -- 
 M. Adam Maas
 http://www.mawz.ca
 Explorations of the City Around Us.
 
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Re: K-7 composition shift question

2009-05-20 Thread Adam Maas
mm of course, my bad;-)

-Adam

On Wed, May 20, 2009 at 9:02 PM, John Francis jo...@panix.com wrote:

 Impressive - that would put it in the next room.  :-)


 On Wed, May 20, 2009 at 08:59:02PM -0400, Adam Maas wrote:
 8-11m on most 35mm or MF format SLR lenses, several cm to several
 inches on a large format camera.

 -Adam

 On Wed, May 20, 2009 at 8:05 PM, Nick Wright nickwright1...@gmail.com 
 wrote:
  After I posted the question I saw the imaging resources page which
  says I believe that the sensor can be shifted 2mm up or down.
 
  On a shift lens what kind of travel is there?
 
  On Wed, May 20, 2009 at 6:49 PM, P. J. Alling p_all...@hotmail.com wrote:
  I doubt that there's enough shift involved to do that.
 
  Nick Wright wrote:
 
  So this new feature that allows you to shift the sensor for composition.
 
  Would that allow you to use the sensor in a similar (though very
  limited) way as a shift lens? Could you use that function to correct a
  slight amount of keystoning in architecture for example?
 
 
 
 
  --
  --
 
  The free man owns himself. He can damage himself with either eating or
  drinking; he can ruin himself with gambling. If he does he is certainly a
  damn fool, and he might possibly be a damned soul; but if he may not, he 
  is
  not a free man any more than a dog.
 
  ? ? ? ?--G. K. Chesterton
 

-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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Re: K-7 composition shift question

2009-05-20 Thread P. J. Alling

8-11m  8 meters is a lot of shift!  (I think you meant /mm/ )

Adam Maas wrote:

8-11m on most 35mm or MF format SLR lenses, several cm to several
inches on a large format camera.

-Adam

On Wed, May 20, 2009 at 8:05 PM, Nick Wright nickwright1...@gmail.com wrote:
  

After I posted the question I saw the imaging resources page which
says I believe that the sensor can be shifted 2mm up or down.

On a shift lens what kind of travel is there?

On Wed, May 20, 2009 at 6:49 PM, P. J. Alling p_all...@hotmail.com wrote:


I doubt that there's enough shift involved to do that.

Nick Wright wrote:
  

So this new feature that allows you to shift the sensor for composition.

Would that allow you to use the sensor in a similar (though very
limited) way as a shift lens? Could you use that function to correct a
slight amount of keystoning in architecture for example?




--
--

The free man owns himself. He can damage himself with either eating or
drinking; he can ruin himself with gambling. If he does he is certainly a
damn fool, and he might possibly be a damned soul; but if he may not, he is
not a free man any more than a dog.

   --G. K. Chesterton


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--
--

The free man owns himself. He can damage himself with either eating or 
drinking; he can ruin himself with gambling. If he does he is certainly a damn 
fool, and he might possibly be a damned soul; but if he may not, he is not a 
free man any more than a dog.

--G. K. Chesterton


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Re: K-7 composition shift question

2009-05-20 Thread Nick Wright
8-11mm isn't a terrible lot of movement.

I wonder how difficult it would be to implement a sensor shift of that
magnitude in say a medium format digital body?

Can you imagine that? It wouldn't give you tilt control (but perhaps
that wouldn't be that hard to put in either?) but just think being
able to apply shift to any lens you put on the body?

As much as I love to shoot old buildings I would think that would be a
huge feature.

On Wed, May 20, 2009 at 8:16 PM, P. J. Alling p_all...@hotmail.com wrote:
 8-11m  8 meters is a lot of shift!  (I think you meant /mm/ )

 Adam Maas wrote:

 8-11m on most 35mm or MF format SLR lenses, several cm to several
 inches on a large format camera.

 -Adam

 On Wed, May 20, 2009 at 8:05 PM, Nick Wright nickwright1...@gmail.com
 wrote:


 After I posted the question I saw the imaging resources page which
 says I believe that the sensor can be shifted 2mm up or down.

 On a shift lens what kind of travel is there?

 On Wed, May 20, 2009 at 6:49 PM, P. J. Alling p_all...@hotmail.com
 wrote:


 I doubt that there's enough shift involved to do that.

 Nick Wright wrote:


 So this new feature that allows you to shift the sensor for
 composition.

 Would that allow you to use the sensor in a similar (though very
 limited) way as a shift lens? Could you use that function to correct a
 slight amount of keystoning in architecture for example?




 --
 --

 The free man owns himself. He can damage himself with either eating or
 drinking; he can ruin himself with gambling. If he does he is certainly
 a
 damn fool, and he might possibly be a damned soul; but if he may not, he
 is
 not a free man any more than a dog.

       --G. K. Chesterton


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 http://pdml.net/mailman/listinfo/pdml_pdml.net
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 follow the directions.



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 --
 --

 The free man owns himself. He can damage himself with either eating or
 drinking; he can ruin himself with gambling. If he does he is certainly a
 damn fool, and he might possibly be a damned soul; but if he may not, he is
 not a free man any more than a dog.

        --G. K. Chesterton


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Re: K-7 composition shift question

2009-05-20 Thread John Francis
On Wed, May 20, 2009 at 08:49:54PM -0500, Nick Wright wrote:
 8-11mm isn't a terrible lot of movement.
 
 I wonder how difficult it would be to implement a sensor shift of that
 magnitude in say a medium format digital body?
 
 Can you imagine that? It wouldn't give you tilt control (but perhaps
 that wouldn't be that hard to put in either?) but just think being
 able to apply shift to any lens you put on the body?

That only works if the image circle of the lens is large enough,
otherwise you're going to have serious vignetting problems.

TANSTAAFL.


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Re: K-7 composition shift question

2009-05-20 Thread Nick Wright
Sure, do we know how large the image circle of a typical FA645 lens is?

On Wed, May 20, 2009 at 8:56 PM, John Francis jo...@panix.com wrote:
 On Wed, May 20, 2009 at 08:49:54PM -0500, Nick Wright wrote:
 8-11mm isn't a terrible lot of movement.

 I wonder how difficult it would be to implement a sensor shift of that
 magnitude in say a medium format digital body?

 Can you imagine that? It wouldn't give you tilt control (but perhaps
 that wouldn't be that hard to put in either?) but just think being
 able to apply shift to any lens you put on the body?

 That only works if the image circle of the lens is large enough,
 otherwise you're going to have serious vignetting problems.

 TANSTAAFL.


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Re: K-7 composition shift question

2009-05-20 Thread John Francis

Well, I'm pretty sure it's at least 75mm in diameter :-)

Seriously, though, it depends very much on the lens.  And
even then it's not necessarily a hard-and-fast boundary;
image quality generally tails off as you get to the edges.

Unfortunately it's usually the shorter focal lengths that
are most subject to image circle limitations, and those
tend to be the lenses where shift would be most useful.


On Wed, May 20, 2009 at 09:02:40PM -0500, Nick Wright wrote:
 Sure, do we know how large the image circle of a typical FA645 lens is?
 
 On Wed, May 20, 2009 at 8:56 PM, John Francis jo...@panix.com wrote:
  On Wed, May 20, 2009 at 08:49:54PM -0500, Nick Wright wrote:
  8-11mm isn't a terrible lot of movement.
 
  I wonder how difficult it would be to implement a sensor shift of that
  magnitude in say a medium format digital body?
 
  Can you imagine that? It wouldn't give you tilt control (but perhaps
  that wouldn't be that hard to put in either?) but just think being
  able to apply shift to any lens you put on the body?
 
  That only works if the image circle of the lens is large enough,
  otherwise you're going to have serious vignetting problems.
 
  TANSTAAFL.
 
 
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  follow the directions.
 
 
 
 
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