Re: Developing Tri-X 400

2002-01-15 Thread Bob Rapp

Hey, cut it out!!! we have had long (squid filled) discussions about meters
and metering. We are treading where the coals are hot and there is no
escaping. Like religion, these are very personal areas and to each their
own!!!

Bob
- Original Message -
From: gabriel bovino [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, January 06, 2002 6:45 PM
Subject: Re: Developing Tri-X 400


 Hey... that could be a future pentax discussion post:

 What's Your Favorite Developing Recipe?

 So that way, someone can create their very own developing cookbook and
break
 out of their old habits and try something new.

 Gabe
 - Original Message -
 From: J. C. O'Connell [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Saturday, January 05, 2002 9:55 PM
 Subject: RE: Developing Tri-X 400


   I haven't had much success with Tmax 100. With Tmax 400, I
   generally expose it
   at ISO 200, then
   develop it in D76 1:1 for 11 minutes at 68 deg. F. I agitate 15
   times for 5
   seconds each time. I use stop bath,
   but I precede it with a water rinse.
 
  I like constant agitation (even though I never
  saw it recommended anywhere) because its easier
  and more consistant. ( I use a print drum roller)
  Just set it on roller and forget it.
 
  I use stop bath directly after developer because I
  want film to stop developing immediately (especially
  when development time is so short). Using water rinse
  seems like it wouldnt be as fast or consistant.
 
  I use the drum roller for fixer agaitation too but
  i've got it set for 3 seconds on out of every 30 seconds.
  I really fix long for TMAX films, like 15 minutes.
 
  JCO
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Re: Developing Tri-X 400

2002-01-05 Thread gabriel bovino

Well I want to thank everyone for their advice!!!  Because I was so
eager to try developing my own negs after about 10 years... I went out a
bought what was only available at the local camera shop.

T-MAX Developer
Kodafix Solution
Kodak Stop Bath
Kodak PhotoFlo

I developed the film and everything looks great... except where the film
buckled a little and it did not develop correctly.
- Original Message -
From: Frantisek Vlcek [EMAIL PROTECTED]
To: Paul Jones [EMAIL PROTECTED]
Sent: Thursday, January 03, 2002 4:07 PM
Subject: Re: Developing Tri-X 400


 PJ After some discussion with Shel, he reccomended TriX to me and i've
been
 PJ using it for most of my b/w since then, i do use Neopan 1600 when i
need
 PJ some xtra speed (which is a really good film for its speed).
 You have TX and use Neopan 1600 to get to 1600 ISO?!? What a
 blasphemy! Both TX and HP5+ are no problem pushing to 1600, no problem
 at all, even in D76 (although Microphen is best for it IMO). IMHO
 better to use it than a Neopan, not that it's bad, but because with TX
 or HP5+ you can cover 400-1600 (3200 sometimes) with one film _you
 know_.
 [...]
 PJ I develop mine in Xtol, I have also developed it in Rodinal (only
twice) and
 PJ ID-11 a number of times. But with Xtol i seem to get a nice
combination of
 PJ sharpeness, fine grain and nice tones. I think it was slighty sharper
in
 PJ Rodinal, but not by much. But the grain was a problem for me.
 Try Rodinal with medium format film. I have a personal love for
 Rodinal, so I like it even in small format, but then, I also like
 contrasty, super-grainy photographs :) (if the content is good of
 courseg).

 Snowfield Willie wrote that grain looks are very important for the look
 of photograph. I have several very good films where I simply don't
 like the grain looks in the resulting photo. And grain looks are, in
 small enlargements, a lot influenced by paper too, and of
 course enlarger light source, and paper grade - hard grades show the
 grain a lot more.

 Good light,
  Frantisek
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Re: Developing Tri-X 400

2002-01-05 Thread Paul Stenquist

gabriel bovino wrote:

 Well I want to thank everyone for their advice!!!  Because I was so
 eager to try developing my own negs after about 10 years... I went out a
 bought what was only available at the local camera shop.

 T-MAX Developer
 Kodafix Solution
 Kodak Stop Bath
 Kodak PhotoFlo

 I developed the film and everything looks great... except where the film
 buckled a little and it did not develop correctly

Congratulations! That's a big first step. And everything you used is
completely adequate, and perhaps quite good. T-Max is a relatively hot
developer, but it yields very nice results in most situations. I haven't tried
it with Tri=X, but I suspect it will do just fine. Work with these chemicals
for a while, then try something like D-76 1:1 and compare the results. Do some
reading. See what other people are doing, and experiment. It's a lot of fun.
And eventually you'll find something that's just right for you.
Paul
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RE: Developing Tri-X 400

2002-01-05 Thread J. C. O'Connell

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Paul Stenquist
 Sent: Saturday, January 05, 2002 4:37 PM
 To: [EMAIL PROTECTED]
 Subject: Re: Developing Tri-X 400


 gabriel bovino wrote:

  Well I want to thank everyone for their advice!!!  Because I was so
  eager to try developing my own negs after about 10 years... I went out a
  bought what was only available at the local camera shop.
 
  T-MAX Developer
  Kodafix Solution
  Kodak Stop Bath
  Kodak PhotoFlo
 
  I developed the film and everything looks great... except where the film
  buckled a little and it did not develop correctly

 Congratulations! That's a big first step. And everything you used is
 completely adequate, and perhaps quite good. T-Max is a relatively hot
 developer, but it yields very nice results in most situations. I
 haven't tried
 it with Tri=X, but I suspect it will do just fine. Work with
 these chemicals
 for a while, then try something like D-76 1:1 and compare the
 results. Do some
 reading. See what other people are doing, and experiment. It's a
 lot of fun.
 And eventually you'll find something that's just right for you.
 Paul
I think it's better to experiment with film speed and development
time keeping film, developer, developer temp, developer dilution, 
agitation all
constant. That way you can really get best results. The best way to
find film speed with a given development process is to bracket +/-
2 stops from nominal speed in 1/2 stop increments and then choose
best looking negative and use that speed from then on.

Once that is established, then change one varible such as developer
and fine tune again if not satified with first results. It's not Tri-X
but here's one setup that works fantastic for me:

Film : Tmax 100
ISO: 80
Deveolper : Tmax liquid
Deveolper dilution : 1:9 ( 1 shot use )
Diluted Developer Amount : 400ml Per roll (36)
Developer Temp. : 24 deg. C
Agitation : constant with roller
Development Time : 6.5 minutes
Use stop bath : Yes

Good Luck,
JCO
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Re: Developing Tri-X 400

2002-01-05 Thread Paul Stenquist

J. C. O'Connell wrote:


 I think it's better to experiment with film speed and development
 time keeping film, developer, developer temp, developer dilution, 
 agitation all
 constant. That way you can really get best results. T

I agree. It's best to perfect one developer before moving on.

 It's not Tri-X
 but here's one setup that works fantastic for me:

 Film : Tmax 100
 ISO: 80
 Deveolper : Tmax liquid
 Deveolper dilution : 1:9 ( 1 shot use )
 Diluted Developer Amount : 400ml Per roll (36)
 Developer Temp. : 24 deg. C
 Agitation : constant with roller
 Development Time : 6.5 minutes
 Use stop bath : Yes


I'm going to try your Tmax 100 recipe. While I've had great success with Tmax
400.
I haven't had much success with Tmax 100. With Tmax 400, I generally expose it
at ISO 200, then
develop it in D76 1:1 for 11 minutes at 68 deg. F. I agitate 15 times for 5
seconds each time. I use stop bath,
but I precede it with a water rinse.
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RE: Developing Tri-X 400

2002-01-05 Thread J. C. O'Connell

 I haven't had much success with Tmax 100. With Tmax 400, I 
 generally expose it
 at ISO 200, then
 develop it in D76 1:1 for 11 minutes at 68 deg. F. I agitate 15 
 times for 5
 seconds each time. I use stop bath,
 but I precede it with a water rinse.

I like constant agitation (even though I never
saw it recommended anywhere) because its easier
and more consistant. ( I use a print drum roller)
Just set it on roller and forget it.

I use stop bath directly after developer because I
want film to stop developing immediately (especially
when development time is so short). Using water rinse
seems like it wouldnt be as fast or consistant.

I use the drum roller for fixer agaitation too but
i've got it set for 3 seconds on out of every 30 seconds.
I really fix long for TMAX films, like 15 minutes. 

JCO
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Re: Developing Tri-X 400

2002-01-03 Thread Frantisek Vlcek

PJ After some discussion with Shel, he reccomended TriX to me and i've been
PJ using it for most of my b/w since then, i do use Neopan 1600 when i need
PJ some xtra speed (which is a really good film for its speed).
You have TX and use Neopan 1600 to get to 1600 ISO?!? What a
blasphemy! Both TX and HP5+ are no problem pushing to 1600, no problem
at all, even in D76 (although Microphen is best for it IMO). IMHO
better to use it than a Neopan, not that it's bad, but because with TX
or HP5+ you can cover 400-1600 (3200 sometimes) with one film _you
know_.
[...]
PJ I develop mine in Xtol, I have also developed it in Rodinal (only twice) and
PJ ID-11 a number of times. But with Xtol i seem to get a nice combination of
PJ sharpeness, fine grain and nice tones. I think it was slighty sharper in
PJ Rodinal, but not by much. But the grain was a problem for me.
Try Rodinal with medium format film. I have a personal love for
Rodinal, so I like it even in small format, but then, I also like
contrasty, super-grainy photographs :) (if the content is good of
courseg).

Snowfield Willie wrote that grain looks are very important for the look
of photograph. I have several very good films where I simply don't
like the grain looks in the resulting photo. And grain looks are, in
small enlargements, a lot influenced by paper too, and of
course enlarger light source, and paper grade - hard grades show the
grain a lot more.

Good light,
 Frantisek
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Re: Developing Tri-X 400

2002-01-02 Thread Bill Owens

I'm still in the learning process with BW (developing in a daylight tank
and printing with Vuescan, PS 6.0, and Epson 1270).  Over the weekend I
tried Mike Johnston's suggestion and shot Tri-X at 200 and processed in D-76
1:1 for 8 minutes.  I was pleased with the results.

Bill, KG4LOV
[EMAIL PROTECTED]
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Re: Developing Tri-X 400

2002-01-02 Thread Paul Jones

Hi,

After some discussion with Shel, he reccomended TriX to me and i've been
using it for most of my b/w since then, i do use Neopan 1600 when i need
some xtra speed (which is a really good film for its speed).

I really like TriX and I like the grain :) Although i havent tried that many
other 400 b/w films, the other film i have used is Neopan 400 and a little
HP4.

I develop mine in Xtol, I have also developed it in Rodinal (only twice) and
ID-11 a number of times. But with Xtol i seem to get a nice combination of
sharpeness, fine grain and nice tones. I think it was slighty sharper in
Rodinal, but not by much. But the grain was a problem for me.

Regards,
Paul Jones
- Original Message -
From: J. C. O'Connell [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, January 02, 2002 5:06 PM
Subject: RE: Developing Tri-X 400


 Why are people so enamored with Tri-X?
 I use Tmax 100 developed with Tmax developer
 and the results are outstanding. Tri-X is
 so grainy I dont understand why anyone would
 want to use it anymore.

 Just a quick comment on Tmax 400, it's way too
 fussy and I have never been able to get good
 results with it. Maybe thats why Tri-X still
 survives?

 JCO
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Re: Developing Tri-X 400

2002-01-02 Thread William Robb

- Original Message -
From: Paul Jones
Subject: Re: Developing Tri-X 400



 I really like TriX and I like the grain :)

A very important thing, since grain is an intrinsic component of
the final image.
So many things have to be ~right~ for a picture to work. We
dwell on having the correct lens, and the ideal exposure, and
the proper development, and the best paper.
So may times, it seems, all we seem to think about with the film
is how fine is the grain?.
Much more important a question, methinks, is What does the
grain look like?. It doesn't matter how fine grained a film is,
if you shoot 35mm film and make enlargements 8x10 or bigger,
grain is part of the final image.
For myself, the grain had damn well better look nice, or the
image is a failure.
Tri-X has very nice grain.
William Robb
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Re: Developing Tri-X 400

2002-01-01 Thread Paul Stenquist

Hi,
Stop in at a good camera store and get yourself a copy of the Kodak Darkroom
Dataguide. It will list recommended developers and other chemicals needed to
process that Tri-X . It also provides good instructions. You'll see the book
includes developmeent times for the  various films. If I were you, I'd try Kodak
HC-110 Developer (easy to mix), stop bath, and a rapid fixer. When you're
purchasing chemicals, you should also ask for a bottle of hypo eliminator (Orbit
is the most popular brand),. If you're water is less than pristine, get some
distilled water for your last rinse. If you use tap water, buy some Photo Flo
solution to add to the last rinse. Once you've had some experience, try different
developers. Kodak D-76 mixed 11 with water works very well for Kodak, as do a
number of products from other manufacturers. But the best way to start is to go
with the Kodak book and the Kodak chemicals for your first attempt. It's a much
more comfortable learning curve when you have that much help.
Paul

gabriel bovino wrote:

 Hello everyone,
 I just found out that my sister still has all of her BW developing equipment
 and enlarger sitting in my parents closet at home.  Since I live in an
 apartment (with my girlfriend), I want to start slowly and try processing some
 rolls of Tri-X 400 in our bathroom.  Miracously, my girlfriend agreed... or
 maybe she doesn't know what she's agreed to yet.

 Anyways, I wanted to know what chemicals I will need to purchase to develop
 these rolls.  It's been about 10 years since highschool that I've had a chance
 to develop my own BW negatives.  I found the procedure for developing film at
 http://www.photogs.com/bwworld/bwfilmdev.html but want to know if there are
 specific brands or chemicals that I should be using to shorten my learning
 curve.

 Maybe down the road I can convince her to turn our pantry into a blackroom...
 or not.  :)

 Thanks!!!
 Gabe
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Re: Developing Tri-X 400

2002-01-01 Thread Shel Belinkoff

Hi Paul ...

Allow me to present another side of your suggestions, although they are
good ones.

First, I'd recommend against HC-110 and stick with D-76 or ID-11 as the
first developers, since they are, essentially, the benchmark by which
other developers are measured.  From there I'd experiment with other
choices.

The Kodak Darkroom Dataguide is a good book - I use it myself - but, of
course, it's very Kodak-centric.  So, I'd suggest supplementing it with
The Film Developing Cookbook, which has both a broader and a deeper
range.

I'd also suggest using distilled water for mixing the developer and in
which to develop the film.  Your suggestion of distilled water for the
final rinse is a good one, too.

Kodak's Photo-Flo is no longer used here.  Edwal makes what many seem to
feel is a better, more economical product, Edwal LFN.  Comments on the
subject of wetting agents and rinsing and drying techniques can be found
here:

http://www.photo.net/bboard/q-and-a-fetch-msg?msg_id=000pE8

I'm posting this not so much for you, but for Gabe, the original poster,
as the discussion there touches on a few aspects of technique.  Us
old-timers have our routines pretty well set.

Paul Stenquist wrote:
 
 Hi,
 Stop in at a good camera store and get yourself a copy of the Kodak Darkroom
 Dataguide. It will list recommended developers and other chemicals needed to
 process that Tri-X . It also provides good instructions. You'll see the book
 includes developmeent times for the  various films. If I were you, I'd try Kodak
 HC-110 Developer (easy to mix), stop bath, and a rapid fixer. When you're
 purchasing chemicals, you should also ask for a bottle of hypo eliminator (Orbit
 is the most popular brand),. If you're water is less than pristine, get some
 distilled water for your last rinse. If you use tap water, buy some Photo Flo
 solution to add to the last rinse. Once you've had some experience, try different
 developers. Kodak D-76 mixed 11 with water works very well for Kodak, as do a
 number of products from other manufacturers. But the best way to start is to go
 with the Kodak book and the Kodak chemicals for your first attempt. It's a much
 more comfortable learning curve when you have that much help.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Developing Tri-X 400

2002-01-01 Thread Shel Belinkoff

NYIP has a series on BW processing on their web site.  There are ten
installments and, for someone getting started, or just wanting to
refresh his or her information, it's a good place to check out.

http://www.nyip.com/tips/topic_black_white.html
http://www.nyip.com/tips/topic_black_white_02.html
http://www.nyip.com/tips/topic_black_white_03.html
http://www.nyip.com/tips/topic_black_white_04.html
http://www.nyip.com/tips/topic_black_white_05.html
http://www.nyip.com/tips/topic_black_white_06.html
http://www.nyip.com/tips/topic_black_white_07.html
http://www.nyip.com/tips/topic_black_white_08.html
http://www.nyip.com/tips/topic_black_white_09.html

Have fun!
-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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RE: Developing Tri-X 400

2002-01-01 Thread J. C. O'Connell

Why are people so enamored with Tri-X?
I use Tmax 100 developed with Tmax developer
and the results are outstanding. Tri-X is
so grainy I dont understand why anyone would
want to use it anymore.

Just a quick comment on Tmax 400, it's way too
fussy and I have never been able to get good
results with it. Maybe thats why Tri-X still
survives?

JCO
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