Re: [pinhole-discussion] New Member--introduction

2003-10-21 Thread Philip willarney
Pinhole's fun -- it can make you slow down and think
about things, and it can at the same time loosen you
up a lot and see what happens.  Have at it, eh?

-- pw


--- Melissa absolutelynotdigi...@excite.com wrote:
..snip..
 much a newbie when it comes to pinhole work, having
 just made my first camera last weekend. I am very
 excited about the creative possibilities it has to
 offer! I can't wait to learn more. And I'm so happy
 I found this list! Thank you :-)
 Mel
 
 
 
 
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Re: [pinhole-discussion] New Member--introduction

2003-10-20 Thread Wolfgang Thoma

Melissa wrote:


Hi everyone! Just wanted to introduce myself. My name is Mel and I have been 
involved in photography since i was very young, stealing my dad's old SLR to 
take pictures of everything. I am constanly looking for new creative outlets in 
the photographic field, which brought me to pinhole photography. I am very much 
a newbie when it comes to pinhole work, having just made my first camera last 
weekend. I am very excited about the creative possibilities it has to offer! I 
can't wait to learn more. And I'm so happy I found this list! Thank you :-)
Mel
 


Welcome to the club,
taco





Re: [pinhole-discussion] new member

2002-11-07 Thread Richard M Koolish
Another suggestion.  Find an old Brownie box camera that takes
120 film and that has time exposure capability.  They should
be $5.00 or so.  It is easy to take the lens out and put in
a pinhole.  Then you will have 6x9 cm images instead of 35mm
and can still get commercial processing.  I mostly do paper negatives
with home made cameras and do the processing in my darkroom.  I just
made a stereo pinhole camera out of a cookie tin.  It was a great
excuse to by a box of chocolate cookies.  

 
 
  Thanks for the input on transparency film...I have used Velvia 120 in the
 past with a good light meter and had wonderful results with lenses...My hope
 is that the slide film will give me a better or truer read on my
 exposures...I currently use 100 or 200 asa color or the Kodak C41 process
 BW film and although I have my exposure calculations worked out (for the
 most part) I always wonder how much correction goes on in the processing. I
 can read a BW neg fairly well but not a color one.
  With less latitude I realize that I would have to get the exposure of Slide
 film down pretty much to a science...or artand like I never say...the
 more you learn - the more you know.
  Ronnie p
 
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Re: [pinhole-discussion] new member

2002-11-07 Thread Pettit, Ronnie (RBI-US RCD)
 Thanks for the input on transparency film...I have used Velvia 120 in the
past with a good light meter and had wonderful results with lenses...My hope
is that the slide film will give me a better or truer read on my
exposures...I currently use 100 or 200 asa color or the Kodak C41 process
BW film and although I have my exposure calculations worked out (for the
most part) I always wonder how much correction goes on in the processing. I
can read a BW neg fairly well but not a color one.
 With less latitude I realize that I would have to get the exposure of Slide
film down pretty much to a science...or artand like I never say...the
more you learn - the more you know.
 Ronnie p



RE: [pinhole-discussion] new member

2002-11-07 Thread Andy Schmitt
The only problem with transparency film is it has much less latitude, less
tolerance for variation in exposure.
andy

-Original Message-
From: pinhole-discussion-admin@p at ???
[mailto:pinhole-discussion-admin@p at ???]On Behalf Of Pettit, Ronnie
(RBI-US RCD)
Sent: Thursday, November 07, 2002 1:05 PM
To: pinhole-discussion@p at ???
Subject: [pinhole-discussion] new member



 I have been a lurker on this list for a few months and have enjoyed the
vast amount of knowledge I have been able to glean from cyberspace.
 I have been a fan of pinhole photography since my college days where I
studied under Wiley Sanderson, Mary Ruth Moore and Dr Robert Nix at the
University of Georgia...Bid deal, I know... I have a 4x5 multi focal length
and a 8x10 that I don't currently us due to not having a darkroom at the
moment...I now typically use a body cap pinhole on my old 35 mm.
 My question to the group is...Does anyone use transparency film for pinhole
use and if so, what problems might be associated with that in contrast to
the typical negative film? I ask this because I have seen that the
Ilfochrome or Cibachrome is such the standard for the highest quality color
printing. Any thoughts comments or contusions?
 Thanks
 Ronnie Pettit

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Re: [pinhole-discussion] new member

2002-11-07 Thread D. Hill
Hi Ronnie, welcome to the list.  

In my work with pinhole and zoneplate bodycaps I use
any slide film which is of high contrast due to the
low-contrast nature of pinhole.  My latest ventures
are with Velvia, a nice contrasty slide film.  If you
have good friends in a developing lab, or if you have
the facilities to develop slide film yourself, I have
a wonderful solution.  My current experiment is to
shoot Velvia at ASA 400, and push it 3 stops in the
soup.  This does two things, 1. it further intensifies
the contrast, and 2. intensifies the appearance of
grain in the resulting 6x9 print on cibachrome. 
Velvia holds up well to experimentation in development
and the enhanced grain and contrast work well
aesthetically with the zoneplate and pinhole imagery.

Have fun!
Don
--- Pettit, Ronnie (RBI-US RCD)
ronnie.pet...@reedbusiness.com wrote:
 
  I have been a lurker on this list for a few months
 and have enjoyed the
 vast amount of knowledge I have been able to glean
 from cyberspace.
  I have been a fan of pinhole photography since my
 college days where I
 studied under Wiley Sanderson, Mary Ruth Moore and
 Dr Robert Nix at the
 University of Georgia...Bid deal, I know... I have a
 4x5 multi focal length
 and a 8x10 that I don't currently us due to not
 having a darkroom at the
 moment...I now typically use a body cap pinhole on
 my old 35 mm.
  My question to the group is...Does anyone use
 transparency film for pinhole
 use and if so, what problems might be associated
 with that in contrast to
 the typical negative film? I ask this because I have
 seen that the
 Ilfochrome or Cibachrome is such the standard for
 the highest quality color
 printing. Any thoughts comments or contusions?
  Thanks
  Ronnie Pettit
 
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 Post to the list as PLAIN TEXT only - no HTML 
 Pinhole-Discussion mailing list
 Pinhole-Discussion@p at ???
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 http://www.???/discussion/


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Re: [pinhole-discussion] New member comments for list message handling and a question

2001-07-12 Thread John Yeo
Good suggestions, I'm sure most people feel the same way.  The html point
has been brought up many many times, but few people ever seem to change it.

 (Almost) lastly, so my message has some pinhole-related content, I am
 reading pinhole theory and looking at different camera results in
 anticipation of converting an old Kodak SLR with a very slow shutter by
 replacing the lens with a pinhole.
While this may seem like the easiest method, you probably won't be very
satisfied with it (imho).  Making optimal pinholes for such a short focal
length is difficult, and the 35mm format is just too small for pinhole.
Yes, some have great success with it, but the results will be much better on
120 or larger film.


 Lastly, at last, what is meant by 'optimal' hole pinhole diameter? What
 happens when one strays from 'optimal'?

When the hole is too big, the image is fuzzy because each point of light
ends up with a larger spot on the film than it should.  When the hole is too
small, defraction occurs.  When you look at the edge of a shadow, it is
fuzzy.  That is defraction.  The edges of a shadow *should* be sharp, when
you think about it, but in reality they're not.  When the pinhole is too
small, the image becomes less sharp because of defraction.

John